Melody and Accompaniment - Philip Tagg
Melody and Accompaniment - Philip Tagg
Melody and Accompaniment - Philip Tagg
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P <strong>Tagg</strong>: Musical references Typologies of melody 22<br />
Musical references<br />
ABBA. Fern<strong>and</strong>o. Epic EPC 4036 (UK); Atlantic 45-3346 (USA) (1975).<br />
‘Ack Värmel<strong>and</strong> du sköna’. Vi gör musik, p. 74.<br />
AKST, Harry. Am I Blue? New York: M. Witmark & Sons (1929).<br />
‘A-Roving’. Songs that will Live for Ever, p. 158.<br />
ATUROV, T. ‘Partisans’ Song’. Sånger för socialismen, p. 31.<br />
‘The Banks of Newfoundl<strong>and</strong>’. The Penguin Book of English Folk Songs, p. 17.<br />
BEATLES, The. ‘Can’t Buy Me Love’. A Hard Day’s Night. Parlophone PCS 3058 (1964).<br />
— ‘From A Window’: see KRAMER, BILLY J (1964).<br />
— ‘Yesterday’. Help!. Parlophone PCS 3071 (1965).<br />
— ‘If I Needed Someone’. Rubber Soul. Parlophone PCS 3075 (1965).<br />
‘Billy Boy’. Songs that will Live for Ever, p. 160.<br />
‘The Bonny Labouring Boy’. Irish Street Ballads, p. 18.<br />
‘Bound for the Rio Gr<strong>and</strong>e’. Songs that will Live For Ever, p. 161.<br />
BRASSENS, George. ‘Le gorille’ (1952). Mauvaise Répuation. As quoted by Stefani <strong>and</strong> Marconi<br />
(1992: 134).<br />
‘The Boys of Wexford’. Irish Street Ballads, p. 96.<br />
CARISSIMI, Giacomo. Aria ‘I Triumph’ (‘Vittoria!’). A Golden Treasury of Song, vol. 1, p. 44-47).<br />
London: Boosey & Co. (1903).<br />
CARMICHAEL, Hoagy. Star Dust. New York: Mills Music (1929).<br />
‘Comin’ Thru’ the Rye’. Robert Burns: Poems <strong>and</strong> Songs, ed. James Kinsley. London: Oxford University<br />
Press. (1969)<br />
Cordigliera. Creazioni artistiche musicale CAM 004 (n.d.).<br />
‘Counterspy’ (anon. US radio signature). Themes Like Old Times, vol II (n.d.)<br />
DEREK AND THE DOMINOES: Layla. Polydor 2058 130 (1970).<br />
DUNCAN, Trevor. ‘Wine Festival’, ‘Orange Grove’: Boosey & Hawkes Recorded Library Music.<br />
SBH 298 (n.d.).<br />
DYLAN, Bob. ‘Blowin’ in the Wind’. The Freewheelin’ Bob Dylan. Columbia 98940 (1963).<br />
— Subterranean Homesick Blues. Columbia 43242 (1965).<br />
ELLINGTON, Duke. ‘Satin Doll’ (Mercer, Ellington, Strayhorn) (1953). Duke Ellington - Take the<br />
‘A’ Train. Success 2140CD-AAD (1988). Also in The Complete Piano Player – Duke Ellington.<br />
London: Wise Publications (1992).<br />
FALTERMEYER, Harold. ‘Axel F’. Beverly Hills Cop. MCAD-5553 (1984).<br />
‘Fire Down Below’. Songs that will Live for Ever, p. 163.<br />
FERLOSIO, José Antonio Sánchez. ‘El gallo Negro’. Sånger för socialismen, p. 139.<br />
GERSHWIN, George. A Foggy Day in London Town. London: Chappell Music Ltd. (1937). As quoted<br />
by Middleton (1983: 251).<br />
GOLDENBERG, William: Kojak (main theme, orchestral arr. no. 1). Manuscript, Universal City<br />
Studios, Prod. no. 39000. Melville (NY): Duchess Music Corporation, 1973.<br />
GRANDMASTER FLASH: Message. Sugar Hill 1007 (1982)<br />
The Gr<strong>and</strong> Old Duke of York (English trad.); quoted from memory.<br />
HAIDER Hans. Spanish Autumn. Selected Sounds SL 556/9023.<br />
*HARBURG, E. Y. (1931). Buddy Can You Spare A Dime? Quoted from memory of unidentified<br />
Tom Paxton recording.<br />
HATCH, Tony. ‘The Champions’ (ATV theme tune). Hit the Road to Themel<strong>and</strong>. Pye NSPL<br />
41029 (1974).<br />
HI-LOS, The: Suddenly It's the Hi-Lo's. Columbia CL-952 (1957)<br />
IMMEL, Jerold: How The West Was Won (main title). NBC/MGM TV (1976).<br />
— Dallas (title music) CBS/Lorimar TV (1978).<br />
‘In der Heimat, In der Heimat’ – Erkennungsmelodie für das Programm der deutschen Krigsgefangenen<br />
(BBC, 1943). Entartete Musik. BOD 65053 (1988).<br />
Irish Street Ballads, ed. Colm O’Lochlainn. Dublin: Three C<strong>and</strong>les (1939).<br />
JOBIM, António Carlos: ‘Samba de una nota só’. Gilberto & Jobim. Capitol 2160 (1960).<br />
‘John Barleycorn’. The Penguin Book of English Folk Songs, p. 56.<br />
‘Johnny Come Down to Hilo’. Songs that will Live for Ever, p. 167.