Christmas special: Postcard Stockings galore! - Picture Postcard ...
Christmas special: Postcard Stockings galore! - Picture Postcard ...
Christmas special: Postcard Stockings galore! - Picture Postcard ...
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The ttop mmagazine ffor<br />
collectors oof oold aand mmodern ppostcards wworldwide!<br />
December 2009 no. 368 £2.60<br />
Bowling along: the<br />
postcards<br />
<strong>Christmas</strong> <strong>special</strong>:<br />
<strong>Postcard</strong> <strong>Stockings</strong><br />
<strong>galore</strong>!<br />
Inside this month:<br />
� <strong>Postcard</strong> television<br />
� Crown Green Bowls<br />
� The Alaska Mission<br />
� Hartley’s Jam<br />
� Jacob Popp’s brush with<br />
the law<br />
and much more<br />
plus news, auctions,<br />
moderns, postbag and<br />
events diary<br />
The Television Age<br />
<strong>Picture</strong> P<strong>Postcard</strong> AAnnual 22010 oout nnow - ddon’t mmiss iit!<br />
- ppacked wwith ppostcard iinformation aand aarticles<br />
Moderns of the<br />
year<br />
Jacob fights the law
15 Debdale Lane<br />
Keyworth<br />
Nottingham NG12 5HT<br />
Tel: 00115-9937-44079<br />
Fax: 00115-9937-66197<br />
www.postcardcollecting.co.uk<br />
e-mmail: rreflections@<br />
postcardcollecting.co.uk<br />
Editorial, aadvertising aand<br />
correspondence: Brian<br />
and Mary Lund<br />
Typesetting aand oorigination:<br />
Helen Bradshaw and<br />
Brian Lund<br />
Printing: Warners<br />
Midlands plc, Bourne, Lincolnshire<br />
(01778-391000)<br />
SUBSCRIPTIONS FOR 12<br />
ISSUES (including postage)<br />
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Europe (airmail) £40<br />
Rest of world airmail £51<br />
Rest of world surface £38<br />
ADVERTISEMENT RATES<br />
Page £175<br />
Half-page £99<br />
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V.A.T. at 15% should be added to<br />
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Spot colour: 20% extra<br />
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Full colour rates: 50% extra<br />
Semi-ddisplay:-<br />
3 single col.cms £7.50<br />
each extra col.cm £1.75<br />
Classified llineage:<br />
1-3 insertions 16p per word<br />
4 + insertions 13p per word<br />
Semi-display £7.50 per 3cm<br />
box<br />
<strong>Picture</strong> ad (modern cards only)<br />
b/w £9.50 col. £15<br />
VAT is included in the classified<br />
rates. This is not applicable to<br />
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ISSN 0144-8137<br />
Views expressed by<br />
contributors are not<br />
necessarily those of the<br />
editor and publisher.<br />
We check all advertisements,<br />
but cannot be<br />
responsible for changes of<br />
dates, failure of individuals<br />
to answer letters, etc.<br />
We shall of course be<br />
pleased to follow up any<br />
problems readers may<br />
experience.<br />
Readers writing to PPM for<br />
information<br />
enclose a S.A.E.<br />
should<br />
Please mmake oout ccheques<br />
to ‘‘Reflections oof aa<br />
Bygone AAge.’<br />
Front ccover ppictures:<br />
Top rright: this airline<br />
poster advert from Contour<br />
Creative of New<br />
Zealand is one of Mike and<br />
Sue Huddy’s favourite<br />
modern postcards of the<br />
past year. See page 46 for<br />
their other selections.<br />
Top lleft: <strong>Christmas</strong> means<br />
stockings, and they are the<br />
subject of Wendy Mann’s<br />
seasonal offering on page<br />
30.<br />
Centre rright: postcards<br />
featuring television make<br />
an interesting theme for<br />
Liz McKernan on page 12.<br />
Bottom lleft: John Mayhew<br />
tries his hand at Crown<br />
Green Bowls on page 24.<br />
Bottom rright: Alan<br />
Leonard investigates the<br />
strange case of Jacob<br />
Popp’s picture postcards<br />
on page 16.<br />
<strong>Postcard</strong> experiment<br />
on TV<br />
Good to see Jon Snow of<br />
Channel 4 News posting a<br />
selection of postcards on<br />
29th October to viewers<br />
who’d tweeted about the<br />
Royal Mail dispute. It was<br />
an exercise designed to<br />
test how quickly the post<br />
was getting through. We’re<br />
still trying to find out how<br />
long the cards did take to<br />
reach their destinations!<br />
Birmingham date<br />
error<br />
One or two errors crept<br />
into AMP Fairs’ advert in<br />
<strong>Picture</strong> <strong>Postcard</strong> Annual<br />
due to a crossed wires<br />
situation! Their Birmingham<br />
(National Motorcycle<br />
Museum) Fair in July<br />
2010 is on the 11th (the<br />
incorrect date also<br />
appears in the Diary);<br />
entry to the Penkridge<br />
fair is free; and free tea<br />
and coffee will not be<br />
dispensed at the Rugby<br />
fair, where entry is actually<br />
£1.<br />
Regular ccolumns<br />
Newsdesk 3<br />
Fairs/Auction Diary 6<br />
Auction notes 28<br />
Postbag 20<br />
What the postman saw<br />
38<br />
Clubscene 40<br />
Card Chat 48<br />
Early posting dates 51<br />
Freecard Gossip 52<br />
Book Review 56<br />
<strong>Picture</strong> <strong>Postcard</strong> Puzzles<br />
57<br />
2 <strong>Picture</strong> <strong>Postcard</strong> Monthly December 2009<br />
PPM FFeatures DDecember 22009<br />
Dealers and collectors - Kirsten Elliott sees life from<br />
both sides of the table 10<br />
<strong>Postcard</strong> themes: Liz McKernan settles down in<br />
front of the telly 12<br />
I fought the law - Jacob Popp used postcards in his<br />
Sunday trading battle, Alan Leonard recalls<br />
16<br />
State of the Nation - John Wood ponders some<br />
weighty postcard matters 19<br />
Promoting Hartley’s jam - Nick Hartley looks at<br />
advertising postcards 22<br />
Crown Green - John Mayhew is bowled over by his<br />
postcard collection 24<br />
Enigma variations - Rick Hogben pursues a code<br />
from New Zealand 26<br />
Who wrote all those postcards? Julia Gillen focuses<br />
on messages on the backs 27<br />
<strong>Stockings</strong> <strong>galore</strong> - Wendy Mann hangs up in hope<br />
30<br />
Famous showjumpers - Ron Severs looks at horsey<br />
postcards 36<br />
Alaska’s Igloo Mission - in the far north with Liz<br />
McKendrick 42<br />
Top Ten Moderns - Mike and Sue Huddy’s choice of<br />
the year 46<br />
<strong>Postcard</strong> fairs continue to attract big<br />
crowds<br />
Despite the fears of some people within the hobby<br />
that internet sales would affect attendances at fairs,<br />
there are signs that figures are holding up well and<br />
in some cases increasing. Pudsey and Nottingham<br />
fairs both saw big crowds in early November (Nottingham<br />
had its best attendance for four years), Haywards<br />
Heath is going well, and Stockport’s midweek<br />
event is booming under the stewardship of AMP<br />
Fairs. No fair promoter can afford to be complacent,<br />
though, and continued imaginative ideas are needed<br />
to pull in more collectors. Some big issues are<br />
surfacing in the hobby at the moment, and this<br />
month’s <strong>Picture</strong> <strong>Postcard</strong> Monthly airs many of<br />
them, possibly controversial but needing thought<br />
and discussion. Because picture postcards provide<br />
such a fascinating panoply of art and history (a<br />
theme we’ll explore next month) it is probably better-placed<br />
than many other hobbies to ride out<br />
financial problems.<br />
The question popped!<br />
Jean Thomas of Rob Roy Albums has become engaged to<br />
Cliff Davis, who is also quickly becoming a familiar face at<br />
major postcard fairs. The couple plan to marry in May next<br />
year. Rob Roy have been selling albums and accessories to<br />
postcard collectors for almost three decades, since Jean’s<br />
father Bob Hogben appeared at London Charing Cross’s<br />
Saturday market under the arches in 1981.
� Newsdesk �<br />
London theme for next year’s <strong>Picture</strong><br />
<strong>Postcard</strong> Show<br />
Organisers have decided that postcards of London<br />
will form the exhibition theme for the Show, which<br />
runs from 2nd-4th September. One highlight will be<br />
a display on Jewish Life put together by David Pearlman,<br />
former editor of <strong>Postcard</strong> CCollectors’ GGazette,<br />
which premiered at City Hall, London, a year ago.<br />
Other displays will focus on aspects of the capital,<br />
with a strong showing for the various superb ‘London<br />
Life’ postcards published during the 20th century.<br />
<strong>Postcard</strong>s in a box<br />
<strong>Postcard</strong>s are the stars of<br />
what is being billed as ‘the<br />
smallest art gallery in the<br />
world’. A group called Cultivating<br />
Settle has turned<br />
the old BT telephone box<br />
on the green of the North<br />
Yorkshire market town<br />
into a community participation<br />
project titled ‘The<br />
Gallery on the Green’. Any<br />
residents or visitors can<br />
contribute something representing<br />
their visit to Settle<br />
or their home town or<br />
village. The display, limited<br />
to 28 images, is<br />
changed frequently. Museum<br />
curator Roger Taylor is<br />
on the lookout for interesting<br />
exhibition proposals.<br />
You can view the initiative<br />
at<br />
www.galleryonthegreen.org.uk<br />
Pudsey in Wonderland<br />
Nottingham <strong>Postcard</strong> Fair<br />
raised £886 for the BBC<br />
‘Children in Need’ appeal<br />
last month, adding to the<br />
£250+ already netted from<br />
the sale of Brian Partridge’s<br />
souvenir postcard<br />
for this year.<br />
�� West London <strong>Postcard</strong><br />
Club have sorted out their<br />
various problems and are<br />
flourishing again. They<br />
have a new chairman in<br />
Michael Goldsmith and<br />
secretary in Graham<br />
Wheeldon. The club has<br />
taken over the promotion<br />
of the Wembley <strong>Postcard</strong><br />
Fair from Roger Lee, the<br />
first fair under the new<br />
regime making a healthy<br />
profit.<br />
Concentration: collectors in a deep study at Wirral <strong>Postcard</strong><br />
Club/Northern <strong>Postcard</strong> Fairs event at Thornton<br />
Hough in November<br />
Rare appearance<br />
Ron Griffiths (right, at the<br />
moderns fair at Nottingham<br />
in 1990) has been one<br />
of the most prominent figures<br />
in the postcard collecting<br />
world over a period of<br />
some 40 years. He pioneered<br />
the collecting of<br />
modern postcards, most<br />
famously buying the entire<br />
residue of moderns (and<br />
many older cards, too) left<br />
after the legendary ‘Blue<br />
Peter’ sale of picture postcards<br />
at Phillips’ London<br />
salerooms in 1977. He edited<br />
the Hertfordshire club<br />
magazine before turning it<br />
into the British <strong>Postcard</strong><br />
Collectors’ Magazine in<br />
1981, which he famously<br />
billed as non profit-making.<br />
That ceased publication a<br />
couple of years ago, but<br />
Ron carried on with an<br />
occasional newsletter, the<br />
final edition of which has<br />
just been published. Fiercely<br />
critical of other dealers,<br />
who he claimed failed to<br />
support his publishing ventures,<br />
Ron had a loyal following<br />
of readers among<br />
the collecting fraternity. He<br />
wrote many of the articles<br />
himself under pseudonyms.<br />
He is making a rare<br />
appearance as a dealer at<br />
the Tolworth <strong>Postcard</strong> Fair<br />
on December 28th with his<br />
fabulous stock of moderns.<br />
15 & 16 January 2010<br />
The top French postcard fair!<br />
10am - 7pm<br />
METRO (ligne 10) & parking:<br />
Maubert-Mutualite<br />
MAISON DE LA MUTUALITE<br />
24 rue Saint-Victor<br />
75005 Paris<br />
Successful tee-off<br />
Horncastle <strong>Postcard</strong> Fair<br />
debuted at its new home,<br />
the town’s golf club, in<br />
October, and promoter<br />
David Calvert was pleased<br />
that the attendance<br />
matched last year’s. The<br />
golf club put on a carvery<br />
and its proprietors were<br />
delighted with the refreshment<br />
take-up by customers.<br />
Perhaps this will<br />
start a new venue trend for<br />
fairs!<br />
� Charity postcard salesman<br />
Len Whittaker has had<br />
a record-breaking year with<br />
his fund-raising efforts for<br />
the Sudan Church association.<br />
His sales to the end of<br />
June 2009 showed a bestever<br />
profit of £13,505.<br />
Sylvia and Michael<br />
Porter’s postcard sales<br />
efforts on behalf of deaf<br />
children in Norfolk have<br />
now grossed almost<br />
£77,000 over 20 years.<br />
CARTEXPO<br />
54<br />
Details:<br />
Marc Lefebvre<br />
0033.1.42.71.36.69<br />
Alexandre Przopiorski<br />
postcardman@hotmail.com<br />
EXHIBITION<br />
The Seine in flood 1910<br />
<strong>Picture</strong> <strong>Postcard</strong> Monthly December 2009 3
When the M1 was empty...<br />
The M1 motorway was officially opened on 2<br />
November 1959, with the initial stretch running from<br />
junction 5 (Watford) to 18 (Crick). Watford Gap service<br />
station was up and running at a basic level<br />
immediately, with others opened later. Toddington,<br />
named after the nearby village, came in 1964. The<br />
50th anniversary was marked by the unveiling of a<br />
plaque at Watford Gap, arguably the most famous<br />
service station in Britain and supposedly the place<br />
where ‘the North’ begins and ends. Early postcards<br />
show the motorway almost deserted, quite unbelievable<br />
now!<br />
Granada’s Toddington Serices opened in 1964, its facilities<br />
and exterior shown on this pair of postcards published by<br />
CG Williams of Maidstone. Fashion and car-spotting are<br />
part of the fun of looking at these cards which, in impeccable<br />
‘Golden Age’ size, surely must soon deserve to be<br />
labelled ‘old’.<br />
Charnock Richard was the M6’s first-ever service station,<br />
opened in 1963. This postcard was published by Valentine<br />
of Dundee to show off its charms and those of the carriageway.<br />
A full-length article on ‘Motorway <strong>Postcard</strong>s’ appeared in<br />
June 2004 PPM.<br />
4 <strong>Picture</strong> <strong>Postcard</strong> Monthly December 2009<br />
Exeter Fair<br />
Saturday 5 December<br />
10 a.m. - 4 p.m.<br />
<strong>Postcard</strong>s<br />
Cigarette Cards and Stamps<br />
Ephemera and Accessories<br />
Clyst Vale Community College, Broadclyst<br />
Organiser: Anne Scott<br />
01395 - 270322<br />
Next events here:<br />
13 February, 13 March<br />
A bumper attendance at Nottingham’s Harvey Hadden<br />
Sports Centre last month enjoyed some fine postcard displays<br />
in the inter-club competition, which saw Alfreton<br />
Philatelic Society take the trophy for the sixth time.<br />
Northamptonshire <strong>Postcard</strong> Club were second, with Gwen<br />
Haynes winning the prize for the best individual board (on<br />
‘Northampton’). Previous winners Doncater slid to third<br />
place this time, while Nottingham came in fourth. Voting<br />
was by collectors and dealers at the fair, and Val Holland<br />
from Brigg won a postcard album as the voter whose<br />
choice most closely matched the final result. Viv Lapworth<br />
made an identical choice, but lost the draw.<br />
Above: big crowds at the fair.<br />
Below: <strong>Postcard</strong> Traders Association chair Melanie Mordsley<br />
presented the Nottingham Fair Trophy to Alfreton’s<br />
Ron Stammers. Bottom: admiring the displays
Royal Mail keeps going... for now<br />
The postal dispute is over for the time being, but the<br />
underlying causes have apparently not been solved.<br />
What we have is a truce, an opportunity for sober<br />
reflection and discussion - a situation similar to the<br />
end of the previous dispute, in 2007. For most people<br />
the strikes that occurred in October did not have too<br />
serious an effect, but the perception of possible delays<br />
and disruptions badly dented users’ confidence in the<br />
system. In some areas of London, where unofficial<br />
walkouts have been causing chaos for months, deliveries<br />
have been unreliable and intermittent.<br />
We have argued many<br />
times before for the continuation<br />
of Royal Mail in public<br />
hands as a universal oneprice-for-all<br />
service with a<br />
long and noble history. The<br />
postal system touches postcard<br />
collectors in two ways:<br />
firstly, in a historical sense -<br />
the mail service was the<br />
means by which millions of<br />
postcards were distributed,<br />
and many collections focus<br />
on postmarks or cards<br />
showing post offices, postboxes,<br />
or postmen and<br />
women. Half the fascination<br />
of picture postcards is in the<br />
journeys they’ve undertak-<br />
Postboxes unlimited. Royal<br />
Mail holds all the cards on<br />
this postcard published earlier<br />
this year by the London<br />
Borough of Hounslow and<br />
designed by Lesley Jones<br />
from Orleans Park School.<br />
Sadly, the trend is in the<br />
opposite direction, with the<br />
service likely to be privatised<br />
after the next election,<br />
against the wishes of most<br />
members of both parliament<br />
and the public.<br />
There’s no post for Miss<br />
Andsum, not even a Valentine<br />
card, on this Edwardian<br />
postcard published in the<br />
‘Smart Novels’ series. Perhaps<br />
she popped in on one<br />
of the strike days?<br />
Right: Donald McGill’s<br />
young lady is desperate to<br />
catch the postman on this<br />
Inter-Art Co.-published<br />
card, posted at Blackpool in<br />
September 1922<br />
en. Secondly, the mail is<br />
crucial for the smooth running<br />
of the hobby as<br />
approvals, or purchases<br />
from auctions or internet<br />
sites wing their way across<br />
the world.<br />
Royal Mail is still a<br />
marvellous service, and<br />
fewer packages go astray<br />
than is often thought, but<br />
the recent closures of post<br />
offices, abolition of second<br />
delivery (or, in many cases,<br />
first delivery) and Sunday<br />
collections raise fears of<br />
how much the service<br />
would be downgraded in<br />
the event of privatisation.<br />
Attempted and abandoned<br />
by the current government,<br />
it will be one of the first<br />
things on the agenda of a<br />
Cameron government if<br />
elected. Derided by internet<br />
buffs as ‘snail mail’ and<br />
talked down by commentators<br />
with an agenda as a<br />
declining industry, Royal<br />
Mail, the best brand name<br />
in Britain, is crucial to collectors<br />
and communities in<br />
so many important ways. It,<br />
and its excellent post office<br />
and postal staff, deserve<br />
support.<br />
The place for postcards!<br />
Spotted recently: an envelope<br />
with an advert for the<br />
shop of J. O. Emes of High<br />
Street, Moreton-in-Marsh. It<br />
described him as a hairdresser,<br />
stationer and<br />
tobacconist, but right at the<br />
top of the advert was “The<br />
shop for picture postcards”.<br />
��A stunning exhibition of old postcards was held recently<br />
at Terrassa in Spain’s Catalonia province. The show, and<br />
an accompanying catalogue, was set up by collectors<br />
Montse Saludes, Rafael Comas and Ana Fernandez.<br />
<strong>Picture</strong> <strong>Postcard</strong> Monthly December 2009 5
NOVEMBER 2009<br />
FAIRS<br />
24 Stockport, Masonic Hall (AMP)<br />
25 Digbeth (Birmingham), Irish Centre<br />
(AMP)<br />
26 Ripley, Rose Lane Scout Hut* (TN)<br />
Plymouth, Guildhall (PF)<br />
27 Clyst St George, Parish Hall (PF)<br />
�28 BRISTOL, B.A.W.A. Leisure Centre<br />
(AS)<br />
GUILDFORD, St.Peter’s School,<br />
Merrow (SuPC)<br />
Chester-le-Street, North Lodge<br />
School (DC)<br />
Redruth, Jubilee Hall (DL)<br />
Porchester, Parish Hall (CH)<br />
Trinity, Jersey, RJA&HS HQ (CIA&C)<br />
Eastbourne , St. Mary’s Church Hall<br />
(CR)<br />
London, Charing Cross Market (RB)<br />
29 Twyford, Loddon Hall (NB)<br />
Prestwick, RAFA Club (CF)<br />
DECEMBER 2009<br />
FAIRS<br />
2 Croydon, St George’s Church Hall<br />
(PD)<br />
Neath, Town Hall (DCF)<br />
3 Cardiff, Wesley Church Hall (DCF)<br />
4 Newark, Showground (DMG)<br />
�5 EXETER, Clyst Vale Community<br />
Centre (AS)<br />
HAYWARDS HEATH, Clair Hall (BF)<br />
Montrose, Hillside Village Hall (CN)<br />
Farnham, Maltings (AD)<br />
Beckenham, Azelia Hall (P&R)<br />
Swindon, Western Community Hall<br />
(SSPF)<br />
Hove, St Leonards Church Hall (EL)<br />
London, Charing Cross Market (RB)<br />
6 BIRMINGHAM, Motor Cycle Museum<br />
(AMP)<br />
Tonbridge, Angel Centre (CR)<br />
Woodbridge, Community Centre (H)<br />
London, Holiday Inn (ES)<br />
�12 Canterbury, Westgate Hall (CB)<br />
Bournemouth, Pelhams Park (RH)<br />
Cardiff, City Hall (MJP)<br />
London, Electric Ballroom (PN)<br />
East Grinstead, De La Warr Parish<br />
Hall (JT)<br />
London, Charing Cross Market (RB)<br />
13 Mountnessing, Village Hall (H)<br />
Bath/Bristol, Patchway Community<br />
College (KN)<br />
17 Orpington, Crofton Halls* (SRP)<br />
Cirencester, Bingham Hall CPC)<br />
�19 Glastonbury, Town Hall (BR)<br />
Midhurst, Grange Hotel (GCA)<br />
Guildford, Onslow Village Hall (CR)<br />
London, Charing Cross Market (RB)<br />
20 LONDON BLOOMSBURY, Royal<br />
National Hotel (IPM)<br />
Herne, Parish Hall (RC)<br />
27 CHELTENHAM , Pump Rooms(AMP)<br />
Glasgow, Woodside Hall (RS)<br />
28 WICKHAM, Community Centre (PP)<br />
A3 KINGSTON BY-Pass, Tolworth<br />
Recreation Centre (GSF)<br />
Sittingbourne , Carmel Hall (CR)<br />
JANUARY 2010<br />
FAIRS<br />
1 East Grinstead, De La Warr Hall (JT)<br />
��2 Hastings, Christ Church (CR)<br />
Farnham, Maltings (AD)<br />
London, Charing Cross Market (RB)<br />
� What’s on - <strong>Postcard</strong> Events Diary �<br />
6 <strong>Picture</strong> <strong>Postcard</strong> Monthly December 2009<br />
Key to number of postcard dealers at<br />
fairs:<br />
BOLD CAPS - 25 or more dealers (40+<br />
if in red)<br />
Bold type - 16-24 dealers<br />
Medium type - 7-15 dealers<br />
Medium italics - 3-6 dealers<br />
* evening fairs<br />
Saturdays indicated by �<br />
Three non-<strong>special</strong>ist dealers are calculated<br />
to be equivalent to one <strong>special</strong>ist<br />
postcard dealer for the purposes of the<br />
Diary. Collectors unfamiliar with a particular<br />
event might still be wise to check<br />
with the organisers about the exact number<br />
of PC dealers present before making<br />
a long journey.<br />
Great care is taken to make sure that the<br />
information of this Diary is accurate, but<br />
the publishers can accept no responsibility<br />
for errors or omissions.<br />
3 LEEDS, Pudsey Civic Hall (KSG)<br />
Ludlow, St. John Ambulance Hall<br />
(AMP)<br />
Worthing , Heene Community Centre<br />
(CR)<br />
6 Croydon, St.George’s Church Hall<br />
(PD)<br />
Neath, Town Hall (DCF)<br />
7 Cardiff, Wesley Church Hall (DCF)<br />
� 9 Colwyn Bay, Eirias High School<br />
(NWSF)<br />
St. Agnes, Parish Hall (DL)<br />
Wellington, Western Community<br />
Hall (SSPF)<br />
Beckenham , Azelia Hall (P&R)<br />
Sale, Grammar School (M&DPA)<br />
Swindon, Western Community Hall<br />
(SSPF)<br />
London, Charing Cross Market (RB)<br />
10 HAYDOCK PARK, Racecourse<br />
(NWCF)<br />
Wymondham, Ketts Park Community<br />
Centre (H)<br />
Orpington, Crofton Halls* (SRP)<br />
Winchester, Badgers Farm<br />
Community Centre (CR)<br />
13 Ardingly , Showground (IACF)<br />
15 TWICKENHAM, Stoop Rugby<br />
Ground (SPPF)<br />
�� 16 TWICKENHAM, Stoop Rugby<br />
Ground (SPPF)<br />
CHESTER, Northgate Arena (NPF)<br />
Broughty Ferry, St Aidans Church<br />
Hall (CN)<br />
Colchester, Marks Tey Parish Hall<br />
(TM)<br />
Eastbourne, St Mary’s Church Hall<br />
(CR)<br />
London, Electric Ballroom (PN)<br />
Midhurst, Grange Market (GCA)<br />
London, Charing Cross Market (RB)<br />
Trowbridge, St. James’ Church Hall<br />
(PF)<br />
17 Chichester, Westgate Centre (E)<br />
Horsham, Village Hall (CR)<br />
Herne, Parish Hall (RC)<br />
Yeovil, Westlands Social Club (PF)<br />
21 Cirencester, Bingham Hall (CPC)<br />
Plymouth, Guildhall (PF)<br />
� 23 Motherwell, St Mary’s Parish Hall<br />
(CF)<br />
Margate, Union Church (CB)<br />
Littlehampton, United Church (CR)<br />
Powick, Parish Hall (AMP)<br />
Wimborne, Allendale Centre (RPH)<br />
London, Charing Cross Market (RB)<br />
24 LONDON BLOOMSBURY, Royal<br />
National Hotel (IPM)<br />
PENKRIDGE, Leisure Centre (AMP)<br />
Carlisle, Houghton Village Hall (CF)<br />
Rochester, Masonic Hall (CR)<br />
26 Stockport, Masonic Guildhall (AMP)<br />
28 Ripley, Rose Lane Scout Hut* (TN)<br />
�� 30 PRESTON, Barton Village Hall<br />
(RRPC)<br />
SHOREHAM-BY-SEA, Shoreham<br />
Centre (BF)<br />
Bicester, Littlebury Hotel (RL)<br />
Gravesend, St George’s Church Hall<br />
(NWKPC)<br />
Portchester, Parish Hall (CH)<br />
Redhill, Salfords Village Hall (CR)<br />
London, Charing Cross Market (RB)<br />
31 LEICESTER, Parklands Leisure Centre<br />
(DC)<br />
FEBRUARY 2010<br />
FAIRS<br />
3 Croydon, St.George’s Church Hall<br />
(PD)<br />
Neath, Town Hall (DCF)<br />
4 Cardiff , Wesley Church Hall (DCF)<br />
5 Newark, Showground (IACF)<br />
�6 BRISTOL, B.A.W.A. Leisure Centre<br />
(AS)<br />
HAYWARDS HEATH, Clair Hall (BF)<br />
Woodbridge, Community Centre (H)<br />
Guildford, Onslow Village Hall (CR)<br />
Cardiff , City Hall (MJP)<br />
Beckenham, Azelia Hall (P&R)<br />
Farnham, Maltings (AD)<br />
Swindon, Western Community Hall<br />
(SSPF)<br />
London, Charing Cross Market (RB)<br />
7 NOTTINGHAM, Harvey Hadden<br />
Sports Centre (R)<br />
Leigh on Sea, West Leigh Junior<br />
School (H)<br />
Patchway , Community Colllege(KN)<br />
Southampton, Novotel (E)<br />
�� 13 STOCKPORT, Town Hall (KSG)<br />
EXETER, Clyst Vale Community<br />
Centre (AS)<br />
Redruth, Jubilee Hall (DL)<br />
Wembley, Methodist Church Hall<br />
(WLPC)<br />
Kinross, Church Centre (BRF)<br />
Southampton, St.James Church Hall<br />
(RH)<br />
Canterbury, Westgate Hall (CB)<br />
Hove, St.Leonards Church Hall (EL)<br />
London, Charing Cross Market (RB)<br />
14 LINCOLN, Bishop Grosseteste<br />
University (DC)<br />
Fareham, Ferneham Hall (E)<br />
Orpington, Crofton Halls* (SRP)<br />
�20 Chester-le-Street, North Lodge<br />
School (DC)<br />
Midhurst, Grange Market (GCA)<br />
St.Ives, Cambs. Parish Hall (HPS)<br />
London, Charing Cross Market (RB)<br />
21 LONDON BLOOMSBURY, Royal<br />
National Hotel (IPM)<br />
Thornton Hough, Village Hall<br />
(NPF/WrPC)<br />
Bathgate, Kiam Park Hotel (CF)<br />
Herne, Parish Hall (RC)<br />
23 Stockport, Masonic Guildhall (AMP)<br />
25 Ripley, Rose Lane Scout Hut* (TN)<br />
26 SHEPTON MALLET, Bath & West<br />
Showground (BR)<br />
�27 SHEPTON MALLET, Bath & West<br />
Showground (BR)<br />
Kendal, Parish Hall (V)<br />
London, Electric Ballroom (PN)<br />
London, Charing Cross Market RB)<br />
28 Prestwick, R.A.F.A. Club (CF)<br />
London, Park Inn (ES)<br />
Fair oorganisers: ssend uus ffull<br />
details oof yyour eevents ffor<br />
inclusion iin tthis ddiary. CCopy<br />
deadline iis 1100th DDecember<br />
for tthe JJanuary 22010 iissue.
International Diary<br />
This is a selected list of fairs outside Britain featuring postcards<br />
in worthwhile numbers. The telephone number quoted<br />
in each instance is the internal one in that country. If you<br />
are travelling some distances to attend, it would be sensible<br />
to check details with the organiser.<br />
Nov 28 STUTTGART, Liederhalle 711.241.272<br />
Nov 29 COLOGNE, Mulheimer Stadthalle 160.9651.3700<br />
Dec 5 ALBERT, Espace Culturel 3.22.74.37.00<br />
Dec 6 MONT ALBERT (Victoria, Australia), Our Holy<br />
Redeemer Catholic School 9803.4396<br />
Dec 12 LILLE, Grand Palais 3.20.53.66.32<br />
Jan 2-3 ORLANDO, Central Florida Fairgrounds<br />
410.623.581<br />
Jan 8 POMPANO BEACH (Florida), Civic Centre<br />
309.666.0219<br />
Jan 15-16 PARIS, Maison de la Mutualite (Cartexpo 54)<br />
1.42.71.36.69<br />
Jan 17 OZOIR-LA-FERRIERE, Salle du Carousel<br />
1.64.40.04.07<br />
Jan 29-30 PARIS, Omnisports de Bercy (Numicarta)<br />
1.64.46.52.22<br />
“Just a card to let you see what it was like here at Xmas”, wrote<br />
‘E.C.’ to Miss G. Carpenter of Alton, Hampshire. The postcard, in the<br />
‘S & W’ series, shows decorations in Sutton (Surrey) High Street<br />
exactly one hundred years ago.<br />
PLEASE MENTION<br />
PICTURE POSTCARD<br />
MONTHLY WHEN<br />
REPLYING TO<br />
ADVERTISERS<br />
Fair oorganisers<br />
AD A. Dickinson 01252-726234<br />
AMP AMP Fairs 01283-820151<br />
AS Anne Scott 01395-270322<br />
AW Alan Wishart 01698-356337<br />
BF Beacon Fairs 01892-662132<br />
BPC Bristol PC 0117-9665071<br />
BPS Barry PS 01446-741026<br />
BR Barrie Rollinson 01278-445497<br />
BRF Bass Rock Fairs 01368-860365<br />
BRSC Bognor Regis SC 01243-837590<br />
C&EK Canterbury & EK 01843-862707<br />
CB Clive Baker 01843-862707<br />
CF Caledonia Fairs 01436-671429<br />
CH Colin Harris 02392-615380<br />
CIA Ch.Island Antique 07797777709<br />
CJ C.J. Fairs 01782-611621<br />
CN Chad Neighbor 01674-832823<br />
COR Cornucopia 01382-224946<br />
CPC Cotswold PC 01285-655532<br />
CR Chris Rapley 01795-478175<br />
DC David Calvert 01507-480280<br />
DCF Dragon Coll. Fairs01446-741026<br />
DG Denny Gibson 01677-422863<br />
DL D. Luxford 01736-786068<br />
DMG DMG Fairs 01636-702326<br />
DPC Dorset PC 01305-871629<br />
E Emmott Prom 01243-788596<br />
EL Eric Langdon 01273-514733<br />
ES Ephemera Soc. 01923-829079<br />
FF Fairdeal Fairs 01732-463575<br />
FS Felicity Smith 01296-651283<br />
F&WPC Frinton & Walton PC<br />
01255-674134<br />
GCA Grange Com.Ass 01730-816841<br />
GSF Great Southern 07939-302425<br />
H Ray How 01702-544632<br />
HP Helen Prescott 01204-418791<br />
HoE Heart of Eng. PC 01926-854524<br />
HPS Huntingdon PS 01480-468037<br />
IPM IPM Promotions 020-82029080<br />
JT John Terry 01342-326317<br />
KN Kevin Noble 0117-902-1134<br />
KRM Kidderminster 01562-825316<br />
KSG KSG Promotions 01723-363665<br />
MaPC Maidstone PC 01622-737110<br />
MEPC Mid-Essex PC 01245-362201<br />
MJP M.J.Promotions 01792-415293<br />
NB Neil Baldry 01628-622603<br />
NIPC N.Ireland PC 028-4062-2022<br />
NPC Norfolk PC 01263-825053<br />
NPF NorthernPC Fairs 01244535578<br />
NSCF Nat. Spec. Collectors Fairs<br />
01869-600236<br />
NWCF North West CF 07973-219394<br />
PD Peter Duncan 01444-482620<br />
PF Phoenix Fairs 01749-813324<br />
EXHIBITIONS<br />
until 9 Jan 2010 LONDON, Chris Beetles Gallery, Ryder<br />
Street. The Illustrators 1870-2009.<br />
until 7 March 2010 LONDON, The British Library. Points<br />
of view: Capturing the 19th century in photographs.<br />
until 31 March 2010 LONDON, Transport Museum.<br />
Suburbia - postcards and ephemera of the railways’<br />
adventures to the London suburbs.<br />
AUCTIONS<br />
NOVEMBER 2009<br />
27 Hendersons, Minsterley 01743-792727<br />
29 Loddon, Twyford 01628-622603<br />
DECEMBER 2009<br />
2 T.Vennett-Smith, Nottingham 0115-983-0541<br />
5 Dalkeith, Bournemouth 01202-292905<br />
5 Railwayana, Sheffield 01234-325341<br />
9 Warwick & Warwick, Warwick 01926-499031<br />
9 Birmingham Auctions, Worcester 01885-488871<br />
15 Trafford Books, Manchester 0161-877-8818<br />
JANUARY 2010<br />
2 Dalkeith, Bournemouth 01202-292905<br />
12 T.Vennett-Smith, Nottingham -postal 0115-9830541<br />
24 Lockdales, Ipswich 01473-218588<br />
27 Cavendish, Derby 01332-250970<br />
29 Hendersons, Minsterley 01743-792727<br />
FEBRUARY 2010<br />
2 Trafford Books, Manchester 0161-8778818<br />
3 T.Vennett-Smith, Nottingham 0115-9830541<br />
5 Special Auction Services, Midgham 0118-9712949<br />
6 Dalkeith, Bournemouth 01202-292905<br />
15 SPA, Cirencester- postal 01285-659057<br />
15 Maidstone <strong>Postcard</strong> Club 01622-737110<br />
17 Birmingham Auctions, Worcester 01885-488871<br />
26 Hendersons, Minsterley 01743-792727<br />
The annual Illustrators (The British Art of Illustration) exhibition<br />
at Chris Beetles Gallery in Ryder Street, St. James’s,<br />
London, is showing until 9 January 2010. As usual, there<br />
is particular interest for postcard collectors, with many<br />
artists featured whose work also appeared on postcards.<br />
There are originals from Phil May, Harry Furniss, Mabel<br />
Lucie Attwell, Lawson Wood, and William Heath Robinson.<br />
PN Philip Nevitsky 0161-228-2947<br />
PP Popplestone PC 02380-446143<br />
PPC Plymouth PC 01752-775289<br />
PPS Preston PS 01772-713917<br />
P&R P&R Fairs 020-84623753<br />
R Reflections 0115-9374079<br />
RB Rodney Bolwell 01483-281771<br />
RC Ralph Carter 01227-362439<br />
RF RF <strong>Postcard</strong>s 01268-794886<br />
RH Rikki Hyde 01202-303053<br />
RJ Richard Jones 01752-269003<br />
PH Redpath Phil. 01258-880878<br />
RRPC Red Rose PC 01995-670625<br />
RS Richard Stenlake 01290-551122<br />
ShPS Shropshire PS 01743-860910<br />
SPPF Specialist PC&PF 0208-8925712<br />
SRP SRP Fairs 01322-662729<br />
SSPF Swindon St/PF 01793-528664<br />
SuPS Sussex PS 01323-438964<br />
SWPC South Wales PC 01633-412598<br />
TM Trevor Mills 01702-478846<br />
TPS Telford PS 01952-223926<br />
TN Tim Notley 01932-341527<br />
V Varykino 015394-45757<br />
WPC Wealden PC 01293-786419<br />
WLPC West London PC 0208-892-5712<br />
<strong>Picture</strong> <strong>Postcard</strong> Monthly December 2009 7
� Moderns News �<br />
Poster, transport and military card collectors may look<br />
back on 2009 as a bumper year, writes Malcolm Luty. Over<br />
100 new cards, all continental size unless stated, from at<br />
least seven publishers included 18 from London Transport<br />
Museum, listed as SUB 1-18, a mix of posters, leaflet covers,<br />
adverts and photos to support its current ‘Suburbia’<br />
exhibition. In addition, the museum is offering a packaged<br />
set of twelve postcards (two each of six poster artworks)<br />
under its Underground merchandising brand.<br />
Also newly-published are six LT<br />
posters by John Burningham<br />
from Dovecot Studios in connection<br />
with its exhibition on the<br />
artist; 15 posters from the Imperial<br />
War Museum for its Outbreak<br />
1939 exhibition; four oversize<br />
railway posters promoting Wales<br />
from the National Museum of<br />
Wales; five regimental recruiting<br />
posters from National Museums<br />
Scotland, and one poster by<br />
Edward Bawden from Bedford<br />
Museum for its current exhibition<br />
on the artist. Finally, two<br />
books from Pomegranate featuring<br />
the railway posters of Norman<br />
Wilkinson. In total, there are<br />
51 slightly oversize tear-outcards<br />
including five common to both<br />
books.<br />
IWM PP0930, showing that<br />
identity cards were an issue<br />
in 1939<br />
Left: LTM SUB8, a 1926<br />
poster by an unknown artist<br />
Right: prolific caricaturist<br />
Jean Claval designed<br />
this golfing theme postcard<br />
as a souvenir of the<br />
postcard fair to be held at<br />
Ozoir la Ferriere, southwest<br />
of Paris, next month<br />
Tasteful comics in North Wales<br />
Llandudno’s postcard range would have no need of a 1950s-style<br />
watch committee to check the suitability of jokes on postcards. With<br />
gentle, subtle comics from artists Terry Irvine, Rupert Besley<br />
and Tony Hall on offer, no maiden<br />
aunt could<br />
possibly be<br />
outraged! It is<br />
strange that in<br />
our ‘anything<br />
goes’ on TV<br />
society, picture<br />
postcards have<br />
self-censored<br />
quite remarkably.<br />
Main publishersrepresented<br />
on the<br />
retailers’<br />
stands were<br />
Judges, Salmon<br />
and local firm<br />
Origins, the latter<br />
providing a fine<br />
colour photo<br />
range of views.<br />
Judges of Hastings<br />
have also published<br />
a series of<br />
sepia views reproducing<br />
their Llandudno<br />
views of a<br />
century ago.<br />
8 <strong>Picture</strong> <strong>Postcard</strong> Monthly December 2009<br />
Sheepdog trials: the village of Trunch, Norfolk, has published 20<br />
postcards to mark its 2009 ‘Scarecrow Day’ where the winner was<br />
this tableau of shepherd with sheepdog and sheep. We mentioned<br />
their 2008 cards in October PPM, asking if anyone had spotted any<br />
other cards from villages that hold similar scarecrow events. None<br />
forthcoming so far, so Trunch remains the scarecrow postcard leader!<br />
The 2010 event is on 27th June.<br />
Promotional card for London’s<br />
Camden Market - “just two<br />
stops from Eurostar”<br />
�� A<br />
report in<br />
the Daily<br />
Telegraph<br />
that Tunbridge<br />
Wells, Kent’s spa town, had produced<br />
picture postcards to promote<br />
their image change from<br />
“Disgusted of Tunbridge Wells”<br />
to “Delighted of...” turned out to<br />
be unfounded. On the trail of the<br />
cards, PPM learned that no<br />
“Delighted” cards have surfaced<br />
yet, and the “Disgusted” postcards<br />
on sale were in fact fiveyear-old<br />
designs published by a<br />
private retailer in the town. Of<br />
course, if there aren’t any, there<br />
certainly should be!<br />
A very presidential-looking<br />
Martin Parr. The top<br />
photographer’s work is being<br />
shown under the ‘Planet Parr’<br />
tag - this card advertised the<br />
exhibition’s arrival in Paris earlier<br />
this year
CANTERBURY POSTCARD<br />
& COLLECTORS FAIR<br />
at<br />
WESTGATE HALL,<br />
WESTGATE HALL ROAD,<br />
CANTERBURY, KENT<br />
SATURDAY 12 December<br />
OPEN 10am to 4pm<br />
2010 dates:<br />
* 13 February * 17 April * 12 June<br />
* 28 August (club fair) * 9 October<br />
* 11 December<br />
Buy and Sell: Stamps ~ <strong>Postcard</strong>s ~ Playing Cards~<br />
Phone Cards ~ Militaria ~ Coins ~ Cigarette Cards ~<br />
Books ~ Breweriana ~ Ephemera ~ Beanie Babies<br />
and Small Collectables<br />
15 + postcard dealers<br />
FREE ADMISSION<br />
ENQUIRIES, OR TO SELL ANY<br />
OF THE ABOVE ITEMS<br />
Tel/Fax 01843 862707<br />
E-mail: info@clivebaker.co.uk<br />
HAYWARDS HEATH<br />
INTERNATIONAL<br />
<strong>Postcard</strong>, Cigarette Card and Collectors Fair<br />
The top event of its kind in the Southern Counties!<br />
Saturday 5 December<br />
10.30 a.m. - 4 p.m.<br />
55 Tables <strong>special</strong>ising in:<br />
POSTCARDS *CIGARETTE CARDS *EPHEMERA *STAMPS<br />
*POSTAL HISTORY *ALBUMS *ACCESSORIES ETC.<br />
Clair Hall, Perrymount Road,<br />
HAYWARDS HEATH<br />
West Sussex<br />
Admission £1 Refreshments Free Parking<br />
Dealers booked include:<br />
* Topo Plus * Brian Girling * Mike Felmore * Terry Nye<br />
* Magda Cards * Peter Holroyd * Philip Chipperfield<br />
* Mick Devonald * Beacon <strong>Postcard</strong>s * Lesley Davies<br />
* Peter Robinson * Peter Lindfield * Betty Fuller<br />
* John Kidson * Jane Dembrey * Michael Goldsmith<br />
* Graham Green * Tim Notley * Peter Duncan * Jim Jackson<br />
* John Ainslie * Rob Roy Albums * Jackie Worling<br />
* Chris Hoskins * John Priestley (Sussex) * Mike Clark<br />
and more to follow!<br />
For further information and bookings:<br />
Rosemary Shepherd/Beacon Fairs 01892-662132<br />
Future Dates: 6 February, 6 March<br />
<strong>Picture</strong> <strong>Postcard</strong> Monthly December 2009 9
The Dealer and Collector<br />
should be friends...<br />
says KKirsten EElliott<br />
I noted in the last PPM the objection from a collector<br />
to dealers dealing amongst themselves before fairs,<br />
and it seemed to me that this is one of two major<br />
gripes that those coming to fairs have about dealers,<br />
the other being the vexed issue of filing in front or<br />
behind. It seems rather a shame that such longstanding<br />
grievances should continue to rankle. To<br />
paraphrase Oscar Hammerstein - the dealer and collector<br />
should be friends.<br />
There's no doubt that the top whinge by collectors<br />
is the failure of dealers to decide whether cards<br />
are filed in front or behind. Perhaps, when I'm standing<br />
behind the stall, I don't look like your average<br />
dealer - whatever your average dealer looks like - but<br />
many collectors seem to choose my shoulder to<br />
weep on over this. I support them whole-heartedly. I<br />
personally believe the natural tendency of most people<br />
is to look for things behind the divider, not in<br />
front. After all, when you are out driving, you expect<br />
the signpost before you get to the turning, not afterwards,<br />
and so it seems logical that you should look<br />
for the dividing cards with the subject name on them<br />
in front of the cards rather than behind.<br />
I know the advantage of filing<br />
in front is that you don't<br />
get dividers hidden against<br />
the front of the box. However,<br />
my husband Andrew<br />
Swift tried filing in front for<br />
a time as an experiment,<br />
and the cards ended up in<br />
much more of a muddle.<br />
What's more, the dividers<br />
seemed to get misplaced<br />
more often, ending up in<br />
the middle of the subject,<br />
instead of in front or<br />
behind. But my object is not<br />
to make a definite case for<br />
one way or the other, merely<br />
to say that I, and many<br />
other collectors, think dealers<br />
should get together over<br />
this. Please make a decision<br />
one way or the other and<br />
everyone stick to it. If you<br />
can't agree, then toss a<br />
coin. Nothing would make<br />
your customers happier.<br />
However, I cannot feel<br />
much sympathy for those<br />
who complain about dealers<br />
dealing amongst themselves<br />
at discounted prices<br />
before fairs start. Even<br />
when I was purely a collec-<br />
tor, and not married to a<br />
dealer, I could see no objection<br />
to this. Can I ask collectors<br />
to spare a thought<br />
for the dealers? In order to<br />
supply you with cards, dealers<br />
are taking a risk with<br />
their money - not yours.<br />
They have thousands of<br />
pounds tied up cards for<br />
you to buy. They have to<br />
buy boxes to display the<br />
10 <strong>Picture</strong> <strong>Postcard</strong> Monthly December 2009<br />
I never thought then that I would be spending £40 on a<br />
card, such as this one of the driver of the van for Wards'<br />
Cakes, seen outside their works in New Road, Portsmouth<br />
One of my first purchases, which I bought mainly because<br />
it wins the price for unrealistic colouring. This picture of<br />
the Rock Gardens at Southsea cost me all of 10p, reduced<br />
from 20p. It was printed by Mills & Co of Portsmouth, is<br />
described as a Real Hand Coloured Photograph and was<br />
posted in 1939<br />
I rarely buy greetings cards or multiviews any more, but<br />
when I started out, I bought all sorts of things at the cheaper<br />
end of the market. I still<br />
have considerable affection<br />
for this cheeky card, printed<br />
by the Rapid Photo Printing<br />
Co. of London. It cost me a<br />
stupendous 75p. I was getting<br />
bolder, evidently<br />
cards in, and sleeves to protect<br />
them. They have to pay<br />
stall rent and insurance.<br />
They get up much earlier<br />
than you do to set up the<br />
fairs, and they are there<br />
later than you. On the way<br />
home, you can drop into a<br />
pub or café for refreshment<br />
- the only way the dealer<br />
risks doing that is if he can<br />
find somewhere secure to<br />
put the car, or park where<br />
This cartoon appeared in the Sheffield Telegraph on October 10th and was spotted by an eagle-eyed Tim<br />
Hale. It was drawn by Everard Davy, who has kindly allowed us to use it. Copyright everarddavy.com
TWICKENHAM<br />
IS COMING<br />
JANUARY 15th & 16th<br />
at The Stoop Rugby Ground,<br />
Langhorn Drive, Twickenham TW2 7SX<br />
he can see it from the pub<br />
or café.<br />
There are other reasons<br />
why this complaint is<br />
not very logical. Shops buy<br />
in at wholesale prices and<br />
you don't think that's unfair<br />
- so why is it unfair for dealers<br />
to buy at discount? And<br />
where does fairness and<br />
unfairness end? Imagine<br />
that the fair is somewhere<br />
which does not have good<br />
public transport. Should<br />
dealing not start until the<br />
first bus or train has<br />
arrived? Because if it does,<br />
that's not fair to those who<br />
cannot drive. (In these liti-<br />
Specialist <strong>Postcard</strong> Fairs 0208 892 5712<br />
This card had a price tag of £80, but thanks to dealers who,<br />
in the past, have spared the time to explain to me what<br />
makes a good card, I knew it was worth having. It shows<br />
the cycle shop of J. A. Lemmon in Gamble Road,<br />
Portsmouth, and is full of fascinating detail<br />
gious times, I should perhaps<br />
not be making this<br />
point - just in case someone<br />
is inspired to take a complaint<br />
to the Human Rights<br />
Court. You never know<br />
what might happen!)<br />
And then, what happens<br />
if a dealer makes a private<br />
appointment with<br />
someone and sells at home,<br />
not at a fair at all. I obtained<br />
some of my best<br />
Portsmouth postcards from<br />
a Portsmouth dealer who,<br />
knowing I was a Pompey<br />
girl, was happy to have me<br />
(continued on page 14)<br />
<strong>Picture</strong> <strong>Postcard</strong> Monthly December 2009 11
<strong>Postcard</strong> Theme Page<br />
Television<br />
Liz MMcKernan<br />
My first memories of television were of watching the<br />
tennis at Wimbledon on a tiny blue screen in the<br />
headmistress’s study. Housed in a very large piece of<br />
furniture the flickering screen seemed to us schoolgirls<br />
a magical invention although I do not think we<br />
could even see the ball. The commentary helped to<br />
follow the matches and time spent there was a time<br />
out of lessons so it did not really matter that we<br />
could not see much of the action!<br />
People used to talk<br />
about viewers developing square eyeballs if<br />
they watched too much television! This French postcard<br />
shows an entire family including the cat and dog having<br />
developed ping-pong eyeballs.<br />
The illustrator’s pseudonym of BOZZ was used by<br />
artist Robert Velter, creator of the comic strip character<br />
‘Spiron.’<br />
Since then of course televisions<br />
have grown ever larger<br />
and the majority are now in<br />
glorious colour. When my<br />
eldest son was small he used<br />
to enjoy watching what he<br />
called ‘Granny’s<br />
Many readers will recognise<br />
Muffin the Mule on the<br />
screen here. It was a very<br />
popular children’s programme<br />
featuring the puppet,<br />
animated by Annette<br />
Mills who was the sister of<br />
the celebrated actor John<br />
Mills. The ‘Taylor’ design<br />
published by Bamforth No<br />
K137 was produced for the<br />
French market.<br />
painted tele’ - my mother had<br />
a colour set while we still had<br />
a black and white one.<br />
The name of John Logie<br />
Baird is forever linked with<br />
the invention of television in<br />
1926. However the origins of<br />
what would become today’s<br />
Another Bamforth<br />
card this time posted in<br />
1964 - and ‘Coronation<br />
Street’ is still going strong!<br />
The writer is obviously staying<br />
in a caravan park in<br />
Morecombe and comments;<br />
‘Caravan OK but toilets<br />
a little way off.’ Not too<br />
far I hope!<br />
12 <strong>Picture</strong> <strong>Postcard</strong> Monthly December 2009<br />
television system can be<br />
traced back to the discovery<br />
of the photoconductivity of<br />
selenium by Englishman<br />
Willoughby Smith in 1873.<br />
The telly, TV, gogglebox<br />
whatever we tend to<br />
call it, it is here to stay. It is<br />
so much part of our way of<br />
life that those few who<br />
choose not to have a set<br />
have been known to have<br />
been hounded for not having<br />
a licence - for their<br />
non-existant TV!<br />
(right) A Belgian card<br />
from 1960 showing the<br />
good things of life -<br />
books, booze, flowers<br />
and of course a television.<br />
Not a very inspiring design but it does show a typical television<br />
set from the late 1950s. It is a radio QSL from Prague<br />
in the Czech Republic.<br />
(below) With the growth<br />
of television came the<br />
arrival of the celebrity<br />
who became instantly<br />
recognisable once they<br />
had appeared on the box.<br />
This card from the Nostalgia<br />
series shows<br />
Gilbert Harding who<br />
was a regular guest<br />
panellist on the popular<br />
programme<br />
‘What’s my line.’ Harding<br />
- a well-known<br />
Brighton resident -<br />
died in 1960 appropriately<br />
outside Broadcasting<br />
House.<br />
(above) The arrival of Eurovision<br />
was a great event. I<br />
can remember watching<br />
grainy pictures coming live<br />
from Calais! Today we can<br />
watch perfect pictures live<br />
from around the world and<br />
the initial excitement of<br />
those early days has disappeared.<br />
This is a French Maximum<br />
card celebrating Eurovision<br />
with a ‘silk’ picture linked to<br />
the <strong>special</strong> stamp and postmark<br />
from 1980.
‘The Sky at Night’ presented<br />
by amateur astronomer Patrick Moore<br />
was the longest running television series with the same<br />
presenter. This postcard was one of a series produced by<br />
the BBC in 1997 to commemorate 75 years of the Beeb.<br />
A German<br />
postcard<br />
depicting a<br />
vintage<br />
television<br />
reflecting<br />
the interior<br />
of a room<br />
and a<br />
h e a r t<br />
drawn on<br />
a dusty<br />
screen. I<br />
think it is<br />
an advertising<br />
card for a product called<br />
SWIFFER. Perhaps a cleaning material?<br />
(above)<br />
Paul Ordner, a French illustrator,<br />
has designed several<br />
cards on a TV theme. Here<br />
the viewer is furious with<br />
his set because his horse<br />
has lost!<br />
(right) Another Couch Potato<br />
this time by artist Elizabeth<br />
Titcomb. No 161 in Pat<br />
Holton’s production it features<br />
a remote control and<br />
small aerial and I do love<br />
the contented cat curled up<br />
on the sofa.<br />
‘(right) Camberwick Green’<br />
and ‘Trumpton’ were great<br />
favourites in our house.<br />
This particular series of<br />
cards was produced for the<br />
BBC by Dixons. The card<br />
shows the Mayor sitting for<br />
his portrait - the series introduced<br />
children to the many<br />
characters who contribute<br />
to the running of a town.<br />
Great favourites were the<br />
Firemen whose names were<br />
recited every time they<br />
came sliding down the pole.<br />
I always enjoyed<br />
watching the wrestling on television even<br />
if we all knew it was staged for entertainment.<br />
This card shows the fashionable spindly legs on<br />
both television and armchair from the 1960s.<br />
I have no idea how the expression ‘Couch Potato’ originated<br />
but this example printed in Korea and distributed by<br />
Great Mountain West of Utah is a fun design cut out<br />
in the shape of a potato.<br />
continued......<br />
Contributors aand<br />
advertisers aare<br />
advised tthat tthe JJanuary<br />
22010 eedition oof<br />
PICTURE PPOSTCARD<br />
MONTHLY wwill bbe<br />
published oon DDecember<br />
220th. DDeadline ffor<br />
copy iis DDecember<br />
10th.<br />
<strong>Picture</strong> <strong>Postcard</strong> Monthly December 2009 13
POSTCARD THEME<br />
PAGE TELEVISION<br />
continued from page 13<br />
When television<br />
first entered households, complete<br />
attention to it was paramount. This is beautifully demonstrated<br />
here with the head of the household going off to<br />
work on his hands and knees so as not to disturb the family<br />
viewing!<br />
THE DEALER AND<br />
COLLECTOR SHOULD BE<br />
FRIENDS...<br />
(from page 11)<br />
round and look at his stock -<br />
which contained some rare<br />
and exciting cards. Many of<br />
these were at a price which<br />
would make the average<br />
punter at postcard fairs<br />
blink a bit, so there was the<br />
added attraction for him<br />
that here was someone who<br />
was prepared to spend a lot<br />
of money for good and rare<br />
cards without quibbling.<br />
But was it fair to other<br />
Portsmouth collectors?<br />
However, I agree with<br />
the comment made by Ken<br />
Hassell that if cards are<br />
advertised as being on sale,<br />
then they should not go on<br />
the table until the public<br />
arrive. But, as I write this,<br />
more possibilities of claims<br />
to unfairness strike me, if<br />
we take things to extremes.<br />
If I come to a fair with<br />
Andrew, thus allowing him<br />
to go buying cards, is that<br />
unfair to both collectors and<br />
to dealers who have to stay<br />
at their stall?<br />
I'm afraid the truth of<br />
the matter is that life frequently<br />
is unfair, and the<br />
more you try to make it fair,<br />
the more complicated it<br />
gets, as I hope I have<br />
demonstrated here. So, to<br />
return to my previous point,<br />
by and large, I don't think it<br />
is wrong for dealers to trade<br />
before fairs. I think there<br />
One way of<br />
teaching those<br />
new to collecting<br />
why prices vary<br />
is to show contrasting<br />
cards of<br />
the same scene.<br />
I’m showing<br />
three postcards<br />
of South Parade<br />
Pier - but with<br />
very differing<br />
prices. The first<br />
is by the well-known Portsmouth photographer, Stephen<br />
Cribb. It shows the pier newly rebuilt after a fire, and was<br />
posted in August 1908. It cost me £3<br />
The second one, by an unknown photographer just a few<br />
days earlier has, in addition to the pier, some of the<br />
bathing machines, and an intriguing piece of machinery in<br />
the foreground.<br />
This may have<br />
been to do with<br />
the building of<br />
the pier - if you<br />
look very carefully,<br />
you can<br />
see that work is<br />
still going on.<br />
All this is reflected<br />
in the price<br />
tag - £8<br />
14 <strong>Picture</strong> <strong>Postcard</strong> Monthly December 2009<br />
One of my<br />
favourite modern postcard artists is<br />
Fernand Zacot who signs himself simply ZACOT. This<br />
superb design was done for the French telephone directory<br />
and published as a postcard by PTT Cartophilie in 1994.<br />
may even be advantages for<br />
collectors. Let us suppose<br />
that Dealer A, who has a<br />
regular customer for a particular<br />
subject, sees a card<br />
on a stall where Dealer B<br />
does not <strong>special</strong>ise in that<br />
subject. He may buy it with<br />
his client in mind, obviously<br />
at a discount. When the<br />
client comes along, Dealer<br />
A pulls out this card and<br />
says, I've got this for you.<br />
He may add a slight profit,<br />
Rob Roy Albums<br />
Callers welcome<br />
but please ring first<br />
Rob Roy Albums<br />
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CHELSFIELD VILLAGE<br />
nr ORPINGTON,<br />
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Tel: 01689 828052<br />
he may even, in the spirit of<br />
good customer relations,<br />
make no profit on that particular<br />
card at all. His client<br />
now has the card with<br />
which he is happy, whereas<br />
he might never have gone<br />
to Dealer B. And once again,<br />
of course, this raises the<br />
objection - is this fair to<br />
other buyers and collectors?<br />
Where I do agree with<br />
collectors is that this is all<br />
We <strong>special</strong>ise in supplying<br />
Cigarette Card,<br />
<strong>Postcard</strong> and Ephemera<br />
collectors with an<br />
extensive range of<br />
Quality Accessories<br />
We sell our own<br />
<strong>Postcard</strong>/Cigarette Card<br />
Albums<br />
with polypropolene pages in a<br />
range of sizes, plus<br />
<strong>Postcard</strong> Storage Boxes<br />
<strong>Postcard</strong> Protectors<br />
Monthly Magazines etc<br />
We aare aat<br />
Haywards HHeath<br />
(5th DDecember),<br />
Birmingham ((6th<br />
December) aand<br />
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Catalogue and Price List Available<br />
Email: robroyalbums@btinternet.com<br />
www.robroyalbums.co.uk
fine if dealers then put these<br />
cards on sale at other fairs.<br />
I think it is unfortunate that<br />
some cards are going<br />
straight on Ebay or other<br />
auction sites, and I am not<br />
sure that this course of<br />
action is, ultimately, good<br />
for dealers. But that's an<br />
entirely different subject.<br />
I would end by saying,<br />
in my experience, most<br />
dealers give discounts to<br />
regular customers, and you<br />
can always ask if a discount<br />
is available, e<strong>special</strong>ly if<br />
you've made a large purchase.<br />
And of course,<br />
there's nothing stopping a<br />
collector from setting up as<br />
a dealer, thus getting to<br />
The Great Escape this <strong>Christmas</strong> is to.....<br />
The GLASGOW <strong>Postcard</strong> Fair<br />
Sunday 27th December 2009<br />
10.30 am - 3.30 pm<br />
Woodside Halls, Glenfarg Street, Glasgow G20 7QR<br />
FREE ADMISSION * FREE ON-STREET PARKING * FREE FIZZY WATER * DISABLED<br />
ACCESS * EASY TO REACH BY PUBLIC TRANSPORT<br />
Dealers standing:<br />
fairs early and receiving<br />
trade discount.<br />
Right: at £6, it would be<br />
tempting to turn up your<br />
nose at this apparently not<br />
very interesting card as<br />
being too expensive. But<br />
you’d be wrong! Valentine<br />
& Sons of Dundee printed<br />
just four scenes of Baffin's<br />
Pond at Copnor, in<br />
Portsmouth, and so far I've<br />
only tracked down two of<br />
them. The price tag is just<br />
about right<br />
Third of the pier trio is<br />
this Cribb-published<br />
postcard - and what a<br />
superb card it is! Photographed<br />
some time<br />
during the First World<br />
War, it shows wounded<br />
servicemen being entertained<br />
on the pier by the<br />
Southsea Sea Angling<br />
Society. There's just so<br />
much to look at in this<br />
picture. Cost? £35, but I<br />
think even the newest<br />
recruit to collecting can<br />
see the difference<br />
between this card and<br />
the other two<br />
Gareth Burgess, Dunbar<br />
John Cumming, Glasgow<br />
Anthony Duda, Helensburgh<br />
Stuart Marshall, East Kirkbride<br />
Chad Neighbor, Montrose<br />
Richard Stenlake, Ochiltree<br />
Frank Tonelli/Cornucopia,<br />
Dundee<br />
George Waugh, Glasgow<br />
plus any surprise last-minute bookings...<br />
Finally, this is where a collector<br />
can help out a dealer - by identifying<br />
a card. This is BA Gale's<br />
Premier Penny Bazaar at 175<br />
Commercial Road, Portsmouth.<br />
On the wall are painted the<br />
words "& at Southampton".<br />
However, another card turns up<br />
with a double-fronted shop, and<br />
no clue to which city it's in. As I<br />
write this, there's one on Ebay,<br />
marked "Portsmouth Southampton",<br />
which is how dealers often<br />
mark this card. It's Southampton.<br />
Soon after these pictures<br />
were taken, Marks and Spencer<br />
opened up penny bazaars very<br />
close to Bertram Gale's shops in<br />
both places, and Gale then<br />
became a photographer. The<br />
card, incidentally, was printed for<br />
the company<br />
Enquiries: Richard Stenlake<br />
tel. 01290 551122 (daytime)<br />
e-mail rstenlake@stenlake.co.uk<br />
<strong>Picture</strong> <strong>Postcard</strong> Monthly December 2009 15
Popp Fought The Law<br />
Alan LLeonard ttells hhow P<strong>Postcard</strong>s<br />
Celebrated JJacob’s LLong BBattle oover<br />
Sunday TTrading<br />
<strong>Postcard</strong>s of the Edwardian era illustrate and exemplify<br />
a vast range of topics and occasions but unique<br />
among them must surely be the set of six satirically<br />
celebrating their originator receiving over 400 convictions<br />
for defying the law week by week through<br />
eight years, from 1902 to 1910.<br />
The transgressor became<br />
a respected citizen of High<br />
Wycombe, where he spent<br />
forty active years. Following<br />
his death there on 6th<br />
April 1939, aged 65, the<br />
Bucks Free Press published<br />
an obituary setting his life<br />
in focus. It began:<br />
“Mr Jacob Popp, former<br />
tourist guide and<br />
accomplished linguist, who<br />
came to High Wycombe<br />
many years ago to establish<br />
a tobacconist’s and<br />
newsagent’s business in<br />
what was then Frogmore<br />
Gardens, may be said to<br />
have contributed something<br />
to the history of High<br />
Wycombe. Certainly his<br />
contribution to the town’s<br />
history was unusual, but<br />
none the less any would-be<br />
historian could hardly<br />
afford to ignore the almost<br />
world-wide notoriety Mr.<br />
Popp secured for himself by<br />
the simple and original - if<br />
somewhat expensive -<br />
expedient of defying the<br />
law for more than eight<br />
years. Mr. Popp, indeed,<br />
may be ranked among the<br />
pioneers, for he was, in<br />
truth, a pioneer in defiance<br />
of the old Sunday Observance<br />
Act of 1677”.<br />
Who was Jacob Popp?<br />
His full name was Jacob<br />
Ivanovitch Popp. He was<br />
born in 1873 at Pernau, a<br />
port on the Gulf of Riga,<br />
now in Estonia but then part<br />
of a Baltic province of<br />
Tsarist Russia.<br />
It is not known when<br />
he came to England,<br />
whether as a young man on<br />
his own or earlier as a child<br />
with his family, emigrating<br />
from Russia for some combination<br />
of economic, religious<br />
or political reasons.<br />
‘Popp’ may have been a<br />
convenient shortening of<br />
his original Russian surname.<br />
Jacob Popp had evidently<br />
established himself<br />
in England as a personable<br />
young man in his twenties,<br />
for in March 1899 he got<br />
married at Sevenoaks to a<br />
Kentish girl, Annie Kellaway.<br />
Within a year or two<br />
Popp had somehow found<br />
his way to High Wycombe,<br />
where he set himself up in<br />
his own business, in a good<br />
trading location, flanked by<br />
a public house, ‘coffee tavern’,<br />
drapers and butchers<br />
etc. Living ‘over the shop’ at<br />
23 Frogmore Gardens, he<br />
was recorded there by the<br />
Census of April 1901. It listed<br />
him as working “on his<br />
16 <strong>Picture</strong> <strong>Postcard</strong> Monthly December 2009<br />
own account, at home”,<br />
then aged 27, with his wife<br />
Annie (29) and one-year-old<br />
Ivy, the first of his four<br />
daughters. She had been<br />
born at Stourbridge, where<br />
Popp may have resided<br />
briefly before settling in<br />
High Wycombe.<br />
Staying with him on<br />
census night was his Kentish<br />
brother-in-law, Albert<br />
Kellaway, 35, described as<br />
‘independent’. If he had private<br />
means, perhaps in<br />
some measure he had<br />
assisted Jacob Popp’s business<br />
venture?<br />
The census-taker<br />
recorded Popp as born in<br />
Livonia, Russia, and being a<br />
‘Russian subject.’ Most of<br />
Livonia became part of<br />
Latvia in 1918, but its northern<br />
section, largely inhabited<br />
by Estonians, was incorporated<br />
into the neighbouring<br />
Baltic republic of Estonia.<br />
Presumably Jacob<br />
Popp became a British naturalised<br />
subject as soon as<br />
he was able to apply as a<br />
permanent resident.<br />
In an interview with the<br />
correspondent of New York<br />
Times in March 1908 Popp<br />
recalled:<br />
When Charles the Second reigned as King<br />
Some funny Laws he made,<br />
And one of them was that to stop<br />
All kinds of Sunday Trade.<br />
When he was dead the people saw<br />
This law was an abuse,<br />
In fact that it was like the King - Of very little use.<br />
On one fine day the<br />
Councillors<br />
Of Wycombe Town all met,<br />
And said “We must enforce<br />
the Law<br />
For we’ve done nothing yet.<br />
To lessen either Rate or Tax<br />
would surely be a crime,<br />
Let’s start with this old<br />
musty Law<br />
Of Charles the Second’s<br />
time.”<br />
He threatened Fine, Imprisonment,<br />
“The Stocks” he even said,<br />
“Would be the fate of him who brought<br />
This Law upon his head.”<br />
Would you believe: this awful man<br />
Whose name is Jacob Popp<br />
Just laughed at him and Sunday next<br />
Was serving in his shop.<br />
They dug it<br />
up and looked around<br />
To see on whom to drop<br />
And finally they found a<br />
man<br />
Whose name is Jacob Popp.<br />
They summoned their Head<br />
Constable<br />
And unto him did say:<br />
“Go, tell J.Popp of his vile<br />
crime<br />
And how we’ll make him<br />
pay.”<br />
“I came to High<br />
Wycombe and acquired a<br />
business at this little shop.<br />
After a time I began to open<br />
on Sundays and did a good<br />
trade. Then, one Sunday<br />
afternoon, the chief constable<br />
came in and said unless<br />
I closed up I would be summonsed.<br />
I declined to close,<br />
with the result that a summons<br />
was issued against<br />
me on the Monday (21 January<br />
1902). It was taken out<br />
under the statue of Charles<br />
the Second and charged<br />
that ‘I on a certain date,<br />
being the Lord’s Day, commonly<br />
called Sunday, did at<br />
Chepping Wycombe, in the<br />
borough aforesaid, unlawfully<br />
do and exercise certain<br />
labour, business and work<br />
in the ordinary calling of a<br />
tobacconist and confectioner,<br />
the same not being a
They dragged him up<br />
before the Bench<br />
Of Justices, in line,<br />
Who scowled at him and<br />
said<br />
“We must inflict a heavy<br />
fine.”<br />
He paid and every Sunday<br />
Finds him serving in his<br />
shop<br />
And every Monday morning<br />
There’s a Summons for<br />
J.Popp<br />
work of necessity or charity’.<br />
I paid 15s - including<br />
costs - and since then regularly<br />
every Monday I get my<br />
summons”.<br />
Sunday observance<br />
In Edwardian times the<br />
enforcement of laws relating<br />
to Sunday observance<br />
varied somewhat between<br />
town and country and<br />
between larger and smaller<br />
urban areas, according to<br />
the prevailing local religious<br />
and political sentiments and<br />
control.<br />
Since the Reformation,<br />
activities permitted or forbidden<br />
on Sundays had<br />
been regulated by the State<br />
rather than Church authorities.<br />
Members of various<br />
religious denominations<br />
and other groups held differing<br />
shades of opinion<br />
about the extent to which<br />
Sunday should be strictly<br />
observed as a holy day or<br />
regarded as a holiday i.e. a<br />
day of rest, on which some<br />
forms of recreation and<br />
other activities were<br />
allowed.<br />
By 1900 attendance at<br />
Sunday worship had long<br />
since ceased to be compulsory,<br />
but trades and other<br />
occupations were subject to<br />
various statutes dating back<br />
to the 17th century.<br />
In particular, the Act of<br />
1677 decreed that “no<br />
tradesman or other person<br />
whatsoever shall do or<br />
exercise any wordly<br />
labours, business or work of<br />
their ordinary calling upon<br />
the Lord’s Day... works of<br />
necessity and charity only<br />
excepted”; convicted<br />
offenders were subject to a<br />
fine of five shillings or two<br />
hours in the stocks or seven<br />
days in prison for non-payment<br />
of the fine.<br />
The 1677 Act also provided<br />
that on Sundays “no<br />
person shall publicly<br />
expose for sale any wares,<br />
merchandise, fruit, herbs,<br />
goods or chattles whatsoever”..<br />
subject to forfeiture of<br />
goods involved.<br />
This was widely<br />
ignored, as Sunday markets<br />
became popular in London<br />
and elsewhere. Restrictions<br />
on Sunday travel also fell<br />
into abeyance. The Lord’s<br />
Day Observance Society<br />
(founded in 1831) and other<br />
groups promoted strict<br />
observance but the general<br />
trend was towards relaxation<br />
of restrictions.<br />
In late Victorian times<br />
museums, art galleries and<br />
libraries etc were freely<br />
open on Sunday afternoons.<br />
An Act of 1781<br />
which prohibited Sunday<br />
entertainments making an<br />
entry charge was evaded<br />
e.g. at the Albert Hall, where<br />
concerts were held on the<br />
basis of free admission but<br />
payment of a charge for<br />
seat reservation.<br />
From 1871 prosecutions<br />
under the 1677 Act<br />
required the written authority<br />
of a Chief Constable,<br />
stipendiary magistrate or<br />
two Justices of the Peace.<br />
There was evidently no<br />
lack of authorisations for<br />
prosecutions in High<br />
Wycombe, where the<br />
town’s legal ‘establishment’<br />
engaged in a week-by-week<br />
trial of strength with Jacob<br />
Popp - perhaps with an element<br />
of antipathy towards a<br />
defiant ‘incomer’ of foreign<br />
origin.<br />
Prosecutions became<br />
an on-going weekly drama,<br />
drawing large numbers to<br />
his shop and attracting<br />
widespread publicity, mostly<br />
sympathetic to Popp and<br />
critical of magistrates and<br />
police seen as out of touch<br />
with the more tolerant sentiments<br />
of the period.<br />
In the event, it was only<br />
after eight years that these<br />
persistent prosecutions<br />
The Sequel you’ll be<br />
pleased to learn<br />
Although they fine him still<br />
Is that this nonsense only<br />
puts<br />
More money in his Till.<br />
were discontinued,<br />
enabling Popp to continue<br />
Sunday trading without further<br />
incident for the rest of<br />
his life.<br />
Eight Years Saga<br />
When he received his first<br />
summons in January 1902<br />
Mr. Popp stuck it up in his<br />
shop window, with the<br />
annotation “King Charles is<br />
after me” He kept his subsequent<br />
weekly summonses<br />
as souvenirs of his on-going<br />
encounters with the High<br />
Wycombe magistrates and<br />
Chief Constable, Mr. O.D.<br />
Sparling.<br />
Constables were sent<br />
to Popp’s shop every Sunday:<br />
next day they duly<br />
declared to the justices that<br />
they had kept observation<br />
and seen persons enter and<br />
purchase tobacco, cigarettes,<br />
newspapers, sweets<br />
etc. Popp was duly called<br />
before them; as he did not<br />
dispute the police evidence,<br />
his conviction was quickly<br />
effected.<br />
For the first two and a<br />
half years, Popp was generally<br />
fined five shillings<br />
plus ten shillings costs,<br />
15s in all. To quote again<br />
from his 1908 interview<br />
for the New York Times:<br />
“There are two alternatives<br />
to paying the fine,<br />
viz.: two hours in the<br />
stocks or seven days’<br />
imprisonment in jail. I<br />
wanted to be placed in<br />
the stocks but they have<br />
been removed and I<br />
could not get the magistrates<br />
to replace them<br />
or cause others to be<br />
<strong>special</strong>ly constructed<br />
for my benefit. If they would<br />
make the imprisonment two<br />
days instead of seven, I<br />
would go to jail. But I cannot<br />
spare a week from business<br />
and close the shop. It<br />
is not likely that I shall close<br />
the shop when I take in<br />
between £20 and £30 every<br />
Sunday.”<br />
As well as making<br />
news across the Atlantic,<br />
Popp gained much domestic<br />
publicity for his defiant<br />
stand, which cast him as a<br />
popular martyr. To show<br />
sympathy with him or simply<br />
out of curiosity, numerous<br />
visitors sought out his<br />
shop on Sundays.<br />
Later he was able to<br />
open a separate lock-up<br />
shop in White Hart Street.<br />
He was encouraged by his<br />
extending Sunday trade and<br />
the fact that from 1905<br />
onwards he was generally<br />
charged only 2s. 6d. on top<br />
of his 5s fine. Did this represent<br />
a concession to him as<br />
a regular subscriber?<br />
It became such a standard<br />
levy that early in 1908,<br />
as he said, “I sent the magistrate’s<br />
clerk a cheque for a<br />
quarter’s fine in advance, to<br />
save both him and myself<br />
trouble, but he returned it.<br />
Having once begun to prosecute,<br />
I suppose the police<br />
did not like to withdraw and<br />
the summonsing will go on<br />
for years probably.”<br />
Other retailers in High<br />
Wycombe and many more<br />
elsewhere seem to have<br />
been allowed to trade on<br />
Sundays. The Popp saga<br />
finally concluded after he<br />
had been convicted 403<br />
”Popp the Martyr<br />
of High Wycombe” was the<br />
headline to this report by a<br />
correspondent of the New<br />
York Times, published in its<br />
issue of 8 March 1908. It<br />
gave a detailed account of<br />
his defiance of the Sunday<br />
trading law, based on an<br />
interview with him.<br />
(continued)<br />
<strong>Picture</strong> <strong>Postcard</strong> Monthly December 2009 17
POSTCARDS CELEBRATE<br />
JACOB POPP’S LONG<br />
BATTLE OVER SUNDAY<br />
TRADING<br />
(from page 17)<br />
times over a period of eight<br />
years, during which he paid<br />
over £200 in fines and costs.<br />
The longer the confrontation<br />
continued, the<br />
more profitable it became<br />
for him; by 1910 he was saying<br />
that “if he did not take<br />
between £40 and £50 on a<br />
Sunday at his Frogmoor<br />
shop, he had experienced a<br />
bad time.”<br />
Popp’s postcards<br />
Mr. Popp was a man of varied<br />
talents. He supplemented<br />
his shop takings by<br />
applying his command of<br />
several languages as a<br />
courier for Thomas Cook’s<br />
foreign holiday tours before<br />
and after the 1914-18 war.<br />
From his trips abroad he<br />
often brought back novelties<br />
to add to his retail trading<br />
stocks.<br />
He had a keen eye for<br />
publicity, which he promoted<br />
by producing a set of six<br />
artistic postcards presenting<br />
a satirical account of his<br />
prosecutions, with a commentary<br />
in verse of which<br />
he seems himself to have<br />
been the writer. The spirited<br />
artwork captioned by these<br />
amusing lines may also<br />
have been Popp’s but these<br />
postcard compositions do<br />
not bear any name.<br />
The New York Times<br />
report of 1908 stated that<br />
Popp had “issued a series<br />
of picture postcards illustrating<br />
his experiences and<br />
has sold one edition of<br />
12,000 of these.”<br />
It is unclear whether<br />
this figure represented<br />
2,000 sets of six or 12,000 of<br />
each of the cards. They<br />
were produced both in<br />
sepia and coloured ver-<br />
sions; the former is more<br />
often found today, usually<br />
kept together as a set by<br />
original purchasers having<br />
retained them as souvenirs,<br />
enjoying Popp’s sense of<br />
humour.<br />
They are illustrated<br />
here, with the texts of their<br />
neatly hand-lettered commentary.<br />
For another postcard,<br />
Popp was photographed<br />
standing outside his Frogmoor<br />
shop.<br />
Later years<br />
Jacob Popp was described<br />
as a man of fine physique<br />
and constitution, fully 6ft. in<br />
height. He was a keen<br />
sportsman, captain of the<br />
Wycombe Cycling Club,<br />
also a motor cyclist and<br />
motorist. He was involved<br />
with local football and cricket<br />
clubs and organised<br />
races for the benefit of<br />
street newspaper sellers<br />
and other causes. He was<br />
also an active Freemason.<br />
In June 1924 he fractured<br />
his skull and injured<br />
his legs in an accident while<br />
riding his motor cycle. After<br />
spending nine weeks in<br />
hospital he seems to have<br />
resumed his active life, until<br />
1938, when his leg troubles<br />
became serious.<br />
Their ulcerous condition<br />
compelled successive<br />
amputations above the knee<br />
of both legs in 1938-39, but<br />
to no avail, as he died on<br />
6th April 1939. The inquest<br />
verdict was “death through<br />
misadventure”.<br />
Popp had asked for no<br />
mourning but the widespread<br />
respect he had<br />
earned over four decades in<br />
his adopted town was<br />
shown by the large crowds<br />
lining the route of his<br />
cortege from Frogmoor to<br />
the parish church and the<br />
numerous and widely representative<br />
attendance at his<br />
funeral.<br />
Jacob Popp posed for this postcard photograph outside<br />
his shop, probably in 1910.<br />
18 <strong>Picture</strong> <strong>Postcard</strong> Monthly December 2009<br />
STAMP & POSTCARD FAIRS<br />
Modern postcards as well as old ones are well<br />
featured at each event<br />
This mmonth’s ffairs:<br />
Sunday 6th December<br />
WOODBRIDGE, Community Centre<br />
Sunday 13th December<br />
MOUNTNESSING, Village Hall<br />
Next mmonth’s ffairs:<br />
Sunday 10th January<br />
WYMONDHAM, Ketts Park Community Centre<br />
All fairs 10 a.m. - 4 p.m.<br />
Details: Ray How 01702-544632<br />
ALL COLLECTORS<br />
ALL RISKS - NO EXCESS<br />
Insurance Cover for STAMPS: POSTCARDS:<br />
COINS: MEDALS: & all other Collectables<br />
DEALER COVER ARRANGED<br />
at premises and Fairs<br />
PUBLIC LIABILITY for SOCIETIES<br />
STAMP INSURANCE SERVICES<br />
C G I Services Limited (Dept 16PP)<br />
29 Bowhay Lane, EXETER EX4 1PE<br />
Tel: 01392 433 949 Fax: 01392 427 632<br />
Authorised & Regulated by the Financial<br />
Services Authority<br />
This included his four<br />
daughters, two of them with<br />
their husbands, the other<br />
two then being unmarried.<br />
Popp’s widow was duly<br />
granted probate of his will<br />
in July 1939, when his<br />
effects were precisely valued<br />
at £3,891. 14s. 8d.<br />
She was then named<br />
as Philadelphia Priscilla<br />
Popp - which indicates that<br />
Jacob Popp seems to have<br />
married again after the<br />
death of his first wife.<br />
While his personal<br />
biography and contributions<br />
to the public life of<br />
High Wycombe may now<br />
have slipped into the shadows,<br />
his long campaign for<br />
Sunday trading remains a<br />
significant chapter in English<br />
social history, pictorially<br />
documented by the set of<br />
postcards he produced to<br />
celebrate it.<br />
Acknowledgements<br />
Grateful acknowledgement of<br />
their help with information<br />
for this article is made to the<br />
Local Studies Specialist,<br />
Buckinghamshire Library Service,<br />
High Wycombe; and to<br />
Tom Holder.<br />
PLEASE MENTION<br />
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Got a point of<br />
view or<br />
something<br />
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Postbag!
The State of the Nation, <strong>Postcard</strong><br />
Fairs, and why should I bother?<br />
Many items are sold on the<br />
Internet by individuals operating<br />
alone and who have<br />
no other involvement in the<br />
world of postcards. That is<br />
good; it opens up new<br />
opportunities for everyone.<br />
The big concern for me<br />
is the fact that major dealers<br />
from the mainstream postcard<br />
fraternity are also<br />
climbing into the Internet.<br />
Nothing wrong in that, you<br />
might think; it's a free world<br />
(relatively speaking) anyway.<br />
Except that is, it isn't<br />
being properly managed at<br />
all. There isn't a balanced<br />
approach. There is no leadership.<br />
In many cases not<br />
even an awareness of what<br />
it all means, despite the<br />
inescapable fact that it<br />
greatly affects every one of<br />
us, sellers and buyers, dealers<br />
and collectors, all alike.<br />
I cannot believe the<br />
complacent, inward-looking,<br />
shortsighted, unprofessional<br />
attitude that leading<br />
figures in the postcard<br />
world are taking towards<br />
their industry and our<br />
hobby. It is an abdication of<br />
responsibility.<br />
People forget that the<br />
postcard world is an industry.<br />
A significant number of<br />
individuals rely on it to<br />
make their living; it needs<br />
raw material supplies to<br />
function; above all it relies<br />
on having regular customers.<br />
Without the customers<br />
it is nothing.<br />
Customers<br />
I spent all my working life as<br />
a supplier to, or working for,<br />
or as a customer of the<br />
retail industry. Rammed in<br />
my head every day were<br />
phrases like - "quality and<br />
value", "listen to the customers",<br />
"if we don't give<br />
customer service they don't<br />
come back". I've seen, at<br />
first hand, what happens<br />
when the people at the top<br />
lose sight of those principles.<br />
When it comes to post-<br />
John Wood<br />
I don't write public letters - it isn't my scene at all -<br />
but this time I've had enough. I'm hacked off, disillusioned,<br />
despairing and generally frustrated beyond<br />
belief, even angry. At what? At the direction our<br />
postcard world is heading. The impact of the Internet<br />
means that the whole postcard industry and<br />
hobby is at a crossroads. Should that concern us?<br />
Too right it should if it isn't handled intelligently and<br />
responsibly, because it has already had an enormous<br />
impact on both dealers and collectors. And that<br />
impact is not all good; some of it is not good at all; in<br />
fact it is very bad.<br />
No Leadership<br />
cards, all I am is a customer,<br />
nothing more than that. I<br />
like my hobby; I like the<br />
cards I collect; I like to look<br />
at cards I don't collect; I like<br />
the friendship of like-minded<br />
collectors; I like the<br />
repartee and friendship with<br />
many of the dealers.<br />
As one particular<br />
example, I like to go to postcard<br />
fairs. At fairs we don't<br />
just talk about postcards,<br />
but also football, politics,<br />
scandal and anything else<br />
of the moment. And, and it<br />
is a big ‘and’, fairs are also<br />
one of the main sources<br />
where we all learn more<br />
about postcards and our<br />
hobby, and we broaden our<br />
interests. Fairs and clubs<br />
and people are at the heart<br />
of postcards. Many collectors,<br />
like me, browse<br />
through all sorts of postcards<br />
at a fair, not just looking<br />
for the specific ones<br />
missing from our collections.<br />
For me, I finish up<br />
buying all sorts of cards that<br />
I didn't plan for. Maybe I<br />
liked the message on the<br />
back, maybe it was in better<br />
condition than the one I<br />
already had, or it was from<br />
a different batch, or it was<br />
of a town that I knew, or<br />
maybe I just liked it when I<br />
held it. I like to buy from the<br />
dealers I am familiar with,<br />
those who are friendly and<br />
helpful, and who know what<br />
they have in their stock.<br />
Fairs - why bother?<br />
But what is happening now? I<br />
go to important fairs like<br />
Woking, Twickenham and<br />
Haywards Heath and there<br />
are precious few of the cards<br />
from my favourite publisher<br />
to look at, let alone buy. I get<br />
home, look on the internet a<br />
couple of days later and there<br />
have appeared lots of cards<br />
from that same favourite publisher,<br />
being offered for sale<br />
by dealers who had been at<br />
the fairs but had nothing new<br />
in their stock - those same<br />
dealers that I have been buying<br />
cards from regularly for<br />
years. What is the point of my<br />
driving over 100 miles to go<br />
to Woking or Haywards<br />
Heath? - not much. Why<br />
spend £50 on the train to go<br />
to Bipex - I didn't, I couldn't<br />
be bothered, I expected it<br />
would be a waste of time.<br />
How sad is that?<br />
What price loyalty of<br />
dealers at fairs to their regular<br />
customers? Not a lot in<br />
some cases. Worst of all, we<br />
now have major dealers not<br />
even bringing their topographical<br />
stock to the fairs,<br />
but there they are at those<br />
fairs trawling other dealers’<br />
stock prior to opening time<br />
(and during the rest of the<br />
day) to put away the cards to<br />
sell on the Internet. No wonder<br />
there isn't much for the<br />
likes of me to look at! Thanks<br />
a lot, everybody! It's ‘I'm all<br />
right Jack’, for the few, at the<br />
long-term cost of the majority.<br />
Doesn't anybody realise<br />
that? Don't other dealers<br />
realise they are going to lose<br />
out in the end, because, if<br />
they don't have some decent<br />
cards to sell, then they won't<br />
have the customers coming<br />
to visit them. The ‘I'm all right<br />
Jack’ approach is like having<br />
a cuckoo in the nest, but for<br />
how many years do cuckoos<br />
themselves survive, after they<br />
have destroyed the nest? Not<br />
many.<br />
Increasingly, there is<br />
much more enjoyment in<br />
going to smaller, friendly,<br />
local fairs like Ripley and<br />
Portchester, where the dealers<br />
know each other, they<br />
know their stock, and they<br />
know their customers. At<br />
least I know I have an evenhanded,<br />
fair chance of seeing<br />
some cards. And I can have a<br />
cup of tea and a laugh as well.<br />
Long may they prosper!<br />
<strong>Postcard</strong> Industry<br />
But what are the senior members<br />
of the postcard trading<br />
community doing? Sniping<br />
at each other, criticising what<br />
the big fair organisers are trying<br />
to achieve, grumbling<br />
how things are getting difficult,<br />
and ignoring the big<br />
wide world called reality, and<br />
business reality in particular.<br />
There are many dealers who<br />
would read the above and<br />
say, "But I don't do that".<br />
Selling cards themselves on<br />
the Internet? I agree that<br />
many do not do that, but if<br />
they sell to those who do,<br />
then are they looking after<br />
their own business? I think<br />
not. Selling a few good cards<br />
to an ‘internet man’, who<br />
then gets dealers' discount as<br />
well is surely not the best<br />
answer. Getting a good price<br />
yourself, seeing the same<br />
customers next fair and next<br />
year, selling other cards to<br />
them as well. Is that not a<br />
better bet? Some dealers<br />
agree, they do not sell new<br />
stock on the Internet, and<br />
they try to sell all their cards<br />
themselves. I applaud them.<br />
We should all applaud them<br />
and we customers should<br />
support them whenever we<br />
can.<br />
The Internet<br />
Does all this mean that the<br />
Internet is the equivalent of<br />
The Great Satan? Of course<br />
not. Do I buy on the Internet?<br />
Of course I do. For people<br />
who cannot get to fairs, or<br />
auctions, or have no local<br />
shop, then the Internet is the<br />
best thing since sliced bread.<br />
For sellers who maybe are<br />
geographically remote, or for<br />
whom postcards are only a<br />
part of what they do, then it is<br />
also a great opportunity. For<br />
the regular dealers, if they<br />
have had a good card in their<br />
stock and it has not sold,<br />
either because the normal<br />
customers haven't turned up<br />
to see it, or we won't pay the<br />
asking price, then we cannot<br />
object if they then choose to<br />
offer on the Internet, or sell to<br />
another dealer.<br />
On the Internet there is<br />
no doubt that some cards<br />
can, and do, achieve more<br />
money than if they were sold<br />
over the counter. But many<br />
other cards do not sell at all.<br />
By the time commission<br />
charges, scanning and<br />
uploading, packing and posting,<br />
are all taken into realistic<br />
account, does anyone ever<br />
work out their effective net<br />
hourly pay when selling on<br />
the internet? I really wonder<br />
about that.<br />
No Level Playing Field<br />
None of us has any divine<br />
right to preferential treatment.<br />
But if, as regular customers<br />
and collectors, we are<br />
willing to shell out our hardearned<br />
money on a regular<br />
basis then we have every<br />
right to ask for a level playing<br />
field. That is now not the<br />
case, and it is getting worse.<br />
It isn't fair and it isn't right for<br />
the future welfare of the<br />
hobby. The danger of collectors<br />
becoming faceless user<br />
ID's on the Internet rather<br />
than regular customers is<br />
real. The danger of a few selfinterested<br />
dealers jeopardising<br />
the welfare of the majority<br />
of their colleagues is real.<br />
Do Something - Now!<br />
I'm saying to everyone out<br />
there, who cares about our<br />
industry and hobby, that<br />
unless something is done, the<br />
postcard world will not just<br />
be changing, it will be withering<br />
at the core. What can collectors<br />
do? Not a lot in reali-<br />
(continued)<br />
<strong>Picture</strong> <strong>Postcard</strong> Monthly December 2009 19
STATE OF THE NATION<br />
(from page 19)<br />
ty, other than making our<br />
feelings known and trying to<br />
get those at the business end<br />
of postcards to listen to us.<br />
Otherwise, slowly but surely,<br />
inevitably and inexorably, the<br />
customers will vote with their<br />
feet.<br />
The leaders of the industry<br />
need to get their heads out<br />
of those places where they<br />
are currently so securely<br />
buried, stop bickering<br />
amongst themselves about<br />
the minutiae of postcard life,<br />
start looking outwards, and<br />
reach some common agreements<br />
and goals. Goals like:-<br />
How do we re-launch those<br />
goals; let the customers know<br />
we care?<br />
How do we get the right publicity;<br />
to raise the profile of<br />
postcards; to replace the customers<br />
who have gone?<br />
How do we get commitment<br />
from the trade members?<br />
Don't support the cuckoos in<br />
the nest.<br />
Does there need to be a relook<br />
at such basic topics as<br />
stock rotation and replenishing,<br />
achieving a steady ongoing<br />
profit, successful fairs,<br />
auctions and the Internet?<br />
How do we agree a policy on<br />
selling stock to other dealers<br />
at fairs (even if it is to say the<br />
cards will be available at the<br />
end, if unsold, rather than<br />
before opening time)?<br />
How do we agree an acceptable<br />
compromise between<br />
handling cards for personal<br />
collections (including those of<br />
dealers) and cards for Internet<br />
sale?<br />
We need to talk to the customers,<br />
get their input, at<br />
postcard clubs, at fairs,<br />
through the Internet.<br />
And through PPM<br />
I know for a fact that there are<br />
many of us who are very clear<br />
how great a contribution is<br />
made by the editors of PPM<br />
to the world of postcards,<br />
(and, yes, I would be saying<br />
that wherever I was sending<br />
this letter). That PPM is<br />
impartial; that it gives a<br />
forum for interested people's<br />
views, good or bad; that it<br />
appears every single month -<br />
a considerable achievement.<br />
If the rest of our postcard<br />
world could be organised to<br />
the same standard the better<br />
it would be.<br />
Come oon tthen…<br />
So come on postcard industry<br />
people, “Where are you?".<br />
The alarm bells are ringing. It<br />
isn't rocket science, it isn't nitpicking<br />
rhetoric; it is planning,<br />
organisation and leadership<br />
that we all need. If you<br />
don't do something, and<br />
quickly, we will all live to<br />
regret it.<br />
20 <strong>Picture</strong> <strong>Postcard</strong> Monthly December 2009<br />
� Postbag �<br />
You’re all right, Jack<br />
There is so much in Eric Eunson’s<br />
excellent article (October<br />
PPM) that I would like to<br />
respond to, but I will limit<br />
myself to just a few points.<br />
Eric bemoans the passing<br />
of established methods of<br />
trading and the emergence of<br />
new. I share his feelings but<br />
recognise that one cannot<br />
stand Canute-like against<br />
change. The internet in general<br />
and eBay in particular are<br />
here to stay. This will cause<br />
change elsewhere but, with<br />
intelligence, this need not<br />
destroy postcard collecting.<br />
First, there is a need to<br />
accept that dealers are not<br />
there to provide a local dropin<br />
centre. Yes, meeting old<br />
friends with a shared interest<br />
is a valued<br />
attribute but the<br />
dealers must<br />
make an adequate<br />
net income to justify the<br />
financial investment in their<br />
stock and the many hours<br />
worked. This cannot be<br />
achieved by six dealers in a<br />
draughty hall with a handful<br />
of collectors who will probably<br />
spend only a few pounds<br />
each either through lack of<br />
funds or, more likely, because<br />
their collections are so extensive<br />
that finding a regular supply<br />
of cards to sell to them is<br />
nigh on impossible.<br />
In 1992, after redundancy<br />
and early retirement, I<br />
became a part-time postcard<br />
dealer. In the early years my<br />
business was purely fairbased.<br />
Gradually, I built up the<br />
approvals side until it became<br />
60% of my business. The proportions<br />
stayed much the same<br />
until four years ago when my<br />
wife, not a techno-phobe like<br />
me, volunteered to start selling<br />
via eBay. This side of the<br />
business has grown rapidly<br />
whilst sales at fairs and<br />
through approvals have<br />
remained static.<br />
Currently, the sales on<br />
eBay and at fairs account for<br />
approx 30% each whilst<br />
approvals remains the largest<br />
at 40%. However, there have<br />
been significant changes in<br />
both of the “old-fashioned”<br />
routes to market. We are<br />
standing at far fewer fairs - yet<br />
sales are holding up. Why?<br />
Well we put it down to picking<br />
the fairs that are right for our<br />
stock range and by accepting<br />
that with limited supplies of<br />
quality new stock it is imperative<br />
to limit appearances. This<br />
makes for a better ratio of<br />
sales to overhead costs and<br />
consequently a more acceptable<br />
net profit. Next year, to<br />
reduce the physical effort as<br />
well as cost, we will be reducing<br />
the amount of stock we<br />
take to fairs by eliminating<br />
much of the low value material.<br />
Approvals have not been<br />
killed off, as Eric suggests, but<br />
there are fewer customers as<br />
some have ceased to buy<br />
because of financial pressures.<br />
To some extent this has been<br />
offset by selling a higher percentage<br />
of the cards<br />
despatched to approvals customers.<br />
Perhaps new<br />
approvals customers will<br />
come via eBay.<br />
eBay has already produced<br />
a number of benefits. It<br />
has brought<br />
many new<br />
Pick oof tthe PPostbag<br />
collectors to<br />
the hobby.<br />
We now sell all over the world<br />
and an increasing percentage<br />
of these sales are to repeat<br />
customers. Also it has encouraged<br />
new sellers, not just<br />
migrating fair dealers, into the<br />
market-place. This, in turn,<br />
promotes a strong auction<br />
market, helps attendance at<br />
fairs and increases the velocity<br />
of circulation of stock (a bit<br />
like quantative easing!)<br />
However, e-bay does not<br />
provide a realistic marketplace<br />
for the dealer, wellestablished<br />
or new, to replenish<br />
his stock. For this he will<br />
have to continue to rely on<br />
auctions, private purchases<br />
and buying from fellow dealers.<br />
Thus fairs will continue<br />
but the trend will be to fewer<br />
fairs where the larger one-day<br />
and, preferably, two day ones<br />
will find more support relative<br />
to the smaller ones.<br />
Little of the above will<br />
console Eric but at least it may<br />
help him to think better of<br />
Jack who, as usual, is reacting<br />
to a changing world with a<br />
clear-thinking revision of his<br />
business model. The economic<br />
survival of mainstream<br />
dealers like Jack is fundamental<br />
to the hobby.<br />
Mike Pearl<br />
Macclesfield<br />
<strong>Postcard</strong> chronology<br />
I absolutely agree 100% with the<br />
article in <strong>Picture</strong> <strong>Postcard</strong> Annual<br />
2010 on re-naming the groups<br />
that post-war postcards are listed<br />
in. The worst is the way dealers<br />
use the term ‘moderns’ for everything<br />
published from 1945<br />
onwards, implying these just<br />
aren't collected. We have a fine<br />
example with F.E.Quinton's art<br />
postcards. A number of dealers<br />
apparently have never heard of<br />
him when asked for his cards.<br />
Others just don't bother to bring<br />
them. Why? Because they say<br />
no-one wants them as they are<br />
modern. In the late 1930s he<br />
spent two years pre-war at art<br />
college, was called up to fight for<br />
his country, returned home after<br />
the war and studied two more<br />
years at art college. Not only<br />
did he suffer because his cards<br />
were labelled ‘modern’ but I<br />
reckon so did Salmon because<br />
they were not sure what number<br />
of F.E.Q. cards to print. Consequently,<br />
it is easy to find those<br />
that Salmon thought they could<br />
sell easily at seaside places. But<br />
that has meant a large number are<br />
very difficult to find. With the<br />
popularity of A.R.Quinton on<br />
eBay it is making F.E.Q. popular<br />
too and many of his cards are<br />
selling at higher prices than you<br />
would expect when you see<br />
£1.50 printed in the catalogue. I<br />
know the subject has been mentioned<br />
in PPM earlier, but I am<br />
sure it needs working out very<br />
carefully by a small body of collectors<br />
and dealers under your<br />
leadership. Would "contemporary"<br />
or "current" be suitable for<br />
the last 20 years? Would 1945-<br />
1960 postwar, 1960-2000 - think<br />
of a word which means ‘collecting<br />
started new popularity’, and<br />
2000-2020 be right? It is just<br />
my thoughts to start on, so someone<br />
else can work from there and<br />
think of something better?! How<br />
are your thoughts these days on<br />
the subject of ‘moderns’?!<br />
Jean Cullen<br />
Locks Heath<br />
[We have suggested 1960-90<br />
‘semi-modern’ (but that’s a<br />
rather meaningless term: can<br />
anyone come up with something<br />
better?) 1991-date ‘recent and<br />
contemporary’. Certainly anything<br />
prior to 1960 cannot be<br />
remotely classified ‘modern’.<br />
Thoughts from readers welcomed!<br />
Next month we will be<br />
having an in-depth look at all the<br />
‘postcard periods’, based on the<br />
recommendations of Tonie and<br />
Valmai Holt some 40 years ago]
<strong>Picture</strong> P<strong>Postcard</strong><br />
Annual 22010<br />
is now available at<br />
£4.75 with an up to date<br />
directory of dealers, fair<br />
organisers, auctions etc<br />
plus lots of features and<br />
articles, and a list of<br />
important 2010 postcard<br />
fairs. On sale from your<br />
favourite dealer or<br />
direct from the<br />
publishers at<br />
15 Debdale Lane,<br />
Keyworth, Nottingham<br />
NG12 5HT (plus postage<br />
£1 UK, £3 Europe, £5.50<br />
rest of world)<br />
Big sender<br />
Having seen the postcard with a<br />
big list of memberships of international<br />
postcard and correspondence<br />
clubs (November PPM,<br />
p.8), it seems that Andre Perlet<br />
must have sent a huge amount of<br />
postcards. I have a similar postcard,<br />
though with a different list<br />
of clubs he belonged to (shown<br />
below, along with the picture<br />
side).<br />
George Eimermann<br />
Wateringen, The Netherlands<br />
It’s their business!<br />
As someone who had a good<br />
friend born in Hartlepool back in<br />
1913 who died about a year ago,<br />
it was with interest I read of the<br />
1914 Hartlepool disaster card<br />
that sold for £1,120 (PPM,<br />
November 2009). I certainly<br />
would have showed her the feature<br />
were she still with us. With<br />
regard to the price, it does seem<br />
excessive to anyone involved in<br />
the postcard world. Yet to the<br />
outsider with money to spare, it<br />
isn't really that expensive in this<br />
day and age, considering how<br />
much money people spend on<br />
their leisure activities. What's<br />
more, such individuals probably<br />
wouldn't want to waste time<br />
looking for a dealer, preferring to<br />
spend the money requested on<br />
eBay. And I suppose if they wish<br />
to do that, it is their own business!<br />
Tim Mickleburgh<br />
Grimsby<br />
From the (Eastern)<br />
Front<br />
Roger Lee’s Cossack card on<br />
page 45 of the November issue<br />
is certainly a striking design,<br />
but I think his interpretation of<br />
it is mistaken. Although, from<br />
the spelling, the card was presumably<br />
published in France, I<br />
don’t think that the background<br />
is the French tricolour, which is<br />
divided vertically, blue in the<br />
hoist, white in the centre and<br />
red in the fly.<br />
The Cossacks were Russian<br />
cavalry, and I suggest that<br />
the background is the old Imperial<br />
Russian flag, also a tricolour,<br />
but divided horizontally,<br />
white over blue over red.<br />
This flag disappeared at the<br />
Revolution of 1917, but - in a<br />
fine example of “what goes<br />
around, comes around” - since<br />
the break-up of the Soviet<br />
Union, the old tricolour is once<br />
again the ensign flown by<br />
Russian ships and also, I<br />
believe, in general use ashore.<br />
Rick Hogben<br />
Hampstead<br />
PPM keeps yyou<br />
in ttouch!<br />
The Game at Sheffield<br />
I was interested to see the<br />
"TITLES - The New <strong>Postcard</strong><br />
Game" postcard illustrated in<br />
November PPM, in particular as<br />
I have a similar card with "Views<br />
of Sheffield and District" (left),<br />
posted in 1914 from Chesterfield.<br />
The only clue to the publisher<br />
are the words ‘The I.D.L.<br />
Series’ on the back. Like the<br />
Weston-super-Mare card, which<br />
has views numbered 25 to 36, my<br />
card also has twelve views, these<br />
being numbered 37 to 48, so presumably<br />
there were at least three<br />
more Sheffield cards in the game<br />
series, which carried the numbers<br />
up to 36. As to how the game was<br />
played I have no idea; most of<br />
the Sheffield views would have<br />
been easy to identify by<br />
Sheffielders of the day.<br />
Philip Robinson<br />
Sheffield<br />
[Tony Roberts turned up two<br />
more postcards in the Weston<br />
series, with views numbered 13-<br />
24 and 37-48. Can any readers<br />
come up with other places featured<br />
in the genre?]<br />
Pending Project<br />
In the November issue of PPM<br />
you reported that the launch of<br />
‘The <strong>Postcard</strong> Society’ had ‘hit<br />
the deck’. This is untrue. All<br />
that happened was that despite<br />
a very good attendance at the<br />
Woking fair, only 14 or 15 people<br />
turned up for the meeting<br />
and, though I could have<br />
attempted to form a committee,<br />
I deemed it as silly to attempt to<br />
do so in such circumstances.<br />
Since the meeting however,<br />
various people have come<br />
forward who fully support the<br />
idea of a museum as well as<br />
other sensible ideas to put a bit<br />
of life into the hobby - and if<br />
and when I reckon that we have<br />
a sufficient number of them,<br />
(maybe 30 or 35) then we shall<br />
hold another meeting! The<br />
society has not ‘hit the deck’,<br />
therefore, but is merely in the<br />
‘pending’ tray - though it is up<br />
to others to contact me if they<br />
wish the project to go<br />
forward. My address is 16<br />
Heron Road, St Margarets,<br />
Twickenham, TW1 1PQ and<br />
my e-mail address is<br />
mgpostcards@blueyonder.co.uk<br />
Personally I find it hard to<br />
believe that only a small handful<br />
of people are interested in<br />
the future of the hobby in this<br />
country - but maybe that is the<br />
case. We shall see... Of course,<br />
the ones who actually count are<br />
those who bother to contact me<br />
and who are prepared to come<br />
to a future meeting - probably<br />
in this neck of the woods.<br />
Michael Goldsmith<br />
Twickenham<br />
<strong>Picture</strong> <strong>Postcard</strong> Monthly December 2009 21
Jam today, jam<br />
tomorrow...<br />
Nick HHartley iinvestigates aa ffamily ffirm<br />
Hartley's Jam was founded in 1871 in the Lancashire<br />
mill town of Colne. The firm's founder, William Hartley,<br />
had started in business as a grocer, hawking his<br />
products in the neighbouring towns and villages. A<br />
fortuitous accident led him into the production of the<br />
preserves for which he would become so well<br />
known. When a local manufacturer failed to deliver<br />
supplies to him, Hartley decided to make the jam<br />
himself.<br />
An attractive advertising<br />
postcard for Hartley’s Marmalade<br />
The business grew rapidly<br />
and in 1874 he moved to<br />
Bootle in order to take<br />
advantage of the cheaper<br />
supplies of sugar coming<br />
into the docks, as well as<br />
improving the distribution<br />
of his finished products. At<br />
Bootle, demand was such<br />
that he twice enlarged the<br />
works, but he was still<br />
unable to fulfil all his<br />
orders, and so in 1886 he<br />
built what was then one of<br />
Another card in the ‘official<br />
Hartley’s series showing their works at Aintree, Liverpool<br />
22 <strong>Picture</strong> <strong>Postcard</strong> Monthly December 2009<br />
Hartley’s Fruit Farm at<br />
Henlow, Bedfordshire - one of a series of postcards<br />
published by the firm<br />
Transporting oranges to<br />
Sevilla<br />
the largest preserves factories<br />
in the world at Aintree<br />
on the outskirts of Liverpool.<br />
The works covered ten<br />
acres and was sited at the<br />
junction of two main railway<br />
lines in order to facilitate<br />
the delivery of vast<br />
amounts of fruit and sugar.<br />
Hartley's was a huge business.<br />
The factory was capable<br />
of producing over six<br />
hundred tons of preserves a<br />
week and when the weather<br />
was warm and supplies<br />
abundant, <strong>special</strong> trains<br />
were laid on to collect the<br />
fruit from the fields.<br />
The construction of the<br />
Aintree works was followed<br />
in 1901 by the opening of a<br />
factory in Bermondsey. The<br />
two factories between them<br />
employed over three thousand<br />
workers and next to<br />
the factory at Aintree Hartley<br />
built a model village,<br />
which in its day ranked<br />
alongside Bournville and<br />
Port Sunlight.<br />
At the turn of the century,<br />
Hartley's was the leading<br />
name in the manufacture<br />
of preserves. The firm<br />
sold its products the length<br />
and breadth of Britain and<br />
throughout the Empire. The<br />
principal outlet was the corner<br />
grocery stores, but its<br />
products were also sold to<br />
stores such as Harrods, as<br />
well as the railway companies<br />
and shipping lines. The<br />
White Star Line, owners of<br />
the ill-fated Titanic, served<br />
Hartley's Jams on its fleet<br />
of ocean going liners, as did<br />
Cunard and Union-Castle,<br />
the main shipping line to<br />
South Africa. Hartley's West<br />
End Marmalade was said to<br />
stand on the breakfast table<br />
of King Edward VII.<br />
William Hartley died in<br />
October 1922, at the age of<br />
76. The following year, a<br />
photographer from the<br />
Northampton firm of Clarke<br />
and Sherwell was sent to<br />
the Aintree works to document<br />
the manufacturing<br />
process for a series of postcards<br />
that appeared soon<br />
after. The photographer took<br />
around fifty pictures of the<br />
works, as well as the nearby<br />
pottery at Melling, which<br />
made the stoneware pots in<br />
which the jam was sold<br />
(runners and riders in the<br />
Grand National annually<br />
cross the Melling Road) and<br />
the Hartley fruit farm at<br />
Henlow in Bedfordshire.<br />
The directors at Hartley's<br />
selected 24 of the photographs,<br />
which were initially<br />
reproduced as two<br />
million photogravure postcards.<br />
The photographs<br />
showed the interior and<br />
exterior of the factory. An<br />
aerial picture was effective-
Boxmaking<br />
department at Aintree<br />
ly the first in the sequence<br />
and allowed the firm to<br />
show not only the size of<br />
the works, but also the<br />
model village which stood<br />
beside it, complete with<br />
ornamental lake. The factory<br />
was built of red brick and<br />
was a largely self-contained<br />
unit. It had its own boxmaking<br />
department, where<br />
most of the apprentices<br />
started, turning out as many<br />
as three thousand boxes a<br />
day, garages to maintain<br />
the firm's fleet of lorries,<br />
and Dining Halls, one for<br />
women, who formed the<br />
majority of the workers, the<br />
other for men.<br />
Inside the factory, the<br />
photographer captured different<br />
aspects of the manufacturing<br />
process. The firm<br />
boasted that “fruit gathered<br />
at sunrise is Hartley's Jam<br />
Aerial view of Hartley’s London works<br />
Poster<br />
advert for Hartley’s preserves<br />
the same evening” and vast<br />
numbers of women were<br />
employed to hull and stone,<br />
top and tail, or to work in<br />
the Finishing Room, where<br />
nimble fingers labelled,<br />
wrapped and tied over a<br />
hundred thousand jars a<br />
day. (The Mayor of Liverpool<br />
on a visit to the works<br />
noted that a clergyman<br />
could not tie a knot as fast!)<br />
When it was first<br />
opened, the works had been<br />
a series of long, low buildings<br />
in which production<br />
moved from one phase to<br />
the next in a seamless<br />
process, but in 1891 the first<br />
of three great five storey<br />
warehouses in which the<br />
finished products were<br />
stored had been added. A<br />
second was built in 1899<br />
and the third in 1924, too<br />
late to appear in the aerial<br />
photograph of the works,<br />
but which<br />
Aerial<br />
view of the firm’s Aintree<br />
factory<br />
(below) The main entrance and offices at Aintree<br />
Hartley’s motor<br />
wagons being loaded with Seville<br />
oranges at the docks<br />
nevertheless featured in a<br />
postcard that was later<br />
added to the series.<br />
The popularity of the<br />
cards encouraged the firm<br />
to widen its horizons. In<br />
February 1924, the directors<br />
ordered an additional<br />
five million postcards,<br />
which included the original<br />
24 photographs, as<br />
well as five photographs<br />
taken in Seville (Hartley's<br />
used almost a quarter of<br />
the world's supply of<br />
Seville oranges) and two<br />
others, taken on the docks<br />
at Liverpool. It also produced<br />
three million colour<br />
postcards, which were<br />
reproductions of its marmalade<br />
and preserve<br />
showcards.<br />
The firm's records are<br />
incomplete, but it seems that<br />
in total at least 37 images<br />
were reproduced. The cards<br />
were distributed amongst the<br />
firm's travellers (salesmen)<br />
and to individual grocers to<br />
put on the counter. The cards<br />
were also given out at trade<br />
fairs and exhibitions, such as<br />
the 1924 British Empire Exhibition<br />
at Wembley at which<br />
the firm had two stands.<br />
In 1959, Hartley's was<br />
sold to the Schweppes<br />
Group, together with rivals<br />
Chivers’ and William Moorhouse<br />
of Leeds. A few years<br />
later, production of preserves<br />
ceased at Aintree and moved<br />
to the Chivers' factory at Histon,<br />
near Cambridge. It is not<br />
known when the firm discontinued<br />
the cards, but the<br />
images, which sell for<br />
between £5 and £25, remain<br />
an invaluable record of a<br />
business that is an important<br />
part of Britain's industrial heritage.<br />
<strong>Picture</strong> <strong>Postcard</strong> Monthly December 2009 23
Crown Green Bowls<br />
John MMayhew<br />
Crown green bowls is played mostly in the north of<br />
England where it originated. Generally a game<br />
between two players, it uses a green which has<br />
raised ‘crown’ at its centre. Although the game is<br />
played mainly in the north there are greens situated<br />
as far south as Kenilworth, Southampton and<br />
Bournemouth.<br />
As crown green uses a deliberately<br />
contoured area which<br />
is difficult to replicate with<br />
indoor artificial surfaces,<br />
there is only one indoor<br />
green, at Birkenhead. The<br />
game was first played in the<br />
1870s and Lancashire was the<br />
first county association,<br />
formed in 1888. The British<br />
Crown Green Bowling Association<br />
dates back to 1907 and<br />
in England and Wales there<br />
are 130,000 registered<br />
bowlers playing for 2,600<br />
clubs. No two greens are alike<br />
as they can be round, square,<br />
oblong or mis-shaped with<br />
the raised portion not always<br />
in the centre. Most greens are<br />
either square or rectangular<br />
and can be 35 metres long<br />
and 20 metres wide and the<br />
surface may be irregular. The<br />
ideal green is 37 metres<br />
square with a 30cm - 37.5cm<br />
crown enabling four singles<br />
or pairs matches to be played<br />
at the same time. Each player<br />
has a pair of bowls weighing<br />
up to 3lbs each and points are<br />
scored by getting bowls nearer<br />
to the jack than your opponent.<br />
Bowls are manufactured<br />
so they run on a curving<br />
course known as bias and<br />
unlike flat green bowls the<br />
jack is made in a similar way.<br />
The crown jack is 95-98mm in<br />
diameter and coloured black<br />
with white mounts and spots<br />
or white with black mounts<br />
and spots. The person who<br />
wins the toss bowls the jack a<br />
minimum distance of 19<br />
metres while his toe is resting<br />
on a circular rubber or plastic<br />
mat up to 154mm in diameter<br />
termed a “footer”. There is<br />
one big difference between<br />
flat green and crown green<br />
bowls as the names imply.<br />
With flat green the surface<br />
has to be as flat as possi-<br />
ble and specified rectangular<br />
areas known as rinks are<br />
allotted to each group of<br />
bowlers. A crown green<br />
bowler has no such restrictions<br />
and can bowl from one<br />
side to the other and even to<br />
either corner. The laws of the<br />
game state that if a running<br />
jack or bowl appears to be in<br />
danger of striking a still bowl<br />
or jack belonging to another<br />
set, such running bowl or jack<br />
should be stopped and<br />
returned to be replayed. It is<br />
easy to imagine one singles<br />
or pairs game being played<br />
but to envisage four games<br />
taking place at the same time<br />
all bowling over the one<br />
crown is as they say “another<br />
ball game”.<br />
The bowling green at<br />
Blackpool shows bowlers on<br />
three sides of the green bowling<br />
at the same time. It is not<br />
easy to detect the crown on a<br />
postcard and the circular mat<br />
or footer is the only clue to a<br />
crown green game.<br />
Players compete for<br />
their county championships<br />
but the big singles event is to<br />
decide the champion of<br />
champions held at the Waterloo<br />
Hotel in Blackpool at the<br />
end of the season. Fifteen<br />
county champions plus seven<br />
other competition winners<br />
compete for the title. There<br />
are two cards dealing with<br />
the Waterloo Bowling Handicap,<br />
one commencing on<br />
Sept 2nd 1929 and the other<br />
on Aug 31st 1936. I have not<br />
been in Blackpool when the<br />
“Waterloo” is taking place<br />
and my only viewing of it is<br />
by looking at the edited TV<br />
coverage spread over several<br />
days. The big difference<br />
between the flat green championships<br />
played at<br />
Bowling Group. The bowls<br />
are at the women’s feet but were they in the team?<br />
24 <strong>Picture</strong> <strong>Postcard</strong> Monthly December 2009<br />
New ManchesterHippodrome<br />
Band in a<br />
bowling<br />
match at<br />
a pub<br />
green in<br />
Stockp<br />
o r t<br />
Road,<br />
A r d -<br />
wick.<br />
A pub green was a popular venue for a<br />
famous match like the ongoing “Waterloo” at Blackpool.<br />
Bowling Green, Hoylake. The bowler in the foreground is<br />
bowling straight ahead, while two bowls far left indicate<br />
another match being played across him from right to left.<br />
Publisher unknown. ‘Clarendon’ series. Postally used 1919.<br />
The Bowling Green, Alexandra Park, Oldham. Footer being<br />
used by bowler on left bowling to far corner of green. Card<br />
published by Valentine of Dundee in 1939.<br />
Worthing and the “Waterloo”<br />
is the large number of bookmakers<br />
sited around the<br />
ground<br />
offering odds on the players.<br />
Quite a shock to a southener<br />
brought up in the genteel<br />
world of flat green bowls.<br />
Group with Trophy<br />
The footers under the chair of the second person sitting on<br />
the left marks this out as a crown green triumph.
Waterloo<br />
Bowling Handicap. Blackpool Sept.<br />
2nd 1929. Sponsored by Magee Marshall & Co. Ltd.<br />
First prize unknown.<br />
Waterloo<br />
Bowling Handicap. Blackpool Aug<br />
31st 1936. Same sponsor as 1929 and a first prize of silver<br />
cup and £50.<br />
(above) Bowling Green,<br />
Stanley Park, Blackpool.<br />
The photo shows bowlers<br />
bowling across one another.<br />
Crown Green<br />
bowler. All ready<br />
for the photographer<br />
- bowl in one<br />
hand, jack in the<br />
other and foot<br />
firmly planted on<br />
the mat.<br />
(right) Two bowlers<br />
with marker holding<br />
card to record the<br />
score.<br />
(above) Bowls<br />
Match. Close up of<br />
a bowler about to<br />
release his bowl.<br />
postcard published<br />
by H. Naylor,<br />
Bridlington.<br />
(left) Two<br />
bowlers with<br />
marker. The<br />
marker’s task is<br />
to keep the<br />
score on a card<br />
and ensure the<br />
rules are followed.Photograph<br />
by -<br />
Stringer.<br />
Oakdale Bowling Club 1912.<br />
Group showing footer, bowls and jack. Message “This<br />
is the new club formed of which your humble has been<br />
made secretary off (sic)” Postally used 1912.<br />
<strong>Picture</strong> <strong>Postcard</strong> Monthly December 2009 25
Enigma Variations<br />
Rick HHogben<br />
In August 2009 PPM, under the heading “What tthe<br />
Postman ccouldn’t rread”, Harry Hicks wrote about the<br />
codes and devices that senders have used to hide the<br />
meaning of their message. More recently I found that<br />
I have in my collection my own example of a coded<br />
card, rather more baffling than just written backwards<br />
or upside down.<br />
One Sunday at the<br />
Bloomsbury I searched<br />
as usual for sailing<br />
vessels, but without<br />
great success - as with<br />
any collection, the<br />
more one has the<br />
more difficult it is to<br />
find anything new.<br />
As a parting gesture,<br />
before going home I<br />
looked, as I often do,<br />
at one dealer’s stock<br />
of New Zealand<br />
cards. It was quite a<br />
small bundle, but in<br />
it was a real photo<br />
card of Dannevirke<br />
High School. This<br />
was a great “find”,<br />
as my father had<br />
taught there early<br />
in his career and<br />
had later been<br />
Headmaster for seven<br />
years, and it was the<br />
school where I had started<br />
my own secondary<br />
education.<br />
I was so delighted with the<br />
front of this card that I<br />
didn’t really study the<br />
back until some time<br />
after I had read Harry<br />
Hicks’ article. When I<br />
did, I found it bore a<br />
message that looks as<br />
if it needs the attention<br />
of Bletchley Park - a<br />
mixture of long-hand<br />
written words, a selection<br />
of block capital letters,<br />
some of them separated<br />
by full-stops, a<br />
figure 5, and two blots<br />
which might or might<br />
not be part of the message.<br />
It even poses an<br />
additional difficulty not<br />
faced by those who tackled<br />
the Enigma code; our<br />
war-time code breakers<br />
decyphering messages<br />
between the German<br />
naval command and individual<br />
U-boats at least<br />
knew that the solution they<br />
sought would be in German.<br />
But this card was sent<br />
from an English - speaking<br />
country to a man with a<br />
Spanish name at an address<br />
in Spain, so the message<br />
could be in either English or<br />
Spanish - or, for that matter,<br />
in Esperanto!<br />
There is one other possibility,<br />
admittedly rather<br />
remote, suggested by the<br />
name of the sender. New<br />
Zealand was settled mostly<br />
from Britain, but when<br />
Southern Hawke’s Bay,<br />
where Dannevirke is situated,<br />
was first developed in<br />
26 <strong>Picture</strong> <strong>Postcard</strong> Monthly December 2009<br />
the 1870s, it also received a<br />
number of assisted-passage<br />
immigrants from Scandinavia.<br />
I don’t know how<br />
long the use of their native<br />
languages persisted, but<br />
names certainly fit; I was at<br />
school in the 1930s with<br />
boys named Hansen,<br />
Johansson, Christopherson<br />
and so on. And the sender’s<br />
name on this card,<br />
Berntsen, might be Scandinavian<br />
too....<br />
The original core school building. The<br />
stamp has been carefully removed from the card, and with it the<br />
post-mark date, but from the new extension visible on the left, the view<br />
probably dates from the early 1920s.<br />
I remain baffled; the<br />
code-breakers at Bletchley<br />
Park had the support of one<br />
of the world’s first computers,<br />
a massive machine filling<br />
a whole room. I do not<br />
have even a small lap-top,<br />
and my decyphering practice<br />
is limited to the occasional<br />
cryptic crossword<br />
puzzle. So any solutions<br />
will be gratefully received,<br />
on a postcard of course -<br />
and in plain language!<br />
The cryptic message,<br />
together with the sender’s name and<br />
address. The card was published by the well-known Wellington<br />
firm, Tanner Bros. Ltd., in their “Maoriland Photographic Series”. The printing and the<br />
rather faint NZ palm, a frequent feature of their cards, are in green. In the bottom right<br />
corner is the rubber stamp of a postal history dealer in Madrid. I wonder how it ended up<br />
in London.<br />
Don’t miss out on a single copy of PPM<br />
- take out a subscription or place a regular<br />
order with your supplier
Edwardian <strong>Postcard</strong><br />
Project<br />
Julia Gillen investigates who wrote all<br />
those postcards<br />
The history of everyday writing has received much<br />
less academic attention than have other areas of<br />
writing history. One reason is that most surviving<br />
texts have been from educated or elite groups;<br />
another is that until later in the nineteenth century<br />
access to writing education was limited, resulting in<br />
many people having little skill in writing and little use<br />
for its production in their everyday lives (Mitch<br />
1992). As access to education increased, eventually<br />
leading to compulsory education for all, ability with<br />
written language spread. Accordingly, when a really<br />
cheap, efficient and attractive communicative object<br />
arrived, it was actually used by and useful to many<br />
people rather than a few.<br />
This<br />
object was the postcard,<br />
which from 1902 achieved<br />
mass popularity when the<br />
Post Office finally allowed<br />
one side to be used wholly<br />
for a picture and the other for<br />
the address and message.<br />
The consequence is that for<br />
anyone interested in everyday<br />
writing at the beginning<br />
of the twentieth century, the<br />
millions of Edwardian postcards<br />
to be found at today's<br />
postcard fairs provide a massive<br />
resource. For us 'everyday<br />
writing' is writing that is<br />
not regulated by the formal<br />
rules and procedures of<br />
dominant social institutions<br />
and which has its origins in<br />
people's everyday lives.<br />
Thus it is the writing that<br />
people do for themselves in<br />
everyday life.<br />
While the majority of<br />
people interested in old postcards<br />
are more concerned<br />
with the picture side of the<br />
card, as researchers into<br />
everyday writing we are<br />
using the written texts. In<br />
1875 one journalist wrote in<br />
Appleton's Journal, 'Postal<br />
cards have not been long<br />
enough in use to admit of an<br />
inquiry as to the nature of<br />
the courtesies and social<br />
laws that do or should pertain<br />
to them'. We are interested<br />
in how by the Edwardian<br />
period the texts reflected<br />
how writers had devel-<br />
oped and adapted to these<br />
new literacy objects. Thus it<br />
is not simply to look at the<br />
topics people write about but<br />
to consider the nature of the<br />
writing, examine how it was<br />
adapted to the very distinct<br />
material nature of the post-<br />
card, and e<strong>special</strong>ly to consider<br />
its use in initiating and<br />
sustaining social relationships.<br />
We have gradually been<br />
collecting really cheap<br />
Edwardian cards (we have<br />
no funding for the project<br />
despite it having received<br />
worldwide interest). Condition<br />
is not important to us<br />
and cards are selected solely<br />
on the basis that they have<br />
some sender-produced message<br />
on them. Every card<br />
then has both sides scanned.<br />
So far we have done this for<br />
almost 2000 cards. A mass of<br />
data is then entered into a<br />
large database and this<br />
forms a core for our<br />
research. It is slow and very<br />
time consuming but has<br />
been very rewarding. We<br />
have already published a<br />
number of book chapters on<br />
the topic and have been<br />
amazed how much public<br />
and academic interest the<br />
project has demonstrated.<br />
One of the ways we<br />
are communicating about<br />
the project is through<br />
Twitter, with the help of<br />
Cath Booth. If you use<br />
Twitter do follow eVIIpc. For<br />
further information do see<br />
our project website at:<br />
http://www.lancs.ac.uk/fss/ce<br />
ntres/llrc/activities/641<br />
Finally, we'd be pleased<br />
to hear from people with an<br />
interest in the topic and<br />
e<strong>special</strong>ly from anyone who<br />
can help us find Edwardian<br />
cards very cheaply.<br />
Julia Gillen, Senior Lecturer,<br />
Literacy Research Centre,<br />
Lancaster University. Email:<br />
j.gillen@lancaster.ac.uk<br />
Nigel Hall, Emeritus Professor,<br />
Manchester Metropolitan<br />
University. Email:<br />
nigelhall@literacy.demon.co<br />
.uk<br />
<strong>Picture</strong> <strong>Postcard</strong> Monthly December 2009 27
�Auctions �<br />
A commemorative postcard<br />
for the flight of the Graf<br />
Zeppelin between the USA<br />
and Germany was the star<br />
item at Trevor Vennett-<br />
Smith’s postal auction in<br />
October. The postal history<br />
interest took the price to<br />
£208. Another aviation item,<br />
a postcard of Alcock &<br />
Brown’s 1919 Atlantic flight<br />
published by Beagles, made<br />
£74. Topographical and<br />
social history cards included<br />
a Catholic Congress<br />
parade at Brighton (£64),<br />
decorated van at Chipping<br />
Norton (£50), and Co-op<br />
interior at Lesmahagow<br />
£93. Best embroidered silk<br />
postcards were an HMS<br />
Inflexible design at £154<br />
and 17th Lancers at £137. A<br />
novelty Boer War card<br />
satirising Kitchener realised<br />
£90, and a scarce RP of Winston<br />
Churchill with village<br />
scene and stirring quotation<br />
£50. Advertising cards<br />
included Shell ‘More miles<br />
on Shell’ at £137, while a<br />
Mucha Months of the Year<br />
made £125 and two Kirchner<br />
Fleurs d’hiver cards £71<br />
each. A set of 12 Months of<br />
the Year by Guggenberger<br />
looked good value at £77.<br />
An Irish Gruss Aus-style<br />
card of Cork sold for £43.<br />
Naval collection sells<br />
for £891<br />
October’s Warwick and<br />
Warwick auction included a<br />
number of large collections<br />
offered intact, which all sold<br />
in excess of estimate. A collection<br />
of 700 British Naval<br />
cards, estimated at £240,<br />
steamed to £891 and 174<br />
miscellaneous shipping,<br />
made £690, almost quadruple<br />
estimate. Sports cards<br />
are perennially popular and<br />
a miscellaneous collection<br />
of 180, including a few<br />
Olympics, estimated at<br />
£200, made £517. A collection<br />
of Post Office, postalrelated<br />
and postal stationery<br />
cards, appealing to<br />
philatelists as well as postcard<br />
collectors, realised<br />
£690 after a £200 estimate.<br />
Best results, though,<br />
were in the topographical<br />
section. There were two<br />
large Scottish collections,<br />
making £1,437 (400 cards)<br />
and £1,322 (450 cards). 320<br />
London and suburbs, with a<br />
pre-sale estimate of £550,<br />
made £1,064 and 100 Manchester<br />
and suburbs, estimated<br />
£250, made £460. A<br />
Coventry city centre collection<br />
contained a good range<br />
of real photographic cards<br />
showing the city prior to the<br />
WWII bombing. The 300<br />
eBay notes<br />
Suffragette comics were<br />
much in demand on the<br />
internet sales site in the<br />
past month, with cards<br />
selling for between £52<br />
(an Ellam design) and<br />
£122 (five different cards<br />
achieved close to this figure).<br />
An artist-drawn<br />
Titanic made an astonishing<br />
£387 - but it did<br />
have an overprint for a<br />
showing in Tonypandy<br />
of the film of the disaster,<br />
and further information<br />
on the reverse. A different<br />
art card made a more<br />
orthodox £59. Louis<br />
Wain came in with a £235<br />
result for a Wildt & Kraypublished<br />
‘Song’ design<br />
- there were six bidders<br />
and 58 bids on this one,<br />
which started at £4.95.<br />
A huge number of<br />
large one-country or<br />
one-town large lots were<br />
sold last month, including<br />
1,000 Portugal, which<br />
made £1,054, 400 China<br />
(£748), 800 Spain(£921)<br />
and 700 Salonica (£610).<br />
Most, however,<br />
remained unsold.<br />
Other hhighlights:<br />
Swanscombe, parade at<br />
football ground £271<br />
Capt. Smith of Titanic RP £255<br />
Embroidered silk satirical, The<br />
Iron Grip £255<br />
Olympic/Titanic sizes cf.<br />
world’s biggest buildings<br />
£250<br />
Holmsley, railway station<br />
exterior £190<br />
Aviation, Hall Caine aerodrome<br />
at Ramsey 1930s £144<br />
Embroidered silk, Dragoon<br />
Guards £137<br />
Football, Man Utd team 1911<br />
ptd (tatty & torn!) £133<br />
Pellon (Halifax) rly station £132<br />
Bonzo, radio/golf theme £131<br />
Warrington, street scene RP<br />
£123<br />
Emb’d silk Queens Royal<br />
Lancers £123<br />
Ireland, RUC at Donegal RP<br />
£122<br />
WW2, Japanese card, UK<br />
surrender of Singapore £122<br />
cards, estimated at £550,<br />
realised £920. County<br />
selections included 350<br />
Yorkshire (£977) and 300<br />
Sussex (£471).<br />
A wide-ranging accumulation<br />
of 950 cards, with<br />
Africa, the Far East and the<br />
Caribbean well represented,<br />
sold for £1,275 against a<br />
conservative estimate of<br />
£320. A fine collection of<br />
Irish rural cards was on<br />
offer, including village and<br />
countryside cards as well<br />
as the more common city<br />
views. The 280 cards were<br />
estimated at £320 and<br />
realised £1,064.<br />
28 <strong>Picture</strong> <strong>Postcard</strong> Monthly December 2009<br />
Arthouse postcards<br />
score<br />
Wiener Werkstatte postcards<br />
were again headliners<br />
at Markus Weissenbock’s<br />
latest auction in Salzburg,<br />
with prices as high as 6,500<br />
euros a card. Artists Oskar<br />
Kokoschka and Rudolf<br />
Kalvach were among the<br />
most sought-after.<br />
Unsigned WWs, on the<br />
other hand, made around<br />
500 euros.<br />
Embroidered silk, Rugeley<br />
Camp £115<br />
White Star Line, crew RP £103<br />
Titanic, Nearer My God To Thee<br />
hymn cards (6) £102<br />
Trapani, Italy, fiesta £102<br />
Louis Wain A Cat’s Matrimony<br />
£91<br />
Kuwait, customs 1960s £90<br />
Ebberston village scene RP £87<br />
Rudyard Kipling RP £81<br />
Hong Kong, Queens Road £81<br />
Blandford, gypsies £80<br />
Kuwait, street scene 1958 £79<br />
Knocklong, Co. Limerick, RC<br />
church £78<br />
Guernsey, LL postcard booklet<br />
(12) £77<br />
X-Ray postcard £77<br />
Lundy Island beach £75<br />
Alloa, ferry boat £74<br />
Roscommon Castle £73<br />
Southwick, oil depot £72<br />
Turkey, postman & telegram<br />
£68<br />
Crawley, marching troops RP<br />
£66<br />
Bruntingthorpe, pub £65<br />
Liskeard, sheep fair RP £65<br />
Golf, Cruden Bay course £62<br />
Liverpool FC 1914-15 £62<br />
Pauli Ebner (2) £56<br />
RP Phillimore signed card £52<br />
Shirley Temple on greetings<br />
card £52<br />
Original artwork<br />
Fitzpatrick £178<br />
Arnold Taylor £117<br />
Trow £107<br />
Above: an<br />
unusual embroidered silk<br />
postcard that sold for £255.<br />
Below: lots of suffragette<br />
comic cards have proved<br />
popular on eBay in the past<br />
month.<br />
1930s German<br />
collection at Warwick<br />
A comprehensive 19-album<br />
collection of German Third<br />
Reich cards of the 1930s and<br />
early 1940s will be offered as<br />
a single lot in Warwick and<br />
Warwick's December 9th auction.<br />
Included are official<br />
postal stationery cards, portraits<br />
of leaders and soldiers,<br />
Nuernberg Rallies, propaganda<br />
cards, Hitler Youth, 1938<br />
and 1939 Motor Show poster<br />
adverts and many more.<br />
In the subjects section, a<br />
Punch and Judy collection of<br />
61 cards will go under the<br />
hammer, along with a rare<br />
Louis Wain Ettlinger 5256<br />
series, including the desirable<br />
Golfers, all offered as single<br />
cards. The poster adverts section<br />
has a collection estimated<br />
at £850 and several attractive<br />
single card lots, including<br />
Fry's Cocoa With Captain<br />
Scott at the South Pole.<br />
Topographicals include<br />
500 Banbury for £1,200 and a<br />
wonderful collection of 400<br />
New Zealand, with many real<br />
photographic cards, estimated<br />
at £900.<br />
A good roomful of bidders<br />
at Birmingham Auctions’<br />
sale in Worcester in October<br />
saw most postcard lots pass<br />
their room estimates, with a<br />
Titanic silk making £825<br />
despite a corner stain.<br />
Among the topographicals,<br />
five cards of a Barnsley<br />
paperworks fire hit £100<br />
and canal disasters made<br />
£30 each. Glamour and<br />
nude postcards sold well,<br />
though advertising cards<br />
struggled a little. Anything<br />
of quality was in demand,<br />
but ordinary printed British<br />
topos were shunned.<br />
Overseas cards from the<br />
Pacific Rim and Africa were<br />
also popular.<br />
�� A couple of court size<br />
Bristol cards caught the eye<br />
at Dalkeith’s sale in<br />
Bournemouth last month.<br />
One showed a sketch of<br />
Clifton Suspension Bridge,<br />
with the card cancelled by<br />
an 1895 Bristol squared circle<br />
postmark. The other featured<br />
Bristol College Green<br />
used in 1901 with a Queen<br />
Victoria stamp.<br />
�� Star item at Reading<br />
Card Club’s October auction<br />
was a rare Edwardian real<br />
photographic postcard of a<br />
scene at Pinkneys Green,<br />
near Maidenhead,<br />
which sold for £26.<br />
Sounds a bargain!<br />
PPM keeps<br />
you iin ttouch<br />
with tthe ppostcard<br />
wworld!
Sale date 9th December 2009
<strong>Stockings</strong> Galore<br />
Shapely, capacious, even darned -<br />
Wendy Mann collects them all, provided<br />
they’re on <strong>Christmas</strong> postcards<br />
One record which doesn’t appear in any ‘Book of<br />
Firsts’ concerns the first English child to receive a<br />
<strong>Christmas</strong> stocking in this country. The social historian<br />
John Pimlott remarked in his 1978 ‘The Englishman’s<br />
<strong>Christmas</strong>’ that we shall never know just when<br />
and where the first English stocking was filled. In<br />
‘The English Year’ (2006) Steve Roud agreed: “The<br />
<strong>Christmas</strong> sstocking iis oone oof sseveral eelements oof tthe<br />
modern C<strong>Christmas</strong> tthat sstill ppuzzles tthe hhistoorian, aas<br />
it iis nnot aat aall cclear eexactly wwhen oor hhow iit ccame iinto<br />
vogue iin BBritain”. Brewer’s ‘Dictionary of Phrase and<br />
Fable’ reckons it was around 1840, saying the custom<br />
came from Germany. But whenever it was and<br />
whatever the circumstances, it couldn’t have been<br />
any more satisfactory than my first remembered<br />
stocking - the largest of my father’s I could find,<br />
hand-knitted by my grannie, and wonderfully and<br />
reassuringly stretchy.<br />
(left) My first remembered<br />
stocking was borrowed<br />
from my father and looked<br />
something like this. Handknitted<br />
by my grannie, it<br />
was wonderfully and reassuringly<br />
stretchy. A Rotary<br />
RP postcard.<br />
(right) An Agnes Richardson<br />
design from Photochrom<br />
in their<br />
‘Celesque’ Series. Posted<br />
1920. I have in my wider<br />
collection a 1908 letter<br />
written to Santa by an 11<br />
year old American girl. She’d also have needed a<br />
large stocking for her 28 requests. Amongst them and with<br />
sometimes creative spelling, she wrote that she’d like a<br />
muff and fur, a sailor suit and - hedging her bets - a big doll<br />
or a small one with a coach to put it on.<br />
That lucky first youngster<br />
maybe - just maybe - had<br />
associations with the royal<br />
household. However, my<br />
tentative suggestion, as<br />
someone who enjoyed a<br />
number of <strong>Christmas</strong><br />
stockings in Oldham, is<br />
that the first national<br />
stocking may have been<br />
hung up close to my old<br />
home. After all, German<br />
merchants had nostalgically<br />
taken <strong>Christmas</strong> trees<br />
to Manchester at least as<br />
far back as 1822 which is<br />
the earliest non-Court<br />
related reference I can find<br />
and they may also, in<br />
time, have introduced the<br />
European stocking cus-<br />
tom. It would seem logical<br />
that this lovely concept<br />
might then have been<br />
copied by a small Mancunian<br />
friend of a German<br />
child resident in the city.<br />
Early Court references<br />
focused on gifts being laid<br />
around trees and probably<br />
in regal and aristocratic<br />
circles the humble stocking<br />
would have been considered<br />
a poor tool compared<br />
with the glorious<br />
<strong>Christmas</strong> trees of the<br />
truly privileged young.<br />
Much is conjecture and<br />
any self-respecting compiler<br />
of records would rightly<br />
regard my notion as woolly<br />
and unsubstantiated but I<br />
30 <strong>Picture</strong> <strong>Postcard</strong> Monthly December 2009<br />
like the idea and shall<br />
stick with it! And just as<br />
personal example and<br />
word of mouth were likely<br />
to have played a part<br />
so too must have books.<br />
Serious stocking filling<br />
began to gather momentum<br />
earlier in the States than in<br />
England due to the changing<br />
nature of the gift nearer<br />
there. On that side of the<br />
Atlantic Washington Irving’s<br />
<strong>Christmas</strong> figure in his<br />
satirical ‘History of New<br />
York’ appeared in 1809. Still<br />
called St. Nicholas, he was,<br />
however, most unsaintlike<br />
and rode ‘jollily’ over the<br />
rooftops in a wagon dropping<br />
presents down chimneys.<br />
He was followed in<br />
1821 by a Santa and his<br />
reindeer. This was in a<br />
In America in the 1870s<br />
there was some debate<br />
about the relative merits of<br />
trees and stockings. It wasn’t<br />
taken for granted in families<br />
with small children that<br />
they should necessarily<br />
have both. An embossed<br />
American postcard<br />
designed by Ellen Clapsaddle.<br />
Publisher unknown and<br />
postally used 1910.<br />
poem in the lengthily-titled<br />
annual ‘The Children’s<br />
Friend, A New Year’s Present<br />
to the Little Ones from<br />
Five to Twelve’ which also<br />
(left) This child about to discover<br />
the surprises in two<br />
full stockings is rather reminiscent<br />
of those Victorian<br />
cake decorations called<br />
Snow Babies. An embossed<br />
postcard with a PP imprint.<br />
At the time<br />
of Prince Albert’s influence<br />
and earlier very privileged<br />
English youngsters had<br />
such toy-bedecked <strong>Christmas</strong><br />
trees stockings might<br />
have seemed superfluous.<br />
They’d have been grander<br />
than this small version<br />
about to be taken indoors<br />
but it’s an attractive image<br />
from Ethel Parkinson on a<br />
postcard from C.W. Faulkner.<br />
Postally used 1905.<br />
included an early colour<br />
lithograph of Santa. And the<br />
following year saw the<br />
appearance of ‘the right<br />
jolly old elf’ of ‘Twas the<br />
night before <strong>Christmas</strong>’<br />
fame, again with reindeer.<br />
This trio showed Dutch<br />
influence as did New York<br />
itself having been named<br />
New Amsterdam by the<br />
early Dutch settlers. However,<br />
not only had they shed<br />
their ecclesiastical past in<br />
terms of appearance but<br />
they were also beginning to<br />
share a new characteristic<br />
and that was a jovial personality.<br />
It’s true there<br />
could still be a dark side as<br />
in ‘The Children’s Friend’<br />
poem where if Santa found<br />
“the children naughty, in<br />
manners rude, in tempers<br />
haughty... [he] left a long,<br />
black birchen rod......”<br />
expecting it to be used. But<br />
in spite of this injunction he<br />
was a largely amiable fellow<br />
in his increasingly<br />
numerous portrayals and<br />
his friendliness and<br />
approachability increased<br />
with the years although, as<br />
Santa/Father <strong>Christmas</strong><br />
postcards collectors will<br />
know, he was slow to completely<br />
relinquish his birch<br />
rod. The stockings themselves<br />
go back, of course, to
Father <strong>Christmas</strong><br />
must have been pleased to<br />
encounter such an accessible<br />
fireplace. Tuck’s ‘<strong>Christmas</strong>’<br />
<strong>Postcard</strong> Series 1757.<br />
Undivided back and postal-<br />
ly used 1903.<br />
the famous legend which<br />
gave rise to the custom in<br />
the first place when, wishing<br />
to save three impoverished<br />
sisters from prostitution,<br />
the fourth century<br />
Bishop Nicholas is said to<br />
have thrown bags of gold<br />
through a window which<br />
landed in stockings or<br />
shoes put before the fire to<br />
warm. But this new emerging<br />
character had far more<br />
universal appeal than the<br />
pious and constrained bishop<br />
could have hoped to<br />
aspire to.<br />
Dickens’<br />
Whilst Tiny<br />
Tim had no <strong>Christmas</strong><br />
stocking he and his family<br />
had great hopes - expectations<br />
even - of their pudding.<br />
The Victorians were<br />
beginning to recognise that<br />
manipulative use of the<br />
resurgent <strong>Christmas</strong> season<br />
would help heal social divisions<br />
as well as being good<br />
for business and Dickens<br />
gave them word pictures<br />
that suited them well. A<br />
Tuck ‘Oilette’ No. 9852 in<br />
their ‘Character Sketches<br />
from Charles Dickens’.<br />
St Nicholas, with whom it<br />
all began. Dutch settlers<br />
took his legends with them<br />
when they sailed to New<br />
York in the 17th century, it<br />
then being called New Amsterdam.<br />
He’s being so generous<br />
here his gifts wouldn’t<br />
fit into a mere stocking.<br />
An embossed postcard produced<br />
by Paul Finkenrath<br />
for Woolstone Bros. who<br />
distributed it in their Milton<br />
Series.<br />
apparent silence on the subject<br />
of <strong>Christmas</strong> stockings<br />
is significant, though he did<br />
write evocatively of <strong>Christmas</strong><br />
trees, calling one ‘that<br />
pretty German toy’. He was<br />
born in 1812 and while this<br />
childhood wasn’t all unmitigated<br />
misery there were<br />
bleak times. At the age of 12<br />
An embossed Birn Bros.<br />
postcard showing very necessary<br />
stealth.<br />
he had to work for a time in<br />
a shoe blacking factory and<br />
his father spent time in<br />
prison for debt. But it was<br />
the era he was born into<br />
which was more likely to<br />
have denied him a stocking<br />
rather than family circumstances.<br />
In his childhood<br />
the English Father <strong>Christmas</strong><br />
was still a grown up<br />
concept. With the emphasis<br />
on food, drink and merri-<br />
ment the old man probably<br />
wouldn’t have paid stockings<br />
any attention unless<br />
they encased a shapely pair<br />
of ankles! His merger with<br />
this new Santa was still for<br />
the future.<br />
As far as I’m aware<br />
<strong>Christmas</strong> stockings didn’t<br />
feature in any of Dickens’<br />
numerous articles and he<br />
didn’t mention them in his<br />
<strong>Christmas</strong> books. ‘A <strong>Christmas</strong><br />
Carol’ was published in<br />
1843 and became hugely<br />
influential on both sides of<br />
the Atlantic. Festive food is<br />
an important aspect and<br />
with the parallel themes of<br />
social altruism and <strong>Christmas</strong><br />
feasting it followed<br />
Books such as ‘A <strong>Christmas</strong><br />
Carol’ and ‘Carl<br />
Krinken’ struck a chord<br />
and encouraged charitable<br />
giving. Scrooge’s<br />
nephew said of <strong>Christmas</strong><br />
it was the only time<br />
he knew of when men<br />
and women seemed ‘to<br />
think of people below<br />
them as if they really were<br />
fellow-passengers to the<br />
grave, and not another<br />
race of creatures bound on<br />
other journeys’. Here a<br />
thoughful boy leaves gifts<br />
for a small girl less fortunate<br />
than himself. Birn<br />
Bros. embossed postcard.<br />
Postmark unclear.<br />
(below) A ‘<strong>Christmas</strong> Time’<br />
unsigned Susan Pearse design published by Henry Frowde<br />
and Hodder & Stoughton.<br />
that the desire of the<br />
reformed Scrooge to<br />
improve <strong>Christmas</strong> for the<br />
Cratchits focused on food<br />
and the purchase of a giant<br />
turkey. There were no<br />
quickly bought toys, no<br />
hastily assembled stockings<br />
left on the doorstop for Tiny<br />
Tim and his siblings. There<br />
are hardly any toys in the<br />
book and where they are<br />
mentioned the children concerned<br />
received them<br />
directly from their father.<br />
Crucially, this was before<br />
Getting stockings ready on a spacious four poster bed.<br />
Publisher unknown and postally used 1908.<br />
going to bed on <strong>Christmas</strong><br />
Eve - they didn’t hang up<br />
any stockings. It was a rumbustious<br />
occasion and great<br />
(continued)<br />
<strong>Picture</strong> <strong>Postcard</strong> Monthly December 2009 31
STOCKINGS GALORE<br />
continued from page 31<br />
Some stockings<br />
definitely held more than<br />
others! Artist: T. Gilson.<br />
Publisher unknown.<br />
fun but rather different from<br />
how things are done today.<br />
<strong>Christmas</strong> as we think of it<br />
was still taking shape.<br />
Eleven years after the<br />
appearance of Dickens’<br />
famous ghost story a book<br />
which was to prove another<br />
best seller was published in<br />
both New York and London.<br />
Even though it hasn’t stood<br />
the test of time, Susan<br />
Warner’s ‘Carl Krinken: His<br />
<strong>Christmas</strong> Stocking’ quickly<br />
ran into several editions<br />
after it first came out in<br />
1854. As an American she<br />
set this moralistic children’s<br />
tale around her country’s<br />
still evolving Santa Claus<br />
who was, she wrote, kept<br />
very busy filling half a million<br />
rich little stockings.<br />
Santa’s targets were children<br />
who could reasonably<br />
expect presents such as fur<br />
tippets and rocking horses<br />
‘and what have poor children<br />
to do with these?’ Very<br />
occasionally the poor<br />
received some discarded<br />
clothes or a mince pie<br />
which had slipped, almost<br />
accidentally, into his load<br />
A modest stocking by<br />
today’s standards perhaps<br />
but some children weren’t<br />
destined to receive one at<br />
all. Flora Thompson, author<br />
of ‘Lark Rise to Candleford’<br />
was born in 1876 and<br />
brought up in a rural<br />
Oxfordshire hamlet. Of<br />
childhood <strong>Christmas</strong>ses she<br />
wrote ‘Mothers who had<br />
young children would buy<br />
them an orange each and a<br />
handful of nuts but, except<br />
at the end house and the<br />
inn, there was no hanging<br />
up of stockings and those<br />
who had no kind elder sister<br />
or aunt in service to send<br />
them parcels got no <strong>Christmas</strong><br />
presents’. An undivided<br />
back postcard and publisher<br />
unknown.<br />
but that was about it.<br />
Nevertheless, the<br />
eponymous small hero did<br />
hang up an old darned<br />
stocking which, perhaps<br />
with an eye on book sales<br />
over here, had started life in<br />
England. Not trusting to a<br />
selective Santa, Carl’s poor<br />
fisherfolk parents filled it<br />
with ingenious trifles and<br />
when Santa visited, merely<br />
out of curiosity it has to be<br />
said, he wondered at the<br />
care taken with so few<br />
Robins well provided for on a Tuck ‘<strong>Christmas</strong>’<br />
Series postcard No. 162. Posted locally in Norfolk at<br />
7.45p.m. on <strong>Christmas</strong> Eve, 1910. Alice probably received<br />
it in time too.<br />
32 <strong>Picture</strong> <strong>Postcard</strong> Monthly December 2009<br />
Oh dear!<br />
Auntie’s anti-wrinkle cream<br />
and false teeth beside the<br />
bed and her bedtime reading<br />
being ‘Youth and how to<br />
attain it’ and all she’s going<br />
to find in her stocking is a<br />
‘Kantleek’ hot water bottle!<br />
Illustration by Albert Carnell<br />
for Photochrom in their<br />
‘Celesque’ Series.<br />
resources. Deciding<br />
to give Carl something<br />
<strong>special</strong>, he gave him the<br />
ability to hear the stories his<br />
simple presents told including<br />
that of the stocking<br />
which had once belonged to<br />
a country squire.<br />
I wonder how many<br />
English children began to<br />
hang up stockings as a<br />
direct consequence of this<br />
book? But in spite of its<br />
undoubted suc-<br />
Looks like<br />
a washing line on this<br />
embossed Tuck ‘<strong>Christmas</strong>’<br />
Series postcard No. C1033.<br />
(below) Still some surprises<br />
left on a lovely study of the<br />
delights of <strong>Christmas</strong> morning<br />
from A.L. Bowley. A<br />
Tuck ‘Oilette’ No. C3782.<br />
Postally used 1910.<br />
cess, in the<br />
days before television and<br />
the instant transmission of<br />
new ideas the stocking-filling<br />
Santa moved slowly<br />
into the general English<br />
public’s awareness. An indication<br />
of this is that as late<br />
as January 1879 a puzzled<br />
member of the Folklore<br />
Society still didn’t know<br />
who he was. Calling him<br />
Santiclaus, it was then that<br />
Edwin Lees contacted<br />
An<br />
advertising postcard for<br />
Faulder’s chocolates designed by M. Morris. Publisher<br />
unknown and postally used 1910.
Alcohol <strong>galore</strong>.<br />
Let’s hope Bert who received this postcard<br />
from brown eyed Betsy in 1910 had a more temperate<br />
<strong>Christmas</strong> than this fellow! C.G. was the artist and<br />
although the publisher’s initials are somewhat obscured<br />
they could be C. & H.G. of London in which case the artist<br />
might have been one of the publishers.<br />
With eleven<br />
stockings to fill it’s hardly surprising<br />
this worried man would like a word with whoever invented<br />
Santa Claus! The postmark’s unclear on this Bamforth<br />
postcard. No 25 in ‘The Xmas’ Series.<br />
the periodical ‘Notes and<br />
Queries’ as he’d heard that<br />
on <strong>Christmas</strong> Eve just gone<br />
this stranger had been filling<br />
stockings in Herefordshire<br />
and Worcestershire<br />
and an Exeter resident had<br />
told him he’d also been<br />
known to do the same in<br />
Devon. ‘From what region<br />
of the earth or air this<br />
benevolent Santiclaus takes<br />
flight I have not been able to<br />
ascertain.....’.<br />
He was<br />
aware that youngsters<br />
hopefully hung up stockings<br />
and, therefore, although he<br />
didn’t mention him specifically<br />
the assumption has to<br />
be that, as a folklorist, he<br />
knew of St. Nicholas who<br />
had been part of legends in<br />
continental Europe for so<br />
long. However, he was perplexed<br />
by Santiclaus. Whilst<br />
one or two of the subsequent<br />
‘Notes and Queries’<br />
A bizarre embossed Valentine<br />
postcard where Tommy dreams of a nightmarish<br />
<strong>Christmas</strong> scenario. Having been put in a stocking for<br />
young turkeys here, on another of their postcards he’s<br />
been cooked and is about to be served up. Serves him<br />
right for indulging in too rich a supper before bed!<br />
This bare footed lass seems<br />
down to her last pair of<br />
stockings as she makes an<br />
urgent repair before that all<br />
important visit. ‘You never<br />
darn my socks’ my husband<br />
grumbled when I showed<br />
him this postcard acquisition.<br />
Very true and I’ve no<br />
intention of starting - unless<br />
I borrow one to hang for<br />
myself this year, in which<br />
case I might have to do<br />
some darning on my own<br />
account! Publisher<br />
unknown and postally used<br />
1909.<br />
A Bamforth<br />
RP postcard which will<br />
strike a chord with those<br />
who remember inspecting<br />
their own stockings too<br />
early. Postally used 1906.<br />
correspondents recognised<br />
that the name was a contraction<br />
of Santa Nikolaus<br />
and described some of the<br />
continental practices, they<br />
neither mentioned the United<br />
States nor seemed to<br />
understand that although<br />
he had his roots in St.<br />
Nicholas this Santiclaus or<br />
Santa had become a per-<br />
(continued)<br />
(left) A sleepless night for<br />
this young man on a WWI<br />
postcard as he wonders if<br />
Father <strong>Christmas</strong> has callup<br />
exemption. Artist: D.<br />
Tempest. Bamforth Topical<br />
‘Xmas’ Series No. 8008.<br />
(above) Determined their<br />
dolls shouldn’t miss out on<br />
the excitement these girls<br />
have strung a line between<br />
toy beds to which to attach<br />
miniature stockings. After a<br />
black and white drawing by<br />
Max Cowper. Tuck ‘Oilette’<br />
‘But Once a Year’ No. 9444.<br />
(above) There’s real anxiety behind these preparations.<br />
Helen Gay’s ‘What’s the use of a gas fire at <strong>Christmas</strong>!’<br />
says it all. An Inter-Art ‘Comique’ Series postcard.<br />
<strong>Picture</strong> <strong>Postcard</strong> Monthly December 2009 33
STOCKINGS GALORE<br />
continued from page 33<br />
Not taking<br />
any chances both stocking<br />
and shoes have been put<br />
out on this embossed postcard<br />
postally used in the<br />
States 1910. Publisher<br />
unknown.<br />
the payroll of some stores<br />
and at the peak of the Golden<br />
Age of postcards he<br />
must have been known to<br />
everyone.<br />
It was the whole package<br />
of this new and largely<br />
secular <strong>Christmas</strong> which<br />
was to prove a winner and<br />
There’s an ominous lack of a parental presence as this<br />
sheet is about to be cut up and made into giant stockings!<br />
An embossed postcard from Whitney of Worcester, Mass.<br />
Postally used 1915.<br />
sonality in his own right.<br />
But if knowledge of<br />
Santa was patchy here in<br />
1879 the pace of change<br />
accelerated after that. By<br />
1885 there was a Santa<br />
Claus Society in London, by<br />
the ‘90s it wasn’t uncommon<br />
for him to be on<br />
Bright eyed children showing no signs of tiredness after<br />
staying awake till the magic hour. The artist’s signature is<br />
faint but looks like A.L. Bowley. Tuck ‘Oilette’ No. C7160.<br />
Postally used 1921.<br />
the phrase ‘invented tradition’<br />
sums up some aspects<br />
very neatly. By gliding<br />
expectations and giving<br />
them a chocolate box wrapping<br />
on both sides of the<br />
Atlantic its future was<br />
ensured. <strong>Stockings</strong> might<br />
only have been part of the<br />
developing magic but they<br />
were fundamental, and it<br />
was thoughts of them<br />
which prevented boredom<br />
one dark, rain-lashed Saturday<br />
afternoon recently and<br />
provided an excuse (as if<br />
one were needed!) to reexamine<br />
some of my own<br />
<strong>Christmas</strong> stocking postcards.<br />
It’s a long, long time<br />
since I hung up a stocking<br />
for myself. I wonder if I<br />
(left) Caught at last!’ The six pullout<br />
pictures on this postcard from<br />
Dennis of Scarborough show a<br />
wooden doll going shopping<br />
before having a tea-party and<br />
pulling crackers with a teddy. From<br />
their Dainty Series.<br />
34 <strong>Picture</strong> <strong>Postcard</strong> Monthly December 2009<br />
(below) ‘I do wish Santa<br />
Claus would bring me a<br />
.................... this year from<br />
Harrod’s Toy Fair’. To avoid<br />
disappointment children<br />
with indulgent families<br />
could fill in postcards like<br />
this in advance.<br />
hang one this year St.<br />
Nicholas/Santa Claus/Father<br />
<strong>Christmas</strong> will be kind<br />
enough to treat me as an<br />
honorary child? My<br />
requests would be<br />
modest. I’d like a<br />
‘green’ <strong>Christmas</strong><br />
please. Some recycled<br />
oblongs of old postcards<br />
which just happen<br />
to have festive<br />
illustrations on one<br />
Children must have enjoyed<br />
receiving greetings that<br />
could be personalised in<br />
this way. Valentine’s ‘Artotype’<br />
Series.<br />
Left: hanging up her stockings<br />
on a <strong>Christmas</strong> night’.<br />
A novel take on the subject<br />
from Fred Spurgin on an Art<br />
and Humour Xmas Series<br />
postcard. Postally used<br />
1916. The old English Father<br />
<strong>Christmas</strong> - pre Santa - had<br />
no dealings with stockings<br />
but he’d probably have<br />
noticed this pair!<br />
side would suit me fine!<br />
* This is the latest of Wendy<br />
Mann’s <strong>Christmas</strong> postcard<br />
contributions that have<br />
been a feature of December<br />
PPMs for many years. If<br />
you missed any, ask about<br />
availability of back numbers!<br />
Got a point of<br />
view or<br />
something<br />
to say?<br />
Write to PPM<br />
Postbag!
CARDS 2010<br />
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Friday 26th February<br />
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Saturday 27th February<br />
9.30am - 4pm Admission £1.50<br />
and<br />
Wood Green Animal Shelter - PE29 2NH<br />
Godmanchester (Signposted from A14)<br />
Nr. Huntingdon<br />
Friday 13th August<br />
10am - 6pm Admission £3<br />
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Saturday 14th August<br />
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FESTIVAL OF CARDS ’10FESTIVAL OF<br />
<strong>Picture</strong> <strong>Postcard</strong> Monthly December 2009 35
Valentine’s Show<br />
Jumpers<br />
Jumpers<br />
Ron Severs profiles the horsey set<br />
Many famous riders and their favourite horses have<br />
become household names as we watched them originally<br />
on black and white television competing<br />
against each other in British and International<br />
events.<br />
There were several outdoor<br />
and indoor venues that<br />
became well known to the<br />
armchair fans whose numbers<br />
grew providing fan<br />
clubs that would individually<br />
travel long distances to<br />
witness the strong competitions.<br />
The first International<br />
Horse Show took place in<br />
Dublin in 1864. The venue<br />
for the first National Horse<br />
Show was in Madison<br />
Square Garden New York in<br />
1883. These events stimulated<br />
detailed interest<br />
Another of the ‘Show Jumping Horses’ series<br />
amongst the male owners<br />
who began to attract sponsorship<br />
which gave an<br />
impetus to those who could<br />
earn considerable income if<br />
their horses won the challenges<br />
that became more<br />
and more numerous and<br />
valuable over the years.<br />
Under headlines such<br />
as ‘Leaping Horses’ it was<br />
thought that the country<br />
Valentine ‘Real Photo’ series postcard<br />
Agricultural Shows with displays<br />
of competitive jumping<br />
over perhaps locally<br />
made hurdles were intended<br />
to be included to interest<br />
owners of horses that were<br />
ridden in cross country<br />
events and “point to point”<br />
races for example. Steeplechasing<br />
and similar events<br />
stimulated the interest of<br />
farmers and country folk<br />
(right) Anneli Drummond-Hay on ‘Merely-A-Monarch’<br />
36 <strong>Picture</strong> <strong>Postcard</strong> Monthly December 2009<br />
(right) Diana Mason on<br />
‘Tramella’. Card published<br />
by Valentine of Dundee and<br />
posted at Bognor Regis in<br />
August 1956<br />
(below) Valentine<br />
‘Showjumping horses’<br />
series featuring Miss P.<br />
Moreton on ‘Red Sea’<br />
(below) Valentine postcard<br />
from the 1950s<br />
One of<br />
Britain’s most famous showjumpers,<br />
Pat Smythe (1928-96). Pat became a prolific writer, penning<br />
lots of biographies, riding tutorials and novels based<br />
on the sport of showjumping
David Broome on ‘Discutido’. He<br />
won the European Championships three times in the<br />
1960s, got an Olympic bronze in 1960 and 1968 (the latter<br />
on the famous ‘Mr. Softee’) and was voted BBC Sports Personality<br />
of the Year in 1960. He still operates stables near<br />
Chepstow<br />
who had never before competed<br />
with Rule Books to<br />
follow.<br />
Today Associations<br />
and Pony Clubs are the<br />
mainstay of equine sports.<br />
They have improved the<br />
standards of riding instruction<br />
and the competitive<br />
activities of, for example,<br />
dressage. It is essential that<br />
one checks the saddle to<br />
ensure that it fits both the<br />
horse and the rider. The<br />
horse’s centre of gravity<br />
shifts with its every movement<br />
and change of gait. It<br />
is likely that the horse is to<br />
carry on its back an unstable<br />
burden of about one<br />
fifth its own weight.<br />
In order to give complete<br />
freedom to the<br />
hindquarters and to the<br />
hocks the rider should not<br />
sit back in the saddle until at<br />
least two strides after landing.<br />
Racing on horseback<br />
probably began about the<br />
7th century BC. in Italy.<br />
All the postcards featured<br />
with this article were<br />
published by Valentine of<br />
Dundee.<br />
Give yourself an extra<br />
<strong>Christmas</strong> Treat!<br />
� �<br />
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at<br />
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<strong>Picture</strong> <strong>Postcard</strong> Monthly December 2009 37
� What<br />
the postman<br />
saw! �<br />
Messages oon tthe bback oof<br />
postcards<br />
Probably<br />
the most well-known<br />
events of the second Anglo-<br />
Boer War (1899-1902) were<br />
the sieges of Kimberley,<br />
Mafeking and Ladysmith.<br />
Though the towns were of no<br />
strategic importance, the<br />
sieges tied down a large<br />
number of Boer Soldiers who<br />
otherwise could have taken<br />
part in the invasion of Cape<br />
Colony and perhaps changed<br />
the course of the war. Ladysmith<br />
was besieged from 2<br />
November 1899 and relieved<br />
on 28 Feb 1900 by General<br />
Buller, a total of 116 days. On<br />
the whole the siege was a<br />
leisurely affair with no fighting<br />
on a Sunday. The local<br />
printer produced ‘Siege <strong>Postcard</strong>s’<br />
of which there are<br />
three main types:<br />
1. Has a soldier and sailor on<br />
the bottom right of the cards<br />
on the address side.<br />
2. Has a soldier, sailor and a<br />
Natal soldier.<br />
3. A souvenir issue that lacks<br />
the word NATAL under the<br />
coat of arms on the address<br />
side and was for philatelic<br />
use only.<br />
Each of types 1 and 2 have a<br />
number of minor varieties.<br />
The card illustrated is of type<br />
1 with the message dated 9<br />
Feb 1900, handed in at the<br />
post office on the 10th. It was<br />
held there until the first mail<br />
out after the town was<br />
relieved. Since no stamps<br />
were available, as was the<br />
case for the soldiers in the<br />
field, the card was sent without<br />
pre-payment. In transit it<br />
was marked ‘postage done’<br />
(10c), payable on receipt.<br />
However, the War Office,<br />
after some hesitation, agreed<br />
to pay all postage on<br />
unstamped cards and letters<br />
and<br />
the card was cancelled on<br />
arrival at London on 25<br />
March, reaching its destination,<br />
Stamford, the following<br />
day.<br />
The message reads: “Dearest<br />
Nettie, Just a line to tell you<br />
we have been besieged 99<br />
days to-day. I was wounded<br />
in taking Gun Hill but am all<br />
right now. I don’t know when<br />
this will reach you so am just<br />
trusting to luck. I will write?<br />
after we are relieved. From<br />
your affectionate brother (signature<br />
illegible) Guides<br />
Groups.”<br />
With regard to the latter,<br />
there were a number of<br />
mounted Guides such as<br />
Rimington’s Guides but they<br />
were usually colonial volunteers,<br />
and without a full signature<br />
it is impossible to<br />
identify his company.<br />
The postman wouldn’t<br />
have had time to read this<br />
one! Jan managed to<br />
squeeze 343 words onto a<br />
real photographic postcard of<br />
the “Pied Bull” public<br />
house at Bull’s Cross,<br />
Enfield. It reads “My<br />
Dearest Ada, Got your<br />
letter all right, sorry as<br />
regards th enews I said<br />
I’d send you tonight,<br />
I’m sorry but it can’t be<br />
done, for we heard<br />
nothing one way or the<br />
other, still, no news is<br />
good news they say, so<br />
we’ll wait & see, perhaps<br />
I shall be able to<br />
38 <strong>Picture</strong> <strong>Postcard</strong> Monthly December 2009<br />
THE MENDIP POSTCARD CLUB<br />
<strong>Postcard</strong> Fair<br />
Saturday 19th December<br />
at<br />
Glastonbury Town Hall, Somerset<br />
10am - 4pm<br />
Free admission * All day refreshments<br />
* Car parking<br />
For details phone:<br />
BARRIE ROLLINSON<br />
01278 445497<br />
<strong>Christmas</strong> with the <strong>Postcard</strong><br />
Artists 1898-1940<br />
a new book by Peggy Hawksworth<br />
Over 300 artists and 400 pictures<br />
in colour. History, Folklore and<br />
Biography. £64.<br />
available from Borders, Amazon<br />
or from the publishers<br />
www.trafford.com/07-0143<br />
(UK order desk 0845-230-9601)<br />
tell you when I write tomorrow.<br />
You said in your letter<br />
that your Aunt Lil wished she<br />
could have had one of yuor<br />
coupons, well, she will be<br />
able to have one of Mo’s<br />
when she gets them if she’d<br />
care to, it would do just as<br />
well wouldn’t it. How’s that<br />
head, still aching, Mums just<br />
been telling me that an overdose<br />
of Iron served her just<br />
the same, the Parrishes did as<br />
well if you remember, so I’m<br />
hoping that after you’ve lessened<br />
it a bit you’ll rid yourself<br />
of that head ache, for goodness<br />
knows you can do without<br />
it. I’ve just finished that<br />
sketch in Elsie’s album, &<br />
written for a job that Mr<br />
Abbott recommended to me,<br />
& now I’m going to take a<br />
lock off a door & mend it, not<br />
a bad variety is it, tell your<br />
Ma that I saw that chap about<br />
the pictures this morning<br />
again, & he said that he<br />
beleives they’ne got the<br />
order in to do some more, &<br />
he expects to be able to get<br />
them shortly. I had a look at<br />
your feather last night, its<br />
quite O.K. the next time I<br />
come I’ll fetch it. Hasn’t it<br />
been an awful day, I thought<br />
two or three times I was an<br />
iceberg. I reckon you’ve not<br />
been hot, I<br />
thought of you<br />
several times &<br />
wondered what<br />
sort of a colour<br />
your little N. was<br />
(I don’t want to<br />
give you away<br />
you see, so I<br />
don’t put it in<br />
full). I reckon<br />
you had the second<br />
pink on<br />
though. Still I hope<br />
you see it before<br />
long. I shall hear<br />
tomorrow night<br />
about that though, I<br />
expect. Shall write<br />
tomorrow night.<br />
Fondest Love Jan.<br />
(contributions ffrom JJohn<br />
Markks aand SStephen SSellick)
Sidmouth, Newton Abbot, Bexhill, Crawley, Henley-on-<br />
Thames, Cirencester, Swindon, Cromer, Norwich,<br />
Cheltenham and Dudley.
� Clubscene �<br />
Philip’s Norfolk tour<br />
Philip West was born and brought up in North Norfolk,<br />
so was well-placed to deliver an ‘A-K’ of towns<br />
and villages in the area to NORFOLK <strong>Postcard</strong> Club’s<br />
October meeting. He chose picture postcards of quality<br />
and rarity to illustrate his journey around the<br />
highways and byways, and talked at length and<br />
knowledgeably. Even the smallest settlement produced<br />
something of interest, be it a shop, brewery,<br />
railway, circus parade or golf. Change was a recurring<br />
theme in the presentation.<br />
Reading singalong<br />
<strong>Postcard</strong>s of World War<br />
One were screened at<br />
READING’s early October<br />
session, when Paul Langton<br />
underlined the importance<br />
of postcards for maintaining<br />
the morale of troops at the<br />
Front and their loved ones<br />
back home. <strong>Postcard</strong>s as<br />
propaganda tools were, of<br />
course, used by both sides<br />
in the conflict. Paul focuses<br />
on poignant messages, and<br />
showed how he’d<br />
researched the fate of some<br />
of the senders and recipients.<br />
On a more cheerful<br />
note, he led a sing-song of<br />
the chorus of Dolly Gray, a<br />
favourite of the troops that<br />
was featured on Bamforth<br />
song cards.<br />
Lorraine Maguire<br />
revealed something of the<br />
work and lives of a range of<br />
picture postcard artists at<br />
the WEST LONDON club<br />
recently. Mabel Lucie<br />
Attwell, Cynicus, Bairnsfather,<br />
Tarrant and Dudley<br />
Buxton were among those<br />
under the spotlight. The<br />
sugar-sweet Asti, outrageous<br />
Pedro and unfortunate<br />
Ellen Clapsaddle<br />
(stranded in Germany in<br />
1914) added fascination, as<br />
did Lorraine’s concluding<br />
feature on the highly successful<br />
Queensland artist<br />
Anne Geddes, whose postcards<br />
are sold around the<br />
world.<br />
Deep in the heart of<br />
Dixie!<br />
SOUTH WALES <strong>Postcard</strong><br />
Club held an audience participation<br />
evening in October<br />
when speaker Chris<br />
Wood, a Baptist minister,<br />
gave an enjoyable talk on<br />
the history of the American<br />
Civil War. He brought along<br />
several complete reproduction<br />
uniforms from both<br />
sides in the war, and several<br />
genuine artefacts were on<br />
display, along with powerpoint<br />
pictures. Chris also<br />
produced his guitar and the<br />
audience sang with gusto<br />
songs from the period -<br />
including Battle Hymn of<br />
the Republic and John<br />
Brown’s Body - with the<br />
words appearing on screen!<br />
Art class<br />
Masterpieces from Constable,<br />
Turner, Hals and Hogarth<br />
were featured by Sue<br />
Edwards at NORTHAMP-<br />
TONSHIRE <strong>Postcard</strong> Club in<br />
October. She highlighted<br />
how deliberate inaccuracies<br />
were often included in<br />
paintings to draw attention<br />
to the nuances and foibles<br />
of a particular artist.<br />
* Contact details for all<br />
postcard clubs can be found<br />
in <strong>Picture</strong> <strong>Postcard</strong> Annual<br />
2010.<br />
Retiring Plymouth <strong>Postcard</strong> Club chairman Graham Brooks<br />
(right) receives a new Plymouth Argyle book from the<br />
club’s publicity officer Harley Lawer<br />
40 <strong>Picture</strong> <strong>Postcard</strong> Monthly December 2009<br />
December 2009 highlights<br />
Aberystwyth - Angela Davis with Victorian <strong>Christmas</strong><br />
cards(7th)<br />
Aylsham - <strong>Christmas</strong> dinner(7th)<br />
Bradford - <strong>Christmas</strong> party(10th)<br />
Bristol - <strong>Christmas</strong> social, quiz and raffle(7th)<br />
Croydon - <strong>Christmas</strong> social(3rd)<br />
Dorset - <strong>Christmas</strong> fayre and entertainment(9th)<br />
Ellesmere Port & Chester - informal meeting(15th)<br />
Exeter - <strong>Christmas</strong> dinner<br />
Ferndown - three more of my favourite things(14th) and<br />
<strong>Christmas</strong> events(21st)<br />
Frinton & Walton - John Barter looks at the Festival of<br />
Britain plus <strong>Christmas</strong> party(8th)<br />
Huddersfield - <strong>Christmas</strong> party(9th)<br />
Lothian - <strong>Christmas</strong> social(11th)<br />
Maidstone - chairman’s evening(21st)<br />
Mendip - club fair(19th)<br />
Mid-Essex - <strong>Christmas</strong> social(17th)<br />
Norfolk - Rosemary and Peter Salt tell the story of Great<br />
Yarmouth(9th)<br />
North Wales - Gwyn & Christine Williams’ <strong>Christmas</strong><br />
selection box(14th)<br />
Northamptonshire - competitions(8th)<br />
North-West Kent - joint social evening with Gravesend<br />
Stamp Club(11th)<br />
Nottingham - ‘Gordon Richards Trophy’ display<br />
competition(8th)<br />
Plymouth - Elaine Clifford, former Bluebell and Tiller<br />
Girl, recalls highlights of her career plus display of<br />
theatre programmes, posters and photos plus<br />
<strong>Christmas</strong> draw and buffet(9th)<br />
Potteries - <strong>Christmas</strong> quiz, seasonal refreshments and<br />
raffle(21st)<br />
Reading - AGM, picture quiz & <strong>Christmas</strong> party(10th)<br />
Red Rose - <strong>Christmas</strong> party(16th)<br />
Shropshire - <strong>Christmas</strong> ‘noggin & natter’(8th)<br />
Southampton - <strong>Christmas</strong> meal(14th)<br />
South Wales - <strong>Christmas</strong> dinner at the Village Hotel(10th)<br />
Strathclyde - steps towards Congress(14th)<br />
Surrey - <strong>Christmas</strong> social with raffle and fun<br />
competition(16th)<br />
Tayside - <strong>Christmas</strong> party(16th)<br />
Torbay - <strong>Christmas</strong> quiz night & bingo(10th)<br />
Wirral - <strong>Christmas</strong> buffet & wine plus quiz(3rd)<br />
PLYMOUTH <strong>Postcard</strong> Club<br />
have awarded Graham<br />
Brooks life membership in<br />
appreciation of his decade<br />
of service as chairman. The<br />
decision was approved at<br />
the club’s AGM, when Graham<br />
stepped down, citing a<br />
combination of age and<br />
health conditions. Vicechairman<br />
Ron Furzeland<br />
has taken over until the club<br />
finds a successor. It was<br />
also decided to suspend the<br />
club’s annual auction following<br />
two years of<br />
disappointing sales, and<br />
to publish the club newsletter<br />
bi-monthly in future.<br />
Negotiating Dartmoor<br />
EXETER welcomed Tony<br />
Burges, a blue badge Dartmoor<br />
guide, to their late<br />
October meeting, where he<br />
featured the National Park<br />
on their doorstep. He gave<br />
tips on visiting lesserknown<br />
parts of the moor<br />
without falling into bogs!<br />
Tony recounted various<br />
local legends topical to<br />
Hallowe’en to add to the<br />
atmosphere. David Walker<br />
from Wellington was guest<br />
dealer.<br />
Scene at Mid-Essex <strong>Postcard</strong> Club’s annual fair in October.<br />
The club’s meeting that month had<br />
Michael Cox talk<br />
on ‘Women at<br />
war’, accompanied<br />
by some<br />
truly remarkablememorabilia<br />
relating to<br />
the areas<br />
where they<br />
provided<br />
much-needed<br />
support.<br />
Michael also<br />
brought along<br />
his stock.
Channel Isles displays<br />
Some 23 members of the<br />
CHANNEL ISLANDS SPE-<br />
CIALISTS SOCIETY attended<br />
the postcard meeting<br />
held at the Royal Philatelic<br />
Society's headquarters in<br />
London in early October,<br />
when 18 varied displays<br />
were given. LL cards were<br />
shown by both John Hirst<br />
and Ron Osborne. Mark Bailey<br />
displayed Herm cards<br />
and photographs by the<br />
Grut family, photographic<br />
publishers of Guernsey.<br />
Dave Edwards showed<br />
postcards by the Guernsey<br />
photographer T. A. Bramley<br />
published between 1907<br />
and 1927: these included<br />
island scenes and events.<br />
Steve Wells showed cards<br />
of Jersey, Chausey,<br />
Granville and Mont Saint<br />
Michel published by J. Puel<br />
of Granville. Anne Gough<br />
gave two displays of modern<br />
postcards, the first<br />
being of cards in the 'Naturally<br />
Guernsey' series, and<br />
some new publications of<br />
the Jersey Shell House. Her<br />
second display was of postcards<br />
by the publisher John<br />
Hinde. A number of members<br />
chose to display a<br />
theme. Richard Flemming<br />
showed Jersey's Corbiere<br />
Lighthouse; David Gurney<br />
the Jersey Sub-Post Offices;<br />
Gerald Marriner Jersey<br />
hotel cards and ephemera;<br />
Keith Raymond and Roger<br />
Harris, Jersey's railways;<br />
and both Roger Harris and<br />
Peter Saunders showed aviation,<br />
including cards of the<br />
Saint Malo to Jersey air<br />
race of 1912. Some of the<br />
railway and aviation postcards<br />
were particularly<br />
unusual, a number having<br />
recently appeared on the<br />
market and drawn from an<br />
album a dealer had been<br />
holding for 18 years.<br />
Great War memories<br />
BRISTOL’s audience was<br />
treated to audio-visual presentations<br />
by Graham Best,<br />
member of the Western<br />
Front Association, last<br />
month. His headline feature<br />
was on Edith Cavell, half of<br />
the illustrations for which<br />
were drawn from postcards.<br />
Nurse Cavell’s execution<br />
was a propaganda bonus<br />
for the Allies, and Graham<br />
showed a large selection of<br />
relevant postcards and<br />
newspaper pictures. Other<br />
presentations featured<br />
WW1 comic cards, the<br />
wounded, and nurses, the<br />
Avon Gorge, Marilyn Monroe,<br />
WW2 newspaper headlines<br />
and the Bristol blitz. All<br />
were accompanied by suitable<br />
music, songs and<br />
sound effects, making for a<br />
very entertaining evening.<br />
Passengers and coaches at Gorey Pier railway station, Jersey,<br />
on a postcard from the French publisher L. Bourry of<br />
Villedieu, Manche<br />
Considering that HUDDERS-<br />
FIELD’s October speaker<br />
David Brown introduced<br />
himself as primarily a<br />
stamp collector, his collection<br />
of local postcards<br />
amazed the audience. To<br />
top that, he also produced a<br />
range of Isle of Man cards<br />
and a selection from North<br />
Borneo!<br />
NORTH WALES<br />
enjoyed one of Lawrence<br />
Corrieri’s amazing talks in<br />
October, this time on the<br />
remote Sutherland area of<br />
Scotland. Lawrence has collected<br />
a huge number of<br />
postcards of buses of a<br />
region where the average<br />
service is two a day - one<br />
out and one back! The fact<br />
that the major part of one<br />
route is through a military<br />
firing range and is frequently<br />
out of bounds due to military<br />
activity added to the<br />
scarcity value of these<br />
buses en route to Cape<br />
Wrath!<br />
Gareth Burgess and<br />
Fiona Gebbie made the<br />
journey from Dunbar to<br />
Dundee to entertain the<br />
TAYSIDE club in October.<br />
Fiona displayed postcards<br />
of the East Lothian Coastal<br />
Trail from Cockburnspath to<br />
Prestonpans, with eyecatching<br />
scenes of Skateraw,<br />
Belhaven and Aberlady.<br />
For aviation enthusiasts,<br />
there was a card showing<br />
the first plane to land at<br />
North Berwick. On a more<br />
wide-ranging theme, Gareth<br />
exhibited a selection of<br />
cards from 60 different<br />
Scottish postcard publishers,<br />
ranging geographically<br />
from J.D. Rattar of Lerwick<br />
in the north to A.R. Edwards<br />
of Selkirk in the south.<br />
Gareth himself has a keen<br />
interest in the history and<br />
output of famous postcard<br />
publisher George Washington<br />
Wilson (GWW). Other<br />
highlights included photograaphic<br />
gems by<br />
Urquhart of Dingwall, Gammie<br />
of Aberdeenshire and<br />
Dunn of Brechin.<br />
Bygone Shrewsbury<br />
SHROPSHIRE club members<br />
were taken back in<br />
time to the pre-postcard era<br />
at their October meeting,<br />
viewing a large selection of<br />
early photographs of<br />
Shrewsbury, the county<br />
town. Martin Ryder did the<br />
honours, revealing some<br />
wonderful examples of<br />
shopfronts from the 1880s<br />
and 1890s. These were followed<br />
by further high-class<br />
material from the horse and<br />
cart days, with a wide range<br />
of subjects displayed, from<br />
early fire appliances, hansom<br />
cabs, steam wagons<br />
and railways to local flooding<br />
problems and public<br />
houses, all of which proved<br />
very much to the liking of<br />
those present.<br />
September at the<br />
COTSWOLD club featured<br />
a guided walk with club<br />
members Alan and Joan<br />
Tucker. Earlier this year,<br />
Joan made an in-depth<br />
study of Lower Street in<br />
Stroud, close to their<br />
home. She traced the history<br />
and development of<br />
their road and also of the<br />
properties on either side<br />
of the road. On a glorious<br />
late summer afternoon,<br />
she gently conducted the<br />
group along the road,<br />
explained its past and present,<br />
and showed many<br />
old postcards and photos.<br />
The afternoon was rounded<br />
off admirably with tea<br />
at the Tucker household!<br />
The previous month, Ken<br />
Goddard had talked on<br />
one of his favourite topics<br />
- railway postcards. He<br />
used a large number from<br />
his extensive collection to<br />
illustrate points he was<br />
making, and the audience<br />
was able to examine the<br />
cards at leisure.<br />
There’s mmore cclub<br />
news oon ppage 556<br />
Gareth Thomas corrected<br />
our note last month when<br />
we said there wasn’t a postcard<br />
in sight at South Wales<br />
<strong>Postcard</strong> Club’s September<br />
session on Nelson. Apparently,<br />
the club presented<br />
speaker Roger Morgan with<br />
a set of postcards entitled<br />
Caricatures of Nelson’s<br />
Navy, designed by an artist<br />
who signed himself simply<br />
‘Oggy’. One, shown above,<br />
was most appropriate to the<br />
subject of the talk.<br />
Hatless in Ilkley<br />
Tony Christy provided a<br />
cracking display at BRAD-<br />
FORD’s latest meeting,<br />
showing part of his extensive<br />
collection of Ilkley postcards.<br />
It was, however, far<br />
from the usual range of<br />
topographicals, with Tony<br />
coming up with several<br />
Bartholomew map cards of<br />
the town, a large array of<br />
comic cards and a lovely<br />
collection relating to Ilkley<br />
Moor’s famous hatless<br />
song. Most interesting was<br />
a selection of pull-out postcards<br />
which fully demonstrated<br />
the tourist aspect of<br />
the town.<br />
Spellbound at Wirral<br />
Bromborough dealer John<br />
Ryan had WIRRAL club<br />
members spellbound last<br />
month with a fascinating<br />
account of his research into<br />
the ‘Dingle’ series of postcards<br />
published by Wiliam<br />
George Bevan of Heswall.<br />
John has amassed a big collection<br />
of the cards of the<br />
photographer, whose postcard<br />
work was distinguished<br />
by its clarity and<br />
quality. Bevan had an eye<br />
for the picturesque scenes<br />
of the Wirral coastlines and<br />
the photogenic shots of Liverpool<br />
docks. He also<br />
included human interest in<br />
many postcards, with an<br />
emphasis on the prominence<br />
of children, dogs or<br />
horses in the foreground of<br />
photographs.<br />
<strong>Picture</strong> <strong>Postcard</strong> Monthly December 2009 41
Alaska’s Igloo Mission<br />
Liz McKendrick<br />
<strong>Postcard</strong>s of the arctic regions are unusual finds in<br />
this country - the only ones seen with any regularity<br />
are the set produced by Tuck ‘Wide Wide World - the<br />
Arctic’ showing different artist drawn scenes by the<br />
artist Operti. So I was quite surprised to turn up ten<br />
French Missionary cards all showing both views and<br />
Eskimos around a township called Mary’s Igloo. The<br />
cards were all published by Levenq et Cottin of Lyon.<br />
The rather strangely named village of Mary’s<br />
Igloo can be found in Alaska on the bank of the Kuzitrin<br />
River, on the Seward Peninsula just below the<br />
Arctic Circle. It came into existence during 1900<br />
when the nearby village of Kauwerk, 15 miles down<br />
river, was abandoned. Most of its inhabitants (Inupiaq<br />
Eskimos - the Inuit people of Alaska’s Bering<br />
Straits region) moved to one of the nearby cities -<br />
either Teller or Nome but some decided to settle on<br />
the coast and create a new town which they called<br />
Aukvaunlook (or ‘black whale’).<br />
Le Degel pres de la<br />
Mission de Mary’s Igloo au milieu de Juin<br />
This postcard shows a view looking towards Mary’s Igloo<br />
in June. The sea is thawing and great pieces of ice are<br />
floating in the sea in the foreground. Huts and boats from<br />
the settlement can be seen in the distance.<br />
Gold has been mined in<br />
Alaska since 1870 and was<br />
discovered in the area<br />
around Nome in 1898 by<br />
Swedish prospectors. Word<br />
of the strike spread rapidly<br />
and by the following spring<br />
a major gold rush had<br />
begun. It wasn’t long before<br />
20,000 prospectors, gamblers,<br />
shop and saloonkeepers<br />
and prostitutes<br />
were all living in a tented<br />
city around Nome. The gold<br />
deposits were<br />
found over many<br />
miles and by 1899<br />
more than a million<br />
dollars’ worth<br />
of gold had been<br />
found. Supplies<br />
for the gold fields<br />
and the growing<br />
city of Nome<br />
arrived at Aukvanlook<br />
and were<br />
offloaded from<br />
ocean boats onto<br />
barges which were<br />
Famille chretienne<br />
de la Mission de<br />
Mary’s Igloo.<br />
According to the<br />
title of this postcard<br />
shows a<br />
Christian family of<br />
Inupiat Eskimos.<br />
They are wearing<br />
reindeer skins to<br />
keep warm.<br />
42 <strong>Picture</strong> <strong>Postcard</strong> Monthly December 2009<br />
Deux Chretiens de l’Ocean<br />
Arctique. These two Christian<br />
Eskimos are posing in<br />
front of a tepee and come<br />
from near the Arctic Ocean.<br />
They look rather grim.<br />
then towed up the river to<br />
their final destination. Many<br />
of the new arrivals stopped<br />
off at Aukvanlook looking for<br />
hospitality and the village<br />
soon became known to<br />
everyone as ‘Mary’s Igloo’<br />
after Mary, an Eskimo<br />
woman, who welcomed<br />
many of the newcomers into<br />
her home for coffee. The village<br />
quickly grew in size<br />
and by 1901 a Post Office<br />
Mere et Fille Alaska<br />
This card shows a mother<br />
and daughter from Alaska<br />
posing for the camera.<br />
and supply store were<br />
opened. By 1910, Mary’s<br />
Igloo had become a large<br />
mixed community of Inupiat<br />
Eskimos, white traders, miners,<br />
innkeepers and missionaries<br />
as well as support crews<br />
for the barges.<br />
The pioneering French<br />
Jesuit missionary Father Bellarmine<br />
Lafortune came to<br />
this remote area of Alaska to<br />
help the native Inupiat Eskimos<br />
establish a self-sufficient<br />
social, economic and religious<br />
community. He was<br />
stationed in Nome and chose<br />
a second Missionary, Father<br />
Bernard, to be the priest at<br />
Mary’s Igloo. Father<br />
Bernard arrived in September<br />
1908 and during his<br />
seven year stay as well as<br />
his normal duties, he managed<br />
to learn the Eskimo<br />
language as well as take a<br />
large number of photographs,<br />
some of which<br />
may well have been turned<br />
into these postcards. He had<br />
Le Chef d’une ile du Detrroit<br />
de Behring et sa Femme.<br />
The Chief and his wife posing<br />
in this card are from an<br />
island in the Bering Strait.<br />
The Strait links the Bering<br />
Sea (northern part of the<br />
Pacific Ocean) to the Arctic<br />
Ocean.<br />
great respect for the<br />
Eskimos but sadly had to<br />
leave when he was called up<br />
for military service in 1915. At<br />
the end of WWI he asked to<br />
return to Alaska but permission<br />
was refused. For the next<br />
forty years, Bernard spent his<br />
time writing articles about the<br />
Eskimos for French missionary<br />
magazines as well as<br />
sending devotional literature<br />
to the Eskimos of the Mary’s<br />
Igloo area.<br />
Lafortune himself took<br />
over the mission at Mary’s<br />
Igloo on 21st September 1915<br />
but found the life hard. Without<br />
Father Bellarmine’s help<br />
he had to do everything himself,<br />
including the ministry,<br />
housekeeping, woodcutting,<br />
water carrying, and dog keeping.<br />
“If the good Lord had not<br />
given me a constitution of<br />
steel,” he wrote, “I could not<br />
hold out for two weeks.”<br />
Mary’s Igloo was the<br />
venue for an annual reindeer<br />
fair held in January where<br />
Eskimos brought their reindeer<br />
from miles around to<br />
compete for prizes in assoing,<br />
butchering, driving, feeding<br />
and herding. There were<br />
races of many kinds as well<br />
as prizes for the best harness,<br />
sleds, and fur clothing. Prizes<br />
were contributed by the merchants<br />
from Nome and the<br />
fair, which lasted for several<br />
days, was the great event of<br />
the Eskimo year. Often the
Arrivee de Viande fraiche (Les Esquimaux apportent au<br />
Missionnaire de Mary’s Igloo un phoque gele). This postcard<br />
shows a group of four Inupiat Eskimos bringing a<br />
dead frozen seal on a sledge being pulled by the three<br />
dogs to the right of the image to the Missionaries at Mary’s<br />
Igloo. The seal is one of the few sources of fresh meat<br />
available in the Arctic region.<br />
temperature fell well below<br />
zero yet people still slept on<br />
the snow in tents keeping<br />
warm inside their reindeer<br />
L’Organiste de<br />
la Mission de Mary’s Igloo<br />
This happy looking native<br />
girl is playing the organ for<br />
the Catholic services held at<br />
the Mission Church in<br />
Mary’s Igloo.<br />
skin sleeping bags.<br />
The flu epidemic of<br />
1918-9 swept through Mary’s<br />
Igloo leaving many people<br />
dead. Then two years later<br />
the survivors were hit by a<br />
tuberculosis epidemic. Both<br />
of these events were to see<br />
the beginning of the end of<br />
the settlement. Many of the<br />
children left without parents<br />
were helped by the missionaries,<br />
led by Lafortune, who,<br />
in 1918, opened a Catholic<br />
orphanage, “Our lady of<br />
Lourdes Mission” at nearby<br />
Pilgrim Springs as well as a<br />
Lutheran orphanage at the<br />
nearby township of New<br />
Igloo.<br />
Mary’s Igloo continued<br />
to decline and by 1948 both<br />
the local schools closed due<br />
to lack of pupils and the Post<br />
Office and Store finally shut<br />
in 1952. By then the remaining<br />
residents had moved on<br />
to Nome or Teller. Today<br />
Mary’s Igloo has no permanent<br />
population - it is only<br />
used as a seasonal fish camp<br />
during the summer months.<br />
Attelage de la Mission de Mary’s Igloo<br />
Dog sleds were the only means of transport available to<br />
the early Missionaries and were invaluable in their work.<br />
This card shows the outdoor structure used as a dog harness<br />
keeping the dogs tethered when they are resting. During<br />
his time at Mary’s-Igloo Father Lafortune made many<br />
dog team trips to see his converts scattered over the vast<br />
Seward Peninsula all the way from Cape Prince of Wales to<br />
Council, saying mass, giving instructions, and filling baptismal,<br />
marriage and burial registers.<br />
(left) Pres du Cercle Arctique<br />
Un Missionaire en<br />
voyage. This unnamed Missionary<br />
is holding the back<br />
of a sledge during a trip<br />
around the frozen arctic.<br />
(below) Eglise et Maison<br />
d’habitation de la Mission<br />
la plus proche du Pole<br />
Nord. Mary’s Igloo (Alaska)<br />
This card shows the rather<br />
bleak looking church and<br />
house of the Mary’s Igloo<br />
Missionaries with a dog<br />
sled and man in the snow<br />
outside. The title says it is<br />
the nearest mission to the<br />
North Pole.<br />
Don’t miss out on a single copy of PPM -<br />
take out a subscription or place a regular<br />
order with your supplier<br />
TWYFORD COLLECTORS FAIR<br />
(including LODDON AUCTIONS)<br />
at Loddon Hall, Twyford, Berks<br />
(Just off A4 on the A3032 nr. Maidenhead - RG10 9JA)<br />
SUNDAY 29th NOVEMBER<br />
<strong>Postcard</strong>s, Cigarette Cards, Books,<br />
Magazines, Printed Ephemera etc<br />
Card dealers booked so far include:<br />
Bernard Wickham*<br />
Peter Meyer*<br />
John Clarke*<br />
John Forrester<br />
John Kidson<br />
Roy Sheppard<br />
Gordon Collier<br />
Sally Glennie<br />
Kingfisher Cards<br />
Mike Huddy<br />
Lesley Davies<br />
Simon Collyer<br />
Paperchase<br />
Mike Barter<br />
Julian Burgess<br />
Brian Girling<br />
Julian Dunn<br />
Richard Holworth<br />
Tony & Rosa<br />
Lawrence<br />
John Priestley<br />
Margaret Pierce<br />
Ruth Pratt<br />
Neil Baldry<br />
Peter Robards<br />
* dealers with cigarette &<br />
trade cards<br />
� Choice Refreshments � Free Parking<br />
� Public Admission 10am to 4pm £1<br />
� Early Admission 9am £2.50<br />
Promoter: Neil Baldry, 32 Westborough Road,<br />
Maidenhead, Berks SL6 4AR Tel. 01628 622603<br />
LODDON AUCTION details: Gary Arkell 0118 961 1915<br />
500 LOTS OF POSTCARDS/CIGARETTE CARDS etc.<br />
<strong>Picture</strong> <strong>Postcard</strong> Monthly December 2009 43
44 <strong>Picture</strong> <strong>Postcard</strong> Monthly December 2009<br />
Edwardian<br />
Cheapside<br />
A marvellous view of a crowded<br />
London street on a postcard by<br />
unidentified publisher. St. Maryle-Bow<br />
Church, of Bow Bells<br />
fame, is on the right
Cheapside’s<br />
postcard heritage<br />
Sir Robert Peel, founder<br />
of the Metropolitan<br />
Police, keeps watch on<br />
Cheapside on this Edwardian<br />
postcard view. Peel<br />
(1788-1850) was twice<br />
Prime Minister of the<br />
United Kingdom, and as<br />
Home Secretary oversaw<br />
the creation of the police<br />
force as we know it<br />
today. The statue, sculpted<br />
by William Behnes,<br />
was unveiled in 1852. It<br />
was moved to Postman’s<br />
Park (near St. Paul’s<br />
Cathedral, on the site of<br />
the original General Post<br />
Office) in the 1930s, and<br />
now stands at the Metropolitan<br />
Police Training<br />
Establishment at Hendon.<br />
Many other statues<br />
of Peel can be found<br />
around England, including<br />
ones in Parliament<br />
Square, London, and<br />
Peel Park, Bradford. A<br />
number of pubs were<br />
named after him, and<br />
many other memorials<br />
exist.<br />
Cheapside itself was<br />
originally the site of various<br />
produce markets.<br />
Charles Dickens rated it<br />
“the greatest thoroughfare<br />
in the City of London”,<br />
though today it is<br />
just one of several routes<br />
from the East End and<br />
City to the West End. It<br />
was badly damaged by<br />
German bombing in<br />
1940. The detail in this<br />
photograph is amazing,<br />
with a procession of<br />
horse-drawn buses and<br />
carriages. It illustrates<br />
perfectly why old<br />
postcards, with their<br />
often unique (though<br />
not in this case!)<br />
images, are so useful<br />
and fascinating for<br />
social, transport and<br />
fashion historians.<br />
The vantage point<br />
used to create the<br />
image of this scene<br />
was a popular one for<br />
postcard photographers.<br />
PPM keeps yyou iin<br />
touch wwith tthe<br />
postcard wworld!<br />
What are you<br />
doing in<br />
� <strong>Picture</strong> ads �<br />
Just published a postcard? Want to advertise sets or series of<br />
cards for sale? An ad here costs just £9.50 for a picture and<br />
approx 45 words (colour £15)<br />
CHILDREN IN NEED. Our<br />
2009 postcard is a spectacular<br />
‘Pudsey in Wonderland’ design<br />
from York artist Brian Partridge,<br />
and features a variety of<br />
collecting themes. Every penny<br />
of the 50p per card goes to the<br />
BBC ‘Children in Need’ charity.<br />
P/p 40p per order. 12 previous<br />
designs available - list on<br />
request. Reflections of a Bygone<br />
Age, 15 Debdale Lane, Keyworth,<br />
Nottingham NG12 5HT.<br />
STEAM AROUND<br />
BRITAIN. Latest postcard<br />
(no. 36 in the series)<br />
features the Llangollen<br />
Railway on this design by<br />
Timothy O’Brien. Other<br />
cards in series available,<br />
but 2, 4, 7, 11, 16 out of<br />
print. 40p per card + 40p per order or £10.50 postfreefor the 31<br />
cards available from Brian Lund <strong>Postcard</strong>s, 15 Debdale Lane,<br />
Keyworth, Nottingham NG12 5HT. Also just released: nos. 16-19<br />
in the ‘Railway Specials’ series, including two of the GWR in<br />
Gloucestershire, one of the Swanage Railway, and one of a Norfolk<br />
station.<br />
February? We’re<br />
all going to<br />
Shepton Mallet<br />
<strong>Picture</strong> <strong>Postcard</strong> Monthly December 2009 45
Mike and Sue Huddy’s<br />
Moderns of the Year<br />
2009 was the 50th<br />
year of the Iconic<br />
mini car still produced<br />
near to us at<br />
Cowley Oxford<br />
although sadly no<br />
longer a Britishowned<br />
mark.<br />
Continuing the political<br />
theme, the next<br />
card commemorates<br />
the election of President<br />
Obama. This<br />
postcard was published<br />
by Zazzle in the<br />
USA.<br />
Returning to our transport<br />
theme, our next card is from<br />
New Zealand, published by<br />
Contour Creative. This one is<br />
part of a set of five postcards of<br />
Tasman Empire airways - an<br />
S30 empire flying boat.<br />
As in previous years<br />
the top of our top ten<br />
has a strong transport<br />
element. This year we<br />
start with a card from<br />
Real Lachance the<br />
Canadian publisher<br />
of shipping cards.<br />
This one, Cunard’s<br />
Queen Mary II just<br />
one of a number of<br />
Cunard ships published<br />
by him.<br />
Readers that know<br />
our Libdem enthusiasms<br />
will be surprised<br />
at the inclusion<br />
of our next<br />
card, published by<br />
Pat Holton to commemorate<br />
the election<br />
of her granddaughter,<br />
Chloe<br />
Smith, as Conservative<br />
MP for<br />
Norwich North.<br />
2009 saw the organisers of the <strong>Picture</strong><br />
<strong>Postcard</strong> Show issue a set of<br />
six entry/promotional postcards on<br />
the theme of the British seaside<br />
holiday.<br />
46 <strong>Picture</strong> <strong>Postcard</strong> Monthly December 2009<br />
The organisers of<br />
the monthly<br />
Bloomsbury fair<br />
published several<br />
very collectable<br />
cards during the<br />
year - this one<br />
marking the 50th<br />
anniversary of<br />
mans first walk on<br />
the moon.<br />
Our last card<br />
takes us back to<br />
shipping, this<br />
time a card published<br />
within the<br />
Auk by Colin<br />
Roach - this one to<br />
mark the naming<br />
and the maiden<br />
voyage of the<br />
celebrity Equinox.<br />
Still with aircraft, a<br />
postcard published by<br />
Carl McQuaide in his<br />
wingtip series - this one<br />
of the iconic Concorde<br />
at Bristol Filton.<br />
Next of our cards<br />
published by<br />
Reflections of a<br />
Bygone Age in<br />
their ‘Railway<br />
Specials’ series,<br />
this one, no. 19<br />
showing an engine<br />
of the Gloucestershire<br />
and Warwickshire<br />
railway at<br />
Toddington station.<br />
This feature was due to appear in the 2010 Annual, but was<br />
delayed in the post from early September until mid-October.<br />
Comforting postcards<br />
Among the pleasures of research is the occasional<br />
chance find of an intriguing story or article about a personal<br />
interest or passion. I was delighted to find in my<br />
local record office this mention of picture postcards in an<br />
article in the ‘ladies’ column’ of a September 1914 newspaper.<br />
"In these days when picture postcards accumulate<br />
so rapidly that there is soon no place to put them a good<br />
plan is to take two and paste them together so that no<br />
writing shows, and then, when a good-sized box full has<br />
been collected send to a hospital. Hospitals welcome<br />
them because they can be sterilised; whereas many gifts<br />
have to be destroyed through a fear of infection. Also the<br />
preparation of them forms a splendid rainy day amusement<br />
for the children of a household, while the convalescent<br />
patients greatly appreciate them".<br />
What this shows is the endeavours of everyone to<br />
assist in the war effort so quickly in the initial weeks, and<br />
that the writer believes this is a support for wounded<br />
men. Apart from wondering how many got stuck together<br />
and sterilised, what would the value for in completion<br />
and collection terms be to us today? And how many<br />
postcards were used in this way? - John GGallagher
CAN YOU HELP?<br />
New political cartoons by Martin Rowson<br />
Eight new postcards in the ‘Cynicure’ series feature cartoons by top artist Martin Rowson<br />
368/A Richard Evertt recently<br />
bought the illustrated<br />
postcard. It shows the 2nd<br />
battalion of the Cameron<br />
Highlanders at an unknown<br />
location. The regimental history<br />
states that the battalion<br />
was in China from 1908/9. En<br />
route they spent some<br />
weeks in Hong Kong before<br />
moving to Tientsin where<br />
they were used to provide<br />
guards for the British Legation<br />
in Peking. So the card<br />
could be in either Hong<br />
Kong or Peking (Tientsin)<br />
which is where the scan of the back<br />
might help, for to the right are some oriental<br />
characters which presumably will<br />
name the publisher and his location.<br />
That hopefully might unlock the identification<br />
of main picture, as some readers<br />
might be ex-servicemen who have<br />
Two of the<br />
cartoons are<br />
based on Donald<br />
McGill designs, and a number<br />
of politicians are featured in the set,<br />
including Gordon Brown (on three<br />
of the cards), Tony Blair, Ann Widdecombe,<br />
Alastair Darling (three),<br />
John Prescott, Peter Mandelson,<br />
Jacqui Smith, David Cameron and<br />
George Bush. All the cartoons originally<br />
appeared in The Guardian.<br />
Until 10 December, the postcards are<br />
50p each or £3 for the set of eight (+<br />
60p postage) from<br />
Brian Lund <strong>Postcard</strong>s<br />
15 Debdale Lane<br />
Keyworth<br />
Nottingham NG12 5HT<br />
(after 10 December a set will be £4 + post)<br />
or order via email - reflections@postcardcollecting.co.uk<br />
Cynicure cards 1-12 available at 40p each.<br />
Cynicure series<br />
13. Northern Rock<br />
14. Blair’s conversion<br />
15. Harry the Hero<br />
16. Punch & Judy politics<br />
17. Extremes meet<br />
18. Same old crew(e)<br />
19. Labour’s tax U-turn<br />
20. Boners culture<br />
Martin Rowson’s work appears frequently in the Guardian,<br />
The Independent and The Daily Mirror. He was appointed<br />
‘Cartoonist Laureate’ of London when Ken Livingstone was<br />
Mayor. He has written three books and illustrated several<br />
more.<br />
served in Hong Kong,<br />
where I suspect the picture<br />
was taken.<br />
368/B Bill King of Saltash is<br />
trying to checklist the ‘D’<br />
series of photographic<br />
postcards of the<br />
Porlock/Minehead<br />
area published by<br />
Alfred Vowles. If<br />
anyone can provide<br />
captions to<br />
any of nos. 12, 13,<br />
19, 24, 35, 36, 40,<br />
43, 44, 51, 66-8,<br />
71-3, 75-7, or any<br />
after 78 in the ‘D’<br />
series, he’d be<br />
delighted to hear<br />
from you on<br />
01752-303966.<br />
<strong>Picture</strong> <strong>Postcard</strong> Monthly December 2009 47
Card Chat<br />
Mark Routh searches out<br />
the tasty and unusual in<br />
modern postcards.<br />
My wife Jo and I have just returned from the World of the<br />
Mouse, better known to many as Walt Disney World, Florida.<br />
This was our fourth visit and our first without the children<br />
(who have, of course, all grown up now). Since our<br />
first visit in 1993 I have collected every Disney theme park<br />
related postcard I could find. This is made a lot more fun<br />
by Disney's policy of constantly changing and updating<br />
issues. Back in 2003 I bought some attractive art cards<br />
which I saw this year with fancy embossed borders (not<br />
present on the cards in 2003 - so of course I had to buy<br />
these new ones). There are also annual year-dated postcards<br />
and this year I found three different 2009 dates (one<br />
for the Magic Kingdom Park, one for Epcot and one general<br />
design for the whole Florida Disney World). I know a<br />
lot of people collect Disney as a theme, but these new cards<br />
are not cheap to buy. The really good ones were priced<br />
between $2 and $3 each (£1.50 to £2) and it would be difficult<br />
for a dealer to make any money selling these with a<br />
margin of profit if he or she had to make this initial outlay.<br />
Therefore I doubt many of the postcards issued over the<br />
last few years will turn up on stalls (unless found postally<br />
used which might be a bit cheaper). I still bought copies for<br />
my collection but if I offered my doubles to someone at<br />
£2.50 a postcard would I have any takers? I suspect not,<br />
but I put it to you that this is their real value.<br />
Would you consider placing<br />
your loved one’s funeral plans<br />
in the hands of a company you<br />
saw advertised on a postcard? I<br />
suppose you might consider it<br />
appropriate under certain situations.<br />
I only ask because an<br />
advert postcard for 'Golden<br />
Charter Funeral Plans' fell out<br />
of my National Trust Members’<br />
magazine. It is a sympathetic<br />
postcard showing an<br />
autumn wooded pathway and<br />
apparently they offer 'Unrivalled<br />
choice and peace of<br />
mind from only £1,655' - a<br />
most unusual postcard.<br />
Readers’ postcards<br />
I enjoy receiving postcards from<br />
readers, some from a long way<br />
away. Willy Allan sent me one<br />
depicting a Green Ant from Darwin<br />
in the<br />
One of the BBC Poetry Season<br />
postcards<br />
Northern Territory in Australia<br />
(but then he was on holiday at the<br />
time - postcards beat any other<br />
form of correspondence). He<br />
very kindly informs me that<br />
these ants (he calls them 'critters')<br />
make nests in trees by folding<br />
leaves together. Joe and<br />
Christine King sent me a smashing<br />
series of poetry postcards<br />
issued by the BBC as part of a<br />
poetry season. Each card has a<br />
simple piece of artwork on the<br />
front which is representative of<br />
the poem featured on that card.<br />
There are also four or five lines<br />
from the featured poem on the<br />
front. Thankfully the poem is<br />
printed in full on the reverse side.<br />
I was sent ten cards (and unless<br />
anyone knows otherwise I<br />
assume that's the set) which have<br />
a wide range of writers including<br />
Wendy Cope, Robert Burns (the<br />
well known poem 'To a Mouse' -<br />
'Wee, sleekit, cow'rin tim'rous<br />
48 <strong>Picture</strong> <strong>Postcard</strong> Monthly December 2009<br />
Moderns at Woking<br />
beastie'), Christina Rossetti,<br />
Benjamin Zephaniah, Alfred<br />
Lord Tennyson (one of my<br />
favourites - The Charge of the<br />
Light Brigade - although only an<br />
extract of this long poem is printed<br />
on the back of this particular<br />
card), Seamus Heaney, Wilfred<br />
Owen (this WWI writer can be a<br />
bit of an acquired taste but this<br />
one - 'Anthem for Doomed Youth'<br />
- has a cracking opening line<br />
which goes 'What passing-bells<br />
for these who die as cattle?') The<br />
set also includes poems by Dylan<br />
Thomas, William Butler Yeats<br />
and John Betjeman. I am sure<br />
you will agree that this is an<br />
esteemed collection of writers<br />
and a most collectable set of<br />
postcards. I depict the Tennyson<br />
card to give you a flavour of how<br />
these look.<br />
Stampex and<br />
The Falklands<br />
The autumn STAMPEX show<br />
held in London had yet another<br />
free exclusive postcard for visitors,<br />
published in their ongoing<br />
series (this was no. 17). Personally<br />
this was a must for me as the<br />
postcard depicts artwork entered<br />
by Peter Morter for the 1982<br />
Maritime Heritage issue.<br />
Although not used for the stamp<br />
I spent yet another enjoyable day at the South of England <strong>Postcard</strong><br />
Fair held at Woking Leisure Centre. My reason for visiting was the<br />
Saturday Moderns section of the fair which is a great event. Again<br />
I came away with a couple of hundred postcards. If you are a moderns<br />
collector and can make either of the two annual events you will<br />
not be sorry. Alan Bower was there and his stall is always worth<br />
looking through. Alan had not long returned from Ireland, where he<br />
said the postcards had become quite expensive with even the basic<br />
view cards costing 50p each. Alan suffers from the same problem<br />
that many of the modern dealers do, that collectors seem reluctant<br />
to spend more than 50p for a modern postcard. This means that he<br />
has to somehow buy postcards under this price and then try and sell<br />
them for 50p and still make a profit. There are dedicated and knowledgeable<br />
modern collectors who realise that there are modern cards<br />
which are worth much more and who are willing to pay the true<br />
value (I happily parted with £6 for a smashing hovercraft card<br />
which was well worth that amount).<br />
1958 poster<br />
reproduced on a card published<br />
by The British Postal Museum &<br />
Archive<br />
issue, this design shows a painting<br />
of HMS Invincible, which in<br />
1982 had been involved in the<br />
Falklands War (I know we are<br />
supposed to refer to it as a 'conflict'<br />
but soldiers died and one<br />
country was fighting another and<br />
in my mind that is a war!). As I<br />
keenly collect Falklands War<br />
postcards I was pleased to<br />
receive my copy and have placed<br />
it in my stack of items waiting to<br />
be mounted as a Falklands War<br />
display (which I will get around<br />
to mounting one day e<strong>special</strong>ly<br />
for the members of the Canterbury<br />
<strong>Postcard</strong> Club who have<br />
suffered six - yes six - displays<br />
by me but who still seem to want<br />
me back! - but I have currently<br />
run out of mounted material to<br />
show them).<br />
Ryan’s postcards<br />
Moderns dealer Alan Bower was<br />
actually selling at Woking (see<br />
panel, left) a smashing set of<br />
postcards recently obtained from<br />
Ireland for what he had paid for<br />
them because he could not see<br />
how he could sell them for more,<br />
but they were so nice he wanted<br />
to have sets to sell. This was a<br />
<strong>special</strong> set of six postcards that<br />
were (are?) only available in<br />
Terry Wilson has sent me a cracking postcard advertising an exhibit<br />
at the 'Gate Gallery' in Grimsby titled 'Long Distance Information….give<br />
me MEMPHIS TENNESSEE'. This was a display of digital<br />
illustrations by David Pitcher. The photograph on the front shows<br />
a black and white image of a female telephonist (from the good old<br />
days when you used to be asked to be connected with somewhere -<br />
who remembers those days?) See what you think
Dingle,<br />
County Kerry. It was near here in<br />
Dunquin that the movie 'Ryan's<br />
Daughter' was filmed in 1968-9<br />
(it’s now the 40th anniversary of<br />
the filming). The six sepia-toned<br />
photographs have a nostalgic<br />
look and depict some of the<br />
scenic views from the film and<br />
some of the stars (John Mills,<br />
Trevor Howard and Sarah Miles<br />
- no picture of the main star,<br />
Robert Mitchum, though). The<br />
area of the Dingle Peninsula<br />
gave the film some of its charm<br />
and these postcards show this.<br />
Bought in Dingle and believed<br />
exclusive to the area, these are<br />
the type of postcards that modern<br />
dealers bring our way and which<br />
we would not see any other way<br />
(so my thanks go to Alan for<br />
these). Just take a look at the<br />
houses shown in the background<br />
behind Trevor Howard, who is<br />
depicted dragging two naughty<br />
youths along by their ears, and<br />
you can just feel the quality that<br />
went into this film (it did win two<br />
Academy Awards after all).<br />
Delcampe potential<br />
At the <strong>Postcard</strong> Show the internet<br />
sales site Delcampe had a<br />
stand where they showed visitors<br />
how to access the site and what<br />
sort of thing was on sale. Similar<br />
to the eBay idea, but without the<br />
costs, this site has a wide range<br />
of collectables on offer. I had a<br />
look and found more televisionrelated<br />
postcards here than on<br />
eBay, so the site is worth a look.<br />
Also around the hall, and on their<br />
stand, was a free advertising<br />
postcard for this web-site auction<br />
company. This was the company<br />
logo with a stamp, coin and postcard<br />
placed behind it, all on a<br />
green background. When I<br />
turned my copy over I saw that<br />
this was a dated card for 2009<br />
and no. 3 in a series (although<br />
they call it an edition rather than<br />
a series), one of a 5,000 limited<br />
edition production. The design<br />
rang a bell, so when I got home I<br />
had a look through a couple of<br />
boxes and found a very similar<br />
one (same logo and items behind<br />
it) but this time with two large<br />
faded images of postcards in the<br />
background. This one had a very<br />
light brown background and was<br />
the year card for 2008 and was<br />
Mac Publications postcard in<br />
their ‘Bygone Ireland’ series<br />
shown as Edition 1 in a limited<br />
number of 2,500 copies. What I<br />
want to know now is whether the<br />
edition 3 on the 2009 card means<br />
there have been two other editions<br />
this year or whether there is<br />
just one other card issued<br />
between the two different postcards<br />
I now have. Can any reader<br />
help? Whatever the outcome,<br />
these free postcards are welcome,<br />
and I can recommend this<br />
site as being well worth a look -<br />
www.delcampe.net.<br />
Magazine freebies<br />
It has been some time since I last<br />
mentioned any free postcards<br />
with magazine issues and there<br />
has been a bit of a decline in<br />
these. Regardless of that, a real<br />
cracker came out in August with<br />
a television connection. Lazy<br />
Town is an unusual children's<br />
programme from Iceland which<br />
has cast and crew from Iceland,<br />
America and Great Britain and<br />
which has now been shown in<br />
over 100 countries. The two<br />
main characters are Sportacus<br />
and Stephanie, and if you have<br />
children then there is every<br />
chance that you have seen at<br />
least one of the many shows.<br />
Issue no. 36 of 'Lazy Town' magazine<br />
(30th July - 26th August,<br />
£2.15) came with two attached<br />
free postcards. At first I did not<br />
grasp what these were and<br />
thought they were black and<br />
white colour in cards as each<br />
showed one of the two main<br />
characters in black and white on<br />
a colour scene background. What<br />
confused me initially was a number<br />
of little bags of coloured sand<br />
that came with the postcards! I<br />
now know that each segment of<br />
the character is actually a peeloff<br />
label and the area underneath<br />
is sticky. Over this you sprinkle<br />
the coloured sand and then shake<br />
off the excess. You then move<br />
your way through the various<br />
peel-off areas until you have<br />
used the sand to colour the whole<br />
character depicted on the postcard.<br />
This is a very unusual and<br />
quite magical concept which<br />
makes these true novelty postcards.<br />
Despite my eagerness to<br />
give this a go (kids have so much<br />
fun stuff these days) I have kept<br />
my package complete and<br />
unopened (in 'mint condition' or -<br />
as my granddaughter says - boring).<br />
I would love to have given<br />
these a go and if I ever come<br />
across any that have been 'played<br />
with' I shall buy them as examples<br />
and look at them longingly<br />
and wonder what fun I have<br />
missed out on!<br />
<strong>Postcard</strong> girls<br />
I was pleased to see Keith<br />
Edmondson's Freecard Gossip<br />
article back again last month, and<br />
it was interesting what he said<br />
about Boomerang issuing cards<br />
in sets of five. The all-girl pop<br />
group 'The Saturdays' have promoted<br />
their album 'Wordshaker'<br />
with promotional boomerang<br />
postcards. In my local cinema<br />
rack I found individual postcards<br />
for two of the girls in the group,<br />
Rochelle and Vanessa. I assume,<br />
naturally, that there are also cards<br />
for Una, Mollie and Frankie,<br />
who are the other three members<br />
of the group. I have some dou-<br />
Boomerang postcard promoting<br />
a new album<br />
bles of Rochelle and Vanessa and<br />
am looking to swap with anyone<br />
who can help me complete my<br />
set. If you have these two missing<br />
and have doubles of any I am<br />
missing then please get in contact<br />
as apparently 'Everyone<br />
Loves a Saturday' (as printed on<br />
the front of the cards!).<br />
I also have an interest in,<br />
and collect, some stamps, so read<br />
the monthly magazines including<br />
'Stamp and Coin Mart'. Recently<br />
in copies sold by WH Smith they<br />
gave away a free postcard from<br />
The British Postal Museum &<br />
Archive poster series. This poster<br />
advertised buying stamps in<br />
stamp books and is an attractive<br />
1958 design by Peter Huveneers.<br />
In the following issue there was a<br />
form you could send off for<br />
another free card from the series.<br />
These are interesting designs and<br />
if you can buy a set it is worth<br />
seeking out if this is your sort of<br />
stuff.<br />
Pat’s last cards<br />
I just have to mention the smashing<br />
two Xmas postcards recently<br />
issued in the PH Topics series by<br />
Pat Holton. These are no. 491,<br />
which depicts a cracking Rupert<br />
Besley cartoon of Santa with his<br />
sleigh on the moon (one of the<br />
reindeers - clearly Rudolf as he<br />
has a red nose - is seen to be saying<br />
"So much for the satnav!")<br />
and no. 492, a lovely painting by<br />
John<br />
Pat Holton promotes<br />
the idea of using postcards as<br />
<strong>Christmas</strong> cards again with her<br />
PH Topics no. 492, designed by<br />
John Pulham<br />
Pulham of two children posting<br />
letters (<strong>Christmas</strong> cards?) into a<br />
wall-mounted post box (the<br />
added snow and robin create that<br />
'Xmas' feel). A new Besley card<br />
is always greeted with pleasure,<br />
although a rare event unfortunately,<br />
and this one shows what<br />
we have been missing. Next year<br />
Pat is apparently due to release<br />
her last card when she hits the<br />
magical number 500. When this<br />
happens we will be losing one of<br />
our very <strong>special</strong> postcard people<br />
and it will be a sad day, but I<br />
wish her luck with whatever she<br />
moves onto.<br />
* You can contact Mark at 165<br />
Raphael Drive, Shoeburyness,<br />
Southend on Sea, Essex SS3<br />
9UR.<br />
<strong>Picture</strong> P<strong>Postcard</strong><br />
Annual 22010<br />
is now available at<br />
£4.75 with an up to<br />
date directory of<br />
dealers, fair organisers,<br />
auctions etc plus<br />
lots of features and<br />
articles, and a list of<br />
important 2010 postcard<br />
fairs. On sale<br />
from your favourite<br />
dealer or direct from<br />
the publishers at<br />
15 Debdale Lane,<br />
Keyworth, Nottingham<br />
NG12 5HT (plus<br />
postage £1 UK, £2.50<br />
Europe, £4.50 rest of<br />
world)<br />
<strong>Picture</strong> <strong>Postcard</strong> Monthly December 2009 49
<strong>Picture</strong> <strong>Postcard</strong> Sales List no. 9/09<br />
Brian Lund <strong>Postcard</strong>s, 15 Debdale Lane, Keyworth, Nottingham NG12 5HT<br />
MODERNS<br />
(all coloured and in VG condition unless stated)<br />
1. THE BEATLES. Mix of two sets pub’d<br />
London <strong>Postcard</strong> Co. (12 cards)..................£5<br />
2. COCA-COLA advert set (6)...........................£2<br />
3. DR. WHO mix pub’d Slow Dazzle Worldwide<br />
(10).................................................................£5<br />
4. DUFEX Teddy Bear set (10).....................£4.50<br />
5. EUROPE. Don’t let Europe rule Britannia!<br />
anti-EU sentiment pub’d This England<br />
magazine. Bulldog, flags etc. (4).............£1.20<br />
6. HARRY POTTER artist-drawn images pub’d<br />
GB Posters (8)...............................................£3<br />
7. PHQ no. 1. the scarce County Cricket<br />
design..........................................................£25<br />
8. PICTURE POSTCARD SHOW 2008 souvenir<br />
cards/entry tickets with comic theme (6)<br />
CM.................................................................£3<br />
9. PICTURE POSTCARD SHOW 2009 souvenir<br />
cards/entry tickets with seaside theme (6)<br />
CM.................................................................£3<br />
MODERN ARTISTS<br />
10. TIM O’BRIEN. Cargo plane at Southend<br />
Airport.........................................................50p<br />
MODERN RAILWAY STATIONS<br />
11. Bewdley pub’d Severn Valley Rly...........75p<br />
12. Arley pub’d SVR.......................................75p<br />
13. Crowcombe with train pub’d Judges.....40p<br />
14. Crowcombe pub’d West Somerset Rly...40p<br />
15. Dent pub’d Pedley....................................50p<br />
16. Leyburn with train pub’d Wensleydale<br />
Railway.......................................................40p<br />
17. Bridgnorth with train pub’d SVR.............75p<br />
18. Ramsbottom with engine........................50p<br />
OLD POSTCARDS<br />
ARTISTS<br />
19. Sylvia BARHAM pub’d CW Faulkner CG<br />
(4).................................................................£15<br />
20. Stanley BERKELEY We kissed beneath pu<br />
1904 VG.........................................................£2<br />
21. Charles FLOWER. Canterbury ser. III Tuck<br />
Oilette 8934 CVG (2).....................................£4<br />
22. FLOWER. Tuck Oilette - Cologne CVG...£2<br />
23. T. GILSON Carry On CVG..........................£2<br />
24. Lilian GOVEY Sister Susie’s sewing shirts<br />
pu 1916 CF.....................................................£3<br />
25. Florence HARDY pub’d Misch ‘Little<br />
Friends’ pu 1914 CVG...................................£4<br />
26. Suzanne MEUNIER. Parisian Girls no. 5018<br />
CVG................................................................£6<br />
27. Xavier SAGER watercolours 1st April<br />
theme - Avril Tendre (3) CG.......................£15<br />
28. Lance THACKERAY. Tuck write-away 1765<br />
An early Bird pu 1907 CG............................£5<br />
29. THACKERAY. Tuck write-away 985 How is it<br />
you u/b pu 1905 CVG...................................£6<br />
30. THACKERAY. Tuck write-away 542 I am<br />
delighted u/b pu 1903 CVG..........................£6<br />
SUBJECTS<br />
31. ADVERTISING. Poster advert for Brighton<br />
CG................................................................£35<br />
32. AVIATION. CL Temple, well-known aviator,<br />
with racing bike RP F................................£20<br />
33. DR BARNADO funeral procession,<br />
animated RP pu 1905 VG...........................£25<br />
34. CIRCUS. Les Rigolos de Barnum & Bailey<br />
pu 1903 VG..................................................£30<br />
35. COLLECTION JOB. 1906 Calendar by<br />
Duvocelle VG..............................................£50<br />
36. EARLY. Sandwich Men court size pub’d<br />
Beechings pu 1901.....................................£45<br />
37. FATHER CHRISTMAS motoring design<br />
pub’d Birn Bros. CVG...................................£7<br />
38. FATHER CHRISTMAS A Merry Yuletide.<br />
Santa & Angel CVG......................................£4<br />
39. FILM STARS. Sepia RPs pub’d Woolstone<br />
Bros. in ‘Milton’ series, or by one of the film<br />
studios. Lionel Barrymore, Brian Aherne,<br />
Richard Arlen, Frank Lawton, Otto Kruger, Jan<br />
Kiepura, Edmund Lowe, Claude Hulbert, John<br />
Loder, Gyles Isham, William Lundigan, Melvyn<br />
Douglas, Robert Young, James Dunn, Carl<br />
Brisson, George Brent, Fred Macmurray, Larry<br />
(Buster) Crabbe, Richard Cortez, Jackie Cooper,<br />
Fredric March, Herbert Marshall, Warner<br />
50 <strong>Picture</strong> <strong>Postcard</strong> Monthly December 2009<br />
2 36<br />
39<br />
56<br />
27<br />
60<br />
59<br />
28<br />
47<br />
54<br />
34<br />
33<br />
Cheque with order, please.<br />
Refund sent on any items<br />
already sold. Satisfaction<br />
or refund. You can ring to<br />
order on 0115 937 4079<br />
C = coloured<br />
M = mint condition<br />
VG = very good<br />
G= good F = fair<br />
49<br />
31<br />
19<br />
5<br />
50<br />
58<br />
37<br />
Order ffrom<br />
Brian LLund P<strong>Postcard</strong>s -<br />
address aabove. Order by<br />
Lot number. Postage in UK<br />
50p extra per mailing.<br />
pub’d = published by<br />
pu = postally used<br />
c/u = close-up
Baxter, Tom Walls,<br />
Henry Wilcoxon,<br />
George Raft, Franchot<br />
Tone VG<br />
EACH.................. £1.25<br />
40. FOOTBALL. Autographed<br />
RP of J. Parker,<br />
Nottm Forest £25<br />
41. GOLF. RP of Henry<br />
Cotton in Switzerland<br />
1940 G..£50<br />
42. HATS. Birn Bros.<br />
design pu 1911 CVG...£2<br />
43. LONDON LIFE. Tuck<br />
612 After The Play u/b pu<br />
1903 CVG...£5<br />
44. MOTORING. AA road patrol assisting<br />
during floods pub’d AA RP VG..£30<br />
38<br />
45. RAILWAY, Woolwich Arsenal pub’d WH<br />
Smith pu 1908.............................................£20<br />
46. TEMPERANCE. Advert for Grand Bazaar at<br />
Newcastle-on-Tyne Oct 1902 written by Guy<br />
Hayter, leading light of Temperance<br />
Movement CG.............................................£25<br />
47. TOBACCO. Webster Cigars pictorial scene<br />
CF.................................................................£35<br />
48. WOVEN SILK Hands across The sea RMS<br />
Victorian. Slight foxing. G..........................£40<br />
TOPOGRAPHICAL.<br />
49. BRIGHTON. Visit of Earl Beatty Oct 1922.<br />
Animated RP. G..........................................£40<br />
50. DULVERTON, crowded street scene RP<br />
pub’d JH German pu 1908 G....................£40<br />
51. LIVERPOOL playscene RP of ‘Strike’<br />
alluding to local strike pub’d Carbonara<br />
G..................................................................£30<br />
52. MANCHESTER, Radcliffe Parish Church<br />
procession & street scene RP pub’d locally<br />
VG................................................................£20<br />
53. MANCHESTER, opening of Seymour<br />
Gardens, Hollingwood RP pu 1909 G.......£25<br />
54. MANCHESTER. Close-up trams and lorry in<br />
RP street scene VG.....................................£18<br />
55. ORMSKIRK crowded street scene RP<br />
VG................................................................£25<br />
56. PARIS VECU - Le Marchand de Coco pu<br />
Early posting<br />
dates<br />
Latest additions to our<br />
ongoing listing are as follows:<br />
Places<br />
*Leatherhead 20 May<br />
1902<br />
Overseas<br />
*Canada 18 May 1887<br />
*Rhodesia 15 July 1899<br />
* indicates an earlier date<br />
than previously recorded.<br />
If you can contribute<br />
to this feature, please<br />
send photocopy of both<br />
sides of any submitted<br />
postcard. The important<br />
side is the picture - the<br />
location of the postmark is<br />
irrelevant.<br />
The latest updated<br />
listing appears in 2010 <strong>Picture</strong><br />
<strong>Postcard</strong> Annual.<br />
1907 VG......................................................£30<br />
57. PARIS. Motor car excursion outside Thos.<br />
Cook offices with crowd VG.......................£35<br />
58. SOUTHALL railway station int. RP pu 1913<br />
VG................................................................£30<br />
59. TOOTING Broadway animated street scene<br />
pub’d Johns pu 1925 with tram, horsedrawn<br />
vehicles VG.....................................£35<br />
60. WANTAGE Tramway RP pub’d Chapman<br />
VG................................................................£35<br />
61. WELLS. 1909 Royal visit RP pub’d Dawkes<br />
& Partridge VG............................................£45<br />
Unusual ppostcards<br />
from EEdwardian<br />
publisher<br />
This old picture postcard<br />
is obviously in bad<br />
taste, and we don’t wish<br />
to be flippant about a<br />
very serious subject -<br />
but we spotted this<br />
postcard published by<br />
the Pictorial Stationery<br />
Co. of London in their<br />
‘Peacock’ series c.1905.<br />
This is no. 18 - does<br />
anyone know who represented<br />
the first 17 or<br />
any later numbers?<br />
The earliest Rhodesian<br />
postcard (until someone<br />
turns up an older one!) ,<br />
posted at Bulawayo in<br />
July 1899. The card was<br />
published by the Press<br />
Association, 21 St.<br />
George’s Square, London.<br />
New Pictorial Postal Cards<br />
Edward Hill sent news of<br />
Queensland’s first postcards,<br />
published by the<br />
state’s Post Office. The<br />
information comes from<br />
The Brisbane Courier of 24<br />
June 1898:<br />
“We have been shown<br />
some advance proofs of the<br />
pictorial postcards which<br />
the Postmaster General<br />
(Hon. W.H. Willson) has<br />
decided to issue, with a<br />
view to inviting the attention<br />
of persons residing outside<br />
the Colony to the<br />
scenery and products of<br />
Queensland. The first<br />
series, comprising eighteeen<br />
views of Queensland<br />
scenery and products,<br />
which are very handsome,<br />
will be issued to the public<br />
today....”<br />
FERNDOWN <strong>Postcard</strong> Club’s first October meeting featured<br />
an evening of Bugs, Butterflies, Bees and Birds, followed<br />
by a session of six sheets in two minutes of postcards.<br />
What a selection! There were cards showing missionary<br />
work in Papua & New Guinea, the 1939 Mailomat<br />
machine used by the U.S. Post Office, cards from Brunei<br />
featuring pipework taking water to the town, pop-up letter<br />
cards and even more butterflies. The 35th Division of Irish<br />
volunteers in World War One competed with highly<br />
sought-after camp postmarks, WW1 armoured vehicles of<br />
the Royal Naval air Service, natives of Singapore, early<br />
views of Boscombe, and Sonning Lock.<br />
Contributors aand aadvertisers aare aadvised tthat<br />
the JJanuary 22010 eedition oof PPICTURE PPOST-<br />
CARD MMONTHLYY wwill bbe ppublished oon DDecember<br />
220th. DDeadline ffor ccopy iis DDecember 110th.<br />
<strong>Picture</strong> <strong>Postcard</strong> Monthly December 2009 51
Cultural and<br />
Entertainment Freecards<br />
It would be wrong of me, writes Keith Edmondson, to imply<br />
that cultural freecards are something new. The French<br />
freecard scene is dominated by cards advertising Film Festivals,<br />
Museum events, Theatre programmes etc and in<br />
this column at the same time last year when I reviewed<br />
some of the cards of 2008 I included a Boomerang card for<br />
an exhibition at the Museum in Docklands and one for<br />
Proms in the Park. Perhaps it is the fact that this year there<br />
have been fewer cards distributed that there appear to be<br />
more cultural and entertainment cards in the racks, and in<br />
the London area Boomerang and Big Smoke Media look<br />
as though they have tagged on to specific customers for<br />
promoting their events.<br />
Big Smoke<br />
Media include<br />
among their<br />
customers the<br />
National<br />
Gallery, The<br />
Dali Universe<br />
and The Animation<br />
Art<br />
Gallery, and<br />
three cards<br />
issued during<br />
the year are<br />
illustrated. Only<br />
the “Renaissance<br />
Faces” event at<br />
the National<br />
Students are targeted<br />
by this<br />
advertising postcard<br />
Gallery is a<br />
postable card. The<br />
reason, however,<br />
for illustrating a not particularly<br />
good card in terms of image<br />
reproduction, from the Animation<br />
Art Gallery is the reference<br />
in the top right hand corner to<br />
“postcard not for sale”. At least<br />
I am not the only one to consider<br />
this as being a “postcard” even if<br />
you cannot strictly post it.<br />
Boomerang cultural and<br />
entertainment clients<br />
included the British Library, one<br />
of four cards illustrated for the<br />
“Talking Liberties” event earlier<br />
in the year, and the RSC, one of<br />
two cards illustrated for “Arabian<br />
Nights” currently at the<br />
Courtyard Theatre in Stratford-<br />
Upon-Avon until the end of January.<br />
There have over the year,<br />
however, been many Boomerang<br />
cards for shows and four are<br />
52 <strong>Picture</strong> <strong>Postcard</strong> Monthly December 2009<br />
National<br />
Gallery<br />
promotional<br />
card<br />
illustrated for “Sister Act”, “We<br />
Will Rock You” and “Treasure<br />
Island” at various<br />
Royal<br />
Shakespeare Co.<br />
publicity<br />
London Theatres plus one<br />
for the touring “ABBA<br />
the Show”.<br />
At the time of<br />
preparing this column at<br />
the beginning of November<br />
Boomerang were distributing<br />
a set of six cards in their cinema<br />
These postcards featuring high-profile<br />
performances make an interesting addition to a related postcard collection<br />
racks advertising the Michael<br />
Jackson Opus. The cards gave a<br />
discount of £50 on the list price<br />
of £199 for the book. By the<br />
time you read this the cards<br />
will probably have long<br />
since gone but I suspect there<br />
will still be plenty of copies<br />
of the book available.<br />
This Michael<br />
Jackson card is likely to be in<br />
demand from collectors
HULL CITY FC postcards wanted:<br />
team groups, players and crowds.<br />
N. Turner, 21 Wolfreton Mews,<br />
Willerby, Hull HU10 6PW. Email:<br />
nichturn@yahoo.co.uk<br />
LYDNEY, CINDERFORD, COLE-<br />
FORD, Mitcheldean, all Forest of<br />
Dean areas, Gloucestershire. Brian<br />
Clutterbuck, 32 Templeway West,<br />
Lydney, Glos GL15 5JD. Tel. 01594-<br />
841206.<br />
FOWEY, FOWEY, FOWEY, Cornwall.<br />
Quality postcards, photos and<br />
ephemera wanted. Marcus Lewis<br />
01726 832089. Mobile 07973<br />
420568.<br />
marcus@fowey9.freeserve.co.uk<br />
LEICESTERSHIRE STATION INTE-<br />
RIORS RPs - GNR, GWR, GCR.<br />
Royal Leicestershire Regiment<br />
scenes. Better Shipping cards: Liners,<br />
Warships, Cargo; British, german,<br />
American, Russian, Japanese.<br />
Nazi zeppelins, Nazi propagande,<br />
Irish political cards 1920s.<br />
RPs of port scenes - Humber, Liverpool,<br />
Tyne, Jarrow, Dublin, Cork,<br />
hamburg, Barrow. German Uboats<br />
WW1, WW2. Harry Potterton,<br />
63 Keyham Lane West, Leicester<br />
LE5 1RS. Tel. 0116 243 3444.<br />
CASTLES. Appreciative price paid<br />
for postcard of Dinas Powis Castle.<br />
Harry Welchman, 19 Orchard Crescent,<br />
Dinas Powis, South Glamorgan<br />
CF64 4JZ. Phone 029-2051-<br />
2439.<br />
A.R. QUINTON 2986, £00’s reward!<br />
P. Cove, Sanjoby, Eype, Dorset DT6<br />
6AP.<br />
MORETON - LEASOWE - SEA-<br />
COMBE. New Brighton, Liscard,<br />
Wallasey, Birkenhead, Upton, Hoylake,<br />
Rock Ferry, New Ferry,<br />
Bebington, West Kirby, Bromborough,<br />
Cammell Laird. L. Clow, 52<br />
Saughall Road, Moreton, Wirral<br />
CH46 5NG.<br />
WELSH WAR MEMORIALS - dedications<br />
e<strong>special</strong>ly. Graham Farthing,<br />
106 Ashridge Way, Morden,<br />
Surrey SM4 4ED.<br />
POSTCARDS OF FULHAM plus Fulham-associated<br />
football. John<br />
Martin, 1 The Rise, Tadworth, Surrey<br />
KT20 5PT.<br />
Classified<br />
COST<br />
Lineage: 16p per word per month (1-3 insertions)<br />
13p per word per month (4 or more consecutive<br />
insertions without text change)<br />
e.g. 12 words: £1.92 for 1 month, £3.84 for 2 months, £5.76 for 3<br />
months, £6.24 for 4 months, £7.80 for 5 months, £9.36 for 6<br />
months.<br />
Minimum cost of single insertion £1.50. Minimum cost of multiple<br />
insertions £1.20 per month.<br />
Semi-display (boxed) £7.50 for 3 col. cms, £1.75 each extra col. cm.<br />
(price includes lineage).<br />
These rates are inclusive of V.A.T.<br />
PAYMENT: All classified adverts should be prepaid. When calculating<br />
cost, do not count street number, and calculate tel.<br />
no./postal code as one word each.<br />
PRESENTATION: Please type or write advert clearly, underlining<br />
words required in bold. Include your name (and not just an<br />
address) within the advert.<br />
TRADE ADVERTISING: Traders advertising for postcards in the<br />
‘wanted’ section must conclude their advert thus: (T) if they<br />
require postcards for resale and expect trade discount/prices from<br />
other dealers. This avoids any misunderstanding by prospective<br />
vendors. Dealers who fail to comply with this instruction will in<br />
future be refused advertising space.<br />
ALTERATIONS: If any changes are required in an advert, or it is to<br />
be resumed after a break, please make sure you resubmit the<br />
whole advert.<br />
POSTCARDS<br />
WANTED<br />
PPM keeps yyou iin<br />
touch wwith tthe<br />
postcard wworld!<br />
MADEIRA ISLAND POSTCARDS -<br />
all types 1894-1950s. Shipping at<br />
Madeira + photos large and small<br />
1880-1930s + travel albums. J.R. De<br />
Silva, 147 Buxton Road, Hazel<br />
Grove, Stockport, Cheshire SK7<br />
6AN.<br />
CRICKET - anything considered.<br />
Local teams if named or located.<br />
Approvals to - G. Jennings, 4<br />
Henry Road, West Bridgford, Nottingham<br />
- Postage refunded.<br />
PIERROTS, MINSTREL<br />
TROUPES AND CONCERT<br />
PARTIES (1860-1930)<br />
wanted by private collector<br />
<strong>Postcard</strong> collections,<br />
ephemera. Any condition.<br />
Uncle Tacko!<br />
Cleveland House,<br />
Cleveland Place, Dawlish,<br />
Devon EX79HZ<br />
E-mail: uncle@prom-prom.com<br />
DENTAL POSTCARDS wanted.<br />
Also postcards from<br />
LUXEMBOURG.<br />
Postage always refunded.<br />
John Lesch, 133 Rue<br />
E. Beres, L-1232<br />
Howald, Luxembourg.<br />
NORWAY. Early cards/Postal History<br />
- Scott Simpson, 14 Dower<br />
Road, Sutton Coldfield B75 6UA.<br />
Email:<br />
scottsimpsonuk@btinternet.com<br />
PALESTINE<br />
I am a collector looking for<br />
all series from all periods.<br />
Please send even single<br />
cards. I will usually pay your<br />
price plus your postage<br />
costs, or I will exchange for<br />
your own subject<br />
David PPearlman<br />
788-7790 FFinchley RRoad<br />
London NNW11 77TJ<br />
Tel: 0020-88201-88998<br />
email:<br />
david@centrum-uk.com<br />
GREECE<br />
<strong>Postcard</strong> collector seeking all<br />
areas of any subject relating to<br />
Greece including Costumes,<br />
Personalities, Royalty, Ships,<br />
Trains, Cartoons, Art, etc. etc.<br />
Prompt response<br />
J. Tsatsas, 1A Netherhall<br />
Gardens, London NW3 5RN<br />
YORKSHIRE CRICKETERS AND<br />
CRICKET TEAMS. Private collector.<br />
Details to: Ron Deaton, 20 Hill Top<br />
Road, Harrogate HG1 3AN. 01423<br />
507690.<br />
DEVON AND CORNWALL cards<br />
required. J.R. Adams, 2 Devon<br />
Square, Newton Abbot, Devon<br />
TQ12 2HN.<br />
BLACK & WHITE SCOTTISH VIL-<br />
LAGE and town views, e<strong>special</strong>ly<br />
Angus, Fife, islands, plus Hallowe’en,<br />
posted Caymans, Sudan.<br />
Chad Neighbor, 8 Dalgarno Park,<br />
Hillside, Montrose DD10 9JF. (T).<br />
Email:- c.neighbor@virgin.net<br />
SYNAGOGUES (WORLDWIDE)<br />
JEWISH PALESTINE (PRE-1948)<br />
BRITISH FORCES PALESTINE<br />
JEWISH STREET SCENES<br />
(WORLDWIDE) PALESTINE<br />
HOTELS (INC. CACHETS)<br />
GRUSS AUS PALESTINE<br />
OR<br />
Any other interesting postcards on<br />
a Jewish or Palestine theme<br />
eagerly sought by collector.<br />
For immediate response please<br />
write to:<br />
Adrian Andrusier<br />
c/o Sheldon Monk & Co. Ltd.,<br />
15-19 Cavendish Place, London<br />
W1G 0DX<br />
or telephone 020-7580 5866<br />
KEYWORTH & PLUMTREE postcards<br />
wanted, please, on approval.<br />
Help me improve our collection! I’d<br />
also like any postally used cards<br />
sent to an address in either village<br />
1900-11. Brian Lund, 15 Debdale<br />
Lane, Keyworth, Nottingham NG12<br />
5HT.<br />
SUFFOLK, NORFOLK and Cambridgeshire<br />
<strong>Postcard</strong>s published by<br />
F.G. Pawsey & Co. Ltd and Langhorn<br />
Pawsey & Co. (L.P. & Co.) of<br />
Bury St. Edmunds. Bob Pawsey, 82<br />
Westerfield Road, Ipswich IP4 2XN.<br />
Tel: 01473 252893.<br />
MEXICAN POSTCARDS<br />
WANTED<br />
Single cards or collections<br />
Contact:<br />
Grenville Collins<br />
Flat 81, 95 Wilton Road<br />
London SW1V 1BZ<br />
Tel. 020 7834 1852<br />
e-mail:<br />
grenvillecollins@safeserve.com<br />
WANTED - <strong>Postcard</strong>s (modern &<br />
old) & ephemera of Tenerife,<br />
Canary Islands & Spain in general.<br />
We pay with UK cheque. Please<br />
contact before sending on<br />
approval to: Sophie Baillon, POR-<br />
TOBELLO, Cruz Chica 84, Guamasa,<br />
La Laguna. 38330. Tenerife.<br />
(T). sophiebaillon@hotmail.com<br />
skype-rastrilloportobello.<br />
BURNLEY, PADIHAM, EAST<br />
LANCS, BURNLEY F.C. Photographic<br />
postcards always required.<br />
Prompt response, postage refunded.<br />
Mark Yates, 8 Shakespeare<br />
Street, Padiham, Lancs BB12 8SN.<br />
Email:yatesmark2000@yahoo.com<br />
SOUTHPORT and SUBURBS<br />
BIRKDALE, AINSDALE,<br />
CROSSENS, CHURCHTOWN<br />
Single iitems aand ccollections<br />
welcome. PPostage rrefunded<br />
IAN SIMPSON<br />
55 LARKFIELD LANE<br />
SOUTHPORT<br />
LANCASHIRE PR9 8NN<br />
Tel: 01704-227765<br />
iansimpson@talktalk.net<br />
GOULBORNS, old Millgate, Manchester.<br />
<strong>Postcard</strong>s of skittle alley,<br />
cheese store etc. K. Warrender, 36<br />
Moss Lane, Timperley, Cheshire<br />
WA15 6SZ.<br />
CHANNEL ISLANDS: vintage and<br />
modern cards wanted. Any quantity<br />
considered. P. Dunn, 12 Wyndham<br />
Crescent, Burton upon Trent,<br />
Staffs DE15 0DF. Tel: 01283 845190<br />
EARLS COLNE, WHITE COLNE<br />
& COLNE ENGAINE, CHAPPEL<br />
& WAKES COLNE (ESSEX)<br />
Good R.P. cards always required<br />
Gerry KKelly,<br />
20 WWaldemar AAvenue,<br />
Norwich, NNR6 66TB<br />
Phone: 01603 417961<br />
E-mail: gerry.kelly@btconnect.com<br />
PORTLING, PORT O’WARREN - in<br />
Kirkcudbrightshire wanted. Brian<br />
Cox, Kirknewton House, Kirknewton,<br />
Wooler NE71 6XF or<br />
briancox@mythica.co.uk.<br />
GERMANY - All areas and subjects<br />
particularly aviation up to 1945. P.<br />
Dickerson, 20 Easson Road, Redcar,<br />
TS10 1HJ.<br />
INDEX CARD & CARDS 3 & 5 of<br />
series 5 Misch & Co. “The Holy<br />
Scriptures” Old Testament. Also<br />
any cards of New Testament<br />
Series. A. Butterick 01483 769974,<br />
07706 190604. Walnut Tree House,<br />
Kingfield Road, Woking, Surrey<br />
GU22 9DZ.<br />
SUSSEX RAILWAY STATIONS:<br />
Ardingly, Barcombe, East Grinstead,<br />
Haywards Heath, Horsted<br />
Keynes, Lewes, Newick & Chailey,<br />
Sheffield Park and West Hoathly.<br />
Send cards/photographs to J.<br />
Young, 28 The Garstons, Bookham,<br />
Surrey KT23 3DS. Postage refunded.<br />
NORFOLK AND NORWICH CINE-<br />
MA postcards and ephemera wanted.<br />
P. Yaxley, ‘Polperro’, Silfield<br />
Road, Wymondham, Norfolk NR18<br />
9AU. (Tel: 01953 603549).<br />
ITALY<br />
POSTCARDS WANTED<br />
also postcards of all other<br />
countries, world postal history<br />
and postmarks<br />
Single items, collections and<br />
accumulations welcome<br />
RICHARD GEE<br />
7 Brooks Malting, Kiln Lane,<br />
Manningtree CO11 1HP<br />
Tel: 01206 393682 Mobile:<br />
077987 48350<br />
email: richardgeeuk@aol.com<br />
FRENCH & ITALIAN anti-Kaiser<br />
postcards. Graham Farthing, 106<br />
Ashridge Way, Morden, Surrey<br />
SM4 4ED.<br />
GOOD PRICES PAID for postcards<br />
of Stockwood Park, Bedfordshire,<br />
and Stoke Edith, Herefordshire.<br />
Alan Hamblin, 50 Overstone Road,<br />
Harpenden, Hertfordshire AL5 5PJ.<br />
Tel. 01582-763571.<br />
ANY AIRPORTS & AIRLINE ISSUED<br />
PROPELLOR aircraft wanted. Mike<br />
Charlton, 4 South East Farm, Horsley<br />
NE15 0NT. Email:<br />
mike@aviationpostcard.co.uk or<br />
www.aviationpostcard.co.uk<br />
SALVATION ARMY postcards<br />
wanted. David Pickard, 1 Beauval<br />
Road, East Dulwich, London SE22<br />
8UG. Tel: 020 8693 2585.<br />
BOY SCOUTS/BADEN POWELL.<br />
(Cards, Badges, Memorabilia).<br />
Comic & Greetings cards of Plymouth<br />
area and Royal Air Force.<br />
Graham Brooks, 28 Rawlin Close,<br />
Eggbuckland, Plymouth PL6 5TF.<br />
Tel. 01752 774467.<br />
WANTED: REAL PHOTO<br />
POSTCARDS OF PEOPLE<br />
Seeking quality RP cards of<br />
individuals or groups:<br />
all classes and kinds.<br />
Portrait and Social History type;<br />
formal or informal.<br />
Must be postcard backed and<br />
British.<br />
No commercially published cards.<br />
TOM PHILLIPS<br />
57 TALFOURD ROAD<br />
LONDON SE15 5NN<br />
Phone 020 7701 3978<br />
Fax 020 7703 2800<br />
tom@tomphillips.co.uk<br />
<strong>Picture</strong> <strong>Postcard</strong> Monthly December 2009 53
POSTCARDS<br />
WANTED<br />
NORWICH, STACY ROAD. <strong>Postcard</strong><br />
urgently wanted. Julie Jakeway.<br />
Tel. 01603-437411.<br />
DOGS wanted, any breeds considered<br />
but no Bonzo, Comic or Puppies,<br />
thanks. John Rolfe, 39 Combe<br />
Avenue, Blackheath, London SE3<br />
7PZ.<br />
SHROPSHIRE, CHESHIRE,<br />
STAFFORDSHIRE,<br />
WORCESTERSHIRE<br />
All postcards wanted<br />
Top prices paid for better<br />
and RP cards<br />
PHIL JONES T.P.S<br />
6 PASTEUR DRIVE,<br />
LEEGOMERY,<br />
TELFORD TF1 6PQ<br />
Tel/Fax 01952-223926<br />
e-mail philjo@bigfoot.com<br />
BULLDOGS Comic, Patriotic, Real<br />
Photo anything considered.<br />
Approvals to - G. Jennings, 4<br />
Henry Road, West Bridgford, Nottingham.<br />
Postage refunded.<br />
BARTON, YORKS. Cards are<br />
marked Barton, Yorks, or Barton,<br />
Darlington. Related interest,<br />
groups of soldiers at Catterick<br />
Camp. W. Robotham, 17 Marygate,<br />
Barton, Richmond, North Yorkshire<br />
DL10 6LD. Tel. 01325-377772.<br />
PADDY THE IRISHMAN wants any<br />
good quality Irish cards you have<br />
for sale. Paddy Macken, 10 Villa<br />
Park Road, Dublin 7.<br />
DULWICH, CAMBERWELL, CAT-<br />
FORD postcards wanted. David<br />
Pickard, 1 Beauval Road, London<br />
SE22 8UG. Telephone 020 8693<br />
2585.<br />
BATCHES OF INTERESTING<br />
UNLOCATED UK topo. Must be<br />
clueful and reasonably priced.<br />
Postage refunded. Nigel Bown, 45<br />
Eastern Avenue, Chippenham,<br />
Wiltshire SN15 3WL.<br />
ISLE OF MAN,<br />
GIBRALTAR,<br />
SCOOTERING.<br />
Quality ccards ddesired.<br />
MAX COLLISTER,<br />
20 CREGGAN LEA,<br />
PORT ST MARY,<br />
ISLE OF MAN IM9 5BE<br />
Tel: 001624 8832062<br />
HULL CITY FC postcards wanted:<br />
team groups, players and crowds.<br />
N. Turner, 21 Wolfreton Mews,<br />
Willerby, Hull HU10 6PW. Email:<br />
nichturn@yahoo.co.uk<br />
DISS & DISTRICT, 5 miles radius,<br />
e<strong>special</strong>ly villages of Burston,<br />
Shimpling, Palgrave, Dickleburgh,<br />
Scole, Winfarthing and Tibenham.<br />
Also Crested China of Diss, and<br />
Norfolk & Suffolk railway stations.<br />
D. Cross, 60 Uplands Way, Diss<br />
IP22 4DF. Tel. 01379-651897.<br />
MOELFRE, ANGLESEY postcards<br />
of lifeboat & crew wanted, pre-<br />
1945 only. Approvals, scans,<br />
copies. Richard Roberts, 8207<br />
Regency Drive, Pleasanton, CA<br />
94588, U.S.A.<br />
richwrob@gmail.com<br />
DAPPER JUVENILE DELIN-<br />
QUENTS? Dashing hooligans?<br />
Stylish, punky criminals? Photos?<br />
Negatives? (1850-1940). Mr. Hartnett,<br />
Brewery, 19 Brow Road,<br />
Haworth BD22 8LD.<br />
EXHIBITION CARDS wanted by collector,<br />
e<strong>special</strong>ly cards of stands<br />
and advertising cards, no foreign<br />
exhibitions wanted. Also Church<br />
Missionary cards, Crystal Palace,<br />
and topo’s for the following areas:<br />
Anerley, Beckenham, Elmers End,<br />
Hayes, Keston, Penge and West<br />
Wickham. Postage paid. Bill<br />
Tonkin, 23 Bramley Way, West<br />
Wickham, Kent BR4 9NT.<br />
MALE FASHION<br />
Photographic 1870 - 1950<br />
Tintypes? Cabinets? CDVs?<br />
Real photo postcards? Quality<br />
silver gelatin photographs?<br />
Private collector seeks sharp,<br />
clear images depicting changing<br />
male fashions - tailoring<br />
styles, hairstyle trends, ‘looks’.<br />
From casual (farm/factory/occupational<br />
workwear and sportswear)<br />
to traditional/formal<br />
(‘suited and booted’, starched<br />
collars, bow ties, top hat ‘n’<br />
tails, fancy dress, ‘eccentrics’).<br />
No commercially published<br />
visuals, please.<br />
Approvals welcome and dealt<br />
with promptly, postage<br />
refunded.<br />
Mr Paul Hartnett, The Old<br />
Brewery, 19 Brow Road,<br />
Haworth, Yorkshire, BD22 8LD<br />
Questions? Tel: 01535 646 985<br />
or via<br />
hartnettnow@yahoo.com.<br />
<strong>Postcard</strong>s of GHOSTS or<br />
HAUNTED PLACES<br />
required by serious<br />
collector - must either<br />
show apparition or text<br />
refer to haunting<br />
No Halloween, comic or<br />
Cornish Litany please<br />
Also looking for GWR<br />
‘Legendland’ series<br />
Approvals welcomed and<br />
dealt with promptly,<br />
postage refunded<br />
G.M Wheeldon,<br />
9 Ashtree Court, Feltham<br />
Hill Road, Ashford,<br />
Middlesex TW15 2BU<br />
Tel: 01784 246399 (eve)<br />
RAILWAY PHOTOGRAPHS, POST-<br />
CARDS, EPHEMERA, books and<br />
relics required. N.J. Bridger, The<br />
Warren, Curridge, Newbury, Berkshire<br />
RG18 9DN. Tel: 01635 200507.<br />
(T).<br />
LITERATURE<br />
QUANTITY OF PPM back numbers<br />
early 1990s available. Contact Peter<br />
on 0208-300-3705.<br />
CARTES POSTALES ET COLLEC-<br />
TION, the French magazine for<br />
postcard collectors, costs £5.30 inc<br />
postage. CARD TIMES is the regular<br />
monthly magazine for cigarette<br />
card collectors. Current issue and<br />
back numbers £3.05 each (inc.<br />
postage). Reflections, 15 Debdale<br />
Lane, Keyworth, Nottingham<br />
NG12 5HT.<br />
PICTURE POSTCARD ANNUAL<br />
2010 is now available at £4.75 plus<br />
postage, with an up to date directory<br />
of dealers, fair organisers,<br />
auctions etc plus lots of features<br />
and articles, and a list of important<br />
2010 postcard fairs. On sale from<br />
your favourite dealer or direct from<br />
the publishers at 15 Debdale Lane,<br />
Keyworth, Nottingham NG12 5HT<br />
(postage £1 UK, £3 Europe, £5.50<br />
rest of world)<br />
Got a point of<br />
view or something<br />
to say? Write to<br />
PPM<br />
Postbag!<br />
54 <strong>Picture</strong> <strong>Postcard</strong> Monthly December 2009<br />
POSTCARDS<br />
FOR SALE<br />
12,000 UK POSTCARDS<br />
for sale as one lot, unsorted.<br />
They are part of a large<br />
collection of cards accumulated<br />
over 38 years by rare bookseller<br />
Anah Dunsheath in Auckland.<br />
If any dealer has connections<br />
with New Zealand, maybe<br />
visiting for holiday, please get in<br />
touch to view.<br />
ALSO for sale in lots.<br />
4600 EUROPEAN POSTCARDS<br />
1500 USA 500 SOUTH AFRICAN<br />
anah@xtra.co.nz<br />
Tel. ++64 21 934 016<br />
or P.O. Box 4181, Auckland 1140<br />
New Zealand<br />
LISTS. Topographical - England,<br />
Ireland, Wales, Channel Islands.<br />
Detailed lists including condition.<br />
Please state interests and send<br />
SAE. Ken Simson, 14 Old Farm<br />
Road East, Sidcup, DA15 8AE.<br />
barandshe@clara.co.uk BARRY<br />
WRIGHT - part exchange vintage<br />
postcards & coins. www.barandshe.clara.net<br />
EBAY SELLER:<br />
GLOBALHISTORY<br />
BARGAIN BUNDLES! 20 postcards<br />
for £7 inc. post; A-Z of Counties,<br />
Foreign, Subject & Moderns available.<br />
Send SAE for sales list. Tom<br />
Carr, 8 Church Road, Thorrington,<br />
Essex CO7 8HH. Tel. 01206 250881.<br />
20 GENUINE OLD DONALD<br />
McGILL POSTCARDS £15 inc. post;<br />
also Bamforths, Pedro, Mike, Xerxes,<br />
Trow, Flip, Wilkins and many<br />
other saucy Sixties postcards 50p<br />
each. Eric Kent, 8 The Croft,<br />
Flitwick, Bedfordshire MK45 1DL.<br />
Tel. 01525-752222.<br />
VINTAGE POSTCARDS FOR<br />
SALE<br />
Visit my online shop at<br />
http://alfapostcards.com<br />
1000’s still to list<br />
Colin Williams<br />
31 Rivington Drive<br />
Burscough, Lancashire L40 7RN<br />
01704-895056<br />
FAIRS<br />
NOTTINGHAM <strong>Postcard</strong>, Cigarette<br />
Card & Ephemera Fair at Harvey<br />
Hadden Sports Centre, Wigman<br />
Road, Bilborough, Nottingham.<br />
Sunday 7th February 2010 from<br />
10am to 5pm. 50+ postcard dealers<br />
including moderns <strong>special</strong>ists.<br />
<strong>Postcard</strong> display competition..<br />
Admission £1 (to ‘Children in<br />
Need’. Contact Reflections on 0115<br />
937 4079 or see our website<br />
www.postcardcollecting.co.uk for<br />
more details and locator map.<br />
Try aa PPPM Classified!<br />
WEB SITES<br />
barrywright@clara.co.uk BARRY<br />
WRIGHT - part exchange vintage<br />
postcards & coins.<br />
www.barandshe.clara.net<br />
PAT HOLTON (PH TOPICS). Give<br />
Moderns a Go!<br />
www.phtopics.clara.net<br />
FOR A SELECTION of quality topographical<br />
and photographic postcards<br />
visit<br />
www.footstepspostcards.co.uk<br />
barrywright@clara.co.uk BARRY<br />
WRIGHT - part exchange postcards,<br />
covers, postal history - sent<br />
on approval.<br />
www.barandshe.clara.net<br />
*Oldpostcards.com*<br />
All Topics - take<br />
advantage of weak US<br />
Dollar, Buy<br />
Oldpostcards.com<br />
Email: alan@oldpostcards.com<br />
Accept: Credit Cards, Paypal,<br />
Western Union<br />
POSTCARDENMARK<br />
Vintage Quality <strong>Postcard</strong>s<br />
www.delcampe.net/stores/postcardenmark<br />
PIPWICK’S CHURCH POSTCARD<br />
SHOP now on ebay.co.uk with over<br />
40,000 church postcards also available<br />
directly from Pip Barker. Send<br />
wants list to: g992barker@btinternet.com<br />
or phone 07778-560241.<br />
www.internetpostcards.co.uk<br />
UK topographical sales, approvals,<br />
wanted lists. Auction lots bought.<br />
Website updated weekly.<br />
www.postcardworld.co.uk<br />
Visit <strong>Postcard</strong> World for many surprises.<br />
We have thousands of vintage<br />
subject and UK topographical<br />
cards on offer here on our site. All<br />
of our cards are illustrated for your<br />
interest and information and we<br />
trust that this will add to your<br />
enjoyment of <strong>Postcard</strong> World.<br />
Please browse around and hopefully<br />
you will find something of<br />
interest. Our website is updated<br />
weekly so bookmark us and visit<br />
regularly<br />
Deryk and Brenda Whitfield<br />
5 Gipsy Close<br />
Balsall Common, West Midlands<br />
CV7 7FU<br />
www.postcardworld.co.uk<br />
DALKEITH POSTCARDS for Railway<br />
and Shipping see:www.dalkeithpostcards.co.uk<br />
M.E.P. POSTCARDS. www.meppostcards.co.uk.<br />
Modern <strong>special</strong>ists.<br />
www.ukpostcards.com<br />
POSTCARDENMARK. Vintage<br />
quality postcards.<br />
www.stores.ebay.co.uk/postcardenmark<br />
Scotland starts November<br />
www.<strong>Postcard</strong>s-for-Sale.com<br />
8,500 images of Great Britain<br />
with details and prices.<br />
Art cards listed by number<br />
Sylvia/John Jones<br />
On-line daily for queries<br />
www.grbcollectables.com<br />
www.carlton-antiques.com<br />
www.peterspostcards.co.uk for<br />
interesting and unusual old paper<br />
collectables.
SHOPS<br />
PAGE POSTCARDS<br />
at HUNGERFORD ARCADE<br />
Only 5 minutes from the M4<br />
(Junction 14)<br />
A constantly of UK,<br />
Foreign and Subject<br />
postcards - also some stamps,<br />
postal history and ephemera.<br />
20% ddiscount oon<br />
purchases oover ££50<br />
HUNGERFORD ARCADE<br />
(Unit 7) 26 HIGH STREET<br />
HUNGERFORD<br />
BERKSHIRE RG17 0NF<br />
Opening TTimes:<br />
Monday to Friday - 9.15 to 5.30<br />
Saturday - 9.15 till 6.00<br />
Sunday - 11.00 till 5.00<br />
Sunny EASTBOURNE<br />
has a Collectors’ Shop,<br />
trading in a wide range<br />
of collectables.<br />
Over 40,000<br />
OLD POSTCARDS<br />
always in stock. Also stamps,<br />
coins & medals, cigarette cards,<br />
toys, silver, ephemera<br />
SORRY NO APPROVALS<br />
Open Tues and Sat 10 - 5<br />
Other times by appointment<br />
“FRANCOIS”<br />
26 South Street,<br />
Eastbourne, Sussex<br />
Tel: (01323) 644464<br />
(Home) 01323-646694 after 6 pm<br />
POSTCARDS<br />
CIGARETTE CARDS<br />
BOOKS PRINTS<br />
STAMPS ACCESSORIES<br />
GRAHAM LEADLEY<br />
LITTLE PERFORATIONS<br />
59 HIGH ROAD<br />
WORMLEY, HERTS EN10 6JJ<br />
01992-467631<br />
Over 35 years at this address<br />
OPEN WEEKENDS<br />
Please ring first if travelling any<br />
distance<br />
AUTOGRAPHS<br />
ILLUSTRATED BI-MONTHLY<br />
AUTOGRAPH SALES LIST issued<br />
in aid of Children in Hunger. Send<br />
SAE for a copy to L. Marchant, 40<br />
Cornard Road, Sudbury, Suffolk<br />
CO10 2XA.<br />
WEB SITES<br />
SHOPS APPROVALS<br />
COLLECTABLES YARD. Books,<br />
ephemera, photos, prints, postcards<br />
on all subjects plus bric-abrac.<br />
De Silva, 2B Stockport Road,<br />
Cheadle SK8 2AA. Tel. 0161-<br />
4832086 or 07950-547243.<br />
Pc<strong>Postcard</strong>s<br />
We have now re-located<br />
Our premises are now at the<br />
side of The Foley Hotel<br />
CARLTON ANTIQUES<br />
R/O 12 Worcester Road,<br />
Foley Bank, MALVERN,<br />
Worcestershire WR14 4QU<br />
(open weekends and afternoons)<br />
Parking at rear on weekends<br />
only (Tel: 01684 573092)<br />
Cig ccards, BBooks, CChina,<br />
Dinky TToys eetc<br />
Over 5000 cards on our Website<br />
www.Pcpostcards.co.uk<br />
We <strong>special</strong>ise in Web Site Sales:<br />
Site updated every week<br />
Overseas Customers E<strong>special</strong>ly<br />
Welcome<br />
(Ebay Trader - Pc<strong>Postcard</strong>s)<br />
FOSTERS OF FILEY<br />
When visiting the East Coast<br />
please call in for:- <strong>Postcard</strong>s,<br />
Stamps, Postal History, FDC’s<br />
and small collectables<br />
28 BELLE VUE STREET,<br />
FILEY, NORTH<br />
YORKSHIRE YO14 9HY<br />
01723 514433<br />
Open Mon, Tues, Fri, Sat<br />
WARWICK ANTIQUE<br />
CENTRE<br />
22 HIGH ST.,<br />
WARWICK CV34 4AP<br />
Comprehensive range of<br />
25,000 + postcards<br />
Good stocks of Coins, Banknotes,<br />
Cigarette Cards, FDCs,<br />
accessories, including postcard<br />
cases etc<br />
Buy, sell, exchange<br />
Mon-Sat 10am-5pm<br />
01926 491382<br />
ORIGINAL<br />
ARTWORK<br />
WANTED: ORIGINAL COMIC<br />
POSTCARD ARTWORK by the likes<br />
of Pedro, Taylor, Fitzpatrick &<br />
McGill etc. Top prices paid by private<br />
collector. Call David on 01903<br />
234432 or 07961 795333.<br />
Don’t miss out on a single<br />
copy of PPM - take<br />
out a subscription or<br />
place a regular order<br />
with your supplier<br />
PLEASE MENTION<br />
PICTURE POSTCARD<br />
MONTHLY WHEN<br />
REPLYING TO<br />
ADVERTISERS<br />
Looking for vintage old postcards?<br />
Please visit our online shop<br />
www.hoogeduinpostcards.com<br />
Jac. Verloop, Schoolstraat 1, 2202 HC Noordwijk,<br />
The Netherlands<br />
Tel: +31 71 3617568<br />
barrywright@clara.co.uk BARRY<br />
WRIGHT - part exchange postcards,<br />
covers, postal history - sent<br />
on approval.<br />
www.barandshe.clara.net<br />
NEW APPROVAL SERVICE. All categories<br />
and subjects. <strong>Postcard</strong>s,<br />
photos and prints, books and<br />
ephemera. Wants list to Collectables<br />
Yard, Rear of 2B Stockport<br />
Road, Cheadle SK8 2AA. Tel. 0161-<br />
483-2086 or 07950-547243<br />
(evenings).<br />
APPROVALS SERVICE for<br />
� ALL SUBJECTS FROM<br />
ACTRESSES TO ZOOs<br />
� UK TOPO, including topo art.<br />
NO MODERNS. NO FOREIGN.<br />
Send your wants list to<br />
Mike Pearl<br />
10 Peter’s Close<br />
Prestbury<br />
Macclesfield SK10 4JQ<br />
EPHEMERA<br />
POSTCARDS,<br />
EPHEMERA, BOOKS<br />
Send for latest free catalogue<br />
which includes a large section<br />
of British topographical<br />
postcards or see web site<br />
www.paperbygones.co.uk<br />
PAPER BYGONES<br />
PO BOX 4443,<br />
BOURNEMOUTH BH5 1ZX<br />
Tel: 01202 302842<br />
AUCTIONS<br />
FOR THE DALKEITH AUCTIONS<br />
CATALOGUE please go to<br />
www.dalkeithcatalogue.com. If<br />
you are not on the net and would<br />
like a copy of our monthly auction<br />
catalogue phone 01202 292905.<br />
LODDON AUCTIONS. Long established<br />
May and Nov/Dec auctions,<br />
regularly with 600+ lots comprising<br />
a wide range of printed material.<br />
Catalogues £3 by post. Entries<br />
invited. Enquiries to G. Arkell, 39<br />
Falmouth Road, Reading, Berks<br />
RG2 8QR. Tel: 0118 9611915<br />
(evenings).<br />
MODERNS<br />
WANTED<br />
TEDS? MODS? ROCKERS? Skinheads?<br />
Prints? Negatives? Mr. Hartnett,<br />
Brewery, 19 Brow Road,<br />
Haworth BD22 8LD.<br />
MODERNS<br />
FOR SALE<br />
MINT STANDARD SIZE from<br />
1960s/70s: Tom Browne Nurses<br />
reprints, Medici (Children, Artists,<br />
Salmon, Rural), Maps etc. SAE for<br />
list. Ruthven 01708-760049.<br />
M.E.P. POSTCARDS<br />
(Moderns)<br />
John & Margaret Pearsall<br />
Most Subjects Stocked - Lists<br />
Available<br />
Free Monthly Stock Additions List<br />
Fairs Attended - Refer to Website<br />
or Contact Direct<br />
34, Franche Road, Wolverley,<br />
Kidderminster, Worcs DY11 5TP<br />
Tel: (01562) 850915<br />
E-mail: mail@mep-postcards.co.uk<br />
Website: www.mep-postcards.co.uk<br />
POSTMARKS<br />
POSTMARKS<br />
WANTED<br />
Stamp, <strong>Postcard</strong> & Postal History<br />
Dealers urgently require English,<br />
Welsh, Scots postmarks on cards/<br />
envelopes for re-sale to collectors.<br />
Must be clear impressions:<br />
Squared Circles, Duplexes,<br />
R.S.O.’s e<strong>special</strong>ly wanted.<br />
Highest prices paid, send for our offer.<br />
BAY STAMPS<br />
Nigel Davidson<br />
Freepost, Rogart,<br />
Sutherland IV28 3BR<br />
Tel. 01408-641747<br />
Contributors aand aadvertisers<br />
aare aadvised tthat tthe<br />
January 22010 eedition oof<br />
PICTURE PPOSTCARD<br />
MONTHLY wwill bbe ppublished<br />
oon DDecember 220th.<br />
Deadline ffor ccopy iis<br />
December 110th.<br />
HOSPISCARE CHARITY (reg no. 297798)<br />
This month’s sale of bargain packs of modern<br />
cards include<br />
(1) Pack of 50 UK/IRELAND MAPS (all different) @ £5.00<br />
(2) Pack of 50 MALDIVES (mixed used/unused) @ £7.50<br />
(3) Pack of 50 DISNEY (faces and places, all different) @ £5.00<br />
(4) Pack of 50 (ART UNLIMITED) unused, all different, new from<br />
Holland @ £5.00<br />
(5) Pack of 100 SHROPSHIRE @ £5.00<br />
(6) Pack of 100 FRITH old and new @ £5.00<br />
(7) Pack of 500 WILTSHIRE (heavy in tourist areas) @ £7.50<br />
(8) Pack of 500 NORFOLK (GOLDEN AGE SIZE) @ £20.00<br />
(9) Pack of 100 NEW ZEALAND (mixed used/unused) @ £5.00<br />
(10) Pack of 100 HORSES @ £7.50<br />
(11) Pack of 500 U.S.A. (golden age size) @ £10.00<br />
(12) Pack of 100 BOOMERANG (all different), (many out of print)<br />
@ £1.00<br />
(13) Pack of 100 FOREIGN FREECARDS (all different) @ £1.00<br />
(14) FULL SALES LIST FREE OF CHARGE<br />
(15) UNWANTED/UNLOVED (1-1000) no charge except for<br />
postage<br />
Invoices will be sent with orders and postage/packing<br />
added. Order from Alan Nethercott at P.O.Box 268, EXETER<br />
EX2 9ZS or telephone/telex 07800 841 816 or email nethercott.postcards@totalise.co.uk.<br />
Single cards available on<br />
approval. Please ask for details.<br />
<strong>Picture</strong> <strong>Postcard</strong> Monthly December 2009 55
In essence this<br />
is a tourist’s<br />
view of Wales,<br />
which after all is<br />
part of what picture<br />
postcards<br />
have always<br />
been about. The<br />
author begins<br />
with pageants<br />
and patriotism,<br />
showing Welsh<br />
wizard Lloyd<br />
George before<br />
moving on to<br />
Welsh women<br />
in national costume<br />
and a gen-<br />
erous 19 pages of comic<br />
postcards. Then we travel to<br />
the various parts of Wales<br />
and a succession of touristy<br />
postcards. In truth, the<br />
selection is fairly predictable,<br />
with few examples<br />
of what postcard collectors<br />
call ‘gems’, but then these<br />
are not the cards the general<br />
public might empathise<br />
with or buy a book of. To<br />
the bookshop browser, a<br />
card of Llandudno’s Great<br />
Orme and Happy Valley<br />
would strike a more familiar<br />
chord than a real photographic<br />
animated back<br />
street of downtown Rhyl.<br />
There are postcards of<br />
South Wales industry, but<br />
that is part of outsiders’<br />
perceptions of early 20th<br />
century Wales. Having said<br />
that, it would have been<br />
nice to have found a bit<br />
more information about the<br />
card publishers or artists in<br />
the captions (my pet gripe!).<br />
In all, a pleasant tour of<br />
Wales - but hang on - there<br />
are no cards of rugby or<br />
singing? What’s going on? -<br />
B.L.<br />
* ISBN 978 1 84868 303 7. 96pp.<br />
£12.99. Amberley Publishing,<br />
Cirencester Road, Stroud, Glos<br />
GL6 8PE.<br />
Military photographs and<br />
� Books � how to date them (Neil OBITUARY<br />
Wales in the Golden Age of <strong>Picture</strong> <strong>Postcard</strong>s (David<br />
Gwynn) sounds a pretty daunting challenge. How to<br />
cover a large country in one 96-page volume and<br />
under 200 postcards? Nevertheless, in this recentlypublished<br />
book from Amberley Publishing, David<br />
has a good stab at putting across Welshness through<br />
the medium of postcards, all in full colour or sepia.<br />
His aim, he says in the introduction, is to “examine<br />
the range of postcards that were sold in Wales in the<br />
early years of the 20th century”.<br />
The NORTH WALES club<br />
enormously enjoyed a talk<br />
from auctioneer David<br />
Rogers-Jones. He focused<br />
on social history and<br />
notable bills (like the 1946<br />
bill for a week’s treatment<br />
and maintenance at Bangor<br />
Hospital, £6-7s-3d) and<br />
confessed himself a ‘nos-<br />
Welshness: the lady and the bridge on<br />
card ref. 31 published by ETW Dennis of<br />
Scarborough. The artist was Warren<br />
Williams<br />
Clubscene extra<br />
NORTH-WEST KENT<br />
enjoyed a talk and<br />
slideshow by Tony Farnham<br />
on ‘The Romance of London’s<br />
River’. He featured<br />
barges, people and places<br />
on the Thames starting<br />
from Shoeburyness and<br />
ending at Sonning. Tony<br />
worked on the sailing<br />
barges when he was a<br />
young man and so has firsthand<br />
knowledge of life for<br />
those working the barges.<br />
CANTERBURY & EAST<br />
KENT’s AGM was an upbeat<br />
affair, with chairman Roger<br />
Stone in optimistic mood,<br />
and all officers returned for<br />
another year. Then guest<br />
speaker Douglas Chapman<br />
gave the club an insight into<br />
lesser-known aspects of<br />
Canterbury Cathedral.<br />
These included the curious<br />
story of murdered Archbishop<br />
Thomas Becket’s<br />
remains.<br />
� Tim Ward of Put The<br />
Clock back postcard fame<br />
launched his latest book at<br />
both Ross-on-Wye and<br />
Presteigne last month. Entitled<br />
Roses around the door?<br />
the book looks at rural<br />
images of Herefordshire<br />
from 1830-1930. Naturally,<br />
postcard images loom large<br />
- of harvesting and hoppicking,<br />
cidermaking and<br />
cattle breeding, blacksmiths,<br />
beekeepers and<br />
basket-makers. Tim has<br />
done painstaking research<br />
to unearth the stories<br />
behind the pictures and also<br />
charts the history of the<br />
agricultural unions.<br />
56 <strong>Picture</strong> <strong>Postcard</strong> Monthly December 2009<br />
Storey) is published by<br />
Countryside Books. So<br />
many postcard collectors<br />
look for military cards,<br />
either as a regimental or<br />
war interest, or as part of<br />
family history research,<br />
but find that many photos<br />
of groups or individuals<br />
are uncaptioned or<br />
unidentified. At last a book<br />
has come along that could<br />
save them time and trouble<br />
in unearthing the origins<br />
of some of those frustratingly<br />
anonymous postcards.<br />
The author, a Military<br />
and Social Historian<br />
of 25 years’ experience,<br />
offers advice on how to<br />
identify military uniforms,<br />
ranks, badges, insignia,<br />
medals and equipment,<br />
and because he specifically<br />
covers the period 1870-<br />
1940, the information is<br />
particularly relevant to the<br />
postcard scene. A wealth<br />
of photos, many taken<br />
from postcards, guides<br />
the reader through the<br />
complexities of soldierspotting,<br />
with big sections<br />
on the Edwardian era and<br />
the First World War. Many<br />
are naturally from studio<br />
or army camp photographers,<br />
and fortunately the<br />
participants in these situations<br />
normally showed off<br />
their uniforms proudly<br />
and prominently, to make<br />
identification easier. Neil<br />
Storey’s detailed text<br />
explains the nuances of<br />
dress and insignia in this<br />
very useful publication. -<br />
B.L.<br />
* ISBN 978 1 84674 152 4.<br />
192pp softback, £12.99. Countryside<br />
Books, Highfield<br />
House, 2 Highfield Avenue,<br />
Newbury, Berkshire RG14<br />
5DS.<br />
Special rreader ooffer:<br />
Countryside Books, the publishers,<br />
are offering copies<br />
of MILITARY PHO-<br />
TOGRAPHS & HOW TO<br />
DATE THEM to <strong>Picture</strong> <strong>Postcard</strong><br />
Monthly readers at a<br />
<strong>special</strong> price of £10.99 - £2<br />
off the cover price of £12.99<br />
- inclusive of postage and<br />
packing.<br />
If you would like a<br />
copy, please print your<br />
name, address and the title<br />
of the book you want clearly<br />
on a sheet of paper and<br />
send it with a cheque<br />
(payable to Countryside<br />
Books) to <strong>Picture</strong> <strong>Postcard</strong><br />
Monthly Offer, Countryside<br />
Books, 2 Highfield Avenue,<br />
Newbury, Berkshire RG14<br />
5DS. Tel: Newbury (01635)<br />
43816 - e-mail address:<br />
info@countrysidebooks.co.<br />
uk<br />
tagia nutter’. Right: investigating the military<br />
with Neil Storey<br />
Ron Linsdell, long-standing<br />
supporter of<br />
Northamptonshire <strong>Postcard</strong><br />
Club and a former<br />
mayor of the town, has<br />
died at the age of 80. He<br />
was a councillor for 25<br />
years. Ron worked for a<br />
postcard printing and publishing<br />
firm in Northampton,<br />
and collected postcards<br />
of the town and<br />
county, along with many<br />
other interesting subjects.<br />
John signs off<br />
John Gent, speaker at<br />
CROYDON <strong>Postcard</strong> Club<br />
last month, told his audience<br />
that he had been giving<br />
talks on local history<br />
and postcard-related subjects<br />
for over 50 years! This<br />
was to be, however, his<br />
final presentation. He<br />
showed over 200 social history<br />
postcards from his<br />
10,000-strong local collection,<br />
including fires and fire<br />
brigades, railways and railway<br />
accidents, buses,<br />
trams, motor and steam<br />
vehicles, portraits, adverts,<br />
comic cards, pubs, cafes,<br />
hotels, military parades,<br />
brass bands, sports groups<br />
and suffragette meetings.<br />
There were also several<br />
cards of Croydon Lifeboat<br />
Day Carnival in 1908 which<br />
attracted thousands of<br />
spectators and included<br />
lifeboats from Eastbourne<br />
and Southend. It was not<br />
clear what would have happened<br />
in either of these two<br />
towns had there been an<br />
emergency at sea!<br />
* A profile of John Gent’s<br />
amazing postcard life<br />
appeared in PPM in April<br />
2006.<br />
�� Nottingham <strong>Postcard</strong><br />
Club member John Atherton<br />
won the Gerry Weston<br />
Cup at the annual Military<br />
Historical Society Exhibition<br />
in Farnham with a display of<br />
Royal Marine badges.
<strong>Picture</strong> <strong>Postcard</strong><br />
� Puzzles �<br />
Another selection of puzzles for you to identify, all on<br />
picture postcards sent in by readers. If you know the<br />
location, tell us (write, fax, email or phone) and give<br />
yourself the chance of a prize. First authentic identification<br />
of each puzzle wins you a choice of: pack of modern<br />
social history cards, a free classified ad in PPM<br />
(max. 25 words), a Reflections pen, one of the Yesterday’s<br />
series of books based on old postcards, or a set of<br />
Reflections <strong>Postcard</strong> Centenary cards (state which<br />
you’d like when writing).<br />
If you have a postcard (or cards) you’d like identified,<br />
send in, enclosing two first-class or three secondclass<br />
stamps per card submitted (for administration<br />
costs). List any identifiable clues on a separate piece of<br />
paper, and write your name in pencil on the back of the<br />
postcard. Email scans/photocopies not accepted.<br />
Address for all correspondence: PPM, 15 Debdale Lane,<br />
Keyworth, Nottingham NG12 5HT.<br />
368/1 Does anyone recognise this street scene of terraced<br />
houses, with a tram wending its way downhill? (Mark<br />
Bown collection)<br />
November<br />
results<br />
Brian Lowther<br />
identified 367/1 as<br />
a hotel just outside<br />
Conwy in<br />
North Wales,<br />
close to the Sychnant<br />
pass. The<br />
Oakwood Park<br />
Hotel (right) was<br />
built in the 1930s and used as a school during World<br />
war Two (Brian was there!). It is now a complex of<br />
country residences. Chris Jackson was first to place<br />
367/3 as Beoley, near Redditch, while Terry Blud located<br />
367/4 as Hadley, Shropshire. The area is now part of<br />
Telford New Town and the pub on the postcard demolished<br />
in 1961. Peter Kennedy reckoned 367/7 was Bearwood,<br />
Birmingham, while 367/8 was recognised by<br />
Nigel Bown as Birchington-on-Sea. The arch on 367/15<br />
was erected in Sheffield for the Royal visit of 12 July<br />
1905 (King Edward VII and Queen Alexandra), Mark Bailey<br />
told us. Finally, Gerald Lamont was quickest to spot<br />
367/19 as Fakenham, looking down Bridge Street from<br />
the Market Place. Still plenty to identify from last month<br />
- have another look!<br />
From October, Alf Carney placed 366/20 as the<br />
Cerebos Salt Factory at Greatham, near Hartlepool - it<br />
produced Cerebos and Saxo salt as well as Bisto gravy.<br />
Contributors aand aadvertisers aare aadvised tthat tthe<br />
January 22010 eedition oof PPICTURE PPOSTCARD<br />
MONTHLY wwill bbe ppublished oon DDecember 220th.<br />
Deadline ffor ccopy iis DDecember 110th.<br />
368/2 This postcard features a service by a war memorial<br />
in a churchyard. Where? (Nigel Bown collection)<br />
368/3 The banner on top of the high-flying decoration<br />
appears to read ‘Mission Bridge...’ .The cobbled street is<br />
on a steep hill, too (Colin McLean collection)<br />
368/4 (above) This<br />
postcard of Jacques’<br />
Family Hotel was published<br />
in Reed’s Pictorial<br />
series. Can someone<br />
give us the location?<br />
(Peter Snartt<br />
collection)<br />
368/5 (left) A Singer<br />
sewing shop is on<br />
the corner of this<br />
distinctively-architectured<br />
street in<br />
the 1930s, with the<br />
shops of Leo and<br />
A. Butler & Co. to<br />
its left (Doug Forton<br />
collection)<br />
<strong>Picture</strong> <strong>Postcard</strong> Monthly December 2009 57
368/6 Traction engine action on this card of Newbiggin<br />
Rectory. Which of many Newbiggins is this? (Mick Liversedge<br />
collection)<br />
368/7 Gloverson’s Ales were on offer at the “Park Hotel”.<br />
Where? (Barrie Rollinson collection)<br />
368/8 Can anyone identify this attractive village scene,<br />
complete with pond? (John Chesworth collection)<br />
368/9 There are lots of<br />
Whitchurches, too, so we need to know which one<br />
this is. The card was posted at Kilburn in June 1914 (D.<br />
Sandland collection)<br />
58 <strong>Picture</strong> <strong>Postcard</strong> Monthly December 2009<br />
368/10 Here’s an attractive rural panormaic topographical,<br />
with clues in the church tower and the distinctive range of<br />
hills in the background (Verna Palmer collection)<br />
368/11<br />
St. Lawrence Schools, Cowley<br />
- clear enough, but many Cowleys exist. Which is this?<br />
(Julian Dunn collection)<br />
368/12 (above) The<br />
Rev. S. Whitehead<br />
was the minister at<br />
this new Wesleyan<br />
Chapel somewhere<br />
(Tom Norgate collection)<br />
368/13 (left) Worth<br />
& Son ran a<br />
music shop and<br />
cafe - and the<br />
shop next door<br />
sold postcards<br />
and fancy goods<br />
(Andrew Swift<br />
collection)
<strong>Picture</strong> <strong>Postcard</strong><br />
� Puzzles �<br />
368/16<br />
Does this street scene ring a<br />
bell with anyone?(Gerald Wright collection)<br />
368/14 The “Lion Hotel”<br />
stood behind this<br />
impressive war memorial.<br />
Where?(Len Whittaker<br />
collection)<br />
368/15<br />
(below)<br />
Where was<br />
Moxon’s<br />
milliners’<br />
shop at no.<br />
130?(Derek<br />
Hurst collection)<br />
368/17 Peace celebrations at Milton in July 1919 outside<br />
the “.... Arms” pub which sold Young’s Noted Ales (Brian<br />
Clutterbuck collection)<br />
Children in Need <strong>Postcard</strong>s<br />
All proceeds to BBC Children in Need appeal<br />
1990 Pudsey Bear & Friends (Rosalind Wicks) out of stock<br />
1992 Not all kids have a colourful life (Frank Burridge)40p<br />
1993 Maybe Robin Hood can fix me up (John Green) 40p<br />
1993 Poverty St (John Green) o/s<br />
1993 Teddy Bears & Money Boxes no. 2 (R. Wicks) o/s<br />
1996 ...and these little piggies (Michael O’Brien) 40p<br />
1996 Pudsey & Building Blocks (Boomerang) o/s<br />
1997 Girl & Pudsey Bear (Brian Partidge) 40p<br />
1998 Wishing you the best of health (Rosalind Wicks) o/s<br />
1999 Join in the fun (BBC) o/s<br />
1999 To make a donation please call (BBC) o/s<br />
1999 Remember remember (BBC) o/s<br />
1999 Pudsey Bear and building blocks (BBC) o/s<br />
2000 Girl, Teddy Bear & Doll (Brian Partridge) 40p<br />
2000 Boy & Football (Thought Factory) 40p<br />
2001 Teddy Bears & Money Boxes no.<br />
20 (R. Wicks) o/s<br />
2002 Art Class (Rupert Besley)<br />
50p (signed copies £1.50)<br />
2003 Offence to impersonate (Terry<br />
Irvine) 50p<br />
2004 Posting my donation (Rosalind<br />
Wicks) 50p<br />
2006 Children in New Brighton (Martin<br />
Parr) (2) 50p each<br />
2007 Whose bright idea? (Terry Irvine)<br />
50p<br />
2009 Pudsey in Wonderland (Brian<br />
Partridge) 50p<br />
(signed copies £1.50)<br />
Order from: Reflections of a Bygone<br />
Age, 15 Debdale Lane,<br />
Keyworth, Nottingham NG12 5HT<br />
Please mmake ccheques ppayable tto:<br />
Reflections ‘‘Children iin NNeed’<br />
Appeal<br />
<strong>Picture</strong> <strong>Postcard</strong> Monthly December 2009 59
National Motorcycle Museum Solihull B92 0EJ<br />
POSTCARDS & CIGARETTE CARDS<br />
Sunday 6th December<br />
Hello Playmates, Here We Are Again......<br />
10am the curtain rises - your cast list is as follows<br />
Peter’s <strong>Postcard</strong>s<br />
Simon Smith<br />
Rosalie <strong>Postcard</strong>s<br />
Mike Tarrant<br />
<strong>Picture</strong> <strong>Postcard</strong> Co.<br />
Barry Davis<br />
John Ashford<br />
R.F. <strong>Postcard</strong>s<br />
Terry Powell<br />
Maxam Cards<br />
Birmingham<br />
Stamp<br />
Auctions<br />
David Benson<br />
David Calvert<br />
Rob Roy<br />
(accessories)<br />
David Walker<br />
Mary Wheeler<br />
Reflections of a<br />
Bygone Age<br />
Melanie<br />
Mordsley<br />
Mike Pearl<br />
Derek Garvey<br />
John Priestley (autographs)<br />
Mike Heard*<br />
Julian Dunn<br />
Ted Gerry<br />
Christine Booth<br />
Derek Warry<br />
A.M.P. Fairs<br />
Geoff McMillan*<br />
Vicki Greenwood<br />
Jack Stasiak<br />
Geoff Ellis<br />
Tracy Powell<br />
Blue Bridge <strong>Postcard</strong>s<br />
Mike Cremin<br />
Paul Willmott<br />
Peter Robards<br />
Gordon Collier<br />
Mark Bown<br />
Andrew Reid<br />
Greg Pos<br />
Pat Morriss<br />
Final curtain 5pm<br />
Full ccatering, llarge ccar ppark<br />
Admission ££1.50<br />
Peter & Simon look<br />
forward to<br />
seeing you all<br />
Mike Huddy (moderns)<br />
Simon Rapstoff<br />
Peter Lincoln<br />
Elm <strong>Postcard</strong>s<br />
Ron Holmes<br />
Ray Jones<br />
Andrew George<br />
Mike Cant<br />
Neil Parkhouse<br />
Andrew Swift<br />
David Seddon<br />
Richard Flavell<br />
Ian & Lynne Hurst<br />
Derek & Jean Garrod<br />
John Ryan<br />
David Lapworth<br />
Jim Jackson (postcards &<br />
cigarette cards)<br />
Andrew Dally<br />
Ephemera Warehouse<br />
Bill Kirkland<br />
Phil Vass<br />
Keith Irwin<br />
Chris Vaughan-Jones<br />
Chris Bates<br />
Ann Gray<br />
Mike & Sharon Bennett<br />
Mike Clark<br />
G & C Cards<br />
George Nairn<br />
* Cigarette cards<br />
Next yyear’s ddates aat tthis vvenue:<br />
Sunday 11th July<br />
Sunday 5th December<br />
DETAILS<br />
SIMON COLLYER<br />
01283-820151 mobile 07966-565151<br />
PETER ROBARDS<br />
01588-640474