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Programme 2009 (PDF) - Beethovenfest Bonn

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B e e t h o v e n f e s t B o n n 4. 9. – 3. 10. 2 0 0 9 In the LIght<br />

Andrea Lucchesini Valery gergiev<br />

With and Without<br />

hammerklavier<br />

»too Close to the<br />

hereafter«<br />

T he Piano Sonata cycle at the<br />

<strong>Beethovenfest</strong> <strong>Bonn</strong> <strong>2009</strong> will<br />

30<br />

mon 14 sePt 8 Pm<br />

Beethoven-haus<br />

S<br />

chönberg thought, »Those<br />

who had written a Ninth stood<br />

31<br />

tue 15 sePt 8 Pm<br />

BeethovenhaLLe<br />

begin with the greatest and most hIstorICaL<br />

too close to the hereafter«. The Alexei Volodin Piano<br />

difficult of all of Beethoven’s sonata CyCLe I<br />

number nine was a burdensome London Symphony Orchestra<br />

sonatas, the »Grosse Sonate für Andrea Lucchesini Piano<br />

boundary after Beethoven’s sym­ Valery gergiev Conductor<br />

das Hammerklavier«. At the Ludwig van Beethoven:<br />

phonic legacy. Bruckner dedi­ Ludwig van Beethoven:<br />

same time a huge arch is made Sonata for piano No. 24<br />

cated his Ninth, left behind as Concerto for piano and orches­<br />

from the historical Hammer­ in F sharp major op. 78<br />

torso in 1896, according to an tra No. 2 in B flat major op. 19<br />

flügel (from Conrad Graf) to the Luciano Berio:<br />

oral tradition »to God«. The London Anton Bruckner:<br />

modern Steinway. In order to Sonata for piano<br />

Symphony Orchestra is coming Symphony No. 9 in D minor<br />

bring out the universality and Ludwig van Beethoven:<br />

to the <strong>Beethovenfest</strong> <strong>Bonn</strong> with 7.30 Pm<br />

fragility of the genre piano sonata Sonata for piano No. 29<br />

this »divine« work of avowal in ConCert IntroduCtIon<br />

a »foreign« work has been intro­ in B flat major op. 106<br />

their luggage. On the rostrum is »All ears for half«<br />

duced on this opening night, (»Hammerklavier Sonata«)<br />

his chief conductor and person ? 125 I 105 I 85 I 60 I 35<br />

the only one in the entire cycle: 7.30 Pm<br />

of many talents: Valery Gergiev. Sponsored by E.ON­Ruhrgas.<br />

the sonata by Luciano Berio. ConCert IntroduCtIon<br />

Beethoven’s second Piano Con­<br />

»All ears for half«<br />

certo, the early version com­<br />

e 32<br />

posed in <strong>Bonn</strong> in around 1790,<br />

e 84 (Subscription price for<br />

the epitome of Classicism stands<br />

3 out of 8 sonata evenings)<br />

in contrast to the monumental<br />

late­Romantic universe.<br />

33

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