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Hans Werner Henze Phaedra - Barbican

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about the performers<br />

of Linz Opera, taking on such roles as<br />

Papageno, Guglielmo, Belcore (L’elisir<br />

d’amore), Pantalone (The Love for<br />

Three Oranges), Posa (Don Carlos),<br />

Valentine (Faust), Falke (Die<br />

Fledermaus) and Lescaut (Manon<br />

Lescaut), among others.<br />

He made his debut in the music of<br />

<strong>Henze</strong> in the role of Al Kasim in<br />

L’Upupa und der Triumph der<br />

Sohnesliebe at the Teatro Real in<br />

Madrid, a role he reprised in Lyon<br />

and Geneva and in a concert version<br />

in Tokyo.<br />

Most recently, he has sung in Peter<br />

Eötvös’s Three Sisters for the Hamburg<br />

State Opera, Poulenc’s Dialogues des<br />

Carmélites for the Teatro Real Madrid<br />

and Tannhäuser in Hanover, and has<br />

also taken the title-roles in<br />

Monteverdi’s Orfeo and<br />

Dallapiccola’s Il prigioniero.<br />

10<br />

Emilio Brizzi<br />

Maria Riccarda Wesseling<br />

mezzo-soprano<br />

The Swiss mezzo-soprano Maria<br />

Riccarda Wesseling sprang to<br />

international prominence when she<br />

replaced Susan Graham in the titlerole<br />

of Gluck’s Iphigénie en Tauride<br />

for Opéra de Paris in 2006. This was<br />

followed by acclaim for her creation of<br />

the title-role in tonight’s work at its<br />

2007 premiere.<br />

Other roles include Gluck’s<br />

Eurydice, Carmen, Octavian (Der<br />

Rosenkavalier), Idamante (Idomeneo),<br />

Sextus (La clemenza di Tito), the titlerole<br />

in La Cenerentola, Rosina (The<br />

Barber of Seville), Fenena (Nabucco),<br />

Marguerite (Berlioz’s La damnation de<br />

Faust), Hedwig (Offenbach’s Die<br />

Rheinnixen), Giulietta (Les contes<br />

d’Hoffmann), Métella (La vie<br />

parisienne), Bianca (Zemlinsky’s Eine<br />

florentinische Tragödie), Purcell’s Dido<br />

and Handel roles such as Rodrigo,<br />

Rinaldo, Amadigi, Giulio Cesare and<br />

Sesto. Her contemporary roles include<br />

Kassandra (Aribert Reimann’s<br />

Troades), Pilgrim (Kaija Saariaho’s<br />

L’amour de loin) and La Malaspina<br />

(Sciarrino’s Luci mie traditrici).<br />

Works performed in concert include<br />

Berlioz’s Les nuits d’été and La mort de<br />

Cléopâtre, Ravel’s Shéhérazade,<br />

Respighi’s Il tramonto, Chausson’s<br />

Poème de l’amour et de la mer,<br />

Wagner’s Wesendonck Lieder and<br />

orchestral songs by Schoenberg,<br />

Zemlinsky, Berg, Mahler and Richard<br />

Strauss, which she has also recorded.<br />

Recently Maria Riccarda Wesseling<br />

has sung at the Théâtre des Champs-<br />

Élysées, Opéra National de Paris,<br />

Opéra National de Lyon, La Monnaie,<br />

Brussels, Geneva’s Grand Théâtre,<br />

Finnish National Opera, Staatsoper<br />

Berlin, Semperoper Dresden, Zurich<br />

Tonhalle, and the Amsterdam<br />

Concertgebouw, as well as festivals in<br />

Montpellier, Beaune, Bremen, Halle,<br />

Schwetzingen and Zurich.<br />

Her recordings have ranged from<br />

Handel (including the title-roles in<br />

Amadigi and Rodrigo) to Lieder and<br />

Wagner, plus DVDs of works by

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