Definition of Cultural Heritage -- References to ... - CIF - Icomos
Definition of Cultural Heritage -- References to ... - CIF - Icomos
Definition of Cultural Heritage -- References to ... - CIF - Icomos
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ICCROM Working Group '<strong>Heritage</strong> and Society' / / JJ<br />
Article 2. - The International Museums Office shall concern itself with museums,<br />
collections and works <strong>of</strong> art, buildings <strong>of</strong> his<strong>to</strong>rical and archaeological interest,<br />
and works <strong>of</strong> popular art. [...]<br />
1931, “Athens Charter” (Monuments)<br />
1931, Conclusions <strong>of</strong> the Athens Conference (§ 2-3), organised by the International Museums<br />
Office in Athens<br />
2. Administrative and Legislative Measures Regarding His<strong>to</strong>rical Monuments. The<br />
Conference heard the statement <strong>of</strong> legislative measures devised <strong>to</strong> protect<br />
monuments <strong>of</strong> artistic, his<strong>to</strong>ric or scientific interest and belonging <strong>to</strong> the different<br />
countries. It unanimously approved the general tendency which, in this<br />
connection, recognises a certain right <strong>of</strong> teh community in regard <strong>to</strong> private<br />
ownership. It noted tht the differences existing between these legislative<br />
measures were due <strong>to</strong> the difficulty <strong>of</strong> reconciling public law with the rights <strong>of</strong><br />
individuals. Consequently, while approving the general tendency <strong>of</strong> these<br />
measures, the Conference is <strong>of</strong> opinion that they should be in keeping with local<br />
circumstances and with the trend <strong>of</strong> public opinion so that the least possible<br />
opposition may be encountered, due allowance being made for the sacrifices<br />
which the owners <strong>of</strong> property may be called upon <strong>to</strong> make in the general interest.<br />
It recommends that the public authorities in each country be empowered <strong>to</strong> take<br />
conserva<strong>to</strong>ry measures in cases <strong>of</strong> emergency. It earnestly hopes that the<br />
International Museums Office will publish a reper<strong>to</strong>ry and a comparative table <strong>of</strong><br />
the legislative measures in force in the different countries and that this<br />
information will be kept up <strong>to</strong> date.<br />
3. Aesthetic Enhancement <strong>of</strong> Ancient Monuments. The Conference recommends that, in<br />
the construction <strong>of</strong> buildings, the character and external aspect <strong>of</strong> the cities in<br />
which they are <strong>to</strong> be erected should be respected, especially in the neighbourhood<br />
<strong>of</strong> ancient monuments, where the surroundings should be given special<br />
consideration. Even certain groupings and certain particularly picturesque<br />
perspective treatment should be preserved. A study should also be made <strong>of</strong> the<br />
ornamental vegetation most suited <strong>to</strong> certain monuments or groups <strong>of</strong><br />
monuments from the point <strong>of</strong> view <strong>of</strong> preserving their ancient character. It<br />
especially recommends the suppression <strong>of</strong> all forms <strong>of</strong> publicity, <strong>of</strong> the erection <strong>of</strong><br />
unsightly telegraph poles and the exclusion <strong>of</strong> all noisy fac<strong>to</strong>ries and even <strong>of</strong> tall<br />
shafts in the neighbourhood <strong>of</strong> artistic and his<strong>to</strong>ric monuments.<br />
1931/32, Italy (Giovannoni)<br />
Consiglio superiore per le antichità e belle arti, Norme per il restauro dei monumenti,<br />
written by G. Giovannoni in 1931, and published in 'Bollettino d'Arte', January 1932<br />
** Il Consiglio Superiore per le Antichità e Belle Arti, portando il suo studio sulle<br />
norme che debbono reggere il restauro dei monumenti, il quale in Italia si eleva al<br />
grado di una grande questione nazionale, e edot<strong>to</strong> della necessità di mantenere e<br />
di perfezionare sempre più il prima<strong>to</strong> incontestabile che in tale attività, fatta di<br />
scienza, di arte e di tecnica, il nostro Paese detiene;<br />
convin<strong>to</strong> della multipla e gravissima responsabilità che ogni opera di restauro<br />
coinvolge (sia che si accompagni o no a quella dello scavo); con l'assicurare la<br />
stabilità di elementi fatiscenti; col conservare o riportare il monumen<strong>to</strong> a funzione<br />
d'arte; col porre le mani su di un complesso di documenti di s<strong>to</strong>ria ed arte tradotti<br />
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