- Page 2 and 3:
Sonic Interventions
- Page 4 and 5:
Sonic Interventions Editors Sylvia
- Page 6:
Mission Statement Intersecting: Pla
- Page 9 and 10:
211 Between Orality and Literature:
- Page 12 and 13:
Sonic Interventions: An Introductio
- Page 14 and 15:
Thamyris/Intersecting No. 18 (2007)
- Page 16 and 17:
Thamyris/Intersecting No. 18 (2007)
- Page 18 and 19:
Thamyris/Intersecting No. 18 (2007)
- Page 20 and 21:
Seidler’s key interest clearly do
- Page 22 and 23:
Thamyris/Intersecting No. 18 (2007)
- Page 24 and 25:
Thamyris/Intersecting No. 18 (2007)
- Page 26 and 27:
Notes 1. Sounding Out in 2002, Soun
- Page 28:
Quayson, Ato. Strategic Transformat
- Page 32 and 33:
The New International of Rhythmic F
- Page 34 and 35:
Thamyris/Intersecting No. 18 (2007)
- Page 36 and 37:
Thamyris/Intersecting No. 18 (2007)
- Page 38 and 39:
Thamyris/Intersecting No. 18 (2007)
- Page 40 and 41:
Thamyris/Intersecting No. 18 (2007)
- Page 42 and 43:
Thamyris/Intersecting No. 18 (2007)
- Page 44 and 45:
Thamyris/Intersecting No. 18 (2007)
- Page 46 and 47:
Thamyris/Intersecting No. 18 (2007)
- Page 48 and 49:
epeating ground and anarchic disrup
- Page 50 and 51:
Thamyris/Intersecting No. 18 (2007)
- Page 52 and 53:
Notes 1. Lord Invader, Calypso in N
- Page 54 and 55:
Williams’s romance with sound, mi
- Page 56 and 57:
Dumas. Ed. Eugene B. Redmond. Minne
- Page 58 and 59:
ABSTRACT Thamyris/Intersecting No.
- Page 60 and 61:
Thamyris/Intersecting No. 18 (2007)
- Page 62 and 63:
Thamyris/Intersecting No. 18 (2007)
- Page 64 and 65:
Thamyris/Intersecting No. 18 (2007)
- Page 66 and 67:
Thamyris/Intersecting No. 18 (2007)
- Page 68 and 69:
etween song, music and spoken texts
- Page 70 and 71:
German Andreas Hofer, You pearl of
- Page 72 and 73:
(housing estate). 34 Thus, the spat
- Page 74 and 75:
Thamyris/Intersecting No. 18 (2007)
- Page 76 and 77:
Ehrenfeuer (memorial flame) had alr
- Page 78 and 79:
Thamyris/Intersecting No. 18 (2007)
- Page 80 and 81:
Thamyris/Intersecting No. 18 (2007)
- Page 82 and 83:
16. Historian E.P. Thompson cites t
- Page 84 and 85:
Verlegenheit? Ein Held? (1983: 1),
- Page 86:
Merleau-Ponty, Maurice. The Phenome
- Page 89 and 90:
of artists dying in childbirth, wis
- Page 91 and 92:
conceptual field in which it origin
- Page 93 and 94:
“The Unlocking” begins with a s
- Page 95 and 96:
Paying sexual ties for few and untr
- Page 97 and 98:
the men cannot hear Rucker’s voic
- Page 99 and 100:
Rucker is careful to signal other w
- Page 101 and 102:
Notes 1. In “ ‘A Hard Rain,’
- Page 104 and 105:
ABSTRACT Thamyris/Intersecting No.
- Page 106 and 107:
Thamyris/Intersecting No. 18 (2007)
- Page 108 and 109:
Thamyris/Intersecting No. 18 (2007)
- Page 110 and 111:
Thamyris/Intersecting No. 18 (2007)
- Page 112 and 113:
Thamyris/Intersecting No. 18 (2007)
- Page 114 and 115:
I am reminded here of Khatibi’s i
- Page 116 and 117:
Notes 1. This is particularly valid
- Page 118:
Paul Patton and John Protevi. Londo
- Page 121 and 122:
not be ignored in analysis. The plo
- Page 123 and 124:
“True. Except I heard it yesterda
- Page 125 and 126:
parts of Lauren’s lines and then,
- Page 127 and 128:
eaders we learn from Mariella Chapm
- Page 129 and 130:
Mr. Tuttle as a symptom At first, t
- Page 131 and 132:
173, Di Prete 89). But Di Prete’s
- Page 133 and 134:
for the body artist, which is to in
- Page 135 and 136:
throw it over the edge of his curta
- Page 137 and 138:
is the attempt to create a “da”
- Page 139 and 140:
writes, “the incantation.” Here
- Page 141 and 142: submits: death. One could even say
- Page 143 and 144: Notes 1. The thoughts and theses I
- Page 145 and 146: Ed. James Strachey. London: The Hog
- Page 148 and 149: ABSTRACT Thamyris/Intersecting No.
- Page 150 and 151: Thamyris/Intersecting No. 18 (2007)
- Page 152 and 153: Thamyris/Intersecting No. 18 (2007)
- Page 154 and 155: Thamyris/Intersecting No. 18 (2007)
- Page 156 and 157: psychoanalysts as well. Analyses of
- Page 158 and 159: Thamyris/Intersecting No. 18 (2007)
- Page 160 and 161: Thamyris/Intersecting No. 18 (2007)
- Page 162 and 163: of this type of high voice to hyste
- Page 164 and 165: Thamyris/Intersecting No. 18 (2007)
- Page 166 and 167: 9. Study models of harmony, form, t
- Page 168 and 169: Rethinking Music. Eds. Nicholas Coo
- Page 170: Performing Subjectivity: Literature
- Page 173 and 174: surroundings, themselves, or figmen
- Page 175 and 176: The relative fixity of the A sectio
- Page 177 and 178: The narrator describes Armstrong’
- Page 179 and 180: The form that allows the narrator t
- Page 181 and 182: self-assertion - his capacity to sa
- Page 183 and 184: a division between the recognizable
- Page 185 and 186: solid or tight identification betwe
- Page 187 and 188: the understanding of Armstrong towa
- Page 189 and 190: when the narrator tries to grasp th
- Page 191: Notes 1. I would like to thank Kath
- Page 195 and 196: these women, and he has a public ve
- Page 197 and 198: artistic subject and streetscape, l
- Page 199 and 200: more than 100 Negroes were lynched,
- Page 201 and 202: and repeated in such complications.
- Page 203 and 204: closely.” Immediately before Parn
- Page 205 and 206: suggests American narrative has rep
- Page 207 and 208: More than five hundred people lined
- Page 209 and 210: 33. Foucault 49. 34. For more on Br
- Page 212 and 213: ABSTRACT Thamyris/Intersecting No.
- Page 214 and 215: Thamyris/Intersecting No. 18 (2007)
- Page 216 and 217: Thamyris/Intersecting No. 18 (2007)
- Page 218 and 219: For an analysis of the reiteration
- Page 220 and 221: Thamyris/Intersecting No. 18 (2007)
- Page 222 and 223: Thamyris/Intersecting No. 18 (2007)
- Page 224 and 225: Thamyris/Intersecting No. 18 (2007)
- Page 226 and 227: Thamyris/Intersecting No. 18 (2007)
- Page 228 and 229: Thamyris/Intersecting No. 18 (2007)
- Page 230 and 231: Thamyris/Intersecting No. 18 (2007)
- Page 232 and 233: Thamyris/Intersecting No. 18 (2007)
- Page 234 and 235: esult of “The situatedness of tex
- Page 236 and 237: huisslavin Etrave bewoog. Op een ke
- Page 238 and 239: Gilroy, Paul. The Black Atlantic: M
- Page 240: Mixing Music: Event, Place and Tran
- Page 243 and 244:
here’s a little bit of flamenco h
- Page 245 and 246:
different worlds” (Braudel 6). Ac
- Page 247 and 248:
orrowings and quotations of rap in
- Page 249 and 250:
y a unique body language. In the be
- Page 251 and 252:
experience prefigured the transnati
- Page 253 and 254:
that those critics share with the S
- Page 255 and 256:
almost impossible to understand for
- Page 257 and 258:
hip hop has been expanding to rural
- Page 259 and 260:
Conclusion: Hybrid Style The overvi
- Page 261 and 262:
12. English translation by Rob Jame
- Page 263 and 264:
Boucher, Manuel. “Rap and the Com
- Page 265 and 266:
Tate, Greg. “Cord Diva Mic check
- Page 267 and 268:
and disturbingly misogynistic rap c
- Page 269 and 270:
permeate the construction of “aut
- Page 271 and 272:
The Joegos in the [ghetto] [Ghetto
- Page 273 and 274:
universally wraps the Roma in the i
- Page 275 and 276:
about our problems as Gypsies, and
- Page 277 and 278:
and European generosity towards min
- Page 279 and 280:
Ukrainian mafia, corrupt and dumb p
- Page 281 and 282:
girls, or, as he puts it “pussy.
- Page 283 and 284:
assuming that the former is rotten
- Page 285 and 286:
kívánság, mondtam már gyerekek
- Page 288 and 289:
Situating Sound: The Space and Time
- Page 290 and 291:
Thamyris/Intersecting No. 18 (2007)
- Page 292 and 293:
Thamyris/Intersecting No. 18 (2007)
- Page 294 and 295:
Thamyris/Intersecting No. 18 (2007)
- Page 296 and 297:
Thamyris/Intersecting No. 18 (2007)
- Page 298 and 299:
Thamyris/Intersecting No. 18 (2007)
- Page 300 and 301:
Thamyris/Intersecting No. 18 (2007)
- Page 302 and 303:
Thamyris/Intersecting No. 18 (2007)
- Page 304 and 305:
Thamyris/Intersecting No. 18 (2007)
- Page 306 and 307:
16. For a useful critique of McLuha
- Page 308 and 309:
Bogue, Ronald. Deleuze on Music, Pa
- Page 310:
Salewicz, Chris, Adrian Boot, and H
- Page 313 and 314:
Fred Moten teaches American and Eth
- Page 315 and 316:
Bathrick, David, 73, 83 Battersby,
- Page 317 and 318:
Eisenhower, Dwight D., 46 El Genera
- Page 319 and 320:
J Jadakiss, 265 Jafa, Arthur, 249 J
- Page 321 and 322:
Mieszkowski, Sylvia, 22, 119-46, 23
- Page 323 and 324:
Salewicz, Chris, 304, 309 Samuels,
- Page 325:
Wilson, Olly, 40-2, 51, 56 Wilson,