Bibliography - Philip Tagg

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812 Ten Little Title Tunes Bibliography BAUDRILLARD, JEAN (1970). La société de consommation. Paris: Denoël. BAUER, RAYMOND A; GREYSER, STEPHEN A (1968). Advertising in America: The Consumer View. Cambridge: Research Publication (cited by Denisoff & Peterson, 1972:5). BEAUD, PAUL (1980). Interview. Film Music, Mood Music and Popular Music Research (ed. P Tagg). Göteborg: Stencilled Papers from the Musicology Department, #8002. BECK, ALISON (2001). ‘Bong! A Study of the music of British television news in 2001.’ 3rd-year dissertation in Music and the Moving Image, Institute of Popular Music, University of Liverpool |www.theblackbook.net/acad/student/mmi/becknews/becknews.html|. BECKMAN, ERIK (1967). Inlandsbanan. Stockholm: Bonniers [The inland route (novel)]. BEER, JOHANN (1719). Musicalische Discurse. Nürnberg. Cited in Klingfors (1991). BELZ, CARL (1969). The Story of Rock. New York: Oxford University Press (2nd ed. New York: Harper Colophon, 1972). BENGTSSON, INGMAR (1988). Musikanalys och den uttrycksbärande rörelsen. Egtved: Edition Egtved [Music analysis and meaningful movement]. BERG, CHARLES MERRELL (1976). An Investigation of the Motives for and Realization of Music Accompanying the American Silent Film 1896-1927. Chicago: Arno Press. BERNSTEIN, LEONARD (1976). The Unanswered Question. Cambridge (MA): Harvard University Press. BJÖRNBERG, ALF (1984). ‘“There’s Something Going On” – om eolisk harmonik i nutida rockmusik’. Tvärspel: 371-386. Göteborg: Skrifter från Musikvetenskapliga institutionen [on aeolian harmony in contemporary rock music]. —— (1990). ‘Sounding the Mainstream. An Analysis of the Songs Performed in the Swedish Eurovision Song Contest Semi-Finals 1959-1983’. Popular Music Research (ed. K Roe & U Karlsson):121-132. Göteborg: NORDICOM. —— (1992). ‘Music video and the semiotics of popular music’. Secondo convegno europeo di analisi musicale (ed. R Dalmonte & M Baroni):379-388. Trento: Università degli studi. —— (1994). ‘Structural relationships of music and images in music video’. Popular Music, 13/1:51-74. BLACKING, JOHN (1976). How Musical is Man. London: Faber. BLAMEY, MARJORIE & FITTER, RICHARD (1979). Collins Handguide to Wild Flowers of Britain and Northern Europe. London: Collins. BOLINGER, DWIGHT (1989). Intonation and ite Uses: Melody in Grammar and Discourse. London: Edward Arnold. BORNEMAN, ERNEST (1946). A Critic Looks at Jazz. London: Jazz Music Books (cited in FRITH, 1996). BRACKETT, DAVID (1995). Interpreting Popular Music. Cambridge University Press. BRADLEY, DICK (1980). Interviewed in TAGG (1980: 61-66). —— (1992). Understanding Rock ‘n’ Roll. Popular Music in Britain 1955-1964. 1992, Buckingham: Open University Press. BRIGHT, WILLIAM (1963). Language and music: areas for co-operation. Ethnomusicology, 7/1:26-32. BRODE, DOUGLAS (1982). ‘They Went Thataway’. Television Quarterly, Summer 1982. BROWN, ROYAL S (1995). Overtones and Undertones. Reading Film Music. Berkeley: University of California Press. BRUHN, HERBERT; OERTER, ROLF; RÖSING, HELMUT (1985). Musikpsychologie. München: Urban & Schwarzenberg. BRYAN, CHARLES F (1949). ‘The Folk Music Enigma’, Tennessee Folklore Society Bulletin, XV/2: 30. BUELOW, GEORGE J (1980). ‘Rhetoric and music’. NEW GROVE, 15: 793-803. BUENDIA, J ROGELIO (1973). A Basic Guide to the Prado. Madrid: Silex. BURNS, ROBERT (ed. James Kinsley, 1969). Burns: Poems and Songs. London: Oxford University Press. BUTLER, DAVID (2002). Jazz Noir. Westport (CT) & London: Praeger. CAMERON, IAN (ed. 1994). The Movie Book of Film Noir. London: Studio Vista. CALLINICOS, ALEX (1989). Against Postmodernism. A Marxist Critique. Cambridge: Polity Press. CAWELTI JOHN G (1976). Adventure, Mystery and Romance. University of Chicago Press. CHAMBERS, JACK (1983). Milestones: the life and music of Miles Davis (1). New York: Beech Tree Books CHAPPLE, STEVE; GAROFALO, REEBEE (1977). Rock'n'roll is Here to Pay. Chicago: Nelson Hall. CHARTERS, SAMUEL B (1967). The Bluesmen. New York: Oak. CHASE GILBERT (1958) A dialectical approach to music history. Ethnomusicology 2:1-9 CHERNOFF, JOHN MILLER (1979). African Rhythm and Sensibility. University of Chicago Press. CHESTER, ANDREW (1970). Second Thoughts on a Rock Aesthetic. New Left Review, 62: 75-82. Republished in On Record (ed. S Frith and A Goodwin, 1990): 315-319. London: Routledge. CHEW, GEOFFREY (1980). ‘Pastorale’. NEW GROVE, 14: 290-296. CHOMSKY, NOAM (2001). Interview 3, Znet (e-zine) 010922 |www.zmag.org/chomint3.htm| (020322).
Bibliography Ten Little Title Tunes 813 Clásicos de la música popular chilena 1900-1960. See ADVIS, L et al. (1994). Clásicos de la música popular chilena, volumen II, 1960-1973: raíz folclórica. See ADVIS, L et al. (1997). CLOONAN, MARTIN & JOHNSON, BRUCE (2002). ‘Killing me softly with his song: an initial investigation into the use of popular music as a tool of oppression’. Popular Music, 21/1:27-40. COHEN, SARA (1991). Rock Culture in Liverpool. Oxford: OUP. COHEN, STANLEY (1972). Folk Devils and Moral Panics. The Creation of Mods and Rockers. London: Mac- Gibbon and Kee. Republished 1980, Oxford: Martin Robertson. COHN, NIK (1970). Awopbopaloobopalopbamboom. Pop from the Beginning. 1970, St Albans: Paladin. COKER, WILSON (1972). Music and Meaning: A Theoretical Introduction to Musical Aesthetics. New York: Free Press. COLLINS, KAREN E (2002). The Future is Happening Already: Industrial Music, Dystopia and the Aesthetic of the Machine. PhD thesis, Institute of Popular Music, University of Liverpool. COOK, NICHOLAS (1987). A Guide to Musical Analysis. London: Oxford University Press. COOKE, DERYCK (1959). The Language of Music. London: Oxford University Press. CRUISE, D A (1988). Lexical Semantics. Cambridge University Press CUTLER, CHRIS (1985). File Under Popular. London: November CYPORYN, DENNIS (ed. 1972). The Bluegrass Songbook. New York: Collier Books. DAHLHAUS, CARL (ed., 1967). Studien zur Trivialmusik im 19 Jahrhunderts. Regensburg: Bosse. —— (1988). Nineteenth-Century Music. Berkeley: University of California Press. (1publ as Die Musik des 19. Jahrhunderts; Neues Handbuch der Musikwissenschaft, Vol 6, Akademische Verlagsgesellschaft Athenaion, Wiesbaden, 1980). DANIÉLOU, ALAIN (1980). The R˜gas of Northern Indian Music. New Delhi: Munshiram Manoharlal (1publ London, 1968). DANTE ALIGHIERI (1984). La divina commedia. Roma: Club del libro Fratelli Melita (1publ c.1302, facsimile of 1860 edition). DAVIES, STEPHEN (1994). Musical Meaning and Expression. Ithaca & London: Cornell University Press. DE GEORGE (1972) See GEORGE, RICHARD & FERNANDE DE. DELALANDE, FRANÇOIS (1990). ‘Il gesto musicale, dal sensomotorio al simbolico.’ Paper delivered at 2º colloquio di Psicologia della Musica, Ravello (Italy). —— (1993). Le condotte musicali. Comportamenti e motivazioni del fare e ascoltare musica (ed. G Guardabasso & L Marconi). Bologna: CLUEB DENISOFF, R SERGE; PETERSON, RICHARD A (1972 eds.). The Sounds of Social Change. Chicago: Rand McNally. DENT, EDWARD J (1962). Mozart. London: Dutton. DESAI, MEGHNAD (1974). Marxian Economic Theory. London: Gray Mills. DIDEROT, DENIS (1762). Le neveu de Rameau. Paris: Larousse, 1966. DONNINGTON, ROBERT (1974). Wagner’s “Ring” and its Symbols. London: Faber. DRUUD-NIELSEN, PER (ed. 1987). Musik og betydningsinhold — kompendium i musikæstetik. Århus: Institut for musik og musikterapi, AUC [Music and the content of meaning – compendium in music aesthetics]. DYER, RICHARD (1990). ‘In Defense of Disco’. On Record (ed. S Frith & A Goodwin): 399-409. London: Routledge. 1publ in Gay Left, vol.8 (1979). ECO, UMBERTO (1979). A Theory of Semiotics. Bloomington: University of Indiana Press. —— (1990). I limiti dell’interpretazione. Milano: Bompiani. EISLER, HANNS (1947). Composing for the Films. London: Dobson. —— (1973). Musik und Politik, 1 (ed. G Mayer). Leipzig: VEB Deutsche Verlag für Musik. —— (1981). Musik und Politik, 2 (ed. G Mayer). Leipzig: VEB Deutsche Verlag für Musik. ENSMINGER, M EUGENE (1977). Complete Encyclopedia of Horses. South Brunswick: A S Barnes. EPPSTEIN, HANS (1975a). ‘Affektlära’. Sohlmans Musiklexikon, 1: 40-41 [Affect theory] —— (1975b) ‘Figurlära’. Sohlmans Musiklexikon, 2: 564-565 [Theory of [rhetorical] figures [in music]]. ERDMAN, BENGT (1970). See LING & ERDMAN (1970) ERDMAN, BENGT (1972). Musiklivet på en Industriort. Delrapport 2. Göteborg: Musikvetenskapliga institutionen [Musical life in an industrial town. Report no. 2]. ERDMANN, HANS & BECCE, GIUSEPPE (eds., 1927). Allgemeines Handbuch der Film-Musik unter Mitarbeit von Ludwig Brav, Band I. Schlesingersche Buch- und Musikhandlung Robert Lienau, Berlin-Lichterfelde & Leipzig. FABBRI, FRANCO (1982). ‘A Theory of Musical Genres: Two Applications’. Popular Music Perspectives, 1 (ed. D Horn & P Tagg): 52-81. Göteborg and Exeter: IASPM. —— (1988). Suoni d’artificio: strumenti nuovi e nuovi gesti. Unpublished typescript.
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