Programme 2009 (PDF) - Beethovenfest Bonn
Programme 2009 (PDF) - Beethovenfest Bonn
Programme 2009 (PDF) - Beethovenfest Bonn
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B e e t h o v e n f e s t B o n n 4. 9. – 3. 10. 2 0 0 9 In the LIght<br />
Andrea Lucchesini Valery gergiev<br />
With and Without<br />
hammerklavier<br />
»too Close to the<br />
hereafter«<br />
T he Piano Sonata cycle at the<br />
<strong>Beethovenfest</strong> <strong>Bonn</strong> <strong>2009</strong> will<br />
30<br />
mon 14 sePt 8 Pm<br />
Beethoven-haus<br />
S<br />
chönberg thought, »Those<br />
who had written a Ninth stood<br />
31<br />
tue 15 sePt 8 Pm<br />
BeethovenhaLLe<br />
begin with the greatest and most hIstorICaL<br />
too close to the hereafter«. The Alexei Volodin Piano<br />
difficult of all of Beethoven’s sonata CyCLe I<br />
number nine was a burdensome London Symphony Orchestra<br />
sonatas, the »Grosse Sonate für Andrea Lucchesini Piano<br />
boundary after Beethoven’s sym Valery gergiev Conductor<br />
das Hammerklavier«. At the Ludwig van Beethoven:<br />
phonic legacy. Bruckner dedi Ludwig van Beethoven:<br />
same time a huge arch is made Sonata for piano No. 24<br />
cated his Ninth, left behind as Concerto for piano and orches<br />
from the historical Hammer in F sharp major op. 78<br />
torso in 1896, according to an tra No. 2 in B flat major op. 19<br />
flügel (from Conrad Graf) to the Luciano Berio:<br />
oral tradition »to God«. The London Anton Bruckner:<br />
modern Steinway. In order to Sonata for piano<br />
Symphony Orchestra is coming Symphony No. 9 in D minor<br />
bring out the universality and Ludwig van Beethoven:<br />
to the <strong>Beethovenfest</strong> <strong>Bonn</strong> with 7.30 Pm<br />
fragility of the genre piano sonata Sonata for piano No. 29<br />
this »divine« work of avowal in ConCert IntroduCtIon<br />
a »foreign« work has been intro in B flat major op. 106<br />
their luggage. On the rostrum is »All ears for half«<br />
duced on this opening night, (»Hammerklavier Sonata«)<br />
his chief conductor and person ? 125 I 105 I 85 I 60 I 35<br />
the only one in the entire cycle: 7.30 Pm<br />
of many talents: Valery Gergiev. Sponsored by E.ONRuhrgas.<br />
the sonata by Luciano Berio. ConCert IntroduCtIon<br />
Beethoven’s second Piano Con<br />
»All ears for half«<br />
certo, the early version com<br />
e 32<br />
posed in <strong>Bonn</strong> in around 1790,<br />
e 84 (Subscription price for<br />
the epitome of Classicism stands<br />
3 out of 8 sonata evenings)<br />
in contrast to the monumental<br />
lateRomantic universe.<br />
33