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Christmas special: Postcard Stockings galore! - Picture Postcard ...

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Boxmaking<br />

department at Aintree<br />

ly the first in the sequence<br />

and allowed the firm to<br />

show not only the size of<br />

the works, but also the<br />

model village which stood<br />

beside it, complete with<br />

ornamental lake. The factory<br />

was built of red brick and<br />

was a largely self-contained<br />

unit. It had its own boxmaking<br />

department, where<br />

most of the apprentices<br />

started, turning out as many<br />

as three thousand boxes a<br />

day, garages to maintain<br />

the firm's fleet of lorries,<br />

and Dining Halls, one for<br />

women, who formed the<br />

majority of the workers, the<br />

other for men.<br />

Inside the factory, the<br />

photographer captured different<br />

aspects of the manufacturing<br />

process. The firm<br />

boasted that “fruit gathered<br />

at sunrise is Hartley's Jam<br />

Aerial view of Hartley’s London works<br />

Poster<br />

advert for Hartley’s preserves<br />

the same evening” and vast<br />

numbers of women were<br />

employed to hull and stone,<br />

top and tail, or to work in<br />

the Finishing Room, where<br />

nimble fingers labelled,<br />

wrapped and tied over a<br />

hundred thousand jars a<br />

day. (The Mayor of Liverpool<br />

on a visit to the works<br />

noted that a clergyman<br />

could not tie a knot as fast!)<br />

When it was first<br />

opened, the works had been<br />

a series of long, low buildings<br />

in which production<br />

moved from one phase to<br />

the next in a seamless<br />

process, but in 1891 the first<br />

of three great five storey<br />

warehouses in which the<br />

finished products were<br />

stored had been added. A<br />

second was built in 1899<br />

and the third in 1924, too<br />

late to appear in the aerial<br />

photograph of the works,<br />

but which<br />

Aerial<br />

view of the firm’s Aintree<br />

factory<br />

(below) The main entrance and offices at Aintree<br />

Hartley’s motor<br />

wagons being loaded with Seville<br />

oranges at the docks<br />

nevertheless featured in a<br />

postcard that was later<br />

added to the series.<br />

The popularity of the<br />

cards encouraged the firm<br />

to widen its horizons. In<br />

February 1924, the directors<br />

ordered an additional<br />

five million postcards,<br />

which included the original<br />

24 photographs, as<br />

well as five photographs<br />

taken in Seville (Hartley's<br />

used almost a quarter of<br />

the world's supply of<br />

Seville oranges) and two<br />

others, taken on the docks<br />

at Liverpool. It also produced<br />

three million colour<br />

postcards, which were<br />

reproductions of its marmalade<br />

and preserve<br />

showcards.<br />

The firm's records are<br />

incomplete, but it seems that<br />

in total at least 37 images<br />

were reproduced. The cards<br />

were distributed amongst the<br />

firm's travellers (salesmen)<br />

and to individual grocers to<br />

put on the counter. The cards<br />

were also given out at trade<br />

fairs and exhibitions, such as<br />

the 1924 British Empire Exhibition<br />

at Wembley at which<br />

the firm had two stands.<br />

In 1959, Hartley's was<br />

sold to the Schweppes<br />

Group, together with rivals<br />

Chivers’ and William Moorhouse<br />

of Leeds. A few years<br />

later, production of preserves<br />

ceased at Aintree and moved<br />

to the Chivers' factory at Histon,<br />

near Cambridge. It is not<br />

known when the firm discontinued<br />

the cards, but the<br />

images, which sell for<br />

between £5 and £25, remain<br />

an invaluable record of a<br />

business that is an important<br />

part of Britain's industrial heritage.<br />

<strong>Picture</strong> <strong>Postcard</strong> Monthly December 2009 23

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