Moving Landscapes (AJK) - School of Languages, Linguistics and Film
Moving Landscapes (AJK) - School of Languages, Linguistics and Film
Moving Landscapes (AJK) - School of Languages, Linguistics and Film
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<strong>Moving</strong> <strong>L<strong>and</strong>scapes</strong>: the Berlin <strong>School</strong> in an International Context<br />
2012-2013<br />
Rentschler, E. (2000) ‘From New German Cinema to the postwall cinema <strong>of</strong> consensus’, in Hjort, M<br />
<strong>and</strong> MacKenzie, S. (eds) Cinema <strong>and</strong> Nation, London: Routledge.<br />
Schäffler, S. (2002) Neun Interviews. Munich: Belleville.<br />
Schanelec, A. on Spaces, in DVD Extras Transcribed in ‘Ich hab’ noch nie etwas gebaut’, critic.de.<br />
Interview by Felix von Boehm <strong>and</strong> Julian von Lucius. http://www.critic.de/interview/ich-habnoch-nie-etwas-gebaut-3002/<br />
Scheufler, E. (2011) ‘The Ghost <strong>of</strong> Autumn Past: History, Memory, <strong>and</strong> Identity in Christian Petzold’s<br />
Die Innere Sicherheit’. Seminar 47: 1, February, pp. 103-120.<br />
Schick, T <strong>and</strong> T. Ebbrecht (eds) (2011)Kino in Bewegung: Perspektiven des deutschen<br />
Gegenwartsfilm. Wiesbaden: VS Verlag.<br />
Schick, T. (2011) ‘Stillst<strong>and</strong> in Bewegung. Raum, Zeit und die Freiheit des Zuschauers in Thomas<br />
Arslans Der Schöne Tag und Angela Schanelecs Mein Langsames Leben’, in Schick <strong>and</strong><br />
Tobias Ebbebrecht (eds) Kino in Bewegung. Perspektiven des deutschen Gegenwartsfilm.<br />
Wiesbaden: VS Verlag, pp. 79-103.<br />
Schindler, S. <strong>and</strong> Koepnick, L. (2007) The Cosmopolitan Screen: German Cinema <strong>and</strong> the Global<br />
Imaginary, 1945 to the Present. Ann Arbor: University <strong>of</strong> Michigan Press.<br />
Schulz, G. (2005) ‘“Jede Entscheidung in einem <strong>Film</strong> muss fundiert sein”. Interview mit Christian<br />
Petzold. Planet-Interview, 1 September. http://planet-interview.de/christian-petzold-<br />
01092005.html.<br />
Steiner, F. (2003) Stepping Out: Von der <strong>Film</strong>hochschule zum Spielfilm: Junge Regisseure erzählen.<br />
Marburg: Schüren.<br />
Suchsl<strong>and</strong>, R. (2005) ‘Langsames Leben, schöne Tage: Annäherungen an die “Berliner Schule”’. filmdienst.<br />
13 (2005).<br />
Tilmann, C. (2010) ‘Im Transit’, Der Tagesspiegel, 14 February.<br />
http://www.tagesspiegel.de/kultur/kino/berlinale/im-transit/1682556.html.<br />
Vinogradova, M. (2010) ‘The Berliner Schule as a Recent New Wave in German Cinema’, Acta Univ.<br />
Sapientiae: <strong>Film</strong> <strong>and</strong> Media Studies, 3, pp. 157-168.<br />
Wagner, B. B. (2010) ‘Vorschneider in Focus’, <strong>Film</strong> Quarterly, 63:4, 62-64.<br />
Wheatley, C. (2009) Michael Haneke’s Cinema: The Ethic <strong>of</strong> the Image. New York <strong>and</strong> Oxford:<br />
Berghahn.<br />
Wood, M. (2007) Contemporary European Cinema. London: Bloomsbury Academic.<br />
Zwiebel, R. (2007) ‘Reparation <strong>and</strong> the Empathic Other: Christian Petzold’s Wolfsburg’, in Sabbadini<br />
A. (ed) Projected Shadows: Psychoanalytic Reflections on the Representation <strong>of</strong> Loss in<br />
European Cinema. London <strong>and</strong> New York: Routledge, pp. 56-64.<br />
Last modified: 13 July 2012<br />
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