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1999-2007 - Music-USA.org

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Three Mtisings of Kyekye (<strong>1999</strong>-2000) Paul Humphreys<br />

...<br />

1. Takada.<br />

2.. Slow Blues .<br />

3. Toccata<br />

Paul Humphreys, piano<br />

Excerpts from.Collage Stiite ~ichael Williams : .,<br />

1. Physique<br />

2. The Cock and the Swan<br />

3. Beautiful Spanish ~Ancer . . .<br />

4. Lullabye<br />

7. Brigades<br />

.<br />

; -<br />

.<br />

.<br />

, .<br />

...<br />

... .<br />

. ,. . . . .<br />

Michael Williams, piano<br />

. , . .<br />

....<br />

Cosmopolitan Etudes (2002) Garrett Byrnes<br />

1. Moderato, meditativo<br />

2. Preciso<br />

3. Tagliente, articolato .<br />

4. Con fuoco<br />

5. Lent0.e sostenuto<br />

6. Vorace e presto<br />

. .<br />

Michael Will'iams, piano .<br />

- Intermission -<br />

I<br />

I<br />

-.<br />

7 Preludes Revisited Mark Saya<br />

No. 14* in E-flat minor (Buoyant, dancing)<br />

No. 4 in E minor (Fie y)<br />

No. 7 in A major (Serene, expressive)<br />

.No. 5 in D major (Racing)<br />

No. 10 in C-sharp minor (Fierce)<br />

No. 11 in B major (Flowing, tempo rubato)<br />

No. 19 in E-flat major (Radiant)<br />

* Number in Chopin's Op. 28<br />

. . : -<br />

. . . . . . .<br />

:.,<br />

Wojciech Kocyan,. piano<br />

.. , .<br />

. . < ...<br />

. . . .<br />

. . . . . .<br />

. . . .<br />

..~.<br />

. *.<br />

,.. -(Sur-)Real (cine-)~usic I: The Chase<br />

>-i. .? . Through<br />

..... . Escher's Metamorphosen (2000) David S. Lefkowitz<br />

:.. 8<br />

... . Jennifer Rotli; flute<br />

.i,? . .' ,i,.: -. Daphne Chen, yiolin<br />

. . .<br />

....... . . . . .<br />

. ...<br />

.< . . : ,.<br />

. .<br />

waiter Marsh, Buzz Gravelle, guitar<br />

Rhapj;dy '. Duane ~a tro<br />

. . . . .<br />

..I . .<br />

..: . .<br />

. . . ' . ~ruce Broughten, piano<br />

-Belfnda Broughten;.violin :<br />

\I<br />

. . .<br />

i . ... . .<br />

This performanceis bekg recorded for archiJe and broadcast purposes.<br />

.Kindly reserve your applause until the end of each section of the program.<br />

. . .

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