Bibliography - Philip Tagg

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SEEGER, CHARLES (1958). ‘Folk Music in the Schools of a Highly Industrialized Society’. The American
Folk Scene (ed. D A Deturk; A Poulin Jr): 88-94. New York: Dell Publishing (1964; 1publ. in
“Sing Out!”, 1958).
—— (1960). ‘On the moods of a musical logic’. Journal of the American Musicological Society, XXII. Reprinted
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SHARMA, BHESHAM (2000). Music and Culture in the Age of Mechanical Reproduction. New Studies in
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SHELTON, ROBERT (1986). No Direction Home: The Life and Music of Bob Dylan.
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SHEPHERD, JOHN (1977). ‘The Musical Coding of Ideologies’; ‘Media, Social Process and Music’; ‘The
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SHEPHERD, JOHN; WICKE, PETER (1997). Music and Cultural Theory. Cambridge: Polity Press.
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Wovon lebt die Musik, 1957).
SIMENON, GEORGES (1968) Maigret à Vichy. Paris: Presses de la Cité.

822 Ten Little Title Tunes Bibliography
SKILES, MARLIN (1976). Music Scoring for TV and Motion Pictures. Blue Ridge Summit, PA: Tab Books.
SKINNER, FRANK (1950). Underscore. A combination method-text-treatise on scoring music for film or TV.
New York: Criterion Music (revised edition, 1963).
SKOG, INGE; BENGTSSON, INGMAR (1977). ‘Melodik’. Sohlmans musiklexikon, 4: 489-492.
SOHLMANS MUSIKLEXIKON, 1-2 (1975). Stockholm: Sohlmans Förlag.
SOHLMANS MUSIKLEXIKON, 3 (1976). Stockholm: Sohlmans Förlag.
SOHLMANS MUSIKLEXIKON, 4 (1977). Stockholm: Sohlmans Förlag.
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SOKAL, ALAN; BRICMONT, JEAN (1998). Intellectual Impostures. Postmodern philosophers’ abuse of science.
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—— (1976). Introduzione alla semiotica della musica. Palermo: Sellerio.
—— (1982). La competenza musicale. Bologna: CLUEB.
—— (1987a). ‘Melody: a popular perspective’. Popular Music, 6/1: 21-36.
—— (1987b). ‘A theory of musical competence’. Semiotica, 66-1/3:7-22. Amsterdam: Mouton de Gruyter.
——; MARCONI, LUCA; FERRARI, FRANCA (1990). Gli intervalli musicali. Milano: Bompiani.
——; MARCONI, LUCA (1992). La melodia. Milano: Bompiani.
——; MARCONI, LUCA; TARASTI, EERO (eds., 1998). Musical Signification Between Rhetoric and Pragmatics
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STOCKFELT, OLA (1988). Musik som lyssnandets konst. Göteborg: Musikvetenskapliga institutionen vid
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STOKES, MARTIN (ed. 1994). Ethnicity, Identity and Music. Oxford & London: Berg.
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STRUNK, OLIVER (ed., 1952). Source Readings in Music History. London: Faber.
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TAGG, PHILIP (1979). Kojak: 50 Seconds of Television Music. See TAGG (2000a).
—— (ed. 1980). Film Music, Mood Music and Popular Music Research. Göteborg: Stencilled Papers from
the Musicology Department, 8002. Edited (2002) online as |www.tagg.org/articles/xpdfs/
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—— (1981a). ‘Proposals Concerning the Establishment of an International Society for Popular Music’.
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—— (1981b)On the Specificity of Musical Communication. Guidelines for Non-Musicologists. 1981, Göteborg:
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1 (ed. D Horn & P Tagg): 232-242. Göteborg and Exeter: IASPM.
|www.tagg.org/articles/pmpsamus.html|.
—— (1982b) Nature as a Musical Mood Category. Göteborg: IASPM Internal Publications 8206
|www.tagg.org/articles/nature.pdf|.
—— (1982c). ‘Analysing Popular Music. Popular Music, 2: 37-69. Republished in Reading Pop. (ed. R Middleton):
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—— (1983). ‘Why IASPM? Which Tasks?’ Typescript of paper delivered at 2nd IASPM International
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|www.tagg.org/articles/iasptask83.html|
—— (1984) ‘Understanding “Time Sense”’. Tvärspel - 31 artiklar om musik. Festskrift till Jan Ling.
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|www.tagg.org/articles/timesens.pdf|.
—— (1985) ‘Address on the State of the Association’. Third IASPM international conference, Montréal
|www.tagg.org/articles/montreal.html|.
—— (1987) ‘Musicology and the Semiotics of Popular Music’. Semiotica, 66-1/3: 279-298.

Bibliography Ten Little Title Tunes 823
—— (1989) ‘Open letter: Black music, Afro-American and European music’.
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—— (1990a) ‘Music in Mass Media Studies. Reading Sounds for Example.’ Popular Music Research (ed.
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—— (1990b) ‘An Anthropology of Television Music?’ Svensk tidskrift för musikforskning, 1989: 19-42
|www.tagg.org/articles/tvanthro.pdf|.
—— (1991) Fernando the Flute. See TAGG (2000b)
—— (1992) ‘Towards a sign typology of music’. Secondo convegno europeo di analisi musicale. (ed. R
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—— (1993) ‘“Universal” music and the case of death’. Critical Quarterly, 35/2: 54-85
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—— (1994b) ‘Subjectivity and soundscape, motorbikes and music’. Soundscapes. Essays on Vroom and
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—— (1996) Mass Media Music Studies versus ‘The Other’. Paper at symposium ‘Music and Life-world.
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—— (1998a) ‘The Göteborg connection: lessons in the history and politics of popular music education and
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—— (2001a)‘Twenty Years After’ – Speech at founder’s event, IASPM 11th International Conference,
Turku |www.tagg.org/articles/turku2001.html|.
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of Wagner, Sibelius and Stravinsky. Helsinki: Suomen Musiikkitieteellinen Seura.
—— (1985). Music as sign and process. Analytica: 97-116.
Stockholm: Kungliga Musikaliska Akademien.
—— (1987). Some Peircean and Greimasian Semiotic Concepts as Applied to Music. The Semiotic Web
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and Pragmatics (ed. G Stefani, E Tarasti, L Marconi): 39-62. Bologna: CLUEB.

824 Ten Little Title Tunes
TAYLOR, LOUIS (ed. 1973). Harper’s Encyclopedia for Horsemen. New York: Harper and Row.
TAYLOR, TIMOTHY D (1997). Global Pop. London and New York: Routledge.
THIEL, WOLFGANG (1981). Filmmusik in Geschichte und Gegenwart. Berlin: Henschelverlag.
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Bibliography Ten Little Title Tunes 825
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WILLIAMS, RICHARD (1974). Out of his Head - the Sound of Phil Spector. London: Abacus.
WILLIAMSON, JUDITH (1978). Decoding Advertisements. London: Marion Boyars.
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WRIGHT, WILL (1971). Sixguns and Society. Berkeley: University of California Press.
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ZOLTAI, DÉNES (1970). Ethos und Affekt. Budapest: Akadémiai Kiadó; Berlin: Akademie-Verlag.

List of Musical References
Explanation
826
This appendix lists source details of musical references made in this book. Almost all references to background
comparative listening have been excluded, this process reducing the size of the original list from
48 to 30 pages. To save the inconvenience of being referred to several different appendices to obtain information
about one item, all types of musical carrier are inluded in this one appendix.
Items appear in alphabetical order of author (composer/artist etc.) or, in the case of multi-authored or
anonymous collections, in alphabetical order of title (film, TV show, tune, album, etc.). Items by the same
author are arranged in chronological order of first known appearance of each item. For example, music
for a film which appeared in 1968 and which is included on a sound recording from 1988 or on a videocassette
from 1992 is ordered as 1966, not as 1988 or 1992. Similarly, a work known to have been composed,
published or released in 1832, which also appears in a volume of sheet music published in 1954
and which is included on a CD issued in 1998, will be chronologically listed as 1832, except in those instances
where the original year of release, publication or performance is unknown. ‘n.d.’ (= no date) signals
that the year of the item’s appearance or release or publication or first performance is not known,
except in cases where no date details are to be expected (traditional sources, pocket scores, etc.). Years
in brackets are used in conjunction with the main chronology of the relevant entry. Years without brackets
are used to date a subsidiary source within that item (see examples).
To save space and to facilitate identification of the type of source referred to, the following symbols are
used: FILM PRODUCTION, TV PROGRAMMING, EMUSICAL NOTATION, PUBLISHED AUDIO RECORDING,
v PUBLISHED VIDEOGRAM, OFF-AIR RECORDING. means that details of the item referred to can be
found in the Bibliography and > stands for ‘See’. Other single-symbol icons are used to cover recurrent
discographical and filmographical concepts: I means PERFORMED BY, v VOCALS BY, C CONDUCTED BY,
DIRECTED BY and g MUSIC BY. In addition, (label/identity icon) denotes TITLE MUSIC, SIGNATURE
THEME, etc., (money bag) an ADVERTISEMENT or commercial spot, a COVER version or other (re-)arrangement
of an original, and an ORIGINAL version (see examples).
All headwords are in bold small capitals, AUTHORS LIKE THIS, TITLES LIKE THIS. All cross-references
to other listed AUTHOR entries are LIKE THIS and to other listed TITLE entries LIKE THIS. When an album’s
individual tracks need listing, each one of them is presented in •smaller type (like this) preceded by a bullet.
Please note the following terms and abbreviations: B&H – Boosey and Hawkes; C20 Fox – Twentieth
Century Fox; Ch4 – Channel 4 TV (UK); DGG – Deutsche Grammophon Gesellschaft; ITV – Independent
TV (UK); mvt – movement; OUP – Oxford University Press; rev – revised; SRP2/SRP3 – Sveriges Radio
Program 2/3 (Swedish national radio channel 2 or 3); SvTV – Sveriges Television (Swedish national TV);
TV3 – Scandinavia’s commercial third channel; UA – United Artists; xtr – extract[s]; xwos – except
where otherwise stated.
Examples
1ADDISON, J (1984) Murder She Wrote CBS SvTV 1990.
Addison’s theme for this TV series was first broadcast by CBS in 1984. We recorded it from Swedish TV in 1990.
2 BARRY, J (1979) The Black HoleGary Nelson Disney Pickwick SHM 3017.
Music written by John Barry for the 1979 Disney-produced film The Black Hole, directed by Gary Nelson, is available
on a sound carrier (), in this instance on an LP (no CDs in 1979) issued on the Pickwick label with the catalogue
number SHM 3017. Since no lower-case italics occur after ‘’, the album title is the same as that of the film (The
Black Hole). If no date were known for the album, the entry would have ended ‘3017, n.d.’. If the album had been issued
in, say, 1980 rather than 1979, the entry would have ended ‘3017, 1980’.
3 HIGH NOON (1952) Criterion/Republic/UA Fred v Zinnemann 4Front 054 1463, 1998
Dimitri TIOMKIN vFrankie LAINE vTex RITTER.
g
The source we have used for the music throughout this 1952 film is a VHS cassette released in 1998. Details for the
sources we have used for the title theme written by Dimitri Tiomkin can be found under the entries for: [1] Tiomkin
himself; [2] Frankie Laine, who sang a popular cover version; [3] the original recording by Tex Ritter.
4 MOZART, W A (1791) Concerto for Clarinet and Orchestra in A major, K622 •2nd mvt.Padre Padrone
MACCHI (1977) Out of Africa BARRY (1986) Enhanced Assurance ITV 1993
CLASSIC COMMERCIALS, VOLUME 27.
Details of the sound carriers used as sources for the second movement of this Mozart concerto from 1791 are provided
under two other author entries, to which the reader is referred: [1] the album containing Egisto Macchi’s music for
the film Padre Padrone (released in 1977); [2] the album containing Barry’s music for the 1986 film Out of Africa. Part
of the same movement was also used (the rest of this is fictitious!) as an advert for the Enhanced Assurance company
(now in liquidation after accountancy scandals). The advert was aired by ITV in 1993 and the music is included on
the 27th CD in the Classic Commercials series, to which you are referred for further source details.
5 VERDI, G (1871) Aïda ENew York: Dover vRAI/Polivideo, 1981 HMV Angel SAN 358-60, 1974.
We’ve accessed 3 sources for Verdi’s Aïda (first performed 1871): [1] the Dover score (no publication date); [2] an Italian
video from 1981; [3] the HMV LP box set from 1974.

List of Musical References — A Ten Little Title Tunes 827
A
ABBA (1975) Fernando Epic EPC 4036 The Hits Box, Pickwick Box D1 PWKS 500/507/593, 1990.
AC/DC (1980) Back in Black Atlantic 7567-81472-2.
ADDERLY, NAT. Work Song; cited from memory; >IALPERT (1966).
ADDINSELL, RICHARD (1942) The Warsaw Concerto arr. for piano solo by Henry Geehl
ELondon: Keith Prowse Big Concerto Movie Themes (1972).
ADDISON, JOHN (1984) Murder She Wrote CBS/Universal/Levinson SvTV 1990.
ADVIS, LUIS & GONZÁLEZ, JUAN-PABLO (eds. 1994) Clásicos de la Música Popular Chilena 1900-1960.
ESantiago: Sociedad Chilena del Derecho de Autor, Ediciones Universidad Católica.
ADVIS, LUIS; GONZÁLEZ, JUAN-PABLO; CÁCERES, EDUARDO; GARCÍA, FERNANDO (eds. 1997)
Clásicos de la Música Popular Chilena (Vol. 2, 1960-1973 – Raíz Folclórica)
ESantiago: Ediciones Universidad Católica de Chile.
AEROSMITH (1989) Pump Geffen 924 254-2.
ALBION COUNTRY BAND (1971) No Roses Crest 11.
ALEXANDER NEVSKY (1938) Mosfilm Sergei Eisensteing M PROKOFIEVv Sergei Hendring Russian
Classics, 1986 Melodiya S 40010.
ALFRED HITCHCOCK PRESENTS (1955) CBS TV SvTV, g 1987. C Gounod: ‘Funeral March of
the Marionette’; also CULT FILES (1996).
ALETTER W (1908) Presentation of the Flag. Modern March Album ELondon: Bosworth.
ALLEN, STEVE (1963) Cuando calienta el sol Dot 16507; >IRIGUAL (Los Hermanos).
THE ALLMAN BROTHERS BAND (1973) Ramblin’ Man. Brothers and Sisters Capricorn CP 0111.
ALPERT, HERB & THE TIJUANA BRASS (1962) The Lonely Bull/El toro solo. A&M 703.
— (1966b) Work Song (N Adderly) A&M 805.
AMERICAN ANTHEM (1986) Columbia/Lorimar Albert Magnoli Atlantic 781 661-1.
AMERICAN BEAUTY (2000) Dreamworks/Jinks/Cohen Sam v Mendes DreamWorks 4900613,
g 2000 Thomas NEWMAN (score).
ANDERSEN, LALE (1939) Lili Marlene (Norbert Schultze) ‘Zwischen Sentimentalität und Pathos:
Populäre Musik im faschistischen Deutschland’, Rundfunk der DDR (1984), ed. P Wicke.
ANDERSON JOHN (1986) BIGGLES.
ANDERSON LEROY (1951) Blue Tango. Decca 27875.
— (1954) The Typewriter CL Anderson Decca DL 9799 Brunswick OE 9357, 1958 Decca DL 8865,
1959 Decca / Ace of Hearts AH 118, 1959; IEastman Rochester Pops Orchestra Mercury
MG 50043, 1961; IBoston Pops Orchestra Family Fun with Familiar Music, RCA Victor
LM 2549, 1962.
THE ANDROS TARGETS (1977) CBS SvTV1 (‘Hett uppslag’), 1977.
ANKA, PAUL (1957) Diana. ABC-Paramount 9831.
— (1959) Lonely Boy. ABC-Paramount 10022 (US); Paramount P 211 (UK).
— >FRANÇOIS, CLAUDE and WARTIME MEMORIES 1939-45.
APRIL IN MANAGUA (LIVE) (1984) Nicaragua Solidarity Campaign, LMS-NSC 001.
THE ARCHERS (1950) >gWOOD, Arthur.
ARETZ, ISABEL & LLOYD, A L (ed. 1965) >ELLOYD & ARETZ.
ARMSTRONG, HARRY (1903) Sweet Adeline. THE GOOD OLD DAYS SONG BOOK: 110 ELondon: BBC & EMI
(1980); EFavorite Songs Of The Nineties. New York: Dover, 1973.
ARMSTRONG, LOUIS AND HIS SAVOY BALLROOM FIVE (1928) St. James’ Infirmary OKeh 8657.
ARNE, THOMAS AUGUSTINE. Rule E Britannia RAPÉE (1924: 345) WARTIME MEMORIES 1939-45.
ASTLEY, E (1963) The Saint ATV TELEVISION’S GREATEST HITS, 2.
AXT, WILLIAM; MENDOZA, DAVID (1926) Don Juan - Overture Warner Fifty Years of Film (1973).
AYER, NAT D (1916) I Stopped And I Looked And I Listened (lyr. Clifford Grey) ETHE GOOD OLD DAYS
SONG BOOK, p. 176.
B
BACH, CARL PHILIPP EMMANUEL (1785) Rondo II (C minor) – Clavier-Sonaten und freye Fantasien
nebst einigen Rondos fürs Fortepiano: vol. 5 (ed. Carl Krebs, Lothar Hoffmann-Erbrecht)
ELeipzig: VEB Breitkopf & Härtel, 1962.
BACH, JOHANN SEBASTIAN (1721) Brandenburg Concerto #6 in Bb BWV 1051 ELondon: Eulenburg.
— (1722) Das wohltemperiertes Klavier Band I ELeipzig: Breitkopf & Härtel.
— (1724) Passion according to Saint John, ed. I. Atkins and T.A. Lacey ELondon: Novello, 1929.

828 Ten Little Title Tunes B — List of Musical References
— (1725a) Ich wünschte mir den Tod (Cantata 57, 2nd Day of Christmas – Selig ist der Mann)
Telefunken 2635 305.
— (1725b) Ach Herr! was ist ein Menschenkind (Cantata 201, Christmas – Was mein Gott will, das
g’scheh allzeit) Harmonia Mundi IC 06599750.
— (1727) Ich habe genug – Cantata 82, Candelmas.
— (1729) Passion according to Saint Matthew (E Elgar & I Atkins) ELondon: Novello, 1938.
— (1731) Wann kommst Du, mein Heil? (Cantata 140, 27th Trinity – Wachet auf, ruft uns die Stimme)
Mercury E77016.
— (1734) Weinachtsoratorium (ed. H Kretzschmar) ELeipzig: Edition Peters (n.d.).
— (1737) Mass in B minor (ed. J E West) ELondon: Novello, 1886.
— (1744) Das wohltemperiertes Klavier Band II ELeipzig: Breitkopf & Härtel (n.d.).
— (1884-1957) J S Bach: Organ Works ELondon: Novello.
•Vol 1, ed. J Bykes Dower & W Emery (1952) •Vol 3, ed. F Bridge & J Higgs (1884) •Vol 7, ed. F Bridge &
J Higgs (1887) •Vol 8, ed. F Bridge & J Higgs, rev. W Emery (1940) •Vol 10, ed. F Bridge & J Higgs (1891)
•Vol 15, ed. E Newman, rev. W Emery (1957) •Vol 18, ed. E Newman & J E West (1956).
— (1941) 371 Harmonized Chorales and 69 Chorale Melodies with Figured Bass
(ed. A Riemenschneider) ELondon: Chappell, New York: Schirmer.
— (1976) Eleven Great Cantatas (from the Bach-Gesellschaft Edition) ENew York: Dover.
BACHELET, P (1974) Emmanuelle CINEMAEROTICO.
BACKGROUND MUSIC FOR HOME MOVIES (n.d.) Folkways FX 6111 •Theme For Patricia (Pat Lynn) •Cinderella
Dreams (A Semmler) •Lullaby Of The City (Semmler) •Penthouse Affair (Barta)
BADALMENTI, ANGELO (1989) Twin Peaks This is Cult Fiction Virgin VTCD 59 PM 527, 1995.
Twin Peaks 2v Vol. Screen Entertainment SE 9142 (1991).
BALFE, M W (1857) Come into the Garden, Maud EThe PARLOUR SONG BOOK (1972: 40).
BALL, KENNY (AND HIS JAZZMEN) (1961) Midnight In Moscow (Soloviev-Sedoy) Pye Jazz 7NJ 2049.
THE BALLAD OF AMERICA (ed. J A Scott) (1966) EToronto: Bantam/Pathfinder.
BAND OF THE GRENADIER GUARDS MONTY PYTHON’S FLYING CIRCUS (1969).
BAND OF THE SCOTS GUARDS (1947) God Save The King FIFTY YEARS OF BROADCASTING.
BARBER, CHRIS AND HIS JAZZ BAND (1955) Petite Fleur gS Bechet Metronome B 45-1167.
BARBIERI, GATO (1972) Last Tango In Paris MOVIE MEMORIES; CINEMAEROTICO.
BARLOW & MORGENSTERN (1948) A Dictionary of Opera and Vocal Themes ENew York: Crown.
BARE, BOBBY (1963a) Detroit City RCA Victor 47-8183.
— (1963b) 500 Miles Away From Home RCA Victor 47-8238.
BARNBY, JOSEPH. n.d. Sweet And Low ESONGS THAT WILL LIVE FOR EVER.
BARRY JOHN (1962) Dr. No UA Terence Young •The James Bond Theme (M Norman, arr. Barry)
BARRY (1975) This is Cult Fiction Virgin VTCD 59 PM 527 1995
— (1963) From Russia With Love UA Terence Young.
— (1965a) The Ipcress File Rank Sidney J Furie •Title theme.
— (1971) The Persuaders ITC BARRY (1980) The CULT FILES.
— (1979) The Black Hole Gary Nelson Disney Pickwick. SHM 3017.
— (1975) The Best of Bond United Artists UAS 29021.
— (1980) Big Screen Hits of John Barry CBS S CBS 31682.
— (1986) Out of Africa Sidney Pollack Mirage MCA 252 945-1.
BARTA, ALEXANDER. n.d. Penthouse Affair BACKGROUND MUSIC FOR HOME MOVIES.
BARTÓK, BÉLA (1918) Rumänische Weinachtslieder, I. Serie EUniversal Edition.
— (1931b) Concerto for Piano and Orchestra N°2 EWien: Universal Edition (1932) IBudapest Symphony
Orchestra, Z Kocsics (piano) CGyörgy Lehel Hungaroton SLPX 11516, 1980.
— (1936) Music For Strings, Percussion & Celesta EWien: Universal Edition, 1937 IConcertgebouw
CBernard Haitink Sequenza 416 865-1, 1986.
BARWICK GREEN The Archers (BBC Radio 4) >gWOOD, Arthur.
BASHUNG, ALAIN (1991) Madame rêve. Climax Barclay 543 648.
BASIL, ANDREW (n.d.) Recorded Music for Film, Radio & TV B&H SBH 2980 •Nitter Natter (light action,
perky movement, animals, saucy, vivacious, children, playful laughter).
— (n.d.) Recorded Music for Film, Radio & TVB&H SBH 2984 •Girl In Blue (national, pastoral, romantic,
sea, lake) •Caresses By Candlelight (glamour, romantic. Restaurant, slow fox).
BASTOW, GEORGE HENRY (1906) The Galloping Major ELondon: Francis, Day & Hunter.
See also FLANAGAN AND ALLEN (1972).
BATH, HUBERT (1935?) Out of the Blue (BBC Sports Report signature, 1950s)
|www.whirligig-tv.co.uk/radio/sportsreport.wav| (030731).

List of Musical References — B Ten Little Title Tunes 829
— (1944) Cornish Rhapsody Love Story (UK) BIG CONCERTO MOVIE THEMES.
BBC SPACE THEMES (1978) BBC REH 324.
THE BEACH BOYS (1962a) Surfin’ Safari Capitol 4777 BEACH BOYS (1974).
— (1962b) Wipe Out >SURFARIS.
— (1963) Little Deuce Coupe Capitol 5009 BEACH BOYS (1974).
— (1966a) Pet Sounds. Capitol ST 2458.
— (1966b) Good Vibrations Capitol CL 15475; BEACH BOYS (1974).
— (1974) Endless Summer Capitol SVBB-11307.
BEATLES, THE (1960-62) The Beatles in Hamburg Tip 634022 (cassette, n.d.)
— (1963) She Loves You Parlophone R 5015.
— (1966) Revolver Parlophone PCS 7009.
— (1967a) Sergeant Pepper’s Lonely Hearts Club Band Parlophone PMC 7027.
— (1967b) Magical Mystery Tour Parlophone PCTC 255 Capitol SMAL 28 35.
— (1968) [The White Album] Apple PCS 7067/8.
BEAVIS AND BUTT-HEAD DO AMERICA (1996) Paramount Mike Judge g John Frizzell vMTV/Paramount/CIC
VHR 4488, 1997.
BECHET, SIDNEY (n.d.) Petite Fleur BARBER (1955).
BEETHOVEN LUDWIG VAN (1801) Sonata in C# Minor (‘Moonlight’), Op. 27/2 ERAPÉE (1924: 625). See also
CLAYDERMAN (1999).
— (1804) Symphony #3 in Eb Major – ‘Eroica’ ELeipzig: Eulenburg.
— (1807) Coriolanus Overture, Op.62 BEETHOVEN (1987) ERapée (1924: ‘Sinister’).
— (1808) Symphony #6 in F Major – ‘Pastoral’ EParis: Heugel.
— (1810) Ouvertüre aus der Musik zu Goethes Schauspiel Egmont, Op. 84 ELeipzig: VEB Breitkopf &
Härtel •Melodram - ‘Süßer Schlaf’ ESCHMIDT (1982:14) FILMMUSIK (1982).
— (1827) String Quartet in C# Minor ESämtliche Streichquartette, Band IV; Leipzig: VEB Edition Peters,
1958 Supraphon SUA ST 50044 (n.d.).
— (1822) Symphony #9 in D Minor, Op.125 ELondon: Penguin, 1955 (ed. Gordon Jacob).
— (1987) Overtures ISlovak Philharmonic Orchestra CStephen Gunzenhauser Naxos 8.550072.
BENNETT, RICHARD RODNEY (1974) Murder on the Orient ExpressSydney Lumet (UK)
EMI 3C 064-81778 (Waltz) FILMTRACKS.
— (1984) Miss Marple BBC, 1984-5 Danish TV, 1985.
THE BENNY HILL SHOW, VOL 2 (c1971) vThames Video (n.d.).
BERG, ALBAN (1923) Wozzeck Odyssey Y2-33126 (n.d.).
BERLIN, IRVING (1935) Let’s Face The Music And Dance IFred Astaire SRP3, 1982.
BERLIOZ, HECTOR (1830) Symphonie fantastique ENew York: W W Norton, 1971.
— (1839) Roméo et Juliette, Op.17 Karlsruhe: Eulenburg, 1900.
BERLIPP, F; HÖTTER, H; TEUPEN, J; ZIMMERMAN, F-J (n.d.) Ruhr Valley Impressions Selected
Sounds (SL 238) •Beating Steel •Hard Beat •Oil Bath •Heavy Steel.
BERNSTEIN, ELMER (1955) The Man With The Golden ArmOtto Preminger MCA Coral ORL 8280,
1959 •Clark Street The Top/Homecoming •Antek’s.
— (1960) The Magnificent Seven UA John Sturges BERNSTEIN E (1966).
— (1965) The Return of the Seven UA B Kennedy I magnifici 7 Liberty 3C 054-83185, 1966.
— (1976) Rat Race Mercury 20702 / 60702.
BERNSTEIN, LEONARD (1957) West Side Story ENew York: Chappell (vocal score) Columbia 5651/
6251, 1957; xtr. DGG 415 435-1, 1985.
BERRY, CHUCK (1955) (1956a)Roll Over Beethoven Chess 1626.
— (1956b) Around And Around Chuck Berry Is on Top. Chess 9124 214, 1978.
BIG CONCERTO MOVIE THEMES (1972) Music For Pleasure MFP 4261.
All versions arr. Geoff Love IRobert Docker (piano) and Geoff Love and his Orchestra. •Warsaw Concerto
(R Addinsell, 1940) from Dangerous Moonlight •Cornish Rhapsody (H. Bath 1944) from Love Story
•Piano Concerto n°1 in A Minor, 1st movement (Grieg 1871) from Song Of Norway •The Glass Mountain
(Rota 1948) from Legend of the Glass Mountain •The Way To The Stars (N Brodzky 1945) from RAF – The
Way To The Stars •Rhapsody on a Theme by Paganini (S. Rachmaninov 1934) from The Story Of Three
Loves (1953) •Spellbound Concerto (Rózsa 1945) from Spellbound •Piano Concerto N°1 in Bb Minor, 1st
movement (Tchaikovsky 1875) from Tchaikovsky (1970) •The Dream of Olwen (C Williams 1947) from
While I Live.
BIGGLES (1986) British/Compact Yellowbill/Tambarle John Hough MCA/WB 254 119-1.
BIZET, GEORGES (1875)Carmen ELeipzig: Edition Peters, 1916 IWiener Philharmoniker CH von Karajan
vLeontyne Price RCA Victor GD 86199, 1990/1963.
BLACK WIDOW (1986) C20 Fox/American Entertainment Partners / Americent Films / Laurence

830 Ten Little Title Tunes B — List of Musical References
Mark Bob Rafelson g Michael Small v CBS Vox 5033-50, 1988.
BLAKE, NORMAN (1972) Home In Sulphur Springs Rounder 0012.
BLAZING SADDLES (1974) Warner Mel BROOKS >g John MORRIS.
BLOCH, ERNST (1915) ESchelomo or Hebrew Rhapsody Decca SXL 6440 (n.d.).
BLOOD SWEAT AND TEARS (1969) Blood Sweat and Tears CBS CS 63504.
THE BLUES BROTHERS (1980) Universal John Landis v CIC VHR 1382, 1982.
g Elmer BERNSTEIN, Ira Newborn .
BOCK, JERRY (1964) To Life. Fiddler on the Roof ENew York Times Music, BMI.
BONANZA (1959) NBC (The Cartwrights – syndication title Ponderosa) >LIVINGSTON, J.
BOONE, PAT; WESTERN, JOHNNY; ROLFE SAM (1958) Have Gun Will Travel - The Ballad of Paladin.
TELEVISION’S GREATEST HITS, 2.
BORCH, GASTON (n.d.) Misterioso Infernale ERAPÉE (1924: 169); > also Filmmusik (1982).
— (n.d.) Andante patetico e doloroso ERAPÉE (1924: 642).
BORODIN, ALEXANDER PORPHYRIEVICH (1880) On the Steppes of Central Asia ELondon: Eulenburg;
Rostropovitch Conducts, EMI ASD 3421, 1978.
BOTHY BAND, THE (1976) Old Hag You Have Killed Me Mulligan LUN 007.
BOULEZ, PIERRE (1957) Le marteau sans maître EPhilharmonia Scores 398.
BRAHMS, JOHANNES (1869) Ein deutsches Requiem ELeipzig: Peters.
— (1881) Akademische Fest-Ouvertüre, Op. 80 EBerlin : Simrock.
— (1884) Es schauen die Blumen. Der Tod…, Op. 96 EBruno Walter Society 707.
BRASSED OFF (1996) Miramax/Channel 4 Mark Herman IGrimethorpe Colliery Band
CJohn Anderson •1:44:18 William Tell overture at Albert Hall (Rossini) •1:48:36 Pete Postlethwaite’s
speech at Albert Hall •1:52:00 Land of Hope and Glory (Elgar), pit closures, end titles.
BRATTON, JOHN W (1907) The Teddy Bears' Picnic (lyrics by James B Kennedy) ELondon: Witmark &
Sons Henry Hall and BBC Dance Orchestra (1932) All Aboard The Runaway Train -
Classic Tunes and Tales to Grow Up With, Jasmine 360 (1999); Music From the Singing
Detective, Golden Stars (2002).
BREIL, JOSEF CARL (1915) The Love Strain Is Heard, fr. Birth of a Nation D W Griffiths EH C
Schmidt (1982:18) FILMMUSIK (1982).
BRIEF ENCOUNTER (1945) Cineguild/Noel Coward/Universal David Lean >gRACHMANINOV.
BRITISH MOVIETONE NEWS — GREAT EVENTS: THE SILVER HERITAGE COLLECTION, VOL. 2 (1935-
1960) v British Movietone News Limited (1987).
BRITTEN, BENJAMIN (1936) Night Mail (text: W H Auden) British Lion for GPO Films Herbert
Smith, Harry Watt, Basil Wright Danish TV 1987.
— (1962) War Requiem, Op. 66. London: B&H.
THE BRITISH GRENADIERS (Trad. Eng.) Wartime Memories 1939-45 MCPS MOCD 3016, 1997.
BRODZSKY, N (1945) The Way To The StarsTwo Cities Anthony Asquith
BIG CONCERTO MOVIE THEMES.
BROOKS, MEL & MORRIS, JOHN (1967) The Producers Avco/MGM Mel Brooks SvTV1 1989.
— (1981) History of the World Part 1. Warner Mel Brooks Warner BSK 3579.
— (1974) Blazing Saddles >MORRIS, J.
— (1987) Spaceballs >MORRIS, J.
BRUNS, GEORGE (1957) Zorro ABC: cited from aural memory.
IL BUONO, IL BRUTTO, IL CATTIVO/THE GOOD, THE BAD AND THE UGLY (1966) PEA Productions
Sergio Leone g Ennio MORRICONEv MGM/UA PES 99225, 1987 UA UAS 5172, 1967.
BURNS, ROBERT (1969, ed. James Kinsley) Burns: Poems and Songs ELondon: Oxford University Press.
BUTTOLPH, DAVID (1957) Maverick ABC/Warners TELEVISION’S GREATEST HITS, 2.
BYRD, WILLIAM (1589) Wounded I am EINVITATION TO MADRIGALS 2, p.44.
— (1591) Miserere mei (Liber secundus sacrarum cantionum) ELondon: Stainer & Bell, 1926.
— (1600) Mass for Four Voices (ed. E H Fellowes) ELondon: Stainer & Bell, 1922 BYRD (1992).
— (1605b) Ave verum corpus (Gradualia, bk.1) EThe Oxford Book of Tudor Anthems (ed. C Morris) London:
Oxford University Press, 1978.
— (1611) Come, woeful Orpheus (Psalmes, Songs and Sonnets, xix)
ETHE SECOND PENGUIN BOOK OF ENGLISH MADRIGALS:27.
— (1992) Three Masses IChoir of King’s College Cambridge CDavid Willcocks
Decca Ovation 433675-2 1960-63.
— (n.d.) The Bells EDIE PROGRAMMUSIK, ed. W Stockmeier (p.8). Köln: Arno Volk (1970).
BYRDS, THE (1969) Old Blue. Dr. Byrd and Mr. Hyde . CBS 63545.

List of Musical References — C Ten Little Title Tunes 831
C
CACAVAS, JOHN (1973) Underscore for KojakCBS/Universal, episode ‘Dark Sunday’ SvTV1, 1983.
CADENCE (1990) New Line Cinema Charlie g Sheen Georges Delerue.
CADE’S COUNTY (1971) CBS >g TV/TCF Henry MANCINI.
CALE, J J (1976) Cocaine Shelter 6317904; Troubadour, Mercury 810 001-2, 1976.
CAMELOT (1960) >RODGERS, R.
CAMPBELL, GLEN (1968) Wichita Lineman Capitol 2302 (US).
CAMPIAN, THOMAS (1617) Third Booke of Ayres ELondon: Stainer & Bell, 1925 (ed. E H Fellowes).
CARA, IRENE (1983) Flashdance (What A Feeling). Casablanca 811440-7.
CARMICHAEL, HOAGY (1929) Star Dust ENew York: Mills Music.
CARPENTER, JOHN & HOWARTH, ALAN (1981) Escape from New YorkJohn Carpenter
Hot Ice Music HOT 1003.
CASABLANCA AND OTHER CLASSIC FILM SCORES FOR HUMPHREY BOGART (1974) RCA ARL1-0422.
INational Philharmonic Orchestra CCharles Gerhardt. •Casablanca: Overture; I thought I told you never
to play; Paris memories; As Time Goes By; Airport and Finale. •Passage To Marseille: Rescue at Sea
•The Treasure of the Sierra Madre: Main Title; The Trek to the Gold; Fool’s Gold;The Letter; Finale: The
Gold Scatters in the Wind •The Big Sleep: Love Themes •The Caine Mutiny: March •To Have And To Have
Not: Main Title
CASH, JOHNY (1961) The Rebel/Johnny Yuma ABC/Goodson-Todman gR Markowitz
TELEVISION’S GREATEST HITS, 2.
CHAMPS, THE (1958) Tequila London HLU 8350 Legends of Rock’n’Roll, Tring TTMC 088.
CHARLES, RAY (1962) Hit The Road, Jack (Percy Mayfield) Ray Charles Greatest Hits, Imperial 9289.
CHARPENTIER, GUSTAVE (1900) Depuis le jour. Louise (Act III) CBS 79302.
CHIFFONS, THE (1963) He’s So Fine. Stateside SS 172. Legends of Rock’n’Roll. Tring TTMC 088.
CHOPIN, FRÉDÉRIC (1839) Marche funèbre (fr. Sonata #2, Op. 35) ERAPÉE (1924:160) ECHOPIN (1938).
— (1836) Grosse Polonaise, Op. 22. Deutsche Grammophon DG 2531/3301.
— (1938) The Home Series of the Great Masters – Chopin (ed. E Haywood) ELondon: K Prowse (n.d.).
— (1915) Nocturnes ENew York: Schirmer (ed. Rafael Joseffy) •1, Op. 9 #1 •16, Op. 55 #2.
— (1962) Chopin Walzer – Urtext (ed. E. Zimmermann) EMünchen: G Henle.
— (n.d.) Classics of Piano Music, 2 ELondon: Hinrichsen (ed. A. Rowley) •Prelude in E minor Op.28 #4,
•Prelude in A major Op.28 #20.
THE CHORDETTES (1958) Zorro Cadence 1349 (see ZORRO, see BRUNS).
CIELITO LINDO (1992) Saludos Amigos Sarabandas CD 62021.
CINEMAEROTICO (n.d.) CIAK CIA 5010.
CIPRIANI, STELVIO (c1973) Misteri del lago CAM 001-074, CAM PRE 1-9 (Rome).
CITIZEN KANE (1941) Mercury/RKO Orson v Welles Polygram CFV 01332, 1986.
Bernard HERRMANN.
g
CLARIBEL (Charlotte Allington Barnard, n.d.) I Cannot Sing The Old Songs. Selected Songs For Ladies’
Voices ELondon: George Newnes (n.d. c1910).
CLAYDERMAN, RICHARD (1984) Ballade Pour Adeline The World of Romance Vol. 1-3,
Quality Video 39042, 1996.
— (1999) Masters of Melody. Readers Digest (France) B 98 010 BB. Triple CD box set including •Ballade
pour Adeline and Lady Di (Paul de Senneville) • Plaisir d’amour (Martini) •Candle In The Wind (E John,
B Taupin) •Fernando (Abba) •Nights In White Satin (Moody Blues) •Senza una donna (Zucchero) •The
Winner Takes It All (Abba) •Liebestraum (Liszt) •La cygne (Saint-Saëns) •Ave Maria (J S Bach, arr. Gounod)
•Piano Concerto no. 1 (Tchaikovsky).
CLIFTON, HARRY (1868) Up In A Balloon (for George Leybourne) ELondon: Herman Darewski.
CLINE, PATSY (1961) Crazy (W Nelson) Decca 31317.
CLOSE ENCOUNTERS OF THE THIRD KIND (1977) Columbia/Tristar Steven Spielberg
Columbia Tristar CVR 20003, 1980 g John WILLIAMS Arista C 062-60391, 1977.
v
COATES, ERIC (1933) Knightsbridge March – ‘In Town Tonight’ ELondon: Chappell (piano reduction).
FIFTY YEARS OF BROADCASTING.
— (1955) The Dambusters March Wartime Memories 1939-45, MCPS MOCD 3016, 1997.
— (n.d.) The Three Elizabeths Suite; xtr as for The Forsythe Saga BBC, 1971
The WORLD OF TV THEMES (1972).
COCHRAN, EDDIE (1959) Something Else Liberty 55203.
COLEMAN, CY (1965) Big Spender. Sweet Charity [Original Broadway Cast]
CBS 02900, 1966 Sony 2900, 1990.
COLLINS, CHARLES (1897) Shall I Be An Angel? ETHE PARLOUR SONG BOOK: 185.

832 Ten Little Title Tunes D — List of Musical References
COLTRANE, JOHN (1962) Mr PC. Live Trane: The European Tours Pablo 7PACD4433-2.
COMING TO AMERICA (1988) Universal John Landis v CIC VHR 2320, 1988 g Nile Rodgers.
CONGREGATIONAL PRAISE (1950) ELondon: Independent Press.
CONLAN, JOSEPH >VORZON AND CONLAN.
CONSTANT, MAURIS (1959) The Twilight Zone CBS/Cayuga TELEVISION’S GREATEST HITS, 1.
CONTI, BILL (1981) Cagney And Lacy TVM SvTV1 1983.
THE CONTOURS (1962) Do You Love Me? Gordy 7005; >POOLE, Brian.
COODER, RY (1980) Crazy ’bout An Automobile Borderline. Warner Brothers 256 864.
— (1984) Paris, Texas Wim Wenders Road Movies WEA 925 270-1, 1985.
COPLAND, AARON (1935) Sunday Afternoon The Young Pioneers Sony: 66345, 1978.
— (1939) Quiet City Irwin Shaw Symphony #3/Quiet City DGG 419170, 1985.
— (1940) Our Town COPLAND (1967).
— (1941) Billy The Kid Ballet Suite. London: B&H. Copland, Ives, Rachmaninov Orchestral Works,
Vox Box 11 5844 2 (1993).
— (1942) Fanfare for the Common Man E MS http://memory.loc.gov/ammem/achtml/
coplandbibTitles2.html Copland, Ives, Rachmaninov Orchestral Works, Vox Box 11 5844 2,
1993; also as used [1] for Apollo-Soyuz BBC SPACE THEMES; [2] in General Motors
TWENTY-FIVE TV COMMERCIAL CLASSICS.
— (1948) The Red Pony COPLAND (1967).
— (1954) The Tender Land IBoston Symphony Orchestra CAaron Copland Aaron Copland: Greatest
Hits, RCA 60837, 1991.
— (1967) Our Town/The Red Pony Suite/El Salón México/Danzón CBS 42429.
COPS AND PRIVATE EYES (1991) Silva Screen PTD 3004 ( versions):
•L.A. Law (Mike Post) •Hill Street Blues (Mike Post) •Remington Steele (Henry Mancini) •Mike Hammer
/ Harlem Nocturne (Earle Hagen) •Midnight Caller (Brad Fiedel)•Twin Peaks (Badalmenti); •Magnum
P.I. (Mike Post, Pete Carpenter).
COSMA, VLADIMIR (1978) Tsarens kurir (=Czar’s Messenger) Poland, 1978 Philips 63116 112.
— (1979) Médecins de nuit Antenne 2 (France) SvTV 1979.
COSTELLO, ELVIS (1977) Watching the Detectives Stiff BUY-20 (UK) Columbia 1-10696 (USA).
COSTELLO, ELVIS; THE BRODSKY QUARTET (1993) For Other Eyes. The Juliet Letters
Warner Bros CDW 45180.
COURAGE, ALEXANDER (1966) Star Trek Les meilleures séries TV du cable et du satellite, TV Toons
TVT Records PL 980442 - 303 6492, 1998 Music from the Galaxies, Start LP.S 40134, 1981
The Cult Files, Silva Screen FILMXCD 184, 1996; opening fanfare episode ‘Inner Light’
(Star Trek - The Next Generation)vParamount VHR 2662, 1992.
CREAM (1969) Born Under A Bad Sign. Wheels of Fire Polydor 583033.
CREEDENCE CLEARWATER REVIVAL (1969) Proud Mary Fantasy 619 Bayou Country, Fantasy 8387;
The Best of Creedence Clearwater Revival, Globo Records 5400 0 00005 2 0, 1996.
CUGAT, XAVIER [and Orchestra ] (c1960) •El manisero (Peanut Vendor) •Tequila Cielito lindo. Saludos
Amigos (Sarabandas) CD 62021, 1992.
— (c1963) Xavier Cugat and his Orchestra Mercury SR 60643 “for radio use only”•Malagueña salerosa
THE CULT FILES (1996) Silva Screen FILMXCD 184.
CYPORYN, DENNIS (ed. 1972) The Bluegrass Songbook ENew York: Collier.
D
DAD’S ARMY (1969) Who Do You Think You’re Kidding Mr Hitler? See FLANAGAN, BUD (1969)
DALE, DICK (& DEL-TONES) (1963) (Ghost) Riders In The Sky. King of the Surf Guitar Capitol 1930.
DALLAS (1978) CBS/Lorimar SvTV1 1983 g Jerold IMMEL.
DARBYSHIRE, DELIA; GRAINER, RON et al. (1963) Dr Who BBC BBC Space Themes, 1978.
DAVIES, CHIP (1978) Convoy UA/EMI Sam Peckinpah Swedish TV 1, 1988.
DAVIS, MILES (1959) Concierto de Aranjuez (J Rodrigo) Sketches of Spain. Columbia 460604-D.
THE DEAD KENNEDYS (1980) California Über Alles. Fresh Fruit for Rotting Vegetables Faulty 700014.
THE DEARS (2001) This Is A Broadcast. End of a Hollywood Bedtime Story ().
DEBUSSY, CLAUDE (1890) Suite Bergamasque EParis: Jobert (Fromont) (1932).
— (1895) Prélude à l'après-midi d'un faune ENew York: W W Norton (1970).
— (1901) Pour le piano EParis: Jobert.
— (1902) Pelléas et Mélisande EParis: Durand, 1907 (vocal score).
— (1903) Jardins sous la pluie EParis: Durand.

List of Musical References — E Ten Little Title Tunes 833
— (1905) La Mer CBS Odyssey MBK 44804 (1988).
— (1910) La cathédrale engloutie, as ‘Engulfed Cathedral’ >CARPENTER & HOWARTH (1981).
DEEP PURPLE (1975) Come Taste The Band Warner Brothers PR 2895 •Owed to ‘g’.
DICK TURPIN (1980) Main London Weekend Television SvTV c1980.
DEREK AND THE DOMINOES (1970) Layla. Derek and the Dominoes Polydor 2 LP-2625-005.
DERRINGER, RICK AND WINTER, JOHNNY (1971) Rock 'n' Roll Hoochie Koo. Hard Rockin’ 70s (various
artists) Priority CDL-7942 (n.d.).
DIE HARD (1988) C20 Fox John v McTiernan FoxVideo WS 1666, g 1991 Michael KAMEN.
DION, CÉLINE (2001) God Bless America (I Berlin) God Bless America (‘For the benefit of the Twin
Towers Fund’), Sony CS 86300.
DIRE STRAITS (1978) Dire Straits Vertigo 6 360 162.
— (1985) Brothers in Arms Vertigo 824 499-4.
— >KNOPFLER.
UNA DONNA (1977) RAI Swedish TV1 1978 >gMORRICONE (1971d).
DOMINGUEZ, A (1962) Perfidia IThe VENTURES (1960b) IThe SHADOWS (1962a).
DONEGAN, LONNIE (1957) Cumberland Gap Pye Nixa N 15080.
DONIZETTI, GAETANO (1835) Regnava nel silenzio. Lucia di Lammermoor Decca SET 2528-30.
DOUGLAS, CARL (1974) Kung Fu Fighting Pye 7N 45377 K-Tel Disco Classics, Vol.3, 1980.
DOWLAND, JOHN (1612)A Pilgrimes Solace ELondon: Stainer & Bell (1923, ed. E H Fellowes)
•Disdain Me Still •From Silent Night.
— (1988) The Elizabethan Collection – Dowland Boots Classical Collection 143 •Lachrymae Pavane.
— (n.d.) Fifty Songs, Book 1 ELondon: Stainer & Bell (1925, ed. E H Fellowes)
•Cease, My Wandering Eyes •Flow, My Tears (Lachrymae Pavane) •Unquiet Thoughts •I Saw My Lady
Weep •Were Every Thought An Eye •Tell Me True Love.
DR NO (1962) Eon/MGM/UA Terence v Young MGM/UA PES 99210, g 1992 Monty NORMAN.
DR STRANGELOVE (1963) Columbia/Kubrick Stanley Kubrik SvTV2 1987g Feb Laurie JOHNSON.
DRINK TO ME ONLY WITH THINE EYES (Trad. Eng.) ESONGS THAT WILL LIVE FOR EVER: 21; ERAPÉE (1924:
346); THE FELLOWSHIP SONG BOOK (1915: 49); THE PUFFIN SONG BOOK (1956: 44).
DUCK YOU SUCKER >GIÙ LA TESTA.
DUDLEY, DAVE (1963) Six Days on the Road Golden Ring 110.
DUEL IN THE SUN (1946) Selznick King v Vidor Cinema Club CC 1056, g 1989 Dimitri TIOMKIN.
DUKAS, PAUL (1895) L’apprenti sorcier IOrchestre de la Suisse Romande CErnest Ansermet
Decca SXL 606, 1963
DUNCAN, JOHNNY and the BLUEGRASS BOYS (1957) Last Train To San Fernando Columbia DB 3959.
DUNCAN, TREVOR Recorded Music for Film, Radio & TV B&H SBH 2975 •Sequence for Sentimentalists.
— (n.d.) Recorded Music for Film, Radio & TV B&H SBH 2984.
•Amethysts For Esmeralda - rich, dreamy. •Diadem For Deidre - nostalgic. •A Tale Of Two Hearts.
•Francesca - tender, sad love theme. •Introduction To Romance
— (n.d.) Recorded Music For Film, Radio & TV B&H SBH 2989.
•Wine Festival - Light action, scenic grandeur, gay, scenic, Mediterranean etc., fiesta, sunny.
— (n.d.) Recorded Music For Film, Radio & TV B&H SBH 2991.
•Saffron And Green •Shannon Fen•Horizons Unlimited, 1 & 2 •Greensward •Green Heritage •Spring
Sowing •Combine Harvesting •Harvest Supper.
DVOŘÁK, ANTONÍN (n.d.) The Old Mother ERAPÉE (1924: 209).
— (1878) Slavonic Dances, Op. 45. Sixteen Slavonic Dances, 1 ELondon: Lengnick Slavonic Festival.
Naxos 8.550033, 1987.
— (1893) Symphony #9 in E minor – ‘New World’, Op. 95 Decca Weekend Classics 417 678-2, 1968.
Largo mvt. Hovis bread ITV 1993 TWENTY-FIVE TV COMMERCIAL CLASSICS.
DYLAN, BOB (1968) All Along The Watchtower. John Wesley Harding CBS SBPG 63252 IJimi Hendrix
Electric Ladyland, Track 613-008/9, 1968.
DYLAN. BOB AND ROLLING THUNDER REVUE (1976) Maggie’s Farm (CBS, 1965) Rolling Thunder
Revue (live from Warehouse, New Orleans, LA) Flashback 01.94-0225 (1994).
E
EARLY JAZZ (1978) Open University OU 42/CBS LSP 13223.
EASTWOOD, CLINT & MARVIN, LEE (1970) Wand’rin’ Star (F LOEWE) Paramount PARA 3004.
EASY RIDER (1969) RCA Columbia Dennis Hopper v The Video Collection CC1122, 1990
ABC ABCL 5005.
EDDY, DUANE (1959) Forty Miles Of Bad Road Jamie 1126 (US) London HLW 9225 (UK).

834 Ten Little Title Tunes F — List of Musical References
— (1960) Peter Gunn Theme (Mancini) Jamie 1168 (US) London HLW 8879 (UK).
— (1960) Because They're Young Jamie 1156 London HLW 9162 OLDIES BUT GOODIES VOL.4 (1988).
— (1961) Pepe (H Wittstatt, D Langdon) London HLW 9257.
— (1962a) Shazam (Eddy, Hazlewood) SHADOWS (1963b).
— (1962b) Deep in the Heart of Texas RCA 7999 RCA 1288.
— (1962c) Guitar Man RCA Victor 57-8087 RCA 1316 (UK).
— (1962d) The Ballad Of Paladin RCA Victor 47-8047.
EDWIN HAWKINS SINGERS, THE (1969) Oh Happy Day. Buddah 201048.
EISLER, HANNS (1932) Music from Kuhle Wampe (J Ivens) •Präludium •Rondo •Die Fabriken (Solidaritätslied)
•Die Fabriken FILMMUSIK (1982).
THE ELECTRIC MUSE (1975) Folk 1001.
ELGAR, EDWARD (1899) ‘Nimrod’ (fr. Enigma Variations, Op. 36)
ELondon: Novello (arr. for organ by W H Harris, 1932).
— (1905) Introduction and Allegro for Strings, Op. 47 ELondon: Eulenburg.
— (1914) Land Of Hope And Glory (arr. for SATB choir and piano by A Benson and A Fagge) ELondon:
B&H Wartime Memories 1939-45, MCPS MOCD 3016, 1997. BRASSED OFF (1996).
— (n.d.) Chanson de matin >SCOTT, J (1984).
ELLINGTON, DUKE (1940) Koko ELLINGTON (1988)
— (1988) Duke Ellington - Take The ‘A’ Train Success 2140CD.
— (1992) The Complete Piano Player Duke Ellington ELondon: Wise Publications.
ENGSTRÖM, BENGT OLOF & CEDERLÖF, EGIL (1970) Vi gör musik EHelsinki: Fazer.
ELTON JOHN (1970) Your Song. Elton John DJM DJLPS 406.
EMERSON, KEITH (1980) NighthawksRon Peck & Paul Hallam Backstreet (MCA) BSR-5196, 1981.
ENTARTETE MUSIK (1988) BOD 65023 (3 CDs).
EUROPE (1986) ‘The Final Countdown’, ‘Rock The Night’ The Final Countdown Epic 26808.
EVANS, RAY (1959) Bonanza NBC 1959-71 Golden Hour of Favourite TV Themes (1976).
EVANS, TOLCHARD Barcelona ESONGS THAT WILL LIVE FOR EVER.
EVERLY BROTHERS (1958) Bird Dog London HLA 8685.
F
DER FAHNDER (1983) Bavaria Film/ARD Werbung TV3 1989 g Stefan MELBINGER.
FAIN, SAMMY (1933) By A Waterfall. Footlight Parade Warner IDick Powell, Ruby Keeler
Fifty Years of Film Music, Warner 3XX 2736 (1973).
FAIRPORT CONVENTION (1969a) Unhalfbricking Island ILPS 9102.
— (1969b) Liege and Lief Island 9115.
FAITH, PERCY (1961) The Virginian NBC 1962-69 Golden Hour of Favourite TV Themes (test example
1976) TELEVISION’S GREATEST HITS VOLUME 2, 1986.
FALCK, EDWARD Western Allegro RAPÉE (1924: 665).
FALCO (1982) Der Kommissar GIG 117 (7) Einzelhaft, GIG 210.
FALLA, MANUEL DE (1919) El sombrero de tres picos [=Three Cornered Hat] ELondon: Wilhelm Hansen
/ J & W Chester (n.d.) Viva España! The Music of Spain. Naxos 8.550174, 1988.
FALTERMEYER, HAROLD (1984) Beverly Hills Cop Martin Brest Paramount vCIC VHR 2159.
— (1985) Fletch Michael Ritchie Universal vCIC VHR 1191 MCA 252 332-1.
— (1986) ‘Take My Breath Away’, ‘Mighty Wings’ and ‘Top Gun Anthem’.Top Gun CBS 70296.
— (1987) Beverly Hills Cop 2. Tony Scott Paramount BBC1 1998-11-30.
FARGO, DONNA (1974) U.S. of A. WPIK/WXRA (Washington DC, 741105, long version). Short version
on Country Music Collection Vol 4 , X-tra Collection/Pickwick PK 510, 1993.
FAURÉ, GABRIEL (1888) Requiem, Op. 48 IChoir of Westminster Cathedral, City of London Sinfonia
CDavid Wilson-Johnson Innovative Music Productions PCD 896, 1988.
— (1896) Berceuse from Dolly, op.56 pour piano à quatre mains:
(MP3) www.lefeldt.de/newindex.htm?texte/fau_dol.htm (030125).
FAVORITE SONGS OF THE NINETIES (1973, ed. R A Fremont) ENew York: Dover (facsimile).
THE FELLOWSHIP SONG BOOK. LONDON (1915, ed. H Walford Davies) ELondon: J Curwen.
FENTON, GEORGE (1979) Shoestring BBC TV, 1979-80) TWENTY BBC DRAMA THEMES (1983).
— (1987) Cry FreedomvUniversal CIC VHR 1327.
— (1988) Dangerous LiaisonsvWarner Home Video 11872. Virgin CDV 2583 (1989).
FENTON, GEORGE & SHANKAR, RAVI (1982) Gandhi. RCA BL 14557.

List of Musical References — G Ten Little Title Tunes 835
FERLOSIO, CHICHO. El gallo negro. a.k.a. Los gallos EKOKK (1970: 94-97).
FIEDEL, BRAD (1986) Popeye Doyle C20 Fox Peter Levin SvTV2 Apr 1987.
— (1984) The Terminator. Orion ( James Cameron vVirgin STV 4001, 1992.
— (1988) Midnight Caller (USA 1988-91) Rob Bowman SvTV1 1989.
Cops and Private Eyes, Silva Screen PTD 3004, 1991.
— (1991) Terminator 2 - Judgement Day Carolco James Cameron
vGuild Home Video (Polygram) GLD 51162.
FIELDING, JERRY (1965) Hogan’s Heroes CBS TELEVISION’S GREATEST HITS, 2.
FIFTY YEARS OF BROADCASTING (1972) BBC/Pye 50A/50B.
FIFTY YEARS OF FILM (1973) Warner 3XX 2737.
FIFTY YEARS OF FILM MUSIC (1973) Warner 3XX 2736.
THE FIGHTING O’FLYNN (1949) Universal.Arthur Pierson g Frank SKINNER.
FILMMUSIK – MUSIK AKTUELL-KLANGBEISPIELE (ed. H-C Schmidt 1982)
Bärenreiter Musicaphon BM 30 SL 5104/05 ESCHMIDT (1982).
FILMTRACKS: THE BEST OF BRITISH FILM MUSIC (1985) London/Filmtrax YEAR 1.
A FISTFUL OF DYNAMITE >GIÙ LA TESTA.
A FISTFUL OF DOLLARS/PER UN PUGNO DI DOLLARI (1964) Jolly Films Sergio Leone
v Warner Home Video PES 99277, 1987 g Ennio MORRICONE.
THE FITZWILLIAM VIRGINAL BOOK (1899, ed. J A Fuller Maintland & Barclay Squire)
ELeipzig: Breitkopf & Härtel ENew York: Dover (facsimile), 1963.
FLANAGAN, BUD (1969) Who Do You Think You’re Kidding Mr Hitler? g Jimmy Perry Dad’s Army
BBC PYE 7N 17854.
FLANAGAN, BUD; ALLEN, CHESNEY (1972) •Underneath the Arches •The Galloping Major (g BASTOW,
1906); extracts on Fifty Years of Broadcasting.
FLATT, LESTER & SCRUGGS, EARL (1968) Foggy Mountain Breakdown Columbia 44380; Bonny &
Clyde (slightly different version) Mercury 72739.
— (with Mother Maybelle Carter and The Foggy Mountain Boys, n.d.) Songs of the Famous Carter Family
Columbia CL 1664.
FLETCH (1985) Universal Michael Ritchie v CIC VHR 1191 g Harold FALTERMEYER.
LA FLÛTE INDIENNE (1968) Barclay Panache 920014.
FOR A FEW DOLLARS MORE / PER QUALCHE DOLLARI IN PIÙ (1965) REA Films Sergio Leone
g Ennio MORRICONE.
FOR HE’S A JOLLY GOOD FELLOW (Trad.) quoted from memory.
FORD, TENNESSEE ERNIE (1956a) Sixteen Tons Capitol CL 14500.
— (1956b) The Ballad of Davy Crockett Capitol CL 14506.
FOUR ACES (1954) Love Is A Many Splendored Thing (S Fain, P Webster) Brunswick 05418.
FOSTER, STEPHEN C.
— (n.d.) De Camptown Races ESONGS THAT WILL LIVE FOR EVER: 59.
— (n.d.) Jeannie With The Light Brown Hair ETHE PARLOUR SONG BOOK: 37.
— (n.d.) Massa’s In De Cold Ground ETHE PARLOUR SONG BOOK: 266.
— (n.d.) My Old Kentucky Home ERAPÉE (1924: 282) ETHE PARLOUR SONG BOOK: 271.
— (n.d.) Poor Old Joe ESONGS THAT WILL LIVE FOR EVER: 51.
— (1847) Oh! Susanna POPULAR MUSIC IN JACKSONIAN AMERICA.
— (1852) The Old Folks At Home ERAPÉE (1924: 283) POPULAR MUSIC IN JACKSONIAN AMERICA
ESONGS THAT WILL LIVE FOR EVER: 70.
FRANÇOIS, CLAUDE (1969) My Way vFrank Sinatra Reprise RS 20817.
FRANZ, ROBERT (1864) Trocknet nicht Op. 33/1; cited from memory.
FRIZZELL, John (1996) See BEAVIS AND BUTT-HEAD DO AMERICA.
FRONTIERE, DOMINIC (1965) Branded NBC.
— (1967) Hang ’em High UA Ted Post; quoted in HOLLYWOOD, HOLLYWOOD.
— (1977) Washington Behind Closed Doors Paramount BBC TV THEMES (1978).
FUČIK, JULIUS (c.1900) Entrance of the Gladiators a.k.a. Thunder and Blazes (march)
[MP3] |http://world.std.com/~tsh/circus.html| (030806)
E
G
LOS GALLOS (a.k.a. El gallo negro) >FERLOSIO, C.
GAME MUSIC CONCERT 3 BY SYMPHONY ORCHESTRA (sic., 1993). Sony (Japan) SRCL-2732 (including
music by Koichi Sugiyama, Yoko Kanno, Koji Kondo, Hiroki Kikuta).

836 Ten Little Title Tunes G — List of Musical References
GANDHI (1982) Columbia/Goldcrest/Indo-British Films/International Film Investors/National Film
Development.Corp. Richard v Attenborough Columbia Tristar PAL CVR 40135, g 1993
George FENTON, Ravi SHANKAR.
GENERAL ELECTRIC (1989) ‘A Voice in the Dark’.
GERSHWIN GEORGE (1924) Rhapsody in Blue DGG Privelege 427 203-2 , 1977
VEB Deutsche Schallplatten, 1970.
— (1925) Concerto in F for Piano & Orchestra Rhapsody in Blue, see GERSHWIN (1924).
— (1928) An American in Paris Rhapsody in Blue, see GERSHWIN (1924).
— (1935) •Summertime •It Ain’t Necessarily So (Porgy and Bess) ENew York: Chappell; IBroadway
cast Bravo BR 341 (c1954); vLouis Armstrong vElla Fitzgerald Porgy And Bess Volume
1, Karusell (Verve) VEP 5055, 1959; vMahalia Jackson Whole Word In His Hands,
BS.AGG 21016 (n.d.).
— (1938) I Was Doing All Right ENew York: G Gershwin Publishing Co.
GHOSTBUSTERS (1984) Columbia Ivan v Reitman Columbia Tristar Home/Cinema Club CC7639,
g 1998 Elmer BERNSTEIN; by Ray PARKER Jr Arista ARI 90106.
GHOST RIDERS IN THE SKY >JONES, STAN.
GILBERT, FRED (1892) The Man Who Broke The Bank At Monte Carlo (for Charles Coborn)
ENew York: Francis Day & Hunter.
GILES FARNABY'S DREAM BAND (1974) Giles Farnaby’s Dream Band Argo ZDA 158.
GILLESPIE, DIZZY (1946-1949) Dizzy Gillespie and his Orchestra. Giants of Jazz LPJT 37, 1985.
GIPSY KINGS (1989) Mosaïque CBS 466213-2.
GIÙ LA TESTA (a.k.a ‘Duck You Sucker’ a.k.a. ‘A Fistful of Dynamite’) (1971) Rafram Films/Leone/UA
Sergio g Leone Ennio MORRICONE.
THE GODFATHER (1972) Paramount Francis Ford Coppola Danish TV g 1978 Nino Rota.
GOD SAVE THE KING See BAND OF THE SCOTS GUARDS (1947).
GOD SAVE THE QUEEN NATIONAL ANTHEMS QUEEN (1975).
GOD REST YOU MERRY, GENTLEMEN (Trad. E Eng.) SONGS THAT WILL LIVE FOR EVER: 187
GOLDEN HOUR OF FAVOURITE TV THEMES (1976) Golden Hour GH (I 845 ‘101 Strings’).
GOLDENBERG, WILLIAM (1973) Kojak MCA/Universal M Rapf EOrch. arr. #1 MS, Universal
Studios Prod. #39000 ©Duchess Music Corp. GOLDEN HOUR OF FAVOURITE TV THEMES
(1976) and TOP TV THEMES (1981) SvTV1 1975.
GOLDSMITH, JERRY (1960) Patton FILMMUSIK (1982).
— (1966) Our Man Flint TERZO UOMO.
— (1968) Planet of the Apes C20 Fox Franklin J Schaffner Channel4 2000.
— (1979b) Star Trek Suite MUSIC FROM THE GALAXIES.
GONE WITH THE WIND (1939) Selznick Victor v Fleming MGM/UA VHS PES 50284, 1989
(©1969 g MGM) Max STEINER.
GONZAGA, LUÍZ (1980) O homem da terra. RCA (Brasil) 1030349.
GONZÁLEZ, JUAN-PABLO (1994, 1997) See ADVIS, L.
THE GOOD OLD DAYS SONG BOOK (1980) ELondon: BBC & EMI.
THE GOOD, THE BAD AND THE UGLY >BUONO BRUTTO CATTIVO.
GOULD, MORTON (1978) Holocaust RCA R L12785.
GOUNOD, CHARLES (1859) Faust ENew York: Schirmer, 1902.
— (1872/1879) Funeral March of the Marionette >ALFRED HITCHCOCK PRESENTS.
GRAINER, RON (1958) MaigretBBC Maigret Theme and Other Themes from the Famous TV Series,
London LL 3281, 1960.
THE GRADUATE (1967) Avco Embassy Mike v Nichols Polygram 084 254 3, 1985
Paul Simon (songs), Dave Grusin (score) CBS S 70042.
g
GRAUNKE, KURT (n.d.) Valse Anastasia. Recorded Music for Film, Radio & TV B&H SBH 3028.
GREENSLADE, DAVE (1978) Gangsters BBC TOP BBC TV THEMES (1978).
GRIEG, EDVARD (1871) Piano Concerto #1, 1st mvt .BIG CONCERTO MOVIE THEMES MOVIE MASTERS.
— (1891) Per Gynt - Musik till Ibsens skådespel, Op. 23. EMI Svenska C 053-01851, 1977 (1969);
Peer Gynt – Music to Ibsen’s Play Philips Digital Classics 432 192-2, 1990 (1983); ERAPÉE
(1924) •Åses død •I bergekongens hall •Morgenstimmung.
— (1902) Lyrische Stücke (1867-1902) ELeipzig: Peters. Lyric Pieces Vol 2, Naxos 8.550577, 1991;
ERAPÉE (1924) •Humoresque, Op. 6 #3 •Tanz aus Jölster, Op. 17 #5 •Stabbe-Laaten, Op. 17 #18
•Herzwunden, Op.34 #1 •Berceuse, Op. 38 #1 •Elegie, Op.47 #7 •March Of The Dwarfs, Op. 54 #3.
GRIMETHORPE COLLIERY BAND. See BRASSED OFF (1996).
GRISMAN, DAVID (1978) King of the GypsiesDe Laurentis/Paramount Frank Pierson IDavid Gris-

List of Musical References — H Ten Little Title Tunes 837
man Quintet IStephanne Grappelli. Only available on vNTSC.
GROFÉ, FERDE (1931) Grand Canyon Suite CBS 61266 (1931).
GROSS, CHARLES (1971) Murders in the Rue Morgue AIP Hitchcock SvTV1 1988:
part of ALFRED HITCHCOCK PRESENTS.
GRUSIN, DAVE (1975) Baretta (‘Keep Your Eye On The Sparrow’) vSammy Davis Jr ABC/Universal/Public
Arts Television’s Greatest Hits 70s & 80s, TeeVee Toons TVT 1300, 1990.
GUNSMOKE (1955) CBS g Rex KOURY GOLDEN HOUR OF FAVOURITE TV THEMES (1976).
H
HADJIDAKIS, MANOS (1959) Ποτε την Κυριακη/Never on SundayLopert/Melinafilm
United Artists UA 5070.
HAGEMAN, RICHARD (1939) Stagecoach UA John Ford vPolygram Video 083 504 3, 1991
HAGEN, EARLE (1942) Harlem Nocturne ENew York: Shapiro & Bernstein; also as arranged for Mike
Hammer CBS/Columbia/Jay Bernstein, 1983; TV3 1989.
— (1964b) I Spy TELEVISION’S GREATEST HITS, 2. Underscore MS reproduced in HAGEN: Scoring
For Films ENew York: Criterion Books, 1971.
HAGGARD, MERLE (1969) Okie From Moscogee Capitol 2626; The Best of the Best of Merle Haggard,
Capitol ST 11082, 1972; source music at truck stop in Convoy (see DAVIES C).
— (1972) The Fightin’ Side Of Me KECK (Lincoln, Nebraska, Sept. 1973) WPIK/WXRA (Washington
DC, 741105). Also The Best of the Best of Merle Haggard. (HAGGARD 1972).
HALEY, BILL, AND HIS COMETS (1955) Rock Around The Clock Brunswick 05317.
HAMLISCH, MARVIN (1968) Take the Money and RunWoody Allen Palomar.
— (1977) La spia che mi amava/The Spy Who Loved MeLewis Gilbert vUA 3C054-993 70.
HAMMER, JAN (1985) Miami Vice NBC/Universal/M Mann MCA 252 493-1.
HANCOCK, HERBIE (1966) Blow Up M Antonioni Hollywood Collection, Vol 12: CBS 70285.
HÄNDEL, GEORG FRIEDRICH (1717) Water Musick (ed. Granville Bantock) ELondon: Paxton, 1956.
— (1728) Stille amare. Tolomeo; cited from memory.
— (1738) Largo (aria ‘Ombra mai fu’ from Xerxes, HWV 40) ERAPÉE (1924: 616);
as ‘O Saviour, Friend, O Loving Guide’ ESONGS THAT WILL LIVE FOR EVER.
— (1741) The Messiah (ed. Ebenezer Prout) ELondon: Novello, 1902.
— (1749) The arrival of the Queen of Sheba (Solomon) ELondon: Novello.
— (1975) Sarabande (arr. L Rosenmann); used in Barry Lyndon Warner FILMMUSIK.
HARBURG, E Y (1939) The Wizard of Oz EHungry Tiger Press, 2002.
HARGREAVES, WILLIAM (1909) Oh! I Must Go Home To-Night! London: Feldman; also in the GOOD OLD
DAYS SONGBOOK, p.95.
HARNELL, JOE (1978) The Incredible Hulk CBS/Univeral Glen Larson
HARRIS, MAX (1983) A Horseman Riding By TWENTY BBC DRAMA THEMES.
HARRISON, GEORGE (1971) My Sweet Lord. Apple R5884.
HATCH, TONY (1968) Sportsnight BBC HATCH (1974).
SvTV, 1978.
— (1972) Emmerdale Farm Yorkshire TV HATCH (1974).
— (1974) Hit the Road to Themeland Pye NSPL 41029.
HAVERGAL, WILLIAM HENRY. Havergal in E (Canticle 63, Psalm 148 ‘Praise ye the Lord’)
EThe Methodist Hymnbook London: Methodist Publishing House, 1933.
HAYES, ISAAC (1971) Theme from ‘Shaft’Stax S45; also 45 US Enterprise 9038, LP Shaft Enterprise
5002, 45 UK & LP Stax/MGM 2025069; also for SvTV sports news ‘Sportnytt’;
Golden Hour of Favourite TV Themes (1976); also This is Cult Fiction. Virgin VTCD
59 PM 527 (7243 8 40867 25), 1995.
HEATHERTON, FRED (1944) I’ve Got A Lovely Bunch Of Coconuts ELondon: Irwin Dash.
HENDRIX, JIMI [JIMI HENDRIX EXPERIENCE] (1966) Hey Joe Polydor 56139.
— (1967) Are You Experienced? Track 612-001/Track 2407004
•Purple Haze •Foxy Lady •Manic Depression
— (1971) Star-Spangled Banner Rainbow Bridge. Reprise K 44159.
HENZE, HANS WERNER (1975) Katarina Blum: Konzert Suite für Orchester Milon A 240
HERRMANN, BERNARD (1941) Citizen Kane Orson Wells RKO Citizen Kane and other Classic
Film Scores (1941-1953) RCA GL 43441.
— (1953) Beneath The 12-Mile Reef HERRMANN 1941.
— (1959) North By Northwest Hitchcock MGM Unicorn-Kanchana DKP 9000, 1980.
— (1960) Psycho Hitchcock Shamley vUniversal VHR 1007

838 Ten Little Title Tunes I — List of Musical References
RCA Cinematre NL 33224, 1975.
HIGH NOON (1952) Criterion/Republic/UA Fred v Zinnemann 4Front 054 1463, 1998
Dimitri TIOMKIN vFrankie LANE vTex RITTER.
g
HILL STREET BLUES (1981) NBC/MTM. SvTV1 June g 1988 Mike POST.
THE HI-LO’S (1957) Suddenly It’s the Hi-Lo’s Columbia C-952 (CD reissue Collectables 6026, 1999).
HINDEMITH, PAUL (1933) Mathis der Mahler EMainz: Schott, 1934
DGG 2530 246; EMI CDM 7 69242 2, 1988 (1957).
HOLIDAY, BILLIE (n.d.) Billie Holiday – The Original Recordings Columbia C32060.
•Gloomy Sunday (Sam Lewis, R Ceres) ‘Night Music’, SvTV1 Feb 1990.
HOLLYWOOD (1979) Mike Wooller Thames TV: cowboy episode SvTV1 Sept 1988.
Excerpts •Stagecoach •High Noon •Hang 'em High •Collage of themes, incl. Bonanza, The Virginian,
Gunsmoke, Rawhide.
HOLLYWOOD, HOLLYWOOD - OM VÅLD (1977) documentary Nils-Petter Sundgren & Paul Bang-
Hansen SvTV1 prod. 70-76/2239.
HOLMAN, LIBBY (1930) Moanin’ Low (H Dietz, R Rainger) THOSE WONDERFUL THIRTIES.
HOLST, GUSTAV (1917) The Planets, Op. 32 IOrchestre National de France CL Maazel
CBS Masterworks. MDK 44781, 1981.
HONEGGER, ARTHUR (1923) Pacific 231 - Mouvement symphonique HONEGGER (1971).
— (1971) Une cantate de Noël EMI/Pathé-Marconi C 069-11663 IOrch. ORTF CJean Martinon.
HOW THE WEST WAS WON (1963) MGM John Ford >NEWMAN, A.
HOW THE WEST WAS WON - THE MACAHANS (1976) NBC/MGM SvTV1 g 1977 Jerold IMMEL.
HUGILL, STAN (ed. 1969) Shanties and Sailors’ Songs ENew York: Frederick A. Praeger, Inc.
•Round the Horn •Gals Around Cape Horn.
HUPFELD, HOWARD (1942) As Time Goes ( By 1931) fr. ‘Casablanca’ Warner FIFTY YEARS OF FILM
MUSIC (1973) FIFTY YEARS OF FILM; Il TERZO UOMO.
HUNTINGTON, GALE (ed. 1970) Songs the Whalemen Sang ENew York: Dover.
All Trad. Eng. or Trad. USA xwos. •A Life on the Ocean Wave (H Russell) •John Riley •When First Into
This Country •Down Wapping •Ye Parliaments of England (H Russell) •Old Horse.
I
IF ... (1968) Paramount/Memorial Lindsay Anderson. Recurrent music: Sanctus from MISSA LUBA.
ILJINSKY, A (1894) Berceuse ERAPÉE (1924:231-232).
IMMEL, JEROLD (1976) How The West Was Won – The MacAhansNBC/MGM SvTV1, 1977.
— (1978) Dallas CBS/Lorimar SvTV1, 1978.
THE INCREDIBLE HULK (1978) CBS/Universal TV g Jess HARNELL.
INTI ILLIMANI (1974) Venceremos (Ortega). Solidarität geht weiter. Eterna 4 15 130.
INVITATION TO MADRIGALS, 1 (1961) ELondon: Stainer & Bell (ed. Thurston Dart).
INVITATION TO MADRIGALS, 2 (1962) ELondon: Stainer & Bell (ed. Thurston Dart).
INVITATION TO MADRIGALS, 7 (1973) ELondon: Stainer & Bell (ed. Thurston Dart).
INVITATION TO MADRIGALS, 8 (1976) ELondon: Stainer & Bell (ed. Thurston Dart).
INVITATION TO MADRIGALS, 9 (1976) ELondon: Stainer & Bell (ed. Thurston Dart).
INVITATION TO MADRIGALS, 10 (1977) ELondon: Stainer & Bell (ed. Thurston Dart).
THE IPCRESS FILE (1965) Rank/Universal Sidney J Furie g John Barry Columbia 2493/9293.
IRISH STREET BALLADS >O’LOCHLAINN (1978).
THE IRISHMAN (1949) >FIGHTING O’FLYNN; >SKINNER, F (1949).
ITN WORLD NEWS Super Channel, July 1988.
ITN NEWS AT TEN Granada , 1991.
IRON BUTTERFLY (1968) In-A-Gadda-Da-Vida Atco 341 Mobile Fidelity 675, 1996.
IVAN THE TERRIBLE (PART 1) (1945) Mosfilm S Eisenstein v Tartan TVT 1249, 1996
g Sergei PROKOFIEV.
IVES, CHARLES (1906) The Pond. EHillsdale: Boelke-Bomart Inc./The Charles Ives Society, Inc.
— (1913) Holidays Symphony Copland, Ives, Rachmaninov Orchestral Works, Vox Box 11 5844 2,
1993 •George Washington’s Birthday •Decoration Day •Fourth of July •Thanksgiving Day.
— (1914) Three Places in New England Mercury SRI 75035.
J
JACKSON, CHUCK (1967) Keep Forgetting (Leiber & Stoller) Golden Classics; Collectables 5115.
JACKSON, CLIFF (1944) ‘Quiet Please’ Cliff Jackson 1930-1945 CD Classics 979 (1998).

List of Musical References — K Ten Little Title Tunes 839
JA, HÖR NI FLICKOR KÄRE (c1968) Sveriges Radio RELP 1139 ISparf Anders, Knis Karl, Sundfors Matts,
Eric Moraeus, Påhl Olle, Evert Åhs, Anders Frisell, Rättviks Spelmanslag.
JANSEN, PIERRE (1969)Que la bête meureClaude Chabrol CFDC/Films La Boëtie
Danish TV 1979.
JARA, VICTOR (1969a) Plegaria a un labrador. JARA (1974 posth.) EADVIS & GONZÁLEZ (1997:180-184),
WITH ONE VOICE (1999: 60).
— (1974) Manifesto (posth.) XTRA 1143.
JARRE, MAURICE (1962) Lawrence of Arabia Columbia Sam Spiegel Pye ORL 8241, 1963.
— (1965) Dr Zhivago LES PLUS CÉLÈBRES MUSIQUES DE FILMS (1979) •Thème de Lara •L’enterrement.
JARRETT, KEITH (1971) Moon Child/In Your Quiet Place. Gary Burton and Keith Jarrett
Atlantic SD-1577.
JENNINGS, WAYLON (1979) The Dukes of HazzardCBS/Warner Great TV Themes Vol 1, Tring
TTMC 079A (n.d.)
JETHRO TULL (1971) Aqualung Chrysalis (UK) Reprise 2035 (USA) •Aqualung •Locomoath.
JOBIM, ANTONIO CARLOS (1962) Corcovado/Quiet Nights Of Quiet Stars ENew York: Duchess Music.
JOEL, BILLY (1976) New York State Of Mind. Turnstiles CBS 33848.
JOHN, ELTON >ELTON JOHN.
JOHNSON, JAMES P (1944) Have You Ever Felt This Way? Melodie Jazz Classics 856, 1996
JOHNSON, LAURIE (1971) Jason King ATV (UK) The CULT FILES.
— (1978) The Professionals LWT/Avengers Super Channel Oct 1987.
JONES, QUINCY (1967a) In Cold Blood Columbia •Main Theme •The Clutter Family FILMMUSIK.
— (1967b) Ironside NBC/Universal GOLDEN HOUR OF FAVOURITE TV THEMES (1976)
TELEVISION’S GREATEST HITS, 1.
JONES, STAN (1949) (Ghost) Riders In The Sky IV MONROE RCA Victor 2902.
RAMRODS London HLU 9282 / Amy 813 I (1961); DALE, D; SHADOWS; VENTURES; WELK L.
JONES, SPIKE (n.d.) Spike Jones Reissue RCA A4L-1-137. (c.1980). •William Tell Overture (Rossini) - The
Return of Doodles Weaver •Laura (Raksin) •Liebenstraum (Liszt)
JONGHMANS, EDWARD (1884) The Masher King ELondon: Ascherberg, Hopwood and Crew.
JOPLIN, SCOTT (1903) The Entertainer Rag from ‘The Sting’ Universal, 1973
ELondon: Leeds Music, 1971; arr. Hamlisch The Sting MCA 40174, 1974.
K
KAEMPFERT, BERT (1965) Strangers in the Night from ‘A Man Could Get Killed’
Robert Neame Universal vFrank SINATRA Reprise R 23052, 1966.
KAPER, BRONISLAV (1965) FBI Warner GOLDEN HOUR OF FAVOURITE TV THEMES (1976).
KAPLAN, SOL (1965) The Spy Who Came In From The Cold Paramount TERZO UOMO.
KARAS, ANTON (1949) The Third Man ( ‘Harry Lime Theme’)Carol Reed British Lion
vCanal+ Image Warner VHS SO38666 IL TERZO UOMO E ALTRI CELEBRI FILM.
KHATCHATURIAN, ARAM (1954) Pas de deux from Spartacus, Op. 82; ‘The Onedin Line’ BBC, 1974
The WORLD OF TV THEMES.
KETELBY, ALFRED (1915) In a Monastery Garden ELondon: Chappell Decca SPA 187.
KING KONG (1933) RKO/Selznick Merien C Cooper, Ernest B Shoedsack
v Polygram Video, 1992 g STEINER, M.
KING OF THE GYPSIES (1978) De Laurentis/Paramount Frank Pierson gDavid GRISMAN.
THE KINGSTON TRIO (1958) Tom Dooley Capitol CL 14951.
THE KINKS (1964) All Day And All Of The Night Pye 7N15714;
Golden Hour of the Kinks, Golden Hour GH 501 (c1974).
KIRKBY MASON, BARBARA (n.d.) Happy Birthday E© Schirmer.
KNOPFLER, MARK (1983) Local Hero Enigma/Goldcrest Polygram 811 038-2, 1983.
— (1984b) Cal Warner/Goldcrest/Enigma Vertigo 822 769-2 (1986).
KODÁLY, ZOLTÁN (1941) Bicinia Hungarica ELondon: Boosey and Hawkes.
— (1927) Hary János Suite. Mussorgsky, Kodály, Prokofiev EMI Redline 9704066, 1993 (1983).
KOMEDA, KRYSZTOF (1968) Rosemary’s Baby Paramount Polanski •Dream FILMMUSIK.
KOKK, ENN (ed. 1970) Upp till kamp. Sånger om fred och frihet EStockholm: Prisma.
KORNGOLD, ERICH WOLFGANG (1935) Captain Blood Warner FIFTY YEARS OF FILM (1973).
— (1938) The Adventures of Robin Hood Warner Soundtrack extracts FIFTY YEARS OF FILM (1973);
Suite-from Robin Hood FIFTY YEARS OF FILM MUSIC (1973).
— (1940) The Sea Hawk Warner •Extract FIFTY YEARS OF FILM (1973) • FIFTY YEARS OF FILM MU-

840 Ten Little Title Tunes L — List of Musical References
SIC (1973) •Duel FILMMUSIK (1982).
— (1941) Kings Row Warner •extract (Ronald Reagan, Ann Sheridan) FIFTY YEARS OF FILM (1973)
•Kings Row Suite FIFTY YEARS OF FILM MUSIC (1973).
KOSMA, JOSEPH (1947) Les feuilles mortes/Autumn Leaves EParis: Énoch & Cie. vÉdith Piaf, 1956
Édith Piaf – 30ème anniversaire, EMI 827 0972, 1993.
KOURY, REX (1955) GunsmokeCBS GOLDEN HOUR OF FAVOURITE TV THEMES (1976); •extract
HOLLYWOOD SvTV1, Sep. 1988.
KRAFFT-LORTZING CARL (n.d.) The Grand Duke March. Modern March Album
ELondon: Bosworth (1908).
KUHNAU, JOHANN (1710) Der Streit zwischen David und Goliath. Sechs biblische Historien; xtr. EKIVY
(1984:160-169).
L
L.A. CONFIDENTIAL (1997) Regency/Warner Curtis Hanson v Warner SO 14913, 1998
g Jerry Goldsmith.
L.A. LAW (1986) Steve Bochco/C20 Fox TV SvTV, Dec (1987 g Mike POST.
LAI, FRANCIS (1970)Love StoryParamount MOVIE MASTERS (1976).
LAINE, FRANKIE (1952) High Noon (Tiomkin) Columbia DB 3113.
— (1953) Where The Wind Blows Philips PB 167.
— (1954a) Blowing Wild Philips PB 207.
— (1954b) Granada (A Lara) Philips PB 242.
— (1954c) The Kid’s Last Fight Philips PB 258.
— (1955a) Cool Water (B Nolan) Philips PB 465.
— (1955b) Strange Lady in Town (Tiomkin, N Washington) Philips PB 478.
— (1956a) Sixteen Tons (M Travis) Philips PB 539; +>FORD, T E. Merle Travis, 1947.
— (1956b) Moonlight Gambler (B Hilliard, P Springer) Philips PB 638.
— (1959) Rawhide (Tiomkin, Washington) Philips PB 965; +>WRAY, L.
— (1961) Gunslinger Philips PB 1135.
— (1974) Blazing Saddles g J MORRIS Mel Brooks Warner.
LANGEY, OTTO (n.d.) Agitato #3. FILMMUSIK (1982).
— [Compositions ERAPÉE (1924)] •Agitato #3 •Hurry #2 •Misterioso #1 •Agitato Misterioso •In A Chinese Tea-
Room •Indian Agitato •Among The Arabs •Pathetic Andante #1.
LARA, AUGUSTÍN. Grenada >LAINE, F 1954.
LAUPER, CYNDI (1984) Girls Just Want To Have Fun Portrait A 3943.
LED ZEPPELIN (1969) Whole Lotta Love. Led Zeppelin II Atlantic 2401-002.
— (1971) Black Dog. Led Zeppelin IV Atlantic 50008.
LEGRAND, MICHEL (1964) Mon amour, ne me quitte pas! (‘I Will Wait For You’) from Les Parapluies de
Cherbourg Bernard Evein Parc/Madeleine/Beta Philips 77.233.
— (1968) ‘Windmills Of Your Mind’. Thomas Crown Affair Mirisch/UA Norman Jewison
Movie Memories. Music For Pleasure MFP 50438 (1973).
LEGRAND, MICHEL; LAI FRANCIS (1981) Les uns et les autres Ciné Music Pro Culture PPC-26002.
LEHRER, TOM (1953) Irish Ballad Songs and More Songs by Tom Lehrer, Rhino 72776 (1997)]
LEON (1994) Touchstone. v Touchstone VFB 14232, 1994 g Eric SERRA Luc Besson.
LEONCAVALLO, RUGGIERO (1892) Pagliacci ENew York: Dover, 1993 (reprint).
LIEBER AND STOLLER: Keep Forgetting >JACKSON, C.
Lilliburlero (Fr. Trad.) as used in BBC World War 2 broadcasts
|www.whirligig-tv.co.uk/radio/lilliburlero.wav|(030731).
LISZT, FERENC (1839) Au lac de Wallenstadt. Années de Pèlerinage II ENew York: Schirmer (1909:9-12).
— (1850b) Liebesträume #3 Magyar Zene Qualiton Lemezen. Qualiton MMX 2577 (1971). Gábor Gabos:
piano. Also on [1] The Romantic Piano, Musica Viva 1015 (1987); [2] Classically Romantic
Piano, Michelle Audio 422 (1994); [3] Piano by Candlelight, Madacy 8709 (1994).
— (1860) Les funérailles Arrau: Liszt - Apres une Lecture du Dante… Philips 6514 273.
LIVINGSTON, JAY (1959) Bonanza NBC GOLDEN HOUR OF FAVOURITE TV THEMES (1976).
THE LITTLE HOUSE ON THE PRAIRIE (1974) NBC g David ROSE.
LLOYD, A L (ed (1978). Come All Ye Bold Miners E London: Lawrence & Wishart, 2nd ed. (1pub 1952).
LLOYD, A L & ARETZ, ISABEL (eds (1965) Folk Songs of the Americas. New York: Oak / UNESCO.
•The Wife of Usher's Well (USA):46; •El cura no va a la iglesia (Mexico):108; •Malhaya la cocina
(Mexico):111; •Las olas de la laguna (Mexico):114; •Cajeme (Mexico):116; • Tono de Velorio de Cruz

List of Musical References — M Ten Little Title Tunes 841
(Venezuela):186; • El mampulorio (Venezuela):190; • Sanguéo (Venezuela): 195; • Triste vida é do marujo
(Brazil):210; • Canto para cosechar la papa (Bolivia):232; • Dejenme paso que voy (Chile):242; • Ingrato,
ya no me quieres (Chile):245; • En la cordillera llueve (Chile):247; • Ahora voy a cantarles
(Argentina):262; • Cansado estoy de vivir (Argentina):263
LLOYD, A L & VAUGHAN WILLIAMS, RALPH (ed. 1959) The Penguin Book of English Folk Songs
ELondon: Penguin.
LOCAL HERO (1983) Celandine Films/Enigma/Goldcrest/Warner Bill g Forsyth Marc KNOPFLER.
LOCHLAINN, COLM > O’ O’LOCHLAINN.
LOEWE, FREDERICK (1969)Wandrin’ Star (fr. PAINT YOUR WAGON) MOVIE MASTERS (1976) +>MARVIN, L.
LOGGINS, KENNY (1984) Footloose CBS A 4101.
LOLITA (1997) AMLF/Mario Kassar/Pathé Adrian Lyne Ch4 010918 g MORRICONE.
LOMAX, ALAN (ed (1964). The Penguin Book of American Folk Songs ELondon: Penguin
•Old Blue p.42 •Pretty Polly p.44 •Wake Up, Darlin’ Corey p.53 •Nobody Knows the Trouble I See p.80
•Go Down, Moses p.82 •The Sioux Indians p.100 •The Dying Cowboy p.108 •I’m a-Ridin’ Old Paint p.109
•Frankie and Johnny p.121 •St. James Infirmary p.134.
THE LONE RANGER (1949) ABC g ROSSINI (1829).
LULLY, JEAN-BAPTISTE (1684) Bois épais (‘Lonely Woods’), aria from Amadis ELondon: Novello (n.d.).
LYNN, PAT. n.d. Theme For Patricia (intimate, warm, romantic, melodic with piano as lyrical solo instrument)
Background Music for Home Movies Folkways FX 6111.
LYNYRD SKYNYRD (1973) •Sweet Home Alabama > LYNYRD SKYNYRD (1998).
— (1976) Gimme Back My Bullets MCA 2170.
— (1998) The Essential Lynyrd Skynyrd MCA MCD 11807.
M
MAALOX ANTACID (1989) ‘Where does it hurt?’ New York, 1988.
MACCHI, EGISTO (1977) Padre Padrone P & V Taviani RAI RCA 33207.
MALAGUEÑA SALEROSA (n.d.) ENew York: Hansen, 1972 (Mexican trad., arr. J Snyder) CUGAT, 1963.
THE MAGNIFICENT SEVEN (1960) United Artists. v MGM/UA SO 51563, 1993.
g Elmer BERNSTEIN John Sturges.
THE MAN FROM U.N.C.L.E (1962) NBC/MGM/Arena g Hugo MONTENEGRO.
MANCINI, HENRY (1958) Peter Gunn ABC/Spartan TELEVISION’S GREATEST HITS, 2; +>EDDY.
— (1963) The Pink Panther GOLDEN HOUR OF FAVOURITE TV THEMES (1976)
TELEVISION’S GREATEST HITS, 2.
— (1967) Arabesque TERZO UOMO •Titles •We’ve Loved Before •Chase At The Zoo.
— (1971b) Cade’s County GOLDEN HOUR OF FAVOURITE TV THEMES (1976).
— (1982) Remington Steele NBC/MTM Cops and Private Eyes, Silva Screen PTD 3004, 1991.
MANDELL, JOHNNY (1958) Barbara’s Theme (I Wanna Live!) Robert Wise UA UA 4005/5005.
MARIACHI SOL (1993) Mexico Lindo ARC Music EUCD 1249.
MARKOWITZ, RICHARD (1961) The Rebel/Johnny Yuma ABC/Goodson-Todman
TELEVISION’S GREATEST HITS, 2.
MARTIN, DEAN (1958) Volare (Nel blu di pinto di blu) (D Modugno, F Migliacci) Capitol 4028.
MARVIN, LEE (1969) (I Was Born Under A) Wand’rin’ Star (fr. ‘Paint Your Wagon’) gF Loewe Paramount)
MOVIE MASTERS Paint Your Wagon Paramount PARA 3004, 1970.
MATLOVSKY, SAMUEL (1989). Philip Marlowe, Eye Private EJon Slam Music. SvTV 1989.
MAYFIELD, PERCY Hit The Road, Jack >CHARLES, RAY (1962).
MAY, BRIAN See QUEEN; PARTY AT THE PALACE.
MCGLENNON, FELIX (1895) The Bachelor’s Club ELondon: Ascherberg, Hopwood and Crew.
THE MCLAUGHLIN GROUP (1981) US world affairs programme 1988.
THE MEANING OF LIFE (1983) >MONTY PYTHON’S THE MEANING OF LIFE.
MECO (1978) Star Wars RCA 13043.
MEDIA MUSIC – THE PROFESSIONAL – SAMPLER (1987) Capitol Production Music PROSE 1000.
MEDIA MUSIC – THE PROFESSIONAL (1988) Capitol Production Music, CDs 1-64.
MELBINGER, STEFAN (1983) Der Fahnder Bavaria Film/Werner Masten TV3, 1989.
MENDELSSOHN-BARTHOLDY, FELIX (1834) On Wings Of Music/On Wings Of Song
ESONGS THAT WILL LIVE FOR EVER ETWENTY-SIX CLASSICAL SONGS.
— (1840) Lobgesang (Symphony #2, Op. 52 #6) Naxos 8.553522.
— (1842) Lieder ohne Worte (1828-1842) ELondon: Novello, 1898 (ed. Karl Klindworth).
— (1843) Wedding March from A Midsummer Night’s Dream (1843) ELondon: Paxton (1899, arr. C W
Pearce); ERAPÉE (1924: 671).

842 Ten Little Title Tunes M — List of Musical References
— [1903] By Celia’s Arbour. Golden Treasury of Song, Vol 1 ELondon: Boosey & Co., 1903.
— [1924] Funeral March (Op.62 #3) ERAPÉE (1924: 163).
— [n.d.] ETWENTY-SIX CLASSICAL SONGS •O For The Wings Of A Dove (Hear My Prayer) •The First Violet.
MENDOZA, DAVID; AXT, WILLIAM (1926) Don Juan - Overture (Warner) Fifty Years of Film (1973).
THE METHODIST HYMNBOOK (1933) ELondon: Methodist Publishing House.
•I Heard The Voice Of Jesus Say – Kingsfold (Trad. Eng. arr. H P Allen) #154 •Forty Days And Forty
Nights – Heinlein (M. Herbst) #165 •Tallis Cannon (T TALLIS) #943 •Havergal in E – Psalm 148, Canticle
#63.
MIAMI VICE (1985) Michael Mann/Universal; episode ‘Out Where The Buses Don’t Run’ SvTV1,
June 1988 g Jan HAMMER Miami Vice, MCA 252 493-1, 1985.
MIKE HAMMER (1983) CBS/Columbia. TV3, Sep1988 g Earle HAGEN COPS AND PRIVATE EYES.
MILLER, FRANK (1919) If You're Irish Come Into The Parlour (lyr. Shaun Glenville) ETHE GOOD OLD
DAYS SONG BOOK, p. 190.
MILLER, GLEN (AND HIS BAND) (1985) The Glenn Miller Story MCA 252 181-1
•Moonlight Serenade (1939) •St Louis Blues March •In The Mood.
MINNIE’S YOO HOO (1968) The Mouse FactoryDisney ANGELS AND 15 OTHER… (1977).
MINOT, ADOLF: Misterioso No 2 ERAPÉE (1924: 171).
MISS MARPLE (1984) BBC1 Danish TV, Jan 1987 g R R BENNETT.
THE MISSION (1986) Goldcrest Pictures, distr Warner SvTV2, 900224; + Widescreen v
Format
Warner SO 15031, g 1996 E MORRICONE Roland Joffé.
MISSION IMPOSSIBLE (1966) CBS g TV Lalo SCHIFRIN.
MODERN MARCH ALBUM (1908) ELondon: Bosworth.
MODERN TIMES (1936) Charlie g Chaplin C CHAPLIN, D RAKSIN.
MODUGNO, DOMENICO (1958) Dean MARTIN (1958) GIPSY KINGS (1989).
MONROE, BILL & HIS BLUE GRASS BOYS. n.d. Blue Grass Style Vocalion VL 73870
•Cry Cry Darlin’ •Roade County Prison.
MONROE, VAUGHN (1948) Cool g Water B Nolan RCA Victor 2923.
— (1949) (Ghost) Riders in the g Sky S Jones 78 RCA Victor 3411 45 RCA Victor 2902.
MONTENEGRO, HUGH (1964) The Man from U.N.C.L.E. NBC/MGM/Arena
This is Cult Fiction, Virgin VTCD 59 PM 527, 1995.
MONTEVERDI, CLAUDIO (1624) Il combattimento di Tancredi e Clorinda ELondon: OUP.
MONTY PYTHON’S FLYING CIRCUS (1969) BBC1 ‘Liberty g Bell’ J-P Sousa (arr. Bashford, Horricks)
IBand of the Grenadier Guards TOP TV THEMES THE WORLD OF TV THEMES.
— (1969-71) Various sketches, incl. Musical Mice, Realist Playwright with Miner Son, Belief as Boxing,
The Larch, Bicycle Repair Man, Confuse-A-Cat, Colin Mozart BBC SvTV1 1990.
— (1969-75) The Final Rip Off. Virgin MPD1 (compilation, 1987).
— (1974) Monty Python and the Holy Grail (1974) Cinema 5/Python v Pictures. CBS/Fox Video
2146, g 1989 Neil Innes (songs), De Wolfe Music (underscore) Terry Gilliam & Terry Jones
‘The Album of the Soundtrack of the Trailer of the Film of Monty Python and the Holy Grail, recorded
live at the Classic, Silbury Hill’, Arista AL 4050, 1975.
MOORE, CHARLIE; NAPIER, BILL (n.d., c.1968) Country Music Goes to Viet Nam King 982
MOREY, LARRY & CHURCHILL, FRANK MOREY (1937) Someday My Prince Will Come. Snow White and
the Seven Dwarfs Disney.
MORLEY, THOMAS (1594a) Die now my heart ETHE PENGUIN BOOK OF ENGLISH MADRIGALS.
— (1594b) Fire fire! My E heart INVITATION TO MADRIGALS, 8.
MORODER, GIORGIO (1986a) Wings To Fly American Anthem Atlantic 781 661-1.
— (1986b) Top Gun CBS 70296.
MORRICONE, ENNIO (1962-64) La grande orchestra di Ennio Morricone RCA 74321 18692-2, 1994.
— (1963) Duello nel Texas Riccardo Blasco MORRICONE (1990a).
— (1964a) Le pistole non discutono Mario Caiano MORRICONE (1990a).
— (1964b) Per un pugno di dollari/For a Fistful of Dollars Sergio Leone;
various tracks incl. MORRICONE (1975a, 1988a, 1988b, 1990a).
— (1965) Per qualche dollari in più/For A Few Dollars MoreSergio Leone; various tracks incl.
MORRICONE (1975a, 1988a, 1988b, 1990a).
— (1966a) Una pistola per Ringo/A Gun for Ringo Duccio Tessari MORRICONE (1975a, 1988a).
— (1966b) Il buono il brutto il cattivo/The Good, the Bad and the Ugly Sergio Leone
vWarner MGM/UA PES 99225, 1987 UA UAS 5172, 1967.
— (1966c) La battaglia di Algieri/The Battle of Algiers Gillo Pontecorvo MORRICONE (1988b).
— (1966d) Svegliati e uccidi/Wake Up and Die Carlo Lizzani MORRICONE (1980a).
— (1967a) Escalation Roberto Faenza MORRICONE (1988b).

List of Musical References — M Ten Little Title Tunes 843
— (1967b) La resa dei conti/The Big Gundown Sergio Sollima MORRICONE (1978b, 1988a, 1988b)
ZORN (1986).
— (1968) C’era una volta il westSergio Leone vParamount Karussel 631944 3, 1995 RCA OLS 3.
— (1969) Indagine su un cittadino al di sopra di ogni sospettoElio Petri Antenne 2, 1977.
Indagine…/Il giocattelo, Cinevox CIAK CIA 5086, 1991; POLICE MOVIES.
— (1970) Il clan dei siciliani/The SiciliansHenri Verneuil vCBS/Fox All Time Greats 1162, 1990a
MORRICONE (1980c).
— (1971a) Città violenta Sergio Sollima MORRICONE (1980c).
— (1971b) Sacco e Vanzetti Giulano Montaldi RCA NL 33206, 1978.
— (1971c) Tre donneRAI TV Alfredo Giannetti •Canzone senza parole Il bandito dagli occhi azzuri/Correva
l'anno di grazia 1870 CAM 493474-2 MORRICONE (1980b).
— (1971d) Veruschka, poesia di una donnaFranco Rubartelli Point Records PRC 111, 1995.
— (1971e) Giù la testa/Duck! You Sucker! S Leone SvTV 1990a ZORN (1986).
— (1972a) Cosa avete fatto a Solange? Massimo Dallamano Intermezzo SP 8062.
— (1972b) Incontro/Encounter Piero Schivazappa CAM CSE 057, 1991.
— (1974) Milano odia : la polizia non può sparare/Almost Human (a.k.a. The Kidnap Of Mary Lou)
Umberto Lenzi Il giustiziere/La polizia non può sparare, RCA OST 123, 1994.
— (1975a) Film Favourites – Ennio Morricone RCA HY 1007.
— (1975b) Per le antiche scale/Down the Ancient StaircaseMauro Bolognini MORRICONE (1980a).
— (1976a) Novecento Bernardo Bertolucci RCA TBL 1-1221.
— (1976b) Mosé/Moses Gianfranco De Bosio RCA Cinematre NL 31106, 1980.
— (1978a) Il prefetto di ferro Pasquale Squitieri MORRICONE (1980a).
— (1978b) I Western di Ennio Morricone, vol.2 RCA NL 33066.
— (1979) Ogro G Pontecorvo CAM Phoenix PHCAM 04, 1984 •Atto di dolore MORRICONE (1980a).
— (1980a) Colonne sonore di Ennio Morricone, vol 3 RCA NL 33162.
— (1980b) Scacchiera musicale CAM/Orizzonte ORL 8405.
— (1980c) Città violenta/Il clan dei siciliani RCA NL 33221.
— (1980d) La vera storia della camelie/Lady of the camelias Mauro Bolognini RCA PL 30080.
— (1982) Marco Polo RAI B Bertolucci, G Montaldo SvTV Ariola 204699.
— (1983) Nana Dan Wolman Cinevox MDF 33161.
— (1984) C’era una volta l’America/Once Upon a Time in America S Leone Mercury 818 697-1.
— (1986) The Mission Roland Joffé vWarner Brothers SO 15031, 1996 Virgin V2402.
— (1987) Rampage W Friedkin vCBS/Fox 5169, 1989 Virgin Movie Music 208609-630, 1988.
— (1988a) Ennio Morricone – Film Hits RCA ND 70091.
— (1988b) For A Few Dollars More – For A Fistful of Dollars RCA ND 70391.
— (1989) Casualties of War Brian De Palma CBS 466016 2.
— (1990a) Legendary Italian Westerns (The Film Composers Series, Volume 2) RCA ND 90526.
— (1990b) Hamlet Warner/Nelson Franco Zeffirelli Virgin Movie Music 3010.
— (1995) Disclosure Barry Levinson Movie Music CDVMM 16/Virgin 7243 8 40220 2 0 LC 3098.
— (1997) Lolita Adrian Lyne Ch4 010918 Milan Records 35840, 1998.
MORRIS, JOHN (1987) Spaceballs Mel Brooks vMGM/UA/Esselte.
— (1974) Blazing Saddles Warner Mel Brooks SvTV vFrankie LANE.
MOSZKOWSKI, MORITZ (1876) Spanish Dances ERAPÉE (1924:447-452).
MOVIE MASTERS (1986) ABC ABCL 5205.
MOVIE MEMORIES (c1976) Music For Pleasure MFP 50438.
MOZART, WOLFGANG AMADEUS (1779) Sinfonia Concertante for Violin & Viola in E major, K 364 ELondon:
Eulenburg, 1935 IAcademy of St. Martin-in-the-Fields Decca Serenata SA 17, 1982.
— (1785) Piano Concerto 21 in C Major, K467 – ‘The Elvira Madigan’ Mozart Piano Concertos 21 and
26, Philips 6527 147, 1982.
— (1786) Le nozze di Figaro, K492 ELeipzig: VEB Breitkopf, 1986 (ed. H Levi, P Klengel).
— (1787a) Don Giovanni, KV 527 ELeipzig: Edition Peters.
— (1787b) Als Luise die Briefe ihres ungetreuen Liebhabers verbrannte, K.520
Mozart Songs, Hyperion CDA66989, 1997.
— (1788) Symphony #40 in G Minor, K550 ELondon: Eulenburg, 1930 CBS Masterworks MDK
44649, 1981 Lufthansa TWENTY-FIVE TV COMMERCIAL CLASSICS.
— (1791a) Concerto for Clarinet and Orchestra in A major, K622 (2nd mvt) Out of Africa BARRY
(1986) Padre Padrone MACCHI (1977).
— (1791b) The Magic Flute (vocal score) ENew York: Dover. http://store.doverpublications.com/0486413853.html

844 Ten Little Title Tunes N — List of Musical References
— (1791c) Ave verum corpus. The Oxford Easy Anthem Book ELondon: OUP, 1957.
— (n.d.) A Musical Joke. Horse of The Year BBC, 1973 SPORTING THEMES TOP TV THEMES.
MURDER SHE WROTE (1984) CBS/Universal/Levinson: episode ‘The Surrealist Mystery’
SvTV 1990 g John Addison.
MUSIC FROM THE GALAXIES (1981) Start Digital Stereo LP.S 40134.
MULLIGAN, GERRY (1958) Barbara’s Theme (Mandell) from I Wanna Live! UA 4005/5005.
MUSSORGSKY, MODEST (1863) Notch na lysoi gore / Night on the Bare Mountain (arr. Rimsky Korsakov,
1886) ELondon: Eulenburg Rostropovitch Conducts, EMI ASD 3421, 1978.
— (1874) Pictures at an Exhibition/Bilder einer Ausstellung EMainz, Schott
(arr. M Ravel) Naxos 8.550051.
N
NASH, GRAHAM. Wings To Fly AMERICAN ANTHEM.
NATIONAL ANTHEMS (n.d.) Laserlight Digital 15 155.
NATIONALTEATERN (1978) Barn av vår tid. Nacksving 031-16.
NEGLIN, ANDERS (1989). Roland Hassel SvTV detective series.
NELSON, TERRY WITH ‘C’ COMPANY (1968?) The Battle Hymn of Lt. Calley : Wake Up America. Plantation
Records PLP 15.
NELSON, WILLY (1961) Crazy vPatsy CLINE Decca 31317.
NEWMAN, ALFRED (1939) The Hunchback of Notre DameRKO William Dieterle
SvTV1 March 1987.
— (1962) How The West Was WonMGMLES PLUS CELÈBRES MUSIQUES DE FILM.
THE MIDIGHT CALLER (1988) (USA 1988-91) Rob Bowman SvTV1 g 1989 Brad FIEDEL
Cops and Private Eyes, Silva Screen PTD 3004, 1991.
NIGHT MAIL (1936) British Lion for GPO Films Herbert Smith, Harry Watt, Basil Wright
Benjamin BRITTEN.
g
NINE TO FIVE (1980) C20 Fox/Bruce Gilbert/IPC Colin Higgins BBC1 010826.
Dolly Parton (songs), Charles Fox (score).
g
NIRVANA (1991) Never Mind. Geffen GED 24425 •Smells Like Teen Spirit •Lithium.
NITZSCHE, JACK (1975) One Flew Over The Cuckoo’s Nest UA Milos Forman Fantasy F-9500
•One Flew Over The Cuckoo’s Nest - Opening Theme •Charmaine (RAPÉE) •Medication Waltz.
NIX, DON (1971) Goin’ Down. In God We Trust Shelter SHE 8902.
NORMAN, MONTY (1962) Theme from Dr No BARRY (1975).
NORMANN, ERIK (1908) Marche cosmopolitaine EModern March Album. London: Bosworth, 1908.
NORTH, ALEX (1951) A Streetcar Named Desire Warner/Charles K Feldman Elia Kazan &&Ch4
May 1995 FIFTY YEARS OF FILM MUSIC.
— (1966) Who’s Afraid Of Virginia Woolf? Warner Mike Nichols FIFTY YEARS OF FILM MUSIC.
— (1975) Rich Man, Poor Man ABC/Universal MCA- 2095, 1976.
NORTH BY NORTHWEST (1959) MGM Alfred g Hitchcock Bernard HERRMANN BBC 2000
ILondon Symphony Orchestra CLaurie Johnson Unicorn-Kanchana DKP 9000, 1980.
NOVECENTO – PRIMA PARTE/SECUNDA PARTE (1976) Produzione Europee Associate Bernardo
g Bertolucci Ennio MORRICONE SvTV RCA TBL 1-1221.
NOW VOYAGER (1942) Warner Irving g Rapper Max STEINER FIFTY YEARS OF FILM (xtr).
NYHETER (1988) TV3 880930.
NYNNINGEN (1974) Nynningen MNW 45P.
— (1976) Äntligen en ny dag! Nacksving 031-4.
O
AN OFFICER AND A GENTLEMAN (1982) Lorimar/Paramount Taylor Hackford g Jack Nietzsche
(Drill Sergeant Foley played by Lou Gossett, Jr.).
OLDIES BUT GOODIES, VOLUME 1 (1988) Success 2117.
OLDIES BUT GOODIES, VOLUME 2 (1988) Success 2118.
OLDIES BUT GOODIES, VOLUME 3 (1988) Success 2119.
OLDIES BUT GOODIES, VOLUME 4 (1988) Success 2120.
OLOCHLAINN, COLM (ed. 1978) Irish Street Ballads ELondon: Pan Dublin: Three Candles, 1939.
ONCE UPON A TIME IN THE WEST (1969) Paramount/Rafran/San Marco Sergio Leone
g Ennio MORRICONEv Paramount Karussel 631944 3, 1995.

List of Musical References — P Ten Little Title Tunes 845
ONE FLEW OVER THE CUCKOO’S NEST (1975) Milos Forman/Fantast/UA Milos Forman
Jack NITZSCHE.
g
O’NEILL, CAPTAIN FRANCIS (ed.1903) O’Neill’s 1001 Jigs, Reels, Hornpipes, Airs and Marches EDublin:
Waltons, 1986.
ON THE WATERFRONT (1954) Columbia Elia g Kazan Leonard BERNSTEIN
Columbia Tristar CVR 30017, 1995.
v
ORBISON, ROY (1961) Crying The Best of Roy Orbison, Arcade LSP 13158, 1973.
L’OURS (1988) Renn/AMLF Jean-Jacques g Annaud Philippe
v
SARDE
Tri-Star Columbia CVR 21746, 1990.
OVISSHETENS TIDEVARV (1979) TV documentary SvTV1 790819.
OWENS, BUCK (1972) Buck Owens And His Buckaroos EMI 22-1 E 048-50716.
P
PADRE PADRONE (1977) RAI Paolo & Vittorio g Taviani Egisto MACCHI SvTV2 March 1987.
PAINT YOUR WAGON (1969) Paramount Joshua Logan •Wandrin’ g Star LOEWE vMARVIN.
PALMER, ROY (1977 ed.) The Rambling Soldier ELondon: Penguin.
— (1998 ed.) A Book of British Ballads EFelinfach: Llanerch Publishers.
PANTÈNE PRO PLUS (2003). Shampoo advert Channel 10, Vidéotron cable TV, Montréal.
LES PARAPLUIES DE CHERBOURG (1964) Madeleine-Parc-Beta Jacques g Demy Michel LEGRAND
Tartan Video TVT 1278, 1997.
v
PARKER, ALAN (1975) Angels BBC ANGELS.
PARKER, CHARLIE (1945-47) Charlie Parker Anthology (compilation c1984) America 3LP 008-009.
PARKER, JOHN C (1971) Cannon CBS/Quinn Martin Television’s Greatest Hits In Living Color,
TVT 0022742CIN, 1996.
PARKER, RAY, JR (1984) GhostbustersArista ARI 90106.
THE PARLOUR SONG BOOK (1972) ELondon: Pan Books.
PARRY, C HUBERT H (1880) Repton ECongregational Praise, 1950: 442 # 408.
— (1916) Jerusalem Chariots of Fire, Polydor 2383 602 (VANGELIS 1981) WARTIME MEMORIES.
PARTY AT THE PALACE (2002). Coronation Jubilee pop concert in Buckingham Palace Gardens. BBC
DVD ISBN OA0845D.
PATTON (1969) C20 Fox Franklin J g Schaffner Jerry
v
GOLDSMITH
Fox Video All Time Greats (War) 1005, 1993.
PEARL JAM (1991) Jeremy Ten, Columbia 47857.
PEARSON, JOHNNY (1977) All Creatures Great and SmallBBC Rampage RAMP 1, 1978.
PEERSON, MARTIN (1620) Lock up, Fair Lids EINVITATION TO MADRIGALS, 2 .
PEETERS, FLOR (1935) Toccata, fuge et hymne sur ‘Ave maris stella’ pour orgue
EParis/Bruxelles: Henry Lemoine.
THE PENGUIN BOOK OF AMERICAN FOLK SONGS (1964, ed. A Lomax) ELondon: Penguin.
THE PENGUIN BOOK OF ENGLISH FOLK SONGS (1959, ed. R Vaughan Williams & A L Lloyd)
ELondon: Penguin.
THE PENGUIN BOOK OF ENGLISH MADRIGALS (1967, ed. Denis Stevens) ELondon: Penguin.
PER QUALCHE DOLLARI IN PIÙ (1965) REA Films Sergio g Leone Ennio MORRICONE .
PERRY, JIMMY (1969) Who Do You Think You’re Kidding Mr Hitler? v FLANAGAN, BUD
PERRY MASON (1957) CBS/Paisano g Fred STEINER TELEVISION’S GREATEST HITS [1].
PERRY MASON RETURNS (1985) NBC/Viacom/Intermedia/Strathmore SvTV2 Oct 1987.
PHELOUNG, BARRINGTON (1981) Inspector Morse Central/ Zenith/ITV SvTV1 Oct 1987
Virgin VTCDX2 724384086022.
PHILIP, HANS-ERIK (1980) Babels Hus SvTV Sonet SLP-2678, 1981.
PHILIPS, S; LARSON, GLEN A (1976) Quincy, M.E. Universal/Glen A Larson
TELEVISION’S GREATEST HITS 70S & 80S.
PIAF, ÉDITH (1960) Non, je ne regrette rien g Charles Dumont >PIAF (1993).
— (1993) Édith Piaf – 30ème anniversaire EMI 827 0972.
PICK-MANGIAGALLI, RICARDO (1923) Notturno, Op. 28 #1 EMilano: Ricordi.
PINK FLOYD (1973)The Dark Side of the Moon Harvest SHVL 804.
— (1975) Wish You Were Here Harvest SHVL 814.
LESPLUSBELLESCHANSONSDE 1900 À 1940 (c1976) EParis: Editions Paul Besucher Arpège.
LES PLUS CELÈBRES MUSIQUES DE FILM (c1979) MGM 2624 011.
POISON (1985) Cry Tough Look What The Cat Dragged In. Capitol C2-46735 Super Channel, Head-

846 Ten Little Title Tunes Q — List of Musical References
bangers’ Ball, 1987.
POLICE MOVIES (1978) Cinevox CIA 5027 (distr. Ricordi).
POLICE WOMAN (1975) NBC/Columbia/David g Gerber Mort STEVENS Sky Channel, Jan 1987.
POPEYE DOYLE (1986) C20 Fox Peter Levin SvTV2 Apr g 1987 Brad FIEDEL.
POPULAR MUSIC IN JACKSONIAN AMERICA (1982) IThe Yankee Doodle Society CJoseph Byrd
Musical Heritage Society MHS 834561.
PORTER, COLE (1944) Don’t Fence Me In EWarner vBing Crosby, Andrews Sisters Stardust – The
Classic Decca Hits & Standards (Various Artists) Uni/MCA B000002OTX vElla Fitzgerald
The Cole Porter Songbook, Volume 2, Verve 8219902, 1984.
PORTISHEAD (1997) Western Eyes. Portishead Go Beat 314-359 189-2.
POST, MIKE (1974) Rockford Files [1] POST (1982); [2] ANGELS & 15 OTHER…
[3] TELEVISION’S GREATEST HITS 70S & 80S.
— (1977) School’s Out ‘Richie Brockelman, Private Eye’ .POST (1982).
— (1980a) P.I. Magnum [1] POST (1982); [2] TELEVISION’S GREATEST HITS 70S & 80S
[3] COPS AND PRIVATE EYES.
— (1980b) Hill Street Blues [1] POST (1982) [2] COPS AND PRIVATE EYES
[3] TELEVISION’S GREATEST HITS 70S & 80S.
— (1982) Television Theme Songs – Mike Post Elektra K52372.
— (1986) L.A. Law [1] TELEVISION’S GREATEST HITS 70S & 80S. [2] COPS AND PRIVATE EYES.
— (1993) NYPD Blue LES MEILLEURES SÉRIES TV DU CABLE ET DU SATELLITE.
PRADO, PEREZ ‘PREZ’ (1959) Patricia RCA Victor 47-7245 PRADO (1989).
— (1989) Perez ‘Prez’ Prado, King of Mambo (1957-67) RCA ND 90424.
— n.d. •Cucara, cha cha cha (P Villa, P Prado, T Vargas) CIELITO LINDO.
PRESLEY, ELVIS (1956) Hound Dog HMV POP 213.
PROCOL HARUM (1966) A Whiter Shade Of PaleRegal Zonophone LRZ 1001
Sixties Beat, Dino Entertainment DINCD 42, 1992.
— (1970) A Salty Dog Regal Zonophone SLRZ 1009 West Side WESM 534, 1999
•A Salty Dog •Pilgrim’s Progress
THE PRODUCERS (1968) Columbia/Avco-Embassy Mel g Brooks John Morris TV3 881016.
THE PROFESSIONALS (1978) LWT/Avengers Super Channel Oct. g 1987 Laurie JOHNSON.
PROKOFIEV, SERGEI (1936)Peter and the Wolf, Op. 67 ELondon: B&H, 1942
Concertgebouw Orchestra CBernard Haitink, Philips 6599 436, 1974.
— (1938) Alexander Nevsky Sergei Eisenstein Mosfilm SvTV2 August 1979.
PSYCHO (1960) Shamley/Paramount Alfred Hitchcock gBernard HERRMANN.
PUCCINI, GIACOMO (1904) Madame Butterfly ENew York: Dover, 1990 (full score).
PUEBLA, CARLOS (1978) Y en eso llego Fidel Musica Cubana, Caprice CAP 2008.
THE PUFFIN SONG BOOK (1956, ed. Leslie Woodgate) ELondon: Penguin.
PULP (1998) This is Hardcore Island 314 532 492-2 (sample from P THOMAS, 1966).
PURCELL, HENRY (1682) Hear My Prayer O Lord (anthem) ELondon: Novello (n.d.).
— (1689) Chaconne in G Minor IIl Giardino Armonico Musica Barocca 8573 85557 2, 2002.
— (1690) Dido and Aeneas ELondon: Novello, 1887.
Q
QUADROPHENIA (1979) Who Films. v PolyGram 084 808 3, 1986 g The Who Franc Roddam.
QUEEN (1975) A Night at the Opera EMI EMTC103 •Bohemian Rhapsody •God Save The Queen.
— (1980) Flash GordonMichael Hodges EMI/Famous/Sterling/De Laurentiis
EMI 1A 062 64203, 1980.
QUINTETO PUERTORIQUEÑO (1984) Que bonita bandera (Silvio Pérez) APRIL IN MANAGUA.
R
RACHMANINOV, SERGEI (1901) Piano Concerto #2 in C minor, Op.18. Naxos 8.550117, 1988; also
Tschaikovsky/Rachmaninoff Klavierkonzert, Fontana S 700 185, 1969; featured in BRIEF
ENCOUNTER David Lean, 1945 and The Seven Year Itch C20 Fox, 1955.
— (1934) Rhapsody on a Theme of Paganini, Op .43 The Story of Three Loves UK, 1953 BIG CON-
CERTO MOVIE THEMES RACHMANINOV (1901).
RADIOHEAD (1995) The Bends Parlophone 7243 8 29626 2 5.
— (1997) OK Computer Capitol 7243 8 55229 2 5.

List of Musical References — R Ten Little Title Tunes 847
— (2001) Amnesiac Capitol 32764.
RAGE AGAINST THE MACHINE (1992). Rage Against The Machine. Epic ZK 52959.
RAINGER, RALPH (1930) Moanin’ Low (voc. Libby Holman) Those Wonderful Thirties. Decca DEA 7-2
(1974); also in Key Largo John Huston Warner (1948) FIFTY YEARS OF FILM.
RAMALHO, ELBA (1985) Palavra de mulher (a.k.a. Eu vou g voltar) Chico Buarque
Malandro, Fonobras 29 010 519.
RÁKÓCZY MARCH. n.d. RAPÉE (1924:358).
RAKSIN, DAVID (1944) Laura Love Is For The Very Young (Warner) FILMMUSIK.
RAKSIN, DAVID & CHAPLIN, CHARLES (1936) The Factory Modern Times Chaplin FILMMUSIK.
RAMPAGE (1987) DEG/Laurentiis William Friedkin v CBS/Fox 5169, 1989 >g MORRICONE.
RANK XEROX BUSINESS NEWS (1988) &&Super Channel July 1988.
RAMRODS, THE (1961) (Ghost) Riders In The Sky (S JONES) Londn HLU 9282 Vaughn MONROE.
RAPÉE, ERNÖ (ed. 1924). Motion Picture Moods for Pianists and Organists ENew York: Schirmer; facsimile
reprint by Arno Press, New York (1974).
— (1926) Charmaine ENew York: Miller >ETIN PAN ALLEY
RAVEL, MAURICE (1905) Sonatine Pour Le Piano. Paris: Durand.
— (1908) Ma mère l’oye Classics for Pleasure CfP 40086 (n.d.).
— (1912) Daphnis et Chloë. Debussy/Ravel: La Mer, Daphnis…, CBS Odyssey MBK 44804, 1988.
— (1928) Boléro. Holst: The Planets. Ravel: Boléro, IOrchestre National de France CLorin Maazel
CBS Master works MDK 44781, 1981.
RAWHIDE (1958) CBS ‘Incident of the Running Iron’ Ch4 1996 g TIOMKIN.
REAVES, ERROLL; EVANS, TOLCHARD (n.d.) Lady Of Spain. New York: Sam Fox.
RECORDED MUSIC FOR RADIO, FILM AND TV: LIGHT ACTION. n.d. B&H SBH 2980.
•Nitter Natter (A Basil) – light, perky movement, animals, saucy, vivacious, children, playful laughter.
RECORDED MUSIC FOR RADIO, FILM AND TV: NATIONAL – RUSSIA. n.d. B&H SBH 2982.
RECORDED MUSIC FOR RADIO, FILM AND TV: ROMANTIC. n.d. B&H SBH 2984.
[All titles by Trevor Duncan xwos] •Amethysts For Esmeralda – rich, dreamy •Diadem For Deidre – nostalgic
•Francesca – tender, sad love theme •Romantic Journey – Melodic, romantic, sea, lake (Ernest Tomlinson)
•Girl In Blue – national, pastoral, romantic, sea, lake (Andrew Basil).
RECORDED MUSIC FOR RADIO, FILM AND TV: MARCHES. n.d. B&H SBH 2987.
•Proud Heritage (Cyril Watters)
RECORDED MUSIC FOR RADIO, FILM AND TV: NATIONAL – FRANCE AND MEDITERRANEAN. n.d. B&H
SBH 2989 •Wine Festival (Trevor Duncan).
RECORDED MUSIC FOR RADIO, FILM AND TV: PASTORAL. n.d. B&H, SBH 2991.
[All titles by Trevor Duncan]. •Saffron And Green •Greensward.
RESPIGHI, OTTORINO (1916) The Fountains of Rome - Poema sinfonico per orchestra. Milano: Ricordi.
Also on RESPIGHI (1924).
THE RETURN OF THE SAINT (1978) ATV (UK) episode ‘The Brave Goose’ SvTV1 790624.
RETURN OF THE SECAUCUS SEVEN (1980) Nelson/Aydelott/Libra/Salsipuedes/Specialty
John Sayles IIvarious artists gMason K Daring (score); only on vNTSC.
‘REVLON REVOLUTIONISES’ (1987) Super Channel Jan 1987.
RICHIE, LIONEL (1985) Hello. Back to Front Motown 530 018-2, 1992.
RIDDLE, NELSON (1959) The Untouchables ABC &&Sky One 1987.
— (1960) Route 66 TELEVISION’S GREATEST HITS, 2.
RIESENFELD, HUGO. Western Allegro ERAPÉE (1924: 667).
RIGUAL, LOS HERMANOS (n.d.) Cuando calienta el sol (Carlos & Mario Rigual). RCA Victor 47-9413
RIMSKY-KORSAKOV, NIKOLAI ANDREIVICH (1887) Capriccio Espagnol.
Rostropovitch Conducts, EMI ASD 3421, 1978.
RITCHIE, JEAN (n.d.) ‘Nottamun Town’ and ‘Love Is Teasing’ The Folk Box, Folkways (c1967).
RITTER, TEX (1952) Do Not Forsake Me O My Darlin’ HIGH NOON gTIOMKIN Capitol 2120.
ROCCO E I SUOI FRATELLI (1960) France/Italy Luchino Visconti g Nino ROTA
Cinematre/RCA NL 33215.
RODGERS, JIMMIE (1927) Train Whistle Blues RCA Victor LPM 1640, 1958.
— (1960) My Rough And Rowdy Ways RCA, LPM 2112 IDoc & Merle WATSON with Eric Weissberg
Ballads From Deep Gap, Vanguard VSD 6576, 1971.
RODGERS, RICHARD (1929) With A Song In My Heart ENew York: Harms Inc. Young Man With A
Horn (Warner, 1950). FIFTY YEARS OF FILM and FIFTY YEARS OF FILM MUSIC (1973).
— (1934) Blue Moon ENew York: Robbins.
— (1943) Oklahoma ENew York: Williamson Inc.
— (1960) Camelot ENew York: Chappell (vocal score) Warner, 1967

848 Ten Little Title Tunes S — List of Musical References
•Camelot •How To Handle A Woman FIFTY YEARS OF FILM, 1973.
RODRIGO, JOAQUÍN (1939) Concierto de Aranjuez IMelos Ensemble, Julian Bream (guitar) CColin
Davis Guitar Music, RCA LSC 2730-B, 1967 Miles DAVIS (1959).
ROLLING STONES, THE (1965) (I Can’t Get No) Satisfaction Decca F 12220 ROLLING STONES (1996).
— (1972) Brown Sugar. Sticky Fingers Rolling Stones 59100 ROLLING STONES (1996).
— (1974) Bitch. It’s Only Rock and Roll COC 59103.
— (1996) Hot Rocks 1964-1971 Abkco London 844 475-2.
ROSAS, JUVENTINO (1891) Sobre las olas ELLOYD & ARETZ (1965: 115).
ROSE, DAVID (1962) The Stripper MGM 13064.
— (1967) High Chaparral GOLDEN HOUR OF FAVOURITE TV THEMES (1976).
— (1974) The Little House On The Prarie GOLDEN HOUR OF FAVOURITE TV THEMES (1976).
ROSE, PETER DE (c1933) Deep Purple (quoted from memory) >HI-LO’S (1957).
ROSSINI, GIACCHINO (1829) William Tell (overture) ELondon: Eulenburg # EE 616 IChicago Symphony
Orchestra CF Reiner Rossini Overtures, RCA Gold Seal AGL 1-5210, 1959; with sound
effects The Lone Ranger ABC (1949-56) THEMES LIKE OLD TIMES, VOL 1. BRASSED OFF
(1996).
ROTA, NINO (1948) The Glass Mountain BIG CONCERTO MOVIE THEMES.
— (1960) Rocco e i suoi fratelli Cinematre/RCA NL 33215. (n.d.)
— (1962) 8½ Cinematre/RCA NL 33210. (n.d.)
— (1968) Romeo and Juliet: HATCH HIT THE ROAD TO THEMELAND (1974).
— (1972) Godfather The MOVIE MASTERS •Godfather’s Waltz (love theme) and •The Immigrant’s Theme
FILMMUSIK.
RÓZSA, MIKLÓS (1944) Double IndemnityBilly Wilder Paramount
Spellbound, RCA GL 43443, 1981.
— (1945) Spellbound Hitchcock Selznick •The Dream Sequence •The Mountain Lodge RCA GL
43443, 1981 •Spellbound Concerto BIG CONCERTO MOVIE THEMES.
— (1945) The Lost Weekend Billy Wilder Paramount •Dream Sequence FILMMUSIK (1982).
RUBINSTEIN, ARTHUR (1983) War Games Polydor 815005-1.
RULE BRITNNIA >ARNE, T A.
RUNDGREN, TODD (1975) Eastern Intrigue Initiation, Bearsville K55504.
RUSSELL, HENRY (1838) A Life On The Ocean Wave ETHE PARLOUR SONG BOOK; EHuntington: SONGS THE
WHALEMEN SANG ESONGS THAT WILL LIVE FOR EVER POPULAR MUSIC IN JACKSONIAN AMERICA.
— Ye Parliaments of England EHuntington: SONGS THE WHALEMEN SANG.
— Woodman, Spare That Tree ETHE PARLOUR SONG BOOK: 146.
THE RUTLES – ALL YOU NEED IS CASH (1978) Rutles Corps Eric IDLE & Gary g Weis Neil Innes
Telstar TVE 6003. v
S
SADLER, STAFF SERGEANT BARRY (1966) The Ballad of the Green Berets RCA 1506 (UK)
RCA Victor 47-8739 (USA)
SAFRONI, ARNOLD (William H Myddleton, 1913) Imperial Echoes (BBC Radio Newsreel signature)
|www.whirligig2.freeserve.co.uk/radio/radionewsreel.wav|(030731).
SAKOMOTO, RYUICHI (1983) Furyo/Merry Christmas Mr Lawrence Virgin V2276; also FILMTRACKS.
SARDE, PHILIPPE (1988) L’Ours Jean-Jacques Annaud GM Ariola 209446.
SATIE, ERIK (1898) Gymnopédies EParis: Baudoux. Gymnopédie #1 also as used [1] for tramp scene in BENNY
HILL SHOW, VOL 2; [2] to advertise Cadbury’s Bourneville Selection TWENTY-FIVE TV COMMERCIAL
CLASSICS; [3] on Blood Sweat and Tears, CBS CS 63504, 1969.
— (1913) Sur un vaisseau. Descriptions automatiques EParis: Demets.
SAUTER-FINNEGAN (n.d.) The Sound of the Sauter-Finnegan Orchestra RCA LPM 1009 (c1957 mono)
The Best of Sauter-Finnegan BMG DMC 12171 ABC Classic FM (Australia) 001231.
SAWTELL, PAUL (1942) Valley Of The Sun George Marshall GRK HOLLYWOOD.
— (1953) Arrowhead Charles Marquis Warren Paramount HOLLYWOOD.
SCARLATTI, DOMENICO (c1730) Twenty-Nine Sonatas (Book 1, ed T Dunhill) ELondon: Augener.
SCHESELONG (1986) Stinknormal Rock-Bilanz 1986, Amiga 8 56 238/239, 1987.
SCHIFRIN, LALO (1966) Mission Impossible CBS/Paramount (comeback 1988, underscores by Ron
Jones) This Is Cult Fiction, Virgin VTCD 59 PM 527, 1995.
SCHÖNBERG, ARNOLD (1909) Sommermorgen an einem See (Farben), #3 of Five Orchestral Pieces,
Op. 16 ENew York: C F Peters Corporation, 1952 CBS 76577.

List of Musical References — S Ten Little Title Tunes 849
SCHUBERT, FRANZ (1814-1825) Ausgewälte Lieder ESCHUBERT (n.d: 170-259)
•Erlkönig (1814) +ERAPÉE (1924:248) •An die Musik (1816).
— (1822) Die schöne Müllerin Op.25 ESCHUBERT (n.d: 4-53) Pilz Acanta 442115-2, 1988.
— (1827) Winterreise, Op. 89 ESCHUBERT (n.d: 54-121) DGG 4-DG 2720059.
— (1828) Schwanengesang, Op.posth., D957 ESCHUBERT (n.d: 122-169) Pilz Acanta 442117-2, 1988.
— (n.d.) Schubert Album – Gesänge für eine Singstimme mit Klavierbegleitung nach den ersten drucken
revidiert (Friedländer): Band I – Ausgabe für hohe Stimme EFrankfurt: Peters.
SCHUMANN, ROBERT (1838) Kinderszenen, Op. 15 IMartha Argerich DGG 410653-2
•From Foreign Lands •Träumerei.
— (1840) Myrten ESchumann Lieder, Band I; Leipzig: Peters •Du bist wie eine Blume (p.54) a.k.a ‘Thou’rt
Like A Lovely Flower’ ESONGS THAT WILL LIVE FOR EVER.
— (1924) •Andante pathétique •Träumerei ERAPÉE (1924: 161, 596).
SCHUMANN, WALTER (1951) Dragnet NBC/MCA TELEVISION’S GREATEST HITS, 1.
SCOTT, JOHN (1974) Midweek HATCH: HIT THE ROAD TO THEMELAND.
— (1975) The Good Word Nationwide TOP TV THEMES.
— (1984) Greystoke - the Legend of Tarzan Warner WB 925 120-1.
SCOTT, JOHN ANTHONY (ed. 1966) The Ballad of America EToronto: Bantam/Pathfinder.
SCOTT, NATHAN (1954) Lassie >SIDNEY, SID.
SCOTT, TOM (1975) Starsky and Hutch ABC/Spelling-Goldberg POLICE MOVIES (1981)
TELEVISION’S GREATEST HITS OF THE 70S AND 80S.
SCRUGGS, EARL >FLATT & SCRUGGS.
SCRUGGS, EARL & GARY (c1969?) Nine Pound Hammer Earl Scruggs Performing With His Family
And Friends CBS 30584; also ECYPORYN (1972:51).
THE SECOND PENGUIN BOOK OF ENGLISH MADRIGALS (1970, ed. D Stevens) EOxford University Press.
SEDAKA, NEIL (1962) Breaking Up Is Hard To Do RCA Victor 47-8046 (USA), RCA 1298 (UK).
SELECTED SONGS FOR LADIES’ VOICES (n.d., c1920) ELondon: George Newnes.
SELECTED SOUNDS RECORDED MUSIC LIBRARY (n.d., c1979). Hamburg: Selected Sounds.
SEMMLER, ALEXANDER (n.d.) BACKGROUND MUSIC FOR HOME MOVIES
•Cinderella Dreams •Lullaby of the City.
THE SEVENTH SEAL (DET SJUNDE INSEGLET) (1956) Svensk Filmindustri Ingmar Bergman.
THE SEVEN YEAR ITCH (1956) C20 Fox Billy Wilder >g RACHMANINOV.
SHAINDLIN, JACK (1961) ABC’s Wide World of Sports (USA) TELEVISION’S GREATEST HITS, 2.
SHANKAR, RAVI FENTON & SHANKAR (1982).
THE SHADOWS (1960) Apache (Lordan) Columbia DB 4484; also Greatest Hits, Columbia SX1522.
— (1960a) The Stranger Columbia DB-4520; also on SHADOWS (1977, 1989)
— (1960b) Man of Mystery (Carr) b/w The Stranger Columbia DB-4520; also SHADOWS (1977, 1989).
— (1961a) FBI (Gromley) b/w Midnight Columbia DB-4580; also SHADOWS (1977, 1989)
— (1961b) Kon-Tiki (Carr) Columbia DB 4698; also SHADOWS (1977).
— (1962a) Out of the Shadows Columbia 33SX 1458 •Perfidia (Dominquez) •The Rumble •The Bandit
— (1962b) Guitar Tango (Maine, Liferman) Columbia DB 4870; also SHADOWS (1977, 1989).
— (1962c) Wonderful Land Columbia DB 4790; also SHADOWS (1977).
— (1963a) Atlantis. Columbia DB 7047. Also on SHADOWS (1964, 1965, 1977)
— (1963b) Shazam SHADOWS (1965, 1989).
— (1963c) Shindig Columbia DB 7106; also SHADOWS (1965, 1977, 1989).
— (1963d) Fandango (Bradford, Perkins) SHADOWS (1964).
— (1964) Dance With The Shadows Columbia (LP) SCX 3511 •Dakota (Braden) •Fandango (Bradford, Perkins)
•Lonely Bull/El toro solo (Lake) •The High and the Mighty (Tiomkin)
— (1965) The Shadows Greatest Hits Volume 2 Columbia.
— (1977) The Shadows 20 Golden Greats EMI CDP 7 46243 2.
— (1979) The Deer Hunter (Cavatina) EMI 2939.
— (1989) Shadows in the Sixties Music for Pleasure CDB 7 92765 2.
— (2001) (Ghost) Riders In The Sky. Original Gold Disky 85766.
— n.d. See You In My Drums Odeon ‘Pops’ DTOA 3196, Argentina (c1963).
SHANE (1953) Paramount. George Stevens g Victor YOUNG.
SHANNON, DEL (1961) Runaway (Crook) London HLX 9317 OLDIES BUT GOODIES, VOL.2 (1988).
— (1965a) Keep Searchin’ Stateside SS 368/Amy 915.
— (1965b) Stranger In Town Stateside SS 395/Amy 919.
SHORES, RICHARD (1965) The Wild, Wild West CBS from memory;
also as The Wild Wild West RevisitedCBS/Jay Bernstein, 1979.

850 Ten Little Title Tunes S — List of Musical References
THE SICILIAN CLAN/IL CLAN DEI SICILIANI (1969) Films du siècle/Fox Europa Henri Verneuil
vCBS/Fox All Time Greats VHS 1162, g 1990 MORRICONE.
SIDNEY, SID & SCOTT, NATHAN (1954) Lassie CBS: cited from memory.
SIGMAN, CARL (1965) The Adventures of Robin Hood TELEVISION’S GREATEST HITS, 2.
SILVER CONVENTION (1977) Telegram (German entry for Eurovision Song Contest) SRP3.
SIMON, PAUL (1986) Graceland Warner Brothers 925447.
SIMON, PAUL AND GARFUNKEL, ART (1966) Homeward Bound CBS 202045.
SINATRA, FRANK (1966) Strangers In The g Night KAEMPFERT (1965) Reprise R 23052.
SKELLY, J P (n.d.) The Old Rustic Bridge By The Mill ESONGS THAT WILL LIVE FOR EVER.
SKINNER, FRANK (1949) The Fighting O’Flynn (a.k.a. The Irishman). Extracts quoted in SKINNER,
FRANK: Underscore. New York: Criterion Music (1950, revised 1963).
SLEDGE, PERCY (1966) When A Man Loves A Woman Atlantic 2326/Atlantic 584 001
Atlantic YZ 96, 1987 OLDIES BUT GOODIES, VOL.3 (1988).
SLY AND THE FAMILY STONE (1968) Dance To The Music Epic 26371 •Dance To The Music •Higher
Sly and the Family Stone Anthology, Columbia 37071, 1990.
SMALL, MICHAEL (1986) Black Widow C20 Fox Bob v Rafaelson CBS Fox, 1988.
SMETANA, BEDŘICH (1875) Vltava (Moldau), symphonic poem #2 from ‘Má Vlast’ ELondon: Eulenburg,
1972/Prague: Orbis, 1951 Slavonic Festival, Naxos 8.550033, 1987 Dvořák - New World
Symphony, Decca Weekend Classics 417678-2, 1968.
SNOW, MARK (1993) Music from the X-Files Warner 9362-46448-2, 1996 also The CULT FILES.
SOKOLOWSKI, MARIAN (1904) Sérénade Op. 4, N°3 (lullaby) ERAPÉE (1924:238-241).
SOLOVEV-SEDOJ, VASILIJ PAVLOVICH (n.d.) Midnight in Moscow BALL, K (1961).
SONGS THAT WILL LIVE FOR EVER (n.d., ed. Maurice Jacobson) ELondon: Odhams Press.
THE SOUND OF MUSIC (1958) C20 Fox Robert g Wise Richard Rodgers (songs), Irwin Kostal (score)
Foxvideo 1051, 1993. v
THE SOURCE FEATURING CANDI STATON (1991) You Got The Love – ‘Now Voyager’ mix.
Pure Dance '97. Polygram TV 555 084-2.
SOUSA, JOHN PHILIP (1889) The Washington Post SOUSA (n.d.).
— (1893) Liberty Bell ‘Monty Python’s Flying Circus’ BBC, 1969 TOP TV THEMES
The WORLD OF TV THEMES TELEVISION’S GREATEST HITS, 2 SOUSA (n.d.).
— (1896) The Stars and Stripes for Ever SOUSA (n.d.).
— (n.d.) The Great Marches Essential Classics SBK63052.
SPACEBALLS (1987) MGM/UA Mel g Brooks MORRISv John MGM-UA/Esselte, 1989.
GONZALESv SPEEDY Warner Home Video PES 12109, 1990.
SPELMANSLÅTAR FRÅN DALARNA (c1968) Sonet SLP 16 IBjörn Ståbi, Hjort Ole, Nils Agenmark, Pål-Olle.
SPINAL TAP – THE MOVIE a.k.a. THIS IS SPINAL TAP (1984) Embassy / Spinal Tap Rob Reiner .
Polygram Video VHS 084 968 3
v
SPINDLARNAS VÄRLD (1979) unidentified arachnological US documentary SvTV2 790817.
THE SPINNERS (1987) Spaceballs. SpaceballsvMGM-UA/Esselte Home Video (1989).
SPOHR, LOUIS (n.d.) Rose, Softly Blooming ESONGS THAT WILL LIVE FOR EVER:132.
SPORTING THEMES (1979) BBC REH 348.
STAGECOACH (1939) UA John g Ford R HAGEMAN, STEINERv M Polygram 083 504 3, 1991.
STALLING, CARL (1990) The Carl Stalling Project – Music from Warner Brothers Cartoons 1936-1958.
Warner Brothers 9 26027-2.
STAR WARS (1977) C20 Fox/Lucasfilm George g Lucas J WILLIAMS
The Star Wars Trilogy Box Set, 1997 Twentieth Century 6641 679.
v
STEELEYE SPAN (1970) Hark! The Village Wait Crest 22.
— (1971) Please To See The King United Artists UAG 29244.
— (1974) Now We Are Six Chrysalis CHR 1053.
STEINER, FRED (1957) Perry Mason CBS/Paisano re-recorded for Perry Mason Returns
NBC/Viacom/Intermedia (1985) SvTV2 Oct 1987.
STEINER, MAX (1932) King Kong RKO/Selznick M C Cooper, E B
v
Shoedsack
Polygram Video, 1992.
— (1939) Gone With The WindMGM/SelznickVictor Fleming, George Cukor, Sam Wood
MGM/UA VHS PES 50284, 1989 INational Philharmonic Orchestra CCharles Gerhardt
RCA GL 43440, 1974.
v
— (1942a) Now, Voyager Warner Irving Rapper FIFTY YEARS OF FILM FIFTY YEARS OF FILM MUSIC
STEINER, M (1973).
— (1942b) Casablanca Warner Michael Curtiz vMGM/UA PES 99217, 1992;

List of Musical References — T Ten Little Title Tunes 851
xtr.FIFTY YEARS OF FILM (1973).
— (1945) Mildred Pierce Warner Curtiz; xtr. FIFTY YEARS OF FILM .
— (1948b) The Treasure of the Sierra MadreWarner John Huston; xtr. FIFTY YEARS OF FILM
FIFTY YEARS OF FILM MUSIC.
— (1973) Now Voyager – The Classic Film Scores of Max Steiner INational Philharmonic Orchestra
CCharles Gerhardt RCA Red Seal SER 5695.
STEPPENWOLF (1969) Born To Be Wild EASY RIDER (1969).
STERNDALE-BENNETT, WILLIAM (n.d.) May Dew, Op.23 #2 EGolden Treasury of Song Vol. 1, London:
Boosey & Co., 1903 (ed. N O’Neill) ETWENTY-SIX CLASSICAL SONGS.
STEVENS, MORT (1968) Hawaii 5-0 CBS GOLDEN HOUR OF FAVOURITE TV THEMES (1976)
TOP TV THEMES.
— (1975) Police Woman NBC/Columbia/David Gerber Sky Channel Jan 1987.
STOCKMEIER, WOLFGANG (ed. 1970) Die Programmusik EKöln: Arno Volk.
STRAUSS, RICHARD (1889) Don Juan, Op. 20 Also sprach Zarathustra, Philips 420 521-2.
— (1896) Also sprach Zarathustra, Op.30 (1896) ELondon. Eulenburg (1932) Philips 420 521-2.
For extensive listing of its many uses in audiovisual media contexts, see Leech (1999).
— (1898) Ein Heldenleben Op. 40 ELondon: Eulenburg # EE 498 ISveriges Radios Symfoniorkester
CHerbert Blomstedt SRP2 781207.
— (1906) Wo ich bin. Der Einsame, Op. 51 #2. Die Orchesterlieder World Premiere Integral,
NC 000072-2, 1999.
— (1927) Bei jener Nacht – der Keuschen einzig einen (Act I of Die Ägyptische Helena, Op. 75)
ELondon: B&H; Mainz: Schott.
— (1936) Olympische Hymne ELondon: B&H IOrchester der Staatsoper Berlin CRichard Strauss
Entartete Musik 3, BOD 65043, 1988; extract with BBC commentary at opening of Berlin
Olympiad FIFTY YEARS OF BROADCASTING.
STRAVINSKY, IGOR (1927) Oedipus Rex ENew York: B&H 16692, 1950.
A STREETCAR NAMED DESIRE (1951) Warner/Charles K Feldman/Elia Kazan Elia Kazan
Ch4 May 1995 g Alex NORTH FIFTY YEARS OF FILM MUSIC.
STRÖM, PIERRE (ed. 1981) Sånger för socialism EStockholm: Arbetarkultur.
SUMMER, DONNA (1979) Hot Stuff. Greatest Hits Polygram 558795, 1998.
— (1983) She Works Hard For The Money Casablanca 812265.
SUMMERS, ANDY (1984) Paper Dolls Joe Ziffren &&SvTV 1987.
— (1986) Down and Out in Beverly Hills (soundtrack extracts) MCA/WB Touchstone 252 935-1.
SUPERMAN - THE MOVIE (1978) Warner Richard Donner g John WILLIAMSv VHS SO1013, 1995
Warner Brothers WB 2BSK 3257.
SUPPÉ, FRANZ VON (1866) March of the Light Cavalry for ‘The Mounties’ Musical Ride’
v The BENNY HILL SHOW VOL 2.
THE SURFARIS (1963) Wipe Out (Wilson, Fuller) London HLD 9751 OLDIES BUT GOODIES 1 (1988).
SYREWICZ, STANISLAS (1986) Biggles MCA / WB 254 119-1 (1986).
SZATHMARY, IRVING (1965) Get Smart NBC (1965-69) CBS (1969-70)
ENew York: Edward B. Marks Music Co. (BMI).
T
TAGG, PHILIP (1980) SamtalSvTV2 P Bergendahl.
— (1981a) Jag vill leva, jag vill dö i Norden SRP1.
— (1981b) Packhus 18 SvTV2 B Fjälkegård.
— (1982) Studio G SvTV1 P Bergendahl.
TAGGART (1985) Scottish TV SvTV2, 870101 g Mike MORAN.
TALLIS, THOMAS (n.d.) Tallis’ Canon EMETHODIST HYMN BOOK (1933) #943, p.841.
TAXI DRIVER (1976) Columbia M Scorsese g B HERRMANNv Video Collection CC 1126, 1990.
TCHAIKOVSKY, PYOTR ILYICH (1869a rev.1880) Romeo and Juliet – Fantasy Overture
HMV ASD-3488 TCHAIKOVSKY (1978).
— (1869b) None but the Aching/Lonely Heart (Ytn njkmrj njn- rnj pyfk), #6 of Six Romances, Op. 6
ESONGS THAT WILL LIVE FOR EVER.
— (1876) Swan Lake (Ballet Suite), Op. 20 TCHAIKOWSKY (1960).
— (1878a) Chanson Triste, Op. 40 #2 ERAPÉE (1924:640).
— (1878b) Piano Concerto #1 in Bb Minor, Op. 23 Tschaikowsky/Rachmaninoff Klavierkonzert, Fontana
S 700 185 (n.d.); 1st mvt. Tchaikovsky (1970) BIG CONCERTO MOVIE THEMES (1972)

852 Ten Little Title Tunes T — List of Musical References
The Mercury Theatre on the Air THEMES LIKE OLD TIMES, VOL 2.
— (1880) 1812 Overture, Op. 49 TCHAIKOVSKY (1978).
— (1889) The Sleeping Beauty (Ballet Suite) Op. 66 TSCHAIKOWSKY (1960).
— (1892) The Nutcracker (Ballet Suite), Op. 71a TSCHAIKOWSKY (1960).
— (1960) Tschaikowsky Ballett-Suiten (1876-92) DGG Resonance427219-2.
— (1978) Tchaikovsky - 1812 Decca Ovation 417 742-2.
TELEVISION’S GREATEST HITS VOLUME 1 (1986) TVT Records TVT 1100.
•Star Trek (Courage) •Alfred Hitchcock Presents (Gounod) •Bonanza (Livingston) •Branded (Frontiere)
•The Wild, Wild West (Markowitz) •The Lone Ranger (Rossini) •Mission: Impossible (Schifrin) •The Man
From U.N.C.L.E (Goldsmith) •Get Smart (Szathmary) •Perry Mason (F Steiner) •The FBI (Kaper) •Hawaii
Five-O (M Stevens) •Ironside (Q Jones).
TELEVISION’S GREATEST HITS VOLUME 2 (1986) Silva Screen FILMCD 034.
•Pink Panther (Mancini) •The Adventures of Robin Hood (C Sigman) •Rawhide (Tiomkin) •Bat Masterson
(Havens Wray) •Maverick (David Buttolph) •The Virginian (Faith) •The Rebel/Johnny Yuma
(Markowitz) •Peter Gunn (Mancini) •Route 66 (Riddle) •I Spy (Hagen) •The Saint (E Astley) •Hawaiian
Eye (Livingston) •ABC’s Wide World of Sports (Jack Shaindlin) •Monty Python’s Flying Circus (Sousa).
TELSON, BOB (1988) Bagdad Café BR/Futura/HR/Island/Pelemele/Project Filmproduktion Percy
Adlon main . Theme sung by Javetta Steele. On DVD MGM/UA Video (2001).
TEN CC (1975) (Max) Headroom. How Dare You? Mercury 9102 501.
THE TERMINATOR (1984) Orion James g Cameron FIEDELv Brad Virgin STV 4001, 1992.
TERMINATOR 2 - JUDGEMENT DAY (1991) Carolco James Cameron vGuild/Polygram GLD 51162.
IL TERZO UOMO E ALTRI CELEBRI FILM.n.d. RCA Cinematre NL 43890.
THEMES LIKE OLD TIMES, VOL I (c.1940-1955) Viva V-36018 - distributed by Dot (n.d.).
THEMES LIKE OLD TIMES, VOL II (c.1940-1955) Viva V-36020 - distributed by Dot (n.d.).
THALBEN-BALL, GEORGE T (1954) Elegy for organ ELondon: Paxton.
THEODORAKIS, MIKIS (1964) Zorba The Greek C20 Fox Michael Cacoyannis Fontana 6499 689.
— (1968) To yelasto pedi [The happy child / το γελαστο παιδι] - from ZCosta Gavras; Reggane/ON-
CIC/Jacques Pérrin vArrow Video 007 (n.d.) xtr. FILMMUSIK (1976).
THE THIRD MAN (1949) GFD Films Carol Reed SvTV2 Dec 1986
Canal+ Image Warner SO38666, 1999 g Anton KARAS.
v
THIS IS CULT FICTION (1995) Virgin VTCD 59 PM 527
•Mission Impossible (Schifrin) •Shaft (Hayes) •Man from U.N.C.L.E. (Montenegro) •James Bond Theme
(Norman) •Link Wray: Rumble •The Ventures: Hawaii 5-0 (M Stevens) •The Streets of San Francisco (P
Williams) •Twin Peaks (Badalmenti) •All The Animals Come Out At Night / Taxi Driver (Herrmann).
THIS IS SPINAL TAP See SPINAL TAP – THE MOVIE (1984).
THIS WEEK WITH DAVE BRINKLEY (1988) ABC (USA).
THE THOMAS CROWN AFFAIR. g See LEGRAND, M (1968).
THOMAS, PETER (1966) ‘Bolero on the Moon Rocks’ series Raumpatrouille
Futurmuzik, Scamp SCP 9724-2 (sample used by PULP 1998).
THOSE WONDERFUL THIRTIES (1974) Decca DEA 7-2.
TIN PAN ALLEY - A PICTORIAL HISTORY 1919-1939 (1975 ed. I Whitcomb) New York: Paddington Press.
•The Japanese Sandman (R A Whiting 1920) •My Blue Heaven (W Donaldson 1927) •Manhattan (R Rodgers
1925) •Blue Moon (R Rodgers 1934) •Swanee (G Gershwin 1919) •Charmaine (Ernö Rapée 1926) •Tiptoe
Thro’ The Tulips (Joe Burke 1929) •I Only Have Eyes For You (H Warren 1934) •Over The Rainbow
(H Arlen 1939) •Lady Of Spain (T Evans 1931) •Lilli Marlene (N Schultze 1941).
TIOMKIN, DIMITRI (1946) Duel in the Sun David O Selznick King Vidor
vCinema Club VHS CC 1056, 1989 TIOMKIN (1980)
— (1952) High Noon Fred Zimmerman [1] Do Not Forsake Me O My Darlin’ vFrankie LAINE
Columbia DB 3113 vTex RITTER FILMMUSIK TIOMKIN (1980).
— (1954) The High And The MightyWayne/Fellows William Wellman FIFTY YEARS OF FILM
MUSIC; SHADOWS (1964).
— (1958) Rawhide CBS vFrankie LAINE Philips PB 965, 1959; also TELEVISION’S GREATEST
HITS VOLUME 2 and by Link WRAY & His Ray Men Epic 9300, 1959.
— (1959) Rio Bravo Howard Hawks •De Guella •Love Theme •Main Theme (End Titles)
TIOMKIN (1980).
— (1980) The Western World of Dimitri Tiomkin Unicorn-Kanchana Digital DKP 9002 ILondon Studio
Symphony Orchestra and The John McCarthy Singers CLaurie Johnson.
— (n.d.) Strange Lady in Town vFrankie LAINE Philips PB 478.
TIPTON (1979) Soap TOP TV THEMES.
TOOL (1996). Aenima. Volcano 31087.
TOP BBC TV THEMES (1978) BBC REH 310.
TOP GUN (1986) Tony Scott Paramount CBS 70296 •‘Take My Breath Away’ (Moroder, Berlin, Whit-

List of Musical References — U Ten Little Title Tunes 853
lock) •‘Top Gun Anthem’ (S Stevens, H Faltermeyer).
TOP TV THEMES (1981) Decca TAB 18.
TRAFFIC (1970) John Barleycorn Must Die (Eng. trad., arr. Winwood) Island ILPS 9116.
THE TRAVELING WILBURYS (1990) Traveling Wilburys Wilbury CD 925 796-2.
TWENTY BBC DRAMA THEMES (1983) BBC REH 464.
TWENTY-FIVE TV COMMERCIAL CLASSICS (1994) ASV Digital QS 6137.
•Copland: Fanfare for the Common Man - General Motors •Pachelbel: Canon - Wool •Vivaldi: Spring (The
Four Seasons) - Crosse & Blackwell •J S Bach: Sleepers Awake - Lloyds Bank •Mozart: Horn Concerto #4
(Rondo) - Vauxhall; •Beethoven: Pastoral Symphony (Shepherds’ Thanksgiving) - Blue Band Margarine
•Saint-Saëns: The Aquarium (Carnival of the Animals) - Vitell Spring Water •Delibes: The Lakmé Flower
Duet - British Airways •Mussorgsky: Night on the Bare Mountain - Maxell Tapes •J S Bach: Air on the G-
String - Hamlet Cigars •Mozart: Symphony #40 - Lufthansa •Beethoven: Für Elise - IBM •Tchaikovsky:
Dance of the Reed Pipes (Nutcracker) - Cadbury’s Fruit and Nut •Dvořák: New World Symphony (Largo)
- Hovis bread •Rimsky-Korsakov: Flight of the Bumble Bee - Black & Decker Paint Stripper •Grieg: Morning
(Per Gynt) - Nescafé •Tchaikovsky: Dance of the Little Swans - Batchelor’s Slip a Soups •Elgar: Symphony
#1 - British Steel •Satie: Gymnopédie #1 - Cadbury’s Bourneville; •Prokofiev: Dance of the Knights
(Romeo & Juliet) - Chanel L’Égoïste •Holst: Jupiter (The Planets) - Dulux Weathershield •Britten: Playful
Pizzicato (Simple Symphony) - Royal Bank of Scotland •Di Capua: O Sole Mio - Walls Cornetto •Bucalossi:
The Grasshoppers’ Dance - Milk •Coates: The Dam Busters March - Carling Black Label.
TWENTY-SIX CLASSICAL SONGS (n.d.) ELondon: Novello.
TWIN PEAKS VOL. 2 (EPISODES 4, 5 & 6) (1990) David g Lynch BADALMENTIv Angelo Screen Entertainment
SE 9142, 1991 + episode in which Leland commits murder SvTV1, 1990.
2001 (1968) MGM Stanley v Kubrick MGM/UA SMV 10002, 1989 MGM S 13.
U
THE UNTOUCHABLES (1952) ABC/Desilu g Nelson RIDDLE Sky Channel, Dec 1986.
US SPECIAL FORCES GREEN BERETS RUN TO CADENCE (n.d.) Army & Navy Shop RC 1972.
V
V (1983) Richard T Heffron v Warner Home Video WEV 11443 [1-5], 1987. g Barry De VOR-
ZON, Joseph CONRAN g Dennis MCCARTHY (score).
VALENS, RITCHIE (1958) Donna b/w La Bamba Del-Fi 4110.
VANGELIS (1981) Chariots Of Fire David Puttnam/C20 Fox/Allied Stars/Enigma Hugh Hudson
Polydor 2383 602 FILMTRACKS.
— (1984) Soil Festivities Polydor POLH11 (1984).
— (1986) Antarctica Koreyoshi Kurahara, 1986 Polydor 815 732-2, 1988.
VAUGHAN WILLIAMS, RALPH (1910) Fantasia on a Theme by Tallis. VAUGHAN WILLIAMS (1972).
— (1914) The Lark Ascending. VAUGHAN WILLIAMS (1972).
— (1939) Five Variants of Dives and Lazarus. VAUGHAN WILLIAMS (1972).
— (1972) The Lark Ascending IAcademy of St Martin-in-the-Fields CNeville Marriner Argo ZRG 696.
•Fantasia on a Theme by Thomas Tallis (1910) •The Lark Ascending (1914) •Fantasia on Greensleeves
(c.1930) •Five Variants of Dives and Lazarus (1939).
VAUGHAN WILLIAMS, RALPH & LLOYD, A L (ed. 1959) ELLOYD & VAUGHAN WILLIAMS (1959).
THE VENTURES (1960a) Walk Don’t Run Dolton 25 Top Rank JAR 417.
— (1960b) Perfidia (Dominguez) Dolton 28.
— (1962) Lolita Ya-Ya Dolton 60.
— (1962) (Ghost) Riders in the Sky. Country Classics Dolton 8023 VENTURES (1995).
— (1964) Slaughter on 10th Avenue Dolton 300.
— (1966) Secret Agent Man Dolton 316.
— (1969) Hawaii Five-O (M STEVENS) Liberty 56068.
— (1995) (Ghost) Riders In The Sky. Another Smash!!!/The Colourful Ventures See for Miles 619.
VERDI, GIUSEPPE (1853) La Traviata EKlavierauszug. Leipzig. Edition Peters, 1916.
— (1862) La forza del destino EMilano: Ricordi.
— (1871) Aïda ENew York: Dover vRAI/Polivideo, 1981 vWarner/NVC Arts 0630-19389-0, 1997
HMV Angel Series SAN 358-60, 1974.
— (1874) Messa da Requiem ENew York: Dover, 1978.
— (1887) Otello ENew York: Dover, 1991.
VERMONT AGENCY FOR HUMAN SERVICES (1987) child support anti drugs dependency.
VIGLIETTI, DANIEL (1984) Canción para mi América APRIL IN MANAGUA Viglietti (1998).
— (1998) Canciones Para Mi America - Uruguay EPM Musique 926912.

854 Ten Little Title Tunes W — List of Musical References
VIVALDI, ANTONIO (1711) Concerto grosso in D minor, Op.3 # l l (RV 565)
EEdition Peters #4327 (ed. Klengel, n.d.) arr. J S Bach for organ (BWV 593).
VOL, FRANK DE (1969) The Brady BunchABC/Paramount TELEVISION’S GREATEST HITS VOLUME 2.
VORZON, BARRY DE; CONLAN, JOSEPH (1983) V Warner
vWarner Home Video WEV 11443-1 thru 5, 1987.
VORZON, BARRY DE; TOWERS, MICHAEL; CONLAN, JOSEPH (1982) Simon and Simon
CBS/Universal EKARLIN & WRIGHT (1990:424).
VRETHAMMAR SYLVIA (1973) E viva España. Sonet SON 2037.
W
WAGNER RICHARD (1841) Overture. Der fliegende Holländer WAGNER (1975, 1987).
— (1848) Prelude to Act 3. Lohengrin WAGNER (1975, 1987)•Bridal Chorus ERAPÉE (1924:672).
— (1867) Overture. Die Meistersinger von Nürnberg WAGNER (1975, 1987, 1988).
— (1845) Overture. Tannhäuser WAGNER (1975, 1987)
— (1854) Das Rheingold ELeipzig: Peters – Klavierauszug, 1982 IOrch. der Bayreuther Festspiele
CP Boulez ,Philips 6769 070, 1981 •Entrance of Gods into Valhalla WAGNER (1988).
— (1856) Die Walküre EMainz: Schott IOrchester der Bayreuther Festspiele CPierre Boulez
Philips 6769 071, 1981 •3. Aufzug: 2. Szene – Walkürenritt/Ride of the Valkyrie WAGNER (1987,
1988); ride of the Ku Klux Klan in Birth Of A Nation (D W Griffiths, 1915); ‘Rivolta nell’harem’ in 8½
(Fellini, 1962); in Apocalypse Now (F F Coppola, 1979: xtr. FILMMUSIK).
— (1859) Tristan und Isolde IBayreuther Festspiele CCarl Böhm DGG 2720 057, 1966.
— (1871) Siegfried ELeipzig: Edition Peters – Klavierauszug •Siegfried Idyl ELondon: B&H (n.d.).
•Forest Murmurs WAGNER (1988).
— (1882) Parsifal ENew York: Dover, 1986 •Vorspiel zum 1. Akt •Vorspiel zum 3. Akt WAGNER (1975).
— (1975) Karajan dirigiert Wagner, Folge 2 IBerlin Philharmoniker CH von Karajan
EMI / Electrola C065-02 604.
— (1987) Wagner Overtures (1841-1867) Naxos 8.550032, 1988.
— (1988) The Ride of the Valkyrie (popular Wagner instrumental selections, 1854-1874)
Decca Weekend Classics 421-0202, 1973 (1966).
WALDTEUFEL, EMIL (1924) Estudiantina ERAPÉE (1924: 455).
WALL STREET WEEK WITH LOUIS RUKEYSER (1988) Maryland Public Television 1989.
WALTON, WILLIAM (1940) Duets For Children ELondon: OUP.
— (1944) Charge And Battle from Henry V Rank: xtr. FILMMUSIK
E(with stills) MANVELL & HUNTLEY (1976).
WAR GAMES (1983) MGM/UA John Badham g A B RUBINSTEIN SvTV2 Oct 1988.
WARTIME MEMORIES 1939-45 (1997) MCPS MOCD 3016.
•Mars, the God of War (Holst) •The Dambusters March (Coates) •British Grenadiers •A Life
on the Ocean Wave (Russell) •Lilli Marlene… •Moonlight Serenade… •St. Louis Blues… •In
The Mood •Jerusalem (Parry) •Land Of Hope And Glory (Elgar) •Rule Britannia (Arne).
WATERS, MUDDY (1952) Hoochie Coochie Man Blue Sky Label (CBS), 1983 Goin' Home: Live in Paris
1970, New Rose 5099 Best of Chicago Blues, Vol. 3, Wolf 120295, 1998.
WATSON, DOC (1963a) Old Time Music At Clarence Ashley’s Folkways FA 2355, FA 2359; Doc Watson
and Clarence Ashley: The Original Folkways Recordings 1960-1962 Smithsonian Folkways
SF40029/30, 1994.
— (1963b) The Doc Watson Family Folkways FTS 31021 Smithsonian Folkways SF 40012, 1990.
— (1967) [w. Merle Watson, Eric Weissberg] Ballads From Deep Gap Vanguard VSD 6576
Vanguard VMD-6576, 1988.
— (n.d.) [w. Merle Watson] Doc Watson On Stage Vanguard VSD 9/10 (c1968).
WATTERS, CYRIL (n.d.) Proud Heritage. Recorded Music For Film, Radio & TV B&H SBH 2987.
WAXMAN, FRANZ (1957)SayonaraJoshua Logan Goetz/Pennebaker FIFTY YEARS OF FILM MUSIC.
WEBER, CARL MARIA VON (1821) Der Freischütz ELondon. Eulenburg, 1976
HMV/Grand Prix 1C 183-30 171, 1959.
— (1826) Arabien, mein Heimatland, from Oberon, Act II, #14 DGG DG 2726 052.
WEEDON, BURT (1959) Guitar Boogie Shuffle Top Rank &&SvTV2 1977 underscore, with Austrian TV
voiceover, for Stenmark’s winning slalom run.
WEILL, KURT (1929) Alabama Song. Mahagonny IGöteborgs Brechtensemble Låt er inte förföras,
Avanti AVLP 06, 1979.
WELK, LAWRENCE & HIS ORCHESTRA (1961) (Ghost) Riders in the Sky (S JONES) Dot 16237.

List of Musical References — X Ten Little Title Tunes 855
WENRICH, PERCY (1912) Moonlight Bay IBing & Gary Crosby (1942)
20 Crosby Classics, Empire Music 89, 1999.
WHO, THE (1965) My Generation Brunswick 05944.
WILBYE, JOHN (1598) Cruel, Behold My Heavy Ending (AATTB) fr. First Set Of Madrigals ELondon:
Stainer & Bell, 1923.
THE WILD WILD WEST (1965) g CBS Richard SHORES.
WILLIAMS, CHARLES (1947) The Dream Olwen Of ‘While I Live’ John Harlow
BIG CONCERTO MOVIE THEMES.
WILLIAMS, JOHN (1975)Jaws Universal MCA 2087 •Jaws •Promenade FILMMUSIK.
— (1977b) Star Wars George v Lucas Star Wars Trilogy Box Set Twentieth Century 6641.679.
— (1978) Superman – The MovieRichard Donner Warner Brothers WB 2BSK 3257.
WILLIAMS, PATRICK (1986) Just Between Friends MTM/Orion Allan Burns .WB 925 391-1.
WILLSON, MEREDITH (1957) Marian, Librarian. The Music Man ENew York: Frank Music Corporation.
WINTER, JOHNNY >DERRINGER, R & WINTER, J.
WIPE OUT >SURFARIS (1963).
WITH ONE VOICE (1999) ESheffield Socialist Choir.
WONDER, STEVIE (1972) Superstition. Talking Back Tamla Motown 1C 062-93880.
WOLFF, ERICH Friede: cited in BARLOW & MORGENSTERN (1948).
WOOD, ARTHUR (1924) Barwick Green (maypole dance) from suite ‘My Native Heath’;
from 1950 The Archers BBC Home Service (Radio 4 in 2002) B&H Cavendish Library
WOOD, DOUG (1990) Aegean Rendezvous Omnimusic PBS 1004 /41
WOODSTOCK (1970) Warner/Wadleigh Michael Wadleigh.
THE WORLD OF TV THEMES. Decca SPA 217 (1972).
•The Onedin Line (Khatchaturian) •The Forsyte Saga (Coates) •Monty Python’s Flying Circus (Sousa).
WORTON, DAVID (1914) The End Of My Old Cigar (lyrics R P Weston) ETHE GOOD OLD DAYS SONG BOOK.
WRAY, LINK AND HIS RAY MEN (1958) The Rumble (Cy Oliver) Cadence 1347 THIS IS CULT FICTION.
— (1959) Rawhide Epic 9300.
— (1963) Jack The Ripper Swan 4137.
WRIGHT, N LOUISE (1918) Lullaby ERAPÉE (1924:233-234).
X
X FILES (1993) 10/13 Prods/C20 Fox Bob Bowman g Mark SNOW.
Y
YOUNG, VICTOR (1953a) Female fight Johnny GuitarNic Ray Republic &&HOLLYWOOD, HOLLYWOOD.
— (1953b) Shane - A Tribute to Victor Young INew Zealand Symphony Orchestra CRichard Kaufman
Koch Classics 3-7365-2 H1, 1996.
YUPANQUI, ATAHUALPA (1992) L’ Integrale, Vol. 3. Le Chant du Monde 274950.
Z
Z (1968) Reggane/ONCIC/Jacques Pérrin v Arrow 007 Costa Gavras g Mikis THEODORAKIS.
ZAMFIR, GHEORGE. Doina De Jale (Trad. Romania) - for Light of Experience (BBC TV) Top BBC
TV Themes. BBC REH 310 (1978).
ZAPPA, FRANK (1966) Freak Out >MOTHERS OF INVENTION.
— (1967) Lumpy Gravy Verve SVLP 9223.
— (1974) Roxy & Elsewhere Discreet DSS-2202 Barking Pumpkin 74241, 1992.
— (1981) You Are What You Is CBS 88560.
ZORN, JOHN (1986) The Big Gundown - John Zorn Plays Ennio Morricone Icon / Nonesuch 979 139-1.
ZORRO (1957) /Walt Disney/ABC television gG BRUNS SvTV1 1988 IThe CHORDETTES
Cadence 1349, 1958.

856 AABA – advert (Seven-Up) Ten Little Title Tunes – Index
INDEX
Explanations and tips. Apart from the usual listing of names (people, musical works, films, TV programmes,
etc.), of topics discussed, and of terms presented in the book, this index also includes many of the
connotations provided by respondents (e.g. SAD, ‘ALWAYS HAS BEEN’), categories of such connotation (e.g. SAD,
STASIS) and constructional descriptors of music linked to such categories (see, for example, under CHORD,
MODES, SOUND PROCESSING, TEMPO). Readers can therefore check our discussion of musical semiosis in terms
of both signfier and signified. Since this index would have swelled to even more unwieldy proportions if we
had lumped all individual connotations (VVAs) under their respective taxonomic heading, readers wishing
to check our discussion of a particular connotation or response subcategory are advised to consult appendices
3 and 4 for related concepts. To check which particular VVA occurred in conjunction with which tune, see
appendix 3. To check our taxonomy of responses, see appendix 4.
Political incorrectness. Several categories produced in the indexing process come across as politically incorrect
in the extreme (see, for example, MEN, MENTAL DISORDER, WOMEN). Such categorisation in no way represents
the views of either author. It does, however, we would hope, reflect the true nature of the implicit,
musicogenic, categorisation discussed and documented in this book (see last chapter for explanation).
Waivers. The authors do not guarantee that this index: [1] includes every single page reference to every concept
listed below, nor every single concept occurring in the book; [2] provides 100% accuracy of page referencing,
although a four-hour random check did produce satisfactory results.
Typographical conventions. To avoid confusion, names of musical works, books, journals, films, TV programmes,
paintings, etc., as well as non-English-language entries, are all in italics. To save space, cross references
are codified as follows: means ‘See’; † means ‘See also’. If or † refers to a concept listed under
the same main entry headword, the referent will appear in normal typeface and the ‘See’ arrow will point
vertically in the relevant alphabetical ( direction or ), for example, from FIFTH (DIMINISHED) to FLAT 5TH
under the headword CHORDS/INTERVALS) appears as FLAT 5TH. denotes ‘Under’ and is used together with
an entry of higher order, for example TEMPOfast (meaning ‘See main entry TEMPO under its subentry FAST’).
Single inverted commas are used for two main purposes to indicate: [1] concepts whose apparent meaning
we would question (e.g. ‘absolute’ music); [2] respondent connotations and/or colloquial expressions whose
meaning might be ambiguous out of context (as in this index).
A
AABA form 659
Aases død (Grieg) 313, 314
abandon (emotional) 132, 224
abandoned 270, 597
Abba 60, 91, 102, 196, 274
in symphony concerts 62
ABC 624, 647
news anaphones banned 490
newscasts 491
Abduction
cue (Casualties of War) 456
of the Bride (Grieg) 192, 567
Abelard 52
Abendruhe 218, 220, 226
ABF 116
‘about to’… 674
above 134, 139
Abraham, O 36
abrupt 660
absence, songs of 307
‘absolute’ context 73
‘absolute’ music 12–32, 38, 47–49,
53, 103, 104, 272
decline of 33–92
definition 12–14
historical momentum of 23
history 15–27
marker of class identity 23
relative notion of 13–14
rise of notion 15-28
rock music as 73, 631–2
obstacles caused by 28–29
textual and contextual 68–78
absurd/absurdist/absurdity
133, 418, 419, 429
war as celebration 417
abuse of power 421
AC/DC 313
academic safari 83
accelera/-te/-ndo SPEED
accentuation 654 †SFORZANDO
acciacatura 101
accompaniment 624, 647 †PIANO
accompanimental music (Hegel) 15
accordion 467
acculturation 102
Ach Herr! was ist… (Bach) 445
Ach, wie nichtig! (Bach) 185
achievement 387–8, 389–91, 416
acquiescence 84
inequality as result of 62
acrobat(s)/acrobatic 424, 427
across 244, 303 †OVER/ACROSS
action 132, 135, 137, 151, 367-78,
395, 461, 483, 617, 623-4, 673-4
cues 372, 373
devices 383
fast tempo and 483–487
added CHORDS & INTERVALS
Adderly, Nat 583, 628
addiction 664
Addinsell, R 199, 200, 201, 203
Adeline slides: HARMONY
Adorno Theodor W 21, 40–3, 45-6,
81-5, 89, 319
on popular music 41, 82, 85
adventive 134, 139, 140, 387
adventure 132, 135, 371, 646
adversity DIFFICULT[Y]
advert[ising] 68, 74, 244, 265,
420-1, 623, 649, 650, 678
ban on news anaphones in 490
before-and-after stunt 415
Leo Burnett agency 467
public service TV 660-1
response variation to 136
TV commercials
Anti-drugs (cocaine) 661
Berner XZ Shampoo 265
Child Support Agency 661
cigarettes 136
Colgate toothpaste 589
Dimetapp pills 573
Electric Musk cologne 649
General Electric 490
Levis jeans 68, 564
Maalox antacid 661
Palmolive soap 244
Pantène shampoo 263
Philadelphia cheese 583
Revlon Custom Eyes 649
Seven-Up 469

Ten Little Title Tunes – Index advert (shampoo) – Armstrong 857
shampoo 136, 245, 263, 265
Tampax 553
Timotei shampoo 245, 264
Advis, Luis 347, 361
Aegean Rendezvous 467, 468
aeolian MODES
aerial sweep 518
aerobics 650
aeroplane(s) 646, 656, 674
Aerosmith 457, 464
aesthetics ‘ABSOLUTE’
and ABSOLUTISM
affect (theories of) 16–17, 20-1, 47
affection 130, 132
Africa (music of) 45, 94, 355
time line 94
African-American
Caribbean 334
USA 571
Black Panthers 42
military cadences 425
‘Negroes’ 597
sport stereotype 330
street style and fashion 649
Venezuela 342
after (something) 459, 674
afterglow 197
afternoon 247
Against Postmodernism 71
against will… 133, 459, 672, 674
agent SPY
aggression/aggressive 123, 133,
410, 430, 484–487 594, 646, 650,
652, 656
agitated/agitation 133, 246, 656
Agnus Dei (Byrd) 454
agogics 600
agony 190, 456
Agostini, Roberto 65
Ägyptische Helena (Strauss, R) 444
Aharonián, Coriún 335
Aïda (Verdi) 319
air 261
airborne 294
display 415, 416
Air Force (US) 425
Airborne Rangers 425
Akademische Festouvertüre 320
Aktuellt (SvTV1 news) 487, 606
Alabama Song 211
alabaster busts of composers 18
Alberich 192
Albert Hall 428
Alberti bass 171
Albion Country Band 306, 322,
323, 350
alcohol FOOD & DRINK
Alekseev, Eduard I 23
Alessandroni, Alessandro 371
Aletter, W 294, 411
Alexander Nevsky 589
Alfred Hitchcock Presents 591
Alfvén, Hugo 320
Ali Baba Bound 577
Alias Smith and Jones 141, 296
alienation 5, 13, 18, 25-6, 577, 666
All Day and All of the Night 663
‘All the President’s Men 493
Allen, Chesney 412
Allen, Steve 347
Allen, Woody 583, 600
Allende, Salvador 420
alley(s) 569, 579
Allgemeine musikal. Zeitung 186
Allied Irish Bank 75
Allman Brothers 658
Almanac Singers 354
Almonaster (Spain) 336
alogogenicty 12, 109, 134, 805
alone SOLITARY
Alosno (Spain) 336
Alpert, Herb 361
Alps 350
Als Luise die Briefe… (Mozart) 444
Also sprach Zarathustra 30
alteration CHORDS
alterity (‘otherness’) 71, 517
altruism 678
‘always has been’ 513-9, 674
Am Wasserflüssen Babylon 456
ambient sound 644
ambiguity (harmonic) HARMONY
REGISTER
ambitus
ambulance siren 573
Amen 175, 210, 211–4, 664 †CHORDS
America di Jill 652
America, United States of USA
American Anthem 424
American in Paris 496, 498, 578
amiable/amiability 130, 251
Amnesty International 353
amusing 430 †RECEPTION TEST
An die Musik 25, 219, 220, 268
anachronism 413-4, 419-422
INCONGRUITY
anacrusis 103, 169, 200, 432, 442,
447, 450, 451, 515, 582, 590–5, 604
chromatic 592
directionality of 297
pick-up[s] 442, 444-7, 592
Romeo & Juliet 447
analysis (musical)
aversion to 77
musematic 94–104
anaphone 99-101, 103, 805 †WAVES
ascent 212
becks 236
death 661
horses 295–296
kinetic 100, 103, 125, 303
motor noise 622
banned in advertising 490
piano arpeggios 249
sighing 224, ff.
sonic 99, 125, 218, 648
swooning 220
tactile 100, 125
telegrammatic 487–494
Anatomy of a Murder 582
ancien régime 70
And maun I still on Meniedoat 345
Andalusía 336, 360, 367
andante 168, 432-3, 504-5, 517, 522
Anderson, Gillian B 30
Anderson, Leroy 86, 421, 496
Anderson, Lindsay 223
Andes 334, 361
Andrews, Julie 463
The Andros Targets 489, 493
äng 243–246 †MEADOW
anger 133, 471
Anglican (church) 176, 414
Anglocentrism 79, 85
Anglo-Saxon ballad spirit (Lomax)
strong in cowboy songs 324
Angst ANGUISH
anguish[ed] 181-2, 190, 206, 443-5,
452-3, 455-6, 458-9, 462, 464, 473,
580, 592
angular 101
animals 533, 536
animated film CARTOON
Anka, Paul 338
Annunzio, Gabriele d’ 484
antacid (advert) 661
antecedent 383, 385-7 †CONSEQUENT
anthemic 422
anthropology of music 37–39
own culture 679
anti-capitalist movement 26
antiphony 425
Antonioni, Michaelangelo 578
anvil 370
Apache (Shadows) 136, 358, 368,
369, 370, 371, 373
apartheid 58
Apollo-Soyuz broadcasts 625
apotheosis 247
Appalachian music traditions 354
isolation of 324
Apprenti sorcier (Dukas) 591
approach[ing] (adventive) 134, 393,
590, 591, 592, 605
appropriation 84
of popular music by state 60
Après-midi d’un faune 380
Apulia 329
aqueous 530
Arabesque (Mancini) 600
Arabien, mein Heimatland 445
Aragón 336
Aranjuez 367, 371
archaic 189, 371, 392 †MODES
minor modes as 317–321, 327–
330, 334–336 †HISTORICAL
musicogenic categories as 676
The Archers (BBC radio) 412
archipelago (skärgård) 805
architecture 419, 672
Aretz, Isabel 332, 333, 334, 337,
342, 343, 379
Argentina 335, 344
aristocracy CLASS
Aristotle 27
Arizona 334, 341, 355, 367
Arkansas Traveller 345
L’Arlésienne (Bizet) 656
Arliss, Leslie 203
armed ARMY FIGHT
Armide (Lully) 174
Armstrong, Harry 209

858 Armstrong – Bavaria Ten Little Title Tunes – Index
Armstrong, Louis 578
army/armed forces 409, 410, 416, 429
Arne, Thomas A 223
around – polysemic VVA 138
arpeggiate[d] / arpeggiation[s] /
arpeggiato / arpeggio[s]
197, 201, 250, 254, 382, 659
ascending 379
broken chords 171
heroic 384
piano 171–172, 231–249, 381,
515, 516, 518
zigzag 379
arrival 134, 387, 388, 389 ff., 537
Arrival of the Queen of Sheba 246
artefact v nature 388
Artforum 664
art-nouveau 264, 418
As I Was Out Walking 392
ascend[ing]/ascent DIRECTION
Ascenseur à l’échaffaud 582
Åses død (Grieg) 314
Asian cue 531
asociality 133, 393, 430, 459, 460,
673, 675
asperity 133, 190, 385, 430, 461
Asquith, Anthony 203
Assafiev, Boris 56, 85, 448
assertive 628
association (organisation) 429
Astaire, Fred 605
Asturias (Spain) 334, 350
Asyle der höheren Künste 16
asynchronous 535
Atkinson, Max 53
Atlantis (Shadows) 368
Atlee, Clement 417, 420
attack 134, 569, 654 † ACCENTUATION
attraction 132, 177
attributive affects 125, 131
Auber, Daniel François Esprit 31
Auchengeich Disaster 354
audience[s] 619, 647
audiovisual 105
digital technology 90
learning process 296
audititis 31, 67
augmentation 664
augmented CHORDS/INTERVALS
Ausgewählte Lieder (Schubert) 456
Austria 233, 413
authenticity 42, 65, 85, 310, 377,
451, 588, 645,
authoritarianism 76
authorities 419
automotion 622, 623
‘autonomous’ harmony CHORDS
autonomy aesthetic 12, 21, 68, 632
‘ABSOLUTE’ MUSIC
Autry, Gene 295, 373
Autumn Leaves 195
avant-garde 30, 31, 62, 370
Ave Maria 516
‘Ave Maria’ chord CHORDS
Ave verum corpus
Byrd 182
Mozart 173, 175, 218, 220
averages STATISTICS
Awa wi’ your Belles… 346
The Awakening Conscience 266
Axt, William 319
Ayamara 334
Ayesterán, Lauro 37
Aztec 291, 334
B
B minor Mass (Bach) 184
babbling 99, 172, 234, 235, 249
baby 250, 258
baby-boomers 64, 73, 86
Bacall, Lauren 605, 671, 676
Bach, Carl Philipp E 20, 21
Bach, Johann S 17, 19, 21, 42, 101,
120, 170, 180, 183, 184–5, 186-7,
443-5, 448, 456, 516, 517, 574
chorale settings 184-5
The Bachelor’s Club 294
back catalogue 61
Back in the USSR (Beatles) 469
Background Music for Home
Movies 171
backing track 645
Bacon, Roger 52
bad 646, 674
consequences 590-2, 596
guys 393
villain[s] 135, 430, 674
mad scientist 378
Badalmenti, Angelo 661
Baghdad Café 180, 197
baião 334
Baja California 256
balalaika 467-9, 471
balanced (emotions)132, 224, 270
baldness 5
Balfe, Michael W 174, 179
Balkans 350
ballad[s] †[name of ballad]
Balladenton (Grieg) 321
British 176, 322 ff., 428, 459, 674
slow 564, 565
tragic 309
travelling 352
ballet 500
ballo liscio 329
balloons 415
Ballpark Tarantella 329
ballroom 499
Ballstaedt, Andreas 103
Balzac, Honoré 22
La bamba 344, 345
band[s]
big band 413, 582, 676
brass 409, 412, 413, 415, 422,
428-9
marching 123, 398, 409, 410,
412, 413, 414, 415, 419, 420,
427, 428, 430
skolekorps (Norway) 415
pub band 663
-stand 123, 409, 410, 428, 429
bandit[s] 364, 365
bang! 648
Bangs, Lester 65, 80
ORCHESTRATION
banjo
bank holiday HOLIDAY
Banks of Newfoundland 336
banners FLAGS
bar[s] (for drinking in) 329, 392-3,
464, 570, 572, 672, 675
plush 393
pub band 663
smoky 569, 570, 579
speakeasies 570
Barcelona (Queen) 424
Bare, Bobby 353
bare fifths 533
Baretta 585
baritone REGISTERvocal
Barlow & Morgenstern 226, 443,
582
Barn av vår tid 620
barn dance 391
Barnard, Charlotte Allington
CLARIBEL
Barnes, Fred J 213
Baroque 99, 101, 183, 517
Barry, John 367, 573, 626, 627
Barry Lyndon 14
Barta, Alexander 171
Bartel, Dietrich 16, 47
Barthes, Roland 67, 490
Bartók, Béla 30, 36, 187
Barwick Green 412
baseball 329, 330
Bashford, Major Alex 398
Bashung, Alain 456
Basie, Count 41, 204
bass †REGISTERlow
Alberti 171
anacrusis 590
descent 187, 432-3,
doomsday 660
double (contrabass) 195, 540-1
drum 622
electric 432-3, 462, 476, 504-5,
608-9, 624, 628
line 221, 222
gender traits of 669
ostinato 590–595
piano octaves in 590
plodding 565–566, 571, 592, 604
rhythm in 624
riffs 599–600
static 535
synth 621
vamp figure in 590
walking 100
bassoon (farts) 588
Bastow, George H 412
Bates, Norman 101
Bath, Hubert 201, 203, 411
bathing 239
bathos 217
battle 388, 417, 569, 605
Battle Hymn Of Lt. Calley 423
Battle Of The Dragon 424
Battle on the Ice (Prokofiev) 589
Baudrillard, Jean 26
Bauer, Raymond A 43
Bavaria 413

Ten Little Title Tunes – Index bawdy – Bonnie 859
bawdy 391, 597
BBC 39, 412, 413, 416, 417, 429
radio news 488
TV 409, 580
beach 136, 239–240, 256
Beach Boys 62, 368
bears 197
beating 430
Beating Steeel Blues 600
Beatles 21, 30, 36, 44, 61, 62, 108,
179, 335, 345, 413, 448, 457, 469,
561, 573, 575
beatniks 582
Beaud, Paul 41-43
beaut/-y/-iful 132, 136, 177, 236,
245, 430, 647, 649, 673-4, 677
Beavis and Butt-head 313, 430
bebop 582, 586, 587, 597, 629
Bebop Tango 585
Becce, Giuseppe 30, 31
Bechet, Sidney 567, 570, 597
beck[s] 99, 233
Beck, Alison 606
beep 648
Beethoven, Ludwig van 13, 14, 18,
19, 22, 30, 31,54, 61, 99, 177, 516,
517, 533, 535, 537, 581, 651, 675
‘beew!’, ‘peeow!’ 115, 648-9
Begleitmusik 15
behind (VVA) 134
Bei jener Nacht (Strauss, R) 444
bell[s] 153, 414
bell-like 637
Bells of St Mary’s 414
Jingle Bells 589
Liberty Bell (as bell) 414
sleigh 589
tubular 370, 398, 413, 414
belligerent 423, 426
Bellini, Vincenzo 31
Belz, Carl 42, 64
bends 653, 658
Beneath the 12 Mile Reef 569
Bengtsson, Ingmar 268
Bennett, Richard Rodney 580, 604
Berceuse (Iljinsky) 250
Berg, Alban 30, 495
Berg, Charles M 30
Bergman, Ingemar 429
Bergson, Henri 585
Berlin 16, 39, 40, 43, 61
Berlin, Irving 96, 422
Berlioz, Hector 30, 71, 246, 313,
327, 380, 471, 517
Berlipp, Friedel 600, 829
Berner XZ Shampoo 265
Bernstein, Elmer 5, 351, 570,
580-1, 582, 594–5, 596, 599
Bernstein, Leonard 56, 230, 246,
340, 582, 584, 585
Berry, Chuck 21, 367, 368, 373-7
Bertolucci, Bernardo 197, 456, 569
beseeching 380
Besseler, Hans 40
Bethlehem 533
betrayal 581
Bette Davis Eyes 108
Bewusstsein 17
bhangra 62
The Bible 24, 533
bidet 602
big band BAND[S]
big city CITY
Big Concerto Movie Themes 171,
198–203, 232, 269 †DREAM OF
OLWEN †PIANO †PIANO CONCERTO
†BRIEF ENCOUNTER †SEVEN-
YEAR ITCH
LP sleeve 198
Legend of the Glass Mountain
(Rota) 171, 201, 203, 232
Piano Concerto #1 B$ in minor
(Tchaikovsky) 175, 177, 199
Rhapsody on a Theme by Paganini
199, 211, 232, 269
Spellbound Concerto 232
Warsaw Concerto 171, 198, 199,
200, 201, 203, 232, 269
The Way to the Stars 201-3
big country CHORDS MODES
CADENCE PANORAMA
The Big Gundown 652
big scenery, see PANORAMA
Big Spender 574, 584, 585, 590,
593, 598
big-band Angst 580
bike / biker[s] 585, 623
bikini CLOTHING
Billboard 108, 395
terminological shifts in 374
billowing 201, 240, 248
Billy the Kid (Copland) 100
bimodality 344, 345, 346, 361
biological clock 24
biomusicology 10, 15
Bird Dog (Everly Brothers) 357
birds 239, 244, 261
birhythm METRE
Birmingham school CCCS
Birnbaum, J A 17
Birth of a Nation 191, 211
Birth of Venus (Botticelli) 259
Bitch (Rolling Stones) 630
bitter[ness] 185, 189, 453, 460, 459
bitter-sweet 115, 442, 445-6,
461, 577
love and crime 458–466
Bizet, Georges 30, 319, 320, 338,
339, 341, 348, 656
Björnberg, Alf 45, 56, 108, 313
black American (USA)
AFRICAN-AMERICAN
black and white (monochrome film)
97, 238, 415, 418, 428, 429, 601
Black Dog (Jethro Tull) 630
‘black’ music 71
Black Panthers 42
Black Widow 676, 677
Blackbird (Beatles) 62
Blacking, John 38, 56, 83
Blackmore, Ritchie 462
The Blacksmith 346, 350
Blades, James 496
Blair, Tony 62, 421
Blake, Norman 345, 353
blank responses 118, 632
blasé 199
Blazing Saddles 351, 395
blind respondents 141
bliss[ful] 178, 179, 208
Bliss, Sir Arthur 60
Blissed Out (Reynolds) 67
Bloch, Ernst 446
blonde (woman) 244, 245, 265
blood 137
Blood Sweat & Tears 206
Blow Up (Antonioni) 578
Blowing Wild 395
Blue Moon 212, 213
Blue Skies 218
Blue Tango (L Anderson) 86, 421
blue yodel 353, 373
bluegrass 352
The Bluegrass Boys 352
blues 102, 372, 570, 595–6, 627–31
minor-key 628
shuffle 565
slow 565
riff 630
shuffle 564, 627
12-bar 627, 630
$VI7-V7 in minor key 629
The Blues Brothers 600
boardroom 359
boat[s]/boating 167. 236, 238, 240,
245, 248, 249, 674
body/bodily[ness] 70, 71
bodyism 71-3, 79, 89, 421, 805
essentialism 272
oblivion 76
body language 105
body music 65, 421, 423
corporeal[ity] 60, 264
decontextualised 67
kinetic anaphones 100
movement and 270
rock music 70
rockologist notion of 65
Bogart, Humphrey 135, 573, 585,
605, 676
Bohemian Rhapsody (Queen) 424
Boilès, Charles 56
Bois épais (Lully) 174, 315
bold[ness] 624, 625, 628
Bold Robert Emmett 347
Boléro (Ravel) 319
Bolero On The Moon Rocks 464
Bolin, Tommy 462, 608
Bolinger, Dwight 53
Bolivia (Trad.) 333, 334
Bollywood 94
bolo de mel 805
bombastic 133, 416, 419, 424, 428
bomber (B52) 99
Bonaldi, Jorge 335
Bonanza 136, 304, 305, 375, 376,
377, 378, 381, 383
Bond, James JAMES BOND
bondkomik 805
bongos 634-7, 645, 647, 649-50, 654
Bonnie Dundee 349

860 Bonnie – Camptown Ten Little Title Tunes – Index
Bonnie Woodha’ 308
boogaloo 653
boogie 274, 658
books – ‘dead medium’ 490
Boosey and Hawkes Recorded Music
Library LIBRARY MUSIC
boot camp 425
Boots (UK retail)108
Borch, Gaston 567
boredom/boring 104, 111, 133, 623
Born To Be Wild 585
Born Under A Bad Sign 594
Borneman, Ernest 71
Borodin, Alexander P 100, 321
Botticelli, Andrea 259, 260-1, 264
Bouchard, Marie-Ève 457
Boulez, Pierre 30, 230
bourgeois 266, 430
parlour 233
private sphere 28
revolution 16, 18, 22
subjectivity 8, 17, 23, 26, 29
dilemmas of 24–26
bouzouki 467, 471
boxing 426 †SPORT
boy 251, 532
‘all-American’ 532
little boy 463
Boy In A Bubble 487
Boyd, Jim 374
bpm 805
Brackett, David 56, 89, 104
Bradley, Dick 10, 81, 82
bragging 594
Brahms, J 30, 48, 313, 320, 446, 517
Branded (TV) 380
Brandeis University 42
Brandenburg Concerto #6 187
brash 381
brass
band BAND[S]
Bonanza 378
section 300, 476, 540-1,
Streetcar 568, 569
timbre 376
Bratton, John W 411
Braun, Eva 602
brave[ry] 133, 137, 346, 380
‘brave’ 346
Brazil 116, 117, 413, 796
Trad. 333, 334
break 134
breakers WAVES
break-in ROBBERY
polysemic VVA 138
Bréal, Michel 47
Brecht, Bert 39
breeze WEATHER
Breil, Joseph Carl 191
Breitkopf 327
Brezhnev, Leonid 428
Bricmont, Jean 71
Brief Encounter 199
briefcases 486, 494
Brigg Fair 323
bright[ness] 133, 212, 213
Bright, William 51
The Brighter Day (radio) 316
brimming over 382
Brindisi 467
‘Bring ’em on!’ 426
Bringing In The Georgia Mail 353
Brinkley, Dave 491
brisk 97, 411
Bristol 309
Britain/British UK
Britten, Benjamin 30
brittle 646
broad expanses PANORAMA
‘broad’ mood 662
broadening 172
Broadcasting Yearbook (USA) 13
Broadway 584
Brodzsky, Nicholas 201-3
broiler performers 19
broken chords 171
Bronson, Charles 587
brook BECK
Brooks, Bill 103
Brooks, Mel 5, 395, 648
The Brothers 805
Brown Sugar 62, 662, 663
Brown, Milton 373
Brunner, Yul 5
Brünnhilde 208, 218
brutal 486, 647
Bruton Music LIBRARY MUSIC
Bryan, Charles F 374
Buckingham Palace 61, 423
bucolic 383
Buelow, George J 16, 47
Buenos Aires 336
bugle calls 375
Bugs Bunny 575
buildings 393, 494
Bullen, Frank T 325
bullfighting 330
‘bullfighter beat’ (Gillett) 338
music for 371
bullying 223
bumble bees 100
Bunker, Ed 659
Il buono, il brutto, il cattivo
304, 331, 346, 376, 378, 396, 456
bureaucracy 19
burglary ROBBERY
Burnett, Leo (ad agency) 467
Burns, Robert 345, 346, 349
Burr, Rayomond 592
Bush, George II (W) 423, 426
business 25, 27, 492, 496, 674
‘is business’ 25, 27
studies 9, 10
businessmen 494, 498
buskis 805
bustle/bustling 172, 235, 246, 388,
389, 393, 598, 599, 674
busy 246, 247
xylophones 494–498
Busy, Busy Highways 496, 497
butch 677
Butler, David 464, 580
butterflies 244, 246
Buxtehude, Diderich 19
buzzwords 18, 60, 66
bygone days 321, 420
Byrd, William 99, 182, 454, 455
Byrds 355
C
cabaret 410, 416
Cacavas, John 6
cactus 305
Cade’s County (Mancini) 351, 358
cadence[s] 211, 451, 659, 663
Cadence (film, 1990) 425
chromaticism in 209
cowboy half cadence 302
interrupted 103, 209, 629
pandemonium at (rock) 663
perfect (V-I) 516
precadential 184, 185, 186, 194,
196, 200, 201, 211, 215, 221
US military 422, 425, 430
cadenza 201
caesura 355
café-conc’ 23
Cage, John 30, 370, 556
The Cage (mining song) 354
Cagney and Lacey 676
cakewalk 100
Cale, J J 661
California 355, 356, 361, 647
arms industry boom 374
California Über Alles 647, 832
call-and-response 355
caller (military cadences) 425
Calley, Lt. William 423
calling (in melody) 354-5
Callinicos, Alex 71
call-up (war) 416
calm 132, 217, 220, 224, 236, 239,
268, 270, 430, 518, 530, 673, 674
keeping calm 224
sylvan calm 177
tranquil[ity] 132, 177, 179, 383,
499, 514, 518, 533, 670, 673
CAM LIBRARY MUSIC
Cambridge 223, 368
University 49
Press 67
The Camelia Lady 189
Camelot 386
camera and visual editing
close-up[s] 264, 388
‘filmed backwards’ 346
helicopter sweep 515
panning 139
out-of-focus 620
position 139, 140
slow motion 136, 224, 244, 268, 270
soft filter 244
zoom 139, 239, 388, 418, 419
Cameron, Ian 464
Camp Pendleton 425
Campbell J G 106
Campbell, Glen 488
campestral FIELD[S]
Campian, Thomas 182
Campo, Francisco Flores del 361
De Camptown Races 325

Ten Little Title Tunes – Index Canarios – chords/intervals 861
Canarios (Sanz) 341
can-can 293
canción 356
Canción para mi América 335
cancionero criollo 344
Canciones chuecas 347
candelabra 199
Cannon 585
canon[s], etc. †ABSOLUTE †AUTHEN-
TIC †CLASSICAL † FOLK †ROCK, etc.
advantages for institutions
31, 32, 38, 84
authenticity 42
European classical music 11,
12, 17, 18, 19, 28, 29, 30, 32,
34, 37, 39, 41, 46, 48, 53, 55,
61, 66, 68, 69, 74
intellectual 60, 80
jazz 41
rock/pop 61, 64-78, 272
Cantardo arriero (Galícia) 350
canter[ing] HORSE
Canto para cosechar la papa 333
Cantoral, Los Hermanos 356
Cape Horn 309
capital
accumulation of 24, 26
gains tax 421
capitalism/capitalist 8, 21, 23-7, 27,
60, 75, 421, 673, 679
commodity fetishism 650
finance 75
greed 26
monetarism 72, 87, 421, 422
money 22, 25, 26, 664
deified fetish of 26
subjectivity under 8, 17, 23, 26,
29, 60, 75, 76
Capital Radio News 487
capped intervallic outbursts 270
Capriccio espagnol 319, 339, 347
Captain Blood 171
Captain Jack (cadence rhyme) 426
car[s] 138, 382, 383, 461, 494, 496,
498, 499, 617, 621, 622, 623, 646,
656, 657, 658, 660, 672, 674, 675
anaphones of 622
car crash 651
carefree 132, 224, 430, 662
caress[ing] 131, 172, 674
Caribbean 567
caricature 419
Carmen 319, 320, 338, 339, 341, 348
Carmichael, Hoagy 268
Carnes, Kim 108
carnival 415
carousel 496
Carpenter, John 600
Carter Family 374, 375
Cartesian split 27
cartoon
figure 494, 495, 498
music 575, 577
Cartwrights, The 366, 378
cascading 261
Cash, Johnny 374
Cass, Henry 203
castle 589
Casualties of War 456
catastrophe 123, 133, 567
categories
connotative 675
emotional 430
musical 103–105
non-verbal 675, 677
MUSICOGENIC VVAS
cattle 100, 393
Cavendish LIBRARY MUSIC
Cawelti, John 291, 580
CBS Evening News 341, 388
CCCS 10, 64-5, 79, 81, 85, 805
celebrate, celebration[s], celebratory
97, 123, 409, 410, 412, 415,
417, 419, 420, 422, 423, 428, 430,
647, 657 †FESTIVITY †HOLIDAY
centenary 415
galas 410
jubilee 61, 416
public 422
wedding 328, 416, 417, 675
celebrities 263, 254
celesta 239, 414, 588
cello/celli STRINGS
Cello Concerto (Elgar) 223
censorship (music) 468
centenary 415
Centre f. Cont. Cult. Studs. CCCS
Centre for Mass Communication
Research (Leicester) 81
centrifugal 102
The Century of the Self 43
C’era una volta in America 197, 456
C’era una volta il West 377, 652
ceremonial 409
Chambers, Jack 580
champagne 199
Champion the Wonder Horse 295
championship (sport) 428
The Champs 336, 361
Chandler, Raymond 301, 580, 629
changing the guard 409, 415
Channel Four TV 75
Chanson Triste 315
chants / chanting 576
Anglican 175, 176
CADENCE (US MILIT.)
chaos 133, 461
Chaplin, Charlie 428
Modern Times 484
character building 222, 223
charity (cultural) 23
Charles, Prince of Wales 62
Charmaine (Rapée)190, 211
Charpentier, F 218, 227
Charters, Samuel 595
charts (record sales) 61
chase / chasing 134, 137, 151, 298,
319, 430, 461, 486, 496, 498, 499,
617, 623, 646, 651, 674, 676
‘chase’ 483
chase and struggle music 300
music 298–302, 587, 599–600
vs riding music 299-302
Wagnerian 300
The Chase (Nighthawks) 600
Chase Across 69th St. Bridge 600
Chase at the Zoo (Mancini) 600
Chase, Gilbert 37
‘cheap’ 487
cheer[-ful/-y] 419, 420, 426, 429,
675 †BRISK †PERKY †JAUNTY
‘cheery violence’ 494
Chernoff, John Miller 38, 71
Cherubini, Luigi 533
chest REGISTERvocal
Chester, Andrew 63
Chew, Geoffrey 518
Chiang Kai-shek’s daughter 532
Chicago (band) 206
Chicago (city) 567, 570, 571
Chicho FERLOSIO 348
The Chiffons 95
Child Support Agency advert 661
childish 532
children 97, 243, 244, 249, 250,
251, 252, 258, 410, 412, 418, 428,
429, 430, 496, 533
fun to kill (for US military) 425
‘lactic acid’ music 495
imitating gun sounds 648
target group 375
Chile 309, 328, 336, 342, 361, 420
Trad. 337, 342
chilena 361
China 322
news reports (1989) 501
Chion, Michel 581
Chips, Mr 428
chirpy 496
chitarra battente 341
chivalry 132, 421
Chomsky, Noam 6
Chopin, Frédéric 31, 168, 171, 180,
189, 215, 218, 225, 226, 227, 228,
231, 232, 314
chorale[s] 178; by Bach 184–185
chords and intervals
†HARMONY †MODES
added 6th (major triad) 173,
175, 179, 208, 221
†sixthsdoorstop
added 6th (minor triad)
half-diminished
added 9th (minor triad)
minor-triadm add 9
altered chords 577–578
Amen chord 175, 664
iv, not IV 210–4, 221
augmented chord 208
augmented 4th 584, 587
augmented 5th 626
‘autonomous’ chords 192, 577–8
†half-diminished
Ave Maria chord 173–180, 204,
215, 218, 270, 805
backing chords170
bare fifths 533
big-country chords 344, 357-62
broken chords 171
capped intervals 270
clusters (diatonic) 536

862 chords/intervals – Cigars Ten Little Title Tunes – Index
crisis chords 212, 221, 806
†Amen †half-diminished
cowboy chords 357-362
crunch chord 456
detective chord[s] 625-628
minor-triad chords min.maj,
min. 6 add9
spy chord 578
diminished 208, 226
5th flat 5th half-dim.
7th (dim.) 21, 186, 189, 445
8ve 630
dominant[al] 173, 192, 205, 213,
214, 345, 372 †HARMONY
ninth 204-5
minor ninth (V -9) 577
secondary dominant 629
doorstop interval 228, 229, 806
enharmonic 182, 212, 626, 629
falling intervals 450 †DIRECTION
falling sixth 225
fifths 103
augmented 626
bare 533
diminished flat 5th
distorted 652, 660
parallel 533
rising 624
flat 2/supertonic ($II) 558
†MODESphrygian
flat 2nd/supertonic ($2)
†MODESphrygian
flat 3/mediant ($III) 361, 662-3
flat 3rd/mediant ($3) 442, 573-
4, 584, 662 †MODESminor
flat 5th ($5) 448, 579–588, 597,
599, 601
flat 6/submediant ($VI)
206, 215, 361, 558
$VI-Vt 157, 212–4
$VI7-V7 (blues) 629
interrupted cadence 103
†Neapolitan †MODES
flat 6th/submediant ($6)
442, 445-53, 466
flat 7 ($VII) 179, 322–336, 350,
355, 356, 360, 357-372, 663
$VII-I 662
as pivot 359 ff.
flat 7th ($7) 322, 361, 372, 495,
630 †MODES
flat 9 ($9 or -9)
dominant V -9 577
suspension 212
flat-side chord change 664
half-diminished (m6, m7$5)
180-203, 205, 207-8, 211–4,
215, 269, 464, 566–73
‘autonomous’ 192, 566-7
concerto pathos 198-202
modulatory/pivotal 187-92
woe etc. 181-6, 567-73
intervals (generic) INTERVALS
intrusive chords 345
inversions 102, 215
menace chord 656, 662
major 3rds 494, 495
major 6ths sixths
major 7ths 356
†minor-triadmin.maj. (7 or
9)
major ninths ninths
major-triad chords
add6 added 6th
maj7 ( ∆7) 208, 221
sus9 suspended 9th
mediant flat 3 flat 3rd
major 3rds
minor 3rd, 6th, 7th, 9th
flat 3[rd], 6[th], 7[th], 9[th]
minor-triad chords 111, 517
†half-diminished 156-7
chromatic 566-73, 628–31
crunch $3´2 456
min. 6 (m6) 203 ff., 566–73,
578, 596
min. 6 add9 (m6add9)
625, 627
min. 7 (m7) 173–80, 221, 578
min. 7 flat 5 (m7$5/m7-5)
half-diminished
min. maj7 (m∆7) 626
min. maj9 (m∆9) 206, 578
min. add 9 (madd9) 114,
115, 208, 422-3, 453–466,
566 ff., 577–9, 589, 666
min. sus9 454-5
min. 11 (m11) 578, 585
min. Amen 210–4, 221
subdominant min. Amen
modal MODES †flat 3, flat 7
Neapolitan 20, 209, 212–4
ninths 97, 111, 204–208, 215,
218, 221, 412, 461
added 577–579
detective 625-628
dominantminor (V-9)
major minor-triad m add 9
minor-triad min.add 9
modulating 212
prepared (or not) 204-5
octaves
diminished 626, 629, 630
Picardy 3rd tierce de Picardie
pivots 180, 215, 345
Dallas pivot 359
$VII chords as 359 ff.
†HARMONYmodulation
power chord 652–3, 654, 660
second chord (IV6/ii7)
173–180 †Ave Maria chord
second (supertonic degree)
181, 188, 226 625 †second
chord †Ave Maria †flat 2
second (interval) 179, 453, 513,
587, 662 †semitone
secondary dominant 629
semitone 179, 190, 207, 516, 598
in madd9 453-8, 461, 464-6
slides 573–577
SIGHING INTERVALS
sixth[s] 97, 412
major and minor 625
doorstop 228, 229, 806
†flat6 †flat 6th
drops SIGHING INTERVALS
falling SIGHING INTERVALS
skipping to 226–231
warm tone 229
sevenths 412 flat7 flat7th
maj.-triad chords7
min.-triad chords7
MODES
drops SIGHING INTERVALS
major in minor key 626-9
shuttle (between two chords)
95, 214, 805
mixolydian I↔$VII
358, 360-1, 630
Shout! I↔vi 345
split chord 168, 226
spy chord 578 detective chords
submediant sixth[s]
subdominant[al] 173, 176, 179,
187, 191-2, 195, 210-11, 214,
346, 533, 536-7 †HARMONY
minor variant 210–4, 221
rurality and the 536
supertonic second
suspended 4th (sus4) 208, 414
$7sus4 221
suspended 9th (sus9)
204–208, 221, 454-5
suspension[s] 172, 175, 180
pleasant/unpleasant 208
thirds/mediant
†major-key †minor-key
major 494, 495
minor flat 3 flat 3rd
tierce de Picardie 344, 361, 391
no equivalent opposite 389
triad 809 †major †minor
Tristan chord 189, 191
tritone 443, 447, 625, 626
†augmented †diminished
substitution HARMONY
two-7 chord (ii7) Ave Maria
vamp 492
chorus SOUND PROCESSING
Christ lag in Todesbanden 185
Christ, Jesus 25, 170, 173, 177,
185, 186, 456
baby Jesus 258
Christgau, Robert 65, 80
Christian, Charlie 373
Christianity 25
Christie, Agatha 580, 604
Christmas 196, 430, 588
carols 311
pastorales 533
White Christmas 589
Christmas Oratorio 101, 517
chromatic[ism] HARMONY
chrom/-e/-ium 486, 496, 646, 674
church modes MODES
church music (English) 175, 176
Church of the Flatted Fifth 579–588
Churchill, Frank 445
Churchill, Winston 417
CIA 6, 420
Cielito lindo 356
cigarette[s] 136, 461, 617, 674
Cigars, Muriel 585

Ten Little Title Tunes – Index cinema – Come un lamento 863
cinema 420
VVA category 553
newsreel 416
Cipriani, Stelvio 589
circle of fifths HARMONY
circus 97, 123, 409, 410, 412-3, 424
bands 412, 427
definitions 416
Citizen Kane 569
Città violenta 587
city 139, 303, 388, 389, 393, 413, 459,
487, 496, 619, 623, 646, 674 †URBAN
big city 494, 617, 621, 676
vs country 298
Ciudád Real 336
Civil War
US South & cowboy songs 324
civilian[s] 410, 416
Clair de lune (Debussy) 171
clandestinity 133, 569
Clapton, Eric 60, 62
Claribel 219, 220
clarinet ORCHESTRATION
Clarinet Concerto in A (Mozart) 14
clarinetists 597
‘Clark Street’ (E Bernstein) 580,
582, 594–595, 599
class 23, 38-41, 60-1, 64-5, 70-2, 79,
83-86, 418, 429
differences 418
middle class 38, 64, 71-3, 83
music as class identity 23
privilege 421
ruling 41, 65, 79, 84
social mobility (up/down) 24
struggle 42, 430
upper class 170-1, 269, 429, 674
aristocracy 60, 224
English 224
snob 430
‘well-bred’ 430
up-market 676
working class 40, 42, 70-1, 84-5,
values of community 86
classical music (European art music)
19, 60, 66, 103, 215, 269, 500,
514, 516, 517, 518, 519
becomes ‘classical’ 18
canon of 11, 12, 17, 18, 19, 28,
29, 30, 32
‘classicalness’ of 196
institutional aesthetics of 11 ff.
meadows and 244
petrification of tradition 18–19
popular music as 62
Classics by Candlelight 516, 518
classification †MUSICOGENIC †VVA
Appendix 4 745-768
emotional 430
library music 125-30
musicogenic 675
classroom situation 118
clavinet 388, 476, 495
Clayderman, R 136, 175, 516, 518
clean 137, 153, 245, 588
sound 637, 653, 660
light 133
Clear Rock’s Chisolm Trail 325
Cleese, John 224
clever 676
cliché 647
cliffs 604
Clifton, Harry 294
Cline, Patsy 228
clinical 588
clip-clop 100, 295-6, 303-4, 343,
396, 591
US or Latin 342–343
cloak-and-dagger 368, 624
clockwork 622
A Clockwork Orange 14
Cloonan, Martin 89
close CLOSURE NEAR VS FAR
close shave 217
close-up[s]
camera 264, 388
microphone 472
vs panorama 388
closure 658, 659, 664 †CADENCE
closural device 228
Miami Vice’s lack of 660, 664
clothes/clothing 499 †FASHION
bikini 264
bow tie 418
fedora (hat) 584
flared trousers 553
costumes
loud 423
Western 331
dinner jacket 499
dress
long, flowing 257, 266
white tulle 244
elegant 132, 386
headbands (towelling) 650
leg warmers (pastel shade) 650
loose 248
outfit (costume) 424
ragged 331
robes 253
sartorial 605
tails 499
toga 18
skirts 391, 394
trenchcoat 584, 585
turban 418
white 244-245, 674
clouds 240, 261, 518
of sand 386
clown[s] 428, 429
club[s] 151, 265, 464, 570, 572, 597,
601, 617, 650, 672, 675
clustering (statistics) 149
clusters (diatonic) 536
Clwydian Hills 254, 265
coarseness 430
coast 674
Coates, Eric 222, 224, 724
Coborn, Charles 294
Coca Cola (is “it”) 74
Cocaine (J J Cale) 661
cockrel as major third 47
coconut shells 292, 295
codal interference 274
Code Napoléon 22
coercive 134
cogitation 430
cognition, musicogenic 105
Cohen, Stanley 85
Cohn, Nic 64, 65
Coker, Jerry 272
cold 133, 589
Cold War 367
Coleman, Cy 574, 584, 585
collective vs individual 391–394
collectors (folk music) 38
college 410
girls 668
of music CONSERVATORIES
Collier, John 259
Collins, Charles 213
Collins, Karen 30, 61, 89
colonialism 38
British Empire 63, 223
colonial service 223
colonisation 45
European 60
Spain, Portugal, Naples 329
Colorado 355
coloratura 224
colour 133, 530, 534
Farben (Schönberg) 535
Coltrane, John 32, 583, 628
Columbia University 44
combat/-ive 426
Il combattimento di T. e C. 471
Come into the Garden, Maud 174,
205
Come un lamento (Verdi) 574
comedy 346, 429, 626, 674
comic bustle 494–498
humour 97, 132, 412, 413, 419,
428, 495
incongruity a prerequisite 413
joke[s] 132, 627
come-ons 592
The Comets 375
comfort 170, 173
comic[al] COMEDY
Comin’ Round the Mountain 377
Comin’ Through The Rye 349, 352
coming home 134
commandments (biblical) 24
commercial 6, 23, 35, 43, 56, 68, 72,
85, 264, 396, 468, 554
US Country music 373–5
†ADVERT[ISING]
commodity / commodities
fetishism 650
metamorphosis of 23
subjectivity and exchange of 24
common sense, musical VVAS
communists 425, 426
community 391–394, 621
commutation (a.k.a. HS or hypothetical
substitution)
95, 98–99, 105, 194, 205, 217,
227, 352, 335, 350, 360-1, 381,
385, 386, 451, 453, 494-5, 497,
562, 599-600, 806
compact 604

864 Compañeros – coward Ten Little Title Tunes – Index
Compañeros 347
comparative musicology 36, 38
competence (musical) 9-11, 104
competitive 428
sport 426
complaining 182
complex[ity] 132, 604
theories of 87
complicated 590
compose, composition, etc.
composers 97
film music 31
composing 78
compositional norms 102
recomposition 98, 142
compound melody 230
compound metre METRE
compulsion vs choice 76-7
computer games 7
conceptualisation, problems of
absolutism 26
dissociation 25, 26, 28
concert[s] 410, 428
concert hall 169
concert music 30
rock concert 620
repertoire in C19 France 19
Concerto in F for Piano and
Orchestra (Gershwin) 578
Las conchitas 336
Concierto Aranjuez 371
concrete (urban) 620, 623, 646, 647, 674
confidence 132, 491, 495
confident look 604
self-confidence 585
conflation of text and context 75–6
conflict[ive] 132, 134, 430, 569, 623,
646, 672
confusion INCONGRUITY
conga (dance) 348
congas (percussion) 647
congeneric 53
conjunct ascent / descent 383
conjunctions 122
Conlan, Joseph 661
Connery, Sean 135, 572
Connolly, Billy 353
connotation[s] 112 et passim
Eco’s definition of 273
coherence of (Streetcar) 551–5
jumble of 417-8
logic of 105
conquer 134
conquistadors 291
Conroy Music LIBRARY MUSIC
conscience, dilemmas of 25
consequent 383, 384, 386, 387
†ANTECEDENT
conservation of music 60-61
conservative (ideol.) 421, 677
Conservative (UK politics) 417
conservatories 9, 10, 11, 19, 60
slated by Hindemith 30
consolation / console / consoling
173, 176, 177, 178, 179, 217, 430
consonance 172
Constable, John15
constructional 10, 94
competence 9, 28, 806
descriptors 91, 806
problems of 94–95
consumerism 60, 66, 70, 74, 75, 76–
8, 89, 420, 421, 621, 647, 650, 664
cultural studies and 87
psychotic symbiosis in 76
rise of 420
vs production (of music) 618
consummation 178
containment of emotion 223, 224
contemplation 132, 460
contemporaneity 553
contentment 535
contest(ation) 426
context and text 68–78
contextual metadiscourse 10, 806
contextual VVAs 137–140
Conti, Bill 676
The Contours 472
contradictory INCONGRUITY 412
contrary motion 536
Contras 6, 420
contrived 346, 387
control 132
emotions 224, 270
example 412
groups RESPONDENTS
restraint 224
contusive 134
conventional sign 53
Cook, Nicholas 56
Cooke, Deryck 49, 56, 189, 190,
195, 206, 312, 552, 582, 584
cool 60, 132, 245, 265, 579–588,
594, 619
polysemic VVA 138
‘Cool Boy’ (West Side Story) 584
Cool Water 395
cop[s] POLICE CRIME
Copacabana 329
Copenhagen 413
Copland, Aaron 30, 100, 536, 537, 625
cor anglais ORCHESTRATION
Corbucci, Sergio 332
Corcovado (Jobim) 196
Corea, Chick 578
Corelli, Archangelo 183
Corfu 467
Cori di Didone 370
Coriolanus 651
cornfield 243, 265
Cornish Rhaps. 171, 201, 203, 232
corny 415
Coro tipico (Villa Lobos) 458
corporations (multinational) 420
corporeal[ity] BODY
Corpus Christi 178
corrido 371
Cosa avete fatto a Solange? 587
Cosby, Bill 501
cosmic 530
Cossacks (high kicking) 470
Costello, Elvis 456, 625
costumes CLOTHING
Count Basie 622
counterpoint (gestural) 225
countess 386
country[side] 101, 139, 195, 218,
224, 238, 241–246, 248, 257, 382–
5, 461, 516, 674
vs town 391–394
NATURE RURAL
Country [& Western] music
102, 295-6, 343, 471
crossovers to thriller and Latin
genres 395–396
electrification and commercialisation
of 373–375
influence on rock 373–375
‘patriotism’ in 422
percussion in 342–343
couple[s] 167, 218, 224, 238, 239,
244, 265, 430, 458, 459, 460, 500,
514, 674
two people 674
courage[ous] 197, 676-7
Courage, Alexander 624
courteous love 218
courtroom 592
courtroom drama 4
Covach, John 82
cover girls 263
cover version (Virginian) 346
coward 380
cowboy[s] 122, 463, 674
action aspect 367-78, 395
cowherding 350, 355
films and fascism 293
flat seventh chords 357 ff.
incongruous in cities 299
narrative genre 291
routine scenes for music 299
songs 307–310, 324
British origins of 324–327
cowherding songs 350
Swedish TV 296
Viking comparison 307
Crabb, Ivan & Janice 602
Crane, Walter 259, 260
crash 134, 651
crazy 133
Crazy (W Nelson) 218, 228
Cream (band) 586, 594
cream cheese advert 583
Creedence Clearwater Revival 662
creepy 133, 569, 590
Creole 344, 567, 570 †CRIOLLO
crescendo 102, 156, 157, 169, 432,
505, 637
cricket 417, 426
crime 115, 135, 136, 430, 460, 518,
566–573, 577, 580, 581, 601, 617,
620, 621, 623, 666
criminal 4, 5, 6, 133, 135, 459
criminality 114
love and bitterness 458–466
criollo 344, 345, 361 †Creole
crisis 191
chord CHORD[S]
section 419
critical 429
Critical Musicology Forum 8, 57

Ten Little Title Tunes – Index criticism – demographic 865
critical theory 44
critical thinking 679
criticism (rock) 64–78
Crosby, Bing 374, 605
cross-association / cross-connotation
299, 301-2, 469, 473
rock-youth-cars 622
rock-youth-crime 624
crossing hands 233
Crossing Number 9 (Blake) 353
crossovers
cowboy, thriller, Latin 395–396
cross-rhythm 343, 532 †METRE
crowd[s] 172, 235, 423, 428, 500,
619, 674
crowded 392
Crowley, H E 379
crude 133, 533
cruel[ty] 123, 133, 566, 568, 646, 674
The Cruel Mother 336
Cruise, D A 53
Cruise, Tom 4
crunch, minor add9 456
cry[ing] 192, 353, 446, 449, 459,
460, 576, 674
Cry Tough (Poison) 423
Crying (Travelling Willburys) 230
Crying Time (Owens) 575
csárdás 320
Cuando calienta el sol 347
Cuban revolution 355
Cubana Be/Bop 567, 578
La cucaracha 348, 355, 356
cue sheets 30
cueca 342, 361
Cugat, Xavier 361
cult stud[s] 59, 67, 806
cultural conservatism 310
cultural dominance 132
cultural emergence 132
cultural relativity 39
ethnomusicology 38 ff.
cultural studies 8, 78–89
low reciprocity of discourse 83
music marginal in 80–84
pioneers and forerunners 84
problems in 1980s 85–88
pseudo-politicisation of 83
cultural theory 67
culturally ambivalent, negative,
neutral, positive VVAs 131-3
Cumberland Gap 353
Cummings, E E 54
Cupid 264
El cura no va a la iglesia
337, 344, 391
current affairs music 492
Cursos latinoamericanos de música
contemporânea 116, 117, 796
curtir 806
Curtis, Adam 43
Curtis, Tony 596
curve[-d/-s] 133, 253, 256-8
curvilinear 134, 239, 250, 251, 260,
261, 265
Custom Eyes eye shadow 649
cut-off (end Miami Vice) 660
Cutler, Chris 79
cuts (visual/musical) 387
cynical / cynicism 580, 594
Cyporyn, Dennis 341, 352, 354
The Czar’s Messenger 810
Czech[s] 320
Swedish connotations of 329
Czerny études 19
D
‘D’Arnot’s Vision’ 589
Dad’s Army 136, 429
Daffy Duck 575
Dagworthy, Wendy 649
Dahlhaus, Carl 15, 18, 21, 23, 36,
48, 68, 271
Dakota (Shadows) 358
Dale tu mano al indio 335
Dallas (TV) 302
pivot chord 359
The Dam Busters 222, 223
Damiani, Damiano 332
Damnation of Faust (Berlioz) 71
dance / dancing 170, 329, 392, 486,
498–501, 605, 645-6, 650, 653
private and public 498–501
semiquavers in 392
Dance to the Music 653
Dancer, April 621
danger[ous]
133, 137, 309, 430, 461, 493, 601,
647, 650–654, 670
menace 650–54, 656, 660
chord 656, 662
note/tone 651, 660, 661
threat[ening] 5, 133, 135, 197,
307, 319, 419, 461, 464, 566,
569, 573, 604, 618, 619, 644,
650–53, 656, 661, 674
threatened 197, 419
Dangerous Moonlight 199, 203
Daniélou, Alain 558
Dante Allighieri 39
Danube (at 300 kph) 486
Daphnis et Chloë (Ravel) 168, 246,
247, 564
Darbietungsmusik 103
dare / daring 132, 355, 461
dark[ness] 133, 207, 213, 442-4,
446, 448, 450, 452, 459, 460, 466,
566, 567, 568, 569, 570, 572, 590,
627, 674
Darling Corey 353
Darmstadt 370
Darstellungsmusik 103
David of White Rock 517
Davies, Ray 62
Davies, Stephen 56
Davis, Angela 42
Davis, Bette 171
Davis, Miles 41, 367, 371, 578, 582
Davy Crockett 354, 355
Dawn of the Dead 581
day TIMEof day HOLIDAY
Day In The Life 457, 561, 573, 575
Day, Doris 498
De George, R 296
De Guella theme 371, 456
De Niro, Robert 464
De Rose, Peter 268
De Wolfe LIBRARY MUSIC
Dead Kennedys 647, 832
death 133, 173, 177, 185, 190, 196,
198, 203, 307-9, 314, 442-4, 446,
448, 449, 450, 456, 466, 563, 565,
566, 568, 569, 570, 605, 661, 674
dying 182, 183, 207
death metal ROCK
‘Death of Oahn’ (film cue) 456
Deayton, Angus 576
Debussy, Claude 30, 171, 192, 200,
204, 246, 260, 380, 471
decadence / decadent 459, 460
deceit 463
deckare (incl. detective, P.I., i.e. detective
as person or genre, see
Glossary) †CRIME †POLICE †MYS-
TERY †SPY, etc.
127, 135, 206, 366-9, 395, 430,
458-9, 460, 463, 464, 487, 492,
494, 499, 571–573, 579–588, 598,
601, 604, 605, 617, 624-6, 627,
629, 657-9, 666, 668, 674, 676.
gumshoe (detective) 629
private eyes 579–588
declamatory 422
Declaration of Human Rights
(United Nations) 7, 678
deconstruction, musical 78
decontextualisation of body
73, 75, 87, 421
decoration / decorative 416
chromaticism 209
dedicated 197
Dee (River) 255
deep feelings 196
Deep In The Heart Of Texas 368,
374, 375
Deep Purple (band) 109, 114, 141,
268, 375, 462, 607–632, 666-7
†OWED TO ‘G’
Deep Purple (tune) 268, 269
defalsification of music history 679
defeat 569, 604
definite/definitive 132
goal[s] 269, 393, 676
dego 362
deification of money 26
dejection 601
Dejenme paso que voy 337
Delalande, François 56
deliberate 100
movement 269
Delibes, Léo 31
delicate 130, 515
delight 195
delinquency/delinquent[s]
584, 623, 646, 657
Delon, Alain 587
democra/-cy/-tic 4, 7, 46, 63, 80, 84-
85, 88, 90-91,421, 490, 678-9
demographic[s] 8, 13, 117, 142,
149, 326, 375,

866 demonstration – Dr Finlay Ten Little Title Tunes – Index
demonstration (political) 410, 412
Den Frieden, Dem Freiheit 177
denial 186
Denisoff, R Serge 13, 43
Denny, Sandy 323
density 133
Dent, Edward J 16
depart[ure] PARTING
depravity 581
depressive 319
deprivation 22
Depuis le jour 218, 227
Derek and the Dominoes 62
Derringer, Rick 653
Desai, Meghnad 54
descen/-d/-t DIRECTION descend
desert (barren) 297, 302, 354, 381,
388, 674
deserted 138, 389, 393, 536
designation 112, 513
desire (object relations) 71
despair / desperate 133, 181, 185,
203, 456, 471, 599
despondency/despondent 183, 459
destination 389
destiny 459, 672, 674
destructive/destruction 426, 605
Det var en gång en sjöman 429
detective DECKARE †CRIME
†MYSTERY †POLICE † SPY
determination/determined
130 430, 461, 590, 677
Ein deutches Requiem 313
deviation factor STATISTICS
devious 676
devotion/devoted178, 197
dew 172, 235, 247
diabolus in musica 582
†CHORDS & INTERVALStritone
diachronic process 659
diagetic closure 389
Dialogo della musica antica… 312
diapason 223
Dickensian living conditions 22
Dickinson, Angie 676
diction 52
Diderot, Denis 15, 68
Dido and Aeneas 182
Dies irae 565
Dietrich, Marlene 671, 676
Dietz & Rainger 566
difficult[y] / difficulties / adversity /
adversities / problem[s] (VVA)
133, 459, 460, 461-3, 572, 577,
590, 620, 621, 623
setbacks (VVA) 460
Digibells 589
digital sound processing 651
dignitaries 413, 428, 668
dignity 197, 198
digressiveness 555–562
Dillon, Matt 366
Dimetapp antihistamine pills 573
diminished CHORDS & INTERVALS
diminuendo 102, 157, 169
dinner jacket CLOTHES
Dion, Céline 422
Dionysian frenzy 663
directed[ness]/direction[ality] 302,
305, 387, 590 †ADVENTIVE †EXI-
TIVE
anacrusis 102, 103, 115, 169,
200, 242, 297, 349, 359, 442,
446, 447, 450, 451, 563, 592,
590–5, 599, 601, 604, 663
ascend[ing]/ascent/up[wards]
conjunct / disjunct 383, 385
triadic 383
intervals 442, 443, 444, 445,
446, 447, 448, 449, 450,
451, 452, 453
backwards 346
retrogr/-ade/-essive 175, 560
descend/descent, falling 139,
379, 385, 442, 443, 449, 450,
451, 452, 453, 466 † MELODY
downwards 569
end of blues period 630
darkness/night 444
melody 595–596
forwards 73, 102, 211,215, 591
harmonic 215, 514, 587, 626-8
horizontal change 657–64
skips to 6th 227–231
melodic 379–382, 452
OVER/ACROSS
problems of 297-8, 568, 657–64
propulsive 211, 215, 341, 385,
490, 491, 590, 622
to and fro 72, 674
towards 297
dirge 570
dirt[y] 133, 459, 460
disappointment 133, 217, 660, 661
disaster 198, 674
discipline 133, 223, 421
academic 8-10, 22, 38, 37-38,
47-48, 52, 57-8, 60, 64, 79-83,
88-90, 92, 104
Disclosure (film) 456
disco 168, 486, 488, 491, 646, 531,
646, 648, 649, 652, 654
discothèque 622, 650, 657
vs rock 622
discomfort 463
discontinuity DISJUNCT[IVE]
discourse, problems of
contextual 10, 806
cultural studies 83
metacontextual 9, 10, 28, 59, 83,
678, 807
metatextual/metamusical 9, 10,
28, 59, 91, 92, 678, 807
musicological 103
†METALANGUAGE †METHOD
Disdain Me Still (Byrd) 316
disgust[ing] 133, 464, 569
dishonesty 463
disillusionment 393
disjunct[ive]/disjointed/discontinuity
97, 101, 265, 268, 391, 442
ascent 383, 385
flooding 221, 225–231
Disney, Walt 589, 591
songs 429
disorder 133, 461
display[s] 97, 410, 416, 424, 427
public 422 †PERFORMANCE
disrespectful 419
dissociation (epistemic) 25-28
business from conscience 25
dissonance[s] HARMONY
distance/distant 137, 353, 354, 415
land/place 445, 447 †FAR
distanced/distancing 138, 346,
372
VVAs 134, 137
distortion SOUND PROCESSING
distress 595–596
disturb[-ance/-ing] 133, 430, 674
Dives and Lazarus 322, 323
‘divine velocity’ 485
The Divinyls 207
division of labour 673
musical 48
Dixieland JAZZ
Do You Love Me? 472-3
dobro 353
documentary 518, 617, 621
Dodge City 302, 605
‘dog-eat-dog’ 75
doh-pentatonic MODES
Doina din Arges 564
doleful 182
dollar film WESTERNItalian
DOMUS 108
Don Cossacks 322
Don Juan 319, 377, 568
Don’t Dilly Dally By The Way 213
Don’t Fence Me In 374
Donegan, Lonnie 353
Donizetti, Gaetano 443, 448, 452
Donna (Valens) 338
Donne, John 54
Donnington, Robert 208
doom 305, 554-5, 651, 660, 664
doom and gloom 314, 449
doomsday bass 660
doomsday registration 153, 637
doorstop note 228, 229, 806
dope 646
dor do cotovelo 806
dorian MODES
Dorian Toccata (Bach) 183
Dorothy (Oz) 389
Dorsey, Tommy 579
Dos Passos, John 301
Double Indemnity 171
double-neighbour elaboration 451
doubt 471
Douglas, Carl 531
dour 207
Dowland, John 181, 316, 577
msus9 in songs by 455
Down by the Riverside 229
The Down Homers 375
down-home 422
Down Wapping 391
downward[s] DIRECTION
Dr Finlay’s Casebook 262

Ten Little Title Tunes – Index Dr Hook – energy 867
Dr Hook (& Medicine Show) 207
Dr No 372, 626, 629
Dr Strangelove 390
Dr Zhivago 136, 171, 452, 470
Dracula 120
dragging 134, 577
Dragnet 572
drama 132, 224, 590, 592, 595, 617
dramatic 127, 300, 417, 422, 590,
598, 604
dream[s]/dreaming 132, 460, 596
as melodic contour category 220
dreamy 170, 269
melodic archetype 268
The Dream of Olwen (‘Olwen’,
Tune 1) 14, 99, 107, 111, 112, 114,
122, 129, 130, 136, 142, 144, 145,
147, 148, 149, 150, 153, 155-276,
297, 317, 382, 414, 449, 463, 464,
499, 514, 515, 516, 532, 557, 561,
597, 621, 632, 666, 667, 668, 669,
670
dreary 577
dress CLOTHES
Dreyfus, Madame 248
drifting 518
drink[ing] 601, 620
Drink To Me Only 323, 324
driving 486, 494, 623, 674
polysemic VVA 138
driving the action 659, 660, 677
drone[s] 312, 323, 346, 533, 661
modal minor 321
low menace 661
droopiness 452
droplets 241, 245-9 †WATER
dropouts 619
drowning 261
drugs 581, 582, 620, 623, 664
drugged 133
public TV advert 661
drum[s] 428, 430, 476 †PERCUSSION
bass/kick 398, 608-9, 622
danger and 650–652
cymbal 608-9
fashion and 649
kit 621, 628
electronic 115
machine 621, 647, 650, 653,
654, 660
snare 378, 398, 608-9, 622, 649
rim shot[s] 295, 296, 305, 342–3
toms 378, 608-9
drum majorette[s] 668, 675
drummer 428
drunkenness 575
dry 122, 305
musical term in Africa 385
term describing sound 651, 654
Du bist wie eine Blume 178, 218
Du großer Schmerzensmann 456
dualism †EPISTEMOLOGICAL
figure/ground, melody/accompaniment
264, 269, 387, 657
dubious 601
duck on horseback 346
Duck, You Sucker! 396
Dudley, Dave 390
duel 371, 569
Duel in the Sun 304, 351
duets for piano 233
Dukas, Paul 591, 592
Dukes of Hazard 621
dulcimer (hammered) 373, 377
dumbing down 85
Duncan, Johnny 352
Duncan, Trevor 348
Dunkirk 416, 417
Dunn, Bob 373
duration of test examples 118
Durch Adams Fall… 456
Durham, Eddie 373
Durkheim, Émile 39
dusty 391
Dvořák, Antonín 31, 303, 319, 320
New World Symphony 325
Dyer, Richard 71
dying DEATH
The Dying Cowboy 308
Dylan, Bob 310, 326, 374, 658
dynamics (loud/soft) VOLUME
dynamism 132, 672, 673
dysphoria 446
Dyuk Stepanovich 322
E
Ealing 104
ear candy 649
Ear Magazine 491, 552
‘earthiness’ 672
Eastern Intrigue (Rundgren) 531
Eastwood, Clint 331, 346, 362, 365,
378, 396
Easy Rider 136, 585
eat 429 †FOOD & DRINK
ebonics (‘jive talk’) 54
ecclesiastical 120
eclecticism 370
Eco, Umberto 51-3, 55, 73, 271, 273
ecological 48
ecstatic 132
Eddy, Duane 367, 368, 375, 395,
599, 600
education 7, 10, 13, 16, 19, 23, 28-9,
31-2, 44-7, 57-9, 61-2, 66-7, 74,
80-1, 83-4, 88, 91-2, 103-4, 108,
116, 222-3, 272, 678-9
democratic imperative 678-9
Sweden 44–46
Edwardian 195 †HISTORICAL
Edwin Hawkins Singers 95
eerie 127, 588–590
efficient/efficiency 133, 421
of musical coding 554
effusive 424
Egmont (Beethoven) 177
eighties (1980s) HISTORICAL
Einfühlung (Lissa) 125
Einleitung i/d Musiksoziologie 41
Der Einsame (R Strauss) 444
Einsamkeit (Schubert) 188, 189
Eisler, Hanns 39, 124
El Alamein, Battle of 416
electric guitar GUITAR
The Electric Muse 323
Electric Musk cologne 649
electrification
Country music 373–375
theories Paris to London 88
electronic 127, 518, 648
elegant CLOTHING FASHION
Élégie 314
Elegy 196
for Organ 221-3
Elgar, Sir Edward 60, 195, 210,
211, 220, 221, 223, 224, 428, 495
elitism 71
Elizabeth II QUEEN
Golden Jubilee, 2002 61
Elle magazine 263
Ellerton, George 316
Ellington, Duke 41, 204, 567, 573,
578, 582, 597
elm tree 257
Elton John 175
Elvira Madigan 14, 21, 215, 241–
246, 262
emancipat/-ion/-ory 85, 421
high art values and 84
rock 65
embrace 195, 224, 250, 391, 646
emergence, cultural 430
Emerson, Keith 600
emigration 308
Emmerdale Farm (‘Emmerdale’,
Tune 6) 101, 107, 112, 115, 129,
139, 141, 142, 147, 148, 149, 150,
150, 180, 214, 215, 248, 254, 381,
382-3, 385, 463, 503–520, 597,
604, 632, 666, 667, 668, 669, 670
as ‘female’ tune 514
melodic shape labels 381
similarities with Virginian 382
non-fictional setting 515
emotion/emotional[ity] †AFFECT
60, 220, 224, 249, 604, 674
abandon 251
capping of 224
categorisation of 430
tension 217
empathy: music’s provision of 125
Empfindsamkeit 11
Empire UK British Empire
empiricism 44 †EMPIRIPHOBIA
lack of in music analysis 105
sociological 43, 43–46
empiriphobia 43, 83, 806
empowerment 85, 88, 291, 679
empty/emptiness 446, 449, 605
Emsheimer, Ernst 40, 45, 46
emulsifying 170
E-Musik 21
En la cordillera llueve 342
enchanting 132
encumbrance 133, 569
The End Of My Old Cigar 411, 412
ending FINALITY
enemy 426
energy/energetic 66, 71, 73, 218,
294, 300, 342, 354, 376, 384, 469,
489, 568

868 Enfance – female Ten Little Title Tunes – Index
L’Enfance du Christ 327, 517
England/English UK
horn ORCHESTRAT.cor angl.
enharmonic CHORDS/INTERVALS
Enigma Variations 195, 221
Enlightenment 11, 15, 16, 17, 27
enmity 133, 410, 430
ENRON 75
Ensminger, M Eugene 293
enterprise 393
Enterprise (Star Trek) 624
entertaining 428
entertainment 60, 123, 410, 412,
419, 424, 428, 429
Entfühlung 125
Entrance of the Gladiators 427
enveloping 646, 661
epaulettes 427
episodic marker 99, 101–3, 806
episodic time TIME
epistemic 68, 83, 89, 90
epistemological/epistemology 9-12
traditions 34
Great Divide 9-12, 27–28
use of VVA taxonomy in 142
eponym (lyrics) TRANSSCANSION
Eppstein, Hans 16, 47
equine anaphone 154, 343
Erbarm’ dich mein, O Herre… 456
Erdmann, Bengt 44
Erdmann, Hans 31
Eriksson, Maj 141
Erlkönig (Schubert) 188, 319
Erlösung (Parsifal) 190
Eroica Symphony 22
eroticism SEXUALITY
eruptive 134, 625
Es schauen die Blumen 446
escapades 429
escape 222, 302, 387
Escape from New York 600
escort agency 676
espionage 631 SPY
Essay on the True Art of Playing
Keyboard Instruments 20
essive 134
established order (political) 418-9
estradnaya muzyka 471
Estudiantina 340
eternal/eternity 18, 25, 39, 76, 239,
189, 484
ethereal 126, 127, 170, 179, 443
ethnic[ity] 319, 371, 377 †EXOTIC
baseball music 330
‘ethnic’ 666
folk lute 466-9, 471-2
German 320
instruments and 466–474
Mediterranean 328
modal 319, 320, 322-3, 329, 330
mood music category 313
tourism tracks 467
ethnocentricity/-ism 31, 39, 78, 666
pentatonicism 531–532
ethnomusicology 8, 22, 35, 36–39,
40, 50, 53, 83, 89, 90, 468
legitimate safaris in 83
Ethnomusicology (journal) 22, 37
étude-broilers 19
etymophony 180, 195, 205, 208,
274, 488–494, 666, 806
Europe[an] 428, 459, 514, 518
Decency Threshold 63
Eurocentricism 38
global power to USA 413
Europe (pomp metal band) 424
Evans, Ray 305
evening 220, 443, 674
Everett, Walter 82
Everly Brothers 357
everyday (adj.) 514, 519, 530, 536
evil 646
evildoers 463
Eviva España 348
Ewell, Tom 199
exaggeration (suspense notes) 627
exalted 186
‘excellence’ 19, 66
exceptions proving rules 54
excite-ment/-ing 132, 217, 246, 299,
426, 461, 623-4, 644, 646, 674
“excited” 483
exclusive scores 151
executioner 5
exertion 376
exitive 134, 139, 140, 387, 459, 460
exotic[ism] 102, 127, 319, 328, 329,
371, 533, 621 †ETHNIC
ethnicity/exoticism 466–74
instrumentation and 466–472
minor modes 327–330
expectation 471
explore/exploring 134, 387
extensional 55, 63, 65
external forces 461 †FATE
external obstacles 459, 460
extramusical 161, 271, 295, 806
†PARAMUSICAL
extreme metal ROCK
exuberance 368
eye shadow 605, 645, 649
F
Fabbri, Franco 10, 79, 81, 89, 96,
101, 806, 809
facial expression 52
fade-out 157, 169, 279, 433, 476,
522, 541, 609,
Fafner (Rheingold) 261
Der Fahnder 624
failure 133, 459
fainting 220
fair (bright) 133
fair (market) 415
Fairport Convention 322, 323
Faith, Percy 142, 278, 292, 346, 361
Falck,Edward 325
Falconetti’s Revenge 600
Falla, Manuel de 320
falsetto 350, 396
Faltermeyer, Harold 5
Fame 500, 620
family 429, 536, 674
target group for Virginian 375
La Fanciulla del West 325
fandango 320, 336-341
Fandango asturiano 338, 339
fanfare 191, 378, 416, 624, 625
electric guitar 376
Fanfare for the Common Man 625
fantasia 518
Fantasia (Disney) 591
Fantasia on Greensleeves 346
fantasy 132
far/far away 388, 472
far from the madding crowd 177
Farben (Schönberg) 535
Fargo, Donna 422
Fari della notte 586
farm[s] 533, 536
farm workers 197
farmhouse 515
Farnaby, Giles 345
farruca 320
fart 419, 588 (bassoon)
fascism / fascist[s] 197, 419, 420
cowboy films and 293
speed, war, hygiene and 485
fashion 136, 151, 171, 496, 552,
553, 605, 647, 649–650, 657, 660,
664, 666, 676 †CLOTHES
African-American 649
drums and 649
elegant 132, 386
hip/cool/‘in’ 60, 132, 495, 579–
588, 619, 647, 649, 650
Latin influences on 649
drums in music for 649
new look 554
1970s and 1980s 553
obsolescence guaranteed 496
old-fashioned 238, 500
Paris 649
show 554, 647, 649
street style 649
stylishness 657
suave 660
‘trendy object’ 552, 647, 649, 650
up-to-date 495, 553, 647
fast SPEED
fate 132, 446, 449, 459, 568, 574, 592
fateful 371, 566
Faulty Records 647, 832
Fauré, Gabriel Pour Dolly 250
Faust 207
fax machines 489
FBI 368
FBI (Shadows) 625
The FBI in Peace and War 572
fear 133, 208, 459, 471, 597, 656
spread by advertising 678
scary 137
fedora (hat) CLOTHES
feedback SOUND PROCESSING
Feld, Steve 53, 83
female †GENDER †GIRLS †MEN
†WOMEN
‘feminine chaos’ 171
femininity 536
in Western narrative 394
male and 666–678

Ten Little Title Tunes – Index feminism – freedom 869
maternal instinct 672
speaking pitch 648
townsfolk 394
tunes 514, 666-678
feminism 71
femme fatale WOMEN
Fender GUITAR PIANO
Leo 373
‘fenderised’ 372
Fenton, George 624
Ferlosio, José Antonio Sánchez
(a.k.a. Chicho) 348, 835
Fernando (Abba) 91, 102, 105, 196,
338, 352, 467
Ferri, Costatino 370
Ferrier, Kathleen 316
fervour 176, 177
festive 410, 417, 428, 429, 430, 673
festivity, festivities †HOLIDAY
132, 409, 410, 424
Fêtes (Debussy) 246
fetish[ism]
commodity 650
folk authenticity 310
money 26
feudal aristocracy 60
feudalism 11, 16, 17, 18, 23
fiddle 391
Fiddler on the Roof 446
field[s] (rural) 136, 224, 243, 262,
265, 303, 381, 388 †meadow[s]
field trip 36
fifth[s] CHORDS/INTERVALS
Fifty Years of Film Music 108
fight[ing] 123, 134, 135, 137, 371,
417, 419, 426, 428, 569
armed combat 423
fight music 599–600
Wagnerian 300
‘fighting for what??’ (US) 430
‘fighting spirit’ (US) 422, 426
The Fighting Side Of Me 423
figure/ground 264, 269, 387, 657
film 617, 623
silent 30, 314, 567
VVA category 553
film music 35, 62, 124
dual commodity character 109
composers of, Germanic 31
functions of 124–125
musematic analysis and 109
music history, absence in 29–32
reception test criteria 109
film noir 463-4, 572, 580, 592
filter (soft optical) 244
final/-ity 206, 207, 210-2, 214, 659
ending 137, 459, 460, 660, 674
final chord Miami Vice 661
Final Countdown (Europe) 424
The Final Rip Off 414
finals (sports competition) 415
finance capitalism 75
fin-de-siècle 257
Finesilver, Mike 465, 466
Finnish grammar 134
Fire (Hendrix) 593
fire 172, 235
Fistful PER UN PUGNO DI DOLLARI
Five Hundred Miles 353
‘five-o’-clock shadow’ 419
flag[s] (incl. ensigns and banners)
409, 412, 415, 428
flageolets 575-576
flamenco 329, 371, 386, 393
Flamini, Alberto 370
Flanagan, Bud 412, 429
flares CLOTHES
Flash Gordon 569
flash[-ing] 646
lights 486, 623
Flashdance 136, 500, 620
flashy 132, 424
‘flashy’ 487
flat ($) CHORDS/INTERVALS
flatpicking 375
Flatt, Lester 353
Flaubert, Gustave 77, 220
Die Fledermaus 102
flickering 247
Der fliegende Holländer 307
flight FLY
Flint, R W 484
float[ing] 131, 136, 244, 253, 260,
flooding 261
Florida 664
Floros, Constantin 48
flow[ing] 136, 171, 233, 236, 237, 238,
239, 244, 245, 252, 253, 258, 260,
261, 262, 265, 266, 269, 270, 382
flower[s] 179, 239, 240, 241–6, 418,
419, 674
flute 157, 380, 433, 648
La flûte indienne 334, 361
fluttering 246–249
fluvial RIVER
Fluxus 30
fly[ing] 131, 307 †GLIDE †HOVER
flight 100
flying saucers 661
The Flying Dutchman 307
Flynn, Errol 171
fog WEATHER
foliage 261
folk music 37
conservatism of 374
in industrial towns 22
Folk Music Enigma 374, 812
folk rock 322
Folkbox album 326
folklore 517
folksy 377
Fonagy, Ivan 53
Fonda, Henry 331
Fonda, Peter 585
Fontana di Trevi 246, 247
food and drink
alcohol 135, 461, 624, 674
champagne 199
eat[ing]29
health food 265
ice-cream 97, 410, 415, 430
långfil 619, 807
meal[s] 410, 429
ornamental gingerbread 228
peanut butter sandwich 661
picnic 412, 415
repas d’amour 244
football (soccer) 428
Footloose (1984) 653
For a Few Dollars More
PER QUALCHE DOLLARI IN PIU
For a Fistful of Dollars
PER UN PUGNO DI DOLLARI
For He’s A Jolly Good Fellow 411
For Other Eye (Elvis Costello) 456
‘for the family’ 122, 123, 463
‘for what??’ 419, 430
force 218
force feed 122
forceful 72
Ford, Charlie 11
Ford, Tennessee Ernie 354
foreboding 652
foreignness 329
foreshortening 663
forest[s] WOODS
forgiveness 178
forlorn 183
form in Miami Vice 661–664
formalism 53, 82
format radio 13
Forschungszentrum populäre
Musik 61
The Forsythe Saga 724
Fort Worth (Texas) 379
Forte, Allen 230, 387
Forty Miles of Bad Road (Eddy) 368
forwards MOTION
La forza del destino 574
Foster, Stephen 325, 377
fotonovelas 806
fountain[s] 172, 235, 247
Four Aces 64, 65, 421
Four Aces of Western Swing 375
fourth estate 22, 60, 70
4'33 (Cage) 556
Foxboro, Massachusetts 423
Foxy Lady (Hendrix) 593–594
fräck[t] 617, 650, 806
‘fräck’ 483
France 459
C19 concert repertoire 19
Francès, Robert 51, 55, 56, 77, 104,
106, 247, 632
Franck, César 19
Frankfurt School 42
Franklin, Milt 356
Franz, Robert 446
Frayling, Christopher 291, 331-2,
345-6, 362-8, 372, 378, 392-4
Freak Out (Zappa) 353
free 133, 137
‘free’ 346
competition 24
market 87
induction 119–121
spirit 652
will 17
freedom 60, 239, 303, 305, 388, 393
‘freedom’ 679
of choice 87

870 Freia – glittering Ten Little Title Tunes – Index
Freia (Rheingold) 261
Der Freischütz 320, 568
French horn HORN (French)
French Revolution 22
frenzy 663
fresh air 248
Fresh Fruit for Rotting… 647, 832
freshness 133
Fried, Frederick 496
Friede (Wolff) 443
friendly 130, 132
fringe areas RANDGEBIET
Frith, Simon 42, 61, 65, 71, 80, 81, 89
From Russia with Love 367, 553
From Silent Night 181, 577
Fromm, Erich 43
front (in front of) 134
Frontiere, Dominic 396, 724
Frostensson, Cecilia 44
frustrated/frustration 469, 471
Fu Manchu 531
Fuchs, Robert 29
Fučik, Julius 427
‘fucking’s good’ 132, 265
fugue 556
‘the full Monty’ 417
Fuller and Warren 308, 379, 382
fun 60, 97, 132, 424, 429, 430
fighting, killing, war as
410, 412, 417, 418, 419, 420,
422, 423, 426, 430
fun and games 418, 423
fun and power 424
potential for 412
spoilt by analysis? 104-5
Fun City 368
functional embodiment 105, 123
Les funérailles (Liszt) 443
funeral[s] 313, 314, 565
march 564
Marche funèbre (Chopin) 314
Funeral March for a Marionette
(Gounod) 591
Fünf Sätze für Streichquartett 29
funk music 425, 653
funny 428, 429
futile/futility 133, 419, 428, 461,
660, 661, 664
fusion (diluted) 670
future TIME
future research 423
Future Shop (retail) 61
futurism 383
Futurist Manifesto 484
fuzz 100, 469, 624
G
Gabin, Jean 587
Gable, Clark 174
gait HORSE
galas CELEBRATION
Galícia 350, 355
Gallardo, C L G 82
Gallilei, Vinenzo 312
El gallo negro 348, 835
Gallone, Alessandra 73
gallop[ing] HORSE
The Galloping Major 294, 412
galop (dance) 293
can-can and sex 293
Gals Around Cape Horn 309, 327-8
game[s]
computer/video 7
rules of the 426
Gamle svarten 295
gammaldans 23, 44
Gammon, Vic 23
gang[s] 621, 623
gäng 618, 620, 806
gangar (Trad. Norw. dance) 321
gangster[s] 573, 601, 668
music 570–573, 578, 579, 582,
586, 587, 598, 600, 602
garden 174, 177, 195, 220, 230,
249, 266
garish 424, 427
Garofalo, Reebee 79
gas mask 416, 417
Gassenhauer 23
gaudy 416, 418, 427
gay (as polysemic word) 69
gaze 264
Geijerstam, Claes af 356, 361, 336
Geldof, Sir Robert 60, 62, 63
Gemma, Giuliano 365, 806
Gemüth 17
gender 461, 463, 514, 666–77, 678
†FEMALE †MALE †MEN †WOMEN
musical markers of 669–670
tunes 47, 514, 667–678
VVAs 670–675
response profile 668
sexism 425, 670,
General Electric 296, 490-1, 495
General Strike (UK) 40
generation YOUNG PEOPLE
genius 18, 60
genre 806
references 462
synecdoche 99, 101, 517, 806
classical 196
disco 649
English church 176
ethnic, geographical 304
gangster music 571
parlour song 224
piano arpeggios 249
riding = Western 303-305
space film 648
trembling 246
VVAs specific of genre 645–647
gentle 130, 132
The Gentleman Soldier 336
geocultural location (incl. ‘local
[colour]’, etc.) 319, 320, 327–32,
371, 377, 428-9, 466–74, 516, 666
†HISTORICAL †ETHNIC †EXOTIC
†RURAL †URBAN †CLASS †INDOORS
†OUTDOORS
Geordie’s Byre 345, 346
George II BUSH, GEORGE W
George III KING[S]
George, X De 555, 561, 563
German[y] 413
mini-states in 11
minor mode 317–321
musical nationalism 320
Romantic theories in 17
romanticism 15, 21
Gershwin, George 204, 496, 498,
571, 578–579, 581, 595, 597
gesture, etc. 52, 105
gestural
appropriation 254-5, 271,
257, 265, 271
counterpoint 225
interconversion 253–267,
270–275, 666
projection/externalisation
260, 265, 270-271
melodic 424
‘inner gesture’ 272, 274
loud gesture 423
Get Smart (Szathmary) 626
Gethsemane 185
ghetto 571, 623, 627
(Ghost) Riders in the Sky 295, 351,
352, 355, 368, 369, 372, 373, 375,
391, 395
Ghosts, The 368
GI (US forces) 532
Giannetta (Trad. Ital.) 311
Giant 304
giant 565
Gibbons, Beth 456
Gibson, Mel 456
Giddins, Gary 580
The Gift (Copland) 536
Gilbert, Fred 294
Gilbert, Stephen 230
Giles Farnaby Dream Band 345
Gillespie, Dizzy 41, 567, 578, 580
Gillett, Charlie 64, 338, 582, 621
Gilliam, Terry 418
Gilmore, Patrick S 390
Gimme Back My Bullets 653
Giraldus Cambrensis 35
girl[s] 136, 177, 386, 392, 393, 429
Chang’s daughter 532
cover girls 263
girlhood 671
little girl 463
Pamela (15 yrs) 238, 532
soldier’s 675
‘Spanish gals’ 309
GIs 301
Giù la testa 346
glandular 377
Glasgow 104, 149
Glass Mountain LEGEND OF THE
Glazunov, Alexander P 29
glide, gliding
gliding 131, 253, 260, 270, 515,
518, 674
glider 122
glissando 101, 541, 648, 650
jazz 597–598
semitone 573–577
glistening 172, 235, 589
glittering 170, 172, 235

Ten Little Title Tunes – Index globalisation – gypsy 871
globalisation 35, 420
gloomy 133, 139, 188
Gloomy Sunday 595
glossy 650
‘glossy’ 646
glossy magazines 262
Gluck, Christoph Willibald 316
go – polysemic VVA 138
Go Down, Moses (US Trad.)448
goal[s] (= destination) 390, 393
goal reached 537
goat 251
God 419
God Bless America 422
God Only Knows (Beach Boys) 62
God Rest Ye Merry… 310, 329
God Save The Queen 61, 103, 423
The Godfather 452, 467, 468, 470
Goethe, Johann Wolfgang 177, 178
‘go-get-'em’ 594
Goin’ Down 630
going nowhere 368, 664
gold 212
Goldenberg, W 3, 5, 246, 568, 585
Goldschmidt, Harry 47
Goldsmith, Jerry 5, 31 586
Gone with the Wind 29, 175, 205, 569
Gonzaga, Luíz 334, 338, 361
Gonzales SPEEDY GONZALES
Gonzalez, Jaun Pablo 347, 361
good vs bad 390
‘good-guy music’ 4
Good Vibrations (Beach Boys) 62
The Good, The Bad and The Ugly
BUONO, IL BRUTTO, IL CATTIVO
The Good Old Days 429
‘goodbye’ 459, 460
Goodbye Ole Paint 330, 309
Goodman, Benny 579, 597
Gorbman, Claudia 124, 582
gospel music 425
got a light? 675
Göteborg 7, 576, 45, 46, 108, 141,
334, 336, 368, 413, 429, 620, 806
Avenyn 413, 805
Liseberg pleasure park 429
Nordhemskolan 576
Univ. of 116, 147, 148, 149, 796
Musicology 82, 44, 82
Political Science 82
Gould, Morton 197
Gounod, Charles 173, 207, 516, 591
Goya, Francisco Jose de 257
grace notes 226, 231
Graceland (Paul Simon) 487
Gracyk, Theodore 41
Graham, Heather 263
grain of the voice 67, 70
Grainger, Percy 323
grainy (picture) 419
Granada TV (UK) 806
grand 416
Grand Canyon Suite (Grofé) 591
Grand Duke March 294
Grande polonaise 218, 225, 227
Grande valse brillante 189
Grandfather’s Story (Copland) 536
grandiloquent 424
grandiose 247, 424
Grant, Cary 498
Grant, Ulysses S 378
grass 136, 241–6, 249, 674
‘helluva lotta green grass’ 245
†GREEN †MEADOW
gratification
immediate/postponed 60, 65
Gravesen, Finn 45
The Great Dictator (Chaplin) 428
The Great Divide EPISTEMOLOGY
Great Events — The Best of British
Movietonews 416
The Great Gate of Kiev 470
Greece/Greek 313, 328, 329, 330,
331, 467, 468, 459, 469, 471, 473,
474
greed 26, 75, 421
green 167, 224, 245, 381, 515, 674
†GRASS †MEADOWS
eye shadow 464
‘green as hell’ 244
Green Berets
Ballad Of The… 423
March to Cadence (CD) 425
Green, Lorne 378
Green, Lucy 37, 78, 89
Green, Peter 619
Greensleeves 345, 346
Fantasia on 322
Greenwich Time Signal 488
Gregorian MODES
Grenada (A Lara) 319, 395
grenade 425
Grenier, Line 108
Greyser, Stephen A 43
Greystoke 195, 589
grief 186, 207, 314, 380, 462, 574
grief-stricken 456
Grieg, Edvard 30, 171, 192, 198,
203, 232, 313, 314, 321, 567
Lyrische Stücke 321
grim 651
grinding 71
gringo 346, 362, 364, 365, 378
pussy cat 355, 356
toughness 345
gripping 197
grisly 568
Grisman, Dave 468
gritty 580
groaning, groans 181, 573–577
Grofé, Ferde 591, 592
Grossberg, Larry 70, 71
Grout, Donald J 8, 30
gruesome 567, 568
Grundrisse (K Marx) 26
Grundy, Stuart 37
grunting 378
Guadalajara 356
Guantanamera 345
matrix/turnaround 344
Guerrero (Mexico) 361
Guillen, Nicolás 338
guilt 133, 190, 646
Guirard, Laurent 77
guitar 100, 336, 380, 458
BASSguitar
downstrokes 652
electric 346, 366-8, 370-5, 377-
8, 381, 387-8, 424, 469, 476,
516, 592, 620-1, 626
clean fanfare figures 376
distorsion 100, 469, 592,
621, 624, 652, 653, 660
Broadcaster 373
feedback 153, 608-9,
Fender 278-9, 346, 356, 367,
368, 369, 371-3, 375, 376,
377, 378, 379, 381, 625
first use of 373
in C&W 373–375
lead 375–378, 620, 608-9,
634-7
Manic Depression 592
Miami Vice 653-4, 660, 662-4
overdrive 424, 620
semantic history of 367–375
Rickenbacker Model ‘A’ 373
rhythm 608-9, 624, 634-7
624, 634-7
riff 592
six-stringed 373
solo 424
Stratocaster 356, 367, 368,
380, 392
Telecaster 278-9
sustain 608
timbre 376
undistorted 369, 576
Hawaiian 102
Instrucción de música sobra la
guitarra espagnola 341
laissez vibrer 376, 377, 379,
386, 465
malagueña lick 336, 337
ostinato 302, 305
picking 376
Spanish 381
steel guitar 353, 373, 375
strum 278-9, 291-2, 295-7, 3-5,
323, 335-342, 341, 375, 670
chitarra battente 341
tablature (Italian) 341
US mass production of 341
Vol-U-Tone 373
guitarón 336
Guitar Player magazine 55
gumshoe DECKARE
A Gun for Ringo 346
gun[s] 303, 425, 648
children imitate sound of 648
gunfight 371
Westerns 291
gung-ho 417
Gunslinger 395
Gunsmoke 303, 304, 305, 325, 366
gushing 134, 172, 235, 247, 382
gust WEATHERwind
Gute Nacht 188
Guthrie, Woody 370
gyps/-y[-ies] 328, 468

872 Habermas – heavy Ten Little Title Tunes – Index
H
Habermas, Jürgen 52
hacking 101
häftig[t] 493, 806
Hageman, Richard 171
Hagen, Earle 552, 570, 571–572,
575-76, 579, 597, 627
Haggard, Merle 296, 423
hair 248, 260
flowing 262
long 136, 244, 253, 258, 259,
260-62, 263, 265-66, 269
Pelléas et Mélisande 260
spray 264
Haley, Bill 64, 108, 375
half cadence CADENCE
half-diminished CHORDS
Hall, Stuart 85
halling 321
Halliwell, Leslie 197, 202, 647
hallucination 576
Hamlet 178, 291, 456
Hamlisch, Marvin 583, 600
Hamm, Charles 79, 108, 531, 532, 605
Hammer Films 120, 634
Hammer, Jan 554, 600, 623, 664
hammer-on 628, 630, 658
Hammett, Dashiell 580
Hammond, John 36
Hammond organ 462, 608-9, 621
Hancock, Herbie 578
hand clap 342
Handel, Georg F 14, 19, 60, 61, 101,
168, 246, 315-16, 446, 517
hand-in-hand 244
Handy, W C 627
Hang ’em High 396
hang-out[s] 619, 623
Hanslick, Eduard 18, 48, 56, 74
happiness / happy 104, 132, 137,
224, 246, 305, 388, 390, 391, 393,
410, 412, 491, 496,
achievement of 387–389
happy ending 137
Happy Birthday 556
haptic 100 †TACTILE
Haralambos, Michael 23, 312
harassment 223
hard[ness] 133, 135, 459, 460, 589,
590, 600, 604, 617, 624, 674, 829
Hard Beat 600
hard time 460
hard-boiled 580, 601
hard-voiced 423
hard rock 594, 653 †ROCK
hardship 307
Hargreaves, William 294, 411
Harker, Dave 23, 37, 41, 43, 310
Harlan (Kentucky) 353
Harlem 571, 572, 605
Harlem Nocturne (Hagen) 464,
533, 570, 571–72, 578, 597, 627
Harlow, John 203
harmonic HARMONY
harmonica 358
Harmonices mundi 47
harmonics 153, 634-7 †PARTIALS
harmonious 132, 674
harmon/-y/-ic †CADENCE †CHORD
†MODES 172–216, 515, 494–495,
532–537, 662
ambiguity 661–64
anachronistic 346
‘autonomous’ 192, 577–78
chromatic 187, 231, 462, 464
Adeline slides 209–212, 222,
215, 805
chromatic bass descent 187
cadential 209
decorative 209-214
jazz 580, 583, 599
inner voice 626
linear 592
minichromatics 97, 179,
209–214, 218, 412, 427,
807
minor-key 625–631
parlour song 215
‘strawberry jam’ 216
raised-eyebrow 592
structural 209
circle of fifths 101, 179, 183, 187,
191, 204, 214, 231, 269, 449, 504-
5, 514, 515, 662, 805-6
key-extrinsic (real) 179, 807
key-intrinsic (virtual) 179, 807
move to flat side 664
move to sharp side 662
colour 534
DIRECTION
dissonance[s] 100, 172, 180,
204, 205, 215, 300, 625, 629
melodic 115
ninths 577–579
train effect 656
preparation of 215
dominant[al] 173, 192, 205, 213,
214, 345, 372
ninth 204-5
minor ninth (V-9) 577
secondary dominant 629
function/syntax 568
idiom/language 514
male and female 670
Virginian 357 ff.
modulation 180, 187-89, 194,
195, 201, 212, 214, 215, 344,
345-7
Morricone’s view of 371
non-tertial 535
parallel
fifths 533
harmonic motion 533-4, 536
thirds 676
voice leading 534
plagal 358
quartal 578, 585, 625, 808
quintal 625
relative major 369, 383, 385,
387, 390, 391
relative major sandwich 346
relative minor 351
romantic 172, 215
rhythm 214–215
sequential transposition 451
simple 97, 101
sophisticated 653
static/stasis 591
subdominant[al] 173, 176, 179,
187, 191-2, 195, 210-11, 214,
346, 533, 536-7
minor variant 210–4, 221
rurality and the 536
tertial 411, 424, 516, 808, 809
triads 536
texture 170
tritone substitution 587
unison 628
waves 214–15
harp ORCHESTRATION
Harper, Edwin 532
Harper’s Encyclopedia for Horsemen
292
harpsichord ORCHESTRATION
harried 388
Harris, Roy 53
Harrison, George 60, 95, 469
harrowing 197
harsh 424, 430, 617
Hart, Lorenz 213
Hary János 320
hashish 605
Hassel (SvTV detective) 677
hassling 646
Hatch, Tony 432, 476, 494, 501,
504, 517
hate 133
Hattersley, Roy 63
Hatton, Leo 95
Haug, Wolfgang F 650
Hava Negilah 330
Have I Got News For You! 576
Have You Ever Felt… 566, 570
Havergal, William H 175, 176
Haviland, Olivia De 171, 174
Hawaii Five-O 367, 585
Hawaiian guitar 102, 373
Hawkins, Louise Weldon 259
Hawthorn Cottage 515
Haydn, Josef 14, 18
Hayes, Isaac 330, 487, 496, 498, 653
Hays, Ernie 330
Hazard (Kentucky) 353
haze/hazy WEATHER
Hazlewood, Lee 367
He’s So Fine (Chiffons) 95
head register REGISTERvocal
Head Room (10 cc) 593
headbands CLOTHES
Headbangers’ Ball 313
health 428 †FOOD
The Heart of Noise 67
heartburn 661
heart-rending 187, 596
heart-warming 132
heat HOT
heaven[ly] 212, 220
heavy/heaviness 133, 213, 300,
459, 460, 566, 568-9, 577, 590–5
industry 518
pesante 470, 540-1

Ten Little Title Tunes – Index heavy – Huapango 873
punctuation 300
sport 518
heavy metal ROCK
Heavy Steel 600
Hebdige, Dick 82, 85
Hebrew Rhapsody 446
hectic 492
Hegel Georg Wilhelm Friedrich
15-16, 18, 21, 25, 68, 271
hegemony/hegemonic 424 †POWER
consensus 44
rock 66
Heidelberg 413
Ein Heldenleben 376, 384
helicopter 486 †CAMERA
Hell Hath No Fury 395
Hell’s Angels 62, 623
Hello (Lionel Richie) 457
Hemingway, Ernest 301
hemiola 320, 342, 343, 361, 364
Hemmingsson, Merit 311
Hendrix, Jimi 99, 205, 592, 593–
594, 662
Hennessee D 29
Henreid, Paul 171
Henze, Hans-Werner 49
herds 393
here-and-now 391
heritage (musical) 60
hermeneutics 103, 167–172
hero/heroes/heroic/heroism 4, 5, 6,
133, 137, 302, 355, 364, 366, 375,
376, 377, 378, 379, 380, 381, 383,
384, 385, 386, 388, 390, 392, 394,
410, 416, 418, 428, 628, 629, 631,
674, 676
‘heroic’ 122, 346
hero-mythical 625, 630
Heron, Laura 602
Herrmann, Bernard 31, 32, 100,
104, 190, 569, 600
Herrn, ich habe mißgehandelt 185
Herzliebster Jesu 456
Hey Big Spender BIG SPENDER
Hey Joe 593, 662
Hey Jude 345
hidden 459 †SECRET
high †REGISTER (PITCH)high
art 60, 82, 84, 85, 419
heels 572, 676
high-plains harmonies 357 ff.
‘lonesome sound’ 473
High Chaparral 136, 359, 360
High Noon 304, 325, 351, 395
highly strung 594
hi-hat 153, 432-3, 608-9, 622-3, 634-7,
644, 645, 649, 650, 655, 659, 660
hit-and-shut 553
hillbilly 377
hills 196, 214, 238, 254, 256, 257,
354, 515
Hindemith, Paul 19, 40
slates music theory teaching 30
hip (cool) 60, 132, 647, 649, 650
‘hip’ 495
Hirsch, Richard 53
Hirt, Al 597
Hispanic 458
Hispanicism 319, 338, 383
musical 319
historical 262, 517, 518 †TIME
future 151, 650, 674 †TIME
futurist[ic]383, 484, 621
dislocation (Python) 414, 418
location 459
Monty Python’s 409, 414,
416-20, 420, 422
past 484 †TIME
1800-99 218, 220, 266, 269
1900-99 413, 456
1930s-60s (UK) 416–418
1955-65 64, 372
1960s 553, 621
1970s 553, 621
antiquity 329
archaic 189, 310, 317–21,
334-6, 371, 390, 392
bygone days 321, 420
Edwardian 195
long ago 321, 472
mono sound as ‘old’ 115
old[en] times 97, 238, 269,
409, 428-9, 430,460, 500,
517, 518, 674
present time 484 †TIME
1980s 85–88, 553, 621, 647,
650
modern 459, 484, 617, 621,
647, 674 (‘modern’ 495)
modernity 644, 648, 650
‘hit for six’ (Monty) 417, 426
hit parade 108, 370
Hit the Road, Jack 629
Hitchcock, Alfred 190, 553, 590-1
Hitler, Adolf 41, 43, 293, 418, 428, 602
hitting 430
Hixon D 29
hobby-horse 495
Hoffman, Abbie 42
Hoffmann E T A 14
Hogan’s Heroes 429
Hoggart, Richard 85
holding hands 224
holiday[s] 138, 238, 245 †FESTIVE
holiday makers 329
market day 410, 415
public and bank holidays 415
1 May 412, 415, 428
17 May 415
Saturday, Sunday 415
special days 410
Holiday, Billie 456, 595, 596
hollow sound 648
Hollywood
‘classic’ tradition 554
love underscores 224
musical notion of England 323
cf. Cinecittà 364-5, 368-73
Holman Hunt, William 266
Holman, Libby 577, 578, 598
Holmes, Sherlock 581
Holocaust (Gould) 197
Holst, Gustav 5, 21
The Holy Grail MONTY PYTHON
homage 428
homesickness 445
Homesickness (Grieg) 321
Homeward Bound 196
homogeneous 100
homology 99
Honegger, Arthur 30
honest 133
honky-tonk 373, 375
Honky Tonk Women 62
honour 133
honours 60
Hoochie Coochie Man 564, 594
Hood, Mantle 37, 38
hoof/hooves HORSES
hookers 646, 657
hope 220
hopeless 182
Horgalåten 311
horizon 303
horizontal change DIRECTION
Horkheimer, Max 41, 43, 45
horn[s] (French) 5, 376, 380, 433
calls and signals 376, 676
leaps and motifs 302, 414
sound of in Freischütz 320
Horn, David 55
Hornbostel, E M von 36
horror 190, 192, 567, 568, 570, 596
horrific 186, 417
horse[s] 100, 291–307, 383, 386,
393, 591, 674
cantering 292-293
driving 350
equine anaphones 291-307
essential to Westerns 303–7
gait 292, 293, 294
gallop[ing] 100, 291-7, 299, 304,
305, 377, 383, 386, 393
hoof timbre 295–296
hooves 294, 295-6, 305
beat[s] 292-5, 343
metre 293–295
summary of their musical
semantics 296
three-legged in 2/4 294
horticultural 262
hostile/hostility 123, 133, 646, 651
hot
dogs 415
love 265
heat 133, 247, 248
stuff 265, 624, 650
‘hot stuff” 132, 674
rodding 368
Hötter, Hans 600, 829
Hound Dog 64, 65, 66, 86, 421
hounds of hell 319
Housatonic at… (Ives) 238, 535
hovering 131
How The West Was Won 296, 303
film 304, 305, 359, 360
TV 303, 325
‘how things are’ 514, 517, 518
‘howlygettum’ 493
HS COMMUTATION
Huapango 356

874 Huasteco – ionian Ten Little Title Tunes – Index
Huasteco 334
Huayno 334, 343, 361
Hubbard, Freddy 578
Huberman, Leo 355
Huckvale, David 56
Huelva (Spain) 336
Hughes, Glenn 462
Hugill, Stan 309, 324, 325
hula-hula 367
human rights 7
Human Rights, UN Charter of 62
humans 514
humble 378
Hume, Kristy 263
humid 569
humility 379
humour COMEDY
Hungarians 320
Huntington, G 307, 308, 324, 379
hurry music 606
Hutchings, Ashley 306, 323
hymnal 176
hyperactivity 377
hypocrisy 64, 70
hypodermic syringe 576
hypothetical subsititution
COMMUTATION
hysteria 599
I
I Am Calling You 197
I Am The Walrus 573, 575
I Cannot Sing The Old… 219, 220
I Feel Pretty 340
I Must Get Home Tonight 412
I Saw My Lady Weep 455
I Spy (Hagen) 366, 575-576
I Talk To The Trees 396
I Was Born… Wandrin’ Star 351
I Was Doing All Right 579
I've Got A Lovely Bunch of Coconuts
294
IASPM 8, 10, 22, 58, 64, 67, 74, 79,
80, 86, 104, 272, 806
ice 588–590
ice-cream FOOD
Ich Wunschte mir den Tod 443
iconicity of hoofbeat 343
ICTM 22
idealised 518
idées fixes 419
ideology 4-7, 11, 12, 16, 26-9, 34,
38, 41-3, 46-8, 56, 61-2, 54-5, 70,
76, 252, 270, 272, 322, 345, 414,
461, 673, 677–679
idyll[ic] 101, 174, 177, 220, 236,
244, 319, 328, 518
If (Lindsay Anderson, 1968) 223
If I Leave You 465
If You’re Irish, Come… 411, 412
ignorance 426, 430
Iljinsky, A 250
ill 459
ill tidings 307
illegible responses 118
illicit thrills 594
illness 460
Im wunderschönen Monat Mai 171
imagined scenario 139
Imberty, Michel 51, 56, 106
IMC 96, 97
immediacy, immediate 60, 275, 489
gratification 65
‘immediacy’ 274
reception test criterion 118
somatic (body) 66, 67, 71, 275
Immel, Jerrold 302, 351
immersion 65
Immigrant Theme (Godfather) 467
immigration 308
impassioned 186
Imperial Echoes 411, 412
implacable 133, 604
important 132
impossible love 469
impressionism 30, 179
impressive 132, 416
improvisation 19, 21, 370
trumpet 371
IMS 22
In A Monastery Garden 218, 230,
268
In Cold Blood (Q Jones) 587
In Town Tonight 222, 496
In Your Quiet Place 180, 196
In-a-Gadda-da-Vida 586
inauguration 415
Inca 334
incest 250
incongruity 413-4, 418-9, 422, 424
violence and 417, 419, 426
Indagine su un cittadino… 588
independent 133
India (music of) 47
Indian (US) NATIVE AMERICAN
indignation 464
individual
emancipation 47 †LIBERATION
individualism 420, 421
individuality 17
no melodic figure in Miami Vice
657, 659-60
vs collective 391–4
indoors 652, 672, 675
indoor location 646
industrial, industry 600, 829
industrial music 62, 67, 425
industry 518
musical 26
Industrial Montage 600
inequality (social in UK) 62
inessive 134
infinite yearning 76
Ingrato, ya no me quieres 337
inhospitable 646, 652, 656
inhuman 133, 135
initial events (musical) 448
injustice 464
Inlandsbanan 329
inner gesture GESTURE
Innis, Harold A 490
innocent/innocence 122, 671, 677
lost innocence 518
insalubrious 569
insatiable 189
insects 244
insecurity 389
insinuate, insinuating 590, 678
insistent 72
Inspector Morse 488, 581
instability, mental MAD
Institute of Popular Music 7, 58
Institute of Social Research 41
institution[s] 11, 410, 413, 420, 429
institutionalisation 9-12, 16-19, 25,
27-9, 31, 32, 34-5, 47-8, 56-7, 59-
66, 67, 79-80, 86-7, 89-90,
103-4, 291
Instrucción de música sobra la guitarra
espagnola 341
instrumentation ORCHESTRATION
Inte Illimani 338
Intellectual Impostures 71
intense, intensity 590, 598
intensional 63, 65
GESTURAL
interconversion
interdisciplinarity 57, 78, 89
interessive 139
interior (of Brazil) 413
interiority: pacification, containment,
and domestication of 501
International Association for the
Study of Popular Music IASPM
International Congress on Musical
Signification 51, 822
interobjective comparison
ANALYSIS
MUSEMATIC
interpretation of test results
RECEPTION TEST
interprofessionalism 78
interrupted cadence
CADENCEinterval[s]
interval[s]
by number (e.g. 3rds, 7ths) or
type (e.g. flat 3rd, flat 7th)
CHORDS & INTERVALS
recognition of 447
intervallic discontinuity 229
mnemonic identification of 448
Inti Illimani 342
intimacy/ intimate 171, 264, 472
intonation
English and Spanish 347
theory ASSAFIEV
intramusical 110, 807
intraopus 807
intrigue 631
introduction (synoptic) 674
Introduction and Allegro for
Strings (Elgar) 195
introductory tone (вводний) 448
introspection 463
intrusive chords 345
invasion of Normandy 417
invasive (of rock music) 70
inversions CHORD
Invitation to Madrigals 455
IOCM 95, 96–98, 121, 153, 154,
173–180, 647, 658, 660, 807 et
passim
ionian MODES

Ten Little Title Tunes – Index Ipcress File – ionian 875
The Ipcress File 367, 627
Irangate 3, 4–7
Iraq, US-led invasion of 423, 426
Ireland
Irish-American 390
Trad. 311, 345, 347
Irish Sea 254
The Irishman 386
Iron Butterfly 586
Ironside 572
irony 132, 413, 419
irrational treated irrationally 48
irregularity 132
Islam 47
isochronous 807
isolated 675
Istituzioni armoniche 312
It Ain’t Necessarily So 571, 579
Italian/Italy
330–332, 452, 459, 466, 467, 468,
469, 473
baseball park music 330
Cinecittà 364-5, 368-73
hit parade 395, 396
L’Italia Futurista 484
Mezzogiorno 319, 329
RCA 370
The Shadows in 370
tarantella 319, 329, 467
TV 371
Virginian VVAs 365
†WESTERNItalian
items of musical code IMC
ITV 807
Ives, Charles 238-9, 535-7
J
Jack The Ripper (Ventures) 395
Jackendoff, Ray 51
Jackson, Cliff 566
jaded 188
Jagger, Sir Michael 62, 63
Jalisco (son) 336, 342, 355-6, 361
James Bond 35, 366, 367, 372, 375,
378, 384, 461, 624, 629, 631
‘007’ 115, 135
Theme (Dr No) 206, 384, 454,
573, 578, 596, 626
false $5 586
5-$6-#6-$6 riff 598
middle eight 629
Janie’s Got A Gun 464, 457
Jansen, Pierre 566
Japan 531, 533
Jara, Victor 335, 336
Jarabe tapatío 355-6
Jarett, Keith 180
jargon 650
Jarre, Maurice 171, 470
Jarrett, Keith 196
Järviluoma, Helmi 89
Jason King 553
Jaubert, Maurice 31
jaunty 97, 123, 391, 423, 427
†BRISK †PERKY †CHEERY
Jaws: shark motif 573
jazz 31, 60, 62, 66, 224, 573–577,
577–9, 597-8, 606
†CADENCE †CHORD †HARMONY
jazz (cont’d)
Adorno on 41
canon 32, 41
detective link 580
Dixieland (neo) 597
flat fifths 579–588
fusion (diluted) 670
glissando 597–598
harmony 580, 583, 599
Jazz Noir (Butler) 580
jazz rock 206
jazz blues 629
jazzy 628, 631
minor-key 194, 367, 566–573,
592, 676
Newport Jazz Festival 310
tone poem 496
trad 578, 597
trumpet 596–597
jealousy 569, 589, 590
Jefferson and Liberty 336
Jefferson, Thomas 85
Jenkinson, Horst 602
Jennings, Waylon 621
Jerusalem (Parry) 211, 222-3, 428
Jesu, meine Freude 185
Jesus Christus, unser Heiland 456
Jethro Tull 662
Jets Song (West Side Story) 584
Jeune fille se coiffant (Renoir) 259
Jill’s Theme (Morricone) 377
Jim Along Josey 532
Jingle Bells 589
Jiránek, Jaroslav 56
jive 224 †EBONICS
Jobim, Tom 196, 606
Jockey’s Gray Breeks 345
Joel, Billy 582
Johannespassion 184, 186
Johansson, Jan 310
Johansson, Tommy 147-149
John Anderson My Jo 345, 346
John Barleycorn 323
John Henry 354
John, Sir Elton 60, 62, 63, 517
Johnny B Goode 368, 376
Johnny Bull 346
Johnny Comes Marching Home
336, 345, 346, 391
Johnson, Anna 350
Johnson, Bruce 81, 89
Johnson, Don 606, 650
Johnson, Laurie 553, 624
Johnson, Mark 27, 53
Johnson, Robert Underwood 535
Join The Party (cadence) 425
joke[s] COMEDY
jolly/jollity 311, 417 CHEERY
HAPPY JAUNTY JOY PERKY
Jones, Booker T 594
Jones, Quincy 587
Jonghmans, Edward 294
Joseph, Sir Keith 10
jota 320, 336, 338
journalism 42, 487
journey 388-390, 393
joy[ful] 132, 207, 673
joy stick 653
jubilee[s] (royal, UK) 61, 416
Judaicity 445
jukebox 373
Julie’s Remorse 196
Julien, Jean-Rémy 124
jump bands 582
Jumpin’ John 349
Jung, Carl 3, 4, 6, 78, 92
jungle 605, 647
jazz style 573, 597
‘jungle music’ 67
junkies 464, 646
just after… 604
justice 133, 390
juvenile delinquency 584
K
Kabalevsky, Dimitri 517
Kaempfert, Bert196
Kaiser Wilhelm 428
Kallmeyer-Verlag 40
kangaroo 295
Kaplan, Sol 586
Karas, Anton 373
Karbušicky, Vladimir 51, 56, 106
Karlin, Fred 124, 676
Karlsson, Henrik 44, 45
Karshner, Roger 13, 44, 144
Kassabian, Anahid 668, 670, 672,
673, 676
Katz, E LIEBES & KATZ 87
Keach, Stacy 572
Keep Forgetting 583, 628, 629, 630
Keep Searchin’ 396
Keil, Charles 83, 272
Keiler, Allan 51
Kelly’s Heroes 429
Kempers, Gerard 79
Kennan, Kent Wheeler 326, 496
Kentucky 326
Kepler, Johannes 39, 47, 312
Kerouac, Jack 41
Kerr, Pete 465, 466
Ketelby, Alfred 218, 230
keyboard PIANO ORGAN
SYNTHESISER
key-extrinsic/-intrinsic 807
†HARMONYcircle of fifths
Keynes, M/Keynsianism 40, 87
The Keys of Canterbury 336
Khatchaturian, Aram 240
‘kick-ass’ 60
The Kid’s Last Fight 395
kill/-ed/-ing 123,134, 135, 417, 420,
426, 430, 569, 648
kind[ness] 130, 132, 144, 145, 430,
458, 459
kinetic 100, 220, 237, 240, 249, 250,
266, 275, 303 †ANAPHONEkinetic
King/king 409, 413
Crimson 619, 620
George III (UK) 61
George V (UK) 416
of the Gypsies 468

876 Kingston Trio – King Kong Ten Little Title Tunes – Index
King Kong 171
The Kingston Trio 354
The Kinks 62. 663
Kircher, Athanasius 16, 312, 329
kiss[ing] 195, 224, 239, 674
Kitchener (Ontario) 61
Kivy, Peter 56
‘ki-yi-yipee!’ 325
Klein, Melanie 71, 76
Klein, Naomi 678
Klingfors, Gunno 17, 21
Kneif, Tibor 36
Knepler, Georg 37, 85, 318
knife 100
knighthood 60, 66
knowledge
types of musical 9–11
Kodály, Zoltan 36, 320
Kojak 3, 5–6, 105, 247, 568, 585
theme 3, 5, 246–248, 462, 628
horn whoop 274
moog ostinato 246
urgency cue 487
Koko (Ellington) 567, 578
Kolchak 493
Kolland, Dorothea 40
Konsetbyråutredningen 44
Korg M1 synthesiser 170, 589
Korngold, Erich Wolfgang 29,30,
48, 49, 171
Koury, Rex 305
KPM LIBRARY MUSIC
Krafft-Lortzing, Carl 294
Kraft Philadelphia Cheese 583
Kramer vs. Kramer 452
Krasovskaya, Y 322
Krautrock 320
Kress, Günther 53
Kretzschmar, Herman 36, 47
Kristeva, Julia 38, 71
Kristianstad 116
Kronberg, Margit 76
Krutnik, Frank 464
kryptonite 588
Kubrik, Stanley 14, 390
Kuhle Wampe 39
Kung Fu Fighting 531
Kungsbacka 429
Kungsportsavenyn 413
Kunst, Jaap 38, 83
Kunstmusik 21
Kvällsöppet 487
L
L A Law 4
laboratory 518
laborious 577, 601
labour/Labour
division of 673
Labour Day 415
Labour (UK) postwar 417
New ‘Labour’ 421
sale of 23
Lacasse, Serge 89, 104, 264
Lacerenza, Michele 371
Lachen und Weinen 318
Lachrymae Pavane (Dowland) 181
Lacombe, Alain 30
Lacrimosa (Verdi) 574
‘lactic acid’ music 495
lacustrine LAKE
ladies 674
Lady Godiva 259
Lady of Spain 319
lagom 493, 514, 807
Lai, Francis 448, 449, 470
Laine, Frankie 358, 369
list of recordings 395
Laing, Dave 65, 80, 81, 82, 84, 89,
323
laissez vibrer GUITAR
lake/lacustrine 134, 214, 221, 236,
237, 238-9, 249, 257, 589, 674
Lakoff, George 27, 53, 97, 105, 123,
124
Lamennais, Hughes F de 25, 76
lament/-ation 182, 319, 371, 574
Lancaster 108
Land Of Hope And Glory 210, 211,
215, 223, 428
Land of the Pharaohs 724
Landalaskolan 141
Landau, Jon 42, 65, 80
Landini, Francesco 19
Landskrona 116
Lang, Paul H 312
The Language of Music 49
language rhythm RHYTHMlang.
languish[ing] 122, 597, 459
languid 188, 391
languor 604
Lanz, David 534, 537
la-pentatonic MODESpentatonic
Lära för livet 141, 620, 621
Lara, Agustín 395
Lara’s Theme 171, 470, 471
largeness 133
Largo (Handel) 315, 316
The Lark Ascending 322
laser 648, 649
gun 648
lighting 650
Lassie (TV theme) 445
Last Night of the Proms 223, 428
Last Train To San Fernando 352
lateral thinking 104, 105
latest (modern) 621
Latin America[n] 330-57, 458
influence on fashion 649
interference from USA 420
machismo 345
minor modes 332–336
Latin[o] 6, 645
latinamericanicity 333-4, 342,
343-5, 355
Latin Americans 122
respondents 117, 136, 420
percussion 115, 645–652
South America as library music
category 645
speech rhythms 347-357
Laura (Raksin) 171
Lauretis, Teresa De 668, 672
law 672
Law Breakers 600
Lawhead, Steven 71
Layla 62
layman (Laie) (Hegel) 15
Lazaroff, Jorge 335
Lazarsfeld, Paul 43, 44, 45, 81
leader 428
Lean, David 199
leaves (from trees) 241
leaving 134
Leavis, Frank R 85
Leavis, Queenie D 40, 85
Lecaros, Fernando 361
lechery 593
Led Zeppelin 594, 630
Ledang, Ola Kai 329
Lee, Ed 23
Lee, Pedro van der 293, 336, 350,
355, 356, 361
Leech, Charles 30
Leeds 429
Leeds Music 278-9
Leeuwen, Theo van 89
left-wing 82, 620
leg warmers CLOTHES
legato 156-7, 168–9, 192, 197, 221,
270, 432-3, 504-5, 516, 517
as ‘female’ trait 669
e cantabile 432-3, 461
Legend of the Glass Mountain
(Rota) 171, 201, 203, 232
Legrand, Michel 196
legs (female), underscore for 386
Lehar, Franz 429
Leiber, Jerry 583, 628, 629, 630
Der Leiermann 321
Leigh, Fred W 213
Leigh, Vivien 174, 605
leisure 239, 245, 249, 415, 428
leisurely 270
Leitklangfarbe 378
Leitmotif 378, 677
Lenin, Vladimir I 15
Mausoleum 428
Leoncavallo, Ruggero 596
Leone, Sergio 301, 305, 331, 332,
362, 363, 364, 365, 367, 371, 372,
375, 393
Leoni, Stefano A E 47
Lerdahl, Fred 51
Lerner, Alan Jay 396
Lesley SOUND PROCESSING
Let’s Face the Music and Dance 196
Levis jeans 68, 564
Levi-Strauss, Claude 561
Leybourne, George 294
Leys School, Cambridge 223
Lgr69 45
Liberace 99, 136, 180, 199, 215
liberalism 421, 422
liberation of the ego 18, 60, 70
liberation of the id 43, 60, 70
Liberty Bell 114, 294, 398–430
actual bell 414
march MONTY PYTHON
‘liberty’ (individual) 60

Ten Little Title Tunes – Index library music – Maggie’s Farm 877
library music 124-5, 380, 414, 415,
470, 517, 518, 530, 807
companies
Boosey & Hawkes 100, 126,
171, 224 (Cavendish 645)
Bruton 126, 415, 470
CAM 126, 380, 586, 590
Conroy 126
De Wolfe 126, 602
KPM 126, 414, 415, 470
Major Mood Music 126
Music House 470
Network Music 470
Selected Sounds 126, 517,
586, 600
Scoremaster 530
relation to VVA taxomony
125–130, 671
Liebes, T & Katz E 87
Liebestraum 171, 516
Liebmann, Lisa 649
Lieder 171
life expectancy 63
Life in a Glasshouse 456
Life On The Ocean Wave 306-307
D minor section 327
‘life’s like this’ 514, 517, 518
lifestyle 650
Ligeti, György 14
light 133, 213, 247, 248, 673
flashing 623
lighter and brighter 659, 660
music 21, 41
polysemic VVA 138
Light Cavalry (von Suppé) 294
Linde, Gunnel 429
Lindh, Björn J:son 807
linear chromaticism 592
Ling, Jan 15, 18, 19, 23, 38-40, 44–
5, 46, 47, 56, 61, 62, 85, 312, 678
lingua franca (musical) 35, 38, 60
linguistics 51, 52, 53
Linn drums 648
Lions Club 429
lipstick 650
Lissa, Zofia 124–125, 323
Lists of VVAs VVAS
Listen with Mother (radio) 250
listener typology 42
listeners (informants) 131
listening modes 41, 119
Listopadov, A M 322
Liszt, Ferenc (a.k.a. Franz)19, 30,
48, 171, 232, 443, 516
literary criticism/theory 42, 67, 85
Little Birdie 352, 355
little BOY GIRL, etc.
Little House on the Prairie 325
littoral SHORE BEACH
liturgical 179
Liu, Catherine 501
live music 621
lively 133, 416, 662
Liverpool 254, 309 (Scouse 809)
University of 7, 58
living it up 624, 674
Livingston Jay 305, 376
Llangollen 255
Lloyd, A L 23, 310, 313, 322, 323,
332, 333, 334, 336, 337, 342, 343,
350, 354, 379
ionian mode in Britain 322
Lobgesang 443
local GEOCULTURAL LOCATION
location 125 GEOCULTURAL
HISTORICAL ETHNIC EXOTIC,
RURAL URBAN CLASS
INDOORS OUTDOORS
Locke, Matthew 52
Locomoath (Jethro Tull) 662
locusts 100
Loewe, Frederick 396
lo-fi 115
Loggins, Kenny 653
logocentr/-ic/-ism/-icity 9, 10, 78,
83, 207, 647, 807
logogenic 807
Lohengrin 48
Lola (Kinks) 62
Lolita 456
Lomax, Alan 36, 272
Lomax, John A 307-8, 324, 326,
379, 392
London 413, 428, 649
lone/-liness/-ly/-some SOLITARY
Lone Ranger 293, 294, 295, 296,
297, 304
Lonely Boy (Anka) 338
Lonely Woods (Lully) 174
long CLOTHES HAIR TIME
longing 179, 189, 195, 197, 218,
224, 321, 446-8, 453, 536, 577
loophole 328, 329 †TIME
loose 133
Lopatin, N M 322
loquacity 143
Lord Peter Wimsey (TV) 581
Lord, Jon 462
lordship 417
loss 208
lost innocence 518
Lost Weekend (film) 589
Lothman, Jurij 668, 672
loud VOLUME CLOTHES
loudspeakers 652
Louise 227
Loussier, Jacques 606
love 122, 130, 132, 136, 137, 144,
145, 167, 171, 178, 198, 207, 208,
212, 218, 220, 224, 239, 240, 244,
245, 249, 250, 251, 260, 391, 430,
458, 459, 461, 469, 472, 514, 530,
620, 666, 673, 674
across forbidden frontiers 469
bitter-sweet 458–466
courteous 218
erotic 293
Hollywood underscores 224
hot 265
impossible 469
lovers 244
lovesick 457
parental 250, 666
private sphere and 499
repas d’amour 244
romantic 178, 207, 220, 240,
249, 251, 666
‘sincere’ melodies 299
story 429, 458, 459, 462
unrequited 380
Love Is A Many-Splendored Thing
(Four Aces) 64, 65, 421
Love Me Do (Beatles) 21
Love of Siegmund & Sieglinde 208
Love Story (1944) 201, 203
Love Story (Lai) 448, 449, 453, 470
The Love Strain 190
love theme from The Godfather 452
loveless dancing 498–501
low REGISTER low
Low Scores listings 151
Lucia di Lamermoor 443
ludic SPORT
ludicrous 387
lugubrious 181, 183, 575
Lull, James 70
lullabies 249–252
Lullaby (Iljinsky) 250
Lully, Jean-Baptiste 174, 315
luminous, luminosity 246, 247
lumpenproletariat 60, 70
Lumpy Gravy (Zappa) 531
lush 171, 174
lute-family instruments
ethnic cue 466, 467, 468, 469,
471, 472
luxury 170, 393
Lynn, Pat 170
Lynyrd Skynyrd 274, 345, 653
lyricism 132, 175, 514, 517
Lyrische Stücke (Grieg) 321
M
m6, m7, m9, etc. CHORDSminor
m add9 chord CHORDSminor
Ma mère l’oye 495
Maalox antacid 661
MacAhan family 296, 351
Macbeth, Conchita 602
Macdonalds 430
machine[s] 486, 646, 674
mechanical 138, 494, 495, 496,
518, 623
machismo MALE
Machtübernahme 41
mad[ness] 133, 461, 569
mad scientist 378
mental illness, disarray or instability
197, 576
Madame Bovary 77, 220
Madame Butterfly 568
Madame rêve (A Bashung) 456
Madison (Wisconsin) 42
Madison Avenue 43
Madrid 337
madrigalisms 183
Maeterlinck, Maurice 260, 261
Mafia 587, 602
magazine[s] (glossy) 262, 263
Magdics, Klara 53
Maggie’s Farm 658

878 Magic Flute – Membrilla Ten Little Title Tunes – Index
The Magic Flute 318
Magnificent Seven 5, 325, 351, 355
Magnum (TV) 585
Mahagonny (Rise & Fall of) 230
Mahler, Gustav 29, 30, 48, 29
Maigret 677
Maillol, Aristide B J 257, 258
mainstream (Euro-N.Amer.) 108–9
majestic 120, 387
major
key/mode MODESmajor
major-triad chords (e.g. add6,
maj7, add9, maj9, sus9) and
intervals (e.g. 3rd, 6th)
CHORDS/INTERVALSmajor
relative major HARMONY
thirds CHORDS/INTERVALS
Major Mood Music LIBRARY MUS.
malagueña guitar lick 336, 337
Malagueña salerosa 333, 334, 348,
350, 351, 355, 357
male †GENDER †BOY
domination 461
grunting 378
machismo 331, 345
macho 380
lust 593
men 668, 674, 675, 678
virile/virility 386, 393, 394
exertion 376
horns 376
strength 376
voice pitch 221, 222
Malone, Bill C 296, 373
Malvern 195
mambo 361
El mampulorio 332, 334
Man and his Music 49
The Man from U.N.C.L.E. 366, 621
Man Of Mystery 368, 625
The Man on the Roof 807
The Man Who Broke The Bank At
Monte Carlo, The 294
The Man with the Golden Arm 570,
580, 581, 582, 594–595, 599
Man, Henrik de 40
management theory 678
managerialism 19, 66
The Manchester Angel 336
Mancini, Henry 351, 583, 599, 600,
624, 626, 631, 676
mandolin 433, 461, 462, 466, 468,
469, 471, 472, 473
Mandolin Brothers 473
Mandrake 301
Manic Depression (Hendrix) 592
Manifesto of Futurism 484
manipulation 84, 678
musical 679
Mannheim school 170
Mannheimer, Carin 115
manor (house[s]) 224, 249
Manvell, Roger 124
The Marcels 212
march/-es/-ing
97, 100, 388, 410, 412, 413, 415,
420, 421, 422, 425, 426, 430
marching
BAND
circus 428
in 6/8 409, 411, 415-417, 419,
420, 423, 426, 427
March of the Light Cavalry 412
March to Cadence CDs 425
Marche cosmopolitaine 294, 411
Marche funèbre 314
Marco Polo (TV) 456-8, 565, 569
Marconi, Luca 51, 56, 65, 220, 268
Marcus, Greil 80
Marcuse, Herbert 41, 42
marginalisation
of music in popular music studies
80
of popular music studies 57
of women’s studies 57
‘Maria’ (West Side Story) 584
Maria Chuchena 342
Maria Marten (Ballad of) 323
mariachi 336, 356, 371
Mariachi Sol 336, 350, 356
Marian Librarian 592–593
marimba as subversion 468
Mariner’s Mirror 325
Marines (US) 424, 425
Marinetti, F T 291, 294, 301, 383,
386, 484, 485, 486, 490
market day/outdoor market
410, 415
marketing 75, 678
marksmanship 291
Marley, Bob 61
Maróthy, János 23, 56, 85, 103,
269, 388, 657
‘Mars’ (Planets Suite) 5
Marsh, Dave 65, 80
marshalling yards 605
Marteau sans maître (Boulez) 230
Martin, Sir George 60, 63
Martínez, José Luiz 47, 56
Marvin, Hank 370
Marvin, Lee 351, 396
Marx, Adolf B 16, 18, 21, 28, 61
Marx, Enrico 602
Marx, Karl 23, 26, 24, 650
Marxism 24, 85
Mary Poppins 323, 429
Maryland Public TV 491, 493
The Masher King 294
Maslíah, Leo 335
Mass in 4 Parts (Byrd) 454
mass observation 40, 85
massacre (My Lai/Song My) 423
Massanet, Jules 31
masterpiece 60
Masters of Melody 516, 518
Masters of War 326
Mastroianni, Marcello 197
maternal instinct MOTHER
Matlovsky, Samuel 677
matrix
dot printers 489
harmonic 360
La bamba 345
Mattelart, Armand 80, 81, 84, 87
MatthäusPassion 170, 185, 186, 574
Mattheson, Joh. 16, 17, 35, 312
Maull, Gemma 7
Maxwell-Davis, Sir Peter 63
May 1st, 17th HOLIDAY
May, Brian 60, 61, 103, 423
Maybellene (Berry) 368
Mayfield, Percy 629
mayor 413
MBE 63
McCartney, Sir Paul 60, 62, 63
McClary, Susan 90
McCloud (TV) 299
McGlennon, Felix 294
McLaughlin Group (TV) 491, 492
McLuhan, Marshall 484, 490, 494
McPherson’s Farewell 345
Meade, Margaret 52
meadow[s] 136, 240, 241–246, 249,
257, 262, 381, 392
meal FOOD & DRINK
mean difference STATISTICS 150
mechanical MACHINE
MECO 648
media
musical 35
studies 60
VVAs relating directly to 125,
652, 646, 656,
medicine 672
Mediterranean 218, 247, 323, 328,
331, 392, 467
meeting[s]
personal 674
organised event 675
megadrone 661
megareverb 115
Meinen Jesum lass’ ich nicht 456
Die Meistersinger 29
melancholy, etc. 133, 179, 231, 319,
381, 385, 446, 449, 452, 459, 460,
461, 514, 517, 518, 674, 675
Mellbinger, Stefan 624
Mellers, Wilfrid 49, 56, 82, 186
Melodies that will Live Forever 518
melodious 620
Melodiradion 807
melody / melodic 115, 217–231,
422, 424, 442–453, 531–532, 657–
659
chromatic 588, 589
contour 268-9, 442, 452, 669
descending 595–596
disjunctive flooding 225–231
DIRECTION[ALITY]
gap fill contour 381, 383
high pitch 588–590
phrase 658
enhancing actor’s emotions 382
lack of in Miami Vice 115
male and female 669
male voice REGISTERvocal
melody-accompaniment dualism
387, 657
stiff upper lip 221–5
tortuous 589
trumpet 596–597
Membrilla (Mexico) 336

Ten Little Title Tunes – Index Mendelssohn – modes 879
men MALE
menace DANGER
Mendelssohn-Bartholdy, Felix
18, 31, 191, 315, 337, 443, 552
Mendoza, David 319
Mendoza, Vicente T 356
Menschenkind 445
mental disarray MADNESS
merchant subjectivity 24
The Mercury Theatre of the Air 177
Merriam, Alan P 36, 37
Merry Christmas Mr Lawrence 600
The Merry Widow 429
Mervant, Pierre 261
Merwe, Peter van der 209, 324, 345
mesomúsica (Vega) 57, 58
The Messiah (Handel) 101, 517
messy 646
mestizo 344
metalanguage 121 ff.
metacontextual discourse 9, 28,
59, 83, 678, 807
metatextual/metamusical discourse
9, 10, 28, 59, 91, 92,
678, 807
Metallica 423
metaphors 647
metaphysics of music 18, 21, 23, 25,
26, 36, 70
method 107-152, 631, 675
Methodist Hymn Book 175, 176, 345
metonymy 101, 123, 409
†GENRE SYNECDOCHE
metre 97, 98,100, 101 † RHYTHM
6/4, 12/8 622
compound (6/8) 101, 295-6, 322,
333-7, 342-3, 350, 356-7, 409,
411, 465
horse music 293–295
†MARCH6/8
birhythm 171, 622
cross-rhythm 343, 532
hemiola 320, 342, 343, 361, 364
simple for horse music 293–295
syncopation 342-5, 654, 655
three against two 172
metronomic TEMPO
Mexican Hat Dance 333, 355, 383
Mexico/Mexican 297, 310, 323,
328–32, 336, 337, 341, 342, 343,
345, 348, 350, 355-7, 361-2, 365,
388-9, 394
border with USA 122, 123
production 391
Mexicans 136, 362, 363-5
‘south of the border’ 355, 383
territories 355
Trad. 337, 362, 364, 365, 385,
391
Zorro 356
Meyer, L B 379, 387, 471, 590, 664
Mezzrow, Mezz 597
MGM 647
Miami 623
Miami Vice (‘Vice’, Tune 10) 101,
107, 108, 109, 111, 112, 115, 129,
141, 142, 147, 148, 149, 150, 151,
153, 297, 298, 299, 301, 375, 392,
410, 463, 468, 472, 483, 485, 486,
494, 495, 496, 499, 500, 551, 551,
552, 553, 554, 555, 556, 572, 584,
599, 600, 606, 632, 633–664, 666,
667, 668, 669, 670, 676
cf. Owed to ‘g’ 617–624
miasma 133, 569
Miceli, Sergio 30, 49, 370, 371, 372
Michael Shayne 572
Michaelangelo 419
Michaels, Bret 423
Michelsen, Morten 42, 48, 64-5, 67,
70, 85, 89
Mickey Mouse 496
microphone 423
close-up 472
moving coil 39
middle class CLASS
middle of (in the) 134
Middleton, Richard 21, 42, 43, 55,
56, 72, 81, 82, 89, 271, 273, 274
MIDI 7
A Midsummer Night’s Dream
(Mendelssohn) 191, 337
Mike Hammer 571–572, 627
Milan 577
Milano odia 600
mild 133
mild shock 648
Milestones 578, 580
Miley, ‘Bubber’ 573
Milhaud, Darius 30
military 378, 409, 410, 412, 419,
420, 427, 428, 429, 498
band 398 †BAND[S]
cadences, chants 422
music for in USA 422–426
‘public’ school training for 223
US 390
mill wheel 236
Milland, Ray 589
Mille, Cecil B de 429
Miller, Frank 411
Miller, Glenn 230
A Miner’s Life 354
Mineral Wells (Texas) 373
miners 86, 309
minichromatic
HARMONYchromaticism
Mini-Moog 553
minor chords (e.g. m6, m6add9,.
m7, m7$5, m9, madd9, mmaj9)
CHORDS/INTERVALS
minor intervals (e.g. 3rd, 6th, 7th)
CHORDS/INTERVALS
minor key/mode MODES (minor);
HARMONY MELODY JAZZ
Minot, Adolf 567
miserable/misery 137, 183, 185
Miss Marple 580
mission 197
Mission Impossible 366, 378
The Mission 565
mist[y] WEATHER
Misteri del lago 589
Misterioso infernale (Borch) 567
Misterioso #2 (Minot) 567
misunderstanding/misunderstood
430, 569, 585
Mit Verlangen (Bach) 444
mnemonic identification (title music
function) 110, 513, 658
Moanin’ Low 566, 577, 598
moaning/moans 181, 576
mobility DIRECTION SPEED
social CLASS
mode[s], modality 356
†CHORDS †HARMONY
aeolian 306, 310, 322, 358, 361, 663
archaism 310, 334, 390
big-country 357 ff.
blues 372, 628
British 322-324
Central Europe 317–321
church modes 371
dorian 311, 322, 361
English folk 322, 323
exoticism 319
Gregorian 371-372
harmony 357 ff.
ionian 310, 313, 322
lack of (modality) 215
major vs minor 310, 344, 449
‘happy vs sad’ 310–29
theres and thens 327–330
major-key 104, 317, 409, 496
laments 309
the ‘tutti community’ 392
medieval 312
minor-key 104, 154, 306, 307,
320, 321, 327–36, 350, 362,
367, 369, 370-72, 379-80, 385,
389-92, 395, 396
archaic 310, 317–21, 334,
390
celebratory 309-310
crime 625–631
moods 307–330
nostalgia 327–330
sadness 310–317
mixolydian 322, 336, 345, 361,
492, 495, 658
half cadences 357 ff.
Morricone’s view of 370-72
nationality/nationalism 396
pentatonic[ism] 115, 179, 302,
303, 325, 322, 334, 530-7, 658
blues riffs 600
cluster 179
doh-pentatonic (major)
5, 322, 396
Dvořák 325
la-pentatonic (minor) 179,
322, 361, 600, 630, 631
marginalisation 531–532
rambling 578
spread westwards (US) 326
phrygian 319, 320, 322, 335,
338, 359, 360, 361
polarity modal/tonal 305, 330
‘pretonal’ 371
return of (modality) 312
rock 310, 313, 620
Russia 322

880 models – Mussorgsky Ten Little Title Tunes – Index
models (photo/fashion) 262-4, 647
modern HISTORICAL
Modern Jazz Quartet 606
Modern Times 484
modernity 644, 648, 650
modulation HARMONY
modulator SOUND PROCESSING
modus irrealis 328, 391
modus lascivus 313
Moel Famau 254
Moldau →VLTAVA
mollity 133, 460 †SOFT
momentum 294, 341, 591
monarchy 61, 62, 66, 418
Monash University 73
Monelle, Raymond 50, 51, 53
monetarism 72, 87, 421, 422
money 22, 25, 26, 664
deified fetish of 26
mono sound 115 †SOUND PROCESS.
monopolisation 35
monotony 133
travel music 656
Monroe, Bill 352
Monroe, Marilyn 199
Monroe, Vaughn 351, 369, 371, 395
Monteverdi, Claudio 335, 471
Montgomery, Field Marshall Lord
416, 417, 426
Montreal 423
Monty 415-417
Monty Python’s Flying Circus
(‘Python’, Tune 3) 96, 107, 112, 113,
114, 123, 129, 147, 148, 149, 150,
223, 294, 297, 317, 353, 397-430,
498, 513, 515, 516, 536, 560, 606,
621, 632, 666, 667, 668, 675, 676
children VVAs 251
Holy Grail 292, 464, 602–3
TV series 224
mood †AFFECT †EMOTION
change of (Skinner) 662
mood music LIBRARY MUSIC
moon 518
Moon of Alabama 179, 230
Moonlight Bay 226, 227, 230
Moonlight Gambler 395
Moonlight Serenade 230, 268
example 230
Moonlight Sonata 516, 517, 518
moors 139
MoR 422, 807
morale 425
Morales, Luis de 258
Morey, Larry 445
Morisette, Alanis 264
Morley, Thomas 182
morning 224, 247 †TIME (of day)
misty 383 †WEATHER
morning coat 199
Morricone, Ennio 5, 31, 32, 49, 171,
189, 197, 304, 346, 362, 367, 368-
73, 376, 377, 378, 379, 396, 456,
457, 458, 462, 565, 569, 586–588,
589, 600, 652
Morris, Charles 51, 52
Morris, John 5, 395, 648
Morrison, Van 60
Morse code TELETYPE
Moscow 62
Mosely, Oswald 418, 419
Moszkowski, Moritz 340
mother 220 †WOMEN
The Cruel Mother 336
Listen with Mother (radio) 250
maternal instinct 672
motherlessness 212
Mothers of Invention 353
Motion Picture Moods for Pianists
& Organists (Rapée) 31, 126, 314
motion †SPEED †DIRECTION
motion sickness 575
motivation research 43
motorbike[s] 100, 496
sex and rock music 293
motoric 622 †DIRECTION
drive 337, 343
motorised fandangos 336–341
motorway[s] 461, 486, 674
Motown 44, 472
Mountain Dew (Irish Trad.) 355
mountain flatpicking 375
mountains 213, 302, 305, 331, 364,
377, 386, 388, 389, 394
mournful. mourning 308, 574
moustache 418
movement †DIRECTION †SPEED
kinetic anaphones 100
mobility 646
social CLASS
music’s underlining of 125
movie projector 414, 415, 421
Movietone News 416
Mozart, Wolfgang A 14, 18, 19, 20,
21, 173, 175, 180, 186, 187, 196,
218, 220, 233, 244, 318, 444, 581
Mr Mister 424
Mr. P.C. (Coltrane) 583, 628
msus9 CHORDS suspended
MTV 313
Muleskinner Blues 353
Mulhern, Francis 65, 80, 84
multinational 420
multiple choice RECEPTION TEST
Mummers’ Plays 326
München 48
murder 135, 569, 570, 577, 581, 589
murderess 676
Murdock, Graham 81, 84, 85
murmuring 236
Musée de l’homme 38
musematic
analysis method 94–103, 104
commutation 105
evidence 154
hunches 114–115
interobjective comparison 96-99
et passim
museme[s] (incl. stacks and
strings) 94, 101, 807-8
music
analysis †MUSEMEmusematic
discussed 9, 10, 11, 46, 55-7,
59, 64, 80-2, 89, 92, 94-105,
147, 152, 231, 273, 275,
679
presented passim
‘… as “music”’ 59, 103, 272
departments of 60
education EDUCATION
history: defalsifying 679
industry 26
Music and Letters 22
Music Box (music TV) 649
music hall 294, 416, 429
Music House LIBRARY MUSIC
The Music Man 592–593
musica leggera 370, 372
Musica, espressione, emozione 56
musical (adj.) ABSOLUTISM,
AUTONOMY NOTATION
categories
non-musos 103–105
common sense
VVAStaxonomy
competence 9–11
flashback 131
knowledge 9-11, 678
types of 9–11
structure 12, 43, 153, 154
text and cultural studies 79–84
work, the 11
musical[s] 429, 605
Musical Quarterly 22
Musical Semiotics in Growth 51
Musician magazine 534
musicians 78, 80, 619, 632
circus 427
as informants 131
musicogenic 120, 808
categories 666, 675
ideology of 677–679
cognition 105
musicology (incl. musicological,
musicologist[s], etc.) 4, 7-8, 10-12,
14, 16-17, 19, 21-22, 27-29, 32, 34,
35, 39, 41-46, 48-51, 53, 54-55, 57-
61, 63, 64, 73, 74, 79, 80-83, 85,
86, 104, 109, 121, 124, 130, 141-2,
154, 172, 235, 252, 271, 275, 312,
320, 343, 371, 427, 675, 678
†POPULAR MUSIC studies
†ETHNOMUSICOLOGY †SEMIOTICS
†SOCIOLOGY
biomusicology 10, 15
comparative 36, 38
Critical Musicology Forum 8, 57
department[s] of 44, 60
discourse used in
inaccessibility of 90-92, 103
musicologists as informants 131
Musik und Gesellschaft 40
Musikgeschichte des 19. Jahrhundert
37
Musikhögskolan 46
musique concrète 30, 370
muso[s] 59, 808
Mussolini, Benito 485
Mussorgsky, Modest 321, 470, 533,
553, 564
Night on a Bare Mountain 100

Ten Little Title Tunes – Index mutes – nostalgia 881
mutes, muted 115, 522, 572
Harmon mutes 540-1
Muzak 471, 581
My Bonnie 448
My Bulgarian Baby 621
My Dog Blue →OLD BLUE
My Generation 66, 652
My Lai massacre 423
My Rough and Rowdy Ways 353
My Sweet Lord 95
My Way 196
myster/-y/-ious 378, 459, 518,
588–590
mystical 132, 268
oriental 531
Mythologies (Barthes) 490
N
Nana. (film) 600
Nånstans, nån gång 471
Nanton, ‘Tricky’ Sam 573
napalm 425
Naples 329
Spain 341
traditional music from 311
Napoleon Bonaparte 22
Napoleonic Code 22
narrative
love and crime 461
cowboys 302
considerations 463
curve 659
genre 458, 462
outlines MV 661
symmetry of plot 664
narratological, narratology 672
convention 461
device 469
nasality in bluegrass 352
Nash, Graham 424
Nastro d’argento 370
nasty 190
Nathan, Robert 389
national 413, 424, 429, 517
assets 421
curriculum 45–46
National Enquirer 491
National Health Service 417, 421
National Heritage 7 (KPM) 414
Nationaldagen 415
nationalisation 417, 421
nationalis/-m/-t 309, 428
British 61
German, musical 320
Nationalteatern 619, 620, 808
nations/nation states 413, 420
Native American[s]
Ayamara 334
Aztec 291, 334
Hollywood music for 303
Huapango 356
Huayno 334, 343, 361
Inca 334
Quechua 334
Nattiez, Jean-Jacques
51, 53, 54, 55
Nature/nature 224, 236, 442, 446,
514, 516, 517
vs artefact 388, 514
vs Culture 461, 671-2
naughty 265
nausea 576, 579
Navy Seals (USA) 425
Naylor, Ken N 223
Nazi 41
NBC 39
Neapolitan CHORDS
near vs far 388
Nebbie al castello 589
negative
drum scenario 650–652
evaluations
Virginian 345-6, 387
experience 460
Neglin, Anders 677
‘negotiated readings’ 87
Nehring, Neil 73
Nelson, Terry 423
Nelson, Willy 218, 228
neo-liberalism 72, 87
neologisms 131, 134
neon lights 623
Nero, Franco 587
nerves/nervous 590, 604
nervous energy 489
nervous strain 589
Ness, Elliott 582
Netherlands 418
Nettl, Bruno 37, 51
Network Music LIBRARY MUSIC
Neuls-Bates, C 29
neutral[ity] 132, 376, 530, 660, 674
Le neveu de Rameau 15, 16, 17
Neveu, Éric 80, 81, 84, 87
New Age music (Zen and) 534
New Jersey 602
New ‘Labour’ 421
new look FASHION
New Mexico 355
New Orleans 115, 567, 571, 582, 597
New World Symph. 303, 319, 325
New York 135, 494, 567, 570, 571,
572, 597, 603, 605
New York State of Mind 582
Newcastle Brown 345
Newman, Alfred 305, 359
Newport Jazz Festival 310
news/news music 388, 487–94, 554
ABC bans news anaphones in
adverts 490
BBC radio news 488
Capital Radio News 487
CBS Evening News 341, 388
current affairs music 492
etymophony 488–494
Movietone News 416, 417
‘news’ 487
newsreels 97, 412, 415-6, 420
reports on China (1989) 501
Swedish TV news 487, 606
Radio Newsreel 411, 412, 416
Téléljournal (TF1) 488
TV Cinq 651
WINS news station logo 490
†BUSY †TELETYPE †URGENT
News at Ten 606
Nicaragua 6, 420
nice 137
Nick Carter 572
Nicks, Stevie 424
Nietzsche, Jack 24, 484, 576
night 443, 570, 571, 572, 579, 587,
597, 601, 605, 624, 671, 674
club 127, 135, 370
life 135, 265
Night on a Bare Mountain 553, 564
Night Passage (film) 304
The Night Stalker 493
nightmare 589, 624
Nimrod (Elgar) 195, 221, 223
Nine-Pound Hammer 353, 354
nineteenth century HISTORICAL
1900 NOVECENTO
1900-1999HISTORICAL
ninths CHORDS/INTERVALS
Niro, Robert de 565
Nirvana 21, 66, 73
Nissyros 467
Nix, Don 630
Nixon, Richard 488
Nketia, J W K 38
‘no censorship’ 265
‘no conflicts’ 132
No Roses (Steeleye Span) 306
noble 197
Noble, Ray 579
Nobody Knows (US Trad.) 229
nocturnal 444, 569
nocturne[s] 171, 443
Nocturnes (Debussy) 246
non-designated recognition 513,
515, 516
None but the Aching (Нет,
Heart
тот...) 205, 206, 212, 218
толъко
non-military 410
non-musos 103–105
Nono, Luigi 370
non-recognition 112–113
nonverbal communication 104, 105
Noriega, Manuel 420
normal[ity] 70, 108, 483-501, 514,
518, 519, 666
middle-class 64
Norman, Monty 573, 626
Normandy invasion 417
Normann, E 294, 411
Nørrebro 413
North by Northwest 569
North Pole 588
North, Alex 196, 540, 579, 581, 583,
592, 600-1
North, Oliver 4-6
Norway 321, 415, 631
skolekorps, 17 May 415
nostalgia 132, 171, 240, 309, 361,
429, 430, 459, 460, 461, 472, 514,
517, 518, 675
Grieg’s Lyrische Stücke 321
minor mode 327–330
Nostalgia of the Father (Morricone)
456, 457, 458

882 notation – over Ten Little Title Tunes – Index
Not Alone Anymore 229
notation (musical) 35, 81
ethnomusicology and 36, 39
notational centricity 28, 55
problems for popular music
analysis 152, 153
uses in popular music 55
note (musical)
definition 808
doorstop note 228, 229, 806
grace notes 226, 231
menace note 651, 660, 661
shape-note singing 324
suspense notes 627
Nottamun Town 326
Notting Hill Carnival 62
Notturno (Pick-Mangiagialli) 443
nouveau riche 60
Novecento 197, 456, 565, 569
novela rosa 137, 808
novelty tune[s]/song[s] 412, 496
Liberty Bell 413
Now Cease My Wandering… 316
Now Voyager (film) 171
nude 418, 419
The Nude Maya (Goya) 257
nu-metal 424
Nuova Consonanza 370
Der Nussbaum 171
Nylöf, Göran 44–45
Nynningen 619, 620, 808
O
O Haupt voll Blut… 456
O helga natt 196
O Mensch, bewein’ … 185
O! What A Beautiful Morning 108
O’Lochlainn, C 310, 345, 347, 355
O’Neill, Eugene 371
OBE 60, 63
Oberon 445
object relations (Klein) 76
objectivism 27
oblivion (Reynolds) 65, 67
oboe ORCHESTRATION
obsolescence 553, 605, 650, 666, 676
bebop flat fifth 583–588
guaranteed by fashion 496
of ‘space drum’ 648
ocarinas 378
OCORA 38
octave[s] CHORDS & INTERVALS
Oe’r the Muir 348
Oedipus Rex (Stravinsky) 471
Off To Sea Once More 336
offbeat 295, 337, 342-3, 356, 628, 600
An Officer and a Gentleman 425
officers 427
Officers’ Training Corps 223
official 413, 417, 420, 422, 423, 424,
426, 428
Official Detective (radio) 572
Oft Have I Sighed 182
Il ogro 565
Oh Happy Day 95
‘oh my!’ 386
Oh! For the Wings of a Dove 315
Oh! I Must Get Home… 294, 411
Oh! Susanna 377
Öhrström, Eva 29, 233
Oil Bath 586, 600
Okie from Moscogee 296
Oklahoma! (R&H) 108, 295
old 536
England 429
fashioned 238, 500
folks 239
order 419
people 428
time[s] HISTORICAL
Old Blue 325, 355
Old City (Gamla stan) 808
Old Dog Tray 325
Old Horse 380
Oldfield, Mike 414
Ole Paint 295, 325
Olimar (river) 335
Oliver, Paul 80, 293
Olofsson, Per-Olof 23, 24
Olympic Games 415
ominous 120, 566
Omnimusic LIBRARY MUSIC
On Popular Music ADORNO
On the Open Praire (Copland) 100
On the Steppes of Central Asia 100
On the Trail (Grofé) 591
on way to… 590, 591, 592
Once Upon a Time in… (films)
C’ERA UNA VOLTA…
One Cool Cuban (Gillespie) 645
One Flew over the Cuckoo’s… 576
The Onedin Line 240, 246
Ono, Yoko 30
onomatopoeia 99, 292, 295 †ANAsonic
†PROGRAMME
PHONE
‘ooh la-la!’ 132, 135, 265, 385, 648
007 JAMES BOND
open[ness] 133, 214 †PANORAMA
fields 388
opening 212
of parliament 415
opera 122, 215
operatic 424
operetta 429
Ophelia (Steck) 259, 260, 261
Ophelia (film cue, Hamlet) 456
opinion
musical, non-verbal 4–7
public 417, 420
opposition[al[ity]] 66, 85, 618, 620
oppression at ‘public’ school 223
orange (colour) 139
Orbison, Roy 230
orchestration, instrumentation
169, 427, 461, 462, 630, 657
banjo 373, 375, 377
flatpicking 375
bassoon farts 588
clarinet[s] 115, 192, 467, 597-8
scoop 115, 597–598
cor anglais 380, 381
cowboy melodies 375
doomsday registration 153, 637
ethnicity/exoticism 466–74
folk lutes 466-472
full orchestra 391
GUITAR
geo-instrumental syllogism 469
harp 261, 278-9, 300, 376, 456
sweep 299, 386–387, 559
harpsichord 588
HORN
importance of parameter 387
male and female 669, 670
MANDOLIN
Morricone’s 370
oboe 192, 278-9, 379, 381–2,
388, 392, 472, 504-5, 516
PIANO
saxophone[s] 571, 597
in Cagney & Lacey 676
saw (musical) 576
STRINGS
trombone[s] 461, 492, 540-1
slides 573–577
plunging 568, 572
trumpet[s] 115, 371, 487, 495,
540-1, 596-7, 622, 676
vibraphone 278-9, 300, 376, 676
xylophone[s] 476, 487, 494-8, 622
busy and comic 496-8
order/ordered (regularity)
133, 416, 421, 673
order (social) 672
‘orders are orders’ 25, 27
Oregon 328, 355
Orfeo e Euridice 316
organ 120, 221, 222, 223
Hammond 462, 628
organists 19
at sports events 330
orgy music (Rapée) 656
The Orient Express 604
oriental[ism] 115, 127, 531, 605
‘Original Soundtrack’ hype110
ornament-al/-ation 19
gingerbread 228
ornate 429
ös 808
Osbourne, Ozzie 62
oscillation/oscillatory 72, 246, 453
Oslo 413, 631
University of 116, 796
ossification 18 ff.
ostentat-ion/-ious 416, 424, 428
ostinato †RIFF
bass 590–595
Otello (Verdi) 190, 194, 211
‘otherness’ ALTERITY
otherworldliness ETHEREAL
Our Man Flint (Goldsmith) 586
Our Town (Copland) 536
L’ours (Jansen) 197
Out of Africa 215
Out Of The Blue 411, 412
outdoors 652, 672, 674
outfit (costume) CLOTHES
outrage 618
outwards 212
ovation 428
‘over’ as polysemic VVA 139

Ten Little Title Tunes – Index over/across – Pheloung 883
over/across 122, 134, 139, 297, 302,
303, 305, 331, 393
overdriveGUITARelectric
overexposed 419
overhead 134
over-theorisation 87
Owed to ‘g’ (‘Purple’, by Deep Purple,
Tune 9) 107, 114, 115, 129,
130, 135, 141, 147, 148, 149, 150,
153, 248, 269, 375, 410, 458, 459,
460, 461, 462, 463, 464, 494, 495,
496, 557, 559, 560, 561, 569, 572,
583, 590, 595, 607-632, 657, 667,
668, 669, 670
Owens, Buck 575
Oxford University 62
Oz 389
P
packaging 75
Padre Padrone 14
Pagliacci 596
Paice, Ian 462
pain 101, 123, 185, 196, 212, 417,
446, 449, 453, 457, 459, 460, 461,
464, 646
and pleasure 207–208
painful 190
Paint Your Wagon (show) 396
palace 413, 418
Paladin (Ballad of) 368
Palin, Michael 223, 224
Palisca, Claude V 8, 30
palm trees 239
Palmer, Christopher 569
Palmer, Roy 23, 308
Palmolive 243, 244
Pamela (15 yrs) 238, 532
pan pipes 462
Panama 420
pandiatonicism TONALITY
panning CAMERA SOUND PROCESS.
panorama/panoramic view[s] 213,
382, 672 †PANNING
big country (music for)
302, 344, 336, 357 ff., 386
big scenery 151, 514
lack of in Emmerdale 515
vs women in Westerns 394
broad expanses 213, 298
panorama vs close-up 388
open fields 388
wide open spaces 354, 388
wide views 195, 238
Pantène Pro Plus Shampoo 263
Paper Dolls (TV) 647, 648, 649,
650, 651, 653
parade 97, 123, 409, 410, 413, 415,
427, 428, 675
Paradise 208
parallel HARMONY
parameters of musical expression
39, 102, 808
paramusical 101, 110, 161, 806, 808
common denominators 97
fields of connotation PMFC
paranoia 426
Paranoid Android (Radiohead) 21
Les parapluies de Cherbourg 196
parasol PROPS
paratextual 51
parental love 250
Paris 570, 605, 649
park[s] 123, 247, 249, 410, 428, 674
park bench 238
parkland 257
pleasure park 409
Parker, Charlie 32, 41
parlour (music) 16, 232, 233, 412
chromaticism 215
salon 266
Parlour Songbook 213
parody 353, 413, 419, 429, 648, 675
detective style 627
Western 358
Parr, John 424
Parra, Violetta 336
Parry, Sir C H Hubert 60, 210, 218,
220, 222, 223, 224, 428
Parsifal 190
partials 153, 651, 652
parting (exitive) 182, 183, 459, 460,
469, 674
departure 134, 388
party/[-ies] (fun) 392, 393, 410, 415
Party at the Palace 103, 424
pasa doble 338
pas-de-deux 240
passion 177, 199, 207, 430
of Christ 184, 185-6, 170, 456,
574 †MATTHÄUS †JOHANNES
impassioned 186
passionate 197, 270
past time TIME
pastel shades 244, 554, 606, 650
pastiche 127, 346
El pastor 350
pastoral[-ity] 99, 101, 115, 161,
195, 244, 379–380, 381, 382–385,
513–519, 530–537, 533, 674
pastoral symphonies 101
Beethoven 99, 533
Christmas Oratorio 517
pastorale 518, 533
pastorella 533
pasture land 257
Pastures of Plenty 368, 371
patetico 380
pathos 177, 187, 192, 195, 197, 199,
200, 206, 223, 224, 422, 445
patience 673
patriarchal 419
Patricia (cha-cha-cha) 348
patriot/-ic/-sm 423, 428
music in USA 422–426
patronage 16
Pattison, Robert 585
Pauli, Hansjörg 30
Pause (Schubert) 213
peace 132, 177, 239, 270
of mind 178
peanut butter FOOD
Pearl Jam 66
Pearsall, Ronald 23
peasants 328
Peck, Gregory 589
pedal point 101, 517, 589, 590, 598
†DRONE
‘peeow’ ‘BEEW!’
Peer, Ralph 36
peerage 416
Peerson, Martin 182
Pegg, Bob 323
Peirce, Charles S 47, 51, 52, 296
pelagic SEA
Pelléas et Mélisande 192, 471
hair scene 260–261
pendulum SHUTTLE
Penguin Book of …
English Folk Songs 322
English Madrigals 455
penitent 184, 186
Pentagon 355, 677
pentatonic[ism] MODES
Per Gynt 192, 200, 313, 314, 321
Abduction of the Bride 567
Per le antiche scale 197, 456
Per qualche dollari in più 331, 346,
370, 396
Per un pugno di dollari 304, 346,
368, 370, 371, 372, 373, 396, 456
perception 14, 100, 105-6, 111, 127,
129, 141, 154, 190, 227, 229, 235,
239, 252-3, 270-3, 275, 290, 295,
375, 388, 412, 447, 458, 462, 471,
485-6, 581, 632, 651, 652
percussion 300, 634-7, 648, 651, 652
Latin 645–650
Virginian 342–343
‘Pereat jedes Programm!’ 48
‘perfect’ pitch 95
perform[ance] 429, 620-1, 674
performing arts 60
periodicity 514
irregular 588
regular 604
perky 412, 415, 416, 417
per-mille scores STATISTICS
perpetuum mobile 115, 337
Perry Mason 4, 572, 578, 592
TV theme 464, 591
Perry, Jimmy 429
Peru 334
‘perverse discipline’ 52, 53
pesante HEAVY
Pesni donskikh kazakov 322
Peter and the Wolf 568
Peter Gunn 368, 572, 600, 624
Duane Eddy riff 599
Peter Pan 495
Peterson, Richard A. 13, 43, 64
Petite Fleur 567, 570
Petrassi, Goffredo 370
Pétrouchka 246, 471
Petty Larceny 583, 585
Peyser, Joan 535
phallic 71
Phantasien über die Kunst 15
phasing SOUND PROCESSING
phatic modernity 644
Pheloung, Barrington 488, 581

884 phew! – presentation Ten Little Title Tunes – Index
phew! 217
philanthropy 25
Philip Marlowe 677
Philips, Robin 415
philosoph/-ical/-ising 464, 677
Phoenix (Arizona) 367
phonograms in ethnomusicology 38
photo models 262
phrasing 168–169, 462
Phrygia and Spartacus 240
phrygian MODES
piano 376, 516, 540-,
arpeggios 156-7, 168, 171–2,
230-49, 504-5, 515, 516
Chopin 226
meadows and trees 241–246
water 233–240
duets 233
bourgeois home 232-3
Fender-Rhodes 197
octaves in bass 590
romantic 172, 232–233, 266
technical improvements 232
broiler 19
concertante 264
concerto[s] 156-7, 169, 171, 177,
191, 198–203, 516
† B IG CONCERTO M OVIE T HEMES
pathos in 198-202
Gershwin 578
Tchaikovsky (#1 in B$m)
175, 177, 199
Rachmaninov (#2 in Cm) 199
pianist 499
sextuplets 171, 174, 246, 249
Picardy 3rd CHORDStierce de P.
picking GUITAR ORCHESTRbanjo
Pick-Mangiagalli, Ricardo 443
pick-up ANACRUSIS
picnic 412, 415 †FOOD
Pictures (jazz tone poem) 496
Pictures at an Exhibition 321
piercing 101, 248
A Pilgrim’s Progress 196
Pillsbury Frozen Pizza Crust 467
Pinewood Studios 372
Pink Panther 583, 584, 626, 631
Pinochet, Augusto 420
Pinto, Guilherme Alencar 335
pioneer 302
Il pipistrello FLEDERMAUS
Pishet, pishet Karla Shvedskii 322
pitch REGISTERpitch
pitching (of boats) 248
pivot[s] CHORDSpivots
pizza crust commercial 467
pizzicato 467
placid[ness] 535, 536
plagal 175
plagal half cadence 536
plagal harmony 325, 358
plains 122, 354, 393
plaintive 192, 380, 574
plane 646
Planet Suite 21
planning 430, 674
Plantation (record label) 423
platform soles 553
Plato 27, 35, 39, 47
playlist rotation 113–114
pleading 380
pleasant 70
park 409, 429
pleasurable 428
shock 648, 650
surprise 648
Pleasantville 64
pleasure 70
and pain 207–208
plectrum 153
Plegaria a un labrador 336
plodding bass 565–6, 571, 592, 604
plot types: Western 392–394
plucky 417, 429
plunger[s] 540-1, 568, 572, 573
plush BAR
PMFC 96, 97, 808 †VVA
pogo stick 295
poignant 198, 381, 382, 388, 456
poison 676
Poison (band) 423
Poisson distribution 148, 149
Poitín (Ir. Trad.) 345, 355
police (incl. cop[s]) 459 †DECKARE
†CRIME †GANGSTER[S]
shows (TV) 624, 659
Police Woman 676
politics, political †POWER
asylum 62
power 60
crooked 588
UK under Blair 62
of Italian Western 332
La polizia non può sparare 600
Pollack, Benny 579
pollen 244
polysem/-y/-ic 207, 296
VVAs 135–136, 139
pomo-rockology
MUSICstudies
POPULAR
pomp 416, 421, 424
pomp and circumstance 132
pomp metal ROCK
The Pond (Ives) 535, 537, 539
ponderous 300
Ponte Vedra (Galícia) 350
Poole, Brian, & the Tremoloes 472
Poole, Gaye 81
Poole, Steven 7
Poor Black Boy 532
‘poor thing!’ 217
pop music 621, 645, 646
‘pop style’ 495
Poppe, Nils 429, 808
popular classical music 62
popular music 30, 37, 41, 43, 46, 54,
55, 114, 119, 206, 272, 422, 531 et
passim
characteristics of 54
compared to classical 59–62
definition 57
European 30, 232, 311, 321, 412
Latin American 334-6, 343,
345-7, 355, 361, 645
Morricone’s 370-371
studies 7-10, 14, 22, 34-8, 40-2,
44, 45, 54, 57–89, 90, 92, 103,
117, 152, 272, 425, 679
cultural studies 78-89
lack of music in 80-84
marginalisation of 57
musos vs cult studs 59, 80 ff
pomorockology 66-70, 73-8,
89, 808
raison d’être 57
Popular Music 10, 64, 67, 80, 86
Porcile, François 31
Porgy and Bess 571, 595
Porizkova, Paulina 263
Porky the Pig 575, 577
portamento 115, 217, 515, 522, 648
Porter, Cole 374
Portishead 456
Portsmouth (tune) 345
Portugal 329
positive 137, 673
postmodernism 67, 71, 76
†POMO-ROCKOLOGY
authoritarianism of 76
stereotypes of 73
The Postmodernism Generator 73
postponed gratification 60, 65
Pour Adeline 175
Pour Dolly 250
pouting lips 264
poverty 572, 601
power 419, 424, 484–487, 648
abuse of 421
chord 652–653, 654, 660
corporations 420
empowerment 85, 88, 291, 679
fun and power 424
global: transfer of 413
hegemonic 44, 66, 424
intrinsic exclusivity of 485
nation state 60, 420
official representation in music
413, 414, 416-8, 420, 422, 423,
424, 425, 426
relations (gender) gender 671
vs speed in music 300
powerful 100
Powers, Stefanie 621
PR (‘public relations’) 62, 75
Prado, Perez ‘Prez’ 348
pragmatics SEMIOTICS
prairie 139, 297, 302, 305, 308
pranks 132
Prato, Paulo 14
prayer 178
precadential CADENCE
predatory (woman) 585
predetermined 604
predictability 514
Il prefetto di ferro 587
Prendergast, Roy M 124, 599, 601
preparatory (title music) 10, 513
prepositions 122, 303
Pre-Raphaelite 264
present TIME
Presentation Of The Flag 411

Ten Little Title Tunes – Index presentational – reception test 885
presentational 378, 385, 429, 673
Presley, Elvis 64, 86, 421
prestigious 132, 414, 428
pre-test hypotheses 111–112
‘pretonal’ 371 †MODES
Pretty Polly 354, 355
pride 133, 428
primal fantasy 24
primary signification SEMIOTICS
primitivism 531, 533
Prince Charles (UK) 62
printers TELETYPE, etc.
Prior, Maddy 323
private, privacy 420
love, individuality as 499
vs public 28, 673
private eyes DECKARE
privileges 60 †POWER†HEGEMONY
problem[s] (VVA) DIFFICULT[Y]
Procul Harem 196, 338
production vs consumption
(of music) 618
The Professionals 624
proramme music 48, 99
prohibition (USA) 570
projection ALTERITY ETHNICITY
EXOTICISM GESTURALITY
Prokofiev, Sergei 30, 589
Prokunin, V P 322
prolapsual 131, 134, 251, 260, 261,
265, 270, 305, 515, 518, 808
proletari/-at/-sation 22, 35
promenade 100
propaganda 417, 678
proportional STATISTICS
props †CLOTHES
parasol 236
Leone’s Westerns 331
test responses 120
‘trendy object’ 552, 647, 649, 650
propuls/-ion/-ive, propel DIRECTION
prosody 52
prostitute[s] 265, 464, 675
prostitution 133, 459, 569, 573,
582, 596
protagonist semiosis (musical)
lack of in Miami Vice 659
Proud Heritage 223, 224
Proud Mary 357, 662
provincial/-ism 413, 428, 429
psalms 175
pseudo-individualisation 420, 421
psychiatrist 589
Psycho (film) 100, 104, 190, 600
psychological experiences
musical expression of 125
psychology 48
psycho-social disorder 76
psychotic symbiosis 76
pub band 663
public 410, 412, 413, 416, 417, 418,
419, 420, 422, 423, 424, 425, 426,
428 †CELEBRATION †DISPLAY
†HOLIDAY †INSTITUTION[S]
opinion 417, 420
representation 418, 422
services 421
TV 660, 661
spaces 423, 424
sphere 427
no love in 499
vs private 28, 673
‘public’ schools (UK) 221–225
Puccini, Giacomo 29, 31, 325, 568
Puebla, Carlos 334
puerto-ricanism 340
Pulp (band) 464
pulsating 461
pulse 646, 674 †TEMPO
punch-out (recording) 660
pungent 625
Purcell, Henry 180, 182
pure 133
Purple OWED TO ‘G’
Purple Haze (Hendrix) 593
Purser, Philip 202
Pyrenees 350
Pythonesque 418
Q
quadruplets 171
quadrusyllabic 347
quantification
alienation by 24
quantised 654
hoofbeats 295
quartal under HARMONY
quarter tones 576
Qua-ti Blues (Bechet) 567, 570
Quechua 334
Queen (band) 61, 423
Queen/queen (monarch)
409, 413, 668
Elizabeth II (UK) 60-1, 569
Mary (UK) 416
Sylvia (Sweden) 808
quick SPEED
quiescence 670
quiet 132, 535, 536, 674
Quiet City (Copland) 536
Quilapayún 342
Quilômbo 338
Quincy (TV) 585
quintal HARMONY
R
R & J ROMEO & JULIET (ROTA)
Race Records 374
Rachmaninov 171, 175, 180, 199,
211, 215, 232, 269
racism 272, 425
inverted 71
‘rad’ (=hip/cool) 650
radicalism (rock discourse) 65, 421
radio 13, 35, 428
format radio 13
news 487, 488
Melodiradion 807
Radio Moscow 470
Radio Newsreel 411, 412, 416
Radiohead 21, 66, 456
RAF 198, 201, 203
raga[s] – Pily and Saranga 558
raggare 808
ragged CLOTHES
Raggle-Taggle Gypsies 345
ragtime 325
RAI TV TV stations
rail/-road/-way 383, 656 †TRAIN[S]
rain[y] WEATHER
raised-eyebrow chromaticism 592
Rákóczy March 320
Raksin, David 42, 171
Ramblin’ Man (Allman Bros.) 658
Ramblin’ Yodeler 375
Rambo 5
Rameau, Jean-Philippe 387
Rameau’s Nephew 15, 16, 17, 68
Rampage (film) 600
Rampart Street 597
The Ramrods 368, 369, 375, 395
Randall, Carter 297, 664
Randgebiet[en] 38, 320
randy 594
rap 62, 67, 425
Rapée, Ernö 31, 126, 191, 192, 250,
314, 340, 531, 567, 651, 653, 656, 660
Rapport (SvTV2 news) 606
Rapunzle 260, 261
Rat Race (E Bernstein) 596
Ratcliffe Highway 336
Die rationellen und soziologischen
Grundlagen der Musik 39
Ravel, Maurice 30, 495, 168, 204,
246, 247, 319, 564, 578
Rawhide 369, 372, 390, 391, 395
RCA 39
reactionary 423
Reader’s Digest 516
ready-steady-go 341, 376, 590
Reagan, Ronald 75, 420, 421
real circle-of-fifths 179
rebellion, rebellious[ness] 66, 132,
486, 618, 646, 674
receivers – ‘negotiated readings’ 87
reception test 106, 107–152
amusement factor 114
availability of recordings 108
background to 103–106
classification of VVAs 123–131
classroom situation 118
discretising VVAs 122–123
duration of examples 118
examples used 107, 795
selection criteria 107–115
free induction 119–121
immediacy of reaction 118
information to respondents
117–118
interpreting results 121–152
musematic hunches 114–115
no time to think 118
number of respondents 115, 147
order of playing 111–115
pre-test hypotheses 111–112
procedure 117, 121
publication details 107, 795
reasons for 103
respondents 115–117, 796
numbering of 117
session data 116

886 receptional – rhythmic Ten Little Title Tunes – Index
STATISTICS
synaesthesia 119–121
receptional 28, 94
competence 9, 10, 11, 28, 91,
678, 809
descriptors 91, 809
need and construction of 91
problems of 91, 95
recidivism 660
recognition of test pieces 110, 112,
120, 128, 129, 150, 414, 513
non-designated 513, 515, 516
recomposition 98, 142
Recorded Music for Radio, Film
and Television 100, 126, 224
recorder (flauto diritto) 371, 378
recording 169 †SOUND PROCESSING
acoustic 35
electromagnetic 39, 40
ethnomusicology’s use of 38
history of 7
technology 36
recruit[-s/-ing] (war) 410, 416, 419
The Red Pony (Copland) 536
Red Square (Moscow) 62
redneck[s] 274, 296, 422, 423
reductionism 74, 79
of body to sexuality 71
woman and body 71
refinement 132
reflection, reflective 132, 430, 459,
463, 518, 530, 672, 673
reform (social, UK postwar) 421
regions 413
register (pitch) †BASS †DIRECTION
(ascend descend) †TIMBRE 179,
195, 196, 226, 229, 231, 234, 235,
237, 247, 296, 297, 300, 392, 443,
451, 458, 491, 551, 568, 574, 589,
596, 599, 625, 645, 656, 659
ambitus 201, 225, 243, 315, 327, 452
accompanimental 589
body placement 576-7 †↓vocal
disjunctive flooding 225-231
high 100,169, 300, 243, 496,
588–590, 644, 651, 652, 659
‘lonesome sound’ 473
treble (incl. treble boost) 653
low 210, 247, 249, 300, 305, 380-
2, 446, 554, 557, 563-4, 569,
574, 576 ff, 590, 594, 599, 600,
651-2, 656, 660, 661, 664
†BASS
backing tracks 658
bass riff 590–595
doom[sday] 305, 554-5, 651,
660, 664
drone, menace tone 661
sforzando sfp 651
ostinati, narrow 246
tremolandi/ostinati 246, 247
melodic 220
mid[dle]170, 221, 234-7, 239,
295, 414, 464, 563, 564, 656
pitch range 169, 515 †↑ambitus
registral
boundary 442, 452
ceiling 450, 452
change 443, 444, 451
consistency 447, 450
discontinuity 229
transfer (RT) 451
tessitura 622, 623
high and low for action
music 496
vocal 217, 223, 351, 352
baritone 223
chest 247
falsetto 648
head register 247
male-voice 223
Regnava nel silenzio 443
regression, regressive 76
regular[ity] 101, 132
reification 24, 75
Reisberg, Horace 534, 535
reiteration REPETITION
rejection 133
rejects 464
relative autonomy 90
relative major HARMONY
relaxation, relaxed 132, 217, 218,
239, 268, 270
release, relief 217, 220
religion, religious, religiosity
175-179, 419, 517
Rembrandt van Rijn 266
remember, reminisce 460, 674
Remington Steele 676
remote SOLITARY
Renaissance 419
Renoir, Auguste 259, 260, 264
REO Speedwagon 108
repas d’amour FOOD, LOVE
repertoire
concerts in C19 France 19
pop and classical (canonic) 59
repetition[s], repetitive 623, 654
low-register notes 656
reiteration[s], reiterated notes
330, 375, 383, 389, 450, 563,
564, 565
fast 316, 317, 319, 622-3
rate of 622
synthesiser jq 645, 655–6
repeated figures 453, 456, 457,
462, 574, 576, 522
sequential 453
travel music and 656
The Reporters (TV) 493
repression – sexual 64, 70
Repton/Repton (Parry) 210, 218,
220, 222, 223
The Republic (Plato) 47
repulsion 461
Repulsion (film) 133
Requiem (Mozart) 318
res cogitans vs res extensa 27
La resa dei conti 346, 652
resignation 217
resistance 85, 86
resolute 604
Respighi, Ottorino 246, 247
respondents 115–116, 796
children 141
control groups of 141–142
blind 141
Latin American 141, 334
loquacious or taciturn 143
number[s]
assigning of 117
of participants 115, 147
R98 122, 143
relation to salsa and son 334
verbose or reticent 144
who were they? 115-117, 141
response restrictions 55, 56
responses VVAS
rest[ful] 171, 530
restraint CONTROL
Reti, Rudolf 387
retro FASHION, ROCK
retroessive 134
retrograde DIRECTIONbackward
The Return of Perry Mason 592
Revaux & François 196
reveille function (title music) 110
revenge 329
reverberation SOUND PROCESSING
Revlon 649, 650, 651
revolution
bourgeois 16, 18, 22
French 22
Revolver (Beatles) 335
Revueltas, Silvestre 338
Reynolds, Debbie 596
Reynolds, Simon 65, 67–8, 70, 77, 104
Rhapsody in Blue 578, 597
Rhapsody on a Theme by Paganini
199, 211, 269
Das Rheingold 261
rhetoric (musical) 17, 47
Rhetoric (Aristotle) 27
rhythm 63, 655 †METRE †DIRECTION
bass 624
cross 343, 532 †METRE
fandango rhythm 336–341
‘guitar’ 659
harmonic 214–5, 608-9
language (Spanish, English,
Scottish) 347–357
Miami Vice 654
Sayonara 532
section 647
none in Virginian 375
shuffle (blues) 564, 565, 627
subdivision of jjjq 654–5
surface 646
of torrents 291
rhythmic †METRE †DIRECTION
action 376
attack 654
augmentation 664
continuity (R&J) 442
inflection 425
organisation 657
patterning 644
propulsion 622
symmetry 655

Ten Little Title Tunes – Index rich – Roxy 887
rich 100, 171, 430
and poor 25
Rich Man, Poor Man 196, 600
Richard, Sir Cliff 60, 62, 63
Richie Brockelman, P.I. 585
Richie, Lionel 457
Rickenbacker Model ‘A’ 373
Riddle, Nelson 570, 581, 582
Ride of theValkyrie W ALKÜRENRITT
Riders in the Sky GHOST RIDERS
Ridi Pagliacci (Leoncavallo) 596
ridiculous 419, 428
riding 122, 239, 245, 301, 331, 383,
385, 674
music for 291–307
scenicity 297–299
sexual meaning 293
vs chasing 299–302
Riemann, Hugo 387
Riemenschneider, Albert 184
Riesenfeld, Hugo 30
riff 63, 623, 624, 626-7, 630, 631,
663 †OSTINATO
right to party 76
right-wing 423
rigidity 421
Rikskonserter 44
rim shot[s] DRUMS
Rimini 606
Rimsky-Korsakov, Nikolai 319,
338, 339, 347
ringing tones 660
ringmaster 418, 419
Rio Bravo (film) 304, 360, 371, 456
Rio Grande de Santiago 356
Ripping Yarns (TV) 223, 224
ripple[s], rippling 174, 231, 233,
236, 237, 238, 239, 240, 241, 243,
246, 248, 249, 253, 261, 270, 535
Ritchie, Jean 326
The Rite of Spring 598
ritarndo, ritenuto SLOW
rivalry 392
river[s] 235–239, 256, 261, 382,
383, 535, 674 †BECKS †WATER
fluvial 134, 214, 382
rivulets 247
named rivers
Dee 255
Llyfni 233
Vltava 236, 320
road[s] 298, 382, 343, 382, 389, 485
Forty Miles of Bad Road 368
Hit the Road, Jack 629
on the 353
straight 301, 305
The Rocky Road to Dublin 310
Six Days On The Road 390
Roan County 352, 353, 355
Rob tu mo bhoile 345
robbery 133, 674
bike theft 623
break-in 623
burglary 567
robes CLOTHES
Robin Hood 171
Rocco e i suoi fratelli 577
rock (music) 31, 103, 136, 376, 462,
617–632, 653, 663, 674
aesthetics 63, 73, 421, 423
as absolute music 631–632
band[s] 368, 372, 413, 618, 620,
621, 632
blues based 594
bodyism 70
cadence pandemonium 663
canon 61, 64–78, 272
Chuck Berry and early 368
concert 620, 652
criticism 64–78
death metal 424
education 66
emancipation 65
eroticism 71, 293
extreme metal 67
folk rock 322
frenetic picking norms 376
fun and speed connotations 368
hard rock 594, 653
harmony 662
hegemony 66
heavy metal 422–4, 430, 618,
653 (as loud 423)
history c 1960 372
Country origins 373–375
roots mythology 375
importance postwar 85
invasive quality 70
jazz rock 206
journalism 80
Krautrock 320
minor-key 620
modality 310, 313, 620
motorbikes 293
nu-metal 424
performance (rock music) 621
pomo-rockology 66–69, 70,
73–78, 89, 808
pomp metal 422, 424
radicalism 65, 421
retro-rock 663
rock nacional 335
rockers 619, 657
rocking 248, 249, 250, 252, 255
rockology 59–78, 809
stars 619
subcultures 109
‘subversive underdog’ 65-7, 84,
85, 421
tunes in test battery 375
vinyl era 108
Virginian VVAs 375, 377
volume 70, 71
vs. disco 622
youth-cars-crime 622-624
Rock Around The Clock 64, 108
Rock 'n' Roll Hoochie-Coo 653
Rock The Night (Europe) 424
Rockford 585
Rockwell, Norman 536
Rocky Road to Dublin 310
Rocle, Claude 30
Rodgers, Jimmie 353, 373
Rodgers, Richard 213
Rodrigo, Joaquin 367, 371
Roe, Keith 149
Rogers, Roy 295
Roget’s Thesaurus 416
Roland, Jürgen 582
Roll Over Beethoven 21
roller-coaster emotions 220
rolling 134, 196, 214, 254, 257
countryside 218, 515
hills 172
Rolling Stone Encyclopedia of
Rock’n’Roll 374
Rolling Stone magazine 42
Rolling Stones 72, 630, 662
Rolling Thunder Review 658
romance/romantic 99, 100, 104,
122, 130, 132, 145, 167, 170-2,
177, 207, 208, 215, 218, 220, 224,
231–249, 251, 253, 256, 260, 261,
262, 264, 265, 268, 269, 270, 388,
430, 459, 500, 518
lack of in Emmerdale 515
piano arpeggios 171–172
string pads 170–171
The Romantic Piano 518
romanticism 195, 309
English 211, 215, 221–225
English musical 221
ethnic, national 327
school of German 15
Romeo & Juliet (Rota, ‘R&J’,
Tune 4) 101, 102, 107, 111, 112,
114, 129, 130, 147, 148, 149, 150,
167, 169, 171, 248, 190, 317, 386,
218, 254, 269, 296, 330, 442–474,
515, 516, 557, 558, 559, 560, 561,
569, 572, 597, 514, 604, 632, 666,
667, 668, 669, 670
Romeo & Juliet (Tchaikovsky) 470
Roméo et Juliette (Berlioz)
246, 313, 471
Romero, George 581
Romero, Venturo 356
Rommel 416
Rondo fürs Fortepiano 20
Roos, Jaime 335
Roosevelt, Franklin D 40, 579
roots mythology of rock 375
Rose, David 359, 598
Rosen, Charles 11, 14, 15, 18, 19
Rosenman, Leonard 14
Rösing, Helmut 56, 99, 106, 172, 235
Ross, Gary 64
Rossi, Portia de 263
Rossini, Gioacchino 31, 293, 295,
296, 377
Rota, Nino 171, 201, 203, 432, 442,
444, 446, 447, 450, 451, 452, 456,
465, 466, 467, 468, 470, 471, 577
Roth, David Lee 424
Rothenbuhler, Eric 44
rough 133
rounded 250
rousing 420
Rousseau, Henri 18, 25
Roxy and Elsewhere 585

888 royal – Selbstbewusstsein Ten Little Title Tunes – Index
royal 409, 413, 424, 430
household 62
Jubilee 416
Wedding 416, 417, 675
†MONARCHY †KING †QUEEN
†DIGNITARIES, etc.
Rózsa, Miklós 30, 49, 171, 198, 589
rubato 169, 432-3
Rubinstein, Arthur B 600
Rudolf… Red-Nosed Reindeer 589
Rugero y las Paradetas 341
rugged 198
Ruhr Valley Impressions 586, 600, 829
Rukeyser, Louis 491, 854
Rule Britannia 323, 324
rules from exceptions 54
Rumania 564
Christmas Carols 311
rumble 115
The Rumble 372, 395
Run to Cadence CDs 425
Run To Her 424
Run, Run, Run 600
Runaway 396
Rundgren, Todd 531
running 136, 138, 244, 425
rural[ity] 115, 195, 224, 261, 262,
458, 459, 514, 516, 517, 518, 530–
537, 621, 674
vs urban 115, 196, 231, 251,
298–299, 391–394, 461, 671
rush hour 496
Russell, H 306, 307
Russia[n] 322, 459, 466-474, 674
minor modes, $7ths 322
Revolution 40
Russian-US couples 466, 468-9
Russkiye narodnye liricheskiye
pesni 322
rustic 229, 377
Rustic Bridge 235
rustling 172, 235, 241, 246, 248,
249, 261
Ruth & Sohn, A 496
Ruwet, Nicolas 53, 271
S
Sabre Dance 470
Sachs, Kurt 36
sad[ness] 104, 133, 186, 196, 197,
220, 224, 319, 380, 381, 446, 449,
459, 453, 456, 460, 461, 472, 473,
517, 576, 577, 579, 674, 675
minor modes 310–329
‘not called-for’ category 313
Sad Eyed Lady… 218
saddle 351
The Saddlemen 375
Sadie Thompson 596, 597, 598
sadism at ‘public’ school 223
Sadler, Staff Sgt Barry 423
Safroni, Arnold 411
sailing 131, 238, 240, 248, 249, 270,
303, 305, 307, 515, 518, 674
sailor[s] 307, 429
songs 306–310, 391
The Saint 494
Saint-Foix, Georges 186
St. Louis Cardinals 330
St. Patrick’s Hymn 345
St. Petersburg 29
Saint-Saëns, Camille 30, 516
Sakomoto, Ryuchi 600
Salford 104
salon PARLOUR
A Salty Dog 196
El Salvador 420
Salvation Army 410, 412
Salvatori, Dario 370
Sam Spade 677
SÄMUS 46
San Fernando 352, 353
Sanama, Leo 20, 103
‘Sanctuary of the Higher Arts’ 28
sand[y] 239 (beach)
clouds of sand 386
Sanguéo 342
Santa Fe 355
Santy Anno 310, 328, 345, 346
Sanz,Gaspar 341
São Paulo State Conservatory 117
Sarde, Philippe 197
sartorial CLOTHES FASHION
Satie, Erik 30, 248
satin 171
Satisfaction (Stones) 72, 73
Saturday HOLIDAY
Saussure, Ferdinand de
47, 296,496, 497, 555, 562, 563
596, 597
Savage, Jon 67
Savalas, Telly 5, 587
saw ORCHESTRATION
saxophone ORCHESTRATION
Sayers, Dorothy 581
Sayonara (Tune 7) 107, 115, 129,
141, 147, 148, 149, 150, 317, 382,
460, 463, 486, 514, 515, 516, 530–
537, 557, 558, 560, 561, 597, 604,
632, 666, 667, 668, 669, 670, 675
children 251
digressiveness 559–560
parallel fifths 560
Scandinavia 350
Scarlatti, Domenico 337, 339
scary FEAR
scatological 413
scene, etc. 674
musical scenario125
scenery 298, 305, 382, 387, 388
panoramic 672
scenic majesty 386
‘scenic’ music 298
scene switching 387–390
scenicity: riding 297–299
test response scenarios 120
Scène aux champs 380, 517
Schelomo 446
scheming woman 584
Schenker, Heinrich 387
analysis à la 82, 230, 450, 451
Schiedermayr, Ludwig 48
Schifrin, Lalo 378
Schilder, Arnold 22
Schillerska gymnasiet 116, 796
schizophrenic 105
Schlager 23
Schmidt, Hans-Christian 30, 124,
177, 582, 589, 594
Schmitz, Arnold 16
Schober, Franz von 25
Schönberg, A rnold 29, 30, 239, 535
Schöne Müllerin 99, 213, 234, 236
school 620
schooner 240
Schopenhauer, Arthur 21, 25
Schubert, Franz 25, 31, 99, 188,
189, 212, 213, 220, 236, 317, 318,
319, 321, 446
minor-key Lieder list 318
Schulman, Jannike 65
Schumann, Robert 16, 31, 171, 178,
218, 268
scientists 603
scopocentrism 81, 83, 809
Scoremaster LIBRARY MUSIC
Scotland/Scottish †UK
Burns, Robert 345-349
country dancing 349
‘Scotch snaps’ 347-357
Trad. 345, 354, 531, 532
Scott, John 589
Scott, John Anthony 310, 390
Scott, Nathan 445
Scott, Tom 553, 624, 648, 676
Scouse 809 †LIVERPOOL
Scowcroft, Philip 581
scraping 100
scream[ing] 100, 224, 423
screeching 576
scribal academe 105
Scrooge, Ebenezer 430
Scruggs, Earl 353
sea 139, 214, 235, 239–240, 246,
249, 256, 674
pelagic 134
songs and shanties 306–310
and US work songs 325
British origins of US 324
search 387
Searle, John 483
season[s] 671, 672, 674
spring[time] 265, 674
summer 136, 167, 238, 240, 244,
245, 247, 249, 265, 674
secluded [spot]: SOLITARY
second CHORDS/INTERVALS
secondary
dominant CHORDdominant
signification SEMIOTICS
secret[s] 605 †HIDDEN
secret agent SPY
weapon 602
secur/-e/-ity 132, 177, 239, 430, 518
seduce 199
seduction 130, 251, 264
seductive 130, 137
seedy 596
Seeger, Charles 23, 94
seguidillas 320, 336
Selbstbewusstsein 17

Ten Little Title Tunes – Index Selected Sounds – Skatsiteli Pekhory 889
Selected Sounds LIBRARY MUSIC
selection criteria RECEPTION TEST
self-confidence 585
self-reflexivity 620
Selznick, David O 174
semantic
semantic[s]SEMIOTICS
semiosis
semiosisSEMIOTICS
semiotics (mainly of music)
8, 47–57, 80, 103, 270–275 †VVA
connotation 96-117 et passim
etymophony 180, 195, 205, 208,
274, 488–494, 666, 806
gestural interconversion
253–267, 270–275, 666
hermeneutics and 103
linguistics and 51, 52, 53
MUSEMATIC ANALYSIS
‘perverse discipline’ (Eco) 52, 53
potential of 50–51
popular music and 54–55
pragmatics 50, 51, 52, 53, 54
primacy of sign types in 52-3
‘primary’ and ‘secondary’ signification’,
72, 270–275
semantic[s] 50, 51-4, 56
fields 125, 131
gesture 273
jumble 97, 419, 423, 425,
426, 430, 518
semiosis (examples)
detectives and spies 367
Monty Python 409-12
sign typology 99–103, 666
Semiotica 51
semiquavers 622, 645, 660
subdivisions 654 ff.
dancing 392
quickening device 391
synthesizer reiteration 655–6
train effect 656
†RHYTHM †SPEED †SEXTUPLETS
semitone CHORDS/INTERVALS
Semmler, Alexander 171
‘sensationalist’ 487
sensitive 130, 137
sensual[ity] 130, 132, 251, 264, 265
†SEXUALITY 265
sentimental[ity] 132, 218, 224, 226,
268, 459, 674
sequencing 7
sequential HARMONY REPETITION
Sérénade (Sokolowski, ex) 250
Sergeant Pepper 36, 61, 413
serialism 31, 370
serious[ness] 132, 199, 423, 430
emotions 179
reception test problem 118
setbacks (VVA) DIFFICULTY
settlement (town) 391, 392
Seven (film) 199
Seven Year Itch (film) 199
seventh[s] CHORDS/INTERVALS
The Seventh Seal (film) 429
seventies HISTORICAL
7-Up 469
severe 308, 419
sex/-ual[-ity], etc. 72, 135, 251, 264,
413, 457, 581, 585, 590, 592, 596–
598, 664
abuse 250-1, 457
act 72
can-can and the galop 293
compared to sensual 265
eroticism 71
incestual taboo 250-1
repression 64, 70
revolution 43
rock and motorbikes 293
sexism GENDER
‘sexy’ 263
sextuplets 171, 174, 246, 249
sforzando 101, 651, 652
The Shadows 336, 358, 361,
368–373, 395, 625
shady 133, 459, 464, 572
Shaft 330, 496, 498, 653
urgency cue 487
Shaindlin, Jack 624
Shakespeare, William 177, 675
Shall I Be An Angel? 213, 218, 220
shame 183, 380
shampoo 136, 245, 263-5
Shane 291, 325, 394
Shangri-La 328
Shannon, Del 396
Shape magazine 263
shape-note singing 324
Shapiro, Helen 368
Sharma, Bhesham 21
Sharp, Cecil 323, 326
sharpness 101, 133
shatter 134
She Loves You (Beatles) 179
She Works Hard For The Money
(Donna Summers, 1983) 653
Shelton, Robert 374
Shepherd, John 14, 72, 272
shepherds 101, 533
The Shepherds’ Farewell 517
sheriff 605
shimmering 246–9, 300
Shindig (Shadows) 372
The Shining 14
ships 240 †BOATS
shivers down the spine 249
shock (mild) 648
shock (pleasant) 648
Shoestring (TV, Fenton) 624
shoot[ing] 134, 393, 648, 674
‘bang’ vs ‘peeew’ 648
shore[line] 239–40, 249, 253, 256
littoral 134 †BEACH
Shores, Richard 376, 378
short-motive eponym 385
Shostakovich, Dmitri 30
show (TV, etc.) 429
jumping 415
‘the show must go on’ 415
showing off 329
showy 424
showdown 371, 569
shower scene (Psycho) 100
‘shucks, Ma’am!’ 378
shuffle RHYTHM
shuttle (a.k.a. chord shuttle, harmonic
pendulum, etc.) 214
I↔vi 345
I↔$VII 358
shyness 536
Sibelius, Jean 320
Sicily 319, 329
sick[ness] 133, 307, 459, 575, 576
sick humour 419
Sidney, Sid 445
Siegfried 192, 218
Idyll 174, 177, 195, 218, 220
Siena 49
sigh[-s/-ing] 181,218, 220, 224, 249,
269, 459
intervals 206, 217–231
commutation (HS) of 217
sixths 225, 453, 469,
sevenths 221
stiff-upper-lip sighs 221–225
sign SEMIOTICS
signal treatment SOUND PROCESSING
significance (statistical) 149
signified/signifier SEMIOTICS
Silberman, Alphons 13, 39
silence 177
silent film 30, 314, 567
music for 124
silk[y] 171, 265, 499
silly 346, 387, 419
Silver (Lone Ranger’s horse) 293
Silver Convention 488
‘silver strings’ 170
Simeon, Omer 597
Simon & Garfunkel 196
Simon, Paul 487
simple 132, 532
METRE
Sinatra, Frank 196, 581
sincere 197
love melodies 299
sine wave tone 648
Sinfonia E$ concertante major 187
singable 424
singalong 424
Singer, Ron 414, 415
singing brakeman 353
singing cowboy 373
single-mindedness 594
sinister 418, 651
sinuous 379
Sioux Nation 326, 328
Sir see knighthood 60
siren (ambulance) 573
Sistrom, William 203
sitting 674
Six Days On The Road 390
6/4, 6/8 METRE
Sixguns and Society 291, 392
Sixteen Tons 395
sixth[s] CHORDS/INTERVALS,
†SIGHINGintervals
sixties HISTORICAL
The Skater’s Waltz 306
skating 305, 307
Skatsiteli Pekhory 322

890 Skelly – Spain Ten Little Title Tunes – Index
Skelly, J P 235
Sketches of Spain (M Davis) 367
Skiles , Marlin 299, 300, 301, 302,
376, 377, 380, 381, 386, 388, 389,
391, 483, 485, 552, 559, 560, 581,
598, 622, 651, 653, 656, 660
skillingtryck 23
skin 260
Skinner, Frank 299, 381, 382, 386,
388, 391, 498, 552, 559, 580, 651,
652, 656, 662
skip to degree six 226–231
skipping 495
skirt[s] CLOTHING
Skog, Inge 36, 37, 38, 268
skolekorps BAND
Skrotbandet 338
sky 261
skyscraper 674
slavery 224
Slavonic Dances (Dvořák)320
Sledge, Percy 68
sleeping 536
sleigh bells 589
slid/-e/-ing 131
semitone 573–577
slipping 131
slither 179
Slonimsky, Nikolai 536
Slovakia 320
slow 268, 515, 540-1
ballad 564, 565
motion 136, 224, 244, 268, 270
Sayonara 530
ritardando 102, 505
ritenuto 168
slowness as ugly 485
surface rate 462
tempo 462, 464, 535, 563–6, 604
slums 430, 569, 572, 579, 582, 674
Sly and the Family Stone 653
small 133, 530
town 413, 429, 674
Small, Michael 676, 677
smash 134, 569
Smells Like Teen Spirit 21
Smetana, Bedřich 31, 235-6, 320
smile[s] 224, 265
Smith, Bessie 585
smoke 623, 674
smoking 601, 605
smoky bars/clubs 569, 570, 579
smooth[ness] 133, 240, 249, 250,
253, 258, 265, 269
smuggling 133
snaking the voice 324
snap[s] 351, 352, 354
onbeat 355
‘Scotch’ 347–357
melodic 354
snappy 425
snare drum DRUM[S]
snob 430 †CLASS
snow[y] WEATHER
So What (M Davis) 578
soaring 131, 652
sobbing 576
social †CLASS
involvement 620
order 672
problems 620
reality vs media fiction 620
rejects 617, 674
relativity of absolutism 632
science 60
space 673
statement 620
VVA (category 27) 137, 409
socialisation
’public’ school 222, 223
patterns of (SUBJECTIVITY) 23
sociality 133, 673
society in Westerns 365, 391–394,
sociolinguistics in VVA taxonomy 142
sociology 8, 10, 39-46
à l’américaine 43–44
empirical and/or critical 43–46
Socrates 47
soft 170, 247, 261, 385, 530
-core 122
optical filter 244
Sohlmans musiklexikon 38, 322, 350
soirees 233
Sokal, Alan 71
Sokolowski, Marian 250
solace 220, 222, 223
soldier[s] 380, 388, 409, 410, 429, 668
songs 307–310
soldier’s girl 675
Solidaritätslied 39
solit/-ary/-ude 302, 388, 391–2, 393–4
loneliness / lonely / lonesome
177, 224, 353, 354, 446, 449,
459, 460, 462, 463, 472, 577,
579, 585, 601, 674
alone 206
Einsamkeit 188, 189
lone wolf/wolves 464, 580
mandolin as expressive of 473
remote 388, 445
secluded spot 672, 674, 675
solitary figure 463
Solo digo compañeros 347
Solomon 246
Sölvesborgs musikkår 429
sombre 417, 442, 569
Someday My Prince Will Come 445
‘something for nothing’ 678
Sommermorgen an einem See 535
son
huapango 350
huasteco 350
jalisco 342
Mexican 336, 342
jarocho 342
sonata form 63, 659
Sonatine pour le piano (Ravel) 578
Song My massacre 423
Song of Norway (film) 203
Songs of Sea Labor 325
Songs That Will Live Forever 316
sonic anaphone ANAPHONEsonic
Sonneck Society 42
Sonner, R 40
sonogram[s] 99, 235
Sons of the Pioneers 395
sophisticat/-ed/-ion 171, 583, 598
harmonic 653
The Sorcerer’s Apprentice 591
sorrow[ful] 308-9, 379, 446, 449, 536
sostenuto pedal 516
sound 65, 115
The Sound of Music 262
The Sound of the City 621
sound processing †GUITARelectric
chorus 153, 637, 653, 659
digital 651
distortion/fuzz 100, 469, 621,
624, 652, 653 †GUITAR
dry sound 651, 654
feedback 153, 608-9,
Lesley cabinet 153, 608-9
mono (old-style) 115
modulator wheel 653
overdrive (guitar) 424, 620
panning 153, 608
partials/harmonics 153, 652
phasing 153, 652
reverb 100, 153, 169, 170, 354,
634-7, 651, 659, 660, 664
spring 625
track separation of 651
rock aesthetic 63, 65
treble boost 653
sound recording 36
sounds stylised into music 125
Sounds of the Circus (CDs) 427
source music 125
The Source 95
Sousa, John Philip 97, 114, 294,
398, 409, 411, 413, 418, 420, 422,
425, 428
†LIBERTY BELL †MONTY PYTHON
South Africa 58
South America LATIN AMERICA
South[ern] (USA) USA
Southern Library of Recorded Music
126
‘south of the border’ 355, 383
Soviet Union 40, 45, 428
Soyuz-Apollo 625
spa 123, 428
space (general) 518, 646, 650, 674
†PANORAMA
acoustic 660
polysemic VVA 138
spaciousness 652
space (cosmos) 151, 621, 624, 646
cosmic 530
drum 648
movies 649
ship 486
Spaceballs 5, 648
Spade, Sam 389
‘Spaghetti’ WESTERNItalian
Spain 298, 319, 320, 322, 323, 328-
332, 341, 350, 367, 386
colonies 329, 355
minor modes 332–336
Naples 329, 341
Trad 334

Ten Little Title Tunes – Index Spanish – Strauss, J 891
Spanish 328
-American war 355
‘gals’ 309
guitar strum 341
language RHYTHM
Spanish Dances 340
sparkle 588
sparkling 170, 172, 235
eyes 410
sparsity 133
Spartacus 240
speakeasies BARS
speakers 652
special agent DECKARE SPY
special days 410 HOLIDAY
special profile statistics 151
spectacle 416, 424
spectacular 424, 427, 429
Spector, Phil 37
speech 417
speed (incl. fast, quick, rapid, velocity)
354, 382, 383, 392, 475–501,
617, 623, 654, 646, 656, 657, 660,
664, 674
accelerando 102, 541, 598–600
accelerated 300
allegro 398, 476
as TV normality 483–501
beauty/‘divinity’ of 484, 485
cuts (edits) 646
reiterative 646
vs power music 300
speeding 622
Speedy Gonzales 355, 356, 383
Spellbound 171, 198, 203
theramin motif 589
Spellbound Concerto 232
spider 329
spies SPY
Spimm, J J 602
Spinal Tap 424
The Spinners 648
Spirale misterioso 589
split chord 168, 226
sponsoring 60
spoof 424
sport[s] 410-3, 415, 428, 624, 674
boxing 426
cars 486
ludic 426
marches 415, 426
music 554, 606
Sportnytt (SvTV) 487
Sports Report (BBC) 411, 412,
415, 416, 417
Sportsnight (Tune 5) 107, 114,
129, 137, 147, 148, 149, 150, 292,
296, 300, 301, 327, 375, 382, 388,
392, 410, 463, 472, 475–501, 553,
556, 572, 590, 598, 599, 606, 622,
623, 632, 644, 657, 666, 667, 669,
670
Spotnicks 368, 372
Sprague, Carl 295
spray 241, 246, 248
sprightly 392
spring[time] SEASONS
springdans 321
Springsteen, Bruce 61
spy/spies 135, 206, 366, 367, 377,
378, 430, 621, 624, 625, 626, 627,
628, 629, 630, 631, 674 †DECKARE
female, US 469
secret or special agent 135, 366-
367, 395, 572, 627
spy music 367, 373, 578, 586,
598–600, 602
The Spy who Came in… Cold 586
square (plaza) 428, 429
squinting 244
St Augustine 52
St James Infirmary 566, 570, 577, 578
St Patrick’s Hymn 345
St. Louis Blues 627
The Stabbing of Tom (A North) 600
stable 518
stabs 628
staccato 101, 169, 476
‘signals of information’ 487
as male trait 669
stadium 423, 424
stage show 424
Stagecoach (film) 171
Stahlnetz (German TV) 582
Stalin, Josef V 43, 62
stalking 594
Stalling, Carl 356, 575, 576, 577
Stamic, Karel (Carl Stamitz) 170
stammering 489
stampede 100
‘standard music’ 108, 142
standards
canons, insstitutions and 31
Stanford, Sir Charles V 60
Stanwyck, Barbara 171
Star Of The County Down 323
Star Trek 624
Star Wars 5, 21, 568, 648, 650, 676
Stardust (Carmichael) 268, 269
Starkey, Richard 60
Starsky & Hutch 554, 624, 648, 676
stasis STATIC
state of flux 133
state power 60
state visit 416
static/stationary/stasis 132, 239,
514, 530, 672
bass 535
harmonic 591
limit of stasis 660
statistics/statistical 142-152, 297
average differences between
test tunes 150, 682
clustering 147-149
correlation procedure 148
counting people or responses
143–144
deviation coefficient 150
deviation factor 151
gender VVAs 667–668, 674–675
hypotheses 147
lists of VVAs explained 151
mean differences 150
one-digit categories 120
per mille scaling 144–146
proportional scaling 144–147
reception test 143 ff.
reliability issues 119, 144
respondents per tune 147
scaling factors 147
special profile listings
explained 151
variation coefficients 151
VVA as base unit 143–144
VVA categories used 148
Steamboat Willie 496
Steck, Paul Albert 259-61
Steedman, Mark 103
steel guitar 353, 373, 375
Steele, Javetta 197
Steele, Tom (cult. studs.) 65, 80, 84
Steeleye Span 322, 323, 350
steep 604
Stefani, Gino 51, 56, 220, 258, 271
Steiner, Fred 578, 591
Steiner, Max 29, 30, 48, 171, 175,
187, 569
Steppenwolf 585
Steppes of Central Asia 321
stereotype/stereotypical 192, 193,
200, 204, 216, 302, 313, 315, 322,
323, 351, 355, 386, 461, 496, 531,
625 et passim
film noir 463-4
gangsters 571, 587, 604
postmodernism 73
Russia and Greece 466–474
the 10 title tunes as 119, 675-7
sterile 588
Stevens, George 291
Stevens, Mort 676
stiff upper lip 89, 196, 221–225
Stille amare, gia vi sento 446
stillness 100
Stilwell, Robynn 56, 89, 104
stimulating 132
Stjernqvist, Sonja 429, 809
stock market 493, 494
Stockfelt, Ola 15, 16, 18, 41, 42, 45,
85, 186, 233
Stockhausen, Karlheinz 30
Stockholm 116, 413, 796
Skansen 809
Skeppsbron 413, 809
Södra Latins gymnasium 116
Stoïanova, Ivanka 51
Stoller, Mike 628, 629, 630
Stone, Andrew 203
Stonehenge (Spinal Tap) 424
stop-time (in Bonanza) 377
Storace, Stephen 531, 532
Story of Three Loves 199
Strachan, Rob 61
strain 590, 604
strand (melody in R&J) 450, 451
Strange Lady In Town 395
Stranger In Town 396
Strangers in the Night 196
Strathclyde University 149
Stratocaster GUITARelectric
Strauss, Johann 14, 102

892 Strauss, R – Szathmary Ten Little Title Tunes – Index
Strauss, Richard 14, 235, 376, 377,
384, 443, 444, 452, 568
Stravinsky, Igor 30, 246, 471, 598
‘strawberry jam’ (Parry) 216
stream 233
street[s] 303, 492, 494, 500, 621,
623, 674
lamp 620
performer 429
-philosophising 601
-wise 583
A Streetcar Named Desire
(Streetcar, Tune 8) 101, 102, 107,
111, 114, 115, 129, 130, 135, 147,
148, 149, 150, 153, 154, 180, 193,
240, 248, 269, 297, 367, 386, 390,
410, 458, 459, 460, 461, 462, 463,
464, 531, 539–605, 627, 632, 657,
667, 668, 675, 676
Streichenglorienschein 170
strength STRONG
stress 114, 220, 246, 319, 656, 674
Striche des Todes 443
strike (UK miners) 86
striking 60
string[s] 100, 156-7, 278-9, 391,
432-3, 470, 504-5, 516, 522, 540-1
carpet (stråktapet) 170, 261
cello[s] 195, 432-3
halo 170
high pitch 589
muted 115, 522
pizzicato 467
‘silver’ 170
slow 530
sul ponte 589
pad[s] 100, 170-1, 222, 223, 515
padding 270
trills 300
string writing 195
stripper 597
The Stripper (Rose) 566, 598
stroking 131
strolling 167, 173, 196, 247, 270
Ström, Pierre 348
strong, strength 133, 670, 673, 675
feelings 382, 383
-willed 676
structural chromaticism 209
structuralism 672
structure[s] (musical) 153, 154
definition 94–95
struggle[s] 300, 569, 651
strum GUITAR
Strunk, Oliver 312
strut 100
Studio 54 606
Stumpf, Otto 36
stupid 133
Sturm und Drang 11, 20, 47
stuttering 489
style 809 †GENRE
style indicator 99, 102, 462, 517
stylisation 99, 100
stylishness FASHION
suave FASHION
subcultur/-e/-al 42, 554, 65, 68, 82,
85, 87, 109, 421, 423, 424, 430,
430, 570–573, 672
underdog 65-7, 84, 85, 421
subdominant[al]CHORDS, HARMONY
subessive 134
subject/object conflation 76
subjective 16, 17, 23, 26, 27, 28
subjectivism 27
subjectivity 26, 60, 75, 76
bourgeois 8, 17, 23, 26, 29
capitalist 23
C18 Germany 11
sublime 60
submediant CHORDS/INTERVALS
suburb (förort) 809
subversion/subversive 84, 85, 421
of the self 67
rock 65, 421
underdog 66, 67, 75, 76, 87, 421
success 390, 393
suffering 577, 646
sufrir 361
suicide 182, 568, 592, 596
suitors 232
sul ponte 589
summer SEASONS
Summer Morning by a Lake 239
Summer, Donna 650, 653
Summers, Andy 653
Summertime (Gershwin) 571, 579
sun WEATHER
Sunday HOLIDAY
Sunday Afternoon (Copland) 536
Gloomy Sunday 596
sunglasses 571
Sunshine of Your Love 586
superessive 134, 139
superficiality 75
superior 60
Superman 377, 588, 676
supermarket 423, 471
psychology 41
Suppé, Franz von 294, 412
supple 258
suprasocial 19
Sur un vaisseau (Satie) 248
surf music 368, 376
surface rate 483–487, 514, 622,
623, 809 †TEMPO
male and female 669
Olwen arpeggios 247
repetition patterns for cars and
chases 623
reiterations (repeated note) 623
slow 462
tremolandi/ostinati 247
surface rhythm 646
Surfaris 368
Surfin’ Safari 368
surfing 368
surging 134, 249, 393
surprise (pleasant) 648
surrealist 418
Surrey with the Fringe on Top 295
sus4 CHORDS suspended
suspense 127, 627
CHORDS
suspension
suspicion 133, 461, 569, 589, 590
Svegliate e uccidi (Morricone) 586
Svenska Dagbladet 678
Sveriges magasin (TV) 429, 809
The Swan (St-Saaens) 516
Swander, Don 374
swarm 100
sway[ing] 240, 244, 246, 249, 252,
253, 261, 270
skirts 391
sweat 569, 577, 590, 597
Sweden/Swedish 45, 311, 413, 429,
620, 621, 624
†GÖTEBORG †STOCKHOLM
Concert Agency 44
Helsjöns folkhögskola 116, 796
meadows (ängar) 241–246
music education 44–46
Skurup folkhögskola 116, 796
Stommenskolan (Kinna) 116, 796
traditional music from 310
TV 296, 356, 513
Sweelinck, Jan Pieterzoon 19
Sweet Adeline 209
Sweet Home Alabama 345
Sweet Little Sixteen 368
swell 169, 239, 246, 248, 252
Swimming Association 410, 412,
413, 415
‘swing it!’ 500
Swingle Singers 606
swirl[ing] 102, 261, 386
switch to SCENE (switch)
swooning/swoons 220, 224, 225,
226, 231, 269
sword dancer 328
syllogism (geo-instrumental) 469
†TRANSSCANSION †GEOCULTURAL
sylvan WOODS
symbiosis (psychotic) 76
symbolic dislocation 414
symmetry 664, 655
symphonic 422
Symphonie fantastique 29, 380, 517
Symphony #40 in G minor 186
symphony orchestra 264
synaesthe/-sia/-sis/-tic 14, 14, 104,
119–121, 170, 190
library music descriptions 127
sync[chronisation]
music and image 419
syncopation METRE
syndrums 648, 649, 650
synecdoche GENRE SYNECDOCHE
synoptic time TIME
syntax 51, 52, 54, , 55, 56
harmonic 568
synthesiser 127, 518, 621, 622, 634-
637, 645, 646, 648, 649, 650, 651,
652, 653, 654, 654–7, 659, 660
semiquaver reiteration 655–6
string pad nomenclature 170
synthetic 648, 649
syrupy 224, 469, 674
Szathmary, I 626

Ten Little Title Tunes – Index tabulature – title 893
T
T for Texas 353
tabulature GUITAR
taciturnity 143
tactile, tactility, haptic 100, 249,
250, 252, 253, 260, 261, 266, 270
ANAPHONE
Tagg, Philip 3, 5, 24, 37, 38, 40, 43,
44, 45, 54, 55, 57, 59, 63, 64, 65,
67, 68, 71, 73, 74, 81, 82, 91, 104,
110, 114, 116, 170, 246, 247, 269,
272, 274, 300, 320, 341, 376, 388,
487, 492, 585, 590, 600, 606, 628
Tagg, Maria 18, 576
Tagg, Stephen 149
tails CLOTHING
Take the Money and Run 583, 600
Talbot, Michael 11
Tallis’ Canon 176, 214
Tamlyn, Garry 71, 72, 89, 104
Tampax 553
tanbur 467
tape edit 660
tarantella 319, 329, 467
Tarantino, Quentin 581
Taranto (and tarantula) 329
Tarasti, Eero 51, 53, 56, 625, 628
Tarzan 195
Tatuí (Brazil)116, 117, 796
tavern 392
Taviani brothers 14
Taxi Driver 464, 553
taxi scene 575-576
taxonomy VVAS
Taylor, L 292
Taylorism 40
Tchaikovsky, Pyotr Ilyich 31, 171,
175, 177, 198, 199, 206, 208, 212,
218, 220, 232, 315, 470, 516
teaching 105
tears 224, 459, 469, 574
tear-jerker 4
techno music 425, 606
technology 8, 518, 621, 646
democratic potential of 679
Teddy Bears’ Picnic 411, 412
teenager[s] 368, 377, 464, 620, 621
teen twang 375
Virginian’s lack of 375
Telegram (Silver Convention) 488
telegraph/-ic/-y TELETYPE
Téléljournal (TF1) 488
teleprinter TELETYPE (saves space)
teletype (incl. teleprinter[s], etc.)
†NEWS MUSIC †BUSY †URGENT
114, 292, 341, 388, 489, 490, 554,
598, 606, 644, 655
anaphone, etymophony 487–94
printers (daisy-wheel, golf-ball,
matrix dot, etc.) 489
telegraph[ic] 487–494
Morse code 300, 487, 598, 644
television TV (saves space)
Tell Me True Love (Dowland) 455
Telson, Bob 197
tempo 168, 514, 517
†SURFACE RATE
fast 411, 412, 416
fast for action 483–487
male and female 669
marching, running 425
metronomic regularity 646-7
slow 417, 462, 464, 530
easy tempo 517
tap tempo 169
10cc 593
The Ten Commandments (film) 429
tender[ness] 130, 132, 251, 270
The Tender Land (Copland) 536
Tennessee 353
Folklore Society Bulletin 374, 812
Tennyson, Alfred 174, 179
tense, tension 133, 135, 137, 217,
220, 389, 569, 572, 581, 590, 592,
594, 595
tenuto 168
Tequila 336, 361
termination 660
Territorial Army 429
terror 319
terrorism 6, 486, 623
tertial HARMONY
tessitura REGISTER
test RECEPTION TEST 107
Il testamento (cue 1900) 456
Teupen, Johnny 600, 829
Tevis, Peter 370
Texas 301, 324, 341, 355, 359, 373
Country and Western 373
oil boom 374
Texas Gales 345
text and context 68–79
textual metadiscourse
metatextual discourse 59
texture 659–661
reduction of 660
sonic 100
Thalben-Ball, George 196, 221-3
Thatcher, Margaret 75, 421
Thatcherism 63, 86
theatre 500
Themes Like Old Times 293, 316
Theodorakis, Mikis 467
theramin 589
there[s]-and-then[s] 327–330, 391
thick 100
thickening 170
Thiel, Wolfgang 30
thinking 430
… ‘sucks’ 430
Third Man, The 373
third[s] CHORDS/INTERVALS
This Is Hardcore (Pulp) 464
‘This is how it is here and now; how
things are; how we live 519
This Week with David Brinkley 491
Thomas, David 491, 552
Thomas, Peter 464
Thompson, E P 85
Thompson, Richard 323
Thompson, Sadie 596, 676
Thompson, Virgil 30
Thornbury (hymn tune) 221
thoroughfares 413
thoughtful 677
threat[-en[/-ing/-ed]] DANGER
Three Pieces in New England
238, 535
The Three-Cornered Hat (Falla) 320
threnody 371
thriller 127, 135, 136, 206, 368,
372, 395, 573, 590, 598, 599, 674
thrills 594
through 134, 303
thrust[ing] 71, 594
thud 648
thunder 99
ticker tape 493
tickling 249
tidiness 421
Tieck, Ludwig 15, 21, 25, 76, 271
tierce de PicardieCHORDS
tight[ness] 133, 604
timbales 468, 634-7, 645, 647, 648,
649, 651, 652, 654, 659, 660
timbre, timbral 36, 45, 52, 63, 197,
239, 272, 295–296, 297, 342, 334,
367, 369, 370, 373, 376, 377-83,
451, 462, 469, 471, 494, 495, 498,
559, 573, 581, 589, 644-6, 548,
649, 652-5, 657, 658, 659–661,
664
Morricone 370
Sportsnight 495
use of in Westerns 378
vocal 264, 323
time
future 66, 390, 391
episodic 101, 125, 128, 130-1, 134,
139, 154, 551–562, 654, 666
retrospective VVAs 604
of day 671 †WEATHER †DAY
afternoon 247
evening 220, 443, 674
morning 224, 247
NIGHT
sunrise 139, 239, 248, 674
sunset 136, 197, 238-9, 248,
long time 604
past time †HISTORICAL
slower than present 484
present †HISTORICAL
faster than past 484
synoptic time 130, 154, 460,
551–562, 666
temporal loophole 371
time line (West African) 94
Timothei shampoo 136, 245, 264
timpani 278-9, 300, 541
Tin Pan Alley 231
tingling 249, 251, 252, 261
Tiomkin, Dimitri 29, 30, 351, 360,
369, 371, 390, 395, 456, 724
Tippett, Sir Michael 60, 63
tiring 623
titillation 249, 251, 252
harp sweep 386–387
title 29

894 title music – typology Ten Little Title Tunes – Index
title music
criterion of reception test
inclusion 110
functions of 513
internal musical coherence 110
title sequences 110
Emmerdale 515
Monty Python 418, 420, 422
To Music AN DIE MUSIK 25
toast 224
Tobler, John 37
Toccata and Fugue in D minor 120
Toch, Ernst 495
Tod, das ist die kühle Nacht 446
toil 577, 601
Tolomeo (Handel) 446
Tom Dooley 354, 355
tom-toms DRUM[S]
tonal[ity] †HARMONY †MODES
HARMONYcircle-of-fifthstonal
idiom 516
male and female 670
polarity tonal/modal 305, 330
Morricone’s view of 371
non-dominantal 372
pandiatonicism 536
Tonight 240, 268
Tono de Velorio de Cruz 333
Toop, David 67
toothpaste adverts 589
Top Gun 4
Topgraphia Hibernica 35
toreador 320
El toro rabón 361
El toro solo 336
torrent[s] 383, 386
of feelings 65
Torres, Francesco 485, 489
tortuous 464, 589
tortured 185
tough[ness] 132, 135, 346, 459,
460-1, 580, 604, 624, 674
tuff[t] 331, 617, 621, 810
‘tuff’ 346
Toulouse 258
tourism 329, 467 †HOLIDAY
minor modes and 327–330
towards 297 †DIRECTION
polysemic VVA 139
town[s] 394, 413, 428, 459, 536
arrival in 382, 393
arriving or leaving 393
small 298, 389, 392, 394
square 409, 413
vs country 391–394
†RURAL †URBAN †CITY
townsfolk (female) 394
Toynbee, Jason 89
toys 494, 495, 498
track separation 651
tracking a fugitive or victim 567
Trad. jazz JAZZ
Trades Description Act, 56, 58
traffic 494, 496, 600, 674, 829
Traffic (band) 323
tragedy, tragic 133, 184, 187, 218,
224, 446, 449, 452, 457, 459, 460,
461, 462, 596, 674
ballads 309
in soldier, sailor, cowboy songs
307–310
The Tragic Romance 353
train[s] 352, 383, 393, 605 †RAIL
effect 656
whistle 353
Train Whistle Blues 353
trample[-d/-ing] 418, 419
tranquil CALM
transcendental 530
transcription
inaccurate sheet music 457
process in this book 152–153
transferential 134, 672
transients PARTIALS
transitional 134, 139
theme (Westerns) 393
transmodality 140
transparency (of timbre) 653, 659
transscansion 212, 385, 487, 586,
809-810 †RHYTHMlanguage
Träumerei 268
travel[ling] 297, 302, 321, 382–385
agency 329
ballads 352
travelogue 328
nature 382–385
Travelling Wilburys 228, 229
traversal 295, 303, 305 †OVER/ACROSS
La Traviata 207
Travis, Merle 395
Travis, Nick 596
Tre Donne (Morricone) 197, 456
treble REGISTERhightreble
tree[s] 172, 240, 241–6, 266, 535,
536 †WOODS
elm 257
palms 239
willow 261
trembling 246
tremolo/tremolando 466, 467, 469,
471, 472
tremolando 246–249, 473
tremolo 170, 207, 300
Tremoloes (B Poole and The) 472
tremulous 246, 461
trenchcoat CLOTHING
trendy object 552, 647, 649, 650
Trent, Philip 581
triad CHORDS
trickling water 383, 388, 389, 393
Trigger (the horse) 295
trill[s] 398, 609, 628 †STRINGS
triplet[s] 171, 516, 518
Tristan & Isolde 189
chord 189, 191
Triste vida e do marujo 333
trisyllabic 347
trite 387
tritone CHORDS /INTERVALS
substitution HARMONY
The Triumph of Vulgarity 585
triumphal 319
Trivialmusik 21
Trocknet nicht (Franz) 446
La tromba e la sua notte 587
trombone ORCHESTRATION
troops 97, 423, 428
trotting 304
trouble 182, 196, 459, 567, 572
‘troublesome appendage’ 79
truck driving 390
trumpet ORCHESTRATION
trust 133, 430
Tsarens kurir (Polish TV) 810
La Tuba (Montevideo) 335
Tubb, Ernest 295, 373, 374
tubular bells 370, 413
Tubular Bells (Oldfield) 414
tuff[t] TOUGH
tumescent 134
Turina, Joaquín 367
Turku 64
turnaround 630, 810 †MATRIX
Guantanamera/La bamba 344
Turner, Michael B 213
tutti 628, 630, 631
improvisation (cadential) 663
‘tutti community’ 392
tuxedo 499
TV/television 7, 150, 420, 428, 475–
501, 626 †ADVERTISING †NEWS
†[name of production]
network 649
NEWS
police shows (TV) 459, 624, 659
production[s] 515, 621
programme 621
proportion of music on 7, 10
public service TV 660-1
series 620, 621, 623
stations/companies
ABC 490, 491, 624, 647
BBC 409, 580
CBS 341, 388
Channel Four 75
Italian (RAI) 370, 371
Maryland Public 491, 493
MTV 313
NBC 39
Sky Satellite Network 606
SvTV 296, 356,487, 513
TF1 488
TV Cinq 651
Yorkshire 513
TV-Nytt (SvTV) 487
twang[y] (guitar) 367, 370, 373,
375, 379, 380, 395, 396, 653
Southern boogie 658
spies 367
twelve-eight (12/8) METRE
The Twilight Zone 576
Twist andShout 472
Two Hearts 424
Tyler, Steve 464
Tyner, McCoy 578
The Typewriter, The 496
typology of musical signs 99–103

Ten Little Title Tunes – Index über – Venice 895
U
Über den Fetischcharakter in der
Musik (Adorno) 41
Al ’ud 467
ugly/ugliness 133, 461, 646
The Ugly Rumours 62
UK (United Kingdom of Great Britain
and Northern Ireland)
413-417, 421
Britain/British 38, 62-3, 66, 84,
176, 428, 429, 459, 674
ballads 355
Empire 63, 223
infl. on cowboy song 324 ff.
isolation of music tradition
in Appalachians 324
low score Virginian 322
Movietone News 416, 417
nationalism 61
cultural studies 65, 80-84
England/English 224
Englishness 176, 195, 211,
215, 221–225
Hollywood music for 323
horn ORCHESTRAT.cor angl.
nat. mus. identity 322-4
romanticism 221
stereotyped as ‘old’ 429
stiff upper lip 89, 196, 221–5
Trad. 391
films late 1940s 195-6, 199-202
flag (Union Jack) 223
managerialist scourge19, 31
media product made in 515
media representation of power
c1935-c1968 416–418
MODALITY
news music on TV 488, 496, 606
proportion of music on TV 7, 10
‘public’ schools 223
rock canon in 65-6, 85
SCOTLAND
secret service 416
Thatcherism 63, 75, 85, 421
WALES
U-Musik 21, 58
UN Charter of Human Rights 62
Un solo baccio mi hai dato 370
The Unanswered Question 536
uncanny situation 567, 568
uncertain[ty] 133, 189, 192, 390, 459
Uncle Sam 426
unconscious 3, 6, 92, 274
unconvincing 346
undecided 190
underdog 423
rock 65, 66, 421
underground (culture) 621
underneath 569
underscore 110
understatement (musical) 375
Underwood Johnson, Robert 238
underworld 133, 459, 573
undulant/undulate etc. WAVES
uneasiness 190
Unemployed! (Disclosure) 456
unemployment 63
UNESCO Latin American traditional
music collection 333
unfairness 456
unhapp-y/-iness 133, 459, 469
Unidad Popular 342
uniform[s] 409, 427-428, 429
Union Jack 223
unison 601, 628
L’Unità 3, 677
United Artists 647
United Kingdom UK
United Nations UN
United States USA
universal language: music? 104
unpredictability 655
unquestioning 122
Unquiet Thoughts (Dowland) 455
unsure 190
Untouchables 570, 572, 581, 582
up and out 384, 385
Up and warn a’, Willie 354
up front 646
Up In A Balloon 294
up-market CLASS
upper class CLASS
up-tempo TEMPOfast
up-to-date[ness] 495, 553, 647
upward[s] 212
mobility (in social pyramid) 24
urban 264, 298, 458, 459, 486, 514,
517, 617, 621, 624, 627, 646, 652,
658, 672, 675
alienation 577
anxiety 579–588
USA 597
vs rural 251, 298-9, 391–4, 461,
671
urgency 114, 300, 302, 554, 487–
494, 598–600, 606, 644
Uruguay 335
US[A] (United States [of America])
413, 419, 420, 421, 423, 425, 426,
459, 466, 468, 469, 565-7, 620,
621, 674
AFRICAN-AMERICAN
Air Force cadence rhyme 425
‘all-American’ boy 532
‘American’ way of life 122, 345
Army Airborne Rangers 425
British ballads in 355
Bush, Georg II (W) 423, 426
CADENCE
CIA 6, 420
Civil War and cowboy songs 324
Constitution 324
COUNTRY MUSIC
COWBOY
FBI 572, 625
fighting 419, 422
GI 532
government 6
imperialism 8, 60
Iraq invasion 423
Irangate 3, 4–7
in Latin America 420
JAZZ
Marines 424, 425
military 419, 420, 424-6
military music 422–426
MODES
NATIVE AMERICAN
Navy Seals 425
patriotic music 422–426
NRA 422
Pentagon 355, 677
prohibition 570
radio 13
Reagan, Ronald 75, 420, 421
redneck[s] 274, 296, 422, 423
Russia[n[s]] and 466, 468, 469
sea shanties 325
South[ern] 567, 597
belles 174
boogie twang 658
Trad. 377, 379, 380, 392
transfer of global power to 413
urban 570, 579, 597, 599, 601
subculture 570–573
Vietnam 425
Washington DC 413
Women Marines 425
US of A (Donna Fargo) 422
utopian 621
utter submersion 76
V
V (TV sci-fi) 648, 651, 661
vacation paradise 664
Vader, Darth 5
Vale la pena vivir 350
Valens, Ritchie 338
Valkyrie WALKÜRE
valleys 214, 254
Valparaiso Bay 327
‘value-free’ research 44
vamp 464, 573
bass figure 590
female 668, 675, 676
musical 492, 810
Van Cleef, Lee 331, 365
Van Diemen’s Land 306, 345, 350
Van Dyke, Dick 323
Van Halen Band 424
Vangelis Papathenasiou 99
Vapomni, moya lyubeznaya 322
Vaqueirada 350
variance STATISTICS
variation coefficient STATISTICS
Variations on a Theme of Paganini 175
variety (variétés) 419, 429
vaudeville 416, 429
Vaughan Williams, Sir Ralph 60,
322, 323, 336, 346, 350
Vauxhall Gardens 605
V Day 417
Vega, Carlos 37, 57, 335, 344, 345
vehicular transportation 656
veil[ed] 459, 605
velocity SPEED †MARINETTI
†TEMPOFAST 623, 654
velvety 171
Venezuela Trad. 332, 333, 334, 342
vengeful 392
Venice/Venetian 370, 418

896 Ventures – water (flowing) Ten Little Title Tunes – Index
The Ventures 395
venue[s] 424, 428
Venus 259, 261, 264
Venus (Botticelli) 259-261
Veracruz 342
verbalisation 105, 134
verbal-visual associations VVAS
Verdi, Giuseppe 30, 31, 190, 194,
207, 319, 574
Verdon, Gwen 574, 585
Verfremdung 372
†DISTANCING †BRECHT
vergleichende Musikwissensch. 38
verismo 596
Vermont Human Services 660
vertical effects
skip to sixth degree 226–227
vest CLOTHES
vibrant 246
vibraphone ORCHESTRATION
vibra-slap 648
vibrator 70, 71, 541, 608-9
vice 623
victimisation 222
Victorian 174
victorious/victory 390, 410, 416,
624, 660
video 650, 674
pop 553, 554
‘video effects’ 487
Vienna 413
Mahler, Korngold, Steiner 48
Viennese classicism 102, 186
Vietnam 425
view[s] 139, 298, 382 †PANORAMA
acoustic 169
Viglietti, Daniel 335, 347, 361
Viguerie, Richard A 4-6, 677
Vikings 307
Vila, Pablo 335
Vilariño, Idea 347
Villa Lobos, Heitor 458
village 388, 389, 515
deserted 393
villain[s] BADguy[s]
Ving, Lee 597
vinyl – effects on notation 55
violence 122, 123, 137, 425, 464,
486, 621, 623, 651, 656
Violent City (Morricone) 587
violins STRINGS
Virgin and Child (Morales) 258
Virgin Mary 177
The Virginian (Tune 2) 99, 101,
107, 111, 112, 122, 123, 129, 137,
139, 141, 142, 143, 144, 147, 148,
149, 150, 153, 154, 251, 269, 277-
396, 463, 472, 483, 485, 516, 553,
559, 561, 569, 572, 573, 590, 632,
657, 666, 667, 668, 669, 670
virile/virility MALE
virtual circle-of-fifths 179
virtuoso 424
viscous 100, 171
‘Visitors’ the (V sci-fi series) 661
visuals – Monty Python 418
Den vita stenen 429
Vivaldi, Antonio 183, 622
Vltava (Smetana) 236, 320
vocal †REGISTERvocal †VOICE
arrangement 424
forms 425
timbre
hard 423
vocalist 423, 652
vocative 354
melodic museme 354
melodic profile 355
snaps 353
voice †REGISTERvocal †VOCAL
grain of 67, 70
voice leading 447, 450, 452
voice-over 649, 660, 661
voix céleste + vox humana 223
Volga Boatmen (Song of the) 470
volitative 131, 305
Der vollkommene Kapellmeister 35
Volkswagen 553
volume 52 †ACCENTUATION
dynamics 169, 462
fortissimo 100
in rock 70, 71, 423
male and female traits 669
voluptuous 171
Vol-U-Tone 373
Vorzon, Barry De 661
vox humana / voix céleste 196
Vrethammar, Sylvia 348
vulnerability 472, 585
VVA[s] (Verbal-Visual Association[s])
anomalies 134–140
classification 123-30
†taxonomic… †taxonomy
definition and/or explanation of
121–122, 631, 810
discretisation process 122-123
functions of 142
genre-specific 645–647
limitations of 140–142
listings of 702-744, 769-794
†start of each Tune section,
after transcription
explained 151
number of categories used 148
statistics 142-152,
taxonomic criteria 124-131
film music’s functions 124-5
library music categories 125-30
musical ‘common sense’ 130–1
taxonomic problems
contextual 137–140
distanced VVAs 137
errors of classification 421
multiple categorisation 136
neologisms/nomenclature 134
polysemic VVAs 135–136
‘weird words’ 134
taxonomy 11, 123–142, 666,
745-768
functions and uses of 142
limitations of 140-141
verification of 141–142
words≠pictures≠music 120–121
W
Wackenroder, Wilhelm H 15, 21,
22, 65, 68, 76, 271
wage-earners 23 †PROLETARIAT
Wagner, Richard 21, 25, 30, 31, 48,
174, 180, 189–190, 192, 195, 208,
218, 224, 235, 261, 300, 307, 317,
320, 377
chase and fight music 300
wah[-wah] 553, 540-1, 573, 648, 653
Waidele (Sw. retail) 108
wailing 181, 596
waiting 673
Wake Up America 423
Walbrook, Anton 199
Waldkirch 496
Waldteufel, Emil 340
Wales 254-5
Charles, Prince of 62
Clwyd 254, 265
Llangollen 255
Moel Famau 254
walk WALKING
Walker, Daniel P 39, 47, 312
Walker, Michael 464, 580
Walker, T-Bone 374
walking 100, 170, 236, 270, 382,
486, 494, 492, 674 †BASS
Walking the Floor Over You 374
Walkürenritt 29, 30, 300, 307
Wall Street 492
Crash 40
no acoustic guitar strum 341
Wall Street Week (TV) 491, 493,
494, 495, 497, 854
Walser, Rob 56, 89, 90
Walter, Bruno 29
Walton, Sir William 30, 60
waltz 102
Wand of Youth 495
Wandrin’ Star 351, 396
Wann kommst du, mein Heil? 445
war 97, 410, 416, 417, 423, 430,
486, 623, 674 †WORLD WAR
and fun 410, 412, 417, 418, 419,
420, 422, 423, 426
incongruity of 417
film 410
hero 418
wartime 203
War Crimes Tribunal 26
War Games )film) 600
warm 170, 198 †WEATHER
heart-warming 132
leg warmers 650
warm tone 229
Warner Brothers 356, 457
Warner, Alan 199, 200
Warsaw Concerto 171, 198, 199,
200, 201, 203, 232, 269
Washington Behind Closed Doors 724
Washington Post (march) 294, 411
Washington, N 395
Watching the Detectives 625, 626, 627
water 172, 214, 260, 261, 536
droplets 241, 245-9
flowing, gushing 382

Ten Little Title Tunes – Index water (piano arpeggios) – Wood, Doug 897
piano arpeggios 233–240
skiing 305, 307
trickling 383, 389, 393
tricling 388
waterfall[s] 235, 261, 386
Watergate 488
Waters, Muddy 564, 594
Waterson, Michael 323
Watson, Doc 345, 353, 354
Watson, Merle 353
Watson, Richard Jesse 259, 260
Watters, Cyril 224
wave[s]/wavy 99, 122, 134, 172,
226, 231–269, 307, 515, 674
gesturality 225, 253–67,
270–275
harmonic 214–215
melodic 215
sea (breakers) 239, 246
subjective/objective 252–253
undulant/undulate/undulating/
undulatory 134, 172, 253, 214,
246, 249, 254, 256, 260, 265,
269, 379–382, 515
waving (flags/hands) 428
Waxman, Franz 30, 115, 522, 530, 536
‘The way it is’ 132
The Way to the Stars 201-3
Wayne, John 171
‘We eat no shit’ / ‘We take no more’
618, 646
‘We never closed’ 417
‘We shall fight them on the
beaches’ 417
‘We want to change the world’
486, 618
weakness 133, 459
weapons 97, 416, 425, 430, 670, 675
weather 671, 672, 674 †SEASONS
breeze 172, 214, 240, 241, 248
fog 589, 590, 674
haze/hazy 244, 247, 248, 268
mist[y] 224, 247, 268, 383, 590
rain[y] 99, 139
snow[y] 172, 188, 235
sun/-lit/-ny/-shine 231, 236,
238, 239, 244, 246, 247, 248,
256, 265, 303, 305, 430, 674
sunrise 139, 239, 248, 674
sunset 136, 197, 238, 239,
248, 257
thunder 99
warm 180
wind 172, 214, 240, 386, 674
gusts 248
Weaver, Dennis 299
Weber, C M von 31, 320, 445, 568
Weber, Max 39
Weber, William 19
Webern, Anton von 29, 30
wedding 328, 416, 417, 675
weeping 186
Weibull, Lennart 7, 82
Weigel, H 40
Weill, Kurt 179, 211, 230
weirdness 576
Welch, Bruce 370
Weldon Hawkins, Louise 260
welfare state dismantled 76, 421
Welk, Lawrence 395, 606
well-being 177
Wellington’s Sieg 29
well-meaning 132
Wenn wir in höchsten Nöten… 456
Were Every Thought An Eye 455
Werthästhetik ‘ABSOLUTE’ MUSIC
West Side Story 230, 340, 584
West, James 378
Western (genre) 5, 136, 141, 143-
144, 463, 652, 674
genre synecdoche 303
Hollywood and Italian 666
horse music essential? 303–307
Italian 331-332, 362-365, 370,
372, 394, 666
plot types 392–394
Western Allegro (Falck) 325
Western Electric 39
Western Eyes (Portishead) 456
western swing 375
Die Wetterfahne (Schubert) 446
What Shall We Do With The
Drunken Sailor? 310, 329
wheat 265
Wheels of Fire 594
When A Man Loves A Woman 68
When First to this Country 308
When I’m Calling You 226
When Johnny Comes Marching
Home J OHNNY COMES M ARCHING
Where The Wind Blows 395
While I Live 167, 203
whining 576
whip 370
whirling 386
whistle
human 371
train 353
wolf 386
The Whistle 346
Whitburn, Joel 61
white CLOTHES
noise 644, 649
White Christmas 589
The White Stone 429
A Whiter Shade of Pale 196, 338
Who Do You Think You Are
Kidding, Mr Hitler? 429
The Who 65, 652
Whole Lotta Love 594
whooping it up 394
‘Why 1955?’ 64
The Wichita Lineman 488
Wicke, Peter 14, 61, 63, 72, 81, 83,
89, 272
Wicks, Sammie-Ann 324
wide open spaces, wide views, etc.
PANORAMA
wide spacing 535
Wide World of Sports [TV] 624
Widerberg, Bo 14, 21, 244
Wilbye, John 182
wild 60, 132, 265 †FLOWERS
Wild Wild West (TV) 375, 376, 378
Wilder, Billy 199
William Tell 293, 294, 296-7, 377
Williams, Charles 156, 176, 196, 203
Williams, Hank 295
Williams, John 5, 21, 377, 568, 588
Williams, Rachel 263
Williams, Raymond 85
Williams, Richard 37
Williamson, J G Ian 48, 261
Willis, Paul 82, 85
willow TREES
Wills, Bob 373
Willson, Meredith 592–593
Wilson, Brian 60, 62
win 417
wind 172, 214, 240, 386, 674
The Wind Cries Mary 593
Wine Festival 348
Wings To Fly 424
WINS news station logo 490
Winterreise 188, 189, 446
Winwood, Stevie 62
Wipe Out 368, 376
wisdom 133, 430, 673
Wismar 177
wistful 321, 579
Wittegenstein, Ludwig 52
WNIX 488
Wo ich bin (R Strauss) 444
Wo soll ich fliegen hin? 185, 456
woe[ful] 181, 185, 188, 189, 190,
192-193, 195, 207
Wohin? 234
Wohltemperiertes Klavier 173
wolf whistle 386
Wolff, Erich 218, 226, 443
woman/women †FEMALE †GENDER
†GIRLS †MALE
135-6, 262-3, 666-678
blonde 244, 245, 265
bourgeois salon 233
cover girls 263
curves and 257-266
dangerous; dubious 601
femme[s] fatale[s] 386, 463,
601, 605, 668, 676
hookers 646, 657
in black 675
in Westerns 391–394
ladies 674
long hair and 258-63, 265-6, 269
historiographical neglect of 28
mother 212, 220
photo models 262-4, 647
predatory 585
prostitute[s] 265, 464, 675
QUEEN
scheming 584
vamp[s] 668, 675, 676
Women Marines (US) 425
women’s studies 57, 58
Wonderful Land 368
wood blocks 295
Wood, Alexander 412
Wood, Doug 467

898 woods – Zorro Ten Little Title Tunes – Index
woods 238, 240, 241, 244, 247, 249
forest[s] 243, 298, 303, 388, 389,
393, 394
sylvan 134
calm 174, 177
Woodstock 621
woodwind 300
words ≠ pictures ≠ music 120–121
work concept (musical) 11, 68
work song[s] 425
crossover with shanties 325
Work Song (Adderly) 583, 628
working class CLASS
World Court 6
World Cup Soccer 62
world of tomorrow (future) 621
World War I 411
World War II 97, 417, 428, 429, 430
Worldcom 75
worry 133, 186, 190, 192, 224, 319,
453, 570
worthy opponent 676
Worton, David 411
Wounded I am (Byrd) 455
‘wow!’ 386
Wozzeck 495
Wray, Link 369, 395
wrestl/-e[r]/-ing 5, 426
Wright, Louise (lullaby) 250
Wright, Rayburn 124, 676
Wright, Will 291, 331, 392-394
X
Xerox (corporation) 75
xylophone ORCHESTRATION
xylorimba 496
Y
Y llegó Fidel 334
Ye Parliaments of England 306
Yearbook for Traditional Music 22, 37
yearning 197, 470
yodel[ling] 325, 350, 351, 352, 353,
354, 355, 357, 375, 396
Yorkshire 518
Moors 139
TV 513
You Got The Love 95
young 133
young people/youth 136, 151, 500,
617, 657, 674
culture 375, 617, 618–21
generation 618, 619
music education for 679
target group 375, 618–21, 649
target or social group? 666
‘young people’ 495
‘youngsters’ 621
Virginian: lack of VVAs 375
Young Woman… (Rembrandt) 267
Young, Michael 24
Younger Than Springtime 218
Your Long Journey 354
Your Song (Elton John) 175
Yupanqui, Atahualpa 361
Z
Zamfir, Gheorghe 564
Zapata-Spaghetti plot 332
Zappa, Frank 531, 580, 585, 619
Zaragoza 336
Zarlino, Giosefo 312
Zech, G 40
Zen 534, 537
Zero Response listings 151
Ziehe, Thomas 65
zigzag arpeggiation 379
Zimmerman, F-J 600, 829
zither 367, 373
Zoltai, Dénes 11, 16, 18, 21, 68, 70, 271
The Zombies 581
zoom CAMERA TECHNIQUES
musical 387
Zorba the Greek 467, 468
Zorn, John 49
Zorro 294, 333, 355, 356, 383