Moving Landscapes (AJK) - School of Languages, Linguistics and Film

General Reading List
Moving Landscapes: the Berlin School in an International Context
2012-2013
Abel, M. (2008) ‘Intensifying Life: The Cinema of the Berlin School’. Cineaste 33: 4, Fall.
Abel, M. (2010) ‘Imaging Germany: The (Political) Cinema of Christian Petzold’ in Jaimey Fisher and
Brad Prager (eds) The Collapse of the Conventional: German Film and Its Politics at the Turn
of the Twenty-First Century. Detroit: Wayne State University Press, pp. 258-284.
Baute, M., Knörer, E., Knörer, Pantenburg, V., Pethke, S., Rothöhler, S. (2006) ‘”Berliner Schule”:
Eine Collage’. kolik.film. Special Edition 6 October.
Bergfelder, T. et al. (eds) (2002) The German Cinema Book. London: BFI Publishing.
Bergfelder, T. (2005) ‘National, transnational or supranational cinema? Rethinking European film
studies’, Media, Culture and Society, 27(3), pp. 315-331.
Berghahn, D (ed) (2009) ‘Turkish-German dialogues onscreen’, Special Issue, New Cinemas: Journal
of Contemporary Film, 7:1.
Berghahn, D. and Sternberg, C. (eds) (2010) European Cinema in Motion: Migrant and Diasporic
Film in Contemporary Europe. London: Palgrave Macmillan.
Biendarra, A. (2011) ‘Ghostly Business: Place, Space, and Gender in Christian Petzold’s Yella’.
Seminar 47: 4, September, pp. 465-479.
Buhre, J. (2003) ‘“Autokino ist Anti-Kino”. Interview mit Christian Petzold’, Planet-Interview, 13
February. http://planet-interview.de/christian-petzold-13022003.html.
Bylow, C. (2010) ‘Kurz vorm Abheben’, Berliner Zeitung. 13 February. http://www.berlinerzeitung.de/archiv/auf-abruf-im-transitraum--der-eindringliche-flughafenfilm--orly--von-angelaschanelec-der-mann---im-flughafen-ist-er-nicht-so-leicht-zu-erobern--roland-emmerich-bringtsich-seinen-lieber-selbst-mit--und-pierce-brosnan-macht-eine-hoechst-zweideutige-geste-die-irgendwie-auch-mit-virilitaet-zu-tun-hat--kurz-vorm-abheben,10810590,10698670.html.
Clarke, D. (ed) (2006) German Cinema after Unification. London and New York: Continuum.
Didi-Huberman, G. (2009) ‘How to Open Your Eyes’, in Antje Ehmann and Kodwo Eshun (eds) Harun
Farocki: Against What? Against Whom? London: Raven Row, pp. 39-50.
Elsaesser, T. (2005) European Cinema: Face to Face with Hollywood. Chicago: University of
Chicago Press.
Elsaesser, T. (2009) Holocaust Memory as the Epistemology of Forgetting? Re-wind and
Postponement in Respite’, in Antje Ehmann and Kodwo Eshun (eds) Harun Farocki: Against
What? Against Whom? London: Raven Row, pp.58-68.
Ezra, E. and Rowden, T. (eds) (2005) Transnational Cinema: The Film Reader. London: Routledge.
Fisher, J. (2011) ‘Globalization as Uneven Geographical Development: The “Creative” Destruction of
Place and Fantasy in Christian Petzold’s Ghost Trilogy’. Seminar 47: 4, September, pp. 447-
464.
Foerster, L. (2010) ‘Eine weitere Möglichkeitsdimension: Angela Schanelecs Orly’, perlentaucher.de.
http://www.perlentaucher.de/berlinaleblog/89_eine_weitere_moeglichkeitsdimension%3A_angela_schanelecs_orly.html
Accessed 8 November 2011.
Frey, M. (2009) ‘Insecure Times, Confident Localities: German Films at the 59 th Berlin International
Film Festival’, Senses of Cinema, http://www.sensesofcinema.com/2009/festival-
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