Programme 2009 (PDF) - Beethovenfest Bonn
Programme 2009 (PDF) - Beethovenfest Bonn
Programme 2009 (PDF) - Beethovenfest Bonn
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B e e t h o v e n f e s t B o n n 4. 9. – 3. 10. 2 0 0 9 In the LIght<br />
musikFabrik Salome Kammer<br />
Precision<br />
Motor Skills<br />
Portrait of a<br />
Vocal Artist<br />
T he debating chamber of the sun 6 sePt<br />
B etween Adenauer’s official sun 6 sePt<br />
Bundesrat (the second chamber Bundesrat deBatIng ChamBer Mercedes and the fifties’ ice haus der gesChIChte<br />
of the German parliament) exudes<br />
the spirit of the sixties: a<br />
6 11 am<br />
cream parlour, visitors to the<br />
Haus der Geschichte der<br />
9 1 Pm 16 7 Pm<br />
businesslike work atmosphere in 12<br />
3 Pm<br />
Bundesrepublik Deutschland the Path of Democracy –<br />
a dignified décor. The large coats<br />
of arms of the federal states on<br />
the end wall were supplemented<br />
and renewed for the reason given<br />
after 1990. The massive tables at<br />
which sat state premiers of days<br />
gone by are also highly suitable<br />
for table percussion. In the crazy<br />
90s anything was possible. Thus<br />
the clarinettist in Barrett’s »Interference«<br />
also uses a »pedal bass<br />
drum« and sings over more than<br />
four octaves. How closely this<br />
music, between Performance and<br />
concert piece, is related to the<br />
the Path of Democracy –<br />
60th Anniversary: Federal Republic<br />
of Germany (19891999)<br />
musikFabrik<br />
Carl Rosman Clarinet<br />
Marco Blaauw Trumpet<br />
Alban Wesly Bassoon<br />
thomas Oesterdiekhoff,<br />
Dirk Rothbrust Drums<br />
Institut für Feinmotorik<br />
Dieter Schnebel: »Bauernszene«<br />
Richard Barrett: »Interference«<br />
thierry de Mey:<br />
»Musique de Tables«<br />
Tracks between minimalist<br />
(museum of the history of the<br />
Federal Republic of Germany)<br />
quickly forget that it is in fact the<br />
youngest venue for the path of<br />
democracy. In the hall of the<br />
museum, which was opened in<br />
1994, the vocal artist Salome<br />
Kammer sings, whispers and<br />
screams her very personal portrait<br />
of modernity. Music of the<br />
past ten years, extreme sounds<br />
that are counterpointed with irony<br />
by Peter Ludwig’s »Chansons<br />
bizarres«. The world premiere of<br />
a »BRDSong« by Peter Ludwig<br />
60th Anniversary: Federal Republic<br />
of Germany (1999<strong>2009</strong>)<br />
Salome Kammer Vocals<br />
ensemble Aventure<br />
Peter Ludwig<br />
Piano, words and composition<br />
helmut Oehring /<br />
Iris ter Schiphorst: »Live«<br />
Carola Bauckholt: »Die Alte«<br />
and »EMIL« for solo voice<br />
hildegard von Bingen: »O quam<br />
praetiosa« for solo voice accompanied<br />
by a bourdon<br />
Peter Ludwig: »Chansons<br />
bizarres«, »BRDSong« (world<br />
premiere, commissioned by the<br />
aesthetics of the DJ scene is techno and rock rhythms<br />
completes the musical journey <strong>Beethovenfest</strong> <strong>Bonn</strong>)<br />
shown by musikFabrik and the e 7 I concession e 5<br />
through the past sixty years. e 7 I concession e 5<br />
DJs of the Institut für Feinmotorik Sponsored by the Federal government’s<br />
Sponsored by the Federal government’s<br />
(Institute for precision motor commissioner for culture and the media<br />
commissioner for culture and the media<br />
skills).<br />
following a resolution of the Bundestag<br />
(parliament).<br />
following a resolution of the Bundestag<br />
(parliament).<br />
19