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Download the Animation Liberation Magazine - Winter '07 edition

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COLLECTOR’S CORNER:<br />

ICE Kunion’s Entire Catalogue!<br />

FUNERAL FOR A FRIEND:<br />

(October 2005 - January 2007)<br />

ICE Kunion, being active for only fifteen months, introduced sixteen separate<br />

series. Their products all fell under Korean drama, but even within that field, <strong>the</strong>re was<br />

diversity: "Cynical Orange" and "Forest of Gray City" played out in such a realistic<br />

manner that <strong>the</strong>y very well could have been autobiographical, while on <strong>the</strong> o<strong>the</strong>r hand<br />

"11th Cat" and "Moon Boy" were purely fantasy.<br />

There could have been a wave. When ICE Kunion introduced itself to <strong>the</strong><br />

American market, it was at a beautiful time. Tokyo Pop had already released some<br />

Manhwa over <strong>the</strong> past years ("Ragnarok" and "Devil Diary" as examples) which sparked<br />

<strong>the</strong> interest of what else Korea had to offer. In January 2006, Manhwa publisher<br />

NETCOMICS began releasing <strong>the</strong>ir products around major bookstores too; <strong>the</strong>re were so<br />

many titles to choose from, if those two companies alone could have retained <strong>the</strong>ir<br />

foothold, <strong>the</strong>re very well could have been a cultural movement and in <strong>the</strong> end Manhwa<br />

would get a separate section on <strong>the</strong> bookshelves. But <strong>the</strong> end of 2006 also marked <strong>the</strong><br />

end of ICE Kunion's interaction with <strong>the</strong> market; <strong>the</strong> wave had died down.<br />

With all great and revolutionary ideas comes absorption. In July of 2007 it was<br />

announced that Ice Kunion was going to be completely absorbed by Yen Press, (a new<br />

manga impress, owned by "Hatchette Book Group USA".) <strong>the</strong> titles will continue to be<br />

released under this new imprint starting in Spring 2008. While <strong>the</strong>se events are good<br />

mark for those who want to see ICE Kunion's titles stay afloat in America, <strong>the</strong>re is <strong>the</strong><br />

underlying tragedy that our manga markets were not sustainable for South Korea's<br />

investments.<br />

ICE Kunion was one of <strong>the</strong> best publishers to ever grace our bookstores. All of<br />

<strong>the</strong>ir releases were 1st <strong>edition</strong>s; <strong>the</strong>ir catalogue is worth collecting in its entirety. If you<br />

ever seen an ICE Kunion release in a back bin of a store or at a vendor's booth, don't miss<br />

an opportunity to collect something so great.<br />

Additional information from WIKIPEDIA: ICE Kunion's partners include<br />

Sigongsa and Seoul Cultural Publishers, two of <strong>the</strong> four largest media empires in Korea.<br />

ICEkunion's former editorial director Ju-Youn Lee (now Yen Press' senior editor) is<br />

quoted with saying "I asked <strong>the</strong>m, would <strong>the</strong>y like to join Yen Press with all <strong>the</strong> resources<br />

of Hachette behind <strong>the</strong> titles. They decided it would be a better chance to take risks with<br />

Hachette." Lee said that while <strong>the</strong> ICE Kunion co-venture was a good project, "We didn’t<br />

have any staff working in U.S., and we had our limits doing work from Korea."<br />

� Austin Wright<br />

<strong>Animation</strong> <strong>Liberation</strong> <strong>Magazine</strong> 18

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