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1999-2007 - Music-USA.org

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. -<br />

. t The<br />

' The<br />

sun filters through the mackerel clouds. . ,<br />

Sun that is &most set. leaves way for the dew.<br />

The passes intb another. hemisphere<br />

. .<br />

, - out of my world' . , ' -<br />

, . .<br />

. andintoanother. . , , . , .<br />

. , . .<br />

lret grass licks my fAt as I ruk . .<br />

The trees settle their leaves for the night, . .<br />

very so often a rustle, . .<br />

. ,<br />

'. . , '- as if a bird reaqnging its feathers.<br />

The wind is gone.<br />

The world is silent.<br />

The moon watches as I run.<br />

The fiiendly air caresses me<br />

and breathes its sweet warm breath upon me.<br />

The clouds are gone,<br />

the stars take up watch with the moon.<br />

The night orchestra begins:<br />

crickets tuning up for a serenade,<br />

a night bird giggles,<br />

a bat fiolics in the air.<br />

,. .. I ,<br />

he &watches as the stars wihk at the &n. ,<br />

I lie on the soft, sweet b s , .<br />

while night ldls me to sleep.<br />

-. I<br />

.<br />

. . . .<br />

The moon winks, the stars twinkle, the bats whisper.<br />

My dreams mngle with the night air.<br />

*<br />

The Ethnic Sonata for oboe and piano features certain micro-elements which were~to be<br />

part of a fimk tune (in the style of early works composed by James Johnson, Rogers<br />

Nelson, and Larry Blackrnon). Both outer movements are in traditional sonata form, and<br />

an arch form is used for the slow movement. Pitch materials are obtained fiom the use of<br />

thk dodecaphonic scale: the outer movements are on E, while the slow movement is on B.<br />

.<br />

A special feature of the work is the cyclic return of the principal theme of the first ' .<br />

movement during the coda of the third movement.<br />

. .<br />

Trio Fare (1998) is Teresa M. Cobarrubia Yoder's first attempt of writing a chamber<br />

string piece incorporating contemporary string techniques. Her original idea was to write a<br />

- flute, violin and cello trio, however, while working on it, she realized that two violins<br />

would add so much vitality and energy to the sound she was trying to create. The fast and<br />

frenzied sections contrast the lyrical imitative counterpoint sections. Yoder -ncourages<br />

independence of spirit in the performers' playing while asking them to see how- it all<br />

blends and fits together like a jigsaw puzzle.

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