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Programme 2009 (PDF) - Beethovenfest Bonn

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B e e t h o v e n f e s t B o n n 4. 9. – 3. 10. 2 0 0 9 In the LIght<br />

musikFabrik Salome Kammer<br />

Precision<br />

Motor Skills<br />

Portrait of a<br />

Vocal Artist<br />

T he debating chamber of the sun 6 sePt<br />

B etween Adenauer’s official sun 6 sePt<br />

Bundesrat (the second chamber Bundesrat deBatIng ChamBer Mercedes and the fifties’ ice­ haus der gesChIChte<br />

of the German parliament) exudes<br />

the spirit of the sixties: a<br />

6 11 am<br />

cream parlour, visitors to the<br />

Haus der Geschichte der<br />

9 1 Pm 16 7 Pm<br />

businesslike work atmosphere in 12<br />

3 Pm<br />

Bundesrepublik Deutschland the Path of Democracy –<br />

a dignified décor. The large coats<br />

of arms of the federal states on<br />

the end wall were supplemented<br />

and renewed for the reason given<br />

after 1990. The massive tables at<br />

which sat state premiers of days<br />

gone by are also highly suitable<br />

for table percussion. In the crazy<br />

90s anything was possible. Thus<br />

the clarinettist in Barrett’s »Interference«<br />

also uses a »pedal bass<br />

drum« and sings over more than<br />

four octaves. How closely this<br />

music, between Performance and<br />

concert piece, is related to the<br />

the Path of Democracy –<br />

60th Anniversary: Federal Republic<br />

of Germany (1989­1999)<br />

musikFabrik<br />

Carl Rosman Clarinet<br />

Marco Blaauw Trumpet<br />

Alban Wesly Bassoon<br />

thomas Oesterdiekhoff,<br />

Dirk Rothbrust Drums<br />

Institut für Feinmotorik<br />

Dieter Schnebel: »Bauernszene«<br />

Richard Barrett: »Interference«<br />

thierry de Mey:<br />

»Musique de Tables«<br />

Tracks between minimalist<br />

(museum of the history of the<br />

Federal Republic of Germany)<br />

quickly forget that it is in fact the<br />

youngest venue for the path of<br />

democracy. In the hall of the<br />

museum, which was opened in<br />

1994, the vocal artist Salome<br />

Kammer sings, whispers and<br />

screams her very personal portrait<br />

of modernity. Music of the<br />

past ten years, extreme sounds<br />

that are counterpointed with irony<br />

by Peter Ludwig’s »Chansons<br />

bizarres«. The world premiere of<br />

a »BRD­Song« by Peter Ludwig<br />

60th Anniversary: Federal Republic<br />

of Germany (1999­<strong>2009</strong>)<br />

Salome Kammer Vocals<br />

ensemble Aventure<br />

Peter Ludwig<br />

Piano, words and composition<br />

helmut Oehring /<br />

Iris ter Schiphorst: »Live«<br />

Carola Bauckholt: »Die Alte«<br />

and »EMIL« for solo voice<br />

hildegard von Bingen: »O quam<br />

praetiosa« for solo voice accompanied<br />

by a bourdon<br />

Peter Ludwig: »Chansons<br />

bizarres«, »BRD­Song« (world<br />

premiere, commissioned by the<br />

aesthetics of the DJ scene is techno and rock rhythms<br />

completes the musical journey <strong>Beethovenfest</strong> <strong>Bonn</strong>)<br />

shown by musikFabrik and the e 7 I concession e 5<br />

through the past sixty years. e 7 I concession e 5<br />

DJs of the Institut für Feinmotorik Sponsored by the Federal government’s<br />

Sponsored by the Federal government’s<br />

(Institute for precision motor commissioner for culture and the media<br />

commissioner for culture and the media<br />

skills).<br />

following a resolution of the Bundestag<br />

(parliament).<br />

following a resolution of the Bundestag<br />

(parliament).<br />

19

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