Index pandeiros, 128 paraguayan war, 51, 53, 55, 61–62, 65, 69–70, 81 past<strong>in</strong>ha, Vicente ferreira: on berimbaus, 133; and <strong>Capoeira</strong> angola, 114, 125–126, 127, 154, 177, 197n56; and chang<strong>in</strong>g role <strong>of</strong> music, 162–163; and dist<strong>in</strong>ction between martial art and game, 136; and drums, 132; and <strong>in</strong>troduction <strong>of</strong> capoeira <strong>in</strong> schools, 116; on malícia, 166; and music as concealment, 30; performances <strong>of</strong>, 126; songs about, 156; style <strong>of</strong>, 165 pedestres, 54 pedro i (k<strong>in</strong>g), 21, 22 peels game, 13 pentagrams, 109 pereira, Manoel Henrique, 104 physical education: <strong>in</strong>tegration <strong>of</strong> capoeira <strong>in</strong>to, 122, 123, 127, 128; and nazi <strong>the</strong>ories <strong>of</strong> race, 115 pigafetta, filippo, 32–33, 41 pilar, pedro Murat, 74 p<strong>in</strong>ho, alexandre, 36 p<strong>in</strong>to, francisco reis de Lima, 36 pires, antônio Liberac, 2, 22, 114 pires, francisco, 38 play: classification <strong>of</strong>, 27, 29; and game <strong>of</strong> life, 61, 170–172; significance <strong>of</strong>, <strong>in</strong> african culture, 4, 29, 61 player <strong>in</strong> <strong>the</strong> Market, a (Chamberla<strong>in</strong>), 0 “‘play’ on dombi plantation” (Valkenburg), 41, portela, Joaquim José, 36 power: and arch, 102; <strong>in</strong> capoeira, 30– 35; and hats, 41, 44; <strong>of</strong> k<strong>in</strong>gs, 41, 43; red as symbol <strong>of</strong>, 39. See also supernatural powers prado, eduardo, 86 praia, Manduca da, 82–83, 99–101, 102 prayers: and Bantu tradition, 128; and berimbaus, 145, 148, 149; lada<strong>in</strong>ha, 127, 134, 139, 148; and songs, 161; spiritual elements <strong>in</strong>, 145–148 programa nacional de <strong>Capoeira</strong>, 123 public works projects, 8–9 Queirós, nicolãu de, 22 Quer<strong>in</strong>o, Manuel, 116, 117, 128, 132 Quissama, 16 race, nazi <strong>the</strong>ories <strong>of</strong>, 115 racial relationships: <strong>in</strong> capoeira, 2; and equality, 153, 155; and new state, 177; and sociopolitical strife, 178–179; tensions between white foreigners and blacks, 23, 24; whites’ attitude to slaves’ social and cultural activities, 12, 163; whites’ suppression <strong>of</strong> african-<strong>Brazilian</strong> cultural expression, 151, 175 racial “scientific” <strong>the</strong>ories, 111, 176–177 ramos, artur, 2, 116 re-africanization processes, 151 rebellions: and <strong>Capoeira</strong>s, 20–26; fear <strong>of</strong> slave rebellions, 20, 22, 24, 25; rebellion aga<strong>in</strong>st oligarchy, 70, 81–82; slave rebellions <strong>in</strong> salvador, 24, 119 rebolo, 16, reco-reco, 128, 132 red, as capoeira color, 38, 39, , 45, 89, 90 red<strong>in</strong>ha, José, 129 Reforma, A, 82 régio, tomas do, 87 rego, Waldeloir, 30–31, 100, 120, 122 reis, João, 119 reis, José elísio dos, 74–75 reis, Letícia, 2, 21, 115 religious ceremonies: <strong>in</strong> Bahia, 96; and drums, 35, 145 religious practices, african-<strong>Brazilian</strong> religions, 119–120
eligious processions, and <strong>Capoeira</strong>s, 61, 63, 64, 65–68, 176 República, A, 82, 83–84 republican regime, 111–112, 152 republicans, 81, 84–86 resolution 122 (1824), 11 resolution 182 (1824), 9 Revista Kosmos, 79, 81, 87, 90, 112 ribeiro de resende, estavão, 11 ribeyrolles, Charles, 12, 31 rio, João do, 105 rio de Janeiro: capoeira <strong>in</strong>, 4, 5, 7, 114, 115, 117–118, 177; drumm<strong>in</strong>g forbidden <strong>in</strong>, 35; mercenaries’ revolt <strong>of</strong> 1828, 21–24; neighborhoods <strong>of</strong>, 60, 60, 61, 63, 76–77, ; orig<strong>in</strong> <strong>of</strong> african nations <strong>of</strong>, 16, ; population <strong>of</strong>, 50, , 57, 73–74; slave population <strong>of</strong>, 14, , 118; slave trade with Bahia, 24–25, 196n33; unemployment <strong>in</strong>, 111; yoruban culture <strong>in</strong>, 3 rituals: and african culture, 175; <strong>Capoeira</strong>s’ use <strong>of</strong>, 36; and cartwheels, 148; <strong>of</strong> challenge, 138, 199n94; and chamada, 160, 168, 6 ; and color, 146; exclusion <strong>of</strong>, 148; and manufacture <strong>of</strong> talk<strong>in</strong>g drums, 135; and medic<strong>in</strong>es, 95; and pass<strong>in</strong>g under arch, 102; and prayers, 146; and roda, 141–145; and spiritual elements <strong>of</strong> capoeira, 5, 176; syn<strong>the</strong>sis <strong>of</strong>, 176; <strong>of</strong> West africa, 173; <strong>of</strong> West Central africa, 95, 173 robertson, John, 7 roda (circle): and arch, 102; <strong>in</strong> Bahia, 119; and concealment <strong>of</strong> capoeira, 154; formation <strong>of</strong>, 141–142, 148; and musicians as players and spectators, 159–163; as physical concept, 142– 144; symbolic significance <strong>of</strong>, 144– 145; three capoeira circles, , 145; and time and space, 163–164 Index roda aberta (open circle), 164 rodrigues, Lafayette, 84 rodrigues, n<strong>in</strong>a, 116 rombo, Jacomo, 25 romero, silvio, 76 rugendas, João Maurício: on capoeira as war dance, 8, 27; <strong>Capoeira</strong> Game, , 31, 45, 95–96, 98, 117; Ceremony for our Lady <strong>of</strong> <strong>the</strong> rosary, 6 ; and cloth<strong>in</strong>g <strong>of</strong> <strong>Capoeira</strong>s, 53; on conditions <strong>of</strong> slaves, 28; São Salvador, 0, 117 runaway slaves: and orig<strong>in</strong> <strong>of</strong> capoeira, 18, 154, 157, 184n34; and palmares, 156–157 saamakan Vessel-on-Column altar, sur<strong>in</strong>am (1885), 41, sales, Campos, 86 salvador: rio de Janeiro compared to, 117–118; and slave rebellions, 24, 119; and tourism, 127 salvadori, Maria angela Borges, 2, 104–105, 169 samba: and folklore, 153; and national identity, 2, 115, 152, 177; popularity <strong>of</strong>, 120; songs <strong>of</strong>, 169–170; and tourism, 156; whites’ adopt<strong>in</strong>g <strong>of</strong>, 163 santo antônio procession, 66 santo dom<strong>in</strong>go revolt, 116 santos, João oliveira dos, 127 santos, João pereira dos, 126–127 santos, Mario, 112–113 são Jorge parade, 66 são paulo, 118, 152 São Salvador (rugendas), 0, 117 scenes <strong>of</strong> Magic (Cavazzi), 92, schlichthorst, Carl, 47, 48, 129–130 scott, James, 61 seabra, décio, 123 seal <strong>of</strong> solomon, 107–109, 0 showcase <strong>Capoeira</strong>, 164
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To my parents, Ruth and Dan, my hus
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foreword ix acknowledgments xi intr
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