Bibliography - Philip Tagg

List of Musical References
Explanation
826
This appendix lists source details of musical references made in this book. Almost all references to background
comparative listening have been excluded, this process reducing the size of the original list from
48 to 30 pages. To save the inconvenience of being referred to several different appendices to obtain information
about one item, all types of musical carrier are inluded in this one appendix.
Items appear in alphabetical order of author (composer/artist etc.) or, in the case of multi-authored or
anonymous collections, in alphabetical order of title (film, TV show, tune, album, etc.). Items by the same
author are arranged in chronological order of first known appearance of each item. For example, music
for a film which appeared in 1968 and which is included on a sound recording from 1988 or on a videocassette
from 1992 is ordered as 1966, not as 1988 or 1992. Similarly, a work known to have been composed,
published or released in 1832, which also appears in a volume of sheet music published in 1954
and which is included on a CD issued in 1998, will be chronologically listed as 1832, except in those instances
where the original year of release, publication or performance is unknown. ‘n.d.’ (= no date) signals
that the year of the item’s appearance or release or publication or first performance is not known,
except in cases where no date details are to be expected (traditional sources, pocket scores, etc.). Years
in brackets are used in conjunction with the main chronology of the relevant entry. Years without brackets
are used to date a subsidiary source within that item (see examples).
To save space and to facilitate identification of the type of source referred to, the following symbols are
used: FILM PRODUCTION, TV PROGRAMMING, EMUSICAL NOTATION, PUBLISHED AUDIO RECORDING,
v PUBLISHED VIDEOGRAM, OFF-AIR RECORDING. means that details of the item referred to can be
found in the Bibliography and > stands for ‘See’. Other single-symbol icons are used to cover recurrent
discographical and filmographical concepts: I means PERFORMED BY, v VOCALS BY, C CONDUCTED BY,
DIRECTED BY and g MUSIC BY. In addition, (label/identity icon) denotes TITLE MUSIC, SIGNATURE
THEME, etc., (money bag) an ADVERTISEMENT or commercial spot, a COVER version or other (re-)arrangement
of an original, and an ORIGINAL version (see examples).
All headwords are in bold small capitals, AUTHORS LIKE THIS, TITLES LIKE THIS. All cross-references
to other listed AUTHOR entries are LIKE THIS and to other listed TITLE entries LIKE THIS. When an album’s
individual tracks need listing, each one of them is presented in •smaller type (like this) preceded by a bullet.
Please note the following terms and abbreviations: B&H – Boosey and Hawkes; C20 Fox – Twentieth
Century Fox; Ch4 – Channel 4 TV (UK); DGG – Deutsche Grammophon Gesellschaft; ITV – Independent
TV (UK); mvt – movement; OUP – Oxford University Press; rev – revised; SRP2/SRP3 – Sveriges Radio
Program 2/3 (Swedish national radio channel 2 or 3); SvTV – Sveriges Television (Swedish national TV);
TV3 – Scandinavia’s commercial third channel; UA – United Artists; xtr – extract[s]; xwos – except
where otherwise stated.
Examples
1ADDISON, J (1984) Murder She Wrote CBS SvTV 1990.
Addison’s theme for this TV series was first broadcast by CBS in 1984. We recorded it from Swedish TV in 1990.
2 BARRY, J (1979) The Black HoleGary Nelson Disney Pickwick SHM 3017.
Music written by John Barry for the 1979 Disney-produced film The Black Hole, directed by Gary Nelson, is available
on a sound carrier (), in this instance on an LP (no CDs in 1979) issued on the Pickwick label with the catalogue
number SHM 3017. Since no lower-case italics occur after ‘’, the album title is the same as that of the film (The
Black Hole). If no date were known for the album, the entry would have ended ‘3017, n.d.’. If the album had been issued
in, say, 1980 rather than 1979, the entry would have ended ‘3017, 1980’.
3 HIGH NOON (1952) Criterion/Republic/UA Fred v Zinnemann 4Front 054 1463, 1998
Dimitri TIOMKIN vFrankie LAINE vTex RITTER.
g
The source we have used for the music throughout this 1952 film is a VHS cassette released in 1998. Details for the
sources we have used for the title theme written by Dimitri Tiomkin can be found under the entries for: [1] Tiomkin
himself; [2] Frankie Laine, who sang a popular cover version; [3] the original recording by Tex Ritter.
4 MOZART, W A (1791) Concerto for Clarinet and Orchestra in A major, K622 •2nd mvt.Padre Padrone
MACCHI (1977) Out of Africa BARRY (1986) Enhanced Assurance ITV 1993
CLASSIC COMMERCIALS, VOLUME 27.
Details of the sound carriers used as sources for the second movement of this Mozart concerto from 1791 are provided
under two other author entries, to which the reader is referred: [1] the album containing Egisto Macchi’s music for
the film Padre Padrone (released in 1977); [2] the album containing Barry’s music for the 1986 film Out of Africa. Part
of the same movement was also used (the rest of this is fictitious!) as an advert for the Enhanced Assurance company
(now in liquidation after accountancy scandals). The advert was aired by ITV in 1993 and the music is included on
the 27th CD in the Classic Commercials series, to which you are referred for further source details.
5 VERDI, G (1871) Aïda ENew York: Dover vRAI/Polivideo, 1981 HMV Angel SAN 358-60, 1974.
We’ve accessed 3 sources for Verdi’s Aïda (first performed 1871): [1] the Dover score (no publication date); [2] an Italian
video from 1981; [3] the HMV LP box set from 1974.