Bibliography - Philip Tagg

856 AABA – advert (Seven-Up) Ten Little Title Tunes – Index
INDEX
Explanations and tips. Apart from the usual listing of names (people, musical works, films, TV programmes,
etc.), of topics discussed, and of terms presented in the book, this index also includes many of the
connotations provided by respondents (e.g. SAD, ‘ALWAYS HAS BEEN’), categories of such connotation (e.g. SAD,
STASIS) and constructional descriptors of music linked to such categories (see, for example, under CHORD,
MODES, SOUND PROCESSING, TEMPO). Readers can therefore check our discussion of musical semiosis in terms
of both signfier and signified. Since this index would have swelled to even more unwieldy proportions if we
had lumped all individual connotations (VVAs) under their respective taxonomic heading, readers wishing
to check our discussion of a particular connotation or response subcategory are advised to consult appendices
3 and 4 for related concepts. To check which particular VVA occurred in conjunction with which tune, see
appendix 3. To check our taxonomy of responses, see appendix 4.
Political incorrectness. Several categories produced in the indexing process come across as politically incorrect
in the extreme (see, for example, MEN, MENTAL DISORDER, WOMEN). Such categorisation in no way represents
the views of either author. It does, however, we would hope, reflect the true nature of the implicit,
musicogenic, categorisation discussed and documented in this book (see last chapter for explanation).
Waivers. The authors do not guarantee that this index: [1] includes every single page reference to every concept
listed below, nor every single concept occurring in the book; [2] provides 100% accuracy of page referencing,
although a four-hour random check did produce satisfactory results.
Typographical conventions. To avoid confusion, names of musical works, books, journals, films, TV programmes,
paintings, etc., as well as non-English-language entries, are all in italics. To save space, cross references
are codified as follows: means ‘See’; † means ‘See also’. If or † refers to a concept listed under
the same main entry headword, the referent will appear in normal typeface and the ‘See’ arrow will point
vertically in the relevant alphabetical ( direction or ), for example, from FIFTH (DIMINISHED) to FLAT 5TH
under the headword CHORDS/INTERVALS) appears as FLAT 5TH. denotes ‘Under’ and is used together with
an entry of higher order, for example TEMPOfast (meaning ‘See main entry TEMPO under its subentry FAST’).
Single inverted commas are used for two main purposes to indicate: [1] concepts whose apparent meaning
we would question (e.g. ‘absolute’ music); [2] respondent connotations and/or colloquial expressions whose
meaning might be ambiguous out of context (as in this index).
A
AABA form 659
Aases død (Grieg) 313, 314
abandon (emotional) 132, 224
abandoned 270, 597
Abba 60, 91, 102, 196, 274
in symphony concerts 62
ABC 624, 647
news anaphones banned 490
newscasts 491
Abduction
cue (Casualties of War) 456
of the Bride (Grieg) 192, 567
Abelard 52
Abendruhe 218, 220, 226
ABF 116
‘about to’… 674
above 134, 139
Abraham, O 36
abrupt 660
absence, songs of 307
‘absolute’ context 73
‘absolute’ music 12–32, 38, 47–49,
53, 103, 104, 272
decline of 33–92
definition 12–14
historical momentum of 23
history 15–27
marker of class identity 23
relative notion of 13–14
rise of notion 15-28
rock music as 73, 631–2
obstacles caused by 28–29
textual and contextual 68–78
absurd/absurdist/absurdity
133, 418, 419, 429
war as celebration 417
abuse of power 421
AC/DC 313
academic safari 83
accelera/-te/-ndo SPEED
accentuation 654 †SFORZANDO
acciacatura 101
accompaniment 624, 647 †PIANO
accompanimental music (Hegel) 15
accordion 467
acculturation 102
Ach Herr! was ist… (Bach) 445
Ach, wie nichtig! (Bach) 185
achievement 387–8, 389–91, 416
acquiescence 84
inequality as result of 62
acrobat(s)/acrobatic 424, 427
across 244, 303 †OVER/ACROSS
action 132, 135, 137, 151, 367-78,
395, 461, 483, 617, 623-4, 673-4
cues 372, 373
devices 383
fast tempo and 483–487
added CHORDS & INTERVALS
Adderly, Nat 583, 628
addiction 664
Addinsell, R 199, 200, 201, 203
Adeline slides: HARMONY
Adorno Theodor W 21, 40–3, 45-6,
81-5, 89, 319
on popular music 41, 82, 85
adventive 134, 139, 140, 387
adventure 132, 135, 371, 646
adversity DIFFICULT[Y]
advert[ising] 68, 74, 244, 265,
420-1, 623, 649, 650, 678
ban on news anaphones in 490
before-and-after stunt 415
Leo Burnett agency 467
public service TV 660-1
response variation to 136
TV commercials
Anti-drugs (cocaine) 661
Berner XZ Shampoo 265
Child Support Agency 661
cigarettes 136
Colgate toothpaste 589
Dimetapp pills 573
Electric Musk cologne 649
General Electric 490
Levis jeans 68, 564
Maalox antacid 661
Palmolive soap 244
Pantène shampoo 263
Philadelphia cheese 583
Revlon Custom Eyes 649
Seven-Up 469