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workspace - Lower Manhattan Cultural Council

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May 2012<br />

Daniel Bejar was born in the Bronx and lives in<br />

Brooklyn. His interdisciplinary practice utilizes<br />

intervention, sculpture, performance, and<br />

photography as tools to appropriate historical and<br />

cultural residue as strategies to create ruptures<br />

within established narratives. Bejar received a<br />

BFA from the Ringling College of Art & Design,<br />

Sarasota, FL and an MFA from the State University<br />

of New York, New Paltz in 2007. In 2011, Bejar was<br />

selected to Smack Mellon’s Hot Picks program<br />

and completed a residency at SOMA, Mexico City.<br />

Additionally, Bejar has participated in residencies<br />

at Vermont Studio Center, LMCC’s Swing Space<br />

program, and the Artist in the Marketplace Program<br />

at the Bronx Museum of the Arts. Bejar’s work has<br />

been exhibited internationally, with recent venues<br />

including El Museo’s sixth Bienal, The (S) Files<br />

2011; SITE Santa Fe, New Mexico; Artnews Projects,<br />

Berlin; and the Bronx Museum of the Arts.<br />

WAFAA BILAL<br />

wafaabilal.com<br />

DANIEL BEJAR<br />

danielbejar.com<br />

Iraqi-born artist Wafaa Bilal, an Assistant<br />

Arts Professor at New York University’s Tisch<br />

School of the Arts, is known internationally<br />

for his online performative and interactive<br />

works provoking dialogue about international<br />

politics and internal dynamics. For his<br />

current project, the 3rdi, Bilal had a camera<br />

surgically implanted on the back of his head<br />

to spontaneously transmit images to the web<br />

24 hours a day -- a statement on surveillance,<br />

the mundane and the things we leave behind.<br />

Bilal’s 2010 work …And Counting similarly<br />

used his own body as a medium. His back<br />

was tattooed with a map of Iraq and dots<br />

representing Iraqi and US casualties -– the<br />

Iraqis in invisible ink were seen only under a<br />

black light. Bilal’s 2007 installation, Domestic<br />

Tension, also addressed the Iraq war where<br />

he spent a month in a Chicago gallery with a<br />

paintball gun that people could shoot at him<br />

over the internet. Bilal’s work is constantly<br />

informed by the experience of fleeing his<br />

homeland and existing simultaneously in two<br />

worlds.<br />

VISUAL ARTISTS’ BIOGRAPHIES<br />

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