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The Body Artist - Alejandrocasales.com

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Thamyris/Intersecting No. 18 (2007) 11–28<br />

World War II (Lewy; Zimmerman). Other studies continue to focus on their marginalization,<br />

with a view toward historical oppression, and their persistent discrimination after<br />

the Cold War, as well as the disciplining, governmental structures that continue, despite<br />

the political and economic restructuring that attended the overthrow of <strong>com</strong>munism<br />

(Barany).<br />

Romani agency and attempts at self-determination, in their negotiations with governments<br />

and larger, majority populations, are an understudied area. This has only<br />

recently received academic attention where ethnic and political mobilizations have been<br />

examined. 7 <strong>The</strong> articles in this volume add to the scant research on Roma attempts at<br />

resistance and self-fashioning. Interventions in media and representations are examined<br />

here. <strong>The</strong> ways in which Romani groups utilize the arts is discussed as well as the<br />

dangers of national/state reappropriation of these cultural productions.<br />

A recent trend in Islamic scholarship has been to examine women and their place<br />

within Islam in various countries. Several approaches can be observed, including sociological<br />

and anthropological studies on Islam and modernity that include problematizing<br />

Western views on, and explorations of the politics behind headscarves, women’s roles<br />

and education. <strong>The</strong>re have also been controversial, liberal readings and interpretations<br />

of the Qu’ran by women who critique patriarchal interpretations. 8 Closer to the research<br />

on the understudied role of the acoustic and its relevance to Islam, are the studies dealing<br />

with orality and Islam. <strong>The</strong>re is an anthropological body of work on oral tribal poetry<br />

that includes examinations of Arab, Islamic identities (Abu-Lughod; Caton). Recently, a<br />

claim to the importance of orality to Islamic law and practices has been asserted<br />

(Souaiaia), as well as an analysis of the timbre of the voice in relation to Islamic cultural<br />

events (McPherson). Gender and orality, with regard to Islam, are, however, still seldomly<br />

explored. This type of analysis is represented in Sonic Interventions by a discussion of<br />

the interpellative force of recitation and prayer on religious identity formation.<br />

Sound and Place<br />

<strong>The</strong> study of sound and space/place has been given considerable attention as early<br />

as the late 1970s. Murray Schafer’s groundbreaking work on the notion of “soundscape”<br />

(Schafer) distinguished between the pre-industrial soundscape, in which<br />

sounds were clearly audible (high-fi) and the modern soundscape, where individual<br />

sounds were muffled (low-fi). According to Schafer, the conditions of the modern<br />

soundscape were schizophrenic due to the split between original sounds and their<br />

electro-acoustic reproduction. As Trevor Pinch and Karin Bijsterveld have pointed out,<br />

Schafer’s pessimistic outlook has been countered by recent contributions to sound<br />

studies that “offer a more optimistic view in which there is the possibility of control<br />

over one’s sonic ac<strong>com</strong>paniment to daily life.” 9 <strong>The</strong> introduction of radio, for example,<br />

allowed the middle classes to enjoy their leisure time in the privacy of their own<br />

homes, far away from the noise and agitation in public theatres (Douglas).<br />

Sonic Interventions: An Introduction | 15

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