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A Collision of Cultures in the Brazilian Battle Dance - Capoeira Music

A Collision of Cultures in the Brazilian Battle Dance - Capoeira Music

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a rIo de JaneIro Slave Game<br />

FIGuRe 1.7. The Kongolese Cosmology<br />

yellow, <strong>the</strong> beg<strong>in</strong>n<strong>in</strong>g <strong>of</strong> everyth<strong>in</strong>g. its position, south, means that it belongs<br />

to <strong>the</strong> world <strong>of</strong> <strong>the</strong> dead. Kala, life, is black. Tukula, embody<strong>in</strong>g leadership, authority,<br />

and power, is red. its position on <strong>the</strong> circle, <strong>in</strong> <strong>the</strong> north, connects it with<br />

<strong>the</strong> gods. Luvemba, designat<strong>in</strong>g death and mutability, is white. The fifth po<strong>in</strong>t, <strong>in</strong><br />

<strong>the</strong> center <strong>of</strong> <strong>the</strong> circle, didi, is green. This is <strong>the</strong> center <strong>of</strong> life and <strong>of</strong> <strong>the</strong> earth.<br />

Because <strong>of</strong> its central position, it is <strong>the</strong> most important po<strong>in</strong>t and is <strong>the</strong> key to<br />

heal<strong>in</strong>g and discovery, among o<strong>the</strong>r th<strong>in</strong>gs.<br />

red and yellow are highly significant. red symbolizes power, charisma, and<br />

leadership; yellow embodies knowledge. Because <strong>of</strong> <strong>the</strong>ir position <strong>in</strong> <strong>the</strong> circle,<br />

red is connected with <strong>the</strong> gods while yellow is associated with <strong>the</strong> dead. The<br />

ribbons adorn<strong>in</strong>g hats, held <strong>in</strong> <strong>the</strong> hands, or tied to staffs, enable <strong>Capoeira</strong>s to<br />

communicate with <strong>the</strong>ir gods (red ribbons) or with <strong>the</strong> power l<strong>in</strong>k<strong>in</strong>g <strong>the</strong> gods<br />

with <strong>the</strong> dead (red and yellow ribbons) for protection or help or to <strong>in</strong>timidate an<br />

enemy.<br />

olfert dapper’s seventeenth-century pa<strong>in</strong>t<strong>in</strong>g depicts warriors <strong>in</strong> Luango<br />

hold<strong>in</strong>g flags and wear<strong>in</strong>g fea<strong>the</strong>red hats and garments that flutter <strong>in</strong> <strong>the</strong> w<strong>in</strong>d<br />

(figures 1.8, 1.9).112 The flutter<strong>in</strong>g robes symbolize strength. The flags, accord<strong>in</strong>g

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