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The ttop mmagazine ffor<br />

collectors oof oold aand mmodern ppostcards wworldwide!<br />

December 2009 no. 368 £2.60<br />

Bowling along: the<br />

postcards<br />

<strong>Christmas</strong> <strong>special</strong>:<br />

<strong>Postcard</strong> <strong>Stockings</strong><br />

<strong>galore</strong>!<br />

Inside this month:<br />

� <strong>Postcard</strong> television<br />

� Crown Green Bowls<br />

� The Alaska Mission<br />

� Hartley’s Jam<br />

� Jacob Popp’s brush with<br />

the law<br />

and much more<br />

plus news, auctions,<br />

moderns, postbag and<br />

events diary<br />

The Television Age<br />

<strong>Picture</strong> P<strong>Postcard</strong> AAnnual 22010 oout nnow - ddon’t mmiss iit!<br />

- ppacked wwith ppostcard iinformation aand aarticles<br />

Moderns of the<br />

year<br />

Jacob fights the law


15 Debdale Lane<br />

Keyworth<br />

Nottingham NG12 5HT<br />

Tel: 00115-9937-44079<br />

Fax: 00115-9937-66197<br />

www.postcardcollecting.co.uk<br />

e-mmail: rreflections@<br />

postcardcollecting.co.uk<br />

Editorial, aadvertising aand<br />

correspondence: Brian<br />

and Mary Lund<br />

Typesetting aand oorigination:<br />

Helen Bradshaw and<br />

Brian Lund<br />

Printing: Warners<br />

Midlands plc, Bourne, Lincolnshire<br />

(01778-391000)<br />

SUBSCRIPTIONS FOR 12<br />

ISSUES (including postage)<br />

U.K. £33<br />

Europe (airmail) £40<br />

Rest of world airmail £51<br />

Rest of world surface £38<br />

ADVERTISEMENT RATES<br />

Page £175<br />

Half-page £99<br />

Quarter-page £61<br />

Eighth-page £39<br />

Sixteenth-page £22<br />

V.A.T. at 15% should be added to<br />

the above rates<br />

Spot colour: 20% extra<br />

Inside covers: 20% extra<br />

Full colour rates: 50% extra<br />

Semi-ddisplay:-<br />

3 single col.cms £7.50<br />

each extra col.cm £1.75<br />

Classified llineage:<br />

1-3 insertions 16p per word<br />

4 + insertions 13p per word<br />

Semi-display £7.50 per 3cm<br />

box<br />

<strong>Picture</strong> ad (modern cards only)<br />

b/w £9.50 col. £15<br />

VAT is included in the classified<br />

rates. This is not applicable to<br />

advertisers outside Europe.<br />

ISSN 0144-8137<br />

Views expressed by<br />

contributors are not<br />

necessarily those of the<br />

editor and publisher.<br />

We check all advertisements,<br />

but cannot be<br />

responsible for changes of<br />

dates, failure of individuals<br />

to answer letters, etc.<br />

We shall of course be<br />

pleased to follow up any<br />

problems readers may<br />

experience.<br />

Readers writing to PPM for<br />

information<br />

enclose a S.A.E.<br />

should<br />

Please mmake oout ccheques<br />

to ‘‘Reflections oof aa<br />

Bygone AAge.’<br />

Front ccover ppictures:<br />

Top rright: this airline<br />

poster advert from Contour<br />

Creative of New<br />

Zealand is one of Mike and<br />

Sue Huddy’s favourite<br />

modern postcards of the<br />

past year. See page 46 for<br />

their other selections.<br />

Top lleft: <strong>Christmas</strong> means<br />

stockings, and they are the<br />

subject of Wendy Mann’s<br />

seasonal offering on page<br />

30.<br />

Centre rright: postcards<br />

featuring television make<br />

an interesting theme for<br />

Liz McKernan on page 12.<br />

Bottom lleft: John Mayhew<br />

tries his hand at Crown<br />

Green Bowls on page 24.<br />

Bottom rright: Alan<br />

Leonard investigates the<br />

strange case of Jacob<br />

Popp’s picture postcards<br />

on page 16.<br />

<strong>Postcard</strong> experiment<br />

on TV<br />

Good to see Jon Snow of<br />

Channel 4 News posting a<br />

selection of postcards on<br />

29th October to viewers<br />

who’d tweeted about the<br />

Royal Mail dispute. It was<br />

an exercise designed to<br />

test how quickly the post<br />

was getting through. We’re<br />

still trying to find out how<br />

long the cards did take to<br />

reach their destinations!<br />

Birmingham date<br />

error<br />

One or two errors crept<br />

into AMP Fairs’ advert in<br />

<strong>Picture</strong> <strong>Postcard</strong> Annual<br />

due to a crossed wires<br />

situation! Their Birmingham<br />

(National Motorcycle<br />

Museum) Fair in July<br />

2010 is on the 11th (the<br />

incorrect date also<br />

appears in the Diary);<br />

entry to the Penkridge<br />

fair is free; and free tea<br />

and coffee will not be<br />

dispensed at the Rugby<br />

fair, where entry is actually<br />

£1.<br />

Regular ccolumns<br />

Newsdesk 3<br />

Fairs/Auction Diary 6<br />

Auction notes 28<br />

Postbag 20<br />

What the postman saw<br />

38<br />

Clubscene 40<br />

Card Chat 48<br />

Early posting dates 51<br />

Freecard Gossip 52<br />

Book Review 56<br />

<strong>Picture</strong> <strong>Postcard</strong> Puzzles<br />

57<br />

2 <strong>Picture</strong> <strong>Postcard</strong> Monthly December 2009<br />

PPM FFeatures DDecember 22009<br />

Dealers and collectors - Kirsten Elliott sees life from<br />

both sides of the table 10<br />

<strong>Postcard</strong> themes: Liz McKernan settles down in<br />

front of the telly 12<br />

I fought the law - Jacob Popp used postcards in his<br />

Sunday trading battle, Alan Leonard recalls<br />

16<br />

State of the Nation - John Wood ponders some<br />

weighty postcard matters 19<br />

Promoting Hartley’s jam - Nick Hartley looks at<br />

advertising postcards 22<br />

Crown Green - John Mayhew is bowled over by his<br />

postcard collection 24<br />

Enigma variations - Rick Hogben pursues a code<br />

from New Zealand 26<br />

Who wrote all those postcards? Julia Gillen focuses<br />

on messages on the backs 27<br />

<strong>Stockings</strong> <strong>galore</strong> - Wendy Mann hangs up in hope<br />

30<br />

Famous showjumpers - Ron Severs looks at horsey<br />

postcards 36<br />

Alaska’s Igloo Mission - in the far north with Liz<br />

McKendrick 42<br />

Top Ten Moderns - Mike and Sue Huddy’s choice of<br />

the year 46<br />

<strong>Postcard</strong> fairs continue to attract big<br />

crowds<br />

Despite the fears of some people within the hobby<br />

that internet sales would affect attendances at fairs,<br />

there are signs that figures are holding up well and<br />

in some cases increasing. Pudsey and Nottingham<br />

fairs both saw big crowds in early November (Nottingham<br />

had its best attendance for four years), Haywards<br />

Heath is going well, and Stockport’s midweek<br />

event is booming under the stewardship of AMP<br />

Fairs. No fair promoter can afford to be complacent,<br />

though, and continued imaginative ideas are needed<br />

to pull in more collectors. Some big issues are<br />

surfacing in the hobby at the moment, and this<br />

month’s <strong>Picture</strong> <strong>Postcard</strong> Monthly airs many of<br />

them, possibly controversial but needing thought<br />

and discussion. Because picture postcards provide<br />

such a fascinating panoply of art and history (a<br />

theme we’ll explore next month) it is probably better-placed<br />

than many other hobbies to ride out<br />

financial problems.<br />

The question popped!<br />

Jean Thomas of Rob Roy Albums has become engaged to<br />

Cliff Davis, who is also quickly becoming a familiar face at<br />

major postcard fairs. The couple plan to marry in May next<br />

year. Rob Roy have been selling albums and accessories to<br />

postcard collectors for almost three decades, since Jean’s<br />

father Bob Hogben appeared at London Charing Cross’s<br />

Saturday market under the arches in 1981.


� Newsdesk �<br />

London theme for next year’s <strong>Picture</strong><br />

<strong>Postcard</strong> Show<br />

Organisers have decided that postcards of London<br />

will form the exhibition theme for the Show, which<br />

runs from 2nd-4th September. One highlight will be<br />

a display on Jewish Life put together by David Pearlman,<br />

former editor of <strong>Postcard</strong> CCollectors’ GGazette,<br />

which premiered at City Hall, London, a year ago.<br />

Other displays will focus on aspects of the capital,<br />

with a strong showing for the various superb ‘London<br />

Life’ postcards published during the 20th century.<br />

<strong>Postcard</strong>s in a box<br />

<strong>Postcard</strong>s are the stars of<br />

what is being billed as ‘the<br />

smallest art gallery in the<br />

world’. A group called Cultivating<br />

Settle has turned<br />

the old BT telephone box<br />

on the green of the North<br />

Yorkshire market town<br />

into a community participation<br />

project titled ‘The<br />

Gallery on the Green’. Any<br />

residents or visitors can<br />

contribute something representing<br />

their visit to Settle<br />

or their home town or<br />

village. The display, limited<br />

to 28 images, is<br />

changed frequently. Museum<br />

curator Roger Taylor is<br />

on the lookout for interesting<br />

exhibition proposals.<br />

You can view the initiative<br />

at<br />

www.galleryonthegreen.org.uk<br />

Pudsey in Wonderland<br />

Nottingham <strong>Postcard</strong> Fair<br />

raised £886 for the BBC<br />

‘Children in Need’ appeal<br />

last month, adding to the<br />

£250+ already netted from<br />

the sale of Brian Partridge’s<br />

souvenir postcard<br />

for this year.<br />

�� West London <strong>Postcard</strong><br />

Club have sorted out their<br />

various problems and are<br />

flourishing again. They<br />

have a new chairman in<br />

Michael Goldsmith and<br />

secretary in Graham<br />

Wheeldon. The club has<br />

taken over the promotion<br />

of the Wembley <strong>Postcard</strong><br />

Fair from Roger Lee, the<br />

first fair under the new<br />

regime making a healthy<br />

profit.<br />

Concentration: collectors in a deep study at Wirral <strong>Postcard</strong><br />

Club/Northern <strong>Postcard</strong> Fairs event at Thornton<br />

Hough in November<br />

Rare appearance<br />

Ron Griffiths (right, at the<br />

moderns fair at Nottingham<br />

in 1990) has been one<br />

of the most prominent figures<br />

in the postcard collecting<br />

world over a period of<br />

some 40 years. He pioneered<br />

the collecting of<br />

modern postcards, most<br />

famously buying the entire<br />

residue of moderns (and<br />

many older cards, too) left<br />

after the legendary ‘Blue<br />

Peter’ sale of picture postcards<br />

at Phillips’ London<br />

salerooms in 1977. He edited<br />

the Hertfordshire club<br />

magazine before turning it<br />

into the British <strong>Postcard</strong><br />

Collectors’ Magazine in<br />

1981, which he famously<br />

billed as non profit-making.<br />

That ceased publication a<br />

couple of years ago, but<br />

Ron carried on with an<br />

occasional newsletter, the<br />

final edition of which has<br />

just been published. Fiercely<br />

critical of other dealers,<br />

who he claimed failed to<br />

support his publishing ventures,<br />

Ron had a loyal following<br />

of readers among<br />

the collecting fraternity. He<br />

wrote many of the articles<br />

himself under pseudonyms.<br />

He is making a rare<br />

appearance as a dealer at<br />

the Tolworth <strong>Postcard</strong> Fair<br />

on December 28th with his<br />

fabulous stock of moderns.<br />

15 & 16 January 2010<br />

The top French postcard fair!<br />

10am - 7pm<br />

METRO (ligne 10) & parking:<br />

Maubert-Mutualite<br />

MAISON DE LA MUTUALITE<br />

24 rue Saint-Victor<br />

75005 Paris<br />

Successful tee-off<br />

Horncastle <strong>Postcard</strong> Fair<br />

debuted at its new home,<br />

the town’s golf club, in<br />

October, and promoter<br />

David Calvert was pleased<br />

that the attendance<br />

matched last year’s. The<br />

golf club put on a carvery<br />

and its proprietors were<br />

delighted with the refreshment<br />

take-up by customers.<br />

Perhaps this will<br />

start a new venue trend for<br />

fairs!<br />

� Charity postcard salesman<br />

Len Whittaker has had<br />

a record-breaking year with<br />

his fund-raising efforts for<br />

the Sudan Church association.<br />

His sales to the end of<br />

June 2009 showed a bestever<br />

profit of £13,505.<br />

Sylvia and Michael<br />

Porter’s postcard sales<br />

efforts on behalf of deaf<br />

children in Norfolk have<br />

now grossed almost<br />

£77,000 over 20 years.<br />

CARTEXPO<br />

54<br />

Details:<br />

Marc Lefebvre<br />

0033.1.42.71.36.69<br />

Alexandre Przopiorski<br />

postcardman@hotmail.com<br />

EXHIBITION<br />

The Seine in flood 1910<br />

<strong>Picture</strong> <strong>Postcard</strong> Monthly December 2009 3


When the M1 was empty...<br />

The M1 motorway was officially opened on 2<br />

November 1959, with the initial stretch running from<br />

junction 5 (Watford) to 18 (Crick). Watford Gap service<br />

station was up and running at a basic level<br />

immediately, with others opened later. Toddington,<br />

named after the nearby village, came in 1964. The<br />

50th anniversary was marked by the unveiling of a<br />

plaque at Watford Gap, arguably the most famous<br />

service station in Britain and supposedly the place<br />

where ‘the North’ begins and ends. Early postcards<br />

show the motorway almost deserted, quite unbelievable<br />

now!<br />

Granada’s Toddington Serices opened in 1964, its facilities<br />

and exterior shown on this pair of postcards published by<br />

CG Williams of Maidstone. Fashion and car-spotting are<br />

part of the fun of looking at these cards which, in impeccable<br />

‘Golden Age’ size, surely must soon deserve to be<br />

labelled ‘old’.<br />

Charnock Richard was the M6’s first-ever service station,<br />

opened in 1963. This postcard was published by Valentine<br />

of Dundee to show off its charms and those of the carriageway.<br />

A full-length article on ‘Motorway <strong>Postcard</strong>s’ appeared in<br />

June 2004 PPM.<br />

4 <strong>Picture</strong> <strong>Postcard</strong> Monthly December 2009<br />

Exeter Fair<br />

Saturday 5 December<br />

10 a.m. - 4 p.m.<br />

<strong>Postcard</strong>s<br />

Cigarette Cards and Stamps<br />

Ephemera and Accessories<br />

Clyst Vale Community College, Broadclyst<br />

Organiser: Anne Scott<br />

01395 - 270322<br />

Next events here:<br />

13 February, 13 March<br />

A bumper attendance at Nottingham’s Harvey Hadden<br />

Sports Centre last month enjoyed some fine postcard displays<br />

in the inter-club competition, which saw Alfreton<br />

Philatelic Society take the trophy for the sixth time.<br />

Northamptonshire <strong>Postcard</strong> Club were second, with Gwen<br />

Haynes winning the prize for the best individual board (on<br />

‘Northampton’). Previous winners Doncater slid to third<br />

place this time, while Nottingham came in fourth. Voting<br />

was by collectors and dealers at the fair, and Val Holland<br />

from Brigg won a postcard album as the voter whose<br />

choice most closely matched the final result. Viv Lapworth<br />

made an identical choice, but lost the draw.<br />

Above: big crowds at the fair.<br />

Below: <strong>Postcard</strong> Traders Association chair Melanie Mordsley<br />

presented the Nottingham Fair Trophy to Alfreton’s<br />

Ron Stammers. Bottom: admiring the displays


Royal Mail keeps going... for now<br />

The postal dispute is over for the time being, but the<br />

underlying causes have apparently not been solved.<br />

What we have is a truce, an opportunity for sober<br />

reflection and discussion - a situation similar to the<br />

end of the previous dispute, in 2007. For most people<br />

the strikes that occurred in October did not have too<br />

serious an effect, but the perception of possible delays<br />

and disruptions badly dented users’ confidence in the<br />

system. In some areas of London, where unofficial<br />

walkouts have been causing chaos for months, deliveries<br />

have been unreliable and intermittent.<br />

We have argued many<br />

times before for the continuation<br />

of Royal Mail in public<br />

hands as a universal oneprice-for-all<br />

service with a<br />

long and noble history. The<br />

postal system touches postcard<br />

collectors in two ways:<br />

firstly, in a historical sense -<br />

the mail service was the<br />

means by which millions of<br />

postcards were distributed,<br />

and many collections focus<br />

on postmarks or cards<br />

showing post offices, postboxes,<br />

or postmen and<br />

women. Half the fascination<br />

of picture postcards is in the<br />

journeys they’ve undertak-<br />

Postboxes unlimited. Royal<br />

Mail holds all the cards on<br />

this postcard published earlier<br />

this year by the London<br />

Borough of Hounslow and<br />

designed by Lesley Jones<br />

from Orleans Park School.<br />

Sadly, the trend is in the<br />

opposite direction, with the<br />

service likely to be privatised<br />

after the next election,<br />

against the wishes of most<br />

members of both parliament<br />

and the public.<br />

There’s no post for Miss<br />

Andsum, not even a Valentine<br />

card, on this Edwardian<br />

postcard published in the<br />

‘Smart Novels’ series. Perhaps<br />

she popped in on one<br />

of the strike days?<br />

Right: Donald McGill’s<br />

young lady is desperate to<br />

catch the postman on this<br />

Inter-Art Co.-published<br />

card, posted at Blackpool in<br />

September 1922<br />

en. Secondly, the mail is<br />

crucial for the smooth running<br />

of the hobby as<br />

approvals, or purchases<br />

from auctions or internet<br />

sites wing their way across<br />

the world.<br />

Royal Mail is still a<br />

marvellous service, and<br />

fewer packages go astray<br />

than is often thought, but<br />

the recent closures of post<br />

offices, abolition of second<br />

delivery (or, in many cases,<br />

first delivery) and Sunday<br />

collections raise fears of<br />

how much the service<br />

would be downgraded in<br />

the event of privatisation.<br />

Attempted and abandoned<br />

by the current government,<br />

it will be one of the first<br />

things on the agenda of a<br />

Cameron government if<br />

elected. Derided by internet<br />

buffs as ‘snail mail’ and<br />

talked down by commentators<br />

with an agenda as a<br />

declining industry, Royal<br />

Mail, the best brand name<br />

in Britain, is crucial to collectors<br />

and communities in<br />

so many important ways. It,<br />

and its excellent post office<br />

and postal staff, deserve<br />

support.<br />

The place for postcards!<br />

Spotted recently: an envelope<br />

with an advert for the<br />

shop of J. O. Emes of High<br />

Street, Moreton-in-Marsh. It<br />

described him as a hairdresser,<br />

stationer and<br />

tobacconist, but right at the<br />

top of the advert was “The<br />

shop for picture postcards”.<br />

��A stunning exhibition of old postcards was held recently<br />

at Terrassa in Spain’s Catalonia province. The show, and<br />

an accompanying catalogue, was set up by collectors<br />

Montse Saludes, Rafael Comas and Ana Fernandez.<br />

<strong>Picture</strong> <strong>Postcard</strong> Monthly December 2009 5


NOVEMBER 2009<br />

FAIRS<br />

24 Stockport, Masonic Hall (AMP)<br />

25 Digbeth (Birmingham), Irish Centre<br />

(AMP)<br />

26 Ripley, Rose Lane Scout Hut* (TN)<br />

Plymouth, Guildhall (PF)<br />

27 Clyst St George, Parish Hall (PF)<br />

�28 BRISTOL, B.A.W.A. Leisure Centre<br />

(AS)<br />

GUILDFORD, St.Peter’s School,<br />

Merrow (SuPC)<br />

Chester-le-Street, North Lodge<br />

School (DC)<br />

Redruth, Jubilee Hall (DL)<br />

Porchester, Parish Hall (CH)<br />

Trinity, Jersey, RJA&HS HQ (CIA&C)<br />

Eastbourne , St. Mary’s Church Hall<br />

(CR)<br />

London, Charing Cross Market (RB)<br />

29 Twyford, Loddon Hall (NB)<br />

Prestwick, RAFA Club (CF)<br />

DECEMBER 2009<br />

FAIRS<br />

2 Croydon, St George’s Church Hall<br />

(PD)<br />

Neath, Town Hall (DCF)<br />

3 Cardiff, Wesley Church Hall (DCF)<br />

4 Newark, Showground (DMG)<br />

�5 EXETER, Clyst Vale Community<br />

Centre (AS)<br />

HAYWARDS HEATH, Clair Hall (BF)<br />

Montrose, Hillside Village Hall (CN)<br />

Farnham, Maltings (AD)<br />

Beckenham, Azelia Hall (P&R)<br />

Swindon, Western Community Hall<br />

(SSPF)<br />

Hove, St Leonards Church Hall (EL)<br />

London, Charing Cross Market (RB)<br />

6 BIRMINGHAM, Motor Cycle Museum<br />

(AMP)<br />

Tonbridge, Angel Centre (CR)<br />

Woodbridge, Community Centre (H)<br />

London, Holiday Inn (ES)<br />

�12 Canterbury, Westgate Hall (CB)<br />

Bournemouth, Pelhams Park (RH)<br />

Cardiff, City Hall (MJP)<br />

London, Electric Ballroom (PN)<br />

East Grinstead, De La Warr Parish<br />

Hall (JT)<br />

London, Charing Cross Market (RB)<br />

13 Mountnessing, Village Hall (H)<br />

Bath/Bristol, Patchway Community<br />

College (KN)<br />

17 Orpington, Crofton Halls* (SRP)<br />

Cirencester, Bingham Hall CPC)<br />

�19 Glastonbury, Town Hall (BR)<br />

Midhurst, Grange Hotel (GCA)<br />

Guildford, Onslow Village Hall (CR)<br />

London, Charing Cross Market (RB)<br />

20 LONDON BLOOMSBURY, Royal<br />

National Hotel (IPM)<br />

Herne, Parish Hall (RC)<br />

27 CHELTENHAM , Pump Rooms(AMP)<br />

Glasgow, Woodside Hall (RS)<br />

28 WICKHAM, Community Centre (PP)<br />

A3 KINGSTON BY-Pass, Tolworth<br />

Recreation Centre (GSF)<br />

Sittingbourne , Carmel Hall (CR)<br />

JANUARY 2010<br />

FAIRS<br />

1 East Grinstead, De La Warr Hall (JT)<br />

��2 Hastings, Christ Church (CR)<br />

Farnham, Maltings (AD)<br />

London, Charing Cross Market (RB)<br />

� What’s on - <strong>Postcard</strong> Events Diary �<br />

6 <strong>Picture</strong> <strong>Postcard</strong> Monthly December 2009<br />

Key to number of postcard dealers at<br />

fairs:<br />

BOLD CAPS - 25 or more dealers (40+<br />

if in red)<br />

Bold type - 16-24 dealers<br />

Medium type - 7-15 dealers<br />

Medium italics - 3-6 dealers<br />

* evening fairs<br />

Saturdays indicated by �<br />

Three non-<strong>special</strong>ist dealers are calculated<br />

to be equivalent to one <strong>special</strong>ist<br />

postcard dealer for the purposes of the<br />

Diary. Collectors unfamiliar with a particular<br />

event might still be wise to check<br />

with the organisers about the exact number<br />

of PC dealers present before making<br />

a long journey.<br />

Great care is taken to make sure that the<br />

information of this Diary is accurate, but<br />

the publishers can accept no responsibility<br />

for errors or omissions.<br />

3 LEEDS, Pudsey Civic Hall (KSG)<br />

Ludlow, St. John Ambulance Hall<br />

(AMP)<br />

Worthing , Heene Community Centre<br />

(CR)<br />

6 Croydon, St.George’s Church Hall<br />

(PD)<br />

Neath, Town Hall (DCF)<br />

7 Cardiff, Wesley Church Hall (DCF)<br />

� 9 Colwyn Bay, Eirias High School<br />

(NWSF)<br />

St. Agnes, Parish Hall (DL)<br />

Wellington, Western Community<br />

Hall (SSPF)<br />

Beckenham , Azelia Hall (P&R)<br />

Sale, Grammar School (M&DPA)<br />

Swindon, Western Community Hall<br />

(SSPF)<br />

London, Charing Cross Market (RB)<br />

10 HAYDOCK PARK, Racecourse<br />

(NWCF)<br />

Wymondham, Ketts Park Community<br />

Centre (H)<br />

Orpington, Crofton Halls* (SRP)<br />

Winchester, Badgers Farm<br />

Community Centre (CR)<br />

13 Ardingly , Showground (IACF)<br />

15 TWICKENHAM, Stoop Rugby<br />

Ground (SPPF)<br />

�� 16 TWICKENHAM, Stoop Rugby<br />

Ground (SPPF)<br />

CHESTER, Northgate Arena (NPF)<br />

Broughty Ferry, St Aidans Church<br />

Hall (CN)<br />

Colchester, Marks Tey Parish Hall<br />

(TM)<br />

Eastbourne, St Mary’s Church Hall<br />

(CR)<br />

London, Electric Ballroom (PN)<br />

Midhurst, Grange Market (GCA)<br />

London, Charing Cross Market (RB)<br />

Trowbridge, St. James’ Church Hall<br />

(PF)<br />

17 Chichester, Westgate Centre (E)<br />

Horsham, Village Hall (CR)<br />

Herne, Parish Hall (RC)<br />

Yeovil, Westlands Social Club (PF)<br />

21 Cirencester, Bingham Hall (CPC)<br />

Plymouth, Guildhall (PF)<br />

� 23 Motherwell, St Mary’s Parish Hall<br />

(CF)<br />

Margate, Union Church (CB)<br />

Littlehampton, United Church (CR)<br />

Powick, Parish Hall (AMP)<br />

Wimborne, Allendale Centre (RPH)<br />

London, Charing Cross Market (RB)<br />

24 LONDON BLOOMSBURY, Royal<br />

National Hotel (IPM)<br />

PENKRIDGE, Leisure Centre (AMP)<br />

Carlisle, Houghton Village Hall (CF)<br />

Rochester, Masonic Hall (CR)<br />

26 Stockport, Masonic Guildhall (AMP)<br />

28 Ripley, Rose Lane Scout Hut* (TN)<br />

�� 30 PRESTON, Barton Village Hall<br />

(RRPC)<br />

SHOREHAM-BY-SEA, Shoreham<br />

Centre (BF)<br />

Bicester, Littlebury Hotel (RL)<br />

Gravesend, St George’s Church Hall<br />

(NWKPC)<br />

Portchester, Parish Hall (CH)<br />

Redhill, Salfords Village Hall (CR)<br />

London, Charing Cross Market (RB)<br />

31 LEICESTER, Parklands Leisure Centre<br />

(DC)<br />

FEBRUARY 2010<br />

FAIRS<br />

3 Croydon, St.George’s Church Hall<br />

(PD)<br />

Neath, Town Hall (DCF)<br />

4 Cardiff , Wesley Church Hall (DCF)<br />

5 Newark, Showground (IACF)<br />

�6 BRISTOL, B.A.W.A. Leisure Centre<br />

(AS)<br />

HAYWARDS HEATH, Clair Hall (BF)<br />

Woodbridge, Community Centre (H)<br />

Guildford, Onslow Village Hall (CR)<br />

Cardiff , City Hall (MJP)<br />

Beckenham, Azelia Hall (P&R)<br />

Farnham, Maltings (AD)<br />

Swindon, Western Community Hall<br />

(SSPF)<br />

London, Charing Cross Market (RB)<br />

7 NOTTINGHAM, Harvey Hadden<br />

Sports Centre (R)<br />

Leigh on Sea, West Leigh Junior<br />

School (H)<br />

Patchway , Community Colllege(KN)<br />

Southampton, Novotel (E)<br />

�� 13 STOCKPORT, Town Hall (KSG)<br />

EXETER, Clyst Vale Community<br />

Centre (AS)<br />

Redruth, Jubilee Hall (DL)<br />

Wembley, Methodist Church Hall<br />

(WLPC)<br />

Kinross, Church Centre (BRF)<br />

Southampton, St.James Church Hall<br />

(RH)<br />

Canterbury, Westgate Hall (CB)<br />

Hove, St.Leonards Church Hall (EL)<br />

London, Charing Cross Market (RB)<br />

14 LINCOLN, Bishop Grosseteste<br />

University (DC)<br />

Fareham, Ferneham Hall (E)<br />

Orpington, Crofton Halls* (SRP)<br />

�20 Chester-le-Street, North Lodge<br />

School (DC)<br />

Midhurst, Grange Market (GCA)<br />

St.Ives, Cambs. Parish Hall (HPS)<br />

London, Charing Cross Market (RB)<br />

21 LONDON BLOOMSBURY, Royal<br />

National Hotel (IPM)<br />

Thornton Hough, Village Hall<br />

(NPF/WrPC)<br />

Bathgate, Kiam Park Hotel (CF)<br />

Herne, Parish Hall (RC)<br />

23 Stockport, Masonic Guildhall (AMP)<br />

25 Ripley, Rose Lane Scout Hut* (TN)<br />

26 SHEPTON MALLET, Bath & West<br />

Showground (BR)<br />

�27 SHEPTON MALLET, Bath & West<br />

Showground (BR)<br />

Kendal, Parish Hall (V)<br />

London, Electric Ballroom (PN)<br />

London, Charing Cross Market RB)<br />

28 Prestwick, R.A.F.A. Club (CF)<br />

London, Park Inn (ES)<br />

Fair oorganisers: ssend uus ffull<br />

details oof yyour eevents ffor<br />

inclusion iin tthis ddiary. CCopy<br />

deadline iis 1100th DDecember<br />

for tthe JJanuary 22010 iissue.


International Diary<br />

This is a selected list of fairs outside Britain featuring postcards<br />

in worthwhile numbers. The telephone number quoted<br />

in each instance is the internal one in that country. If you<br />

are travelling some distances to attend, it would be sensible<br />

to check details with the organiser.<br />

Nov 28 STUTTGART, Liederhalle 711.241.272<br />

Nov 29 COLOGNE, Mulheimer Stadthalle 160.9651.3700<br />

Dec 5 ALBERT, Espace Culturel 3.22.74.37.00<br />

Dec 6 MONT ALBERT (Victoria, Australia), Our Holy<br />

Redeemer Catholic School 9803.4396<br />

Dec 12 LILLE, Grand Palais 3.20.53.66.32<br />

Jan 2-3 ORLANDO, Central Florida Fairgrounds<br />

410.623.581<br />

Jan 8 POMPANO BEACH (Florida), Civic Centre<br />

309.666.0219<br />

Jan 15-16 PARIS, Maison de la Mutualite (Cartexpo 54)<br />

1.42.71.36.69<br />

Jan 17 OZOIR-LA-FERRIERE, Salle du Carousel<br />

1.64.40.04.07<br />

Jan 29-30 PARIS, Omnisports de Bercy (Numicarta)<br />

1.64.46.52.22<br />

“Just a card to let you see what it was like here at Xmas”, wrote<br />

‘E.C.’ to Miss G. Carpenter of Alton, Hampshire. The postcard, in the<br />

‘S & W’ series, shows decorations in Sutton (Surrey) High Street<br />

exactly one hundred years ago.<br />

PLEASE MENTION<br />

PICTURE POSTCARD<br />

MONTHLY WHEN<br />

REPLYING TO<br />

ADVERTISERS<br />

Fair oorganisers<br />

AD A. Dickinson 01252-726234<br />

AMP AMP Fairs 01283-820151<br />

AS Anne Scott 01395-270322<br />

AW Alan Wishart 01698-356337<br />

BF Beacon Fairs 01892-662132<br />

BPC Bristol PC 0117-9665071<br />

BPS Barry PS 01446-741026<br />

BR Barrie Rollinson 01278-445497<br />

BRF Bass Rock Fairs 01368-860365<br />

BRSC Bognor Regis SC 01243-837590<br />

C&EK Canterbury & EK 01843-862707<br />

CB Clive Baker 01843-862707<br />

CF Caledonia Fairs 01436-671429<br />

CH Colin Harris 02392-615380<br />

CIA Ch.Island Antique 07797777709<br />

CJ C.J. Fairs 01782-611621<br />

CN Chad Neighbor 01674-832823<br />

COR Cornucopia 01382-224946<br />

CPC Cotswold PC 01285-655532<br />

CR Chris Rapley 01795-478175<br />

DC David Calvert 01507-480280<br />

DCF Dragon Coll. Fairs01446-741026<br />

DG Denny Gibson 01677-422863<br />

DL D. Luxford 01736-786068<br />

DMG DMG Fairs 01636-702326<br />

DPC Dorset PC 01305-871629<br />

E Emmott Prom 01243-788596<br />

EL Eric Langdon 01273-514733<br />

ES Ephemera Soc. 01923-829079<br />

FF Fairdeal Fairs 01732-463575<br />

FS Felicity Smith 01296-651283<br />

F&WPC Frinton & Walton PC<br />

01255-674134<br />

GCA Grange Com.Ass 01730-816841<br />

GSF Great Southern 07939-302425<br />

H Ray How 01702-544632<br />

HP Helen Prescott 01204-418791<br />

HoE Heart of Eng. PC 01926-854524<br />

HPS Huntingdon PS 01480-468037<br />

IPM IPM Promotions 020-82029080<br />

JT John Terry 01342-326317<br />

KN Kevin Noble 0117-902-1134<br />

KRM Kidderminster 01562-825316<br />

KSG KSG Promotions 01723-363665<br />

MaPC Maidstone PC 01622-737110<br />

MEPC Mid-Essex PC 01245-362201<br />

MJP M.J.Promotions 01792-415293<br />

NB Neil Baldry 01628-622603<br />

NIPC N.Ireland PC 028-4062-2022<br />

NPC Norfolk PC 01263-825053<br />

NPF NorthernPC Fairs 01244535578<br />

NSCF Nat. Spec. Collectors Fairs<br />

01869-600236<br />

NWCF North West CF 07973-219394<br />

PD Peter Duncan 01444-482620<br />

PF Phoenix Fairs 01749-813324<br />

EXHIBITIONS<br />

until 9 Jan 2010 LONDON, Chris Beetles Gallery, Ryder<br />

Street. The Illustrators 1870-2009.<br />

until 7 March 2010 LONDON, The British Library. Points<br />

of view: Capturing the 19th century in photographs.<br />

until 31 March 2010 LONDON, Transport Museum.<br />

Suburbia - postcards and ephemera of the railways’<br />

adventures to the London suburbs.<br />

AUCTIONS<br />

NOVEMBER 2009<br />

27 Hendersons, Minsterley 01743-792727<br />

29 Loddon, Twyford 01628-622603<br />

DECEMBER 2009<br />

2 T.Vennett-Smith, Nottingham 0115-983-0541<br />

5 Dalkeith, Bournemouth 01202-292905<br />

5 Railwayana, Sheffield 01234-325341<br />

9 Warwick & Warwick, Warwick 01926-499031<br />

9 Birmingham Auctions, Worcester 01885-488871<br />

15 Trafford Books, Manchester 0161-877-8818<br />

JANUARY 2010<br />

2 Dalkeith, Bournemouth 01202-292905<br />

12 T.Vennett-Smith, Nottingham -postal 0115-9830541<br />

24 Lockdales, Ipswich 01473-218588<br />

27 Cavendish, Derby 01332-250970<br />

29 Hendersons, Minsterley 01743-792727<br />

FEBRUARY 2010<br />

2 Trafford Books, Manchester 0161-8778818<br />

3 T.Vennett-Smith, Nottingham 0115-9830541<br />

5 Special Auction Services, Midgham 0118-9712949<br />

6 Dalkeith, Bournemouth 01202-292905<br />

15 SPA, Cirencester- postal 01285-659057<br />

15 Maidstone <strong>Postcard</strong> Club 01622-737110<br />

17 Birmingham Auctions, Worcester 01885-488871<br />

26 Hendersons, Minsterley 01743-792727<br />

The annual Illustrators (The British Art of Illustration) exhibition<br />

at Chris Beetles Gallery in Ryder Street, St. James’s,<br />

London, is showing until 9 January 2010. As usual, there<br />

is particular interest for postcard collectors, with many<br />

artists featured whose work also appeared on postcards.<br />

There are originals from Phil May, Harry Furniss, Mabel<br />

Lucie Attwell, Lawson Wood, and William Heath Robinson.<br />

PN Philip Nevitsky 0161-228-2947<br />

PP Popplestone PC 02380-446143<br />

PPC Plymouth PC 01752-775289<br />

PPS Preston PS 01772-713917<br />

P&R P&R Fairs 020-84623753<br />

R Reflections 0115-9374079<br />

RB Rodney Bolwell 01483-281771<br />

RC Ralph Carter 01227-362439<br />

RF RF <strong>Postcard</strong>s 01268-794886<br />

RH Rikki Hyde 01202-303053<br />

RJ Richard Jones 01752-269003<br />

PH Redpath Phil. 01258-880878<br />

RRPC Red Rose PC 01995-670625<br />

RS Richard Stenlake 01290-551122<br />

ShPS Shropshire PS 01743-860910<br />

SPPF Specialist PC&PF 0208-8925712<br />

SRP SRP Fairs 01322-662729<br />

SSPF Swindon St/PF 01793-528664<br />

SuPS Sussex PS 01323-438964<br />

SWPC South Wales PC 01633-412598<br />

TM Trevor Mills 01702-478846<br />

TPS Telford PS 01952-223926<br />

TN Tim Notley 01932-341527<br />

V Varykino 015394-45757<br />

WPC Wealden PC 01293-786419<br />

WLPC West London PC 0208-892-5712<br />

<strong>Picture</strong> <strong>Postcard</strong> Monthly December 2009 7


� Moderns News �<br />

Poster, transport and military card collectors may look<br />

back on 2009 as a bumper year, writes Malcolm Luty. Over<br />

100 new cards, all continental size unless stated, from at<br />

least seven publishers included 18 from London Transport<br />

Museum, listed as SUB 1-18, a mix of posters, leaflet covers,<br />

adverts and photos to support its current ‘Suburbia’<br />

exhibition. In addition, the museum is offering a packaged<br />

set of twelve postcards (two each of six poster artworks)<br />

under its Underground merchandising brand.<br />

Also newly-published are six LT<br />

posters by John Burningham<br />

from Dovecot Studios in connection<br />

with its exhibition on the<br />

artist; 15 posters from the Imperial<br />

War Museum for its Outbreak<br />

1939 exhibition; four oversize<br />

railway posters promoting Wales<br />

from the National Museum of<br />

Wales; five regimental recruiting<br />

posters from National Museums<br />

Scotland, and one poster by<br />

Edward Bawden from Bedford<br />

Museum for its current exhibition<br />

on the artist. Finally, two<br />

books from Pomegranate featuring<br />

the railway posters of Norman<br />

Wilkinson. In total, there are<br />

51 slightly oversize tear-outcards<br />

including five common to both<br />

books.<br />

IWM PP0930, showing that<br />

identity cards were an issue<br />

in 1939<br />

Left: LTM SUB8, a 1926<br />

poster by an unknown artist<br />

Right: prolific caricaturist<br />

Jean Claval designed<br />

this golfing theme postcard<br />

as a souvenir of the<br />

postcard fair to be held at<br />

Ozoir la Ferriere, southwest<br />

of Paris, next month<br />

Tasteful comics in North Wales<br />

Llandudno’s postcard range would have no need of a 1950s-style<br />

watch committee to check the suitability of jokes on postcards. With<br />

gentle, subtle comics from artists Terry Irvine, Rupert Besley<br />

and Tony Hall on offer, no maiden<br />

aunt could<br />

possibly be<br />

outraged! It is<br />

strange that in<br />

our ‘anything<br />

goes’ on TV<br />

society, picture<br />

postcards have<br />

self-censored<br />

quite remarkably.<br />

Main publishersrepresented<br />

on the<br />

retailers’<br />

stands were<br />

Judges, Salmon<br />

and local firm<br />

Origins, the latter<br />

providing a fine<br />

colour photo<br />

range of views.<br />

Judges of Hastings<br />

have also published<br />

a series of<br />

sepia views reproducing<br />

their Llandudno<br />

views of a<br />

century ago.<br />

8 <strong>Picture</strong> <strong>Postcard</strong> Monthly December 2009<br />

Sheepdog trials: the village of Trunch, Norfolk, has published 20<br />

postcards to mark its 2009 ‘Scarecrow Day’ where the winner was<br />

this tableau of shepherd with sheepdog and sheep. We mentioned<br />

their 2008 cards in October PPM, asking if anyone had spotted any<br />

other cards from villages that hold similar scarecrow events. None<br />

forthcoming so far, so Trunch remains the scarecrow postcard leader!<br />

The 2010 event is on 27th June.<br />

Promotional card for London’s<br />

Camden Market - “just two<br />

stops from Eurostar”<br />

�� A<br />

report in<br />

the Daily<br />

Telegraph<br />

that Tunbridge<br />

Wells, Kent’s spa town, had produced<br />

picture postcards to promote<br />

their image change from<br />

“Disgusted of Tunbridge Wells”<br />

to “Delighted of...” turned out to<br />

be unfounded. On the trail of the<br />

cards, PPM learned that no<br />

“Delighted” cards have surfaced<br />

yet, and the “Disgusted” postcards<br />

on sale were in fact fiveyear-old<br />

designs published by a<br />

private retailer in the town. Of<br />

course, if there aren’t any, there<br />

certainly should be!<br />

A very presidential-looking<br />

Martin Parr. The top<br />

photographer’s work is being<br />

shown under the ‘Planet Parr’<br />

tag - this card advertised the<br />

exhibition’s arrival in Paris earlier<br />

this year


CANTERBURY POSTCARD<br />

& COLLECTORS FAIR<br />

at<br />

WESTGATE HALL,<br />

WESTGATE HALL ROAD,<br />

CANTERBURY, KENT<br />

SATURDAY 12 December<br />

OPEN 10am to 4pm<br />

2010 dates:<br />

* 13 February * 17 April * 12 June<br />

* 28 August (club fair) * 9 October<br />

* 11 December<br />

Buy and Sell: Stamps ~ <strong>Postcard</strong>s ~ Playing Cards~<br />

Phone Cards ~ Militaria ~ Coins ~ Cigarette Cards ~<br />

Books ~ Breweriana ~ Ephemera ~ Beanie Babies<br />

and Small Collectables<br />

15 + postcard dealers<br />

FREE ADMISSION<br />

ENQUIRIES, OR TO SELL ANY<br />

OF THE ABOVE ITEMS<br />

Tel/Fax 01843 862707<br />

E-mail: info@clivebaker.co.uk<br />

HAYWARDS HEATH<br />

INTERNATIONAL<br />

<strong>Postcard</strong>, Cigarette Card and Collectors Fair<br />

The top event of its kind in the Southern Counties!<br />

Saturday 5 December<br />

10.30 a.m. - 4 p.m.<br />

55 Tables <strong>special</strong>ising in:<br />

POSTCARDS *CIGARETTE CARDS *EPHEMERA *STAMPS<br />

*POSTAL HISTORY *ALBUMS *ACCESSORIES ETC.<br />

Clair Hall, Perrymount Road,<br />

HAYWARDS HEATH<br />

West Sussex<br />

Admission £1 Refreshments Free Parking<br />

Dealers booked include:<br />

* Topo Plus * Brian Girling * Mike Felmore * Terry Nye<br />

* Magda Cards * Peter Holroyd * Philip Chipperfield<br />

* Mick Devonald * Beacon <strong>Postcard</strong>s * Lesley Davies<br />

* Peter Robinson * Peter Lindfield * Betty Fuller<br />

* John Kidson * Jane Dembrey * Michael Goldsmith<br />

* Graham Green * Tim Notley * Peter Duncan * Jim Jackson<br />

* John Ainslie * Rob Roy Albums * Jackie Worling<br />

* Chris Hoskins * John Priestley (Sussex) * Mike Clark<br />

and more to follow!<br />

For further information and bookings:<br />

Rosemary Shepherd/Beacon Fairs 01892-662132<br />

Future Dates: 6 February, 6 March<br />

<strong>Picture</strong> <strong>Postcard</strong> Monthly December 2009 9


The Dealer and Collector<br />

should be friends...<br />

says KKirsten EElliott<br />

I noted in the last PPM the objection from a collector<br />

to dealers dealing amongst themselves before fairs,<br />

and it seemed to me that this is one of two major<br />

gripes that those coming to fairs have about dealers,<br />

the other being the vexed issue of filing in front or<br />

behind. It seems rather a shame that such longstanding<br />

grievances should continue to rankle. To<br />

paraphrase Oscar Hammerstein - the dealer and collector<br />

should be friends.<br />

There's no doubt that the top whinge by collectors<br />

is the failure of dealers to decide whether cards<br />

are filed in front or behind. Perhaps, when I'm standing<br />

behind the stall, I don't look like your average<br />

dealer - whatever your average dealer looks like - but<br />

many collectors seem to choose my shoulder to<br />

weep on over this. I support them whole-heartedly. I<br />

personally believe the natural tendency of most people<br />

is to look for things behind the divider, not in<br />

front. After all, when you are out driving, you expect<br />

the signpost before you get to the turning, not afterwards,<br />

and so it seems logical that you should look<br />

for the dividing cards with the subject name on them<br />

in front of the cards rather than behind.<br />

I know the advantage of filing<br />

in front is that you don't<br />

get dividers hidden against<br />

the front of the box. However,<br />

my husband Andrew<br />

Swift tried filing in front for<br />

a time as an experiment,<br />

and the cards ended up in<br />

much more of a muddle.<br />

What's more, the dividers<br />

seemed to get misplaced<br />

more often, ending up in<br />

the middle of the subject,<br />

instead of in front or<br />

behind. But my object is not<br />

to make a definite case for<br />

one way or the other, merely<br />

to say that I, and many<br />

other collectors, think dealers<br />

should get together over<br />

this. Please make a decision<br />

one way or the other and<br />

everyone stick to it. If you<br />

can't agree, then toss a<br />

coin. Nothing would make<br />

your customers happier.<br />

However, I cannot feel<br />

much sympathy for those<br />

who complain about dealers<br />

dealing amongst themselves<br />

at discounted prices<br />

before fairs start. Even<br />

when I was purely a collec-<br />

tor, and not married to a<br />

dealer, I could see no objection<br />

to this. Can I ask collectors<br />

to spare a thought<br />

for the dealers? In order to<br />

supply you with cards, dealers<br />

are taking a risk with<br />

their money - not yours.<br />

They have thousands of<br />

pounds tied up cards for<br />

you to buy. They have to<br />

buy boxes to display the<br />

10 <strong>Picture</strong> <strong>Postcard</strong> Monthly December 2009<br />

I never thought then that I would be spending £40 on a<br />

card, such as this one of the driver of the van for Wards'<br />

Cakes, seen outside their works in New Road, Portsmouth<br />

One of my first purchases, which I bought mainly because<br />

it wins the price for unrealistic colouring. This picture of<br />

the Rock Gardens at Southsea cost me all of 10p, reduced<br />

from 20p. It was printed by Mills & Co of Portsmouth, is<br />

described as a Real Hand Coloured Photograph and was<br />

posted in 1939<br />

I rarely buy greetings cards or multiviews any more, but<br />

when I started out, I bought all sorts of things at the cheaper<br />

end of the market. I still<br />

have considerable affection<br />

for this cheeky card, printed<br />

by the Rapid Photo Printing<br />

Co. of London. It cost me a<br />

stupendous 75p. I was getting<br />

bolder, evidently<br />

cards in, and sleeves to protect<br />

them. They have to pay<br />

stall rent and insurance.<br />

They get up much earlier<br />

than you do to set up the<br />

fairs, and they are there<br />

later than you. On the way<br />

home, you can drop into a<br />

pub or café for refreshment<br />

- the only way the dealer<br />

risks doing that is if he can<br />

find somewhere secure to<br />

put the car, or park where<br />

This cartoon appeared in the Sheffield Telegraph on October 10th and was spotted by an eagle-eyed Tim<br />

Hale. It was drawn by Everard Davy, who has kindly allowed us to use it. Copyright everarddavy.com


TWICKENHAM<br />

IS COMING<br />

JANUARY 15th & 16th<br />

at The Stoop Rugby Ground,<br />

Langhorn Drive, Twickenham TW2 7SX<br />

he can see it from the pub<br />

or café.<br />

There are other reasons<br />

why this complaint is<br />

not very logical. Shops buy<br />

in at wholesale prices and<br />

you don't think that's unfair<br />

- so why is it unfair for dealers<br />

to buy at discount? And<br />

where does fairness and<br />

unfairness end? Imagine<br />

that the fair is somewhere<br />

which does not have good<br />

public transport. Should<br />

dealing not start until the<br />

first bus or train has<br />

arrived? Because if it does,<br />

that's not fair to those who<br />

cannot drive. (In these liti-<br />

Specialist <strong>Postcard</strong> Fairs 0208 892 5712<br />

This card had a price tag of £80, but thanks to dealers who,<br />

in the past, have spared the time to explain to me what<br />

makes a good card, I knew it was worth having. It shows<br />

the cycle shop of J. A. Lemmon in Gamble Road,<br />

Portsmouth, and is full of fascinating detail<br />

gious times, I should perhaps<br />

not be making this<br />

point - just in case someone<br />

is inspired to take a complaint<br />

to the Human Rights<br />

Court. You never know<br />

what might happen!)<br />

And then, what happens<br />

if a dealer makes a private<br />

appointment with<br />

someone and sells at home,<br />

not at a fair at all. I obtained<br />

some of my best<br />

Portsmouth postcards from<br />

a Portsmouth dealer who,<br />

knowing I was a Pompey<br />

girl, was happy to have me<br />

(continued on page 14)<br />

<strong>Picture</strong> <strong>Postcard</strong> Monthly December 2009 11


<strong>Postcard</strong> Theme Page<br />

Television<br />

Liz MMcKernan<br />

My first memories of television were of watching the<br />

tennis at Wimbledon on a tiny blue screen in the<br />

headmistress’s study. Housed in a very large piece of<br />

furniture the flickering screen seemed to us schoolgirls<br />

a magical invention although I do not think we<br />

could even see the ball. The commentary helped to<br />

follow the matches and time spent there was a time<br />

out of lessons so it did not really matter that we<br />

could not see much of the action!<br />

People used to talk<br />

about viewers developing square eyeballs if<br />

they watched too much television! This French postcard<br />

shows an entire family including the cat and dog having<br />

developed ping-pong eyeballs.<br />

The illustrator’s pseudonym of BOZZ was used by<br />

artist Robert Velter, creator of the comic strip character<br />

‘Spiron.’<br />

Since then of course televisions<br />

have grown ever larger<br />

and the majority are now in<br />

glorious colour. When my<br />

eldest son was small he used<br />

to enjoy watching what he<br />

called ‘Granny’s<br />

Many readers will recognise<br />

Muffin the Mule on the<br />

screen here. It was a very<br />

popular children’s programme<br />

featuring the puppet,<br />

animated by Annette<br />

Mills who was the sister of<br />

the celebrated actor John<br />

Mills. The ‘Taylor’ design<br />

published by Bamforth No<br />

K137 was produced for the<br />

French market.<br />

painted tele’ - my mother had<br />

a colour set while we still had<br />

a black and white one.<br />

The name of John Logie<br />

Baird is forever linked with<br />

the invention of television in<br />

1926. However the origins of<br />

what would become today’s<br />

Another Bamforth<br />

card this time posted in<br />

1964 - and ‘Coronation<br />

Street’ is still going strong!<br />

The writer is obviously staying<br />

in a caravan park in<br />

Morecombe and comments;<br />

‘Caravan OK but toilets<br />

a little way off.’ Not too<br />

far I hope!<br />

12 <strong>Picture</strong> <strong>Postcard</strong> Monthly December 2009<br />

television system can be<br />

traced back to the discovery<br />

of the photoconductivity of<br />

selenium by Englishman<br />

Willoughby Smith in 1873.<br />

The telly, TV, gogglebox<br />

whatever we tend to<br />

call it, it is here to stay. It is<br />

so much part of our way of<br />

life that those few who<br />

choose not to have a set<br />

have been known to have<br />

been hounded for not having<br />

a licence - for their<br />

non-existant TV!<br />

(right) A Belgian card<br />

from 1960 showing the<br />

good things of life -<br />

books, booze, flowers<br />

and of course a television.<br />

Not a very inspiring design but it does show a typical television<br />

set from the late 1950s. It is a radio QSL from Prague<br />

in the Czech Republic.<br />

(below) With the growth<br />

of television came the<br />

arrival of the celebrity<br />

who became instantly<br />

recognisable once they<br />

had appeared on the box.<br />

This card from the Nostalgia<br />

series shows<br />

Gilbert Harding who<br />

was a regular guest<br />

panellist on the popular<br />

programme<br />

‘What’s my line.’ Harding<br />

- a well-known<br />

Brighton resident -<br />

died in 1960 appropriately<br />

outside Broadcasting<br />

House.<br />

(above) The arrival of Eurovision<br />

was a great event. I<br />

can remember watching<br />

grainy pictures coming live<br />

from Calais! Today we can<br />

watch perfect pictures live<br />

from around the world and<br />

the initial excitement of<br />

those early days has disappeared.<br />

This is a French Maximum<br />

card celebrating Eurovision<br />

with a ‘silk’ picture linked to<br />

the <strong>special</strong> stamp and postmark<br />

from 1980.


‘The Sky at Night’ presented<br />

by amateur astronomer Patrick Moore<br />

was the longest running television series with the same<br />

presenter. This postcard was one of a series produced by<br />

the BBC in 1997 to commemorate 75 years of the Beeb.<br />

A German<br />

postcard<br />

depicting a<br />

vintage<br />

television<br />

reflecting<br />

the interior<br />

of a room<br />

and a<br />

h e a r t<br />

drawn on<br />

a dusty<br />

screen. I<br />

think it is<br />

an advertising<br />

card for a product called<br />

SWIFFER. Perhaps a cleaning material?<br />

(above)<br />

Paul Ordner, a French illustrator,<br />

has designed several<br />

cards on a TV theme. Here<br />

the viewer is furious with<br />

his set because his horse<br />

has lost!<br />

(right) Another Couch Potato<br />

this time by artist Elizabeth<br />

Titcomb. No 161 in Pat<br />

Holton’s production it features<br />

a remote control and<br />

small aerial and I do love<br />

the contented cat curled up<br />

on the sofa.<br />

‘(right) Camberwick Green’<br />

and ‘Trumpton’ were great<br />

favourites in our house.<br />

This particular series of<br />

cards was produced for the<br />

BBC by Dixons. The card<br />

shows the Mayor sitting for<br />

his portrait - the series introduced<br />

children to the many<br />

characters who contribute<br />

to the running of a town.<br />

Great favourites were the<br />

Firemen whose names were<br />

recited every time they<br />

came sliding down the pole.<br />

I always enjoyed<br />

watching the wrestling on television even<br />

if we all knew it was staged for entertainment.<br />

This card shows the fashionable spindly legs on<br />

both television and armchair from the 1960s.<br />

I have no idea how the expression ‘Couch Potato’ originated<br />

but this example printed in Korea and distributed by<br />

Great Mountain West of Utah is a fun design cut out<br />

in the shape of a potato.<br />

continued......<br />

Contributors aand<br />

advertisers aare<br />

advised tthat tthe JJanuary<br />

22010 eedition oof<br />

PICTURE PPOSTCARD<br />

MONTHLY wwill bbe<br />

published oon DDecember<br />

220th. DDeadline ffor<br />

copy iis DDecember<br />

10th.<br />

<strong>Picture</strong> <strong>Postcard</strong> Monthly December 2009 13


POSTCARD THEME<br />

PAGE TELEVISION<br />

continued from page 13<br />

When television<br />

first entered households, complete<br />

attention to it was paramount. This is beautifully demonstrated<br />

here with the head of the household going off to<br />

work on his hands and knees so as not to disturb the family<br />

viewing!<br />

THE DEALER AND<br />

COLLECTOR SHOULD BE<br />

FRIENDS...<br />

(from page 11)<br />

round and look at his stock -<br />

which contained some rare<br />

and exciting cards. Many of<br />

these were at a price which<br />

would make the average<br />

punter at postcard fairs<br />

blink a bit, so there was the<br />

added attraction for him<br />

that here was someone who<br />

was prepared to spend a lot<br />

of money for good and rare<br />

cards without quibbling.<br />

But was it fair to other<br />

Portsmouth collectors?<br />

However, I agree with<br />

the comment made by Ken<br />

Hassell that if cards are<br />

advertised as being on sale,<br />

then they should not go on<br />

the table until the public<br />

arrive. But, as I write this,<br />

more possibilities of claims<br />

to unfairness strike me, if<br />

we take things to extremes.<br />

If I come to a fair with<br />

Andrew, thus allowing him<br />

to go buying cards, is that<br />

unfair to both collectors and<br />

to dealers who have to stay<br />

at their stall?<br />

I'm afraid the truth of<br />

the matter is that life frequently<br />

is unfair, and the<br />

more you try to make it fair,<br />

the more complicated it<br />

gets, as I hope I have<br />

demonstrated here. So, to<br />

return to my previous point,<br />

by and large, I don't think it<br />

is wrong for dealers to trade<br />

before fairs. I think there<br />

One way of<br />

teaching those<br />

new to collecting<br />

why prices vary<br />

is to show contrasting<br />

cards of<br />

the same scene.<br />

I’m showing<br />

three postcards<br />

of South Parade<br />

Pier - but with<br />

very differing<br />

prices. The first<br />

is by the well-known Portsmouth photographer, Stephen<br />

Cribb. It shows the pier newly rebuilt after a fire, and was<br />

posted in August 1908. It cost me £3<br />

The second one, by an unknown photographer just a few<br />

days earlier has, in addition to the pier, some of the<br />

bathing machines, and an intriguing piece of machinery in<br />

the foreground.<br />

This may have<br />

been to do with<br />

the building of<br />

the pier - if you<br />

look very carefully,<br />

you can<br />

see that work is<br />

still going on.<br />

All this is reflected<br />

in the price<br />

tag - £8<br />

14 <strong>Picture</strong> <strong>Postcard</strong> Monthly December 2009<br />

One of my<br />

favourite modern postcard artists is<br />

Fernand Zacot who signs himself simply ZACOT. This<br />

superb design was done for the French telephone directory<br />

and published as a postcard by PTT Cartophilie in 1994.<br />

may even be advantages for<br />

collectors. Let us suppose<br />

that Dealer A, who has a<br />

regular customer for a particular<br />

subject, sees a card<br />

on a stall where Dealer B<br />

does not <strong>special</strong>ise in that<br />

subject. He may buy it with<br />

his client in mind, obviously<br />

at a discount. When the<br />

client comes along, Dealer<br />

A pulls out this card and<br />

says, I've got this for you.<br />

He may add a slight profit,<br />

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he may even, in the spirit of<br />

good customer relations,<br />

make no profit on that particular<br />

card at all. His client<br />

now has the card with<br />

which he is happy, whereas<br />

he might never have gone<br />

to Dealer B. And once again,<br />

of course, this raises the<br />

objection - is this fair to<br />

other buyers and collectors?<br />

Where I do agree with<br />

collectors is that this is all<br />

We <strong>special</strong>ise in supplying<br />

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fine if dealers then put these<br />

cards on sale at other fairs.<br />

I think it is unfortunate that<br />

some cards are going<br />

straight on Ebay or other<br />

auction sites, and I am not<br />

sure that this course of<br />

action is, ultimately, good<br />

for dealers. But that's an<br />

entirely different subject.<br />

I would end by saying,<br />

in my experience, most<br />

dealers give discounts to<br />

regular customers, and you<br />

can always ask if a discount<br />

is available, e<strong>special</strong>ly if<br />

you've made a large purchase.<br />

And of course,<br />

there's nothing stopping a<br />

collector from setting up as<br />

a dealer, thus getting to<br />

The Great Escape this <strong>Christmas</strong> is to.....<br />

The GLASGOW <strong>Postcard</strong> Fair<br />

Sunday 27th December 2009<br />

10.30 am - 3.30 pm<br />

Woodside Halls, Glenfarg Street, Glasgow G20 7QR<br />

FREE ADMISSION * FREE ON-STREET PARKING * FREE FIZZY WATER * DISABLED<br />

ACCESS * EASY TO REACH BY PUBLIC TRANSPORT<br />

Dealers standing:<br />

fairs early and receiving<br />

trade discount.<br />

Right: at £6, it would be<br />

tempting to turn up your<br />

nose at this apparently not<br />

very interesting card as<br />

being too expensive. But<br />

you’d be wrong! Valentine<br />

& Sons of Dundee printed<br />

just four scenes of Baffin's<br />

Pond at Copnor, in<br />

Portsmouth, and so far I've<br />

only tracked down two of<br />

them. The price tag is just<br />

about right<br />

Third of the pier trio is<br />

this Cribb-published<br />

postcard - and what a<br />

superb card it is! Photographed<br />

some time<br />

during the First World<br />

War, it shows wounded<br />

servicemen being entertained<br />

on the pier by the<br />

Southsea Sea Angling<br />

Society. There's just so<br />

much to look at in this<br />

picture. Cost? £35, but I<br />

think even the newest<br />

recruit to collecting can<br />

see the difference<br />

between this card and<br />

the other two<br />

Gareth Burgess, Dunbar<br />

John Cumming, Glasgow<br />

Anthony Duda, Helensburgh<br />

Stuart Marshall, East Kirkbride<br />

Chad Neighbor, Montrose<br />

Richard Stenlake, Ochiltree<br />

Frank Tonelli/Cornucopia,<br />

Dundee<br />

George Waugh, Glasgow<br />

plus any surprise last-minute bookings...<br />

Finally, this is where a collector<br />

can help out a dealer - by identifying<br />

a card. This is BA Gale's<br />

Premier Penny Bazaar at 175<br />

Commercial Road, Portsmouth.<br />

On the wall are painted the<br />

words "& at Southampton".<br />

However, another card turns up<br />

with a double-fronted shop, and<br />

no clue to which city it's in. As I<br />

write this, there's one on Ebay,<br />

marked "Portsmouth Southampton",<br />

which is how dealers often<br />

mark this card. It's Southampton.<br />

Soon after these pictures<br />

were taken, Marks and Spencer<br />

opened up penny bazaars very<br />

close to Bertram Gale's shops in<br />

both places, and Gale then<br />

became a photographer. The<br />

card, incidentally, was printed for<br />

the company<br />

Enquiries: Richard Stenlake<br />

tel. 01290 551122 (daytime)<br />

e-mail rstenlake@stenlake.co.uk<br />

<strong>Picture</strong> <strong>Postcard</strong> Monthly December 2009 15


Popp Fought The Law<br />

Alan LLeonard ttells hhow P<strong>Postcard</strong>s<br />

Celebrated JJacob’s LLong BBattle oover<br />

Sunday TTrading<br />

<strong>Postcard</strong>s of the Edwardian era illustrate and exemplify<br />

a vast range of topics and occasions but unique<br />

among them must surely be the set of six satirically<br />

celebrating their originator receiving over 400 convictions<br />

for defying the law week by week through<br />

eight years, from 1902 to 1910.<br />

The transgressor became<br />

a respected citizen of High<br />

Wycombe, where he spent<br />

forty active years. Following<br />

his death there on 6th<br />

April 1939, aged 65, the<br />

Bucks Free Press published<br />

an obituary setting his life<br />

in focus. It began:<br />

“Mr Jacob Popp, former<br />

tourist guide and<br />

accomplished linguist, who<br />

came to High Wycombe<br />

many years ago to establish<br />

a tobacconist’s and<br />

newsagent’s business in<br />

what was then Frogmore<br />

Gardens, may be said to<br />

have contributed something<br />

to the history of High<br />

Wycombe. Certainly his<br />

contribution to the town’s<br />

history was unusual, but<br />

none the less any would-be<br />

historian could hardly<br />

afford to ignore the almost<br />

world-wide notoriety Mr.<br />

Popp secured for himself by<br />

the simple and original - if<br />

somewhat expensive -<br />

expedient of defying the<br />

law for more than eight<br />

years. Mr. Popp, indeed,<br />

may be ranked among the<br />

pioneers, for he was, in<br />

truth, a pioneer in defiance<br />

of the old Sunday Observance<br />

Act of 1677”.<br />

Who was Jacob Popp?<br />

His full name was Jacob<br />

Ivanovitch Popp. He was<br />

born in 1873 at Pernau, a<br />

port on the Gulf of Riga,<br />

now in Estonia but then part<br />

of a Baltic province of<br />

Tsarist Russia.<br />

It is not known when<br />

he came to England,<br />

whether as a young man on<br />

his own or earlier as a child<br />

with his family, emigrating<br />

from Russia for some combination<br />

of economic, religious<br />

or political reasons.<br />

‘Popp’ may have been a<br />

convenient shortening of<br />

his original Russian surname.<br />

Jacob Popp had evidently<br />

established himself<br />

in England as a personable<br />

young man in his twenties,<br />

for in March 1899 he got<br />

married at Sevenoaks to a<br />

Kentish girl, Annie Kellaway.<br />

Within a year or two<br />

Popp had somehow found<br />

his way to High Wycombe,<br />

where he set himself up in<br />

his own business, in a good<br />

trading location, flanked by<br />

a public house, ‘coffee tavern’,<br />

drapers and butchers<br />

etc. Living ‘over the shop’ at<br />

23 Frogmore Gardens, he<br />

was recorded there by the<br />

Census of April 1901. It listed<br />

him as working “on his<br />

16 <strong>Picture</strong> <strong>Postcard</strong> Monthly December 2009<br />

own account, at home”,<br />

then aged 27, with his wife<br />

Annie (29) and one-year-old<br />

Ivy, the first of his four<br />

daughters. She had been<br />

born at Stourbridge, where<br />

Popp may have resided<br />

briefly before settling in<br />

High Wycombe.<br />

Staying with him on<br />

census night was his Kentish<br />

brother-in-law, Albert<br />

Kellaway, 35, described as<br />

‘independent’. If he had private<br />

means, perhaps in<br />

some measure he had<br />

assisted Jacob Popp’s business<br />

venture?<br />

The census-taker<br />

recorded Popp as born in<br />

Livonia, Russia, and being a<br />

‘Russian subject.’ Most of<br />

Livonia became part of<br />

Latvia in 1918, but its northern<br />

section, largely inhabited<br />

by Estonians, was incorporated<br />

into the neighbouring<br />

Baltic republic of Estonia.<br />

Presumably Jacob<br />

Popp became a British naturalised<br />

subject as soon as<br />

he was able to apply as a<br />

permanent resident.<br />

In an interview with the<br />

correspondent of New York<br />

Times in March 1908 Popp<br />

recalled:<br />

When Charles the Second reigned as King<br />

Some funny Laws he made,<br />

And one of them was that to stop<br />

All kinds of Sunday Trade.<br />

When he was dead the people saw<br />

This law was an abuse,<br />

In fact that it was like the King - Of very little use.<br />

On one fine day the<br />

Councillors<br />

Of Wycombe Town all met,<br />

And said “We must enforce<br />

the Law<br />

For we’ve done nothing yet.<br />

To lessen either Rate or Tax<br />

would surely be a crime,<br />

Let’s start with this old<br />

musty Law<br />

Of Charles the Second’s<br />

time.”<br />

He threatened Fine, Imprisonment,<br />

“The Stocks” he even said,<br />

“Would be the fate of him who brought<br />

This Law upon his head.”<br />

Would you believe: this awful man<br />

Whose name is Jacob Popp<br />

Just laughed at him and Sunday next<br />

Was serving in his shop.<br />

They dug it<br />

up and looked around<br />

To see on whom to drop<br />

And finally they found a<br />

man<br />

Whose name is Jacob Popp.<br />

They summoned their Head<br />

Constable<br />

And unto him did say:<br />

“Go, tell J.Popp of his vile<br />

crime<br />

And how we’ll make him<br />

pay.”<br />

“I came to High<br />

Wycombe and acquired a<br />

business at this little shop.<br />

After a time I began to open<br />

on Sundays and did a good<br />

trade. Then, one Sunday<br />

afternoon, the chief constable<br />

came in and said unless<br />

I closed up I would be summonsed.<br />

I declined to close,<br />

with the result that a summons<br />

was issued against<br />

me on the Monday (21 January<br />

1902). It was taken out<br />

under the statue of Charles<br />

the Second and charged<br />

that ‘I on a certain date,<br />

being the Lord’s Day, commonly<br />

called Sunday, did at<br />

Chepping Wycombe, in the<br />

borough aforesaid, unlawfully<br />

do and exercise certain<br />

labour, business and work<br />

in the ordinary calling of a<br />

tobacconist and confectioner,<br />

the same not being a


They dragged him up<br />

before the Bench<br />

Of Justices, in line,<br />

Who scowled at him and<br />

said<br />

“We must inflict a heavy<br />

fine.”<br />

He paid and every Sunday<br />

Finds him serving in his<br />

shop<br />

And every Monday morning<br />

There’s a Summons for<br />

J.Popp<br />

work of necessity or charity’.<br />

I paid 15s - including<br />

costs - and since then regularly<br />

every Monday I get my<br />

summons”.<br />

Sunday observance<br />

In Edwardian times the<br />

enforcement of laws relating<br />

to Sunday observance<br />

varied somewhat between<br />

town and country and<br />

between larger and smaller<br />

urban areas, according to<br />

the prevailing local religious<br />

and political sentiments and<br />

control.<br />

Since the Reformation,<br />

activities permitted or forbidden<br />

on Sundays had<br />

been regulated by the State<br />

rather than Church authorities.<br />

Members of various<br />

religious denominations<br />

and other groups held differing<br />

shades of opinion<br />

about the extent to which<br />

Sunday should be strictly<br />

observed as a holy day or<br />

regarded as a holiday i.e. a<br />

day of rest, on which some<br />

forms of recreation and<br />

other activities were<br />

allowed.<br />

By 1900 attendance at<br />

Sunday worship had long<br />

since ceased to be compulsory,<br />

but trades and other<br />

occupations were subject to<br />

various statutes dating back<br />

to the 17th century.<br />

In particular, the Act of<br />

1677 decreed that “no<br />

tradesman or other person<br />

whatsoever shall do or<br />

exercise any wordly<br />

labours, business or work of<br />

their ordinary calling upon<br />

the Lord’s Day... works of<br />

necessity and charity only<br />

excepted”; convicted<br />

offenders were subject to a<br />

fine of five shillings or two<br />

hours in the stocks or seven<br />

days in prison for non-payment<br />

of the fine.<br />

The 1677 Act also provided<br />

that on Sundays “no<br />

person shall publicly<br />

expose for sale any wares,<br />

merchandise, fruit, herbs,<br />

goods or chattles whatsoever”..<br />

subject to forfeiture of<br />

goods involved.<br />

This was widely<br />

ignored, as Sunday markets<br />

became popular in London<br />

and elsewhere. Restrictions<br />

on Sunday travel also fell<br />

into abeyance. The Lord’s<br />

Day Observance Society<br />

(founded in 1831) and other<br />

groups promoted strict<br />

observance but the general<br />

trend was towards relaxation<br />

of restrictions.<br />

In late Victorian times<br />

museums, art galleries and<br />

libraries etc were freely<br />

open on Sunday afternoons.<br />

An Act of 1781<br />

which prohibited Sunday<br />

entertainments making an<br />

entry charge was evaded<br />

e.g. at the Albert Hall, where<br />

concerts were held on the<br />

basis of free admission but<br />

payment of a charge for<br />

seat reservation.<br />

From 1871 prosecutions<br />

under the 1677 Act<br />

required the written authority<br />

of a Chief Constable,<br />

stipendiary magistrate or<br />

two Justices of the Peace.<br />

There was evidently no<br />

lack of authorisations for<br />

prosecutions in High<br />

Wycombe, where the<br />

town’s legal ‘establishment’<br />

engaged in a week-by-week<br />

trial of strength with Jacob<br />

Popp - perhaps with an element<br />

of antipathy towards a<br />

defiant ‘incomer’ of foreign<br />

origin.<br />

Prosecutions became<br />

an on-going weekly drama,<br />

drawing large numbers to<br />

his shop and attracting<br />

widespread publicity, mostly<br />

sympathetic to Popp and<br />

critical of magistrates and<br />

police seen as out of touch<br />

with the more tolerant sentiments<br />

of the period.<br />

In the event, it was only<br />

after eight years that these<br />

persistent prosecutions<br />

The Sequel you’ll be<br />

pleased to learn<br />

Although they fine him still<br />

Is that this nonsense only<br />

puts<br />

More money in his Till.<br />

were discontinued,<br />

enabling Popp to continue<br />

Sunday trading without further<br />

incident for the rest of<br />

his life.<br />

Eight Years Saga<br />

When he received his first<br />

summons in January 1902<br />

Mr. Popp stuck it up in his<br />

shop window, with the<br />

annotation “King Charles is<br />

after me” He kept his subsequent<br />

weekly summonses<br />

as souvenirs of his on-going<br />

encounters with the High<br />

Wycombe magistrates and<br />

Chief Constable, Mr. O.D.<br />

Sparling.<br />

Constables were sent<br />

to Popp’s shop every Sunday:<br />

next day they duly<br />

declared to the justices that<br />

they had kept observation<br />

and seen persons enter and<br />

purchase tobacco, cigarettes,<br />

newspapers, sweets<br />

etc. Popp was duly called<br />

before them; as he did not<br />

dispute the police evidence,<br />

his conviction was quickly<br />

effected.<br />

For the first two and a<br />

half years, Popp was generally<br />

fined five shillings<br />

plus ten shillings costs,<br />

15s in all. To quote again<br />

from his 1908 interview<br />

for the New York Times:<br />

“There are two alternatives<br />

to paying the fine,<br />

viz.: two hours in the<br />

stocks or seven days’<br />

imprisonment in jail. I<br />

wanted to be placed in<br />

the stocks but they have<br />

been removed and I<br />

could not get the magistrates<br />

to replace them<br />

or cause others to be<br />

<strong>special</strong>ly constructed<br />

for my benefit. If they would<br />

make the imprisonment two<br />

days instead of seven, I<br />

would go to jail. But I cannot<br />

spare a week from business<br />

and close the shop. It<br />

is not likely that I shall close<br />

the shop when I take in<br />

between £20 and £30 every<br />

Sunday.”<br />

As well as making<br />

news across the Atlantic,<br />

Popp gained much domestic<br />

publicity for his defiant<br />

stand, which cast him as a<br />

popular martyr. To show<br />

sympathy with him or simply<br />

out of curiosity, numerous<br />

visitors sought out his<br />

shop on Sundays.<br />

Later he was able to<br />

open a separate lock-up<br />

shop in White Hart Street.<br />

He was encouraged by his<br />

extending Sunday trade and<br />

the fact that from 1905<br />

onwards he was generally<br />

charged only 2s. 6d. on top<br />

of his 5s fine. Did this represent<br />

a concession to him as<br />

a regular subscriber?<br />

It became such a standard<br />

levy that early in 1908,<br />

as he said, “I sent the magistrate’s<br />

clerk a cheque for a<br />

quarter’s fine in advance, to<br />

save both him and myself<br />

trouble, but he returned it.<br />

Having once begun to prosecute,<br />

I suppose the police<br />

did not like to withdraw and<br />

the summonsing will go on<br />

for years probably.”<br />

Other retailers in High<br />

Wycombe and many more<br />

elsewhere seem to have<br />

been allowed to trade on<br />

Sundays. The Popp saga<br />

finally concluded after he<br />

had been convicted 403<br />

”Popp the Martyr<br />

of High Wycombe” was the<br />

headline to this report by a<br />

correspondent of the New<br />

York Times, published in its<br />

issue of 8 March 1908. It<br />

gave a detailed account of<br />

his defiance of the Sunday<br />

trading law, based on an<br />

interview with him.<br />

(continued)<br />

<strong>Picture</strong> <strong>Postcard</strong> Monthly December 2009 17


POSTCARDS CELEBRATE<br />

JACOB POPP’S LONG<br />

BATTLE OVER SUNDAY<br />

TRADING<br />

(from page 17)<br />

times over a period of eight<br />

years, during which he paid<br />

over £200 in fines and costs.<br />

The longer the confrontation<br />

continued, the<br />

more profitable it became<br />

for him; by 1910 he was saying<br />

that “if he did not take<br />

between £40 and £50 on a<br />

Sunday at his Frogmoor<br />

shop, he had experienced a<br />

bad time.”<br />

Popp’s postcards<br />

Mr. Popp was a man of varied<br />

talents. He supplemented<br />

his shop takings by<br />

applying his command of<br />

several languages as a<br />

courier for Thomas Cook’s<br />

foreign holiday tours before<br />

and after the 1914-18 war.<br />

From his trips abroad he<br />

often brought back novelties<br />

to add to his retail trading<br />

stocks.<br />

He had a keen eye for<br />

publicity, which he promoted<br />

by producing a set of six<br />

artistic postcards presenting<br />

a satirical account of his<br />

prosecutions, with a commentary<br />

in verse of which<br />

he seems himself to have<br />

been the writer. The spirited<br />

artwork captioned by these<br />

amusing lines may also<br />

have been Popp’s but these<br />

postcard compositions do<br />

not bear any name.<br />

The New York Times<br />

report of 1908 stated that<br />

Popp had “issued a series<br />

of picture postcards illustrating<br />

his experiences and<br />

has sold one edition of<br />

12,000 of these.”<br />

It is unclear whether<br />

this figure represented<br />

2,000 sets of six or 12,000 of<br />

each of the cards. They<br />

were produced both in<br />

sepia and coloured ver-<br />

sions; the former is more<br />

often found today, usually<br />

kept together as a set by<br />

original purchasers having<br />

retained them as souvenirs,<br />

enjoying Popp’s sense of<br />

humour.<br />

They are illustrated<br />

here, with the texts of their<br />

neatly hand-lettered commentary.<br />

For another postcard,<br />

Popp was photographed<br />

standing outside his Frogmoor<br />

shop.<br />

Later years<br />

Jacob Popp was described<br />

as a man of fine physique<br />

and constitution, fully 6ft. in<br />

height. He was a keen<br />

sportsman, captain of the<br />

Wycombe Cycling Club,<br />

also a motor cyclist and<br />

motorist. He was involved<br />

with local football and cricket<br />

clubs and organised<br />

races for the benefit of<br />

street newspaper sellers<br />

and other causes. He was<br />

also an active Freemason.<br />

In June 1924 he fractured<br />

his skull and injured<br />

his legs in an accident while<br />

riding his motor cycle. After<br />

spending nine weeks in<br />

hospital he seems to have<br />

resumed his active life, until<br />

1938, when his leg troubles<br />

became serious.<br />

Their ulcerous condition<br />

compelled successive<br />

amputations above the knee<br />

of both legs in 1938-39, but<br />

to no avail, as he died on<br />

6th April 1939. The inquest<br />

verdict was “death through<br />

misadventure”.<br />

Popp had asked for no<br />

mourning but the widespread<br />

respect he had<br />

earned over four decades in<br />

his adopted town was<br />

shown by the large crowds<br />

lining the route of his<br />

cortege from Frogmoor to<br />

the parish church and the<br />

numerous and widely representative<br />

attendance at his<br />

funeral.<br />

Jacob Popp posed for this postcard photograph outside<br />

his shop, probably in 1910.<br />

18 <strong>Picture</strong> <strong>Postcard</strong> Monthly December 2009<br />

STAMP & POSTCARD FAIRS<br />

Modern postcards as well as old ones are well<br />

featured at each event<br />

This mmonth’s ffairs:<br />

Sunday 6th December<br />

WOODBRIDGE, Community Centre<br />

Sunday 13th December<br />

MOUNTNESSING, Village Hall<br />

Next mmonth’s ffairs:<br />

Sunday 10th January<br />

WYMONDHAM, Ketts Park Community Centre<br />

All fairs 10 a.m. - 4 p.m.<br />

Details: Ray How 01702-544632<br />

ALL COLLECTORS<br />

ALL RISKS - NO EXCESS<br />

Insurance Cover for STAMPS: POSTCARDS:<br />

COINS: MEDALS: & all other Collectables<br />

DEALER COVER ARRANGED<br />

at premises and Fairs<br />

PUBLIC LIABILITY for SOCIETIES<br />

STAMP INSURANCE SERVICES<br />

C G I Services Limited (Dept 16PP)<br />

29 Bowhay Lane, EXETER EX4 1PE<br />

Tel: 01392 433 949 Fax: 01392 427 632<br />

Authorised & Regulated by the Financial<br />

Services Authority<br />

This included his four<br />

daughters, two of them with<br />

their husbands, the other<br />

two then being unmarried.<br />

Popp’s widow was duly<br />

granted probate of his will<br />

in July 1939, when his<br />

effects were precisely valued<br />

at £3,891. 14s. 8d.<br />

She was then named<br />

as Philadelphia Priscilla<br />

Popp - which indicates that<br />

Jacob Popp seems to have<br />

married again after the<br />

death of his first wife.<br />

While his personal<br />

biography and contributions<br />

to the public life of<br />

High Wycombe may now<br />

have slipped into the shadows,<br />

his long campaign for<br />

Sunday trading remains a<br />

significant chapter in English<br />

social history, pictorially<br />

documented by the set of<br />

postcards he produced to<br />

celebrate it.<br />

Acknowledgements<br />

Grateful acknowledgement of<br />

their help with information<br />

for this article is made to the<br />

Local Studies Specialist,<br />

Buckinghamshire Library Service,<br />

High Wycombe; and to<br />

Tom Holder.<br />

PLEASE MENTION<br />

PICTURE POSTCARD<br />

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Got a point of<br />

view or<br />

something<br />

to say?<br />

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Postbag!


The State of the Nation, <strong>Postcard</strong><br />

Fairs, and why should I bother?<br />

Many items are sold on the<br />

Internet by individuals operating<br />

alone and who have<br />

no other involvement in the<br />

world of postcards. That is<br />

good; it opens up new<br />

opportunities for everyone.<br />

The big concern for me<br />

is the fact that major dealers<br />

from the mainstream postcard<br />

fraternity are also<br />

climbing into the Internet.<br />

Nothing wrong in that, you<br />

might think; it's a free world<br />

(relatively speaking) anyway.<br />

Except that is, it isn't<br />

being properly managed at<br />

all. There isn't a balanced<br />

approach. There is no leadership.<br />

In many cases not<br />

even an awareness of what<br />

it all means, despite the<br />

inescapable fact that it<br />

greatly affects every one of<br />

us, sellers and buyers, dealers<br />

and collectors, all alike.<br />

I cannot believe the<br />

complacent, inward-looking,<br />

shortsighted, unprofessional<br />

attitude that leading<br />

figures in the postcard<br />

world are taking towards<br />

their industry and our<br />

hobby. It is an abdication of<br />

responsibility.<br />

People forget that the<br />

postcard world is an industry.<br />

A significant number of<br />

individuals rely on it to<br />

make their living; it needs<br />

raw material supplies to<br />

function; above all it relies<br />

on having regular customers.<br />

Without the customers<br />

it is nothing.<br />

Customers<br />

I spent all my working life as<br />

a supplier to, or working for,<br />

or as a customer of the<br />

retail industry. Rammed in<br />

my head every day were<br />

phrases like - "quality and<br />

value", "listen to the customers",<br />

"if we don't give<br />

customer service they don't<br />

come back". I've seen, at<br />

first hand, what happens<br />

when the people at the top<br />

lose sight of those principles.<br />

When it comes to post-<br />

John Wood<br />

I don't write public letters - it isn't my scene at all -<br />

but this time I've had enough. I'm hacked off, disillusioned,<br />

despairing and generally frustrated beyond<br />

belief, even angry. At what? At the direction our<br />

postcard world is heading. The impact of the Internet<br />

means that the whole postcard industry and<br />

hobby is at a crossroads. Should that concern us?<br />

Too right it should if it isn't handled intelligently and<br />

responsibly, because it has already had an enormous<br />

impact on both dealers and collectors. And that<br />

impact is not all good; some of it is not good at all; in<br />

fact it is very bad.<br />

No Leadership<br />

cards, all I am is a customer,<br />

nothing more than that. I<br />

like my hobby; I like the<br />

cards I collect; I like to look<br />

at cards I don't collect; I like<br />

the friendship of like-minded<br />

collectors; I like the<br />

repartee and friendship with<br />

many of the dealers.<br />

As one particular<br />

example, I like to go to postcard<br />

fairs. At fairs we don't<br />

just talk about postcards,<br />

but also football, politics,<br />

scandal and anything else<br />

of the moment. And, and it<br />

is a big ‘and’, fairs are also<br />

one of the main sources<br />

where we all learn more<br />

about postcards and our<br />

hobby, and we broaden our<br />

interests. Fairs and clubs<br />

and people are at the heart<br />

of postcards. Many collectors,<br />

like me, browse<br />

through all sorts of postcards<br />

at a fair, not just looking<br />

for the specific ones<br />

missing from our collections.<br />

For me, I finish up<br />

buying all sorts of cards that<br />

I didn't plan for. Maybe I<br />

liked the message on the<br />

back, maybe it was in better<br />

condition than the one I<br />

already had, or it was from<br />

a different batch, or it was<br />

of a town that I knew, or<br />

maybe I just liked it when I<br />

held it. I like to buy from the<br />

dealers I am familiar with,<br />

those who are friendly and<br />

helpful, and who know what<br />

they have in their stock.<br />

Fairs - why bother?<br />

But what is happening now? I<br />

go to important fairs like<br />

Woking, Twickenham and<br />

Haywards Heath and there<br />

are precious few of the cards<br />

from my favourite publisher<br />

to look at, let alone buy. I get<br />

home, look on the internet a<br />

couple of days later and there<br />

have appeared lots of cards<br />

from that same favourite publisher,<br />

being offered for sale<br />

by dealers who had been at<br />

the fairs but had nothing new<br />

in their stock - those same<br />

dealers that I have been buying<br />

cards from regularly for<br />

years. What is the point of my<br />

driving over 100 miles to go<br />

to Woking or Haywards<br />

Heath? - not much. Why<br />

spend £50 on the train to go<br />

to Bipex - I didn't, I couldn't<br />

be bothered, I expected it<br />

would be a waste of time.<br />

How sad is that?<br />

What price loyalty of<br />

dealers at fairs to their regular<br />

customers? Not a lot in<br />

some cases. Worst of all, we<br />

now have major dealers not<br />

even bringing their topographical<br />

stock to the fairs,<br />

but there they are at those<br />

fairs trawling other dealers’<br />

stock prior to opening time<br />

(and during the rest of the<br />

day) to put away the cards to<br />

sell on the Internet. No wonder<br />

there isn't much for the<br />

likes of me to look at! Thanks<br />

a lot, everybody! It's ‘I'm all<br />

right Jack’, for the few, at the<br />

long-term cost of the majority.<br />

Doesn't anybody realise<br />

that? Don't other dealers<br />

realise they are going to lose<br />

out in the end, because, if<br />

they don't have some decent<br />

cards to sell, then they won't<br />

have the customers coming<br />

to visit them. The ‘I'm all right<br />

Jack’ approach is like having<br />

a cuckoo in the nest, but for<br />

how many years do cuckoos<br />

themselves survive, after they<br />

have destroyed the nest? Not<br />

many.<br />

Increasingly, there is<br />

much more enjoyment in<br />

going to smaller, friendly,<br />

local fairs like Ripley and<br />

Portchester, where the dealers<br />

know each other, they<br />

know their stock, and they<br />

know their customers. At<br />

least I know I have an evenhanded,<br />

fair chance of seeing<br />

some cards. And I can have a<br />

cup of tea and a laugh as well.<br />

Long may they prosper!<br />

<strong>Postcard</strong> Industry<br />

But what are the senior members<br />

of the postcard trading<br />

community doing? Sniping<br />

at each other, criticising what<br />

the big fair organisers are trying<br />

to achieve, grumbling<br />

how things are getting difficult,<br />

and ignoring the big<br />

wide world called reality, and<br />

business reality in particular.<br />

There are many dealers who<br />

would read the above and<br />

say, "But I don't do that".<br />

Selling cards themselves on<br />

the Internet? I agree that<br />

many do not do that, but if<br />

they sell to those who do,<br />

then are they looking after<br />

their own business? I think<br />

not. Selling a few good cards<br />

to an ‘internet man’, who<br />

then gets dealers' discount as<br />

well is surely not the best<br />

answer. Getting a good price<br />

yourself, seeing the same<br />

customers next fair and next<br />

year, selling other cards to<br />

them as well. Is that not a<br />

better bet? Some dealers<br />

agree, they do not sell new<br />

stock on the Internet, and<br />

they try to sell all their cards<br />

themselves. I applaud them.<br />

We should all applaud them<br />

and we customers should<br />

support them whenever we<br />

can.<br />

The Internet<br />

Does all this mean that the<br />

Internet is the equivalent of<br />

The Great Satan? Of course<br />

not. Do I buy on the Internet?<br />

Of course I do. For people<br />

who cannot get to fairs, or<br />

auctions, or have no local<br />

shop, then the Internet is the<br />

best thing since sliced bread.<br />

For sellers who maybe are<br />

geographically remote, or for<br />

whom postcards are only a<br />

part of what they do, then it is<br />

also a great opportunity. For<br />

the regular dealers, if they<br />

have had a good card in their<br />

stock and it has not sold,<br />

either because the normal<br />

customers haven't turned up<br />

to see it, or we won't pay the<br />

asking price, then we cannot<br />

object if they then choose to<br />

offer on the Internet, or sell to<br />

another dealer.<br />

On the Internet there is<br />

no doubt that some cards<br />

can, and do, achieve more<br />

money than if they were sold<br />

over the counter. But many<br />

other cards do not sell at all.<br />

By the time commission<br />

charges, scanning and<br />

uploading, packing and posting,<br />

are all taken into realistic<br />

account, does anyone ever<br />

work out their effective net<br />

hourly pay when selling on<br />

the internet? I really wonder<br />

about that.<br />

No Level Playing Field<br />

None of us has any divine<br />

right to preferential treatment.<br />

But if, as regular customers<br />

and collectors, we are<br />

willing to shell out our hardearned<br />

money on a regular<br />

basis then we have every<br />

right to ask for a level playing<br />

field. That is now not the<br />

case, and it is getting worse.<br />

It isn't fair and it isn't right for<br />

the future welfare of the<br />

hobby. The danger of collectors<br />

becoming faceless user<br />

ID's on the Internet rather<br />

than regular customers is<br />

real. The danger of a few selfinterested<br />

dealers jeopardising<br />

the welfare of the majority<br />

of their colleagues is real.<br />

Do Something - Now!<br />

I'm saying to everyone out<br />

there, who cares about our<br />

industry and hobby, that<br />

unless something is done, the<br />

postcard world will not just<br />

be changing, it will be withering<br />

at the core. What can collectors<br />

do? Not a lot in reali-<br />

(continued)<br />

<strong>Picture</strong> <strong>Postcard</strong> Monthly December 2009 19


STATE OF THE NATION<br />

(from page 19)<br />

ty, other than making our<br />

feelings known and trying to<br />

get those at the business end<br />

of postcards to listen to us.<br />

Otherwise, slowly but surely,<br />

inevitably and inexorably, the<br />

customers will vote with their<br />

feet.<br />

The leaders of the industry<br />

need to get their heads out<br />

of those places where they<br />

are currently so securely<br />

buried, stop bickering<br />

amongst themselves about<br />

the minutiae of postcard life,<br />

start looking outwards, and<br />

reach some common agreements<br />

and goals. Goals like:-<br />

How do we re-launch those<br />

goals; let the customers know<br />

we care?<br />

How do we get the right publicity;<br />

to raise the profile of<br />

postcards; to replace the customers<br />

who have gone?<br />

How do we get commitment<br />

from the trade members?<br />

Don't support the cuckoos in<br />

the nest.<br />

Does there need to be a relook<br />

at such basic topics as<br />

stock rotation and replenishing,<br />

achieving a steady ongoing<br />

profit, successful fairs,<br />

auctions and the Internet?<br />

How do we agree a policy on<br />

selling stock to other dealers<br />

at fairs (even if it is to say the<br />

cards will be available at the<br />

end, if unsold, rather than<br />

before opening time)?<br />

How do we agree an acceptable<br />

compromise between<br />

handling cards for personal<br />

collections (including those of<br />

dealers) and cards for Internet<br />

sale?<br />

We need to talk to the customers,<br />

get their input, at<br />

postcard clubs, at fairs,<br />

through the Internet.<br />

And through PPM<br />

I know for a fact that there are<br />

many of us who are very clear<br />

how great a contribution is<br />

made by the editors of PPM<br />

to the world of postcards,<br />

(and, yes, I would be saying<br />

that wherever I was sending<br />

this letter). That PPM is<br />

impartial; that it gives a<br />

forum for interested people's<br />

views, good or bad; that it<br />

appears every single month -<br />

a considerable achievement.<br />

If the rest of our postcard<br />

world could be organised to<br />

the same standard the better<br />

it would be.<br />

Come oon tthen…<br />

So come on postcard industry<br />

people, “Where are you?".<br />

The alarm bells are ringing. It<br />

isn't rocket science, it isn't nitpicking<br />

rhetoric; it is planning,<br />

organisation and leadership<br />

that we all need. If you<br />

don't do something, and<br />

quickly, we will all live to<br />

regret it.<br />

20 <strong>Picture</strong> <strong>Postcard</strong> Monthly December 2009<br />

� Postbag �<br />

You’re all right, Jack<br />

There is so much in Eric Eunson’s<br />

excellent article (October<br />

PPM) that I would like to<br />

respond to, but I will limit<br />

myself to just a few points.<br />

Eric bemoans the passing<br />

of established methods of<br />

trading and the emergence of<br />

new. I share his feelings but<br />

recognise that one cannot<br />

stand Canute-like against<br />

change. The internet in general<br />

and eBay in particular are<br />

here to stay. This will cause<br />

change elsewhere but, with<br />

intelligence, this need not<br />

destroy postcard collecting.<br />

First, there is a need to<br />

accept that dealers are not<br />

there to provide a local dropin<br />

centre. Yes, meeting old<br />

friends with a shared interest<br />

is a valued<br />

attribute but the<br />

dealers must<br />

make an adequate<br />

net income to justify the<br />

financial investment in their<br />

stock and the many hours<br />

worked. This cannot be<br />

achieved by six dealers in a<br />

draughty hall with a handful<br />

of collectors who will probably<br />

spend only a few pounds<br />

each either through lack of<br />

funds or, more likely, because<br />

their collections are so extensive<br />

that finding a regular supply<br />

of cards to sell to them is<br />

nigh on impossible.<br />

In 1992, after redundancy<br />

and early retirement, I<br />

became a part-time postcard<br />

dealer. In the early years my<br />

business was purely fairbased.<br />

Gradually, I built up the<br />

approvals side until it became<br />

60% of my business. The proportions<br />

stayed much the same<br />

until four years ago when my<br />

wife, not a techno-phobe like<br />

me, volunteered to start selling<br />

via eBay. This side of the<br />

business has grown rapidly<br />

whilst sales at fairs and<br />

through approvals have<br />

remained static.<br />

Currently, the sales on<br />

eBay and at fairs account for<br />

approx 30% each whilst<br />

approvals remains the largest<br />

at 40%. However, there have<br />

been significant changes in<br />

both of the “old-fashioned”<br />

routes to market. We are<br />

standing at far fewer fairs - yet<br />

sales are holding up. Why?<br />

Well we put it down to picking<br />

the fairs that are right for our<br />

stock range and by accepting<br />

that with limited supplies of<br />

quality new stock it is imperative<br />

to limit appearances. This<br />

makes for a better ratio of<br />

sales to overhead costs and<br />

consequently a more acceptable<br />

net profit. Next year, to<br />

reduce the physical effort as<br />

well as cost, we will be reducing<br />

the amount of stock we<br />

take to fairs by eliminating<br />

much of the low value material.<br />

Approvals have not been<br />

killed off, as Eric suggests, but<br />

there are fewer customers as<br />

some have ceased to buy<br />

because of financial pressures.<br />

To some extent this has been<br />

offset by selling a higher percentage<br />

of the cards<br />

despatched to approvals customers.<br />

Perhaps new<br />

approvals customers will<br />

come via eBay.<br />

eBay has already produced<br />

a number of benefits. It<br />

has brought<br />

many new<br />

Pick oof tthe PPostbag<br />

collectors to<br />

the hobby.<br />

We now sell all over the world<br />

and an increasing percentage<br />

of these sales are to repeat<br />

customers. Also it has encouraged<br />

new sellers, not just<br />

migrating fair dealers, into the<br />

market-place. This, in turn,<br />

promotes a strong auction<br />

market, helps attendance at<br />

fairs and increases the velocity<br />

of circulation of stock (a bit<br />

like quantative easing!)<br />

However, e-bay does not<br />

provide a realistic marketplace<br />

for the dealer, wellestablished<br />

or new, to replenish<br />

his stock. For this he will<br />

have to continue to rely on<br />

auctions, private purchases<br />

and buying from fellow dealers.<br />

Thus fairs will continue<br />

but the trend will be to fewer<br />

fairs where the larger one-day<br />

and, preferably, two day ones<br />

will find more support relative<br />

to the smaller ones.<br />

Little of the above will<br />

console Eric but at least it may<br />

help him to think better of<br />

Jack who, as usual, is reacting<br />

to a changing world with a<br />

clear-thinking revision of his<br />

business model. The economic<br />

survival of mainstream<br />

dealers like Jack is fundamental<br />

to the hobby.<br />

Mike Pearl<br />

Macclesfield<br />

<strong>Postcard</strong> chronology<br />

I absolutely agree 100% with the<br />

article in <strong>Picture</strong> <strong>Postcard</strong> Annual<br />

2010 on re-naming the groups<br />

that post-war postcards are listed<br />

in. The worst is the way dealers<br />

use the term ‘moderns’ for everything<br />

published from 1945<br />

onwards, implying these just<br />

aren't collected. We have a fine<br />

example with F.E.Quinton's art<br />

postcards. A number of dealers<br />

apparently have never heard of<br />

him when asked for his cards.<br />

Others just don't bother to bring<br />

them. Why? Because they say<br />

no-one wants them as they are<br />

modern. In the late 1930s he<br />

spent two years pre-war at art<br />

college, was called up to fight for<br />

his country, returned home after<br />

the war and studied two more<br />

years at art college. Not only<br />

did he suffer because his cards<br />

were labelled ‘modern’ but I<br />

reckon so did Salmon because<br />

they were not sure what number<br />

of F.E.Q. cards to print. Consequently,<br />

it is easy to find those<br />

that Salmon thought they could<br />

sell easily at seaside places. But<br />

that has meant a large number are<br />

very difficult to find. With the<br />

popularity of A.R.Quinton on<br />

eBay it is making F.E.Q. popular<br />

too and many of his cards are<br />

selling at higher prices than you<br />

would expect when you see<br />

£1.50 printed in the catalogue. I<br />

know the subject has been mentioned<br />

in PPM earlier, but I am<br />

sure it needs working out very<br />

carefully by a small body of collectors<br />

and dealers under your<br />

leadership. Would "contemporary"<br />

or "current" be suitable for<br />

the last 20 years? Would 1945-<br />

1960 postwar, 1960-2000 - think<br />

of a word which means ‘collecting<br />

started new popularity’, and<br />

2000-2020 be right? It is just<br />

my thoughts to start on, so someone<br />

else can work from there and<br />

think of something better?! How<br />

are your thoughts these days on<br />

the subject of ‘moderns’?!<br />

Jean Cullen<br />

Locks Heath<br />

[We have suggested 1960-90<br />

‘semi-modern’ (but that’s a<br />

rather meaningless term: can<br />

anyone come up with something<br />

better?) 1991-date ‘recent and<br />

contemporary’. Certainly anything<br />

prior to 1960 cannot be<br />

remotely classified ‘modern’.<br />

Thoughts from readers welcomed!<br />

Next month we will be<br />

having an in-depth look at all the<br />

‘postcard periods’, based on the<br />

recommendations of Tonie and<br />

Valmai Holt some 40 years ago]


<strong>Picture</strong> P<strong>Postcard</strong><br />

Annual 22010<br />

is now available at<br />

£4.75 with an up to date<br />

directory of dealers, fair<br />

organisers, auctions etc<br />

plus lots of features and<br />

articles, and a list of<br />

important 2010 postcard<br />

fairs. On sale from your<br />

favourite dealer or<br />

direct from the<br />

publishers at<br />

15 Debdale Lane,<br />

Keyworth, Nottingham<br />

NG12 5HT (plus postage<br />

£1 UK, £3 Europe, £5.50<br />

rest of world)<br />

Big sender<br />

Having seen the postcard with a<br />

big list of memberships of international<br />

postcard and correspondence<br />

clubs (November PPM,<br />

p.8), it seems that Andre Perlet<br />

must have sent a huge amount of<br />

postcards. I have a similar postcard,<br />

though with a different list<br />

of clubs he belonged to (shown<br />

below, along with the picture<br />

side).<br />

George Eimermann<br />

Wateringen, The Netherlands<br />

It’s their business!<br />

As someone who had a good<br />

friend born in Hartlepool back in<br />

1913 who died about a year ago,<br />

it was with interest I read of the<br />

1914 Hartlepool disaster card<br />

that sold for £1,120 (PPM,<br />

November 2009). I certainly<br />

would have showed her the feature<br />

were she still with us. With<br />

regard to the price, it does seem<br />

excessive to anyone involved in<br />

the postcard world. Yet to the<br />

outsider with money to spare, it<br />

isn't really that expensive in this<br />

day and age, considering how<br />

much money people spend on<br />

their leisure activities. What's<br />

more, such individuals probably<br />

wouldn't want to waste time<br />

looking for a dealer, preferring to<br />

spend the money requested on<br />

eBay. And I suppose if they wish<br />

to do that, it is their own business!<br />

Tim Mickleburgh<br />

Grimsby<br />

From the (Eastern)<br />

Front<br />

Roger Lee’s Cossack card on<br />

page 45 of the November issue<br />

is certainly a striking design,<br />

but I think his interpretation of<br />

it is mistaken. Although, from<br />

the spelling, the card was presumably<br />

published in France, I<br />

don’t think that the background<br />

is the French tricolour, which is<br />

divided vertically, blue in the<br />

hoist, white in the centre and<br />

red in the fly.<br />

The Cossacks were Russian<br />

cavalry, and I suggest that<br />

the background is the old Imperial<br />

Russian flag, also a tricolour,<br />

but divided horizontally,<br />

white over blue over red.<br />

This flag disappeared at the<br />

Revolution of 1917, but - in a<br />

fine example of “what goes<br />

around, comes around” - since<br />

the break-up of the Soviet<br />

Union, the old tricolour is once<br />

again the ensign flown by<br />

Russian ships and also, I<br />

believe, in general use ashore.<br />

Rick Hogben<br />

Hampstead<br />

PPM keeps yyou<br />

in ttouch!<br />

The Game at Sheffield<br />

I was interested to see the<br />

"TITLES - The New <strong>Postcard</strong><br />

Game" postcard illustrated in<br />

November PPM, in particular as<br />

I have a similar card with "Views<br />

of Sheffield and District" (left),<br />

posted in 1914 from Chesterfield.<br />

The only clue to the publisher<br />

are the words ‘The I.D.L.<br />

Series’ on the back. Like the<br />

Weston-super-Mare card, which<br />

has views numbered 25 to 36, my<br />

card also has twelve views, these<br />

being numbered 37 to 48, so presumably<br />

there were at least three<br />

more Sheffield cards in the game<br />

series, which carried the numbers<br />

up to 36. As to how the game was<br />

played I have no idea; most of<br />

the Sheffield views would have<br />

been easy to identify by<br />

Sheffielders of the day.<br />

Philip Robinson<br />

Sheffield<br />

[Tony Roberts turned up two<br />

more postcards in the Weston<br />

series, with views numbered 13-<br />

24 and 37-48. Can any readers<br />

come up with other places featured<br />

in the genre?]<br />

Pending Project<br />

In the November issue of PPM<br />

you reported that the launch of<br />

‘The <strong>Postcard</strong> Society’ had ‘hit<br />

the deck’. This is untrue. All<br />

that happened was that despite<br />

a very good attendance at the<br />

Woking fair, only 14 or 15 people<br />

turned up for the meeting<br />

and, though I could have<br />

attempted to form a committee,<br />

I deemed it as silly to attempt to<br />

do so in such circumstances.<br />

Since the meeting however,<br />

various people have come<br />

forward who fully support the<br />

idea of a museum as well as<br />

other sensible ideas to put a bit<br />

of life into the hobby - and if<br />

and when I reckon that we have<br />

a sufficient number of them,<br />

(maybe 30 or 35) then we shall<br />

hold another meeting! The<br />

society has not ‘hit the deck’,<br />

therefore, but is merely in the<br />

‘pending’ tray - though it is up<br />

to others to contact me if they<br />

wish the project to go<br />

forward. My address is 16<br />

Heron Road, St Margarets,<br />

Twickenham, TW1 1PQ and<br />

my e-mail address is<br />

mgpostcards@blueyonder.co.uk<br />

Personally I find it hard to<br />

believe that only a small handful<br />

of people are interested in<br />

the future of the hobby in this<br />

country - but maybe that is the<br />

case. We shall see... Of course,<br />

the ones who actually count are<br />

those who bother to contact me<br />

and who are prepared to come<br />

to a future meeting - probably<br />

in this neck of the woods.<br />

Michael Goldsmith<br />

Twickenham<br />

<strong>Picture</strong> <strong>Postcard</strong> Monthly December 2009 21


Jam today, jam<br />

tomorrow...<br />

Nick HHartley iinvestigates aa ffamily ffirm<br />

Hartley's Jam was founded in 1871 in the Lancashire<br />

mill town of Colne. The firm's founder, William Hartley,<br />

had started in business as a grocer, hawking his<br />

products in the neighbouring towns and villages. A<br />

fortuitous accident led him into the production of the<br />

preserves for which he would become so well<br />

known. When a local manufacturer failed to deliver<br />

supplies to him, Hartley decided to make the jam<br />

himself.<br />

An attractive advertising<br />

postcard for Hartley’s Marmalade<br />

The business grew rapidly<br />

and in 1874 he moved to<br />

Bootle in order to take<br />

advantage of the cheaper<br />

supplies of sugar coming<br />

into the docks, as well as<br />

improving the distribution<br />

of his finished products. At<br />

Bootle, demand was such<br />

that he twice enlarged the<br />

works, but he was still<br />

unable to fulfil all his<br />

orders, and so in 1886 he<br />

built what was then one of<br />

Another card in the ‘official<br />

Hartley’s series showing their works at Aintree, Liverpool<br />

22 <strong>Picture</strong> <strong>Postcard</strong> Monthly December 2009<br />

Hartley’s Fruit Farm at<br />

Henlow, Bedfordshire - one of a series of postcards<br />

published by the firm<br />

Transporting oranges to<br />

Sevilla<br />

the largest preserves factories<br />

in the world at Aintree<br />

on the outskirts of Liverpool.<br />

The works covered ten<br />

acres and was sited at the<br />

junction of two main railway<br />

lines in order to facilitate<br />

the delivery of vast<br />

amounts of fruit and sugar.<br />

Hartley's was a huge business.<br />

The factory was capable<br />

of producing over six<br />

hundred tons of preserves a<br />

week and when the weather<br />

was warm and supplies<br />

abundant, <strong>special</strong> trains<br />

were laid on to collect the<br />

fruit from the fields.<br />

The construction of the<br />

Aintree works was followed<br />

in 1901 by the opening of a<br />

factory in Bermondsey. The<br />

two factories between them<br />

employed over three thousand<br />

workers and next to<br />

the factory at Aintree Hartley<br />

built a model village,<br />

which in its day ranked<br />

alongside Bournville and<br />

Port Sunlight.<br />

At the turn of the century,<br />

Hartley's was the leading<br />

name in the manufacture<br />

of preserves. The firm<br />

sold its products the length<br />

and breadth of Britain and<br />

throughout the Empire. The<br />

principal outlet was the corner<br />

grocery stores, but its<br />

products were also sold to<br />

stores such as Harrods, as<br />

well as the railway companies<br />

and shipping lines. The<br />

White Star Line, owners of<br />

the ill-fated Titanic, served<br />

Hartley's Jams on its fleet<br />

of ocean going liners, as did<br />

Cunard and Union-Castle,<br />

the main shipping line to<br />

South Africa. Hartley's West<br />

End Marmalade was said to<br />

stand on the breakfast table<br />

of King Edward VII.<br />

William Hartley died in<br />

October 1922, at the age of<br />

76. The following year, a<br />

photographer from the<br />

Northampton firm of Clarke<br />

and Sherwell was sent to<br />

the Aintree works to document<br />

the manufacturing<br />

process for a series of postcards<br />

that appeared soon<br />

after. The photographer took<br />

around fifty pictures of the<br />

works, as well as the nearby<br />

pottery at Melling, which<br />

made the stoneware pots in<br />

which the jam was sold<br />

(runners and riders in the<br />

Grand National annually<br />

cross the Melling Road) and<br />

the Hartley fruit farm at<br />

Henlow in Bedfordshire.<br />

The directors at Hartley's<br />

selected 24 of the photographs,<br />

which were initially<br />

reproduced as two<br />

million photogravure postcards.<br />

The photographs<br />

showed the interior and<br />

exterior of the factory. An<br />

aerial picture was effective-


Boxmaking<br />

department at Aintree<br />

ly the first in the sequence<br />

and allowed the firm to<br />

show not only the size of<br />

the works, but also the<br />

model village which stood<br />

beside it, complete with<br />

ornamental lake. The factory<br />

was built of red brick and<br />

was a largely self-contained<br />

unit. It had its own boxmaking<br />

department, where<br />

most of the apprentices<br />

started, turning out as many<br />

as three thousand boxes a<br />

day, garages to maintain<br />

the firm's fleet of lorries,<br />

and Dining Halls, one for<br />

women, who formed the<br />

majority of the workers, the<br />

other for men.<br />

Inside the factory, the<br />

photographer captured different<br />

aspects of the manufacturing<br />

process. The firm<br />

boasted that “fruit gathered<br />

at sunrise is Hartley's Jam<br />

Aerial view of Hartley’s London works<br />

Poster<br />

advert for Hartley’s preserves<br />

the same evening” and vast<br />

numbers of women were<br />

employed to hull and stone,<br />

top and tail, or to work in<br />

the Finishing Room, where<br />

nimble fingers labelled,<br />

wrapped and tied over a<br />

hundred thousand jars a<br />

day. (The Mayor of Liverpool<br />

on a visit to the works<br />

noted that a clergyman<br />

could not tie a knot as fast!)<br />

When it was first<br />

opened, the works had been<br />

a series of long, low buildings<br />

in which production<br />

moved from one phase to<br />

the next in a seamless<br />

process, but in 1891 the first<br />

of three great five storey<br />

warehouses in which the<br />

finished products were<br />

stored had been added. A<br />

second was built in 1899<br />

and the third in 1924, too<br />

late to appear in the aerial<br />

photograph of the works,<br />

but which<br />

Aerial<br />

view of the firm’s Aintree<br />

factory<br />

(below) The main entrance and offices at Aintree<br />

Hartley’s motor<br />

wagons being loaded with Seville<br />

oranges at the docks<br />

nevertheless featured in a<br />

postcard that was later<br />

added to the series.<br />

The popularity of the<br />

cards encouraged the firm<br />

to widen its horizons. In<br />

February 1924, the directors<br />

ordered an additional<br />

five million postcards,<br />

which included the original<br />

24 photographs, as<br />

well as five photographs<br />

taken in Seville (Hartley's<br />

used almost a quarter of<br />

the world's supply of<br />

Seville oranges) and two<br />

others, taken on the docks<br />

at Liverpool. It also produced<br />

three million colour<br />

postcards, which were<br />

reproductions of its marmalade<br />

and preserve<br />

showcards.<br />

The firm's records are<br />

incomplete, but it seems that<br />

in total at least 37 images<br />

were reproduced. The cards<br />

were distributed amongst the<br />

firm's travellers (salesmen)<br />

and to individual grocers to<br />

put on the counter. The cards<br />

were also given out at trade<br />

fairs and exhibitions, such as<br />

the 1924 British Empire Exhibition<br />

at Wembley at which<br />

the firm had two stands.<br />

In 1959, Hartley's was<br />

sold to the Schweppes<br />

Group, together with rivals<br />

Chivers’ and William Moorhouse<br />

of Leeds. A few years<br />

later, production of preserves<br />

ceased at Aintree and moved<br />

to the Chivers' factory at Histon,<br />

near Cambridge. It is not<br />

known when the firm discontinued<br />

the cards, but the<br />

images, which sell for<br />

between £5 and £25, remain<br />

an invaluable record of a<br />

business that is an important<br />

part of Britain's industrial heritage.<br />

<strong>Picture</strong> <strong>Postcard</strong> Monthly December 2009 23


Crown Green Bowls<br />

John MMayhew<br />

Crown green bowls is played mostly in the north of<br />

England where it originated. Generally a game<br />

between two players, it uses a green which has<br />

raised ‘crown’ at its centre. Although the game is<br />

played mainly in the north there are greens situated<br />

as far south as Kenilworth, Southampton and<br />

Bournemouth.<br />

As crown green uses a deliberately<br />

contoured area which<br />

is difficult to replicate with<br />

indoor artificial surfaces,<br />

there is only one indoor<br />

green, at Birkenhead. The<br />

game was first played in the<br />

1870s and Lancashire was the<br />

first county association,<br />

formed in 1888. The British<br />

Crown Green Bowling Association<br />

dates back to 1907 and<br />

in England and Wales there<br />

are 130,000 registered<br />

bowlers playing for 2,600<br />

clubs. No two greens are alike<br />

as they can be round, square,<br />

oblong or mis-shaped with<br />

the raised portion not always<br />

in the centre. Most greens are<br />

either square or rectangular<br />

and can be 35 metres long<br />

and 20 metres wide and the<br />

surface may be irregular. The<br />

ideal green is 37 metres<br />

square with a 30cm - 37.5cm<br />

crown enabling four singles<br />

or pairs matches to be played<br />

at the same time. Each player<br />

has a pair of bowls weighing<br />

up to 3lbs each and points are<br />

scored by getting bowls nearer<br />

to the jack than your opponent.<br />

Bowls are manufactured<br />

so they run on a curving<br />

course known as bias and<br />

unlike flat green bowls the<br />

jack is made in a similar way.<br />

The crown jack is 95-98mm in<br />

diameter and coloured black<br />

with white mounts and spots<br />

or white with black mounts<br />

and spots. The person who<br />

wins the toss bowls the jack a<br />

minimum distance of 19<br />

metres while his toe is resting<br />

on a circular rubber or plastic<br />

mat up to 154mm in diameter<br />

termed a “footer”. There is<br />

one big difference between<br />

flat green and crown green<br />

bowls as the names imply.<br />

With flat green the surface<br />

has to be as flat as possi-<br />

ble and specified rectangular<br />

areas known as rinks are<br />

allotted to each group of<br />

bowlers. A crown green<br />

bowler has no such restrictions<br />

and can bowl from one<br />

side to the other and even to<br />

either corner. The laws of the<br />

game state that if a running<br />

jack or bowl appears to be in<br />

danger of striking a still bowl<br />

or jack belonging to another<br />

set, such running bowl or jack<br />

should be stopped and<br />

returned to be replayed. It is<br />

easy to imagine one singles<br />

or pairs game being played<br />

but to envisage four games<br />

taking place at the same time<br />

all bowling over the one<br />

crown is as they say “another<br />

ball game”.<br />

The bowling green at<br />

Blackpool shows bowlers on<br />

three sides of the green bowling<br />

at the same time. It is not<br />

easy to detect the crown on a<br />

postcard and the circular mat<br />

or footer is the only clue to a<br />

crown green game.<br />

Players compete for<br />

their county championships<br />

but the big singles event is to<br />

decide the champion of<br />

champions held at the Waterloo<br />

Hotel in Blackpool at the<br />

end of the season. Fifteen<br />

county champions plus seven<br />

other competition winners<br />

compete for the title. There<br />

are two cards dealing with<br />

the Waterloo Bowling Handicap,<br />

one commencing on<br />

Sept 2nd 1929 and the other<br />

on Aug 31st 1936. I have not<br />

been in Blackpool when the<br />

“Waterloo” is taking place<br />

and my only viewing of it is<br />

by looking at the edited TV<br />

coverage spread over several<br />

days. The big difference<br />

between the flat green championships<br />

played at<br />

Bowling Group. The bowls<br />

are at the women’s feet but were they in the team?<br />

24 <strong>Picture</strong> <strong>Postcard</strong> Monthly December 2009<br />

New ManchesterHippodrome<br />

Band in a<br />

bowling<br />

match at<br />

a pub<br />

green in<br />

Stockp<br />

o r t<br />

Road,<br />

A r d -<br />

wick.<br />

A pub green was a popular venue for a<br />

famous match like the ongoing “Waterloo” at Blackpool.<br />

Bowling Green, Hoylake. The bowler in the foreground is<br />

bowling straight ahead, while two bowls far left indicate<br />

another match being played across him from right to left.<br />

Publisher unknown. ‘Clarendon’ series. Postally used 1919.<br />

The Bowling Green, Alexandra Park, Oldham. Footer being<br />

used by bowler on left bowling to far corner of green. Card<br />

published by Valentine of Dundee in 1939.<br />

Worthing and the “Waterloo”<br />

is the large number of bookmakers<br />

sited around the<br />

ground<br />

offering odds on the players.<br />

Quite a shock to a southener<br />

brought up in the genteel<br />

world of flat green bowls.<br />

Group with Trophy<br />

The footers under the chair of the second person sitting on<br />

the left marks this out as a crown green triumph.


Waterloo<br />

Bowling Handicap. Blackpool Sept.<br />

2nd 1929. Sponsored by Magee Marshall & Co. Ltd.<br />

First prize unknown.<br />

Waterloo<br />

Bowling Handicap. Blackpool Aug<br />

31st 1936. Same sponsor as 1929 and a first prize of silver<br />

cup and £50.<br />

(above) Bowling Green,<br />

Stanley Park, Blackpool.<br />

The photo shows bowlers<br />

bowling across one another.<br />

Crown Green<br />

bowler. All ready<br />

for the photographer<br />

- bowl in one<br />

hand, jack in the<br />

other and foot<br />

firmly planted on<br />

the mat.<br />

(right) Two bowlers<br />

with marker holding<br />

card to record the<br />

score.<br />

(above) Bowls<br />

Match. Close up of<br />

a bowler about to<br />

release his bowl.<br />

postcard published<br />

by H. Naylor,<br />

Bridlington.<br />

(left) Two<br />

bowlers with<br />

marker. The<br />

marker’s task is<br />

to keep the<br />

score on a card<br />

and ensure the<br />

rules are followed.Photograph<br />

by -<br />

Stringer.<br />

Oakdale Bowling Club 1912.<br />

Group showing footer, bowls and jack. Message “This<br />

is the new club formed of which your humble has been<br />

made secretary off (sic)” Postally used 1912.<br />

<strong>Picture</strong> <strong>Postcard</strong> Monthly December 2009 25


Enigma Variations<br />

Rick HHogben<br />

In August 2009 PPM, under the heading “What tthe<br />

Postman ccouldn’t rread”, Harry Hicks wrote about the<br />

codes and devices that senders have used to hide the<br />

meaning of their message. More recently I found that<br />

I have in my collection my own example of a coded<br />

card, rather more baffling than just written backwards<br />

or upside down.<br />

One Sunday at the<br />

Bloomsbury I searched<br />

as usual for sailing<br />

vessels, but without<br />

great success - as with<br />

any collection, the<br />

more one has the<br />

more difficult it is to<br />

find anything new.<br />

As a parting gesture,<br />

before going home I<br />

looked, as I often do,<br />

at one dealer’s stock<br />

of New Zealand<br />

cards. It was quite a<br />

small bundle, but in<br />

it was a real photo<br />

card of Dannevirke<br />

High School. This<br />

was a great “find”,<br />

as my father had<br />

taught there early<br />

in his career and<br />

had later been<br />

Headmaster for seven<br />

years, and it was the<br />

school where I had started<br />

my own secondary<br />

education.<br />

I was so delighted with the<br />

front of this card that I<br />

didn’t really study the<br />

back until some time<br />

after I had read Harry<br />

Hicks’ article. When I<br />

did, I found it bore a<br />

message that looks as<br />

if it needs the attention<br />

of Bletchley Park - a<br />

mixture of long-hand<br />

written words, a selection<br />

of block capital letters,<br />

some of them separated<br />

by full-stops, a<br />

figure 5, and two blots<br />

which might or might<br />

not be part of the message.<br />

It even poses an<br />

additional difficulty not<br />

faced by those who tackled<br />

the Enigma code; our<br />

war-time code breakers<br />

decyphering messages<br />

between the German<br />

naval command and individual<br />

U-boats at least<br />

knew that the solution they<br />

sought would be in German.<br />

But this card was sent<br />

from an English - speaking<br />

country to a man with a<br />

Spanish name at an address<br />

in Spain, so the message<br />

could be in either English or<br />

Spanish - or, for that matter,<br />

in Esperanto!<br />

There is one other possibility,<br />

admittedly rather<br />

remote, suggested by the<br />

name of the sender. New<br />

Zealand was settled mostly<br />

from Britain, but when<br />

Southern Hawke’s Bay,<br />

where Dannevirke is situated,<br />

was first developed in<br />

26 <strong>Picture</strong> <strong>Postcard</strong> Monthly December 2009<br />

the 1870s, it also received a<br />

number of assisted-passage<br />

immigrants from Scandinavia.<br />

I don’t know how<br />

long the use of their native<br />

languages persisted, but<br />

names certainly fit; I was at<br />

school in the 1930s with<br />

boys named Hansen,<br />

Johansson, Christopherson<br />

and so on. And the sender’s<br />

name on this card,<br />

Berntsen, might be Scandinavian<br />

too....<br />

The original core school building. The<br />

stamp has been carefully removed from the card, and with it the<br />

post-mark date, but from the new extension visible on the left, the view<br />

probably dates from the early 1920s.<br />

I remain baffled; the<br />

code-breakers at Bletchley<br />

Park had the support of one<br />

of the world’s first computers,<br />

a massive machine filling<br />

a whole room. I do not<br />

have even a small lap-top,<br />

and my decyphering practice<br />

is limited to the occasional<br />

cryptic crossword<br />

puzzle. So any solutions<br />

will be gratefully received,<br />

on a postcard of course -<br />

and in plain language!<br />

The cryptic message,<br />

together with the sender’s name and<br />

address. The card was published by the well-known Wellington<br />

firm, Tanner Bros. Ltd., in their “Maoriland Photographic Series”. The printing and the<br />

rather faint NZ palm, a frequent feature of their cards, are in green. In the bottom right<br />

corner is the rubber stamp of a postal history dealer in Madrid. I wonder how it ended up<br />

in London.<br />

Don’t miss out on a single copy of PPM<br />

- take out a subscription or place a regular<br />

order with your supplier


Edwardian <strong>Postcard</strong><br />

Project<br />

Julia Gillen investigates who wrote all<br />

those postcards<br />

The history of everyday writing has received much<br />

less academic attention than have other areas of<br />

writing history. One reason is that most surviving<br />

texts have been from educated or elite groups;<br />

another is that until later in the nineteenth century<br />

access to writing education was limited, resulting in<br />

many people having little skill in writing and little use<br />

for its production in their everyday lives (Mitch<br />

1992). As access to education increased, eventually<br />

leading to compulsory education for all, ability with<br />

written language spread. Accordingly, when a really<br />

cheap, efficient and attractive communicative object<br />

arrived, it was actually used by and useful to many<br />

people rather than a few.<br />

This<br />

object was the postcard,<br />

which from 1902 achieved<br />

mass popularity when the<br />

Post Office finally allowed<br />

one side to be used wholly<br />

for a picture and the other for<br />

the address and message.<br />

The consequence is that for<br />

anyone interested in everyday<br />

writing at the beginning<br />

of the twentieth century, the<br />

millions of Edwardian postcards<br />

to be found at today's<br />

postcard fairs provide a massive<br />

resource. For us 'everyday<br />

writing' is writing that is<br />

not regulated by the formal<br />

rules and procedures of<br />

dominant social institutions<br />

and which has its origins in<br />

people's everyday lives.<br />

Thus it is the writing that<br />

people do for themselves in<br />

everyday life.<br />

While the majority of<br />

people interested in old postcards<br />

are more concerned<br />

with the picture side of the<br />

card, as researchers into<br />

everyday writing we are<br />

using the written texts. In<br />

1875 one journalist wrote in<br />

Appleton's Journal, 'Postal<br />

cards have not been long<br />

enough in use to admit of an<br />

inquiry as to the nature of<br />

the courtesies and social<br />

laws that do or should pertain<br />

to them'. We are interested<br />

in how by the Edwardian<br />

period the texts reflected<br />

how writers had devel-<br />

oped and adapted to these<br />

new literacy objects. Thus it<br />

is not simply to look at the<br />

topics people write about but<br />

to consider the nature of the<br />

writing, examine how it was<br />

adapted to the very distinct<br />

material nature of the post-<br />

card, and e<strong>special</strong>ly to consider<br />

its use in initiating and<br />

sustaining social relationships.<br />

We have gradually been<br />

collecting really cheap<br />

Edwardian cards (we have<br />

no funding for the project<br />

despite it having received<br />

worldwide interest). Condition<br />

is not important to us<br />

and cards are selected solely<br />

on the basis that they have<br />

some sender-produced message<br />

on them. Every card<br />

then has both sides scanned.<br />

So far we have done this for<br />

almost 2000 cards. A mass of<br />

data is then entered into a<br />

large database and this<br />

forms a core for our<br />

research. It is slow and very<br />

time consuming but has<br />

been very rewarding. We<br />

have already published a<br />

number of book chapters on<br />

the topic and have been<br />

amazed how much public<br />

and academic interest the<br />

project has demonstrated.<br />

One of the ways we<br />

are communicating about<br />

the project is through<br />

Twitter, with the help of<br />

Cath Booth. If you use<br />

Twitter do follow eVIIpc. For<br />

further information do see<br />

our project website at:<br />

http://www.lancs.ac.uk/fss/ce<br />

ntres/llrc/activities/641<br />

Finally, we'd be pleased<br />

to hear from people with an<br />

interest in the topic and<br />

e<strong>special</strong>ly from anyone who<br />

can help us find Edwardian<br />

cards very cheaply.<br />

Julia Gillen, Senior Lecturer,<br />

Literacy Research Centre,<br />

Lancaster University. Email:<br />

j.gillen@lancaster.ac.uk<br />

Nigel Hall, Emeritus Professor,<br />

Manchester Metropolitan<br />

University. Email:<br />

nigelhall@literacy.demon.co<br />

.uk<br />

<strong>Picture</strong> <strong>Postcard</strong> Monthly December 2009 27


�Auctions �<br />

A commemorative postcard<br />

for the flight of the Graf<br />

Zeppelin between the USA<br />

and Germany was the star<br />

item at Trevor Vennett-<br />

Smith’s postal auction in<br />

October. The postal history<br />

interest took the price to<br />

£208. Another aviation item,<br />

a postcard of Alcock &<br />

Brown’s 1919 Atlantic flight<br />

published by Beagles, made<br />

£74. Topographical and<br />

social history cards included<br />

a Catholic Congress<br />

parade at Brighton (£64),<br />

decorated van at Chipping<br />

Norton (£50), and Co-op<br />

interior at Lesmahagow<br />

£93. Best embroidered silk<br />

postcards were an HMS<br />

Inflexible design at £154<br />

and 17th Lancers at £137. A<br />

novelty Boer War card<br />

satirising Kitchener realised<br />

£90, and a scarce RP of Winston<br />

Churchill with village<br />

scene and stirring quotation<br />

£50. Advertising cards<br />

included Shell ‘More miles<br />

on Shell’ at £137, while a<br />

Mucha Months of the Year<br />

made £125 and two Kirchner<br />

Fleurs d’hiver cards £71<br />

each. A set of 12 Months of<br />

the Year by Guggenberger<br />

looked good value at £77.<br />

An Irish Gruss Aus-style<br />

card of Cork sold for £43.<br />

Naval collection sells<br />

for £891<br />

October’s Warwick and<br />

Warwick auction included a<br />

number of large collections<br />

offered intact, which all sold<br />

in excess of estimate. A collection<br />

of 700 British Naval<br />

cards, estimated at £240,<br />

steamed to £891 and 174<br />

miscellaneous shipping,<br />

made £690, almost quadruple<br />

estimate. Sports cards<br />

are perennially popular and<br />

a miscellaneous collection<br />

of 180, including a few<br />

Olympics, estimated at<br />

£200, made £517. A collection<br />

of Post Office, postalrelated<br />

and postal stationery<br />

cards, appealing to<br />

philatelists as well as postcard<br />

collectors, realised<br />

£690 after a £200 estimate.<br />

Best results, though,<br />

were in the topographical<br />

section. There were two<br />

large Scottish collections,<br />

making £1,437 (400 cards)<br />

and £1,322 (450 cards). 320<br />

London and suburbs, with a<br />

pre-sale estimate of £550,<br />

made £1,064 and 100 Manchester<br />

and suburbs, estimated<br />

£250, made £460. A<br />

Coventry city centre collection<br />

contained a good range<br />

of real photographic cards<br />

showing the city prior to the<br />

WWII bombing. The 300<br />

eBay notes<br />

Suffragette comics were<br />

much in demand on the<br />

internet sales site in the<br />

past month, with cards<br />

selling for between £52<br />

(an Ellam design) and<br />

£122 (five different cards<br />

achieved close to this figure).<br />

An artist-drawn<br />

Titanic made an astonishing<br />

£387 - but it did<br />

have an overprint for a<br />

showing in Tonypandy<br />

of the film of the disaster,<br />

and further information<br />

on the reverse. A different<br />

art card made a more<br />

orthodox £59. Louis<br />

Wain came in with a £235<br />

result for a Wildt & Kraypublished<br />

‘Song’ design<br />

- there were six bidders<br />

and 58 bids on this one,<br />

which started at £4.95.<br />

A huge number of<br />

large one-country or<br />

one-town large lots were<br />

sold last month, including<br />

1,000 Portugal, which<br />

made £1,054, 400 China<br />

(£748), 800 Spain(£921)<br />

and 700 Salonica (£610).<br />

Most, however,<br />

remained unsold.<br />

Other hhighlights:<br />

Swanscombe, parade at<br />

football ground £271<br />

Capt. Smith of Titanic RP £255<br />

Embroidered silk satirical, The<br />

Iron Grip £255<br />

Olympic/Titanic sizes cf.<br />

world’s biggest buildings<br />

£250<br />

Holmsley, railway station<br />

exterior £190<br />

Aviation, Hall Caine aerodrome<br />

at Ramsey 1930s £144<br />

Embroidered silk, Dragoon<br />

Guards £137<br />

Football, Man Utd team 1911<br />

ptd (tatty & torn!) £133<br />

Pellon (Halifax) rly station £132<br />

Bonzo, radio/golf theme £131<br />

Warrington, street scene RP<br />

£123<br />

Emb’d silk Queens Royal<br />

Lancers £123<br />

Ireland, RUC at Donegal RP<br />

£122<br />

WW2, Japanese card, UK<br />

surrender of Singapore £122<br />

cards, estimated at £550,<br />

realised £920. County<br />

selections included 350<br />

Yorkshire (£977) and 300<br />

Sussex (£471).<br />

A wide-ranging accumulation<br />

of 950 cards, with<br />

Africa, the Far East and the<br />

Caribbean well represented,<br />

sold for £1,275 against a<br />

conservative estimate of<br />

£320. A fine collection of<br />

Irish rural cards was on<br />

offer, including village and<br />

countryside cards as well<br />

as the more common city<br />

views. The 280 cards were<br />

estimated at £320 and<br />

realised £1,064.<br />

28 <strong>Picture</strong> <strong>Postcard</strong> Monthly December 2009<br />

Arthouse postcards<br />

score<br />

Wiener Werkstatte postcards<br />

were again headliners<br />

at Markus Weissenbock’s<br />

latest auction in Salzburg,<br />

with prices as high as 6,500<br />

euros a card. Artists Oskar<br />

Kokoschka and Rudolf<br />

Kalvach were among the<br />

most sought-after.<br />

Unsigned WWs, on the<br />

other hand, made around<br />

500 euros.<br />

Embroidered silk, Rugeley<br />

Camp £115<br />

White Star Line, crew RP £103<br />

Titanic, Nearer My God To Thee<br />

hymn cards (6) £102<br />

Trapani, Italy, fiesta £102<br />

Louis Wain A Cat’s Matrimony<br />

£91<br />

Kuwait, customs 1960s £90<br />

Ebberston village scene RP £87<br />

Rudyard Kipling RP £81<br />

Hong Kong, Queens Road £81<br />

Blandford, gypsies £80<br />

Kuwait, street scene 1958 £79<br />

Knocklong, Co. Limerick, RC<br />

church £78<br />

Guernsey, LL postcard booklet<br />

(12) £77<br />

X-Ray postcard £77<br />

Lundy Island beach £75<br />

Alloa, ferry boat £74<br />

Roscommon Castle £73<br />

Southwick, oil depot £72<br />

Turkey, postman & telegram<br />

£68<br />

Crawley, marching troops RP<br />

£66<br />

Bruntingthorpe, pub £65<br />

Liskeard, sheep fair RP £65<br />

Golf, Cruden Bay course £62<br />

Liverpool FC 1914-15 £62<br />

Pauli Ebner (2) £56<br />

RP Phillimore signed card £52<br />

Shirley Temple on greetings<br />

card £52<br />

Original artwork<br />

Fitzpatrick £178<br />

Arnold Taylor £117<br />

Trow £107<br />

Above: an<br />

unusual embroidered silk<br />

postcard that sold for £255.<br />

Below: lots of suffragette<br />

comic cards have proved<br />

popular on eBay in the past<br />

month.<br />

1930s German<br />

collection at Warwick<br />

A comprehensive 19-album<br />

collection of German Third<br />

Reich cards of the 1930s and<br />

early 1940s will be offered as<br />

a single lot in Warwick and<br />

Warwick's December 9th auction.<br />

Included are official<br />

postal stationery cards, portraits<br />

of leaders and soldiers,<br />

Nuernberg Rallies, propaganda<br />

cards, Hitler Youth, 1938<br />

and 1939 Motor Show poster<br />

adverts and many more.<br />

In the subjects section, a<br />

Punch and Judy collection of<br />

61 cards will go under the<br />

hammer, along with a rare<br />

Louis Wain Ettlinger 5256<br />

series, including the desirable<br />

Golfers, all offered as single<br />

cards. The poster adverts section<br />

has a collection estimated<br />

at £850 and several attractive<br />

single card lots, including<br />

Fry's Cocoa With Captain<br />

Scott at the South Pole.<br />

Topographicals include<br />

500 Banbury for £1,200 and a<br />

wonderful collection of 400<br />

New Zealand, with many real<br />

photographic cards, estimated<br />

at £900.<br />

A good roomful of bidders<br />

at Birmingham Auctions’<br />

sale in Worcester in October<br />

saw most postcard lots pass<br />

their room estimates, with a<br />

Titanic silk making £825<br />

despite a corner stain.<br />

Among the topographicals,<br />

five cards of a Barnsley<br />

paperworks fire hit £100<br />

and canal disasters made<br />

£30 each. Glamour and<br />

nude postcards sold well,<br />

though advertising cards<br />

struggled a little. Anything<br />

of quality was in demand,<br />

but ordinary printed British<br />

topos were shunned.<br />

Overseas cards from the<br />

Pacific Rim and Africa were<br />

also popular.<br />

�� A couple of court size<br />

Bristol cards caught the eye<br />

at Dalkeith’s sale in<br />

Bournemouth last month.<br />

One showed a sketch of<br />

Clifton Suspension Bridge,<br />

with the card cancelled by<br />

an 1895 Bristol squared circle<br />

postmark. The other featured<br />

Bristol College Green<br />

used in 1901 with a Queen<br />

Victoria stamp.<br />

�� Star item at Reading<br />

Card Club’s October auction<br />

was a rare Edwardian real<br />

photographic postcard of a<br />

scene at Pinkneys Green,<br />

near Maidenhead,<br />

which sold for £26.<br />

Sounds a bargain!<br />

PPM keeps<br />

you iin ttouch<br />

with tthe ppostcard<br />

wworld!


Sale date 9th December 2009


<strong>Stockings</strong> Galore<br />

Shapely, capacious, even darned -<br />

Wendy Mann collects them all, provided<br />

they’re on <strong>Christmas</strong> postcards<br />

One record which doesn’t appear in any ‘Book of<br />

Firsts’ concerns the first English child to receive a<br />

<strong>Christmas</strong> stocking in this country. The social historian<br />

John Pimlott remarked in his 1978 ‘The Englishman’s<br />

<strong>Christmas</strong>’ that we shall never know just when<br />

and where the first English stocking was filled. In<br />

‘The English Year’ (2006) Steve Roud agreed: “The<br />

<strong>Christmas</strong> sstocking iis oone oof sseveral eelements oof tthe<br />

modern C<strong>Christmas</strong> tthat sstill ppuzzles tthe hhistoorian, aas<br />

it iis nnot aat aall cclear eexactly wwhen oor hhow iit ccame iinto<br />

vogue iin BBritain”. Brewer’s ‘Dictionary of Phrase and<br />

Fable’ reckons it was around 1840, saying the custom<br />

came from Germany. But whenever it was and<br />

whatever the circumstances, it couldn’t have been<br />

any more satisfactory than my first remembered<br />

stocking - the largest of my father’s I could find,<br />

hand-knitted by my grannie, and wonderfully and<br />

reassuringly stretchy.<br />

(left) My first remembered<br />

stocking was borrowed<br />

from my father and looked<br />

something like this. Handknitted<br />

by my grannie, it<br />

was wonderfully and reassuringly<br />

stretchy. A Rotary<br />

RP postcard.<br />

(right) An Agnes Richardson<br />

design from Photochrom<br />

in their<br />

‘Celesque’ Series. Posted<br />

1920. I have in my wider<br />

collection a 1908 letter<br />

written to Santa by an 11<br />

year old American girl. She’d also have needed a<br />

large stocking for her 28 requests. Amongst them and with<br />

sometimes creative spelling, she wrote that she’d like a<br />

muff and fur, a sailor suit and - hedging her bets - a big doll<br />

or a small one with a coach to put it on.<br />

That lucky first youngster<br />

maybe - just maybe - had<br />

associations with the royal<br />

household. However, my<br />

tentative suggestion, as<br />

someone who enjoyed a<br />

number of <strong>Christmas</strong><br />

stockings in Oldham, is<br />

that the first national<br />

stocking may have been<br />

hung up close to my old<br />

home. After all, German<br />

merchants had nostalgically<br />

taken <strong>Christmas</strong> trees<br />

to Manchester at least as<br />

far back as 1822 which is<br />

the earliest non-Court<br />

related reference I can find<br />

and they may also, in<br />

time, have introduced the<br />

European stocking cus-<br />

tom. It would seem logical<br />

that this lovely concept<br />

might then have been<br />

copied by a small Mancunian<br />

friend of a German<br />

child resident in the city.<br />

Early Court references<br />

focused on gifts being laid<br />

around trees and probably<br />

in regal and aristocratic<br />

circles the humble stocking<br />

would have been considered<br />

a poor tool compared<br />

with the glorious<br />

<strong>Christmas</strong> trees of the<br />

truly privileged young.<br />

Much is conjecture and<br />

any self-respecting compiler<br />

of records would rightly<br />

regard my notion as woolly<br />

and unsubstantiated but I<br />

30 <strong>Picture</strong> <strong>Postcard</strong> Monthly December 2009<br />

like the idea and shall<br />

stick with it! And just as<br />

personal example and<br />

word of mouth were likely<br />

to have played a part<br />

so too must have books.<br />

Serious stocking filling<br />

began to gather momentum<br />

earlier in the States than in<br />

England due to the changing<br />

nature of the gift nearer<br />

there. On that side of the<br />

Atlantic Washington Irving’s<br />

<strong>Christmas</strong> figure in his<br />

satirical ‘History of New<br />

York’ appeared in 1809. Still<br />

called St. Nicholas, he was,<br />

however, most unsaintlike<br />

and rode ‘jollily’ over the<br />

rooftops in a wagon dropping<br />

presents down chimneys.<br />

He was followed in<br />

1821 by a Santa and his<br />

reindeer. This was in a<br />

In America in the 1870s<br />

there was some debate<br />

about the relative merits of<br />

trees and stockings. It wasn’t<br />

taken for granted in families<br />

with small children that<br />

they should necessarily<br />

have both. An embossed<br />

American postcard<br />

designed by Ellen Clapsaddle.<br />

Publisher unknown and<br />

postally used 1910.<br />

poem in the lengthily-titled<br />

annual ‘The Children’s<br />

Friend, A New Year’s Present<br />

to the Little Ones from<br />

Five to Twelve’ which also<br />

(left) This child about to discover<br />

the surprises in two<br />

full stockings is rather reminiscent<br />

of those Victorian<br />

cake decorations called<br />

Snow Babies. An embossed<br />

postcard with a PP imprint.<br />

At the time<br />

of Prince Albert’s influence<br />

and earlier very privileged<br />

English youngsters had<br />

such toy-bedecked <strong>Christmas</strong><br />

trees stockings might<br />

have seemed superfluous.<br />

They’d have been grander<br />

than this small version<br />

about to be taken indoors<br />

but it’s an attractive image<br />

from Ethel Parkinson on a<br />

postcard from C.W. Faulkner.<br />

Postally used 1905.<br />

included an early colour<br />

lithograph of Santa. And the<br />

following year saw the<br />

appearance of ‘the right<br />

jolly old elf’ of ‘Twas the<br />

night before <strong>Christmas</strong>’<br />

fame, again with reindeer.<br />

This trio showed Dutch<br />

influence as did New York<br />

itself having been named<br />

New Amsterdam by the<br />

early Dutch settlers. However,<br />

not only had they shed<br />

their ecclesiastical past in<br />

terms of appearance but<br />

they were also beginning to<br />

share a new characteristic<br />

and that was a jovial personality.<br />

It’s true there<br />

could still be a dark side as<br />

in ‘The Children’s Friend’<br />

poem where if Santa found<br />

“the children naughty, in<br />

manners rude, in tempers<br />

haughty... [he] left a long,<br />

black birchen rod......”<br />

expecting it to be used. But<br />

in spite of this injunction he<br />

was a largely amiable fellow<br />

in his increasingly<br />

numerous portrayals and<br />

his friendliness and<br />

approachability increased<br />

with the years although, as<br />

Santa/Father <strong>Christmas</strong><br />

postcards collectors will<br />

know, he was slow to completely<br />

relinquish his birch<br />

rod. The stockings themselves<br />

go back, of course, to


Father <strong>Christmas</strong><br />

must have been pleased to<br />

encounter such an accessible<br />

fireplace. Tuck’s ‘<strong>Christmas</strong>’<br />

<strong>Postcard</strong> Series 1757.<br />

Undivided back and postal-<br />

ly used 1903.<br />

the famous legend which<br />

gave rise to the custom in<br />

the first place when, wishing<br />

to save three impoverished<br />

sisters from prostitution,<br />

the fourth century<br />

Bishop Nicholas is said to<br />

have thrown bags of gold<br />

through a window which<br />

landed in stockings or<br />

shoes put before the fire to<br />

warm. But this new emerging<br />

character had far more<br />

universal appeal than the<br />

pious and constrained bishop<br />

could have hoped to<br />

aspire to.<br />

Dickens’<br />

Whilst Tiny<br />

Tim had no <strong>Christmas</strong><br />

stocking he and his family<br />

had great hopes - expectations<br />

even - of their pudding.<br />

The Victorians were<br />

beginning to recognise that<br />

manipulative use of the<br />

resurgent <strong>Christmas</strong> season<br />

would help heal social divisions<br />

as well as being good<br />

for business and Dickens<br />

gave them word pictures<br />

that suited them well. A<br />

Tuck ‘Oilette’ No. 9852 in<br />

their ‘Character Sketches<br />

from Charles Dickens’.<br />

St Nicholas, with whom it<br />

all began. Dutch settlers<br />

took his legends with them<br />

when they sailed to New<br />

York in the 17th century, it<br />

then being called New Amsterdam.<br />

He’s being so generous<br />

here his gifts wouldn’t<br />

fit into a mere stocking.<br />

An embossed postcard produced<br />

by Paul Finkenrath<br />

for Woolstone Bros. who<br />

distributed it in their Milton<br />

Series.<br />

apparent silence on the subject<br />

of <strong>Christmas</strong> stockings<br />

is significant, though he did<br />

write evocatively of <strong>Christmas</strong><br />

trees, calling one ‘that<br />

pretty German toy’. He was<br />

born in 1812 and while this<br />

childhood wasn’t all unmitigated<br />

misery there were<br />

bleak times. At the age of 12<br />

An embossed Birn Bros.<br />

postcard showing very necessary<br />

stealth.<br />

he had to work for a time in<br />

a shoe blacking factory and<br />

his father spent time in<br />

prison for debt. But it was<br />

the era he was born into<br />

which was more likely to<br />

have denied him a stocking<br />

rather than family circumstances.<br />

In his childhood<br />

the English Father <strong>Christmas</strong><br />

was still a grown up<br />

concept. With the emphasis<br />

on food, drink and merri-<br />

ment the old man probably<br />

wouldn’t have paid stockings<br />

any attention unless<br />

they encased a shapely pair<br />

of ankles! His merger with<br />

this new Santa was still for<br />

the future.<br />

As far as I’m aware<br />

<strong>Christmas</strong> stockings didn’t<br />

feature in any of Dickens’<br />

numerous articles and he<br />

didn’t mention them in his<br />

<strong>Christmas</strong> books. ‘A <strong>Christmas</strong><br />

Carol’ was published in<br />

1843 and became hugely<br />

influential on both sides of<br />

the Atlantic. Festive food is<br />

an important aspect and<br />

with the parallel themes of<br />

social altruism and <strong>Christmas</strong><br />

feasting it followed<br />

Books such as ‘A <strong>Christmas</strong><br />

Carol’ and ‘Carl<br />

Krinken’ struck a chord<br />

and encouraged charitable<br />

giving. Scrooge’s<br />

nephew said of <strong>Christmas</strong><br />

it was the only time<br />

he knew of when men<br />

and women seemed ‘to<br />

think of people below<br />

them as if they really were<br />

fellow-passengers to the<br />

grave, and not another<br />

race of creatures bound on<br />

other journeys’. Here a<br />

thoughful boy leaves gifts<br />

for a small girl less fortunate<br />

than himself. Birn<br />

Bros. embossed postcard.<br />

Postmark unclear.<br />

(below) A ‘<strong>Christmas</strong> Time’<br />

unsigned Susan Pearse design published by Henry Frowde<br />

and Hodder & Stoughton.<br />

that the desire of the<br />

reformed Scrooge to<br />

improve <strong>Christmas</strong> for the<br />

Cratchits focused on food<br />

and the purchase of a giant<br />

turkey. There were no<br />

quickly bought toys, no<br />

hastily assembled stockings<br />

left on the doorstop for Tiny<br />

Tim and his siblings. There<br />

are hardly any toys in the<br />

book and where they are<br />

mentioned the children concerned<br />

received them<br />

directly from their father.<br />

Crucially, this was before<br />

Getting stockings ready on a spacious four poster bed.<br />

Publisher unknown and postally used 1908.<br />

going to bed on <strong>Christmas</strong><br />

Eve - they didn’t hang up<br />

any stockings. It was a rumbustious<br />

occasion and great<br />

(continued)<br />

<strong>Picture</strong> <strong>Postcard</strong> Monthly December 2009 31


STOCKINGS GALORE<br />

continued from page 31<br />

Some stockings<br />

definitely held more than<br />

others! Artist: T. Gilson.<br />

Publisher unknown.<br />

fun but rather different from<br />

how things are done today.<br />

<strong>Christmas</strong> as we think of it<br />

was still taking shape.<br />

Eleven years after the<br />

appearance of Dickens’<br />

famous ghost story a book<br />

which was to prove another<br />

best seller was published in<br />

both New York and London.<br />

Even though it hasn’t stood<br />

the test of time, Susan<br />

Warner’s ‘Carl Krinken: His<br />

<strong>Christmas</strong> Stocking’ quickly<br />

ran into several editions<br />

after it first came out in<br />

1854. As an American she<br />

set this moralistic children’s<br />

tale around her country’s<br />

still evolving Santa Claus<br />

who was, she wrote, kept<br />

very busy filling half a million<br />

rich little stockings.<br />

Santa’s targets were children<br />

who could reasonably<br />

expect presents such as fur<br />

tippets and rocking horses<br />

‘and what have poor children<br />

to do with these?’ Very<br />

occasionally the poor<br />

received some discarded<br />

clothes or a mince pie<br />

which had slipped, almost<br />

accidentally, into his load<br />

A modest stocking by<br />

today’s standards perhaps<br />

but some children weren’t<br />

destined to receive one at<br />

all. Flora Thompson, author<br />

of ‘Lark Rise to Candleford’<br />

was born in 1876 and<br />

brought up in a rural<br />

Oxfordshire hamlet. Of<br />

childhood <strong>Christmas</strong>ses she<br />

wrote ‘Mothers who had<br />

young children would buy<br />

them an orange each and a<br />

handful of nuts but, except<br />

at the end house and the<br />

inn, there was no hanging<br />

up of stockings and those<br />

who had no kind elder sister<br />

or aunt in service to send<br />

them parcels got no <strong>Christmas</strong><br />

presents’. An undivided<br />

back postcard and publisher<br />

unknown.<br />

but that was about it.<br />

Nevertheless, the<br />

eponymous small hero did<br />

hang up an old darned<br />

stocking which, perhaps<br />

with an eye on book sales<br />

over here, had started life in<br />

England. Not trusting to a<br />

selective Santa, Carl’s poor<br />

fisherfolk parents filled it<br />

with ingenious trifles and<br />

when Santa visited, merely<br />

out of curiosity it has to be<br />

said, he wondered at the<br />

care taken with so few<br />

Robins well provided for on a Tuck ‘<strong>Christmas</strong>’<br />

Series postcard No. 162. Posted locally in Norfolk at<br />

7.45p.m. on <strong>Christmas</strong> Eve, 1910. Alice probably received<br />

it in time too.<br />

32 <strong>Picture</strong> <strong>Postcard</strong> Monthly December 2009<br />

Oh dear!<br />

Auntie’s anti-wrinkle cream<br />

and false teeth beside the<br />

bed and her bedtime reading<br />

being ‘Youth and how to<br />

attain it’ and all she’s going<br />

to find in her stocking is a<br />

‘Kantleek’ hot water bottle!<br />

Illustration by Albert Carnell<br />

for Photochrom in their<br />

‘Celesque’ Series.<br />

resources. Deciding<br />

to give Carl something<br />

<strong>special</strong>, he gave him the<br />

ability to hear the stories his<br />

simple presents told including<br />

that of the stocking<br />

which had once belonged to<br />

a country squire.<br />

I wonder how many<br />

English children began to<br />

hang up stockings as a<br />

direct consequence of this<br />

book? But in spite of its<br />

undoubted suc-<br />

Looks like<br />

a washing line on this<br />

embossed Tuck ‘<strong>Christmas</strong>’<br />

Series postcard No. C1033.<br />

(below) Still some surprises<br />

left on a lovely study of the<br />

delights of <strong>Christmas</strong> morning<br />

from A.L. Bowley. A<br />

Tuck ‘Oilette’ No. C3782.<br />

Postally used 1910.<br />

cess, in the<br />

days before television and<br />

the instant transmission of<br />

new ideas the stocking-filling<br />

Santa moved slowly<br />

into the general English<br />

public’s awareness. An indication<br />

of this is that as late<br />

as January 1879 a puzzled<br />

member of the Folklore<br />

Society still didn’t know<br />

who he was. Calling him<br />

Santiclaus, it was then that<br />

Edwin Lees contacted<br />

An<br />

advertising postcard for<br />

Faulder’s chocolates designed by M. Morris. Publisher<br />

unknown and postally used 1910.


Alcohol <strong>galore</strong>.<br />

Let’s hope Bert who received this postcard<br />

from brown eyed Betsy in 1910 had a more temperate<br />

<strong>Christmas</strong> than this fellow! C.G. was the artist and<br />

although the publisher’s initials are somewhat obscured<br />

they could be C. & H.G. of London in which case the artist<br />

might have been one of the publishers.<br />

With eleven<br />

stockings to fill it’s hardly surprising<br />

this worried man would like a word with whoever invented<br />

Santa Claus! The postmark’s unclear on this Bamforth<br />

postcard. No 25 in ‘The Xmas’ Series.<br />

the periodical ‘Notes and<br />

Queries’ as he’d heard that<br />

on <strong>Christmas</strong> Eve just gone<br />

this stranger had been filling<br />

stockings in Herefordshire<br />

and Worcestershire<br />

and an Exeter resident had<br />

told him he’d also been<br />

known to do the same in<br />

Devon. ‘From what region<br />

of the earth or air this<br />

benevolent Santiclaus takes<br />

flight I have not been able to<br />

ascertain.....’.<br />

He was<br />

aware that youngsters<br />

hopefully hung up stockings<br />

and, therefore, although he<br />

didn’t mention him specifically<br />

the assumption has to<br />

be that, as a folklorist, he<br />

knew of St. Nicholas who<br />

had been part of legends in<br />

continental Europe for so<br />

long. However, he was perplexed<br />

by Santiclaus. Whilst<br />

one or two of the subsequent<br />

‘Notes and Queries’<br />

A bizarre embossed Valentine<br />

postcard where Tommy dreams of a nightmarish<br />

<strong>Christmas</strong> scenario. Having been put in a stocking for<br />

young turkeys here, on another of their postcards he’s<br />

been cooked and is about to be served up. Serves him<br />

right for indulging in too rich a supper before bed!<br />

This bare footed lass seems<br />

down to her last pair of<br />

stockings as she makes an<br />

urgent repair before that all<br />

important visit. ‘You never<br />

darn my socks’ my husband<br />

grumbled when I showed<br />

him this postcard acquisition.<br />

Very true and I’ve no<br />

intention of starting - unless<br />

I borrow one to hang for<br />

myself this year, in which<br />

case I might have to do<br />

some darning on my own<br />

account! Publisher<br />

unknown and postally used<br />

1909.<br />

A Bamforth<br />

RP postcard which will<br />

strike a chord with those<br />

who remember inspecting<br />

their own stockings too<br />

early. Postally used 1906.<br />

correspondents recognised<br />

that the name was a contraction<br />

of Santa Nikolaus<br />

and described some of the<br />

continental practices, they<br />

neither mentioned the United<br />

States nor seemed to<br />

understand that although<br />

he had his roots in St.<br />

Nicholas this Santiclaus or<br />

Santa had become a per-<br />

(continued)<br />

(left) A sleepless night for<br />

this young man on a WWI<br />

postcard as he wonders if<br />

Father <strong>Christmas</strong> has callup<br />

exemption. Artist: D.<br />

Tempest. Bamforth Topical<br />

‘Xmas’ Series No. 8008.<br />

(above) Determined their<br />

dolls shouldn’t miss out on<br />

the excitement these girls<br />

have strung a line between<br />

toy beds to which to attach<br />

miniature stockings. After a<br />

black and white drawing by<br />

Max Cowper. Tuck ‘Oilette’<br />

‘But Once a Year’ No. 9444.<br />

(above) There’s real anxiety behind these preparations.<br />

Helen Gay’s ‘What’s the use of a gas fire at <strong>Christmas</strong>!’<br />

says it all. An Inter-Art ‘Comique’ Series postcard.<br />

<strong>Picture</strong> <strong>Postcard</strong> Monthly December 2009 33


STOCKINGS GALORE<br />

continued from page 33<br />

Not taking<br />

any chances both stocking<br />

and shoes have been put<br />

out on this embossed postcard<br />

postally used in the<br />

States 1910. Publisher<br />

unknown.<br />

the payroll of some stores<br />

and at the peak of the Golden<br />

Age of postcards he<br />

must have been known to<br />

everyone.<br />

It was the whole package<br />

of this new and largely<br />

secular <strong>Christmas</strong> which<br />

was to prove a winner and<br />

There’s an ominous lack of a parental presence as this<br />

sheet is about to be cut up and made into giant stockings!<br />

An embossed postcard from Whitney of Worcester, Mass.<br />

Postally used 1915.<br />

sonality in his own right.<br />

But if knowledge of<br />

Santa was patchy here in<br />

1879 the pace of change<br />

accelerated after that. By<br />

1885 there was a Santa<br />

Claus Society in London, by<br />

the ‘90s it wasn’t uncommon<br />

for him to be on<br />

Bright eyed children showing no signs of tiredness after<br />

staying awake till the magic hour. The artist’s signature is<br />

faint but looks like A.L. Bowley. Tuck ‘Oilette’ No. C7160.<br />

Postally used 1921.<br />

the phrase ‘invented tradition’<br />

sums up some aspects<br />

very neatly. By gliding<br />

expectations and giving<br />

them a chocolate box wrapping<br />

on both sides of the<br />

Atlantic its future was<br />

ensured. <strong>Stockings</strong> might<br />

only have been part of the<br />

developing magic but they<br />

were fundamental, and it<br />

was thoughts of them<br />

which prevented boredom<br />

one dark, rain-lashed Saturday<br />

afternoon recently and<br />

provided an excuse (as if<br />

one were needed!) to reexamine<br />

some of my own<br />

<strong>Christmas</strong> stocking postcards.<br />

It’s a long, long time<br />

since I hung up a stocking<br />

for myself. I wonder if I<br />

(left) Caught at last!’ The six pullout<br />

pictures on this postcard from<br />

Dennis of Scarborough show a<br />

wooden doll going shopping<br />

before having a tea-party and<br />

pulling crackers with a teddy. From<br />

their Dainty Series.<br />

34 <strong>Picture</strong> <strong>Postcard</strong> Monthly December 2009<br />

(below) ‘I do wish Santa<br />

Claus would bring me a<br />

.................... this year from<br />

Harrod’s Toy Fair’. To avoid<br />

disappointment children<br />

with indulgent families<br />

could fill in postcards like<br />

this in advance.<br />

hang one this year St.<br />

Nicholas/Santa Claus/Father<br />

<strong>Christmas</strong> will be kind<br />

enough to treat me as an<br />

honorary child? My<br />

requests would be<br />

modest. I’d like a<br />

‘green’ <strong>Christmas</strong><br />

please. Some recycled<br />

oblongs of old postcards<br />

which just happen<br />

to have festive<br />

illustrations on one<br />

Children must have enjoyed<br />

receiving greetings that<br />

could be personalised in<br />

this way. Valentine’s ‘Artotype’<br />

Series.<br />

Left: hanging up her stockings<br />

on a <strong>Christmas</strong> night’.<br />

A novel take on the subject<br />

from Fred Spurgin on an Art<br />

and Humour Xmas Series<br />

postcard. Postally used<br />

1916. The old English Father<br />

<strong>Christmas</strong> - pre Santa - had<br />

no dealings with stockings<br />

but he’d probably have<br />

noticed this pair!<br />

side would suit me fine!<br />

* This is the latest of Wendy<br />

Mann’s <strong>Christmas</strong> postcard<br />

contributions that have<br />

been a feature of December<br />

PPMs for many years. If<br />

you missed any, ask about<br />

availability of back numbers!<br />

Got a point of<br />

view or<br />

something<br />

to say?<br />

Write to PPM<br />

Postbag!


CARDS 2010<br />

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Friday 26th February<br />

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Saturday 27th February<br />

9.30am - 4pm Admission £1.50<br />

and<br />

Wood Green Animal Shelter - PE29 2NH<br />

Godmanchester (Signposted from A14)<br />

Nr. Huntingdon<br />

Friday 13th August<br />

10am - 6pm Admission £3<br />

(incl. free admission on Saturday)<br />

Saturday 14th August<br />

9.30am - 4pm Admission £1.50<br />

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FESTIVAL OF CARDS ’10FESTIVAL OF<br />

<strong>Picture</strong> <strong>Postcard</strong> Monthly December 2009 35


Valentine’s Show<br />

Jumpers<br />

Jumpers<br />

Ron Severs profiles the horsey set<br />

Many famous riders and their favourite horses have<br />

become household names as we watched them originally<br />

on black and white television competing<br />

against each other in British and International<br />

events.<br />

There were several outdoor<br />

and indoor venues that<br />

became well known to the<br />

armchair fans whose numbers<br />

grew providing fan<br />

clubs that would individually<br />

travel long distances to<br />

witness the strong competitions.<br />

The first International<br />

Horse Show took place in<br />

Dublin in 1864. The venue<br />

for the first National Horse<br />

Show was in Madison<br />

Square Garden New York in<br />

1883. These events stimulated<br />

detailed interest<br />

Another of the ‘Show Jumping Horses’ series<br />

amongst the male owners<br />

who began to attract sponsorship<br />

which gave an<br />

impetus to those who could<br />

earn considerable income if<br />

their horses won the challenges<br />

that became more<br />

and more numerous and<br />

valuable over the years.<br />

Under headlines such<br />

as ‘Leaping Horses’ it was<br />

thought that the country<br />

Valentine ‘Real Photo’ series postcard<br />

Agricultural Shows with displays<br />

of competitive jumping<br />

over perhaps locally<br />

made hurdles were intended<br />

to be included to interest<br />

owners of horses that were<br />

ridden in cross country<br />

events and “point to point”<br />

races for example. Steeplechasing<br />

and similar events<br />

stimulated the interest of<br />

farmers and country folk<br />

(right) Anneli Drummond-Hay on ‘Merely-A-Monarch’<br />

36 <strong>Picture</strong> <strong>Postcard</strong> Monthly December 2009<br />

(right) Diana Mason on<br />

‘Tramella’. Card published<br />

by Valentine of Dundee and<br />

posted at Bognor Regis in<br />

August 1956<br />

(below) Valentine<br />

‘Showjumping horses’<br />

series featuring Miss P.<br />

Moreton on ‘Red Sea’<br />

(below) Valentine postcard<br />

from the 1950s<br />

One of<br />

Britain’s most famous showjumpers,<br />

Pat Smythe (1928-96). Pat became a prolific writer, penning<br />

lots of biographies, riding tutorials and novels based<br />

on the sport of showjumping


David Broome on ‘Discutido’. He<br />

won the European Championships three times in the<br />

1960s, got an Olympic bronze in 1960 and 1968 (the latter<br />

on the famous ‘Mr. Softee’) and was voted BBC Sports Personality<br />

of the Year in 1960. He still operates stables near<br />

Chepstow<br />

who had never before competed<br />

with Rule Books to<br />

follow.<br />

Today Associations<br />

and Pony Clubs are the<br />

mainstay of equine sports.<br />

They have improved the<br />

standards of riding instruction<br />

and the competitive<br />

activities of, for example,<br />

dressage. It is essential that<br />

one checks the saddle to<br />

ensure that it fits both the<br />

horse and the rider. The<br />

horse’s centre of gravity<br />

shifts with its every movement<br />

and change of gait. It<br />

is likely that the horse is to<br />

carry on its back an unstable<br />

burden of about one<br />

fifth its own weight.<br />

In order to give complete<br />

freedom to the<br />

hindquarters and to the<br />

hocks the rider should not<br />

sit back in the saddle until at<br />

least two strides after landing.<br />

Racing on horseback<br />

probably began about the<br />

7th century BC. in Italy.<br />

All the postcards featured<br />

with this article were<br />

published by Valentine of<br />

Dundee.<br />

Give yourself an extra<br />

<strong>Christmas</strong> Treat!<br />

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AUCTIONS EVERY 8 WEEKS<br />

Payout within 14 days of sale end. Cash<br />

advances on suitable lots<br />

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all categories<br />

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albums, estate lots etc etc...<br />

Also stamps, ephemera, autographs<br />

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WITH 80 TABLES OF<br />

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<strong>Picture</strong> <strong>Postcard</strong> Monthly December 2009 37


� What<br />

the postman<br />

saw! �<br />

Messages oon tthe bback oof<br />

postcards<br />

Probably<br />

the most well-known<br />

events of the second Anglo-<br />

Boer War (1899-1902) were<br />

the sieges of Kimberley,<br />

Mafeking and Ladysmith.<br />

Though the towns were of no<br />

strategic importance, the<br />

sieges tied down a large<br />

number of Boer Soldiers who<br />

otherwise could have taken<br />

part in the invasion of Cape<br />

Colony and perhaps changed<br />

the course of the war. Ladysmith<br />

was besieged from 2<br />

November 1899 and relieved<br />

on 28 Feb 1900 by General<br />

Buller, a total of 116 days. On<br />

the whole the siege was a<br />

leisurely affair with no fighting<br />

on a Sunday. The local<br />

printer produced ‘Siege <strong>Postcard</strong>s’<br />

of which there are<br />

three main types:<br />

1. Has a soldier and sailor on<br />

the bottom right of the cards<br />

on the address side.<br />

2. Has a soldier, sailor and a<br />

Natal soldier.<br />

3. A souvenir issue that lacks<br />

the word NATAL under the<br />

coat of arms on the address<br />

side and was for philatelic<br />

use only.<br />

Each of types 1 and 2 have a<br />

number of minor varieties.<br />

The card illustrated is of type<br />

1 with the message dated 9<br />

Feb 1900, handed in at the<br />

post office on the 10th. It was<br />

held there until the first mail<br />

out after the town was<br />

relieved. Since no stamps<br />

were available, as was the<br />

case for the soldiers in the<br />

field, the card was sent without<br />

pre-payment. In transit it<br />

was marked ‘postage done’<br />

(10c), payable on receipt.<br />

However, the War Office,<br />

after some hesitation, agreed<br />

to pay all postage on<br />

unstamped cards and letters<br />

and<br />

the card was cancelled on<br />

arrival at London on 25<br />

March, reaching its destination,<br />

Stamford, the following<br />

day.<br />

The message reads: “Dearest<br />

Nettie, Just a line to tell you<br />

we have been besieged 99<br />

days to-day. I was wounded<br />

in taking Gun Hill but am all<br />

right now. I don’t know when<br />

this will reach you so am just<br />

trusting to luck. I will write?<br />

after we are relieved. From<br />

your affectionate brother (signature<br />

illegible) Guides<br />

Groups.”<br />

With regard to the latter,<br />

there were a number of<br />

mounted Guides such as<br />

Rimington’s Guides but they<br />

were usually colonial volunteers,<br />

and without a full signature<br />

it is impossible to<br />

identify his company.<br />

The postman wouldn’t<br />

have had time to read this<br />

one! Jan managed to<br />

squeeze 343 words onto a<br />

real photographic postcard of<br />

the “Pied Bull” public<br />

house at Bull’s Cross,<br />

Enfield. It reads “My<br />

Dearest Ada, Got your<br />

letter all right, sorry as<br />

regards th enews I said<br />

I’d send you tonight,<br />

I’m sorry but it can’t be<br />

done, for we heard<br />

nothing one way or the<br />

other, still, no news is<br />

good news they say, so<br />

we’ll wait & see, perhaps<br />

I shall be able to<br />

38 <strong>Picture</strong> <strong>Postcard</strong> Monthly December 2009<br />

THE MENDIP POSTCARD CLUB<br />

<strong>Postcard</strong> Fair<br />

Saturday 19th December<br />

at<br />

Glastonbury Town Hall, Somerset<br />

10am - 4pm<br />

Free admission * All day refreshments<br />

* Car parking<br />

For details phone:<br />

BARRIE ROLLINSON<br />

01278 445497<br />

<strong>Christmas</strong> with the <strong>Postcard</strong><br />

Artists 1898-1940<br />

a new book by Peggy Hawksworth<br />

Over 300 artists and 400 pictures<br />

in colour. History, Folklore and<br />

Biography. £64.<br />

available from Borders, Amazon<br />

or from the publishers<br />

www.trafford.com/07-0143<br />

(UK order desk 0845-230-9601)<br />

tell you when I write tomorrow.<br />

You said in your letter<br />

that your Aunt Lil wished she<br />

could have had one of yuor<br />

coupons, well, she will be<br />

able to have one of Mo’s<br />

when she gets them if she’d<br />

care to, it would do just as<br />

well wouldn’t it. How’s that<br />

head, still aching, Mums just<br />

been telling me that an overdose<br />

of Iron served her just<br />

the same, the Parrishes did as<br />

well if you remember, so I’m<br />

hoping that after you’ve lessened<br />

it a bit you’ll rid yourself<br />

of that head ache, for goodness<br />

knows you can do without<br />

it. I’ve just finished that<br />

sketch in Elsie’s album, &<br />

written for a job that Mr<br />

Abbott recommended to me,<br />

& now I’m going to take a<br />

lock off a door & mend it, not<br />

a bad variety is it, tell your<br />

Ma that I saw that chap about<br />

the pictures this morning<br />

again, & he said that he<br />

beleives they’ne got the<br />

order in to do some more, &<br />

he expects to be able to get<br />

them shortly. I had a look at<br />

your feather last night, its<br />

quite O.K. the next time I<br />

come I’ll fetch it. Hasn’t it<br />

been an awful day, I thought<br />

two or three times I was an<br />

iceberg. I reckon you’ve not<br />

been hot, I<br />

thought of you<br />

several times &<br />

wondered what<br />

sort of a colour<br />

your little N. was<br />

(I don’t want to<br />

give you away<br />

you see, so I<br />

don’t put it in<br />

full). I reckon<br />

you had the second<br />

pink on<br />

though. Still I hope<br />

you see it before<br />

long. I shall hear<br />

tomorrow night<br />

about that though, I<br />

expect. Shall write<br />

tomorrow night.<br />

Fondest Love Jan.<br />

(contributions ffrom JJohn<br />

Markks aand SStephen SSellick)


Sidmouth, Newton Abbot, Bexhill, Crawley, Henley-on-<br />

Thames, Cirencester, Swindon, Cromer, Norwich,<br />

Cheltenham and Dudley.


� Clubscene �<br />

Philip’s Norfolk tour<br />

Philip West was born and brought up in North Norfolk,<br />

so was well-placed to deliver an ‘A-K’ of towns<br />

and villages in the area to NORFOLK <strong>Postcard</strong> Club’s<br />

October meeting. He chose picture postcards of quality<br />

and rarity to illustrate his journey around the<br />

highways and byways, and talked at length and<br />

knowledgeably. Even the smallest settlement produced<br />

something of interest, be it a shop, brewery,<br />

railway, circus parade or golf. Change was a recurring<br />

theme in the presentation.<br />

Reading singalong<br />

<strong>Postcard</strong>s of World War<br />

One were screened at<br />

READING’s early October<br />

session, when Paul Langton<br />

underlined the importance<br />

of postcards for maintaining<br />

the morale of troops at the<br />

Front and their loved ones<br />

back home. <strong>Postcard</strong>s as<br />

propaganda tools were, of<br />

course, used by both sides<br />

in the conflict. Paul focuses<br />

on poignant messages, and<br />

showed how he’d<br />

researched the fate of some<br />

of the senders and recipients.<br />

On a more cheerful<br />

note, he led a sing-song of<br />

the chorus of Dolly Gray, a<br />

favourite of the troops that<br />

was featured on Bamforth<br />

song cards.<br />

Lorraine Maguire<br />

revealed something of the<br />

work and lives of a range of<br />

picture postcard artists at<br />

the WEST LONDON club<br />

recently. Mabel Lucie<br />

Attwell, Cynicus, Bairnsfather,<br />

Tarrant and Dudley<br />

Buxton were among those<br />

under the spotlight. The<br />

sugar-sweet Asti, outrageous<br />

Pedro and unfortunate<br />

Ellen Clapsaddle<br />

(stranded in Germany in<br />

1914) added fascination, as<br />

did Lorraine’s concluding<br />

feature on the highly successful<br />

Queensland artist<br />

Anne Geddes, whose postcards<br />

are sold around the<br />

world.<br />

Deep in the heart of<br />

Dixie!<br />

SOUTH WALES <strong>Postcard</strong><br />

Club held an audience participation<br />

evening in October<br />

when speaker Chris<br />

Wood, a Baptist minister,<br />

gave an enjoyable talk on<br />

the history of the American<br />

Civil War. He brought along<br />

several complete reproduction<br />

uniforms from both<br />

sides in the war, and several<br />

genuine artefacts were on<br />

display, along with powerpoint<br />

pictures. Chris also<br />

produced his guitar and the<br />

audience sang with gusto<br />

songs from the period -<br />

including Battle Hymn of<br />

the Republic and John<br />

Brown’s Body - with the<br />

words appearing on screen!<br />

Art class<br />

Masterpieces from Constable,<br />

Turner, Hals and Hogarth<br />

were featured by Sue<br />

Edwards at NORTHAMP-<br />

TONSHIRE <strong>Postcard</strong> Club in<br />

October. She highlighted<br />

how deliberate inaccuracies<br />

were often included in<br />

paintings to draw attention<br />

to the nuances and foibles<br />

of a particular artist.<br />

* Contact details for all<br />

postcard clubs can be found<br />

in <strong>Picture</strong> <strong>Postcard</strong> Annual<br />

2010.<br />

Retiring Plymouth <strong>Postcard</strong> Club chairman Graham Brooks<br />

(right) receives a new Plymouth Argyle book from the<br />

club’s publicity officer Harley Lawer<br />

40 <strong>Picture</strong> <strong>Postcard</strong> Monthly December 2009<br />

December 2009 highlights<br />

Aberystwyth - Angela Davis with Victorian <strong>Christmas</strong><br />

cards(7th)<br />

Aylsham - <strong>Christmas</strong> dinner(7th)<br />

Bradford - <strong>Christmas</strong> party(10th)<br />

Bristol - <strong>Christmas</strong> social, quiz and raffle(7th)<br />

Croydon - <strong>Christmas</strong> social(3rd)<br />

Dorset - <strong>Christmas</strong> fayre and entertainment(9th)<br />

Ellesmere Port & Chester - informal meeting(15th)<br />

Exeter - <strong>Christmas</strong> dinner<br />

Ferndown - three more of my favourite things(14th) and<br />

<strong>Christmas</strong> events(21st)<br />

Frinton & Walton - John Barter looks at the Festival of<br />

Britain plus <strong>Christmas</strong> party(8th)<br />

Huddersfield - <strong>Christmas</strong> party(9th)<br />

Lothian - <strong>Christmas</strong> social(11th)<br />

Maidstone - chairman’s evening(21st)<br />

Mendip - club fair(19th)<br />

Mid-Essex - <strong>Christmas</strong> social(17th)<br />

Norfolk - Rosemary and Peter Salt tell the story of Great<br />

Yarmouth(9th)<br />

North Wales - Gwyn & Christine Williams’ <strong>Christmas</strong><br />

selection box(14th)<br />

Northamptonshire - competitions(8th)<br />

North-West Kent - joint social evening with Gravesend<br />

Stamp Club(11th)<br />

Nottingham - ‘Gordon Richards Trophy’ display<br />

competition(8th)<br />

Plymouth - Elaine Clifford, former Bluebell and Tiller<br />

Girl, recalls highlights of her career plus display of<br />

theatre programmes, posters and photos plus<br />

<strong>Christmas</strong> draw and buffet(9th)<br />

Potteries - <strong>Christmas</strong> quiz, seasonal refreshments and<br />

raffle(21st)<br />

Reading - AGM, picture quiz & <strong>Christmas</strong> party(10th)<br />

Red Rose - <strong>Christmas</strong> party(16th)<br />

Shropshire - <strong>Christmas</strong> ‘noggin & natter’(8th)<br />

Southampton - <strong>Christmas</strong> meal(14th)<br />

South Wales - <strong>Christmas</strong> dinner at the Village Hotel(10th)<br />

Strathclyde - steps towards Congress(14th)<br />

Surrey - <strong>Christmas</strong> social with raffle and fun<br />

competition(16th)<br />

Tayside - <strong>Christmas</strong> party(16th)<br />

Torbay - <strong>Christmas</strong> quiz night & bingo(10th)<br />

Wirral - <strong>Christmas</strong> buffet & wine plus quiz(3rd)<br />

PLYMOUTH <strong>Postcard</strong> Club<br />

have awarded Graham<br />

Brooks life membership in<br />

appreciation of his decade<br />

of service as chairman. The<br />

decision was approved at<br />

the club’s AGM, when Graham<br />

stepped down, citing a<br />

combination of age and<br />

health conditions. Vicechairman<br />

Ron Furzeland<br />

has taken over until the club<br />

finds a successor. It was<br />

also decided to suspend the<br />

club’s annual auction following<br />

two years of<br />

disappointing sales, and<br />

to publish the club newsletter<br />

bi-monthly in future.<br />

Negotiating Dartmoor<br />

EXETER welcomed Tony<br />

Burges, a blue badge Dartmoor<br />

guide, to their late<br />

October meeting, where he<br />

featured the National Park<br />

on their doorstep. He gave<br />

tips on visiting lesserknown<br />

parts of the moor<br />

without falling into bogs!<br />

Tony recounted various<br />

local legends topical to<br />

Hallowe’en to add to the<br />

atmosphere. David Walker<br />

from Wellington was guest<br />

dealer.<br />

Scene at Mid-Essex <strong>Postcard</strong> Club’s annual fair in October.<br />

The club’s meeting that month had<br />

Michael Cox talk<br />

on ‘Women at<br />

war’, accompanied<br />

by some<br />

truly remarkablememorabilia<br />

relating to<br />

the areas<br />

where they<br />

provided<br />

much-needed<br />

support.<br />

Michael also<br />

brought along<br />

his stock.


Channel Isles displays<br />

Some 23 members of the<br />

CHANNEL ISLANDS SPE-<br />

CIALISTS SOCIETY attended<br />

the postcard meeting<br />

held at the Royal Philatelic<br />

Society's headquarters in<br />

London in early October,<br />

when 18 varied displays<br />

were given. LL cards were<br />

shown by both John Hirst<br />

and Ron Osborne. Mark Bailey<br />

displayed Herm cards<br />

and photographs by the<br />

Grut family, photographic<br />

publishers of Guernsey.<br />

Dave Edwards showed<br />

postcards by the Guernsey<br />

photographer T. A. Bramley<br />

published between 1907<br />

and 1927: these included<br />

island scenes and events.<br />

Steve Wells showed cards<br />

of Jersey, Chausey,<br />

Granville and Mont Saint<br />

Michel published by J. Puel<br />

of Granville. Anne Gough<br />

gave two displays of modern<br />

postcards, the first<br />

being of cards in the 'Naturally<br />

Guernsey' series, and<br />

some new publications of<br />

the Jersey Shell House. Her<br />

second display was of postcards<br />

by the publisher John<br />

Hinde. A number of members<br />

chose to display a<br />

theme. Richard Flemming<br />

showed Jersey's Corbiere<br />

Lighthouse; David Gurney<br />

the Jersey Sub-Post Offices;<br />

Gerald Marriner Jersey<br />

hotel cards and ephemera;<br />

Keith Raymond and Roger<br />

Harris, Jersey's railways;<br />

and both Roger Harris and<br />

Peter Saunders showed aviation,<br />

including cards of the<br />

Saint Malo to Jersey air<br />

race of 1912. Some of the<br />

railway and aviation postcards<br />

were particularly<br />

unusual, a number having<br />

recently appeared on the<br />

market and drawn from an<br />

album a dealer had been<br />

holding for 18 years.<br />

Great War memories<br />

BRISTOL’s audience was<br />

treated to audio-visual presentations<br />

by Graham Best,<br />

member of the Western<br />

Front Association, last<br />

month. His headline feature<br />

was on Edith Cavell, half of<br />

the illustrations for which<br />

were drawn from postcards.<br />

Nurse Cavell’s execution<br />

was a propaganda bonus<br />

for the Allies, and Graham<br />

showed a large selection of<br />

relevant postcards and<br />

newspaper pictures. Other<br />

presentations featured<br />

WW1 comic cards, the<br />

wounded, and nurses, the<br />

Avon Gorge, Marilyn Monroe,<br />

WW2 newspaper headlines<br />

and the Bristol blitz. All<br />

were accompanied by suitable<br />

music, songs and<br />

sound effects, making for a<br />

very entertaining evening.<br />

Passengers and coaches at Gorey Pier railway station, Jersey,<br />

on a postcard from the French publisher L. Bourry of<br />

Villedieu, Manche<br />

Considering that HUDDERS-<br />

FIELD’s October speaker<br />

David Brown introduced<br />

himself as primarily a<br />

stamp collector, his collection<br />

of local postcards<br />

amazed the audience. To<br />

top that, he also produced a<br />

range of Isle of Man cards<br />

and a selection from North<br />

Borneo!<br />

NORTH WALES<br />

enjoyed one of Lawrence<br />

Corrieri’s amazing talks in<br />

October, this time on the<br />

remote Sutherland area of<br />

Scotland. Lawrence has collected<br />

a huge number of<br />

postcards of buses of a<br />

region where the average<br />

service is two a day - one<br />

out and one back! The fact<br />

that the major part of one<br />

route is through a military<br />

firing range and is frequently<br />

out of bounds due to military<br />

activity added to the<br />

scarcity value of these<br />

buses en route to Cape<br />

Wrath!<br />

Gareth Burgess and<br />

Fiona Gebbie made the<br />

journey from Dunbar to<br />

Dundee to entertain the<br />

TAYSIDE club in October.<br />

Fiona displayed postcards<br />

of the East Lothian Coastal<br />

Trail from Cockburnspath to<br />

Prestonpans, with eyecatching<br />

scenes of Skateraw,<br />

Belhaven and Aberlady.<br />

For aviation enthusiasts,<br />

there was a card showing<br />

the first plane to land at<br />

North Berwick. On a more<br />

wide-ranging theme, Gareth<br />

exhibited a selection of<br />

cards from 60 different<br />

Scottish postcard publishers,<br />

ranging geographically<br />

from J.D. Rattar of Lerwick<br />

in the north to A.R. Edwards<br />

of Selkirk in the south.<br />

Gareth himself has a keen<br />

interest in the history and<br />

output of famous postcard<br />

publisher George Washington<br />

Wilson (GWW). Other<br />

highlights included photograaphic<br />

gems by<br />

Urquhart of Dingwall, Gammie<br />

of Aberdeenshire and<br />

Dunn of Brechin.<br />

Bygone Shrewsbury<br />

SHROPSHIRE club members<br />

were taken back in<br />

time to the pre-postcard era<br />

at their October meeting,<br />

viewing a large selection of<br />

early photographs of<br />

Shrewsbury, the county<br />

town. Martin Ryder did the<br />

honours, revealing some<br />

wonderful examples of<br />

shopfronts from the 1880s<br />

and 1890s. These were followed<br />

by further high-class<br />

material from the horse and<br />

cart days, with a wide range<br />

of subjects displayed, from<br />

early fire appliances, hansom<br />

cabs, steam wagons<br />

and railways to local flooding<br />

problems and public<br />

houses, all of which proved<br />

very much to the liking of<br />

those present.<br />

September at the<br />

COTSWOLD club featured<br />

a guided walk with club<br />

members Alan and Joan<br />

Tucker. Earlier this year,<br />

Joan made an in-depth<br />

study of Lower Street in<br />

Stroud, close to their<br />

home. She traced the history<br />

and development of<br />

their road and also of the<br />

properties on either side<br />

of the road. On a glorious<br />

late summer afternoon,<br />

she gently conducted the<br />

group along the road,<br />

explained its past and present,<br />

and showed many<br />

old postcards and photos.<br />

The afternoon was rounded<br />

off admirably with tea<br />

at the Tucker household!<br />

The previous month, Ken<br />

Goddard had talked on<br />

one of his favourite topics<br />

- railway postcards. He<br />

used a large number from<br />

his extensive collection to<br />

illustrate points he was<br />

making, and the audience<br />

was able to examine the<br />

cards at leisure.<br />

There’s mmore cclub<br />

news oon ppage 556<br />

Gareth Thomas corrected<br />

our note last month when<br />

we said there wasn’t a postcard<br />

in sight at South Wales<br />

<strong>Postcard</strong> Club’s September<br />

session on Nelson. Apparently,<br />

the club presented<br />

speaker Roger Morgan with<br />

a set of postcards entitled<br />

Caricatures of Nelson’s<br />

Navy, designed by an artist<br />

who signed himself simply<br />

‘Oggy’. One, shown above,<br />

was most appropriate to the<br />

subject of the talk.<br />

Hatless in Ilkley<br />

Tony Christy provided a<br />

cracking display at BRAD-<br />

FORD’s latest meeting,<br />

showing part of his extensive<br />

collection of Ilkley postcards.<br />

It was, however, far<br />

from the usual range of<br />

topographicals, with Tony<br />

coming up with several<br />

Bartholomew map cards of<br />

the town, a large array of<br />

comic cards and a lovely<br />

collection relating to Ilkley<br />

Moor’s famous hatless<br />

song. Most interesting was<br />

a selection of pull-out postcards<br />

which fully demonstrated<br />

the tourist aspect of<br />

the town.<br />

Spellbound at Wirral<br />

Bromborough dealer John<br />

Ryan had WIRRAL club<br />

members spellbound last<br />

month with a fascinating<br />

account of his research into<br />

the ‘Dingle’ series of postcards<br />

published by Wiliam<br />

George Bevan of Heswall.<br />

John has amassed a big collection<br />

of the cards of the<br />

photographer, whose postcard<br />

work was distinguished<br />

by its clarity and<br />

quality. Bevan had an eye<br />

for the picturesque scenes<br />

of the Wirral coastlines and<br />

the photogenic shots of Liverpool<br />

docks. He also<br />

included human interest in<br />

many postcards, with an<br />

emphasis on the prominence<br />

of children, dogs or<br />

horses in the foreground of<br />

photographs.<br />

<strong>Picture</strong> <strong>Postcard</strong> Monthly December 2009 41


Alaska’s Igloo Mission<br />

Liz McKendrick<br />

<strong>Postcard</strong>s of the arctic regions are unusual finds in<br />

this country - the only ones seen with any regularity<br />

are the set produced by Tuck ‘Wide Wide World - the<br />

Arctic’ showing different artist drawn scenes by the<br />

artist Operti. So I was quite surprised to turn up ten<br />

French Missionary cards all showing both views and<br />

Eskimos around a township called Mary’s Igloo. The<br />

cards were all published by Levenq et Cottin of Lyon.<br />

The rather strangely named village of Mary’s<br />

Igloo can be found in Alaska on the bank of the Kuzitrin<br />

River, on the Seward Peninsula just below the<br />

Arctic Circle. It came into existence during 1900<br />

when the nearby village of Kauwerk, 15 miles down<br />

river, was abandoned. Most of its inhabitants (Inupiaq<br />

Eskimos - the Inuit people of Alaska’s Bering<br />

Straits region) moved to one of the nearby cities -<br />

either Teller or Nome but some decided to settle on<br />

the coast and create a new town which they called<br />

Aukvaunlook (or ‘black whale’).<br />

Le Degel pres de la<br />

Mission de Mary’s Igloo au milieu de Juin<br />

This postcard shows a view looking towards Mary’s Igloo<br />

in June. The sea is thawing and great pieces of ice are<br />

floating in the sea in the foreground. Huts and boats from<br />

the settlement can be seen in the distance.<br />

Gold has been mined in<br />

Alaska since 1870 and was<br />

discovered in the area<br />

around Nome in 1898 by<br />

Swedish prospectors. Word<br />

of the strike spread rapidly<br />

and by the following spring<br />

a major gold rush had<br />

begun. It wasn’t long before<br />

20,000 prospectors, gamblers,<br />

shop and saloonkeepers<br />

and prostitutes<br />

were all living in a tented<br />

city around Nome. The gold<br />

deposits were<br />

found over many<br />

miles and by 1899<br />

more than a million<br />

dollars’ worth<br />

of gold had been<br />

found. Supplies<br />

for the gold fields<br />

and the growing<br />

city of Nome<br />

arrived at Aukvanlook<br />

and were<br />

offloaded from<br />

ocean boats onto<br />

barges which were<br />

Famille chretienne<br />

de la Mission de<br />

Mary’s Igloo.<br />

According to the<br />

title of this postcard<br />

shows a<br />

Christian family of<br />

Inupiat Eskimos.<br />

They are wearing<br />

reindeer skins to<br />

keep warm.<br />

42 <strong>Picture</strong> <strong>Postcard</strong> Monthly December 2009<br />

Deux Chretiens de l’Ocean<br />

Arctique. These two Christian<br />

Eskimos are posing in<br />

front of a tepee and come<br />

from near the Arctic Ocean.<br />

They look rather grim.<br />

then towed up the river to<br />

their final destination. Many<br />

of the new arrivals stopped<br />

off at Aukvanlook looking for<br />

hospitality and the village<br />

soon became known to<br />

everyone as ‘Mary’s Igloo’<br />

after Mary, an Eskimo<br />

woman, who welcomed<br />

many of the newcomers into<br />

her home for coffee. The village<br />

quickly grew in size<br />

and by 1901 a Post Office<br />

Mere et Fille Alaska<br />

This card shows a mother<br />

and daughter from Alaska<br />

posing for the camera.<br />

and supply store were<br />

opened. By 1910, Mary’s<br />

Igloo had become a large<br />

mixed community of Inupiat<br />

Eskimos, white traders, miners,<br />

innkeepers and missionaries<br />

as well as support crews<br />

for the barges.<br />

The pioneering French<br />

Jesuit missionary Father Bellarmine<br />

Lafortune came to<br />

this remote area of Alaska to<br />

help the native Inupiat Eskimos<br />

establish a self-sufficient<br />

social, economic and religious<br />

community. He was<br />

stationed in Nome and chose<br />

a second Missionary, Father<br />

Bernard, to be the priest at<br />

Mary’s Igloo. Father<br />

Bernard arrived in September<br />

1908 and during his<br />

seven year stay as well as<br />

his normal duties, he managed<br />

to learn the Eskimo<br />

language as well as take a<br />

large number of photographs,<br />

some of which<br />

may well have been turned<br />

into these postcards. He had<br />

Le Chef d’une ile du Detrroit<br />

de Behring et sa Femme.<br />

The Chief and his wife posing<br />

in this card are from an<br />

island in the Bering Strait.<br />

The Strait links the Bering<br />

Sea (northern part of the<br />

Pacific Ocean) to the Arctic<br />

Ocean.<br />

great respect for the<br />

Eskimos but sadly had to<br />

leave when he was called up<br />

for military service in 1915. At<br />

the end of WWI he asked to<br />

return to Alaska but permission<br />

was refused. For the next<br />

forty years, Bernard spent his<br />

time writing articles about the<br />

Eskimos for French missionary<br />

magazines as well as<br />

sending devotional literature<br />

to the Eskimos of the Mary’s<br />

Igloo area.<br />

Lafortune himself took<br />

over the mission at Mary’s<br />

Igloo on 21st September 1915<br />

but found the life hard. Without<br />

Father Bellarmine’s help<br />

he had to do everything himself,<br />

including the ministry,<br />

housekeeping, woodcutting,<br />

water carrying, and dog keeping.<br />

“If the good Lord had not<br />

given me a constitution of<br />

steel,” he wrote, “I could not<br />

hold out for two weeks.”<br />

Mary’s Igloo was the<br />

venue for an annual reindeer<br />

fair held in January where<br />

Eskimos brought their reindeer<br />

from miles around to<br />

compete for prizes in assoing,<br />

butchering, driving, feeding<br />

and herding. There were<br />

races of many kinds as well<br />

as prizes for the best harness,<br />

sleds, and fur clothing. Prizes<br />

were contributed by the merchants<br />

from Nome and the<br />

fair, which lasted for several<br />

days, was the great event of<br />

the Eskimo year. Often the


Arrivee de Viande fraiche (Les Esquimaux apportent au<br />

Missionnaire de Mary’s Igloo un phoque gele). This postcard<br />

shows a group of four Inupiat Eskimos bringing a<br />

dead frozen seal on a sledge being pulled by the three<br />

dogs to the right of the image to the Missionaries at Mary’s<br />

Igloo. The seal is one of the few sources of fresh meat<br />

available in the Arctic region.<br />

temperature fell well below<br />

zero yet people still slept on<br />

the snow in tents keeping<br />

warm inside their reindeer<br />

L’Organiste de<br />

la Mission de Mary’s Igloo<br />

This happy looking native<br />

girl is playing the organ for<br />

the Catholic services held at<br />

the Mission Church in<br />

Mary’s Igloo.<br />

skin sleeping bags.<br />

The flu epidemic of<br />

1918-9 swept through Mary’s<br />

Igloo leaving many people<br />

dead. Then two years later<br />

the survivors were hit by a<br />

tuberculosis epidemic. Both<br />

of these events were to see<br />

the beginning of the end of<br />

the settlement. Many of the<br />

children left without parents<br />

were helped by the missionaries,<br />

led by Lafortune, who,<br />

in 1918, opened a Catholic<br />

orphanage, “Our lady of<br />

Lourdes Mission” at nearby<br />

Pilgrim Springs as well as a<br />

Lutheran orphanage at the<br />

nearby township of New<br />

Igloo.<br />

Mary’s Igloo continued<br />

to decline and by 1948 both<br />

the local schools closed due<br />

to lack of pupils and the Post<br />

Office and Store finally shut<br />

in 1952. By then the remaining<br />

residents had moved on<br />

to Nome or Teller. Today<br />

Mary’s Igloo has no permanent<br />

population - it is only<br />

used as a seasonal fish camp<br />

during the summer months.<br />

Attelage de la Mission de Mary’s Igloo<br />

Dog sleds were the only means of transport available to<br />

the early Missionaries and were invaluable in their work.<br />

This card shows the outdoor structure used as a dog harness<br />

keeping the dogs tethered when they are resting. During<br />

his time at Mary’s-Igloo Father Lafortune made many<br />

dog team trips to see his converts scattered over the vast<br />

Seward Peninsula all the way from Cape Prince of Wales to<br />

Council, saying mass, giving instructions, and filling baptismal,<br />

marriage and burial registers.<br />

(left) Pres du Cercle Arctique<br />

Un Missionaire en<br />

voyage. This unnamed Missionary<br />

is holding the back<br />

of a sledge during a trip<br />

around the frozen arctic.<br />

(below) Eglise et Maison<br />

d’habitation de la Mission<br />

la plus proche du Pole<br />

Nord. Mary’s Igloo (Alaska)<br />

This card shows the rather<br />

bleak looking church and<br />

house of the Mary’s Igloo<br />

Missionaries with a dog<br />

sled and man in the snow<br />

outside. The title says it is<br />

the nearest mission to the<br />

North Pole.<br />

Don’t miss out on a single copy of PPM -<br />

take out a subscription or place a regular<br />

order with your supplier<br />

TWYFORD COLLECTORS FAIR<br />

(including LODDON AUCTIONS)<br />

at Loddon Hall, Twyford, Berks<br />

(Just off A4 on the A3032 nr. Maidenhead - RG10 9JA)<br />

SUNDAY 29th NOVEMBER<br />

<strong>Postcard</strong>s, Cigarette Cards, Books,<br />

Magazines, Printed Ephemera etc<br />

Card dealers booked so far include:<br />

Bernard Wickham*<br />

Peter Meyer*<br />

John Clarke*<br />

John Forrester<br />

John Kidson<br />

Roy Sheppard<br />

Gordon Collier<br />

Sally Glennie<br />

Kingfisher Cards<br />

Mike Huddy<br />

Lesley Davies<br />

Simon Collyer<br />

Paperchase<br />

Mike Barter<br />

Julian Burgess<br />

Brian Girling<br />

Julian Dunn<br />

Richard Holworth<br />

Tony & Rosa<br />

Lawrence<br />

John Priestley<br />

Margaret Pierce<br />

Ruth Pratt<br />

Neil Baldry<br />

Peter Robards<br />

* dealers with cigarette &<br />

trade cards<br />

� Choice Refreshments � Free Parking<br />

� Public Admission 10am to 4pm £1<br />

� Early Admission 9am £2.50<br />

Promoter: Neil Baldry, 32 Westborough Road,<br />

Maidenhead, Berks SL6 4AR Tel. 01628 622603<br />

LODDON AUCTION details: Gary Arkell 0118 961 1915<br />

500 LOTS OF POSTCARDS/CIGARETTE CARDS etc.<br />

<strong>Picture</strong> <strong>Postcard</strong> Monthly December 2009 43


44 <strong>Picture</strong> <strong>Postcard</strong> Monthly December 2009<br />

Edwardian<br />

Cheapside<br />

A marvellous view of a crowded<br />

London street on a postcard by<br />

unidentified publisher. St. Maryle-Bow<br />

Church, of Bow Bells<br />

fame, is on the right


Cheapside’s<br />

postcard heritage<br />

Sir Robert Peel, founder<br />

of the Metropolitan<br />

Police, keeps watch on<br />

Cheapside on this Edwardian<br />

postcard view. Peel<br />

(1788-1850) was twice<br />

Prime Minister of the<br />

United Kingdom, and as<br />

Home Secretary oversaw<br />

the creation of the police<br />

force as we know it<br />

today. The statue, sculpted<br />

by William Behnes,<br />

was unveiled in 1852. It<br />

was moved to Postman’s<br />

Park (near St. Paul’s<br />

Cathedral, on the site of<br />

the original General Post<br />

Office) in the 1930s, and<br />

now stands at the Metropolitan<br />

Police Training<br />

Establishment at Hendon.<br />

Many other statues<br />

of Peel can be found<br />

around England, including<br />

ones in Parliament<br />

Square, London, and<br />

Peel Park, Bradford. A<br />

number of pubs were<br />

named after him, and<br />

many other memorials<br />

exist.<br />

Cheapside itself was<br />

originally the site of various<br />

produce markets.<br />

Charles Dickens rated it<br />

“the greatest thoroughfare<br />

in the City of London”,<br />

though today it is<br />

just one of several routes<br />

from the East End and<br />

City to the West End. It<br />

was badly damaged by<br />

German bombing in<br />

1940. The detail in this<br />

photograph is amazing,<br />

with a procession of<br />

horse-drawn buses and<br />

carriages. It illustrates<br />

perfectly why old<br />

postcards, with their<br />

often unique (though<br />

not in this case!)<br />

images, are so useful<br />

and fascinating for<br />

social, transport and<br />

fashion historians.<br />

The vantage point<br />

used to create the<br />

image of this scene<br />

was a popular one for<br />

postcard photographers.<br />

PPM keeps yyou iin<br />

touch wwith tthe<br />

postcard wworld!<br />

What are you<br />

doing in<br />

� <strong>Picture</strong> ads �<br />

Just published a postcard? Want to advertise sets or series of<br />

cards for sale? An ad here costs just £9.50 for a picture and<br />

approx 45 words (colour £15)<br />

CHILDREN IN NEED. Our<br />

2009 postcard is a spectacular<br />

‘Pudsey in Wonderland’ design<br />

from York artist Brian Partridge,<br />

and features a variety of<br />

collecting themes. Every penny<br />

of the 50p per card goes to the<br />

BBC ‘Children in Need’ charity.<br />

P/p 40p per order. 12 previous<br />

designs available - list on<br />

request. Reflections of a Bygone<br />

Age, 15 Debdale Lane, Keyworth,<br />

Nottingham NG12 5HT.<br />

STEAM AROUND<br />

BRITAIN. Latest postcard<br />

(no. 36 in the series)<br />

features the Llangollen<br />

Railway on this design by<br />

Timothy O’Brien. Other<br />

cards in series available,<br />

but 2, 4, 7, 11, 16 out of<br />

print. 40p per card + 40p per order or £10.50 postfreefor the 31<br />

cards available from Brian Lund <strong>Postcard</strong>s, 15 Debdale Lane,<br />

Keyworth, Nottingham NG12 5HT. Also just released: nos. 16-19<br />

in the ‘Railway Specials’ series, including two of the GWR in<br />

Gloucestershire, one of the Swanage Railway, and one of a Norfolk<br />

station.<br />

February? We’re<br />

all going to<br />

Shepton Mallet<br />

<strong>Picture</strong> <strong>Postcard</strong> Monthly December 2009 45


Mike and Sue Huddy’s<br />

Moderns of the Year<br />

2009 was the 50th<br />

year of the Iconic<br />

mini car still produced<br />

near to us at<br />

Cowley Oxford<br />

although sadly no<br />

longer a Britishowned<br />

mark.<br />

Continuing the political<br />

theme, the next<br />

card commemorates<br />

the election of President<br />

Obama. This<br />

postcard was published<br />

by Zazzle in the<br />

USA.<br />

Returning to our transport<br />

theme, our next card is from<br />

New Zealand, published by<br />

Contour Creative. This one is<br />

part of a set of five postcards of<br />

Tasman Empire airways - an<br />

S30 empire flying boat.<br />

As in previous years<br />

the top of our top ten<br />

has a strong transport<br />

element. This year we<br />

start with a card from<br />

Real Lachance the<br />

Canadian publisher<br />

of shipping cards.<br />

This one, Cunard’s<br />

Queen Mary II just<br />

one of a number of<br />

Cunard ships published<br />

by him.<br />

Readers that know<br />

our Libdem enthusiasms<br />

will be surprised<br />

at the inclusion<br />

of our next<br />

card, published by<br />

Pat Holton to commemorate<br />

the election<br />

of her granddaughter,<br />

Chloe<br />

Smith, as Conservative<br />

MP for<br />

Norwich North.<br />

2009 saw the organisers of the <strong>Picture</strong><br />

<strong>Postcard</strong> Show issue a set of<br />

six entry/promotional postcards on<br />

the theme of the British seaside<br />

holiday.<br />

46 <strong>Picture</strong> <strong>Postcard</strong> Monthly December 2009<br />

The organisers of<br />

the monthly<br />

Bloomsbury fair<br />

published several<br />

very collectable<br />

cards during the<br />

year - this one<br />

marking the 50th<br />

anniversary of<br />

mans first walk on<br />

the moon.<br />

Our last card<br />

takes us back to<br />

shipping, this<br />

time a card published<br />

within the<br />

Auk by Colin<br />

Roach - this one to<br />

mark the naming<br />

and the maiden<br />

voyage of the<br />

celebrity Equinox.<br />

Still with aircraft, a<br />

postcard published by<br />

Carl McQuaide in his<br />

wingtip series - this one<br />

of the iconic Concorde<br />

at Bristol Filton.<br />

Next of our cards<br />

published by<br />

Reflections of a<br />

Bygone Age in<br />

their ‘Railway<br />

Specials’ series,<br />

this one, no. 19<br />

showing an engine<br />

of the Gloucestershire<br />

and Warwickshire<br />

railway at<br />

Toddington station.<br />

This feature was due to appear in the 2010 Annual, but was<br />

delayed in the post from early September until mid-October.<br />

Comforting postcards<br />

Among the pleasures of research is the occasional<br />

chance find of an intriguing story or article about a personal<br />

interest or passion. I was delighted to find in my<br />

local record office this mention of picture postcards in an<br />

article in the ‘ladies’ column’ of a September 1914 newspaper.<br />

"In these days when picture postcards accumulate<br />

so rapidly that there is soon no place to put them a good<br />

plan is to take two and paste them together so that no<br />

writing shows, and then, when a good-sized box full has<br />

been collected send to a hospital. Hospitals welcome<br />

them because they can be sterilised; whereas many gifts<br />

have to be destroyed through a fear of infection. Also the<br />

preparation of them forms a splendid rainy day amusement<br />

for the children of a household, while the convalescent<br />

patients greatly appreciate them".<br />

What this shows is the endeavours of everyone to<br />

assist in the war effort so quickly in the initial weeks, and<br />

that the writer believes this is a support for wounded<br />

men. Apart from wondering how many got stuck together<br />

and sterilised, what would the value for in completion<br />

and collection terms be to us today? And how many<br />

postcards were used in this way? - John GGallagher


CAN YOU HELP?<br />

New political cartoons by Martin Rowson<br />

Eight new postcards in the ‘Cynicure’ series feature cartoons by top artist Martin Rowson<br />

368/A Richard Evertt recently<br />

bought the illustrated<br />

postcard. It shows the 2nd<br />

battalion of the Cameron<br />

Highlanders at an unknown<br />

location. The regimental history<br />

states that the battalion<br />

was in China from 1908/9. En<br />

route they spent some<br />

weeks in Hong Kong before<br />

moving to Tientsin where<br />

they were used to provide<br />

guards for the British Legation<br />

in Peking. So the card<br />

could be in either Hong<br />

Kong or Peking (Tientsin)<br />

which is where the scan of the back<br />

might help, for to the right are some oriental<br />

characters which presumably will<br />

name the publisher and his location.<br />

That hopefully might unlock the identification<br />

of main picture, as some readers<br />

might be ex-servicemen who have<br />

Two of the<br />

cartoons are<br />

based on Donald<br />

McGill designs, and a number<br />

of politicians are featured in the set,<br />

including Gordon Brown (on three<br />

of the cards), Tony Blair, Ann Widdecombe,<br />

Alastair Darling (three),<br />

John Prescott, Peter Mandelson,<br />

Jacqui Smith, David Cameron and<br />

George Bush. All the cartoons originally<br />

appeared in The Guardian.<br />

Until 10 December, the postcards are<br />

50p each or £3 for the set of eight (+<br />

60p postage) from<br />

Brian Lund <strong>Postcard</strong>s<br />

15 Debdale Lane<br />

Keyworth<br />

Nottingham NG12 5HT<br />

(after 10 December a set will be £4 + post)<br />

or order via email - reflections@postcardcollecting.co.uk<br />

Cynicure cards 1-12 available at 40p each.<br />

Cynicure series<br />

13. Northern Rock<br />

14. Blair’s conversion<br />

15. Harry the Hero<br />

16. Punch & Judy politics<br />

17. Extremes meet<br />

18. Same old crew(e)<br />

19. Labour’s tax U-turn<br />

20. Boners culture<br />

Martin Rowson’s work appears frequently in the Guardian,<br />

The Independent and The Daily Mirror. He was appointed<br />

‘Cartoonist Laureate’ of London when Ken Livingstone was<br />

Mayor. He has written three books and illustrated several<br />

more.<br />

served in Hong Kong,<br />

where I suspect the picture<br />

was taken.<br />

368/B Bill King of Saltash is<br />

trying to checklist the ‘D’<br />

series of photographic<br />

postcards of the<br />

Porlock/Minehead<br />

area published by<br />

Alfred Vowles. If<br />

anyone can provide<br />

captions to<br />

any of nos. 12, 13,<br />

19, 24, 35, 36, 40,<br />

43, 44, 51, 66-8,<br />

71-3, 75-7, or any<br />

after 78 in the ‘D’<br />

series, he’d be<br />

delighted to hear<br />

from you on<br />

01752-303966.<br />

<strong>Picture</strong> <strong>Postcard</strong> Monthly December 2009 47


Card Chat<br />

Mark Routh searches out<br />

the tasty and unusual in<br />

modern postcards.<br />

My wife Jo and I have just returned from the World of the<br />

Mouse, better known to many as Walt Disney World, Florida.<br />

This was our fourth visit and our first without the children<br />

(who have, of course, all grown up now). Since our<br />

first visit in 1993 I have collected every Disney theme park<br />

related postcard I could find. This is made a lot more fun<br />

by Disney's policy of constantly changing and updating<br />

issues. Back in 2003 I bought some attractive art cards<br />

which I saw this year with fancy embossed borders (not<br />

present on the cards in 2003 - so of course I had to buy<br />

these new ones). There are also annual year-dated postcards<br />

and this year I found three different 2009 dates (one<br />

for the Magic Kingdom Park, one for Epcot and one general<br />

design for the whole Florida Disney World). I know a<br />

lot of people collect Disney as a theme, but these new cards<br />

are not cheap to buy. The really good ones were priced<br />

between $2 and $3 each (£1.50 to £2) and it would be difficult<br />

for a dealer to make any money selling these with a<br />

margin of profit if he or she had to make this initial outlay.<br />

Therefore I doubt many of the postcards issued over the<br />

last few years will turn up on stalls (unless found postally<br />

used which might be a bit cheaper). I still bought copies for<br />

my collection but if I offered my doubles to someone at<br />

£2.50 a postcard would I have any takers? I suspect not,<br />

but I put it to you that this is their real value.<br />

Would you consider placing<br />

your loved one’s funeral plans<br />

in the hands of a company you<br />

saw advertised on a postcard? I<br />

suppose you might consider it<br />

appropriate under certain situations.<br />

I only ask because an<br />

advert postcard for 'Golden<br />

Charter Funeral Plans' fell out<br />

of my National Trust Members’<br />

magazine. It is a sympathetic<br />

postcard showing an<br />

autumn wooded pathway and<br />

apparently they offer 'Unrivalled<br />

choice and peace of<br />

mind from only £1,655' - a<br />

most unusual postcard.<br />

Readers’ postcards<br />

I enjoy receiving postcards from<br />

readers, some from a long way<br />

away. Willy Allan sent me one<br />

depicting a Green Ant from Darwin<br />

in the<br />

One of the BBC Poetry Season<br />

postcards<br />

Northern Territory in Australia<br />

(but then he was on holiday at the<br />

time - postcards beat any other<br />

form of correspondence). He<br />

very kindly informs me that<br />

these ants (he calls them 'critters')<br />

make nests in trees by folding<br />

leaves together. Joe and<br />

Christine King sent me a smashing<br />

series of poetry postcards<br />

issued by the BBC as part of a<br />

poetry season. Each card has a<br />

simple piece of artwork on the<br />

front which is representative of<br />

the poem featured on that card.<br />

There are also four or five lines<br />

from the featured poem on the<br />

front. Thankfully the poem is<br />

printed in full on the reverse side.<br />

I was sent ten cards (and unless<br />

anyone knows otherwise I<br />

assume that's the set) which have<br />

a wide range of writers including<br />

Wendy Cope, Robert Burns (the<br />

well known poem 'To a Mouse' -<br />

'Wee, sleekit, cow'rin tim'rous<br />

48 <strong>Picture</strong> <strong>Postcard</strong> Monthly December 2009<br />

Moderns at Woking<br />

beastie'), Christina Rossetti,<br />

Benjamin Zephaniah, Alfred<br />

Lord Tennyson (one of my<br />

favourites - The Charge of the<br />

Light Brigade - although only an<br />

extract of this long poem is printed<br />

on the back of this particular<br />

card), Seamus Heaney, Wilfred<br />

Owen (this WWI writer can be a<br />

bit of an acquired taste but this<br />

one - 'Anthem for Doomed Youth'<br />

- has a cracking opening line<br />

which goes 'What passing-bells<br />

for these who die as cattle?') The<br />

set also includes poems by Dylan<br />

Thomas, William Butler Yeats<br />

and John Betjeman. I am sure<br />

you will agree that this is an<br />

esteemed collection of writers<br />

and a most collectable set of<br />

postcards. I depict the Tennyson<br />

card to give you a flavour of how<br />

these look.<br />

Stampex and<br />

The Falklands<br />

The autumn STAMPEX show<br />

held in London had yet another<br />

free exclusive postcard for visitors,<br />

published in their ongoing<br />

series (this was no. 17). Personally<br />

this was a must for me as the<br />

postcard depicts artwork entered<br />

by Peter Morter for the 1982<br />

Maritime Heritage issue.<br />

Although not used for the stamp<br />

I spent yet another enjoyable day at the South of England <strong>Postcard</strong><br />

Fair held at Woking Leisure Centre. My reason for visiting was the<br />

Saturday Moderns section of the fair which is a great event. Again<br />

I came away with a couple of hundred postcards. If you are a moderns<br />

collector and can make either of the two annual events you will<br />

not be sorry. Alan Bower was there and his stall is always worth<br />

looking through. Alan had not long returned from Ireland, where he<br />

said the postcards had become quite expensive with even the basic<br />

view cards costing 50p each. Alan suffers from the same problem<br />

that many of the modern dealers do, that collectors seem reluctant<br />

to spend more than 50p for a modern postcard. This means that he<br />

has to somehow buy postcards under this price and then try and sell<br />

them for 50p and still make a profit. There are dedicated and knowledgeable<br />

modern collectors who realise that there are modern cards<br />

which are worth much more and who are willing to pay the true<br />

value (I happily parted with £6 for a smashing hovercraft card<br />

which was well worth that amount).<br />

1958 poster<br />

reproduced on a card published<br />

by The British Postal Museum &<br />

Archive<br />

issue, this design shows a painting<br />

of HMS Invincible, which in<br />

1982 had been involved in the<br />

Falklands War (I know we are<br />

supposed to refer to it as a 'conflict'<br />

but soldiers died and one<br />

country was fighting another and<br />

in my mind that is a war!). As I<br />

keenly collect Falklands War<br />

postcards I was pleased to<br />

receive my copy and have placed<br />

it in my stack of items waiting to<br />

be mounted as a Falklands War<br />

display (which I will get around<br />

to mounting one day e<strong>special</strong>ly<br />

for the members of the Canterbury<br />

<strong>Postcard</strong> Club who have<br />

suffered six - yes six - displays<br />

by me but who still seem to want<br />

me back! - but I have currently<br />

run out of mounted material to<br />

show them).<br />

Ryan’s postcards<br />

Moderns dealer Alan Bower was<br />

actually selling at Woking (see<br />

panel, left) a smashing set of<br />

postcards recently obtained from<br />

Ireland for what he had paid for<br />

them because he could not see<br />

how he could sell them for more,<br />

but they were so nice he wanted<br />

to have sets to sell. This was a<br />

<strong>special</strong> set of six postcards that<br />

were (are?) only available in<br />

Terry Wilson has sent me a cracking postcard advertising an exhibit<br />

at the 'Gate Gallery' in Grimsby titled 'Long Distance Information….give<br />

me MEMPHIS TENNESSEE'. This was a display of digital<br />

illustrations by David Pitcher. The photograph on the front shows<br />

a black and white image of a female telephonist (from the good old<br />

days when you used to be asked to be connected with somewhere -<br />

who remembers those days?) See what you think


Dingle,<br />

County Kerry. It was near here in<br />

Dunquin that the movie 'Ryan's<br />

Daughter' was filmed in 1968-9<br />

(it’s now the 40th anniversary of<br />

the filming). The six sepia-toned<br />

photographs have a nostalgic<br />

look and depict some of the<br />

scenic views from the film and<br />

some of the stars (John Mills,<br />

Trevor Howard and Sarah Miles<br />

- no picture of the main star,<br />

Robert Mitchum, though). The<br />

area of the Dingle Peninsula<br />

gave the film some of its charm<br />

and these postcards show this.<br />

Bought in Dingle and believed<br />

exclusive to the area, these are<br />

the type of postcards that modern<br />

dealers bring our way and which<br />

we would not see any other way<br />

(so my thanks go to Alan for<br />

these). Just take a look at the<br />

houses shown in the background<br />

behind Trevor Howard, who is<br />

depicted dragging two naughty<br />

youths along by their ears, and<br />

you can just feel the quality that<br />

went into this film (it did win two<br />

Academy Awards after all).<br />

Delcampe potential<br />

At the <strong>Postcard</strong> Show the internet<br />

sales site Delcampe had a<br />

stand where they showed visitors<br />

how to access the site and what<br />

sort of thing was on sale. Similar<br />

to the eBay idea, but without the<br />

costs, this site has a wide range<br />

of collectables on offer. I had a<br />

look and found more televisionrelated<br />

postcards here than on<br />

eBay, so the site is worth a look.<br />

Also around the hall, and on their<br />

stand, was a free advertising<br />

postcard for this web-site auction<br />

company. This was the company<br />

logo with a stamp, coin and postcard<br />

placed behind it, all on a<br />

green background. When I<br />

turned my copy over I saw that<br />

this was a dated card for 2009<br />

and no. 3 in a series (although<br />

they call it an edition rather than<br />

a series), one of a 5,000 limited<br />

edition production. The design<br />

rang a bell, so when I got home I<br />

had a look through a couple of<br />

boxes and found a very similar<br />

one (same logo and items behind<br />

it) but this time with two large<br />

faded images of postcards in the<br />

background. This one had a very<br />

light brown background and was<br />

the year card for 2008 and was<br />

Mac Publications postcard in<br />

their ‘Bygone Ireland’ series<br />

shown as Edition 1 in a limited<br />

number of 2,500 copies. What I<br />

want to know now is whether the<br />

edition 3 on the 2009 card means<br />

there have been two other editions<br />

this year or whether there is<br />

just one other card issued<br />

between the two different postcards<br />

I now have. Can any reader<br />

help? Whatever the outcome,<br />

these free postcards are welcome,<br />

and I can recommend this<br />

site as being well worth a look -<br />

www.delcampe.net.<br />

Magazine freebies<br />

It has been some time since I last<br />

mentioned any free postcards<br />

with magazine issues and there<br />

has been a bit of a decline in<br />

these. Regardless of that, a real<br />

cracker came out in August with<br />

a television connection. Lazy<br />

Town is an unusual children's<br />

programme from Iceland which<br />

has cast and crew from Iceland,<br />

America and Great Britain and<br />

which has now been shown in<br />

over 100 countries. The two<br />

main characters are Sportacus<br />

and Stephanie, and if you have<br />

children then there is every<br />

chance that you have seen at<br />

least one of the many shows.<br />

Issue no. 36 of 'Lazy Town' magazine<br />

(30th July - 26th August,<br />

£2.15) came with two attached<br />

free postcards. At first I did not<br />

grasp what these were and<br />

thought they were black and<br />

white colour in cards as each<br />

showed one of the two main<br />

characters in black and white on<br />

a colour scene background. What<br />

confused me initially was a number<br />

of little bags of coloured sand<br />

that came with the postcards! I<br />

now know that each segment of<br />

the character is actually a peeloff<br />

label and the area underneath<br />

is sticky. Over this you sprinkle<br />

the coloured sand and then shake<br />

off the excess. You then move<br />

your way through the various<br />

peel-off areas until you have<br />

used the sand to colour the whole<br />

character depicted on the postcard.<br />

This is a very unusual and<br />

quite magical concept which<br />

makes these true novelty postcards.<br />

Despite my eagerness to<br />

give this a go (kids have so much<br />

fun stuff these days) I have kept<br />

my package complete and<br />

unopened (in 'mint condition' or -<br />

as my granddaughter says - boring).<br />

I would love to have given<br />

these a go and if I ever come<br />

across any that have been 'played<br />

with' I shall buy them as examples<br />

and look at them longingly<br />

and wonder what fun I have<br />

missed out on!<br />

<strong>Postcard</strong> girls<br />

I was pleased to see Keith<br />

Edmondson's Freecard Gossip<br />

article back again last month, and<br />

it was interesting what he said<br />

about Boomerang issuing cards<br />

in sets of five. The all-girl pop<br />

group 'The Saturdays' have promoted<br />

their album 'Wordshaker'<br />

with promotional boomerang<br />

postcards. In my local cinema<br />

rack I found individual postcards<br />

for two of the girls in the group,<br />

Rochelle and Vanessa. I assume,<br />

naturally, that there are also cards<br />

for Una, Mollie and Frankie,<br />

who are the other three members<br />

of the group. I have some dou-<br />

Boomerang postcard promoting<br />

a new album<br />

bles of Rochelle and Vanessa and<br />

am looking to swap with anyone<br />

who can help me complete my<br />

set. If you have these two missing<br />

and have doubles of any I am<br />

missing then please get in contact<br />

as apparently 'Everyone<br />

Loves a Saturday' (as printed on<br />

the front of the cards!).<br />

I also have an interest in,<br />

and collect, some stamps, so read<br />

the monthly magazines including<br />

'Stamp and Coin Mart'. Recently<br />

in copies sold by WH Smith they<br />

gave away a free postcard from<br />

The British Postal Museum &<br />

Archive poster series. This poster<br />

advertised buying stamps in<br />

stamp books and is an attractive<br />

1958 design by Peter Huveneers.<br />

In the following issue there was a<br />

form you could send off for<br />

another free card from the series.<br />

These are interesting designs and<br />

if you can buy a set it is worth<br />

seeking out if this is your sort of<br />

stuff.<br />

Pat’s last cards<br />

I just have to mention the smashing<br />

two Xmas postcards recently<br />

issued in the PH Topics series by<br />

Pat Holton. These are no. 491,<br />

which depicts a cracking Rupert<br />

Besley cartoon of Santa with his<br />

sleigh on the moon (one of the<br />

reindeers - clearly Rudolf as he<br />

has a red nose - is seen to be saying<br />

"So much for the satnav!")<br />

and no. 492, a lovely painting by<br />

John<br />

Pat Holton promotes<br />

the idea of using postcards as<br />

<strong>Christmas</strong> cards again with her<br />

PH Topics no. 492, designed by<br />

John Pulham<br />

Pulham of two children posting<br />

letters (<strong>Christmas</strong> cards?) into a<br />

wall-mounted post box (the<br />

added snow and robin create that<br />

'Xmas' feel). A new Besley card<br />

is always greeted with pleasure,<br />

although a rare event unfortunately,<br />

and this one shows what<br />

we have been missing. Next year<br />

Pat is apparently due to release<br />

her last card when she hits the<br />

magical number 500. When this<br />

happens we will be losing one of<br />

our very <strong>special</strong> postcard people<br />

and it will be a sad day, but I<br />

wish her luck with whatever she<br />

moves onto.<br />

* You can contact Mark at 165<br />

Raphael Drive, Shoeburyness,<br />

Southend on Sea, Essex SS3<br />

9UR.<br />

<strong>Picture</strong> P<strong>Postcard</strong><br />

Annual 22010<br />

is now available at<br />

£4.75 with an up to<br />

date directory of<br />

dealers, fair organisers,<br />

auctions etc plus<br />

lots of features and<br />

articles, and a list of<br />

important 2010 postcard<br />

fairs. On sale<br />

from your favourite<br />

dealer or direct from<br />

the publishers at<br />

15 Debdale Lane,<br />

Keyworth, Nottingham<br />

NG12 5HT (plus<br />

postage £1 UK, £2.50<br />

Europe, £4.50 rest of<br />

world)<br />

<strong>Picture</strong> <strong>Postcard</strong> Monthly December 2009 49


<strong>Picture</strong> <strong>Postcard</strong> Sales List no. 9/09<br />

Brian Lund <strong>Postcard</strong>s, 15 Debdale Lane, Keyworth, Nottingham NG12 5HT<br />

MODERNS<br />

(all coloured and in VG condition unless stated)<br />

1. THE BEATLES. Mix of two sets pub’d<br />

London <strong>Postcard</strong> Co. (12 cards)..................£5<br />

2. COCA-COLA advert set (6)...........................£2<br />

3. DR. WHO mix pub’d Slow Dazzle Worldwide<br />

(10).................................................................£5<br />

4. DUFEX Teddy Bear set (10).....................£4.50<br />

5. EUROPE. Don’t let Europe rule Britannia!<br />

anti-EU sentiment pub’d This England<br />

magazine. Bulldog, flags etc. (4).............£1.20<br />

6. HARRY POTTER artist-drawn images pub’d<br />

GB Posters (8)...............................................£3<br />

7. PHQ no. 1. the scarce County Cricket<br />

design..........................................................£25<br />

8. PICTURE POSTCARD SHOW 2008 souvenir<br />

cards/entry tickets with comic theme (6)<br />

CM.................................................................£3<br />

9. PICTURE POSTCARD SHOW 2009 souvenir<br />

cards/entry tickets with seaside theme (6)<br />

CM.................................................................£3<br />

MODERN ARTISTS<br />

10. TIM O’BRIEN. Cargo plane at Southend<br />

Airport.........................................................50p<br />

MODERN RAILWAY STATIONS<br />

11. Bewdley pub’d Severn Valley Rly...........75p<br />

12. Arley pub’d SVR.......................................75p<br />

13. Crowcombe with train pub’d Judges.....40p<br />

14. Crowcombe pub’d West Somerset Rly...40p<br />

15. Dent pub’d Pedley....................................50p<br />

16. Leyburn with train pub’d Wensleydale<br />

Railway.......................................................40p<br />

17. Bridgnorth with train pub’d SVR.............75p<br />

18. Ramsbottom with engine........................50p<br />

OLD POSTCARDS<br />

ARTISTS<br />

19. Sylvia BARHAM pub’d CW Faulkner CG<br />

(4).................................................................£15<br />

20. Stanley BERKELEY We kissed beneath pu<br />

1904 VG.........................................................£2<br />

21. Charles FLOWER. Canterbury ser. III Tuck<br />

Oilette 8934 CVG (2).....................................£4<br />

22. FLOWER. Tuck Oilette - Cologne CVG...£2<br />

23. T. GILSON Carry On CVG..........................£2<br />

24. Lilian GOVEY Sister Susie’s sewing shirts<br />

pu 1916 CF.....................................................£3<br />

25. Florence HARDY pub’d Misch ‘Little<br />

Friends’ pu 1914 CVG...................................£4<br />

26. Suzanne MEUNIER. Parisian Girls no. 5018<br />

CVG................................................................£6<br />

27. Xavier SAGER watercolours 1st April<br />

theme - Avril Tendre (3) CG.......................£15<br />

28. Lance THACKERAY. Tuck write-away 1765<br />

An early Bird pu 1907 CG............................£5<br />

29. THACKERAY. Tuck write-away 985 How is it<br />

you u/b pu 1905 CVG...................................£6<br />

30. THACKERAY. Tuck write-away 542 I am<br />

delighted u/b pu 1903 CVG..........................£6<br />

SUBJECTS<br />

31. ADVERTISING. Poster advert for Brighton<br />

CG................................................................£35<br />

32. AVIATION. CL Temple, well-known aviator,<br />

with racing bike RP F................................£20<br />

33. DR BARNADO funeral procession,<br />

animated RP pu 1905 VG...........................£25<br />

34. CIRCUS. Les Rigolos de Barnum & Bailey<br />

pu 1903 VG..................................................£30<br />

35. COLLECTION JOB. 1906 Calendar by<br />

Duvocelle VG..............................................£50<br />

36. EARLY. Sandwich Men court size pub’d<br />

Beechings pu 1901.....................................£45<br />

37. FATHER CHRISTMAS motoring design<br />

pub’d Birn Bros. CVG...................................£7<br />

38. FATHER CHRISTMAS A Merry Yuletide.<br />

Santa & Angel CVG......................................£4<br />

39. FILM STARS. Sepia RPs pub’d Woolstone<br />

Bros. in ‘Milton’ series, or by one of the film<br />

studios. Lionel Barrymore, Brian Aherne,<br />

Richard Arlen, Frank Lawton, Otto Kruger, Jan<br />

Kiepura, Edmund Lowe, Claude Hulbert, John<br />

Loder, Gyles Isham, William Lundigan, Melvyn<br />

Douglas, Robert Young, James Dunn, Carl<br />

Brisson, George Brent, Fred Macmurray, Larry<br />

(Buster) Crabbe, Richard Cortez, Jackie Cooper,<br />

Fredric March, Herbert Marshall, Warner<br />

50 <strong>Picture</strong> <strong>Postcard</strong> Monthly December 2009<br />

2 36<br />

39<br />

56<br />

27<br />

60<br />

59<br />

28<br />

47<br />

54<br />

34<br />

33<br />

Cheque with order, please.<br />

Refund sent on any items<br />

already sold. Satisfaction<br />

or refund. You can ring to<br />

order on 0115 937 4079<br />

C = coloured<br />

M = mint condition<br />

VG = very good<br />

G= good F = fair<br />

49<br />

31<br />

19<br />

5<br />

50<br />

58<br />

37<br />

Order ffrom<br />

Brian LLund P<strong>Postcard</strong>s -<br />

address aabove. Order by<br />

Lot number. Postage in UK<br />

50p extra per mailing.<br />

pub’d = published by<br />

pu = postally used<br />

c/u = close-up


Baxter, Tom Walls,<br />

Henry Wilcoxon,<br />

George Raft, Franchot<br />

Tone VG<br />

EACH.................. £1.25<br />

40. FOOTBALL. Autographed<br />

RP of J. Parker,<br />

Nottm Forest £25<br />

41. GOLF. RP of Henry<br />

Cotton in Switzerland<br />

1940 G..£50<br />

42. HATS. Birn Bros.<br />

design pu 1911 CVG...£2<br />

43. LONDON LIFE. Tuck<br />

612 After The Play u/b pu<br />

1903 CVG...£5<br />

44. MOTORING. AA road patrol assisting<br />

during floods pub’d AA RP VG..£30<br />

38<br />

45. RAILWAY, Woolwich Arsenal pub’d WH<br />

Smith pu 1908.............................................£20<br />

46. TEMPERANCE. Advert for Grand Bazaar at<br />

Newcastle-on-Tyne Oct 1902 written by Guy<br />

Hayter, leading light of Temperance<br />

Movement CG.............................................£25<br />

47. TOBACCO. Webster Cigars pictorial scene<br />

CF.................................................................£35<br />

48. WOVEN SILK Hands across The sea RMS<br />

Victorian. Slight foxing. G..........................£40<br />

TOPOGRAPHICAL.<br />

49. BRIGHTON. Visit of Earl Beatty Oct 1922.<br />

Animated RP. G..........................................£40<br />

50. DULVERTON, crowded street scene RP<br />

pub’d JH German pu 1908 G....................£40<br />

51. LIVERPOOL playscene RP of ‘Strike’<br />

alluding to local strike pub’d Carbonara<br />

G..................................................................£30<br />

52. MANCHESTER, Radcliffe Parish Church<br />

procession & street scene RP pub’d locally<br />

VG................................................................£20<br />

53. MANCHESTER, opening of Seymour<br />

Gardens, Hollingwood RP pu 1909 G.......£25<br />

54. MANCHESTER. Close-up trams and lorry in<br />

RP street scene VG.....................................£18<br />

55. ORMSKIRK crowded street scene RP<br />

VG................................................................£25<br />

56. PARIS VECU - Le Marchand de Coco pu<br />

Early posting<br />

dates<br />

Latest additions to our<br />

ongoing listing are as follows:<br />

Places<br />

*Leatherhead 20 May<br />

1902<br />

Overseas<br />

*Canada 18 May 1887<br />

*Rhodesia 15 July 1899<br />

* indicates an earlier date<br />

than previously recorded.<br />

If you can contribute<br />

to this feature, please<br />

send photocopy of both<br />

sides of any submitted<br />

postcard. The important<br />

side is the picture - the<br />

location of the postmark is<br />

irrelevant.<br />

The latest updated<br />

listing appears in 2010 <strong>Picture</strong><br />

<strong>Postcard</strong> Annual.<br />

1907 VG......................................................£30<br />

57. PARIS. Motor car excursion outside Thos.<br />

Cook offices with crowd VG.......................£35<br />

58. SOUTHALL railway station int. RP pu 1913<br />

VG................................................................£30<br />

59. TOOTING Broadway animated street scene<br />

pub’d Johns pu 1925 with tram, horsedrawn<br />

vehicles VG.....................................£35<br />

60. WANTAGE Tramway RP pub’d Chapman<br />

VG................................................................£35<br />

61. WELLS. 1909 Royal visit RP pub’d Dawkes<br />

& Partridge VG............................................£45<br />

Unusual ppostcards<br />

from EEdwardian<br />

publisher<br />

This old picture postcard<br />

is obviously in bad<br />

taste, and we don’t wish<br />

to be flippant about a<br />

very serious subject -<br />

but we spotted this<br />

postcard published by<br />

the Pictorial Stationery<br />

Co. of London in their<br />

‘Peacock’ series c.1905.<br />

This is no. 18 - does<br />

anyone know who represented<br />

the first 17 or<br />

any later numbers?<br />

The earliest Rhodesian<br />

postcard (until someone<br />

turns up an older one!) ,<br />

posted at Bulawayo in<br />

July 1899. The card was<br />

published by the Press<br />

Association, 21 St.<br />

George’s Square, London.<br />

New Pictorial Postal Cards<br />

Edward Hill sent news of<br />

Queensland’s first postcards,<br />

published by the<br />

state’s Post Office. The<br />

information comes from<br />

The Brisbane Courier of 24<br />

June 1898:<br />

“We have been shown<br />

some advance proofs of the<br />

pictorial postcards which<br />

the Postmaster General<br />

(Hon. W.H. Willson) has<br />

decided to issue, with a<br />

view to inviting the attention<br />

of persons residing outside<br />

the Colony to the<br />

scenery and products of<br />

Queensland. The first<br />

series, comprising eighteeen<br />

views of Queensland<br />

scenery and products,<br />

which are very handsome,<br />

will be issued to the public<br />

today....”<br />

FERNDOWN <strong>Postcard</strong> Club’s first October meeting featured<br />

an evening of Bugs, Butterflies, Bees and Birds, followed<br />

by a session of six sheets in two minutes of postcards.<br />

What a selection! There were cards showing missionary<br />

work in Papua & New Guinea, the 1939 Mailomat<br />

machine used by the U.S. Post Office, cards from Brunei<br />

featuring pipework taking water to the town, pop-up letter<br />

cards and even more butterflies. The 35th Division of Irish<br />

volunteers in World War One competed with highly<br />

sought-after camp postmarks, WW1 armoured vehicles of<br />

the Royal Naval air Service, natives of Singapore, early<br />

views of Boscombe, and Sonning Lock.<br />

Contributors aand aadvertisers aare aadvised tthat<br />

the JJanuary 22010 eedition oof PPICTURE PPOST-<br />

CARD MMONTHLYY wwill bbe ppublished oon DDecember<br />

220th. DDeadline ffor ccopy iis DDecember 110th.<br />

<strong>Picture</strong> <strong>Postcard</strong> Monthly December 2009 51


Cultural and<br />

Entertainment Freecards<br />

It would be wrong of me, writes Keith Edmondson, to imply<br />

that cultural freecards are something new. The French<br />

freecard scene is dominated by cards advertising Film Festivals,<br />

Museum events, Theatre programmes etc and in<br />

this column at the same time last year when I reviewed<br />

some of the cards of 2008 I included a Boomerang card for<br />

an exhibition at the Museum in Docklands and one for<br />

Proms in the Park. Perhaps it is the fact that this year there<br />

have been fewer cards distributed that there appear to be<br />

more cultural and entertainment cards in the racks, and in<br />

the London area Boomerang and Big Smoke Media look<br />

as though they have tagged on to specific customers for<br />

promoting their events.<br />

Big Smoke<br />

Media include<br />

among their<br />

customers the<br />

National<br />

Gallery, The<br />

Dali Universe<br />

and The Animation<br />

Art<br />

Gallery, and<br />

three cards<br />

issued during<br />

the year are<br />

illustrated. Only<br />

the “Renaissance<br />

Faces” event at<br />

the National<br />

Students are targeted<br />

by this<br />

advertising postcard<br />

Gallery is a<br />

postable card. The<br />

reason, however,<br />

for illustrating a not particularly<br />

good card in terms of image<br />

reproduction, from the Animation<br />

Art Gallery is the reference<br />

in the top right hand corner to<br />

“postcard not for sale”. At least<br />

I am not the only one to consider<br />

this as being a “postcard” even if<br />

you cannot strictly post it.<br />

Boomerang cultural and<br />

entertainment clients<br />

included the British Library, one<br />

of four cards illustrated for the<br />

“Talking Liberties” event earlier<br />

in the year, and the RSC, one of<br />

two cards illustrated for “Arabian<br />

Nights” currently at the<br />

Courtyard Theatre in Stratford-<br />

Upon-Avon until the end of January.<br />

There have over the year,<br />

however, been many Boomerang<br />

cards for shows and four are<br />

52 <strong>Picture</strong> <strong>Postcard</strong> Monthly December 2009<br />

National<br />

Gallery<br />

promotional<br />

card<br />

illustrated for “Sister Act”, “We<br />

Will Rock You” and “Treasure<br />

Island” at various<br />

Royal<br />

Shakespeare Co.<br />

publicity<br />

London Theatres plus one<br />

for the touring “ABBA<br />

the Show”.<br />

At the time of<br />

preparing this column at<br />

the beginning of November<br />

Boomerang were distributing<br />

a set of six cards in their cinema<br />

These postcards featuring high-profile<br />

performances make an interesting addition to a related postcard collection<br />

racks advertising the Michael<br />

Jackson Opus. The cards gave a<br />

discount of £50 on the list price<br />

of £199 for the book. By the<br />

time you read this the cards<br />

will probably have long<br />

since gone but I suspect there<br />

will still be plenty of copies<br />

of the book available.<br />

This Michael<br />

Jackson card is likely to be in<br />

demand from collectors


HULL CITY FC postcards wanted:<br />

team groups, players and crowds.<br />

N. Turner, 21 Wolfreton Mews,<br />

Willerby, Hull HU10 6PW. Email:<br />

nichturn@yahoo.co.uk<br />

LYDNEY, CINDERFORD, COLE-<br />

FORD, Mitcheldean, all Forest of<br />

Dean areas, Gloucestershire. Brian<br />

Clutterbuck, 32 Templeway West,<br />

Lydney, Glos GL15 5JD. Tel. 01594-<br />

841206.<br />

FOWEY, FOWEY, FOWEY, Cornwall.<br />

Quality postcards, photos and<br />

ephemera wanted. Marcus Lewis<br />

01726 832089. Mobile 07973<br />

420568.<br />

marcus@fowey9.freeserve.co.uk<br />

LEICESTERSHIRE STATION INTE-<br />

RIORS RPs - GNR, GWR, GCR.<br />

Royal Leicestershire Regiment<br />

scenes. Better Shipping cards: Liners,<br />

Warships, Cargo; British, german,<br />

American, Russian, Japanese.<br />

Nazi zeppelins, Nazi propagande,<br />

Irish political cards 1920s.<br />

RPs of port scenes - Humber, Liverpool,<br />

Tyne, Jarrow, Dublin, Cork,<br />

hamburg, Barrow. German Uboats<br />

WW1, WW2. Harry Potterton,<br />

63 Keyham Lane West, Leicester<br />

LE5 1RS. Tel. 0116 243 3444.<br />

CASTLES. Appreciative price paid<br />

for postcard of Dinas Powis Castle.<br />

Harry Welchman, 19 Orchard Crescent,<br />

Dinas Powis, South Glamorgan<br />

CF64 4JZ. Phone 029-2051-<br />

2439.<br />

A.R. QUINTON 2986, £00’s reward!<br />

P. Cove, Sanjoby, Eype, Dorset DT6<br />

6AP.<br />

MORETON - LEASOWE - SEA-<br />

COMBE. New Brighton, Liscard,<br />

Wallasey, Birkenhead, Upton, Hoylake,<br />

Rock Ferry, New Ferry,<br />

Bebington, West Kirby, Bromborough,<br />

Cammell Laird. L. Clow, 52<br />

Saughall Road, Moreton, Wirral<br />

CH46 5NG.<br />

WELSH WAR MEMORIALS - dedications<br />

e<strong>special</strong>ly. Graham Farthing,<br />

106 Ashridge Way, Morden,<br />

Surrey SM4 4ED.<br />

POSTCARDS OF FULHAM plus Fulham-associated<br />

football. John<br />

Martin, 1 The Rise, Tadworth, Surrey<br />

KT20 5PT.<br />

Classified<br />

COST<br />

Lineage: 16p per word per month (1-3 insertions)<br />

13p per word per month (4 or more consecutive<br />

insertions without text change)<br />

e.g. 12 words: £1.92 for 1 month, £3.84 for 2 months, £5.76 for 3<br />

months, £6.24 for 4 months, £7.80 for 5 months, £9.36 for 6<br />

months.<br />

Minimum cost of single insertion £1.50. Minimum cost of multiple<br />

insertions £1.20 per month.<br />

Semi-display (boxed) £7.50 for 3 col. cms, £1.75 each extra col. cm.<br />

(price includes lineage).<br />

These rates are inclusive of V.A.T.<br />

PAYMENT: All classified adverts should be prepaid. When calculating<br />

cost, do not count street number, and calculate tel.<br />

no./postal code as one word each.<br />

PRESENTATION: Please type or write advert clearly, underlining<br />

words required in bold. Include your name (and not just an<br />

address) within the advert.<br />

TRADE ADVERTISING: Traders advertising for postcards in the<br />

‘wanted’ section must conclude their advert thus: (T) if they<br />

require postcards for resale and expect trade discount/prices from<br />

other dealers. This avoids any misunderstanding by prospective<br />

vendors. Dealers who fail to comply with this instruction will in<br />

future be refused advertising space.<br />

ALTERATIONS: If any changes are required in an advert, or it is to<br />

be resumed after a break, please make sure you resubmit the<br />

whole advert.<br />

POSTCARDS<br />

WANTED<br />

PPM keeps yyou iin<br />

touch wwith tthe<br />

postcard wworld!<br />

MADEIRA ISLAND POSTCARDS -<br />

all types 1894-1950s. Shipping at<br />

Madeira + photos large and small<br />

1880-1930s + travel albums. J.R. De<br />

Silva, 147 Buxton Road, Hazel<br />

Grove, Stockport, Cheshire SK7<br />

6AN.<br />

CRICKET - anything considered.<br />

Local teams if named or located.<br />

Approvals to - G. Jennings, 4<br />

Henry Road, West Bridgford, Nottingham<br />

- Postage refunded.<br />

PIERROTS, MINSTREL<br />

TROUPES AND CONCERT<br />

PARTIES (1860-1930)<br />

wanted by private collector<br />

<strong>Postcard</strong> collections,<br />

ephemera. Any condition.<br />

Uncle Tacko!<br />

Cleveland House,<br />

Cleveland Place, Dawlish,<br />

Devon EX79HZ<br />

E-mail: uncle@prom-prom.com<br />

DENTAL POSTCARDS wanted.<br />

Also postcards from<br />

LUXEMBOURG.<br />

Postage always refunded.<br />

John Lesch, 133 Rue<br />

E. Beres, L-1232<br />

Howald, Luxembourg.<br />

NORWAY. Early cards/Postal History<br />

- Scott Simpson, 14 Dower<br />

Road, Sutton Coldfield B75 6UA.<br />

Email:<br />

scottsimpsonuk@btinternet.com<br />

PALESTINE<br />

I am a collector looking for<br />

all series from all periods.<br />

Please send even single<br />

cards. I will usually pay your<br />

price plus your postage<br />

costs, or I will exchange for<br />

your own subject<br />

David PPearlman<br />

788-7790 FFinchley RRoad<br />

London NNW11 77TJ<br />

Tel: 0020-88201-88998<br />

email:<br />

david@centrum-uk.com<br />

GREECE<br />

<strong>Postcard</strong> collector seeking all<br />

areas of any subject relating to<br />

Greece including Costumes,<br />

Personalities, Royalty, Ships,<br />

Trains, Cartoons, Art, etc. etc.<br />

Prompt response<br />

J. Tsatsas, 1A Netherhall<br />

Gardens, London NW3 5RN<br />

YORKSHIRE CRICKETERS AND<br />

CRICKET TEAMS. Private collector.<br />

Details to: Ron Deaton, 20 Hill Top<br />

Road, Harrogate HG1 3AN. 01423<br />

507690.<br />

DEVON AND CORNWALL cards<br />

required. J.R. Adams, 2 Devon<br />

Square, Newton Abbot, Devon<br />

TQ12 2HN.<br />

BLACK & WHITE SCOTTISH VIL-<br />

LAGE and town views, e<strong>special</strong>ly<br />

Angus, Fife, islands, plus Hallowe’en,<br />

posted Caymans, Sudan.<br />

Chad Neighbor, 8 Dalgarno Park,<br />

Hillside, Montrose DD10 9JF. (T).<br />

Email:- c.neighbor@virgin.net<br />

SYNAGOGUES (WORLDWIDE)<br />

JEWISH PALESTINE (PRE-1948)<br />

BRITISH FORCES PALESTINE<br />

JEWISH STREET SCENES<br />

(WORLDWIDE) PALESTINE<br />

HOTELS (INC. CACHETS)<br />

GRUSS AUS PALESTINE<br />

OR<br />

Any other interesting postcards on<br />

a Jewish or Palestine theme<br />

eagerly sought by collector.<br />

For immediate response please<br />

write to:<br />

Adrian Andrusier<br />

c/o Sheldon Monk & Co. Ltd.,<br />

15-19 Cavendish Place, London<br />

W1G 0DX<br />

or telephone 020-7580 5866<br />

KEYWORTH & PLUMTREE postcards<br />

wanted, please, on approval.<br />

Help me improve our collection! I’d<br />

also like any postally used cards<br />

sent to an address in either village<br />

1900-11. Brian Lund, 15 Debdale<br />

Lane, Keyworth, Nottingham NG12<br />

5HT.<br />

SUFFOLK, NORFOLK and Cambridgeshire<br />

<strong>Postcard</strong>s published by<br />

F.G. Pawsey & Co. Ltd and Langhorn<br />

Pawsey & Co. (L.P. & Co.) of<br />

Bury St. Edmunds. Bob Pawsey, 82<br />

Westerfield Road, Ipswich IP4 2XN.<br />

Tel: 01473 252893.<br />

MEXICAN POSTCARDS<br />

WANTED<br />

Single cards or collections<br />

Contact:<br />

Grenville Collins<br />

Flat 81, 95 Wilton Road<br />

London SW1V 1BZ<br />

Tel. 020 7834 1852<br />

e-mail:<br />

grenvillecollins@safeserve.com<br />

WANTED - <strong>Postcard</strong>s (modern &<br />

old) & ephemera of Tenerife,<br />

Canary Islands & Spain in general.<br />

We pay with UK cheque. Please<br />

contact before sending on<br />

approval to: Sophie Baillon, POR-<br />

TOBELLO, Cruz Chica 84, Guamasa,<br />

La Laguna. 38330. Tenerife.<br />

(T). sophiebaillon@hotmail.com<br />

skype-rastrilloportobello.<br />

BURNLEY, PADIHAM, EAST<br />

LANCS, BURNLEY F.C. Photographic<br />

postcards always required.<br />

Prompt response, postage refunded.<br />

Mark Yates, 8 Shakespeare<br />

Street, Padiham, Lancs BB12 8SN.<br />

Email:yatesmark2000@yahoo.com<br />

SOUTHPORT and SUBURBS<br />

BIRKDALE, AINSDALE,<br />

CROSSENS, CHURCHTOWN<br />

Single iitems aand ccollections<br />

welcome. PPostage rrefunded<br />

IAN SIMPSON<br />

55 LARKFIELD LANE<br />

SOUTHPORT<br />

LANCASHIRE PR9 8NN<br />

Tel: 01704-227765<br />

iansimpson@talktalk.net<br />

GOULBORNS, old Millgate, Manchester.<br />

<strong>Postcard</strong>s of skittle alley,<br />

cheese store etc. K. Warrender, 36<br />

Moss Lane, Timperley, Cheshire<br />

WA15 6SZ.<br />

CHANNEL ISLANDS: vintage and<br />

modern cards wanted. Any quantity<br />

considered. P. Dunn, 12 Wyndham<br />

Crescent, Burton upon Trent,<br />

Staffs DE15 0DF. Tel: 01283 845190<br />

EARLS COLNE, WHITE COLNE<br />

& COLNE ENGAINE, CHAPPEL<br />

& WAKES COLNE (ESSEX)<br />

Good R.P. cards always required<br />

Gerry KKelly,<br />

20 WWaldemar AAvenue,<br />

Norwich, NNR6 66TB<br />

Phone: 01603 417961<br />

E-mail: gerry.kelly@btconnect.com<br />

PORTLING, PORT O’WARREN - in<br />

Kirkcudbrightshire wanted. Brian<br />

Cox, Kirknewton House, Kirknewton,<br />

Wooler NE71 6XF or<br />

briancox@mythica.co.uk.<br />

GERMANY - All areas and subjects<br />

particularly aviation up to 1945. P.<br />

Dickerson, 20 Easson Road, Redcar,<br />

TS10 1HJ.<br />

INDEX CARD & CARDS 3 & 5 of<br />

series 5 Misch & Co. “The Holy<br />

Scriptures” Old Testament. Also<br />

any cards of New Testament<br />

Series. A. Butterick 01483 769974,<br />

07706 190604. Walnut Tree House,<br />

Kingfield Road, Woking, Surrey<br />

GU22 9DZ.<br />

SUSSEX RAILWAY STATIONS:<br />

Ardingly, Barcombe, East Grinstead,<br />

Haywards Heath, Horsted<br />

Keynes, Lewes, Newick & Chailey,<br />

Sheffield Park and West Hoathly.<br />

Send cards/photographs to J.<br />

Young, 28 The Garstons, Bookham,<br />

Surrey KT23 3DS. Postage refunded.<br />

NORFOLK AND NORWICH CINE-<br />

MA postcards and ephemera wanted.<br />

P. Yaxley, ‘Polperro’, Silfield<br />

Road, Wymondham, Norfolk NR18<br />

9AU. (Tel: 01953 603549).<br />

ITALY<br />

POSTCARDS WANTED<br />

also postcards of all other<br />

countries, world postal history<br />

and postmarks<br />

Single items, collections and<br />

accumulations welcome<br />

RICHARD GEE<br />

7 Brooks Malting, Kiln Lane,<br />

Manningtree CO11 1HP<br />

Tel: 01206 393682 Mobile:<br />

077987 48350<br />

email: richardgeeuk@aol.com<br />

FRENCH & ITALIAN anti-Kaiser<br />

postcards. Graham Farthing, 106<br />

Ashridge Way, Morden, Surrey<br />

SM4 4ED.<br />

GOOD PRICES PAID for postcards<br />

of Stockwood Park, Bedfordshire,<br />

and Stoke Edith, Herefordshire.<br />

Alan Hamblin, 50 Overstone Road,<br />

Harpenden, Hertfordshire AL5 5PJ.<br />

Tel. 01582-763571.<br />

ANY AIRPORTS & AIRLINE ISSUED<br />

PROPELLOR aircraft wanted. Mike<br />

Charlton, 4 South East Farm, Horsley<br />

NE15 0NT. Email:<br />

mike@aviationpostcard.co.uk or<br />

www.aviationpostcard.co.uk<br />

SALVATION ARMY postcards<br />

wanted. David Pickard, 1 Beauval<br />

Road, East Dulwich, London SE22<br />

8UG. Tel: 020 8693 2585.<br />

BOY SCOUTS/BADEN POWELL.<br />

(Cards, Badges, Memorabilia).<br />

Comic & Greetings cards of Plymouth<br />

area and Royal Air Force.<br />

Graham Brooks, 28 Rawlin Close,<br />

Eggbuckland, Plymouth PL6 5TF.<br />

Tel. 01752 774467.<br />

WANTED: REAL PHOTO<br />

POSTCARDS OF PEOPLE<br />

Seeking quality RP cards of<br />

individuals or groups:<br />

all classes and kinds.<br />

Portrait and Social History type;<br />

formal or informal.<br />

Must be postcard backed and<br />

British.<br />

No commercially published cards.<br />

TOM PHILLIPS<br />

57 TALFOURD ROAD<br />

LONDON SE15 5NN<br />

Phone 020 7701 3978<br />

Fax 020 7703 2800<br />

tom@tomphillips.co.uk<br />

<strong>Picture</strong> <strong>Postcard</strong> Monthly December 2009 53


POSTCARDS<br />

WANTED<br />

NORWICH, STACY ROAD. <strong>Postcard</strong><br />

urgently wanted. Julie Jakeway.<br />

Tel. 01603-437411.<br />

DOGS wanted, any breeds considered<br />

but no Bonzo, Comic or Puppies,<br />

thanks. John Rolfe, 39 Combe<br />

Avenue, Blackheath, London SE3<br />

7PZ.<br />

SHROPSHIRE, CHESHIRE,<br />

STAFFORDSHIRE,<br />

WORCESTERSHIRE<br />

All postcards wanted<br />

Top prices paid for better<br />

and RP cards<br />

PHIL JONES T.P.S<br />

6 PASTEUR DRIVE,<br />

LEEGOMERY,<br />

TELFORD TF1 6PQ<br />

Tel/Fax 01952-223926<br />

e-mail philjo@bigfoot.com<br />

BULLDOGS Comic, Patriotic, Real<br />

Photo anything considered.<br />

Approvals to - G. Jennings, 4<br />

Henry Road, West Bridgford, Nottingham.<br />

Postage refunded.<br />

BARTON, YORKS. Cards are<br />

marked Barton, Yorks, or Barton,<br />

Darlington. Related interest,<br />

groups of soldiers at Catterick<br />

Camp. W. Robotham, 17 Marygate,<br />

Barton, Richmond, North Yorkshire<br />

DL10 6LD. Tel. 01325-377772.<br />

PADDY THE IRISHMAN wants any<br />

good quality Irish cards you have<br />

for sale. Paddy Macken, 10 Villa<br />

Park Road, Dublin 7.<br />

DULWICH, CAMBERWELL, CAT-<br />

FORD postcards wanted. David<br />

Pickard, 1 Beauval Road, London<br />

SE22 8UG. Telephone 020 8693<br />

2585.<br />

BATCHES OF INTERESTING<br />

UNLOCATED UK topo. Must be<br />

clueful and reasonably priced.<br />

Postage refunded. Nigel Bown, 45<br />

Eastern Avenue, Chippenham,<br />

Wiltshire SN15 3WL.<br />

ISLE OF MAN,<br />

GIBRALTAR,<br />

SCOOTERING.<br />

Quality ccards ddesired.<br />

MAX COLLISTER,<br />

20 CREGGAN LEA,<br />

PORT ST MARY,<br />

ISLE OF MAN IM9 5BE<br />

Tel: 001624 8832062<br />

HULL CITY FC postcards wanted:<br />

team groups, players and crowds.<br />

N. Turner, 21 Wolfreton Mews,<br />

Willerby, Hull HU10 6PW. Email:<br />

nichturn@yahoo.co.uk<br />

DISS & DISTRICT, 5 miles radius,<br />

e<strong>special</strong>ly villages of Burston,<br />

Shimpling, Palgrave, Dickleburgh,<br />

Scole, Winfarthing and Tibenham.<br />

Also Crested China of Diss, and<br />

Norfolk & Suffolk railway stations.<br />

D. Cross, 60 Uplands Way, Diss<br />

IP22 4DF. Tel. 01379-651897.<br />

MOELFRE, ANGLESEY postcards<br />

of lifeboat & crew wanted, pre-<br />

1945 only. Approvals, scans,<br />

copies. Richard Roberts, 8207<br />

Regency Drive, Pleasanton, CA<br />

94588, U.S.A.<br />

richwrob@gmail.com<br />

DAPPER JUVENILE DELIN-<br />

QUENTS? Dashing hooligans?<br />

Stylish, punky criminals? Photos?<br />

Negatives? (1850-1940). Mr. Hartnett,<br />

Brewery, 19 Brow Road,<br />

Haworth BD22 8LD.<br />

EXHIBITION CARDS wanted by collector,<br />

e<strong>special</strong>ly cards of stands<br />

and advertising cards, no foreign<br />

exhibitions wanted. Also Church<br />

Missionary cards, Crystal Palace,<br />

and topo’s for the following areas:<br />

Anerley, Beckenham, Elmers End,<br />

Hayes, Keston, Penge and West<br />

Wickham. Postage paid. Bill<br />

Tonkin, 23 Bramley Way, West<br />

Wickham, Kent BR4 9NT.<br />

MALE FASHION<br />

Photographic 1870 - 1950<br />

Tintypes? Cabinets? CDVs?<br />

Real photo postcards? Quality<br />

silver gelatin photographs?<br />

Private collector seeks sharp,<br />

clear images depicting changing<br />

male fashions - tailoring<br />

styles, hairstyle trends, ‘looks’.<br />

From casual (farm/factory/occupational<br />

workwear and sportswear)<br />

to traditional/formal<br />

(‘suited and booted’, starched<br />

collars, bow ties, top hat ‘n’<br />

tails, fancy dress, ‘eccentrics’).<br />

No commercially published<br />

visuals, please.<br />

Approvals welcome and dealt<br />

with promptly, postage<br />

refunded.<br />

Mr Paul Hartnett, The Old<br />

Brewery, 19 Brow Road,<br />

Haworth, Yorkshire, BD22 8LD<br />

Questions? Tel: 01535 646 985<br />

or via<br />

hartnettnow@yahoo.com.<br />

<strong>Postcard</strong>s of GHOSTS or<br />

HAUNTED PLACES<br />

required by serious<br />

collector - must either<br />

show apparition or text<br />

refer to haunting<br />

No Halloween, comic or<br />

Cornish Litany please<br />

Also looking for GWR<br />

‘Legendland’ series<br />

Approvals welcomed and<br />

dealt with promptly,<br />

postage refunded<br />

G.M Wheeldon,<br />

9 Ashtree Court, Feltham<br />

Hill Road, Ashford,<br />

Middlesex TW15 2BU<br />

Tel: 01784 246399 (eve)<br />

RAILWAY PHOTOGRAPHS, POST-<br />

CARDS, EPHEMERA, books and<br />

relics required. N.J. Bridger, The<br />

Warren, Curridge, Newbury, Berkshire<br />

RG18 9DN. Tel: 01635 200507.<br />

(T).<br />

LITERATURE<br />

QUANTITY OF PPM back numbers<br />

early 1990s available. Contact Peter<br />

on 0208-300-3705.<br />

CARTES POSTALES ET COLLEC-<br />

TION, the French magazine for<br />

postcard collectors, costs £5.30 inc<br />

postage. CARD TIMES is the regular<br />

monthly magazine for cigarette<br />

card collectors. Current issue and<br />

back numbers £3.05 each (inc.<br />

postage). Reflections, 15 Debdale<br />

Lane, Keyworth, Nottingham<br />

NG12 5HT.<br />

PICTURE POSTCARD ANNUAL<br />

2010 is now available at £4.75 plus<br />

postage, with an up to date directory<br />

of dealers, fair organisers,<br />

auctions etc plus lots of features<br />

and articles, and a list of important<br />

2010 postcard fairs. On sale from<br />

your favourite dealer or direct from<br />

the publishers at 15 Debdale Lane,<br />

Keyworth, Nottingham NG12 5HT<br />

(postage £1 UK, £3 Europe, £5.50<br />

rest of world)<br />

Got a point of<br />

view or something<br />

to say? Write to<br />

PPM<br />

Postbag!<br />

54 <strong>Picture</strong> <strong>Postcard</strong> Monthly December 2009<br />

POSTCARDS<br />

FOR SALE<br />

12,000 UK POSTCARDS<br />

for sale as one lot, unsorted.<br />

They are part of a large<br />

collection of cards accumulated<br />

over 38 years by rare bookseller<br />

Anah Dunsheath in Auckland.<br />

If any dealer has connections<br />

with New Zealand, maybe<br />

visiting for holiday, please get in<br />

touch to view.<br />

ALSO for sale in lots.<br />

4600 EUROPEAN POSTCARDS<br />

1500 USA 500 SOUTH AFRICAN<br />

anah@xtra.co.nz<br />

Tel. ++64 21 934 016<br />

or P.O. Box 4181, Auckland 1140<br />

New Zealand<br />

LISTS. Topographical - England,<br />

Ireland, Wales, Channel Islands.<br />

Detailed lists including condition.<br />

Please state interests and send<br />

SAE. Ken Simson, 14 Old Farm<br />

Road East, Sidcup, DA15 8AE.<br />

barandshe@clara.co.uk BARRY<br />

WRIGHT - part exchange vintage<br />

postcards & coins. www.barandshe.clara.net<br />

EBAY SELLER:<br />

GLOBALHISTORY<br />

BARGAIN BUNDLES! 20 postcards<br />

for £7 inc. post; A-Z of Counties,<br />

Foreign, Subject & Moderns available.<br />

Send SAE for sales list. Tom<br />

Carr, 8 Church Road, Thorrington,<br />

Essex CO7 8HH. Tel. 01206 250881.<br />

20 GENUINE OLD DONALD<br />

McGILL POSTCARDS £15 inc. post;<br />

also Bamforths, Pedro, Mike, Xerxes,<br />

Trow, Flip, Wilkins and many<br />

other saucy Sixties postcards 50p<br />

each. Eric Kent, 8 The Croft,<br />

Flitwick, Bedfordshire MK45 1DL.<br />

Tel. 01525-752222.<br />

VINTAGE POSTCARDS FOR<br />

SALE<br />

Visit my online shop at<br />

http://alfapostcards.com<br />

1000’s still to list<br />

Colin Williams<br />

31 Rivington Drive<br />

Burscough, Lancashire L40 7RN<br />

01704-895056<br />

FAIRS<br />

NOTTINGHAM <strong>Postcard</strong>, Cigarette<br />

Card & Ephemera Fair at Harvey<br />

Hadden Sports Centre, Wigman<br />

Road, Bilborough, Nottingham.<br />

Sunday 7th February 2010 from<br />

10am to 5pm. 50+ postcard dealers<br />

including moderns <strong>special</strong>ists.<br />

<strong>Postcard</strong> display competition..<br />

Admission £1 (to ‘Children in<br />

Need’. Contact Reflections on 0115<br />

937 4079 or see our website<br />

www.postcardcollecting.co.uk for<br />

more details and locator map.<br />

Try aa PPPM Classified!<br />

WEB SITES<br />

barrywright@clara.co.uk BARRY<br />

WRIGHT - part exchange vintage<br />

postcards & coins.<br />

www.barandshe.clara.net<br />

PAT HOLTON (PH TOPICS). Give<br />

Moderns a Go!<br />

www.phtopics.clara.net<br />

FOR A SELECTION of quality topographical<br />

and photographic postcards<br />

visit<br />

www.footstepspostcards.co.uk<br />

barrywright@clara.co.uk BARRY<br />

WRIGHT - part exchange postcards,<br />

covers, postal history - sent<br />

on approval.<br />

www.barandshe.clara.net<br />

*Oldpostcards.com*<br />

All Topics - take<br />

advantage of weak US<br />

Dollar, Buy<br />

Oldpostcards.com<br />

Email: alan@oldpostcards.com<br />

Accept: Credit Cards, Paypal,<br />

Western Union<br />

POSTCARDENMARK<br />

Vintage Quality <strong>Postcard</strong>s<br />

www.delcampe.net/stores/postcardenmark<br />

PIPWICK’S CHURCH POSTCARD<br />

SHOP now on ebay.co.uk with over<br />

40,000 church postcards also available<br />

directly from Pip Barker. Send<br />

wants list to: g992barker@btinternet.com<br />

or phone 07778-560241.<br />

www.internetpostcards.co.uk<br />

UK topographical sales, approvals,<br />

wanted lists. Auction lots bought.<br />

Website updated weekly.<br />

www.postcardworld.co.uk<br />

Visit <strong>Postcard</strong> World for many surprises.<br />

We have thousands of vintage<br />

subject and UK topographical<br />

cards on offer here on our site. All<br />

of our cards are illustrated for your<br />

interest and information and we<br />

trust that this will add to your<br />

enjoyment of <strong>Postcard</strong> World.<br />

Please browse around and hopefully<br />

you will find something of<br />

interest. Our website is updated<br />

weekly so bookmark us and visit<br />

regularly<br />

Deryk and Brenda Whitfield<br />

5 Gipsy Close<br />

Balsall Common, West Midlands<br />

CV7 7FU<br />

www.postcardworld.co.uk<br />

DALKEITH POSTCARDS for Railway<br />

and Shipping see:www.dalkeithpostcards.co.uk<br />

M.E.P. POSTCARDS. www.meppostcards.co.uk.<br />

Modern <strong>special</strong>ists.<br />

www.ukpostcards.com<br />

POSTCARDENMARK. Vintage<br />

quality postcards.<br />

www.stores.ebay.co.uk/postcardenmark<br />

Scotland starts November<br />

www.<strong>Postcard</strong>s-for-Sale.com<br />

8,500 images of Great Britain<br />

with details and prices.<br />

Art cards listed by number<br />

Sylvia/John Jones<br />

On-line daily for queries<br />

www.grbcollectables.com<br />

www.carlton-antiques.com<br />

www.peterspostcards.co.uk for<br />

interesting and unusual old paper<br />

collectables.


SHOPS<br />

PAGE POSTCARDS<br />

at HUNGERFORD ARCADE<br />

Only 5 minutes from the M4<br />

(Junction 14)<br />

A constantly of UK,<br />

Foreign and Subject<br />

postcards - also some stamps,<br />

postal history and ephemera.<br />

20% ddiscount oon<br />

purchases oover ££50<br />

HUNGERFORD ARCADE<br />

(Unit 7) 26 HIGH STREET<br />

HUNGERFORD<br />

BERKSHIRE RG17 0NF<br />

Opening TTimes:<br />

Monday to Friday - 9.15 to 5.30<br />

Saturday - 9.15 till 6.00<br />

Sunday - 11.00 till 5.00<br />

Sunny EASTBOURNE<br />

has a Collectors’ Shop,<br />

trading in a wide range<br />

of collectables.<br />

Over 40,000<br />

OLD POSTCARDS<br />

always in stock. Also stamps,<br />

coins & medals, cigarette cards,<br />

toys, silver, ephemera<br />

SORRY NO APPROVALS<br />

Open Tues and Sat 10 - 5<br />

Other times by appointment<br />

“FRANCOIS”<br />

26 South Street,<br />

Eastbourne, Sussex<br />

Tel: (01323) 644464<br />

(Home) 01323-646694 after 6 pm<br />

POSTCARDS<br />

CIGARETTE CARDS<br />

BOOKS PRINTS<br />

STAMPS ACCESSORIES<br />

GRAHAM LEADLEY<br />

LITTLE PERFORATIONS<br />

59 HIGH ROAD<br />

WORMLEY, HERTS EN10 6JJ<br />

01992-467631<br />

Over 35 years at this address<br />

OPEN WEEKENDS<br />

Please ring first if travelling any<br />

distance<br />

AUTOGRAPHS<br />

ILLUSTRATED BI-MONTHLY<br />

AUTOGRAPH SALES LIST issued<br />

in aid of Children in Hunger. Send<br />

SAE for a copy to L. Marchant, 40<br />

Cornard Road, Sudbury, Suffolk<br />

CO10 2XA.<br />

WEB SITES<br />

SHOPS APPROVALS<br />

COLLECTABLES YARD. Books,<br />

ephemera, photos, prints, postcards<br />

on all subjects plus bric-abrac.<br />

De Silva, 2B Stockport Road,<br />

Cheadle SK8 2AA. Tel. 0161-<br />

4832086 or 07950-547243.<br />

Pc<strong>Postcard</strong>s<br />

We have now re-located<br />

Our premises are now at the<br />

side of The Foley Hotel<br />

CARLTON ANTIQUES<br />

R/O 12 Worcester Road,<br />

Foley Bank, MALVERN,<br />

Worcestershire WR14 4QU<br />

(open weekends and afternoons)<br />

Parking at rear on weekends<br />

only (Tel: 01684 573092)<br />

Cig ccards, BBooks, CChina,<br />

Dinky TToys eetc<br />

Over 5000 cards on our Website<br />

www.Pcpostcards.co.uk<br />

We <strong>special</strong>ise in Web Site Sales:<br />

Site updated every week<br />

Overseas Customers E<strong>special</strong>ly<br />

Welcome<br />

(Ebay Trader - Pc<strong>Postcard</strong>s)<br />

FOSTERS OF FILEY<br />

When visiting the East Coast<br />

please call in for:- <strong>Postcard</strong>s,<br />

Stamps, Postal History, FDC’s<br />

and small collectables<br />

28 BELLE VUE STREET,<br />

FILEY, NORTH<br />

YORKSHIRE YO14 9HY<br />

01723 514433<br />

Open Mon, Tues, Fri, Sat<br />

WARWICK ANTIQUE<br />

CENTRE<br />

22 HIGH ST.,<br />

WARWICK CV34 4AP<br />

Comprehensive range of<br />

25,000 + postcards<br />

Good stocks of Coins, Banknotes,<br />

Cigarette Cards, FDCs,<br />

accessories, including postcard<br />

cases etc<br />

Buy, sell, exchange<br />

Mon-Sat 10am-5pm<br />

01926 491382<br />

ORIGINAL<br />

ARTWORK<br />

WANTED: ORIGINAL COMIC<br />

POSTCARD ARTWORK by the likes<br />

of Pedro, Taylor, Fitzpatrick &<br />

McGill etc. Top prices paid by private<br />

collector. Call David on 01903<br />

234432 or 07961 795333.<br />

Don’t miss out on a single<br />

copy of PPM - take<br />

out a subscription or<br />

place a regular order<br />

with your supplier<br />

PLEASE MENTION<br />

PICTURE POSTCARD<br />

MONTHLY WHEN<br />

REPLYING TO<br />

ADVERTISERS<br />

Looking for vintage old postcards?<br />

Please visit our online shop<br />

www.hoogeduinpostcards.com<br />

Jac. Verloop, Schoolstraat 1, 2202 HC Noordwijk,<br />

The Netherlands<br />

Tel: +31 71 3617568<br />

barrywright@clara.co.uk BARRY<br />

WRIGHT - part exchange postcards,<br />

covers, postal history - sent<br />

on approval.<br />

www.barandshe.clara.net<br />

NEW APPROVAL SERVICE. All categories<br />

and subjects. <strong>Postcard</strong>s,<br />

photos and prints, books and<br />

ephemera. Wants list to Collectables<br />

Yard, Rear of 2B Stockport<br />

Road, Cheadle SK8 2AA. Tel. 0161-<br />

483-2086 or 07950-547243<br />

(evenings).<br />

APPROVALS SERVICE for<br />

� ALL SUBJECTS FROM<br />

ACTRESSES TO ZOOs<br />

� UK TOPO, including topo art.<br />

NO MODERNS. NO FOREIGN.<br />

Send your wants list to<br />

Mike Pearl<br />

10 Peter’s Close<br />

Prestbury<br />

Macclesfield SK10 4JQ<br />

EPHEMERA<br />

POSTCARDS,<br />

EPHEMERA, BOOKS<br />

Send for latest free catalogue<br />

which includes a large section<br />

of British topographical<br />

postcards or see web site<br />

www.paperbygones.co.uk<br />

PAPER BYGONES<br />

PO BOX 4443,<br />

BOURNEMOUTH BH5 1ZX<br />

Tel: 01202 302842<br />

AUCTIONS<br />

FOR THE DALKEITH AUCTIONS<br />

CATALOGUE please go to<br />

www.dalkeithcatalogue.com. If<br />

you are not on the net and would<br />

like a copy of our monthly auction<br />

catalogue phone 01202 292905.<br />

LODDON AUCTIONS. Long established<br />

May and Nov/Dec auctions,<br />

regularly with 600+ lots comprising<br />

a wide range of printed material.<br />

Catalogues £3 by post. Entries<br />

invited. Enquiries to G. Arkell, 39<br />

Falmouth Road, Reading, Berks<br />

RG2 8QR. Tel: 0118 9611915<br />

(evenings).<br />

MODERNS<br />

WANTED<br />

TEDS? MODS? ROCKERS? Skinheads?<br />

Prints? Negatives? Mr. Hartnett,<br />

Brewery, 19 Brow Road,<br />

Haworth BD22 8LD.<br />

MODERNS<br />

FOR SALE<br />

MINT STANDARD SIZE from<br />

1960s/70s: Tom Browne Nurses<br />

reprints, Medici (Children, Artists,<br />

Salmon, Rural), Maps etc. SAE for<br />

list. Ruthven 01708-760049.<br />

M.E.P. POSTCARDS<br />

(Moderns)<br />

John & Margaret Pearsall<br />

Most Subjects Stocked - Lists<br />

Available<br />

Free Monthly Stock Additions List<br />

Fairs Attended - Refer to Website<br />

or Contact Direct<br />

34, Franche Road, Wolverley,<br />

Kidderminster, Worcs DY11 5TP<br />

Tel: (01562) 850915<br />

E-mail: mail@mep-postcards.co.uk<br />

Website: www.mep-postcards.co.uk<br />

POSTMARKS<br />

POSTMARKS<br />

WANTED<br />

Stamp, <strong>Postcard</strong> & Postal History<br />

Dealers urgently require English,<br />

Welsh, Scots postmarks on cards/<br />

envelopes for re-sale to collectors.<br />

Must be clear impressions:<br />

Squared Circles, Duplexes,<br />

R.S.O.’s e<strong>special</strong>ly wanted.<br />

Highest prices paid, send for our offer.<br />

BAY STAMPS<br />

Nigel Davidson<br />

Freepost, Rogart,<br />

Sutherland IV28 3BR<br />

Tel. 01408-641747<br />

Contributors aand aadvertisers<br />

aare aadvised tthat tthe<br />

January 22010 eedition oof<br />

PICTURE PPOSTCARD<br />

MONTHLY wwill bbe ppublished<br />

oon DDecember 220th.<br />

Deadline ffor ccopy iis<br />

December 110th.<br />

HOSPISCARE CHARITY (reg no. 297798)<br />

This month’s sale of bargain packs of modern<br />

cards include<br />

(1) Pack of 50 UK/IRELAND MAPS (all different) @ £5.00<br />

(2) Pack of 50 MALDIVES (mixed used/unused) @ £7.50<br />

(3) Pack of 50 DISNEY (faces and places, all different) @ £5.00<br />

(4) Pack of 50 (ART UNLIMITED) unused, all different, new from<br />

Holland @ £5.00<br />

(5) Pack of 100 SHROPSHIRE @ £5.00<br />

(6) Pack of 100 FRITH old and new @ £5.00<br />

(7) Pack of 500 WILTSHIRE (heavy in tourist areas) @ £7.50<br />

(8) Pack of 500 NORFOLK (GOLDEN AGE SIZE) @ £20.00<br />

(9) Pack of 100 NEW ZEALAND (mixed used/unused) @ £5.00<br />

(10) Pack of 100 HORSES @ £7.50<br />

(11) Pack of 500 U.S.A. (golden age size) @ £10.00<br />

(12) Pack of 100 BOOMERANG (all different), (many out of print)<br />

@ £1.00<br />

(13) Pack of 100 FOREIGN FREECARDS (all different) @ £1.00<br />

(14) FULL SALES LIST FREE OF CHARGE<br />

(15) UNWANTED/UNLOVED (1-1000) no charge except for<br />

postage<br />

Invoices will be sent with orders and postage/packing<br />

added. Order from Alan Nethercott at P.O.Box 268, EXETER<br />

EX2 9ZS or telephone/telex 07800 841 816 or email nethercott.postcards@totalise.co.uk.<br />

Single cards available on<br />

approval. Please ask for details.<br />

<strong>Picture</strong> <strong>Postcard</strong> Monthly December 2009 55


In essence this<br />

is a tourist’s<br />

view of Wales,<br />

which after all is<br />

part of what picture<br />

postcards<br />

have always<br />

been about. The<br />

author begins<br />

with pageants<br />

and patriotism,<br />

showing Welsh<br />

wizard Lloyd<br />

George before<br />

moving on to<br />

Welsh women<br />

in national costume<br />

and a gen-<br />

erous 19 pages of comic<br />

postcards. Then we travel to<br />

the various parts of Wales<br />

and a succession of touristy<br />

postcards. In truth, the<br />

selection is fairly predictable,<br />

with few examples<br />

of what postcard collectors<br />

call ‘gems’, but then these<br />

are not the cards the general<br />

public might empathise<br />

with or buy a book of. To<br />

the bookshop browser, a<br />

card of Llandudno’s Great<br />

Orme and Happy Valley<br />

would strike a more familiar<br />

chord than a real photographic<br />

animated back<br />

street of downtown Rhyl.<br />

There are postcards of<br />

South Wales industry, but<br />

that is part of outsiders’<br />

perceptions of early 20th<br />

century Wales. Having said<br />

that, it would have been<br />

nice to have found a bit<br />

more information about the<br />

card publishers or artists in<br />

the captions (my pet gripe!).<br />

In all, a pleasant tour of<br />

Wales - but hang on - there<br />

are no cards of rugby or<br />

singing? What’s going on? -<br />

B.L.<br />

* ISBN 978 1 84868 303 7. 96pp.<br />

£12.99. Amberley Publishing,<br />

Cirencester Road, Stroud, Glos<br />

GL6 8PE.<br />

Military photographs and<br />

� Books � how to date them (Neil OBITUARY<br />

Wales in the Golden Age of <strong>Picture</strong> <strong>Postcard</strong>s (David<br />

Gwynn) sounds a pretty daunting challenge. How to<br />

cover a large country in one 96-page volume and<br />

under 200 postcards? Nevertheless, in this recentlypublished<br />

book from Amberley Publishing, David<br />

has a good stab at putting across Welshness through<br />

the medium of postcards, all in full colour or sepia.<br />

His aim, he says in the introduction, is to “examine<br />

the range of postcards that were sold in Wales in the<br />

early years of the 20th century”.<br />

The NORTH WALES club<br />

enormously enjoyed a talk<br />

from auctioneer David<br />

Rogers-Jones. He focused<br />

on social history and<br />

notable bills (like the 1946<br />

bill for a week’s treatment<br />

and maintenance at Bangor<br />

Hospital, £6-7s-3d) and<br />

confessed himself a ‘nos-<br />

Welshness: the lady and the bridge on<br />

card ref. 31 published by ETW Dennis of<br />

Scarborough. The artist was Warren<br />

Williams<br />

Clubscene extra<br />

NORTH-WEST KENT<br />

enjoyed a talk and<br />

slideshow by Tony Farnham<br />

on ‘The Romance of London’s<br />

River’. He featured<br />

barges, people and places<br />

on the Thames starting<br />

from Shoeburyness and<br />

ending at Sonning. Tony<br />

worked on the sailing<br />

barges when he was a<br />

young man and so has firsthand<br />

knowledge of life for<br />

those working the barges.<br />

CANTERBURY & EAST<br />

KENT’s AGM was an upbeat<br />

affair, with chairman Roger<br />

Stone in optimistic mood,<br />

and all officers returned for<br />

another year. Then guest<br />

speaker Douglas Chapman<br />

gave the club an insight into<br />

lesser-known aspects of<br />

Canterbury Cathedral.<br />

These included the curious<br />

story of murdered Archbishop<br />

Thomas Becket’s<br />

remains.<br />

� Tim Ward of Put The<br />

Clock back postcard fame<br />

launched his latest book at<br />

both Ross-on-Wye and<br />

Presteigne last month. Entitled<br />

Roses around the door?<br />

the book looks at rural<br />

images of Herefordshire<br />

from 1830-1930. Naturally,<br />

postcard images loom large<br />

- of harvesting and hoppicking,<br />

cidermaking and<br />

cattle breeding, blacksmiths,<br />

beekeepers and<br />

basket-makers. Tim has<br />

done painstaking research<br />

to unearth the stories<br />

behind the pictures and also<br />

charts the history of the<br />

agricultural unions.<br />

56 <strong>Picture</strong> <strong>Postcard</strong> Monthly December 2009<br />

Storey) is published by<br />

Countryside Books. So<br />

many postcard collectors<br />

look for military cards,<br />

either as a regimental or<br />

war interest, or as part of<br />

family history research,<br />

but find that many photos<br />

of groups or individuals<br />

are uncaptioned or<br />

unidentified. At last a book<br />

has come along that could<br />

save them time and trouble<br />

in unearthing the origins<br />

of some of those frustratingly<br />

anonymous postcards.<br />

The author, a Military<br />

and Social Historian<br />

of 25 years’ experience,<br />

offers advice on how to<br />

identify military uniforms,<br />

ranks, badges, insignia,<br />

medals and equipment,<br />

and because he specifically<br />

covers the period 1870-<br />

1940, the information is<br />

particularly relevant to the<br />

postcard scene. A wealth<br />

of photos, many taken<br />

from postcards, guides<br />

the reader through the<br />

complexities of soldierspotting,<br />

with big sections<br />

on the Edwardian era and<br />

the First World War. Many<br />

are naturally from studio<br />

or army camp photographers,<br />

and fortunately the<br />

participants in these situations<br />

normally showed off<br />

their uniforms proudly<br />

and prominently, to make<br />

identification easier. Neil<br />

Storey’s detailed text<br />

explains the nuances of<br />

dress and insignia in this<br />

very useful publication. -<br />

B.L.<br />

* ISBN 978 1 84674 152 4.<br />

192pp softback, £12.99. Countryside<br />

Books, Highfield<br />

House, 2 Highfield Avenue,<br />

Newbury, Berkshire RG14<br />

5DS.<br />

Special rreader ooffer:<br />

Countryside Books, the publishers,<br />

are offering copies<br />

of MILITARY PHO-<br />

TOGRAPHS & HOW TO<br />

DATE THEM to <strong>Picture</strong> <strong>Postcard</strong><br />

Monthly readers at a<br />

<strong>special</strong> price of £10.99 - £2<br />

off the cover price of £12.99<br />

- inclusive of postage and<br />

packing.<br />

If you would like a<br />

copy, please print your<br />

name, address and the title<br />

of the book you want clearly<br />

on a sheet of paper and<br />

send it with a cheque<br />

(payable to Countryside<br />

Books) to <strong>Picture</strong> <strong>Postcard</strong><br />

Monthly Offer, Countryside<br />

Books, 2 Highfield Avenue,<br />

Newbury, Berkshire RG14<br />

5DS. Tel: Newbury (01635)<br />

43816 - e-mail address:<br />

info@countrysidebooks.co.<br />

uk<br />

tagia nutter’. Right: investigating the military<br />

with Neil Storey<br />

Ron Linsdell, long-standing<br />

supporter of<br />

Northamptonshire <strong>Postcard</strong><br />

Club and a former<br />

mayor of the town, has<br />

died at the age of 80. He<br />

was a councillor for 25<br />

years. Ron worked for a<br />

postcard printing and publishing<br />

firm in Northampton,<br />

and collected postcards<br />

of the town and<br />

county, along with many<br />

other interesting subjects.<br />

John signs off<br />

John Gent, speaker at<br />

CROYDON <strong>Postcard</strong> Club<br />

last month, told his audience<br />

that he had been giving<br />

talks on local history<br />

and postcard-related subjects<br />

for over 50 years! This<br />

was to be, however, his<br />

final presentation. He<br />

showed over 200 social history<br />

postcards from his<br />

10,000-strong local collection,<br />

including fires and fire<br />

brigades, railways and railway<br />

accidents, buses,<br />

trams, motor and steam<br />

vehicles, portraits, adverts,<br />

comic cards, pubs, cafes,<br />

hotels, military parades,<br />

brass bands, sports groups<br />

and suffragette meetings.<br />

There were also several<br />

cards of Croydon Lifeboat<br />

Day Carnival in 1908 which<br />

attracted thousands of<br />

spectators and included<br />

lifeboats from Eastbourne<br />

and Southend. It was not<br />

clear what would have happened<br />

in either of these two<br />

towns had there been an<br />

emergency at sea!<br />

* A profile of John Gent’s<br />

amazing postcard life<br />

appeared in PPM in April<br />

2006.<br />

�� Nottingham <strong>Postcard</strong><br />

Club member John Atherton<br />

won the Gerry Weston<br />

Cup at the annual Military<br />

Historical Society Exhibition<br />

in Farnham with a display of<br />

Royal Marine badges.


<strong>Picture</strong> <strong>Postcard</strong><br />

� Puzzles �<br />

Another selection of puzzles for you to identify, all on<br />

picture postcards sent in by readers. If you know the<br />

location, tell us (write, fax, email or phone) and give<br />

yourself the chance of a prize. First authentic identification<br />

of each puzzle wins you a choice of: pack of modern<br />

social history cards, a free classified ad in PPM<br />

(max. 25 words), a Reflections pen, one of the Yesterday’s<br />

series of books based on old postcards, or a set of<br />

Reflections <strong>Postcard</strong> Centenary cards (state which<br />

you’d like when writing).<br />

If you have a postcard (or cards) you’d like identified,<br />

send in, enclosing two first-class or three secondclass<br />

stamps per card submitted (for administration<br />

costs). List any identifiable clues on a separate piece of<br />

paper, and write your name in pencil on the back of the<br />

postcard. Email scans/photocopies not accepted.<br />

Address for all correspondence: PPM, 15 Debdale Lane,<br />

Keyworth, Nottingham NG12 5HT.<br />

368/1 Does anyone recognise this street scene of terraced<br />

houses, with a tram wending its way downhill? (Mark<br />

Bown collection)<br />

November<br />

results<br />

Brian Lowther<br />

identified 367/1 as<br />

a hotel just outside<br />

Conwy in<br />

North Wales,<br />

close to the Sychnant<br />

pass. The<br />

Oakwood Park<br />

Hotel (right) was<br />

built in the 1930s and used as a school during World<br />

war Two (Brian was there!). It is now a complex of<br />

country residences. Chris Jackson was first to place<br />

367/3 as Beoley, near Redditch, while Terry Blud located<br />

367/4 as Hadley, Shropshire. The area is now part of<br />

Telford New Town and the pub on the postcard demolished<br />

in 1961. Peter Kennedy reckoned 367/7 was Bearwood,<br />

Birmingham, while 367/8 was recognised by<br />

Nigel Bown as Birchington-on-Sea. The arch on 367/15<br />

was erected in Sheffield for the Royal visit of 12 July<br />

1905 (King Edward VII and Queen Alexandra), Mark Bailey<br />

told us. Finally, Gerald Lamont was quickest to spot<br />

367/19 as Fakenham, looking down Bridge Street from<br />

the Market Place. Still plenty to identify from last month<br />

- have another look!<br />

From October, Alf Carney placed 366/20 as the<br />

Cerebos Salt Factory at Greatham, near Hartlepool - it<br />

produced Cerebos and Saxo salt as well as Bisto gravy.<br />

Contributors aand aadvertisers aare aadvised tthat tthe<br />

January 22010 eedition oof PPICTURE PPOSTCARD<br />

MONTHLY wwill bbe ppublished oon DDecember 220th.<br />

Deadline ffor ccopy iis DDecember 110th.<br />

368/2 This postcard features a service by a war memorial<br />

in a churchyard. Where? (Nigel Bown collection)<br />

368/3 The banner on top of the high-flying decoration<br />

appears to read ‘Mission Bridge...’ .The cobbled street is<br />

on a steep hill, too (Colin McLean collection)<br />

368/4 (above) This<br />

postcard of Jacques’<br />

Family Hotel was published<br />

in Reed’s Pictorial<br />

series. Can someone<br />

give us the location?<br />

(Peter Snartt<br />

collection)<br />

368/5 (left) A Singer<br />

sewing shop is on<br />

the corner of this<br />

distinctively-architectured<br />

street in<br />

the 1930s, with the<br />

shops of Leo and<br />

A. Butler & Co. to<br />

its left (Doug Forton<br />

collection)<br />

<strong>Picture</strong> <strong>Postcard</strong> Monthly December 2009 57


368/6 Traction engine action on this card of Newbiggin<br />

Rectory. Which of many Newbiggins is this? (Mick Liversedge<br />

collection)<br />

368/7 Gloverson’s Ales were on offer at the “Park Hotel”.<br />

Where? (Barrie Rollinson collection)<br />

368/8 Can anyone identify this attractive village scene,<br />

complete with pond? (John Chesworth collection)<br />

368/9 There are lots of<br />

Whitchurches, too, so we need to know which one<br />

this is. The card was posted at Kilburn in June 1914 (D.<br />

Sandland collection)<br />

58 <strong>Picture</strong> <strong>Postcard</strong> Monthly December 2009<br />

368/10 Here’s an attractive rural panormaic topographical,<br />

with clues in the church tower and the distinctive range of<br />

hills in the background (Verna Palmer collection)<br />

368/11<br />

St. Lawrence Schools, Cowley<br />

- clear enough, but many Cowleys exist. Which is this?<br />

(Julian Dunn collection)<br />

368/12 (above) The<br />

Rev. S. Whitehead<br />

was the minister at<br />

this new Wesleyan<br />

Chapel somewhere<br />

(Tom Norgate collection)<br />

368/13 (left) Worth<br />

& Son ran a<br />

music shop and<br />

cafe - and the<br />

shop next door<br />

sold postcards<br />

and fancy goods<br />

(Andrew Swift<br />

collection)


<strong>Picture</strong> <strong>Postcard</strong><br />

� Puzzles �<br />

368/16<br />

Does this street scene ring a<br />

bell with anyone?(Gerald Wright collection)<br />

368/14 The “Lion Hotel”<br />

stood behind this<br />

impressive war memorial.<br />

Where?(Len Whittaker<br />

collection)<br />

368/15<br />

(below)<br />

Where was<br />

Moxon’s<br />

milliners’<br />

shop at no.<br />

130?(Derek<br />

Hurst collection)<br />

368/17 Peace celebrations at Milton in July 1919 outside<br />

the “.... Arms” pub which sold Young’s Noted Ales (Brian<br />

Clutterbuck collection)<br />

Children in Need <strong>Postcard</strong>s<br />

All proceeds to BBC Children in Need appeal<br />

1990 Pudsey Bear & Friends (Rosalind Wicks) out of stock<br />

1992 Not all kids have a colourful life (Frank Burridge)40p<br />

1993 Maybe Robin Hood can fix me up (John Green) 40p<br />

1993 Poverty St (John Green) o/s<br />

1993 Teddy Bears & Money Boxes no. 2 (R. Wicks) o/s<br />

1996 ...and these little piggies (Michael O’Brien) 40p<br />

1996 Pudsey & Building Blocks (Boomerang) o/s<br />

1997 Girl & Pudsey Bear (Brian Partidge) 40p<br />

1998 Wishing you the best of health (Rosalind Wicks) o/s<br />

1999 Join in the fun (BBC) o/s<br />

1999 To make a donation please call (BBC) o/s<br />

1999 Remember remember (BBC) o/s<br />

1999 Pudsey Bear and building blocks (BBC) o/s<br />

2000 Girl, Teddy Bear & Doll (Brian Partridge) 40p<br />

2000 Boy & Football (Thought Factory) 40p<br />

2001 Teddy Bears & Money Boxes no.<br />

20 (R. Wicks) o/s<br />

2002 Art Class (Rupert Besley)<br />

50p (signed copies £1.50)<br />

2003 Offence to impersonate (Terry<br />

Irvine) 50p<br />

2004 Posting my donation (Rosalind<br />

Wicks) 50p<br />

2006 Children in New Brighton (Martin<br />

Parr) (2) 50p each<br />

2007 Whose bright idea? (Terry Irvine)<br />

50p<br />

2009 Pudsey in Wonderland (Brian<br />

Partridge) 50p<br />

(signed copies £1.50)<br />

Order from: Reflections of a Bygone<br />

Age, 15 Debdale Lane,<br />

Keyworth, Nottingham NG12 5HT<br />

Please mmake ccheques ppayable tto:<br />

Reflections ‘‘Children iin NNeed’<br />

Appeal<br />

<strong>Picture</strong> <strong>Postcard</strong> Monthly December 2009 59


National Motorcycle Museum Solihull B92 0EJ<br />

POSTCARDS & CIGARETTE CARDS<br />

Sunday 6th December<br />

Hello Playmates, Here We Are Again......<br />

10am the curtain rises - your cast list is as follows<br />

Peter’s <strong>Postcard</strong>s<br />

Simon Smith<br />

Rosalie <strong>Postcard</strong>s<br />

Mike Tarrant<br />

<strong>Picture</strong> <strong>Postcard</strong> Co.<br />

Barry Davis<br />

John Ashford<br />

R.F. <strong>Postcard</strong>s<br />

Terry Powell<br />

Maxam Cards<br />

Birmingham<br />

Stamp<br />

Auctions<br />

David Benson<br />

David Calvert<br />

Rob Roy<br />

(accessories)<br />

David Walker<br />

Mary Wheeler<br />

Reflections of a<br />

Bygone Age<br />

Melanie<br />

Mordsley<br />

Mike Pearl<br />

Derek Garvey<br />

John Priestley (autographs)<br />

Mike Heard*<br />

Julian Dunn<br />

Ted Gerry<br />

Christine Booth<br />

Derek Warry<br />

A.M.P. Fairs<br />

Geoff McMillan*<br />

Vicki Greenwood<br />

Jack Stasiak<br />

Geoff Ellis<br />

Tracy Powell<br />

Blue Bridge <strong>Postcard</strong>s<br />

Mike Cremin<br />

Paul Willmott<br />

Peter Robards<br />

Gordon Collier<br />

Mark Bown<br />

Andrew Reid<br />

Greg Pos<br />

Pat Morriss<br />

Final curtain 5pm<br />

Full ccatering, llarge ccar ppark<br />

Admission ££1.50<br />

Peter & Simon look<br />

forward to<br />

seeing you all<br />

Mike Huddy (moderns)<br />

Simon Rapstoff<br />

Peter Lincoln<br />

Elm <strong>Postcard</strong>s<br />

Ron Holmes<br />

Ray Jones<br />

Andrew George<br />

Mike Cant<br />

Neil Parkhouse<br />

Andrew Swift<br />

David Seddon<br />

Richard Flavell<br />

Ian & Lynne Hurst<br />

Derek & Jean Garrod<br />

John Ryan<br />

David Lapworth<br />

Jim Jackson (postcards &<br />

cigarette cards)<br />

Andrew Dally<br />

Ephemera Warehouse<br />

Bill Kirkland<br />

Phil Vass<br />

Keith Irwin<br />

Chris Vaughan-Jones<br />

Chris Bates<br />

Ann Gray<br />

Mike & Sharon Bennett<br />

Mike Clark<br />

G & C Cards<br />

George Nairn<br />

* Cigarette cards<br />

Next yyear’s ddates aat tthis vvenue:<br />

Sunday 11th July<br />

Sunday 5th December<br />

DETAILS<br />

SIMON COLLYER<br />

01283-820151 mobile 07966-565151<br />

PETER ROBARDS<br />

01588-640474

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