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elentless, and cruel. But this time the Inquisition is not successful. A tall young man, a man Jonathan<br />
admires, grabs the priest and forces him into a car.<br />
Next memory: the priest is naked, chained to the wall of a cellar. Questions are coming, <strong>one</strong> after<br />
another: Who is your Inquisitor-General? How did you find us? On and on, while the tall man removes<br />
strips of skin from the naked priest's body.<br />
Jonathan is hiding in a corner, behind some shelves full of empty Petri dishes.<br />
From the priest's mouth a ceaseless prayer: Jesus, thou art with me, Jesus, thou art with me, Jesus,<br />
thou art with me.<br />
Help the priest! I side with the priest!<br />
At last the torture stops. The torturer goes upstairs for a Coke. Jonathan is left al<strong>one</strong>, astonished,<br />
horrified that his friend, his hero, could do such things to another human being. The priest, his eyes watery<br />
and bloodshot, must know that his end will not be long in coming. He fixes his gaze on the boy who has<br />
crept forward, his own eyes tearing with pity. Words pour in a torrent from the priest's parched mouth.<br />
"Young man, they're going to destroy humanity for your sake, yours and the girl's. Turn against them!<br />
Accept Christ! Please, listen to me. Your friend Jerry is evil, your uncle is evil, they are creating... death ...<br />
they are Satan's . . . oh ... Satan's friends." Then the eyes roll and the head sinks forward, the chin touching<br />
the oozing, flayed chest.<br />
No, that isn't a memory. You're imagining, spinning tales around the biology experiments that shouldn't be<br />
here.<br />
You're hysterical.<br />
With an effort Jonathan pushed the mad imaginings out of his mind. Again he regarded his sophisticated<br />
instruments, the <strong>one</strong>s that were familiar. They could sense and record brain waves; that's what they were<br />
all about. If he could find out where a thought like the <strong>one</strong> he had just had was physically coming from in<br />
his brain he could easily tell whether it was a memory or not.<br />
Jonathan went over to the cubicle, took the complex, wire-covered sensor helmet in his hands.<br />
How was he going to work the controls while wearing this thing? Its cable wasn't long enough.<br />
Jonathan cursed silently. Without an assistant there was no way he could use the equipment.<br />
And the alternative was not at all desirable.<br />
At CalTech they were experimenting with a certain drug. It could be inhaled like cocaine, but it had no<br />
euphoric effect. On the contrary, it stimulated the brain's deepest memory centers and caused an almost<br />
incredible flow of vivid recollections.<br />
This was N, alpha doporinol 6-6-6, a complex triumph of the biochemist's craft. It was synthesized from<br />
naturally occurring brain chemicals. So far the cost was eight thousand dollars an ounce. There were a<br />
few grams of it in the refrigerator. Jonathan had been asked to duplicate some of CalTech's experimental<br />
results but he had shut the lab for the summer before carrying out the work.<br />
He went to the refrigerator. It was not your ordinary Frigidaire. This refrigerator was bolted to the floor<br />
and had a combination lock. Some of the drugs kept there, tranquilizers and such, were much in demand<br />
on college campuses. Others, like 6-6-6, were valuable.<br />
Back behind the bottles of Valium and Quaaludes were foil packets with hand-lettered labels. Jonathan<br />
took out the packet of 6-6-6. The crystals inside crunched like sugar when he opened the foil. Ideally, the<br />
drug should be suspended in a saline solution and introduced to the nasal membrane via an aspirator. But<br />
Jonathan did not have time for that. He measured out a moderate dose, four grains, on the sensitive<br />
laboratory scale. Then he ground it fine with pestle and mortar. He poured it from the mortar to the flat of a<br />
spatula and raised it to his nose.<br />
He inhaled.<br />
There was a gentle, pleasant aroma.<br />
Jonathan felt no change. He went into <strong>one</strong> of the subject cubicles and lay down on the couchette. Still<br />
nothing.<br />
Why do there have to be bars on my window, Mother?<br />
The boy's voice was so clear and real that Jonathan jumped up.<br />
That had been him, Jonathan Titus Banion, as a child.<br />
Bars? Had there been bars on the windows of their old apartment? He didn't remember it that way . . .<br />
and yet he did.<br />
We've got to keep them out, to keep them away from you. The bars are against them.<br />
This was uncanny. It had been her voice, but she wasn't here.<br />
He could see the walls of the bedroom in which she had said those words. But he didn't recall wallpaper<br />
like that, with moons and planets and rockets on it.