Bibliography - Philip Tagg

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814 Ten Little Title Tunes Bibliography —— (1989). ‘Musica contemporanea e media: la “fallacia concertocentrica”’. Quaderni di Musica/Realtà, 23: 227-242. —— (1996). Il suono in cui viviamo. Milano: Feltrinelli. —— (2000). ‘Navigando per gli spazi musicali: le categorie e la mente musicale. Musica/Realtà, 61:89- 108. —— (2001). Album Bianco. Diari musicali 1965-2000. Roma: Arcana. FELD, STEVE (1982). Sound and Sentiment: Birds, Weeping and Poetics in Kaluli Expression. Philadelphia: University of Pennsylvania Press. FERRARI, FRANCA: See STEFANI (1990). FINNEGAN, RUTH (1989). The Hidden Musicians: Music-Making in an English Town. Cambridge: Cambridge University Press. FLINT, R W (ed, 1971). Marinetti: Selected Writings. New York: Noonday Press. FLOROS, CONSTANTIN (1987a). Gustav Mahler, Bd.1: Die geistige Welt Gustav Mahlers in systematischer Darstellung. Wiesbaden: Breitkopf & Härtel. —— (1987b) Gustav Mahler, Bd.2, Mahler und die Symphonik des 19. Jahrhunderts in neuer Deutung. Wiesbaden: Breitkopf & Härtel. —— (1985) Gustav Mahler, Bd.3, Die Symphonien Wiesbaden: Breitkopf & Härtel. —— (1989) Musik als Botschaft. Wiesbaden: Breitkopf & Härtel. FONAGY, IVAN; MAGDICS, KLARA (1972). Emotional patterns in intonation and music’. Intonation. (ed. D Bolinger). London: Penguin. Fonogrammen i kulturpolitiken (1985). Stockholm: Liber. FORD, CHARLES (1991). Così. Sexual politics in Mozart’s operas. Manchester University Press. FORTE, ALAN; GILBERT, STEPHEN (1984). Introduction to Schenkerian Analysis. New York: Norton. FRANCÈS, ROBERT (1958). La perception de la musique. Paris: J Vrin (reprinted 1972). FRAYLING, CHRISTOPHER (1981). Spaghetti Westerns: Cowboys and Europeans from Karl May to Sergio Leone. London: Routlege. FRIED, FREDERICK (1964). A Pictorial History of the Caroussel. New York: A S Barnes. FRITH, SIMON (1978). The Sociology of Rock. 1978, London: Constable (2nd ed., see Frith 1983). —— (1982) ‘The Sociology of Rock: Notes from Britain’. Popular Music Perspectives, 1 (ed. D Horn & P Tagg): 142-153. Göteborg and Exeter: IASPM. —— (1983). Sound Effects. Youth, Leisure and the Politics of Rock’n’Roll. London: Constable (2nd ed. of Frith 1978). —— (1996). Performing Rites. 1996, Cambridge, MA: Harvard University Press. FROSTENSSON, CECILIA; MOSER, FRED; THULIN, BJÖRN (1972). Musiklivet i Halmstad. Göteborg: Musikvetenskapliga institutionen [The musical life of Halmstad]. GALLENGA, LAURA see MICELI, SERIGIO. GALLARDO, C L GARCÍA (n.d.). ‘Schenkerian Analysis and Popular Music’. Revista Transcultural de Música/Transcultural Music Review, 5 |www.sibetrans.com/trans/trans5/garcia.htm| (020627) GEIJERSTAM, CLAES AF (1976). Popular Music in Mexico. Albuquerque: Univ of New Mexico Press. GALLENGA, LAURA: See Morricone, E (2001). GAMMON, VIC (1982). ‘Problems of Method in the Historical Study of Popular Music’. Popular Music Perspectives, 1 (ed. D Horn & P Tagg). Göteborg and Exeter: IASPM. DE GEORGE RICHARD & FERNANDE (eds. 1972). ‘Lévi-Strauss and Jakobson’s “Charles Baudelaire’s «Les Chats»”’. In The Structuralists from Marx to Lévi-Strauss. Garden City: Doubleday. GILLETT, CHARLIE (1971) The Sound of the City. London: Sphere Books. 2nd ed. (1983) London: Book Club Associates. GIRALDUS CAMBRENSIS (1188). ‘Topographia Hibernica’: Agli estremi confini d’Occidente – Descrizione dell’Irlanda (tr. Melita Cataldi). Torino: UTET (2002). GONZÁLEZ, JUAN PABLO (1994) See Advis, L. GORBMAN, CLAUDIA (1987). Unheard Melodies. Bloomington: Indiana University Press. GRACYK, THEODORE (1996). Rhythm and Noise. An aesthetics of rock. Durham NC & London: Duke University Press. GREEN, LUCY (1988). Music on Deaf Ears. Manchester University Press. —— (1997). Music, Gender, Education. Cambridge University Press. —— (2001). How Popular Musicians Learn. Aldershot: Ashgate. GRENIER, LINE (1983). ‘S’inspirant des travaux de Nattiez, quelle définition peut-on donner de la musique comme système symbolique qui permette une approche sociologique?’ Thèse de maîtrise, Département de sociologie, Université de Montréal.
Bibliography Ten Little Title Tunes 815 GROSSBERG, LAWRENCE (1990). Is there rock after punk? On Record (ed. S Frith & A Goodwin): 111-123. London: Routledge. GROUT, DONALD J; PALISCA, CLAUDE V (1981). A History of Western Music. London: Dent. GUÐMUNSSON, GESTUR. See MICHELSEN, MORTEN et al. (2000) GUIRARD, LAURENT (2001). ‘Le temps d’apprendre et la musique’. Observatoire Musical Français. No. 16, février 2001 |www.omf.paris4.sorbonne.fr/gsem/perso_lguirard/lguirard_temps%20d'apprendre.pdf|. HAGEN, EARLE (1971). Scoring For Films. New York: Criterion Books. HALLIDAY, MICHAEL A K (1985). Functional Grammar. London: Arnold. HALL, STUART & JEFFERSON, T (1975). Resistance through Rituals. Birmingham: Working Papers from the Centre for Contemporary Cultural Studies, 7/8. Republished 1993, London: Routledge. HALLIWELL, LESLIE (ed., 1989). Halliwell’s Film Guide, 7th Edition. London: Paladin. ——; PURSER, PHILIP (eds., 1986). Halliwell’s Television Companion. London: Paladin. ——; WALKER, JOHN (eds., 1994). Halliwell’s Film Guide, 10th Edition. London: Harper Collins. ——; WALKER, JOHN (eds., 2000). Halliwell’s Film and Video Guide (15th ed.). London: Harper Collins. HANSLICK, EDUARD (1854). Vom musikalisch Schönen. Ein Beitrag zur Revision der Ästhetik der Tonkunst. Leipzig; Swedish translation of 2nd ed. (1858) reprinted in Uppsala (1955). English translation in HANSLICK (1963). —— (1963). Music Criticisms 1846-99, ed. H Pleasants. London: Penguin. HARALAMBOS, MICHAEL (1974) Right On: From Blues to Soul in Black America. London: Eddison Press. HARKER, DAVE (1985) Fakesong. The manufacture of British ‘folksong’ 1700 to the present day. Milton Keynes: Open University Press. —— (1995) ‘You Gotta Serve Somebody’: Adorno, popular music studies and commitment. Typescript. HARMAN, ALEC; MELLERS, WILFRID (1962). Man and his Music. London: Barrie & Rockliff. HARRIS, ROY (1981). The Language Myth. London: Duckworth. HATTEN, ROBERT S (1998) ‘Gestural troping in music and its consequences for semiotic theory’. Musical Signification Between Rhetoric and Pragmatics (ed. G Stefani, E Tarasti, L Marconi):193- 200. Bologna: CLUEB. HEBDIGE, DICK (1979) Subculture: the Meaning of Style. London: Methuen. HEGEL, GEORG WILHELM FRIEDRICH (1955). Ästhetik. Berlin: Aufbau-Verlag (original c.1810). HENDERSON, JOSEPH L. (1964). ‘Ancient Myths and Modern Man’. Man and his Symbols: 95-156. New York: Dell. HINDEMITH, PAUL (1961). A Composer's World. New York: Anchor/Doubleday. HIRSCH, RICHARD (1989). Argumentation, Information and Interaction – Studies in Face-to-face Interactive Argumentation Under Differing Turn-taking Conditions. Department of Linguistics, University of Göteborg. HIXON, DONALD L; HENNESSEE, D (1993). Women in Music: An Encyclopedic Bibliography. 2 vols. 2nd ed. Metuchen, NJ: Scarecrow. HOGGART, RICHARD (1957). The Uses of Literacy. Harmonsworth: Pelican. HOOD, MANTLE (1957). ‘Treaining and Research Methods in Ethnomusicology’. Ethnomusicology Newsletter, 11:2-8 —— (1990) ‘Universal Aspects of Javanese Musical Improvisation’. La musica come linguaggio universale (ed. R Pozzi): 203-214. Firenze: Leo S. Olschki. —— (1997) ‘Il “Rasa” del suono’. Musica/Realtà, 53:53-64. HOPE, C E G; JACKSON, G N (1973). The Encyclopedia of the Horse. New York: Studio Books. HORN, DAVID (2000). Some Thoughts on the Work in Popular Music. The Musical Work. Reality or Invention (ed. M Talbot): 14-34. Liverpool: Liverpool University Press. HOYT, JEFF (1989). ‘You’ll Never Hear a Toilet Flush on ABC Ads… and Other Surprising TV Commercial No-Nos’. The National Enquirer, 891017: 9. HUBERMAN, LEO (1972). Människans rikedomar. Stockholm: Rabén & Sjögren [The Riches of Mankind]. HUBERMAN, LEO (1973). Det amerikanska folkets historia (orig. title ‘We the People’). Stockholm: Rabén & Sjögren. HUCKVALE, DAVID (1990). ‘Twins of Evil’: an investigation into the aesthetics of film music. Popular Music, 9/1: 1-36. HUGILL, STAN (ed., 1961). Shanties from the Seven Seas. London: Routledge & Kegan Paul. —— (ed., 1969). Shanties and Sailors’ Songs. New York: Frederick A. Praeger, Inc. HUNTINGTON, GALE (1970). Songs the Whalemen Sang. New York: Dover. HURAY, PETER LE; DAY, JAMES (eds. 1988). Music and Aesthetics in the Eighteenth and Early Nineteenth Centuries. Cambridge University Press. IMBERTY, MICHEL (1976a). Signification and Meaning in Music. On Débussy’s “Préludes pour le piano”.
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