Bibliography - Philip Tagg

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820 Ten Little Title Tunes <strong>Bibliography</strong> —— (2000c) Work-in-(g) Practice: Configuration of the Popular Music Intertext. The Musical Work. Reality or Invention (ed. M Talbot): 59-87. Liverpool: Liverpool University Press. MILLER, JIM (ed. 1976). The Rolling Stone Encyclopedia of Rock’n’Roll. New York: Rolling Stone Press/ Random House (1976). MONELLE, RAYMOND (1992). Linguistics and Semiotics in Music. Chur: Harwood Academic Publishers. MORLEY, THOMAS (1597). A Plaine and Easie Introduction to Practicall Musicke. London: Peter Short. New edition by R Alec Harman, New York: Norton (1952), London: Dent (1963). MORRICONE, ENNIO (2001). See MICELI et al (2001). MORRIS CHARLES. (1938). Foundations of a Theory of Signs. Chicago University Press. MOSER, FRED (1972). See FROSTENSSON et al. MOZART, LEOPOLD (1756). Grundliche Violinschule, I. Salzburg, as cited in KLINGFORS (1991). MULHERN, FRANCIS (2000). Culture/Metaculture. London: Routledge. MURDOCK, GRAHAM (1980). Interviewed in TAGG (1980:56-60). —— (1995). ‘Across the great divide: Cultural analysis and the condition of democracy’. Critical Studies in Mass Communication, March 1995: 89-95. MYERS, MARGARET (1993). Blowing her own Trumpet. European ladies’ orchestras and other women musicians 1870-1950 in Sweden. Göteborg: Skrifter från Musikvetenskapliga avdelningen #30. NATTIEZ, JEAN-JACQUES (1974). Sur la relation entre sociologie et sémiologie musicales. Ästhetik. Wiesbaden: Beihefte zum Archiv für Musikwissenschaft, XV: 61-75. —— (1976) Fondements d’une sémiologie de la musique. Paris: Ugé. NEHRING, NEIL (1997). Popular Music, Gender, and Postmodernism: Anger Is An Energy. Thousand Oaks, CA: Sage Publications Inc. NETTL, BRUNO (1958). Some linguistic approaches to music analysis. Journal of the International Folk Music, 10. —— (1964). Theory and Method in Ethnomusicology. London: Free Press of Glencoe & Collier-Macmillan. THE NEW GROVE DICTIONARY OF MUSIC AND MUSICIANS (ed. S Sadie, 1980; paperback edition, 1995). London: Macmillan. NKETIA, J H KWABENA (1974). The Music of Africa. New York: Norton. NIELSEN, FREDE V (1983). Oplevelse af musikalsk spænding. København: Akademisk Forlag. NEULS-BATES, CAROL (ed. 1996). Women in Music: An Anthology of Source Readings from the Middle Ages to the Present (2nd ed., 1publ. 1982). New York: Harper & Row. ÖHRSTRÖM, EVA (1987). Borgerliga kvinnors musicerande i 1800-talets Sverige. Göteborg: Skrifter från musikvetenskapliga institutionen #5 [Music-making among bourgeois women in 19th-century Sweden]. OLIVER, PAUL (1963). The Meaning of the Blues. Toronto: Collier-Macmillan. 1publ. in 1960 as Blues Fell this Morning. —— (1984). Songsters and Saints. Cambridge University Press. OLOCHLAINN, COLM (ed. 1978). Irish Street Ballads. London: Pan Books (1publ. Three Candles, Dublin, 1939). OLOFSSON, PER OLOF (1987). Urfantasin och ordningen. Göteborg: Daidalos [Primal fantasy and order]. PALMER, CHRISTOPHER (1984). Dimitri Tiomkin - A Portrait. London: T.E. Books. PALMER, ROY (1974a). A Touch of the Times: songs of social change. London: Penguin. —— (1974b ed.). Poverty Knock. A picture of industrial life in the 19th century through songs, ballads and contemporary accounts. Cambridge University Press. —— (1977 ed.). The Rambling Soldier. London: Penguin. —— (1979). A Ballad History of England from 1588 to the Present Day. London: Batsford. —— (1998 ed.). A Book of British Ballads. Felinfach: Llanerch Publishers. PARELES, JOHN (ed., 1983). The Rolling Stone Encyclopedia of Rock. New York: Rolling Stone Press. PAULI, HANSJÖRG (1981). Filmmusik: Stummfilm. Stuttgart: Klett-Cotta. PEARSALL, RONALD (1973). Victorian Popular Music. Newton Abbot: David & Charles. PEIRCE, CHARLES SANDERS (1934-1948). Collected Papers. Cambridge (MA): Harvard University Press. PETERSON, RICHARD A (1990). Why 1955? Popular Music, 9/1. 1990: 97-116. PEYSER, JOAN (1971).The new music; the sense behind the sound. New York, Delacorte Press. PLATO (1952). The Republic (≤ pÒliw), I (extracts on music). Source Readings in Music History (ed. O Strunk): 3-10. London: Faber. Also as translated by H D P Lee; London: Penguin (1955). POOLE, STEVEN (2002). Trigger Happy: Video Games and the Entertainment Revolution. New York: Arcade. PORCILLE, FRANÇOIS (1969). Présence de la musique à l’écran. Paris: Éditions du Cerf.
<strong>Bibliography</strong> Ten Little Title Tunes 821 PURSER, PHILIP (ed., 1986). See HALLIWELL. RAPÉE, ERNÖ (ed., 1924). Motion Picture Moods for Pianists and Organists. New York: Schirmer (facsimile ed. 1974, New York: Arno. REISEBERG, HORACE (1975). Aspects of 20th Century Music. Englewood Cliffs (NJ): Prentice-Hall. Rembrandt 1669/1969 (1969). Amsterdam: Rijksmuseum. REYNOLDS, SIMON (1985). ‘New Pop and its Aftermath’. On Record: Rock, Pop and the Written Word. (ed. S Frith & A Goodwin), London: Routledge: 466-471 (1990). 1publ in Monitor, 4 (1985) —— (1987). ‘The Heart of Noise’. Melody Maker 870228:40-41. —— (1990). Blissed Out. The Raptures of Rock. London: Serpent’s Tail. —— (1998). Energy Flash. A Journey through Rave Music and Dance Culture. London: Picador. RIETHMÜLLER, ALBRECHT (1976). Die Musik als Abbild der Realität: zur dialektischen Wiederspieglungstheorie in der Ästhetik. Wiesbaden. ROCHON, GASTON (1992). Processus compositionnel. Genèse de chansons de Gilles Vigneault: un témoignage. Göteborg: Skrifter från musikvetenskap nr 28. Rolling Stone Encyclopedia of Rock’n’Roll. See Miller, J. ROSEN, CHARLES (1976). The Classical Style. Haydn London: Faber. —— (1990). Language, music and the Classical Style. La musica come linguaggio universale (ed. R Pozzi): 77-88. Firenze: Leo S. Olschki. —— (1996). The Romantic Generation. London: Harper Collins. RÖSING, HELMUT (1977). Musikalische Stlisierung akustischer Vorbilder in der Tonmalerei. München & Salzburg: Katzbichler. —— (1978). ‘Fast wie ein Unwetter. Zur Rezeption von Pastoral- und Alpensinfonie-Gewitter’. Festschrift W Wiora (70 Jahr): 65-89. Tutzing: Schneider. —— (1983, ed.) Rezeptionsforschung in der Musikwissenschaft. Darmstadt: Wissenschaftliches Buchgesellschaft. —— (1985). See BRUHN et al. RÓZSA, MIKLÓS (1982). Double Life. The Autobiography of Miklós Rózsa. Tunbridge Wells: Baton Press. RUWET, NICOLAS (1967). Musicologie et linguistique. Revue internationale des sciences sociales, 19: 85- 93. SAINT-FOIX, G DE (1932). The Symphonies of Mozart. London: Dobson. SALVATORI, DARIO (ed. 1982). 25 anni di Hit Parade in Italia. Milano: Mondadori. SAVAGE, JON (1991). England’s Dreaming. Sex Pistols and Punk Rock. London: Faber. —— (1996). Time Travel. Pop, Media and Sexuality 1976-98. London: Chatto & Windus. SCHMIDT, HANS-CHRISTIAN (1982). Filmmusik für die Sekundar- und Studienstufe. Kassel: Bärenreiter. SCHMITZ, ARNOLD (1955). Figuren, musikalisch-rhetorische. Musik in Geschichte und Gegenwart, 4. SCOTT, JOHN ANTHONY (ed., 1966). The Ballad of America. Toronto: Bantam - Pathfinder. SCHULMAN, NORMA (1993). ‘Conditions of their Own Making: An Intellectual History of the Centre for Contemporary Cultural Studies at the University of Birmingham’. Canadian Journal of Communication, 18/1 |www.cjc-online.ca/~cjc/BackIssues/18.1/schulman.html| SCOWCROFT, PHILIP L (2001). Crime Fiction and Music. |www.musicweb.uk.net/classrev/2001/Dec01/Crime_Fiction.htm| (020116). SEARLE, JOHN (1969). Speech Acts. Cambridge University Press. SEEGER, CHARLES (1958). ‘Folk Music in the Schools of a Highly Industrialized Society’. The American Folk Scene (ed. D A Deturk; A Poulin Jr): 88-94. New York: Dell Publishing (1964; 1publ. in “Sing Out!”, 1958). —— (1960). ‘On the moods of a musical logic’. Journal of the American Musicological Society, XXII. Reprinted in Studies in Musicology 1935-1975; Berkeley: University of California Press (1977: 64-88). SHARMA, BHESHAM (2000). Music and Culture in the Age of Mechanical Reproduction. New Studies in Aesthetics #31. New York: Peter Lang. SHELTON, ROBERT (1986). No Direction Home: The Life and Music of Bob Dylan. New York: Ballantine. SHEPHERD, JOHN (1977). ‘The Musical Coding of Ideologies’; ‘Media, Social Process and Music’; ‘The "Meaning" of Music’. Whose Music? A Sociology of Musical Languages, ed. J Shepherd, P Virden, G Vulliamy, T Wishart. London: Latimer. SHEPHERD, JOHN; WICKE, PETER (1997). Music and Cultural Theory. Cambridge: Polity Press. SILBERMANN, ALPHONS (1963). The Sociology of Music. London: Routledge & Kegan Paul (1publ. as Wovon lebt die Musik, 1957). SIMENON, GEORGES (1968) Maigret à Vichy. Paris: Presses de la Cité.
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Bibliography - Philip Tagg

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