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Aligning the Brain in a Rhythmic World

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is pushed as far as possible <strong>in</strong>to a cont<strong>in</strong>uous state of<br />

high excitability.<br />

Several behavioral observations are consistent with<br />

<strong>the</strong> differential operation of <strong>the</strong>se two process<strong>in</strong>g<br />

modes. In cont<strong>in</strong>uous/vigilance mode, where <strong>the</strong><br />

oscillatory correlates of attention are enhanced<br />

gamma amplitude/synchrony and lower frequency<br />

suppression (Fries et al., 2001), variations <strong>in</strong> gamma<br />

synchrony are predictive of reaction time variations<br />

(Womelsdorf et al., 2006). In rhythmic mode, where<br />

attention uses low-frequency rhythmic entra<strong>in</strong>ment<br />

(Lakatos et al., 2008), low-frequency phase predicts<br />

reaction time.<br />

We have suggested (Schroeder and Lakatos, 2009a)<br />

that rhythmic mode is <strong>the</strong> preferred state of <strong>the</strong><br />

system for <strong>the</strong> follow<strong>in</strong>g reasons:<br />

(1) It is efficient because <strong>in</strong>puts that are out of phase<br />

with <strong>the</strong> attended stream are automatically<br />

suppressed;<br />

(2) Gamma-band activity appears to be more<br />

metabolically demand<strong>in</strong>g than low-frequency<br />

oscillations (Mukamel et al., 2005; Niess<strong>in</strong>g et<br />

al., 2005); and<br />

(3) Ow<strong>in</strong>g to hierarchical coupl<strong>in</strong>g, gamma activity<br />

is “rationed” (selectively enhanced) at critical<br />

time po<strong>in</strong>ts, when a high-excitability state is<br />

most useful. In this sense, <strong>the</strong> gamma oscillation<br />

is a “slave” ra<strong>the</strong>r than a “master” operator<br />

(Schroeder and Lakatos, 2009b).<br />

Converg<strong>in</strong>g Theory and Reflection<br />

on Earlier F<strong>in</strong>d<strong>in</strong>gs<br />

“Dynamic attend<strong>in</strong>g <strong>the</strong>ory” proposes to describe<br />

many key components of rhythmic mode process<strong>in</strong>g<br />

from a psychophysical perspective (Jones and Boltz,<br />

1989; Large and Jones, 1999; Jones et al., 2006). This<br />

idea has also been developed <strong>in</strong> a motor framework<br />

(Praamstra et al., 2006). The basic hypo<strong>the</strong>sis put<br />

forward by Jones and colleagues is that attend<strong>in</strong>g<br />

itself can be an oscillatory process that entra<strong>in</strong>s<br />

to environmental rhythms, <strong>the</strong>reby improv<strong>in</strong>g<br />

discrim<strong>in</strong>ative performance. In a similar ve<strong>in</strong>, Nobre<br />

and colleagues have suggested that “attention to<br />

time” is a fundamental form of attend<strong>in</strong>g, controlled<br />

by a parietocentric network of bra<strong>in</strong> structures (Nobre<br />

et al., 2007; Correa and Nobre, 2008a,b). There<br />

is evidence (Ghose and Maunsell, 2002) that <strong>in</strong> a<br />

temporally structured (rhythmic) task, monkeys form<br />

an <strong>in</strong>ternal representation of task tim<strong>in</strong>g that can<br />

guide <strong>the</strong> temporal allocation of attentional resources<br />

<strong>in</strong> order to maximize behavioral performance. In all<br />

© 2009 Schroeder<br />

<strong>Align<strong>in</strong>g</strong> <strong>the</strong> <strong>Bra<strong>in</strong></strong> <strong>in</strong> a <strong>Rhythmic</strong> <strong>World</strong><br />

<strong>the</strong>se cases, entra<strong>in</strong>ed neuronal oscillations, operat<strong>in</strong>g<br />

<strong>in</strong> a steady-state mode and/or resett<strong>in</strong>g on a trial-bytrial<br />

basis, provide likely physiological substrates for<br />

<strong>the</strong> effects of attention. The fact that, because of<br />

cross-frequency coupl<strong>in</strong>g, oscillations can be reset to<br />

low-excitability as well as high-excitability states on<br />

multiple time scales (Schroeder et al., 2008) <strong>in</strong>creases<br />

<strong>the</strong> flexibility and range of <strong>the</strong> mechanism.<br />

The dist<strong>in</strong>ction between rhythmic and cont<strong>in</strong>uous<br />

modes of process<strong>in</strong>g may be fundamental: Evidence<br />

of rhythmic mode operation can be seen <strong>in</strong> diverse<br />

varieties of attention, <strong>in</strong>clud<strong>in</strong>g “object attention”<br />

(Taylor et al., 2005), whereas “<strong>in</strong>termodal attention”<br />

(Lakatos et al., 2008) can operate <strong>in</strong> a rhythmic<br />

mode, with excitability/gamma burst<strong>in</strong>g coupled to<br />

<strong>the</strong> rhythm of <strong>the</strong> task. Significantly, <strong>the</strong> most heavily<br />

studied form of attention—spatial attention—<br />

can operate ei<strong>the</strong>r <strong>in</strong> cont<strong>in</strong>uous mode, with<br />

<strong>the</strong> effect of tonic <strong>in</strong>crease <strong>in</strong> excitability (Fries et<br />

al., 2001; Womelsdorf et al., 2006), or <strong>in</strong> rhythmic<br />

mode, with periodic variations <strong>in</strong> excitability coupled<br />

to <strong>the</strong> temporal structure of <strong>the</strong> task (Ghose and<br />

Maunsell, 2002).<br />

The idea that several modes govern <strong>the</strong> operation<br />

of attention may help resolve discrepancies between<br />

attention effects reported by different laboratories<br />

(Moran and Desimone, 1985; Luck et al., 1997, versus<br />

results from McAdams and Maunsell, 1999; Treue and<br />

Maunsell, 1999). Exam<strong>in</strong><strong>in</strong>g <strong>the</strong> task structures used<br />

by <strong>the</strong>se groups suggests that <strong>the</strong> former generally<br />

exam<strong>in</strong>e function<strong>in</strong>g <strong>in</strong> <strong>the</strong> cont<strong>in</strong>uous/vigilance<br />

mode, whereas <strong>the</strong> latter do so <strong>in</strong> <strong>the</strong> rhythmic mode.<br />

Phase-resett<strong>in</strong>g of low-frequency oscillations may help<br />

expla<strong>in</strong> cue<strong>in</strong>g effects on attentional performance<br />

and pert<strong>in</strong>ent event-related potentials (ERPs).<br />

The frontal cont<strong>in</strong>gent negative variation (CNV)<br />

(Walter et al., 1964), for example, may be generated<br />

by phase-resett<strong>in</strong>g frontal low-frequency oscillations<br />

by a warn<strong>in</strong>g cue, which are <strong>the</strong>n averaged over trials.<br />

The perceptual effects known as “attentional bl<strong>in</strong>k”<br />

(Raymond et al., 1992) and “<strong>in</strong>hibition of return,” or<br />

IOR (Kle<strong>in</strong>, 2000), result when stimuli are delivered<br />

dur<strong>in</strong>g <strong>the</strong> low-excitability phase of a low-frequency<br />

oscillation that has been reset by <strong>the</strong> appearance of<br />

ei<strong>the</strong>r a salient target or a cue to attend.<br />

Outstand<strong>in</strong>g questions<br />

Is rhythmic mode process<strong>in</strong>g<br />

generalizable?<br />

A number of empirical predictions need to<br />

be evaluated. Sensory selection <strong>in</strong> a typical<br />

25<br />

NoTeS

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