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Jimmy Burns - Editor Mike Bates - Production - Battersea Park

Jimmy Burns - Editor Mike Bates - Production - Battersea Park

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fore breakfast, my father would take me<br />

for a walk and point out the characteristics<br />

of the shape, bark and leaves of<br />

different trees. In winter, there would<br />

be walks before teatime when the sun<br />

would be a great red ball setting in the<br />

London murk above the lakeside elms to<br />

an evening chorus from a massed choir<br />

of starlings.<br />

The war changed the <strong>Park</strong> as it changed<br />

everything else but it still reflected the<br />

life of London. It was taken over by airraid<br />

shelters and allotment: for growing<br />

vegetables. First barrage balloons were<br />

tethered there and later rows of anti aircraft<br />

rocket launchers were set up on the<br />

running-track field and manned by the<br />

Home Guard. A wooden bridge - reminiscent<br />

of the first <strong>Battersea</strong> Bridge - was<br />

built across the Thames at the bottom of<br />

Royal Hospita Road in Chelsea as an<br />

emergency crossing.<br />

When those rockets were fired during<br />

the “Little Blitz” of 1944, they may not<br />

have frightened the Luftwaffe but, by<br />

God, they frightened me. The bridge was<br />

never used.<br />

Peace descended on the <strong>Park</strong> at the end<br />

of the war in more ways than one. The<br />

guns went but the allotments remained<br />

and, like the rest of London, it seemed<br />

curiously empty. Occasionally, on a<br />

winter’s night,I would make my way<br />

through the fence by a secret route and<br />

conduct my courting on a bench by the<br />

moonlit lake.<br />

Many of us remember the Festival of<br />

Britain and the Pleasure Gardens in the<br />

<strong>Park</strong>. In 1951, they seemed rather dashing<br />

and I once found myself on a funfair<br />

ride next to Noel Coward. But the smart<br />

gloss soon tarnished and the end of that<br />

cheerful interlude seemed to be marked<br />

by the fatal accident of the fanciful Emmett<br />

railway.<br />

Since then, the <strong>Park</strong> has had its ups<br />

and downs. There has been vandalism<br />

and sacrosanct flower-beds and<br />

lawns became playgrounds. Even the<br />

once¬forbidden heights of the Cascades<br />

were worn by scrambling feet. The <strong>Park</strong><br />

lost much of its magic.<br />

With the disbanding of the Greater London<br />

Council, which had run the <strong>Park</strong> for<br />

the whole of London, it was taken over<br />

by the Borough of Wandsworth. Many<br />

13<br />

early apprehensions proved groundless.<br />

Indeed, many aspects have been improved<br />

and it is now policed more effectively<br />

than for many years. The Council<br />

have been responsive to public opinion<br />

and so would not countenance a plan to<br />

build a gigantic theatre there.<br />

But now with the creation of an immense<br />

new “leisure complex” at the<br />

defunct <strong>Battersea</strong> Power Station - “The<br />

<strong>Battersea</strong>,” as it is to be called - there<br />

are again fears that Wandsworth Council<br />

may consider handing over parts of the<br />

<strong>Park</strong> to private management. If this is so,<br />

the reasoning is clear. The administration<br />

and maintenance of the <strong>Park</strong> is expensive<br />

and Wandsworth must foot the<br />

bill for the pleasure it gives to Londoners<br />

and their visitors.<br />

Surely the solution is simple. <strong>Battersea</strong><br />

<strong>Park</strong> is, and always has been, for the<br />

benefit of all London and so all London<br />

should share the responsibility for its<br />

upkeep. With the other parks once run<br />

by the GLC, it should be subsidised by<br />

all the London boroughs and not remain<br />

a burden to just one. Then it will again<br />

truly belong to London.<br />

NINTH ANNUAL SCULPTURE AWARD<br />

The winner of this year’s award is Maxine Schaffer from<br />

the Royal College of Art Sculpture School for her work<br />

“Buckhorn Plantain” in painted steel.<br />

The sculpture will be unveiled and presentation of the award made at the<br />

Millennium Arena, East Carriageway,<br />

at 7pm on Monday 3 September.<br />

Wine and snacks will be served from 6.30pm.<br />

All Friends are welcome.<br />

The award is the result of collaboration between<br />

the Friends of <strong>Battersea</strong> <strong>Park</strong>,<br />

the Royal College of Art Sculpture School<br />

and Wandsworth Council.

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