Bibliography - Philip Tagg

816 Ten Little Title Tunes Bibliography
Monographie de sémiologie et d’analyses musicales, 3. Montréal: 100.
—— (1976b) Le problème de la médiation sémantique en psychologie de la musique. Versus - Quaderni
di studi semiotici, 13: 35-48.
—— (1990) La psychologie cognitive, peut-elle contribuer au débat sur les universaux musicaux? La musica
come linguaggio universale (ed. R Pozzi): 113-132. Firenze: Leo S. Olschki.
—— (1992). Stabilité et instabilité: comment l’auditeur organise-t-il la progression d’un oeuvre musicle?
Secondo convegno europeo di analisi musicale (ed. R Dalmonte & M Baroni): 91-104. Università
degli studi di Trento, Dipartimento di storia della civiltà europea..
INGELF, STEN (1977). Jazz-, pop- och bluesharmonik. Malmö: Musikhögskolan.
INNIS, H A (1950). Empire and Communications. Oxford University Press.
JACKSON, G N (ed., 1973). The Encyclopedia of the Horse. New York: Harper and Row.
JÄRVILUOMA, HELMI (ed., 1994). Soundscapes: Essays on vroom and moo.
Tampere: Department of Folk Tradition.
JIRÁNEK, JAROSLAV (1981). ‘Semantische Analyse der Musik’. Die Zeichen (ed. H W Henze): 256-277.
Frankfurt-am-Main: Fischer.
—— (1987). ‘The nature of musical signs’. The Semiotic Web 1986 (ed. E Tarasti): 576-581. Berlin, New
York: Mouton de Gruyter.
JOHNSON, ANNA (1980). ‘Sången i skogen, skogen i sången. Om fäbodarnas musik’. Folkmusikboken (ed.
J Ling, G Ternhag, M Ramsten): 66-103. Stockholm: Prisma. [Songs in the forest and the forest
in songs. About music in herders’ chalets].
JOHNSON, BRUCE (1994). ‘Klactoveesedstene - Music, coundscape and me’. Soundscapes. Essays on
Vroom and Moo (ed. H Järviluoma):39-47. Tampere: Department of Folk Tradition.
—— See also CLOONAN M AND JOHNSON, B (2002).
—— (2000) The Inaudible Music. Jazz, Gender and Australian Modernity. Sydney: Currency Press.
—— (2002, forthcoming). ‘Jazz as Social Practice’ (Chapter 6). The Cambridge Companion to Jazz.
Cambridge: Cambridge University Press.
——; CLOONAN, MARTIN (2002). ‘Killing me softly with his song: an initial investigation into the use of
popular music as a tool of oppression’. Popular Music, 21/1:27-40.
JULIEN, JEAN-RÉMY (1987). ‘Défense et illustration des fonctions de la musique de film’.
Vibrations, 4:28-41.
—— (1989) Musique et publicité. Du Cri de Paris aux messages publicitaires radiophoniques et télévisés.
Paris: Flammarion.
JUNG, CARL G (1968). ‘Approaching the Unconscious’. Man and his Symbols (ed. C Jung & M-L von
Franz):1-94. New York: Dell (1publ. by Aldus, 1964).
KARBUŠICKY, VLADIMIR (1986). Grundriss der musikalischen Semantik. Darmstadt: Musikwissenschaftliche
Buchgesellschaft.
—— (1987) ‘The index sign in music’. Semiotica, 66-1/3:23-36.
KARLIN, FRED; WRIGHT, RAYBURN (1990). On the Track. A Guide to contemporary film scoring.
New York: Schirmer Books.
KARLSSON, HENRIK (1980). Musikspelet. Det svenska musiksamhället av idag. Göteborgs universitet
[The Music Game. Music and society in Sweden today].
—— (1982). Forskning om dagens musiksamhälle. Stockholm: Statens kulturråd [Research into today’s
music and society].
KARBUŠICKY, VLADIMIR (1986). Grundriß der musikalischen Semantik. 1986, Darmstadt: Wissenschaftliche
Buchgesellschaft.
—— (1987a). ‘The index sign in music’. Semiotica, 66-1/3. 1987: 23-36.
—— (1987b), ‘“Signification” in Music: A Metaphor?’ The Semiotic Web 1986 (ed. E Tarasti):430-444.
Berlin, New York: Mouton de Gruyter.
KARSHNER, ROGER (1971). The Music Machine. 1971, Los Angeles: Nash.
KEIL, CHARLES; KEIL, ANGELIKI V; BLAU, DICK (1992). Polka Happiness.
Philadelphia: Temple University Press.
KEIL, CHARLES; CRAFTS, S D; CAVICCHI, D (eds., 1993). My Music.
Middlebury: Wesleyan University Press.
KEILER, ALLAN R (1978). ‘Bernstein’s “The Unanswered Question” and the problem of musical competence’.
Musical Quarterly, 64: 195-222.
KENNAN, KENT WHEELER (1953). The Technique of Orchestration. Englewood Cliffs, NJ: Prentice-Hall.
KEPLER, JOHANNES (1611). Harmonicis mundi libri. As cited in D P WALKER (1978).
KIRCHER, ATHANASIUS (1650). Musurgia Universalis. Rome: Corbelletti (2 vols.); facs. ed. Hildesheim:
Olms (1970). As cited in BARTEL (1997).
KLEIN, MELANIE (1975). The Writings of Melanie Klein (ed. R Money-Kyrle). New York, Free Press.