Bibliography - Philip Tagg

818 Ten Little Title Tunes Bibliography
—— (1977). Über Kunst und Literatur. Moscow: Progress.
LEONI, STEFANO A E (1998). Mas’ alafi ‘l-samâ (A question on listening to music): The Arab Theory of
Affect and Effect of Music. Musical Signification: Between Rhetoric and Pragmatics (ed. L
Marconi): 329-340. Bologna: CLUEB/International Semiotics Institute.
LERDAHL, FRED; JACKENDOFF, RAY (1977). Toward a Formal Theory of Tonal Music. Journal of Music
Theory, 1.
LGR69 (1969). See LÄROPLANEN FÖR GRUNDSKOLAN.
LIEBES, T & KATZ, E (1991). The Export of Meaning. Cross-cultural readings of Dallas. Oxford: OUP.
LINDBERG, ULF. See MICHELSEN, MORTEN et al. (2000)
LING, JAN (1978a). ‘ “O tysta ensamhet”. Från känslosam stil till hembygdsnostalgi’. Sumlen. Årsbok för
vis- och folkmusikforskning, Stockholm: 40-58. Revised version in English: Ling (1992).
—— (1978b). ‘Hjort Anders’ Twelfth Night March. Stylistical and ideological Change’. Stencilled Papers
from Göteborg University Musicology Department #8005.
—— (1981). Adorno och Randgebiet Schweden. Stencilled Papers from Göteborg University Musicology
Department # 8107.
—— (1983). Europas musikhistoria -1730. Uppsala: Esselte-Herzogs [History of European music until 1730].
—— (1984). Hur slipades musikestetikens prisma? Göteborg: Musikhögskolan [How was the prism of music
aesthetics ground and polished?].
—— (1985). ‘Volksmusik und Ideologie in Schweden’. Wegzeichen - Studien zur Musikwissenschaft: 308-
331. Berlin: Verlag Neue Musik.
—— (1989). Musik som klassisk konst. En 1700-talsidé som blev klassisk. Frihetens former – en vänbok
till Sven-Eric Liedman: 171-187. Lund: Arkiv [Music as classical art. An 18th-century idea that
became classical. In ‘Forms of freedom’: a book from friends for S-E Liedman].
—— (1992). ‘From «empfindsamer» style to down-home village nostalgia’. Secondo convegno europeo di
analisi musicale (ed. R Dalmonte & M Baroni):321-340. Trento: Università degli studi. Revised
version of Swedish original: Ling (1978a).
—— (1997). A History of European Folk Music. University of Rochester Press (USA).
——; ERDMAN, BENGT (1970). Musiklivet på en industriort. Delrapport 1. Göteborg: Musikvetenskapliga
institutionen [Musical life in an industrial town. Report no.1].
——; RAMSTEN, MÄRTA (1985). ‘The Gärdeby Folk Melody: A Musical Migrant’. Popular Music Perspectives,
2 (ed. D Horn: 119-141). Göteborg & Exeter: IASPM.
LISSA, ZOFIA (1965). Ästhetik der Filmmusik. Berlin: Henschelverlag.
LIU, CATHERINE (1989). ‘Let’s Get Real’. The Village Voice, 890801:90.
LLOYD, A L (1969). Folk Song in England. London: Panther.
—— (ed. 1978). Come All Ye Bold Miners. London: Lawrence & Wishart (1publ. 1952).
LLOYD, A L & ARETZ, ISABEL (eds., 1965). Folk Songs of the Americas. New York: Oak Publications.
LLOYD, A L & VAUGHAN WILLIAMS, RALPH (eds., 1959). The Penguin Book of English Folk Songs·
London: Penguin (1959).
LOMAX, ALAN (ed. 1964). The Penguin Book of American Folk Songs. London: Penguin (1964).
LOMAX, ALAN (1978). Folk Song Style and Culture. A Staff Report on Cantometrics. 2nd ed. New Brunswick:
Transaction (1publ. 1968).
LOMAX, JOHN A (1938). Cowboy Songs and Other Frontier Ballads (2nd ed.). New York: Macmillan (1st
ed. 1910).
LOMAX, JOHN A (1947). Adventures of a Ballad Hunter. New York: Macmillan
LULL, JAMES (1992). Introduction. Popular Music & Communication (ed. J Lull): 10-35.
Newbury Park, CA: Sage.
MALONE, BILL C (1974). Country Music USA. 1974, Austin & London: University of Texas Press (1publ.
1968 by [US] American Folklore Society).
MANVELL, ROGER; HUNTLEY, JOHN; ARNELL, RICHARD; DAY, PETER (1975). The Technique of Film Music.
London & New York: Focal Press.
MARCONI, LUCA (1998). ‘Emotional responses and musical signification: ancient and modern theories on
the effects of music’. Musical Signification Between Rhetoric and Pragmatics (ed. G Stefani,
E Tarasti, L Marconi): 29-38. Bologna: CLUEB.
—— (2001). Musica, espressione, emozione. Bologna: CLUEB.
—— See also STEFANI & MARCONI (1990, 1992).
MARINETTI, F T (1971). Selected Writings (ed. R W Flint). New York: Noonday Press (366p).
MARÓTHY, JÁNOS (1974). Music and the Bourgeois, Music and the Proletarian. Budapest: AkadémiaiKiadó.
—— (1987). Musica e uomo. Milano: Unicopli.