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Annual Review 2007-2008 - The Royal Commonwealth Society

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Throughout November and December<br />

<strong>2007</strong>, Australian painter and printer Anita<br />

Klein exhibited twenty vibrant, large-scale<br />

acrylic works. <strong>The</strong>se works represented<br />

the pick of Klein’s three-month Artist-in-<br />

Residency in Bundanon, Australia. <strong>The</strong><br />

exhibition presented a truly unique<br />

collection of works, since the artist’s usual<br />

medium is oils.<br />

In the Members’ Lounge, Chinwe<br />

Chukwuogo-Roy, a world-renowned<br />

portrait painter, graced the walls with a<br />

maritime theme, adding a unique touch to<br />

the room’s already stylish surroundings. <strong>The</strong><br />

paintings reflect the delicate fluidity of<br />

Chukwuogo-Roy’s brushwork and subtle<br />

use of colours and simultaneously display<br />

her artistic growth. She is the first of several<br />

high profile painters who have been<br />

chosen to exhibit in the Members’ Lounge<br />

area of the Club. Her exhibition will be<br />

followed by the works of Sandy Mallet.<br />

Other exhibitions in the main gallery<br />

during the course of the year included the<br />

works of portrait painter Roger P Thomas<br />

with a collection of commissioned<br />

portraits of sportsmen and musicians and<br />

‘Colours of Eden’, an exhibition by Pro-Art<br />

sponsored by Seychelles Tourism Board<br />

and Air Seychelles, and opened by HE Mr<br />

Claude Morel, High Commissioner for<br />

Seychelles. March saw the successful<br />

staging of ‘Four One, One: <strong>The</strong> Significant<br />

Minority’, a comedy by Ebony A White,<br />

followed by an open discussion. <strong>The</strong> cast<br />

included Adeyemi Ajibade and Anthony<br />

Ofoegbu and the production was directed<br />

by Luke Dixon.<br />

<strong>The</strong> RCS continued its Community<br />

Outreach Programme by supporting a<br />

variety of visual and performing arts<br />

initiatives. During Black History Month,<br />

the Senior Project Manager, Gwendolyn<br />

White, gave a well-received talk to<br />

community groups in Westminster on the<br />

works of the <strong>Commonwealth</strong>.<br />

Sales of artworks have continued to<br />

grow, with the works of Anita Klein and<br />

the three Indian Miniaturists all<br />

commanding good prices. With each<br />

exhibition running for four to seven<br />

weeks, members, guests and art<br />

collectors all have sufficient time to enjoy<br />

and study the works and to make any<br />

purchases they should wish. <strong>The</strong><br />

exhibitions over the last year have<br />

attracted visitors from across the UK.<br />

Ms Althea Gee, now in her seventh<br />

year as a volunteer with the Cultural<br />

Affairs programme, successfully grouped<br />

and hung all exhibitions, ably assisted by<br />

Mohammed Khassal, the <strong>Commonwealth</strong><br />

Club’s Maintenance Engineer.<br />

Anita Klein – Night Sky at Bundanon<br />

An Australian Returns<br />

Anita Klein – Australian Paintings, 30 October – 21 December <strong>2007</strong><br />

<strong>The</strong> works of renowned painter and printmaker Anita Klein, inspired by the beauty of<br />

the environment which the artist left as a child, combine vivacious forms, animal life<br />

and the beauty of the kaleidoscopic foliage of the Australian environment.<br />

In her paintings, Klein places the female form at the centre of nature. <strong>The</strong> woman<br />

featured, a self-portrait of the artist, is at one with all other living woodland creatures.<br />

We see her reclining beneath the stars in ‘Night Sky at Bundanon’, conversing with the<br />

wombat or fraternising with the kangaroo. <strong>The</strong> nude female almost mirrors the<br />

wombat posture as she comfortably squats, thickset with feet that resemble paws<br />

(Meeting a Wombat).<br />

Klein’s woman is natural and free in her skin like the creatures she watches or<br />

converses with. <strong>The</strong> use of smooth long brush strokes and vibrant colours which match<br />

the skin tones to the landscape make the nude bodies inconspicuous. In her painting,<br />

‘<strong>The</strong> Snake’, Klein’s woman is also subjected to temptation, the watching snake,<br />

entwined around a branch, lending the image a provocative symbolism. <strong>The</strong> over the<br />

shoulder glance is for us, the viewers, as well as for the snake and these compositions<br />

seem to represent the artistic expression of a twenty-first century Garden of Eden.<br />

Anita Klein’s work attracts a large following. Her paintings and prints are exhibited in<br />

major galleries throughout the United Kingdom, including the <strong>Royal</strong> Academy of Arts.<br />

Anita Klein - Meeting a Wombat<br />

www.rcsint.org<br />

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