Hans Werner Henze Phaedra - Barbican
Hans Werner Henze Phaedra - Barbican
Hans Werner Henze Phaedra - Barbican
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about the performers<br />
of Linz Opera, taking on such roles as<br />
Papageno, Guglielmo, Belcore (L’elisir<br />
d’amore), Pantalone (The Love for<br />
Three Oranges), Posa (Don Carlos),<br />
Valentine (Faust), Falke (Die<br />
Fledermaus) and Lescaut (Manon<br />
Lescaut), among others.<br />
He made his debut in the music of<br />
<strong>Henze</strong> in the role of Al Kasim in<br />
L’Upupa und der Triumph der<br />
Sohnesliebe at the Teatro Real in<br />
Madrid, a role he reprised in Lyon<br />
and Geneva and in a concert version<br />
in Tokyo.<br />
Most recently, he has sung in Peter<br />
Eötvös’s Three Sisters for the Hamburg<br />
State Opera, Poulenc’s Dialogues des<br />
Carmélites for the Teatro Real Madrid<br />
and Tannhäuser in Hanover, and has<br />
also taken the title-roles in<br />
Monteverdi’s Orfeo and<br />
Dallapiccola’s Il prigioniero.<br />
10<br />
Emilio Brizzi<br />
Maria Riccarda Wesseling<br />
mezzo-soprano<br />
The Swiss mezzo-soprano Maria<br />
Riccarda Wesseling sprang to<br />
international prominence when she<br />
replaced Susan Graham in the titlerole<br />
of Gluck’s Iphigénie en Tauride<br />
for Opéra de Paris in 2006. This was<br />
followed by acclaim for her creation of<br />
the title-role in tonight’s work at its<br />
2007 premiere.<br />
Other roles include Gluck’s<br />
Eurydice, Carmen, Octavian (Der<br />
Rosenkavalier), Idamante (Idomeneo),<br />
Sextus (La clemenza di Tito), the titlerole<br />
in La Cenerentola, Rosina (The<br />
Barber of Seville), Fenena (Nabucco),<br />
Marguerite (Berlioz’s La damnation de<br />
Faust), Hedwig (Offenbach’s Die<br />
Rheinnixen), Giulietta (Les contes<br />
d’Hoffmann), Métella (La vie<br />
parisienne), Bianca (Zemlinsky’s Eine<br />
florentinische Tragödie), Purcell’s Dido<br />
and Handel roles such as Rodrigo,<br />
Rinaldo, Amadigi, Giulio Cesare and<br />
Sesto. Her contemporary roles include<br />
Kassandra (Aribert Reimann’s<br />
Troades), Pilgrim (Kaija Saariaho’s<br />
L’amour de loin) and La Malaspina<br />
(Sciarrino’s Luci mie traditrici).<br />
Works performed in concert include<br />
Berlioz’s Les nuits d’été and La mort de<br />
Cléopâtre, Ravel’s Shéhérazade,<br />
Respighi’s Il tramonto, Chausson’s<br />
Poème de l’amour et de la mer,<br />
Wagner’s Wesendonck Lieder and<br />
orchestral songs by Schoenberg,<br />
Zemlinsky, Berg, Mahler and Richard<br />
Strauss, which she has also recorded.<br />
Recently Maria Riccarda Wesseling<br />
has sung at the Théâtre des Champs-<br />
Élysées, Opéra National de Paris,<br />
Opéra National de Lyon, La Monnaie,<br />
Brussels, Geneva’s Grand Théâtre,<br />
Finnish National Opera, Staatsoper<br />
Berlin, Semperoper Dresden, Zurich<br />
Tonhalle, and the Amsterdam<br />
Concertgebouw, as well as festivals in<br />
Montpellier, Beaune, Bremen, Halle,<br />
Schwetzingen and Zurich.<br />
Her recordings have ranged from<br />
Handel (including the title-roles in<br />
Amadigi and Rodrigo) to Lieder and<br />
Wagner, plus DVDs of works by