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a strong foundation - Maryland Institute College of Art

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Born and raised in Baltimore County, Isabel<br />

Hulings Klots met her future husband Trafford<br />

P. Klots, also from Baltimore, while traveling<br />

in Paris in 1939.They were married in 1942<br />

and, after Captain Klots’ military service in<br />

World War II, they began to split their time<br />

between Baltimore and the Klots family’s<br />

Château in Rochefort-en-Terre, France, which<br />

became a welcome home and inspiring painting<br />

site for many <strong>of</strong> their artist friends.After<br />

Trafford’s death, Isabel continued to welcome<br />

artists to paint at the Château, a tradition<br />

which evolved into The Alfred and Trafford<br />

Klots’<strong>Art</strong>ist Residency Program at Rocheforten-Terre.<br />

Formally initiated in 1990, this program<br />

brings established mid-career American<br />

and French artists to the Château for monthlong<br />

residencies in spring, summer, and fall<br />

each year. It has been administered by MICA<br />

since 1995.Today, it is an important component<br />

<strong>of</strong> the <strong>College</strong>’s international programs for<br />

artists. In July 2005, Mme. Klots, the Chatelaine<br />

de Rochefort, was named a Chevalier <strong>of</strong><br />

the Legion <strong>of</strong> Honors by the French government<br />

to recognize her eminent service to the<br />

Republic <strong>of</strong> France.<br />

“<br />

There have always been artists here—in Brittany, <strong>of</strong> course,<br />

but also at this Château. My late husband, Trafford Klots,<br />

spent his life as an artist sharing his time between France and<br />

the United States. His father, also an artist, had purchased the<br />

ruins <strong>of</strong> this structure in 1905 and transformed it. It became<br />

our second home after World War II, and was always a haven<br />

for the artists who visited us. I have a <strong>strong</strong> belief that the<br />

cross-cultural exchange between American and European<br />

artists that was our daily life here is valuable to any artist. It<br />

enlarges their vision.<br />

THE FRIENDS OF ROCHEFORT-EN-TERRE HAVE BEEN One reason why we established<br />

ESSENTIAL TO ENSURING THAT THE PROGRAM CONTIN- the artists’ residency program at<br />

the Château was to continue to<br />

UES. THEIR GENEROUS SUPPORT MADE IT POSSIBLE<br />

provide this experience to con-<br />

TO RENOVATE ARTIST’S HOUSING AT THE CHATEAU.<br />

temporary, established artists.The<br />

artists who have stayed here have loved it, and, in turn,<br />

the support the program receives has been helpful in maintaining<br />

the Château. And the presence <strong>of</strong> this program<br />

makes the Château a true center <strong>of</strong> cultural life in this<br />

region.The annual exhibition <strong>of</strong> work by the resident artists<br />

is a major event, and the quality <strong>of</strong> that exhibition is<br />

a tremendous reflection <strong>of</strong> the quality <strong>of</strong> the artists in the<br />

program. This program wouldn’t be possible without the<br />

<strong>Maryland</strong> <strong>Institute</strong>, which attracts really top-caliber artists.<br />

The Friends <strong>of</strong> Rochefort-en-Terre have been essential to<br />

ensuring that the program continues.Their generous support<br />

made it possible to increase the endowment that I established<br />

at MICA, to renovate artist’s housing at the Château, and to<br />

provide four artists a year with fellowships to help cover the<br />

costs <strong>of</strong> their travel to Rochefort for their residencies.

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