Bibliography - Philip Tagg
Bibliography - Philip Tagg
Bibliography - Philip Tagg
Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
824 Ten Little Title Tunes<br />
TAYLOR, LOUIS (ed. 1973). Harper’s Encyclopedia for Horsemen. New York: Harper and Row.<br />
TAYLOR, TIMOTHY D (1997). Global Pop. London and New York: Routledge.<br />
THIEL, WOLFGANG (1981). Filmmusik in Geschichte und Gegenwart. Berlin: Henschelverlag.<br />
THOMAS, DAVID (1989). Interviewed in Ear magazine, 13/10:9.<br />
THOMPSON, E P (1963). The Making of the English Working Class. London: Gollancz.<br />
THORSÉN, STIG-MAGNUS (1979). För musiken i tiden. Stockholm: Sveriges Radio UTB [For music in our<br />
time].<br />
THULIN, BJÖRN (1972). See FROSTENSSON et al.<br />
TIOMKIN, DIMITRI (1951). ‘Composing for Films’. Film Music: from Violins to Video (ed. J Limbacher,<br />
1974): 55-61. Metuchen (NJ): Scarecrow Press (1publ Films in Review 2:17 Nov 1951).<br />
TOBLER, JOHN; GRUNDY, STUART (1982, eds.). The Record Producers. London: BBC.<br />
TOOP, DAVID (1984). The Rap Attack. African Jive to New York Hip Hop. London: Pluto Press.<br />
—— (1995). Ocean of Sound. London: Serpent’s Tail.<br />
TÖRNEBOHM, HÅKAN (1979). Kunskapstraditioner och mentaliteter. Rapport nr 43, serie 2. Göteborg: Institutionen<br />
för Vetenskapsteori [Traditions of knowledge and mentalities].<br />
TORRES, FRANCISCO (1989). ‘Dromos Indiana – on speed and auto racing’. Artforum, 13/9: 113-114.<br />
TOYNBEE, JASON (2000). Making popular music: musicians, creativity and institutions. London: Arnold.<br />
UNIVERSAL DECLARATION OF HUMAN RIGHTS (1948). United Nations |www.unhchr.ch/udhr/| (020323).<br />
VEGA, CARLOS (1941). La música populár argentina, tomo II: Fraselogía. Buenos Aires: Facultad de<br />
Filosofia y Letras de la Universidad de Buenos (557p).<br />
—— (1944). Panorama de la música popular argentina. Buenos Aires: Losada.<br />
—— (1966). ‘“Mesomusic”. An essay on the music of the masses’. Ethnomusicology, 10.<br />
VILA, PABLO SERGIO (1987). ‘Rock nacional and dictatorship in Argentina’. Popular Music, 6/2: 129-148.<br />
VILARIÑO, IDEA (1981a). El tango (1) La historia de la literatura argentina. Capitulo 117: 409-432<br />
Buenos Aires: Centro Editor de America Latina.<br />
—— (1981b). El tango (2) La historia de la literatura argentina. Capitulo 121: 529-552. Buenos Aires:<br />
Centro Editor de America Latina.<br />
WACKENRODER, WILHELM HEINRICH (1799). ‘Die Wunder der Tonkunst’. Musik og betydningsinhold -<br />
kompendium i musikæstetik: 23-26, P Druud-Nielsen (ed., 1987). Århus: Institut for musik<br />
og musikterapi, AUC.<br />
WALKER (1974) [Sorry, but we can’t find this text, probably an earlier version of Michael WALKER (1994).]<br />
WALKER, DANIEL P (ed. 1978). Studies in Musical Science in the Late Renaissance.<br />
London: Studies of the Warburg Institute, 37.<br />
WALKER, JOHN (ed., 1994, 2000). See HALLIWELL.<br />
WALKER, MICHAEL (1994). ‘Film Noir: Introduction’. The Movie Book of Film Noir (ed. I Cameron): 8-38.<br />
London: Studio Vista.<br />
WALSER, ROB (1993). Running with the Devil. Power, Gender and Madness in Heavy Metal Music. Middlebury,<br />
CT: Wesleyan University Press.<br />
—— (1990). See MCCLARY & WALSER.<br />
WEBER, W (1977). ‘How concerts went classical in the nineteenth century’. Proceedings of the annual<br />
meeting of the Western Society for French History, 1977/5:161-168.<br />
WELLEK, ALBERT (1963). Musikpsychologie und Musikästhetik: Grundriss der systematischen Musikwissenschaft.<br />
Frankfurt am Main: Akademische Verlagsgesellschaft.<br />
WEISETHAUNET, HANS. See MICHELSEN, MORTEN et al. (2000).<br />
WHITBURN, Joel (ed. 1972). Top Pop Records 1955-1970. Detroit: Gale Research.<br />
—— (ed. 1973a). Top Pop Records 1945-1972. Menomonee Falls: Record Research.<br />
—— (ed. 1973b). Top LPs 1945-1972. Menomonee Falls: Record Research.<br />
—— (ed. 1986). Top Pop Albums, 1955-1985. Menomonee Falls: Record Research Inc.<br />
WICKE, PETER (1978). “Licht in das Dunkel” – Popumusik in der Analyse.<br />
Beiträge zur Musikwissenschaft, 20/1: 3-15.<br />
—— (1985). Sentimentality and high pathos: popular music in fascist Germany.<br />
Popular Music, 5: 149-158.<br />
—— (1998). Von Mozart zu Madonna. Eine Kulturgeschichte der Popmusik.<br />
Leipzig: Gustav Kiepenheuer.<br />
WICKS, SAMMIE ANN (1989). ‘A belated salute to the “old way” of “snaking” the voice on its (ca) 345th<br />
birthday’. Popular Music, 8/1: 59-96.<br />
WILKINSON, JOHN; MITCHELL, ALAN (1978). Collins Handguide to the Trees of Britain and Northern Europe.<br />
London: Collins.<br />
WILLIAMS, RAYMOND (1965). The Long Revolution. Harmondsworth: Penguin.