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1999-2007 - Music-USA.org

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Orchestral Training Association Orchestra in 1952. From 1954 to 1956, hehmpleted the Teachers<br />

Certijication Program at Teachers College, Columbia University. From 1960 to 196 1, he taught music<br />

theory and composition at the University of Alabama. He taught music theory and composition at Western<br />

Illinois University from 1966-1968, at Paterson State College from 1968 to 1970 and from 1977 to 1978,<br />

and at Herbert H. Lehman, CUNY from 1970 to 1977. Allan is Professor Emeritus of Virginia<br />

Commonwealth University, where. he taught from 1978 to 1996:Allan1s works are published by Boosey &<br />

Hawkes, Associated <strong>Music</strong> Publishers, Carl Fischer & Company, Seesaw <strong>Music</strong> Corporation, <strong>Music</strong> For<br />

Percussion, Roncorp Incorporated, Falls House Press, and others. His music is recorded on CRI, Orion,<br />

Advance, Open Loop, Centaur, Contemporary Record Society, Titanic, Pro Viva, and North/South labels.<br />

Allan's composition prizes include awards from the Ge<strong>org</strong>e Eastman Competition (1 983), the National<br />

Endowment for the Arts (1983), the Virginia <strong>Music</strong> Teachers Association (1979, 1988, and 1991), the Eric<br />

Satie Mostly Tonal Award, the Chautauqua Annual Choral Competition Award, the Lind Solo Song<br />

Competition (l989), and the Flute Choir Competition at the University of-Toledo (1994). Allan is listed<br />

in a number of references including the New ,Groves Dictionary of <strong>Music</strong> and <strong>Music</strong>ians.<br />

Willia Estelle Daughtrey, Hamiton University Professor Emeritus of music, is a native of Portsmouth.<br />

She received her Bachelor of Science degree in music education and piano from Hampton Institute, the<br />

Master of <strong>Music</strong> and Doctor of Philosophy degrees in interdisciplii~ary humanities-musicology from<br />

Syracuse University, New York. Willia served on the Hampton University music faculty from 1958 to<br />

1997.<br />

Adolphus Hailstork is Professor of <strong>Music</strong> at Norfolk State University. He received his doctorate in<br />

composition from Michigan State University, where he studied with H. Owen Reed. Previously, he had<br />

studied at the Manhattan School of <strong>Music</strong> with Vittorio Giannini and David Diamond, at the American<br />

Institute at Fontainbleau with Nadia Boulanger, and at Howard University with Mark Fax. Dolph has<br />

written many works for chorus, solo voice, various chamber ensenibles, band, and orchestra. Among his<br />

compositions are Celebrahon, which was recorded by the Detroit Symphony Orchestra; the award-winning<br />

band compositions, Out ofthe Depths and Amencan Guernica, and the award-winning choral and chamber<br />

works, Mourn not the Dead and Consort Prece. In 1990, a consortium of orchestras commissioned the<br />

Piano Concerto, which was premiered in 1992. Other coinmissioned works include Festrval Musrc for the<br />

Baltimore Symphony and the opera Paul Laurence Dunbar: Comnron Ground for the Dayton Opera<br />

Company. Recent perfoimances of Dolph's works have been led by Daniel Barenboim with the Chicago<br />

Symphony, Lorin Maezel with the Pittsburgh Symphony, and Kurt Masur with the New York<br />

Philharmonic.<br />

Bmce Hammel received his Doctor of <strong>Music</strong> degree in bassoon performance at Florida State University,<br />

where. he studied with William Winstead. At the University of Mchigan (Master of <strong>Music</strong> degree in wind<br />

instruments), he studied with Hugh Cooper. He earned a Bachelor of <strong>Music</strong> Education degree from the<br />

Crane School of <strong>Music</strong> and a Bachelor of Arts degree in biology from Hamilton College. He is Associate<br />

Professor of <strong>Music</strong> at Virginia Commonwealth University, has extensive performance experience. He has<br />

served as principal bassoonist with the Amarillo, Tallahassee, and Charlottesville symphonies, and<br />

frequently performs with the hchmond Symphony on bassoon and contra-bassoon. He has been an amve<br />

performer of chamber music as well and is currently a member of the VCU Woodwind Qwntet, Currents,<br />

the University of hchmond's new music ensemble, and the Albermarle Ensemble at the University of<br />

Virgirua. He has recorded with the National Wind Players on Klavier records and with Currents on the<br />

Centaur label. He recently traveled to Poland to record Allan Blank's Concertinofor Bassoon and Strrng<br />

Ensemble with the Polish National Radio Symphony Orchestra. In 1992, he performed as a guest artist at<br />

the Shanghai Conservatory in China.<br />

James Preston Herbison, a native of Oklahoma City, Oklahoma, is Associate Professor of <strong>Music</strong> at<br />

Norfolk State University, where he teaches music theory, literature, and appreciation and conducts the<br />

\University Orchestra He earned the Bachelor of <strong>Music</strong> Education degree from the University of Oklahoma,<br />

the Master of <strong>Music</strong> degree from the University of Michigan, and the Doctor of <strong>Music</strong>al Arts degree fiom<br />

the Catholic University of America. After his appointment to the faculty at Hampton University in 1970, he<br />

taught music theory, coached chamber music, directed the Hampton University combined student and<br />

community orchestra, and taught humanities. In addition, he taught and directed orchestra in the Newport<br />

News public schools and taught private cello andlor chamber music at the Governor's School for the Arts,<br />

Christopher Newport University, and the College of William and Mary. Jim is currently assistant principal

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