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mel (Austria, Italy), which won the Label<br />

Europa Cinemas prize at the Cannes Film<br />

Festival in 2009, approached with great tenderness<br />

the stories of marginalized people<br />

living in Italy, while the outstanding film<br />

“Fish Tank”, by Andrea Arnold, was a brilliant<br />

sample of contemporary British cinema.<br />

The program also included a series of films<br />

which did not have the exposure of the above<br />

titles, yet they were well received by film<br />

reviewers and audiences as well in international<br />

Festivals; however these low-budget<br />

films stood out for their sincere and bold approach.<br />

One of the aims of the “<strong>Cyprus</strong> Film<br />

Days” Festival has always been to introduce<br />

“Fish Tank”<br />

“La Tigra”<br />

62<br />

“Dogtooth”<br />

“Eastern Plays”<br />

to the public of <strong>Cyprus</strong> the work of newcomers<br />

and of film directors that are not widely<br />

known. This series of films included “La Tigra”<br />

by Federico Godfrid and Juan Sasiain,<br />

and “Plan B” by Marco Berger from Argentina;<br />

“About Elly” by Asghar Farhadi, and<br />

“Tehroun” by Nader T. Homayoun both from<br />

Iran; the Bulgarian film “Eastern Plays” by<br />

Kamen Kalev and from Croatia, “Metastaze”<br />

by Branko Schmidt.<br />

With the above selection of films the event<br />

aspired to highlight the cinema of social intervention;<br />

to present films that apart from<br />

quality entertainment offered the audience<br />

a chance to experience a kind of cinema<br />

that invites us to interact with the narrative<br />

and the screen on a mental level. As in previous<br />

years, the public had the opportunity<br />

to participate in the “<strong>Cyprus</strong> Film Days”<br />

by voting for the best film, and meet and

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