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ROBERT C. ELDRED CO., INC.<br />
1483 ROUTE 6A<br />
P.O. BOX 796<br />
EAST DENNIS, MA 02641<br />
PHONE: (508) 385-3116<br />
FAX: (508) 385-7201<br />
e-mail: info@eldreds.com<br />
www.eldreds.com<br />
MA License no. 155<br />
Americana, Decorative<br />
& Sporting Art<br />
at auction<br />
Friday, November 16, 2012, at 10:00 a.m.<br />
Lots 1 - 466<br />
Saturday, November 17, 2012, at 10:00 a.m.<br />
Lots 1001 - 1519<br />
On Exhibit:<br />
� ursday, November 15, 2012, from 10:00 a.m. to 5:00 p.m.<br />
Friday, November 16 and Saturday, November 17,<br />
from 8:45 a.m. to 9:45 a.m.<br />
<strong>Catalog</strong>ue:<br />
$42.50 in o� ce $50.00 by mail (Mass. residents, please add $2.75 sales tax)<br />
Overseas: $60.00 Canada: $57.00<br />
Terms:<br />
A buyer’s premium will be added to all purchases.<br />
� e buyer’s premium is 18% of the � nal bid price up to and including $300,000,<br />
and 10% of the � nal bid price over $300,000.<br />
**Please be advised we do not accept credit cards or Paypal for payment of any<br />
auction purchases.**<br />
Bidders holding a valid Massachusetts or out-of-state resale number must provide<br />
certi� cate or copy thereof when registering or will be required to pay 6.25%<br />
Massachusetts sales tax on purchases.<br />
Artfact Live! Auction:<br />
� is auction will be held simultaneously on Artfact Live! (www.artfactliveauctions.com).<br />
� e buyer’s premium is 21% for purchases bought via Artfact Live!. Prospective bidders<br />
must register and be approved prior to placing bids or bidding live.<br />
Important Notice:<br />
Prospective buyers should satisfy themselves by personal inspection as to the<br />
condition of each lot.<br />
*It is the bidder’s responsibility to obtain a condition report, by either checking<br />
our website or contacting us. Although condition reports may be given<br />
on request, such reports are statements of opinion only. � e absence of a<br />
condition report does not imply that the property is in good condition.<br />
Regardless of whether or not a condition report is given, all property is sold subject<br />
to Item 1 of our Conditions of Sale, which provides that all property is sold as is.<br />
All dimensions and weights are approximate.
CONDITIONS OF SALE<br />
1. CORRECTNESS OF DESCRIPTION: Robert C. Eldred Co., Inc. (hereinafter referred to as Eldred’s) has exercised<br />
reason able care to catalog and describe correctly the property to be sold, but neither Eldred’s nor its consignors<br />
warrant the correctness of description, attribution, authenticity, or condition of said property. No statements shall be<br />
deemed such a warranty or representation or an assumption of liability with respect thereto, but are to be construed as opinions<br />
only. Bidders are encouraged to personally examine all property to be sold prior to the beginning of the auction.<br />
2. Unless otherwise announced by the auctioneer at the time of sale, all bids are per lot as numbered.<br />
3. Eldred’s reserves the right to withdraw any property before the sale.<br />
4. DETERMINATION OF HIGHEST BIDDER: The highest bidder accepted by the auctioneer shall be the buyer. In the event<br />
of any dispute between bidders, the auctioneer may determine who is the successful bidder or the auctioneer may re-offer the<br />
article in dispute and his decision shall be fi nal.<br />
5. REJECTION OF BIDS: The auctioneer reserves the right to reject any nominal raise or any bid or raise which, in his opin<br />
ion, is not commensurate with the value of the article being offered. At his discretion, he may also reject any nominal raise or<br />
any bid that he may determine as having a detrimental effect on the item in question or the sale as a whole. Eldred’s may refuse<br />
to issue bidding privileges to any person not in good credit standing with Eldred’s, or to any person who is deemed by Eldred’s<br />
in its sole discretion, to be disruptive of or harmful to established auction practices, either before or after the acceptance of bids<br />
or the fall of the hammer.<br />
6. TITLE: Except as herein otherwise provided, title will pass to the highest bidder as determined by the auctioneer, and the<br />
property is thereafter at the purchaser’s sole risk and responsibility.<br />
7. PAYMENT: On title passing to the highest bidder acknowledged by the auctioneer, and subject to all the conditions set forth<br />
herein, such bidder will thereupon pay the full purchase price. Payment in full is due at the time of sale. Any bills not paid in<br />
full within 25 days of the date of the sale will accrue interest at a rate of 1.5% per month. In addition, the purchaser may be<br />
subject to one or more of the following actions: a) Any and all legal remedies available to Eldred’s and its consignors by law<br />
including without limitation the right to hold the purchaser liable for the total purchase price; b) Immediate cancellation of<br />
the sale, with Eldred’s retaining as liquidated damages all payments made by the purchaser; c) Resale of the property at public<br />
auction, wherein the original purchaser shall be liable for any defi ciency, costs, and Eldred’s commission on both sales. At<br />
Eldred’s option, payment will not be deemed to have been made in full until Eldred’s has collected funds represented by<br />
checks, or in the case of bank or cashier’s checks, their authenticity has been confi rmed.<br />
A buyer’s premium will be added to the hammer price to be paid by the buyer as part of the purchase price.<br />
8. ORDER BIDS: Subject to these Conditions of Sale and to such terms and conditions as it may prescribe, but at no charge to<br />
the customer, Eldred’s will undertake to execute all order bids submitted to it by a customer who has established credit with<br />
said company. Requests for such bidding must be given in writing with such clearness as to leave no room for misunderstand<br />
ing as to the amount to be bid and must state the catalog number and the name or title of the article to be bid on. Telephone<br />
bids must be confi rmed in writing or by cable. All bids are kept in strict confi dence. In the event of identical bids, the earliest<br />
received by Eldred’s will take precedence. Eldred’s shall not be held responsible for errors or failure to execute bids. A deposit<br />
of 10% of the total amount bid is required. TELEPHONE BIDS: While the sale is in progress, bidding by telephone may be<br />
allowed by the auctioneer at his discretion. A deposit of 10% of the anticipated top bid is required. Eldred’s shall not be held<br />
responsible for any failure to properly execute such a bid whether it be due to equipment failure, loss of connection, or failure<br />
to hear or understand the bidder’s directions. Any advice or opinions provided by Eldred’s or its employees are given strictly<br />
as a courtesy and are not a warrant of condition, attribution, authenticity, or description of said property. All bidding by tele<br />
phone s solely at the risk of the bidder.<br />
9. CONDITION: If for any cause whatsoever any article sold cannot be delivered, or cannot be delivered in as good condition as<br />
the same may have been at the time of sale, due to a failure or damage on the company’s part, the sale will be cancelled, and<br />
any amount that may have been paid on account of the sale will be returned to the purchaser. EXCEPTION: Eldred’s will not<br />
be held responsible for damage to picture frames or lampshades.<br />
10. SALES TAX: All purchases are subject to the Massachusetts sales tax (currently 6.25%) unless the purchaser A) possesses a<br />
Massachusetts sales tax exemption or resale number and registers that number with the company, B) is an out-of-state vendor<br />
who meets all the requirements of Massachusetts Department of Revenue GLC 64H 1(5) and Directive 89-10 and registers<br />
with the company prior to each purchase, or C) has purchases shipped out of state directly from Eldred’s by a bona fi de ship<br />
ping agent. Dealers, museums, etc. can apply for a Massachusetts number prior to the auction by contacting the Massachusetts<br />
Department of Corporations and Taxation, 100 Cambridge Street, Boston, MA 02204.<br />
11. RESERVES: Unless advertised as an “Unreserved Auction”, all sales may have items subject to reserve (an agreed upon price<br />
between the auctioneer and the consignor, below which the article will not be sold).<br />
12. UNDELIVERED ITEMS: All purchases not picked up within two weeks of the day of the sale may be shipped by Eldred’s<br />
to the purchaser. All shipping, packing and handling charges will be the responsibility of the purchaser. If said articles have not<br />
been paid for, see paragraph 7 above.<br />
13. PACKING: Purchasers are advised that packing and/or handling by Eldred’s employees is undertaken solely as a courtesy for<br />
the convenience of customers. In the case of fragile articles, it will be undertaken at the sole discretion of the company. Han<br />
dling and packing by Eldred’s is at the risk of the purchaser. SHIPPING: When requested, Eldred’s may arrange shipment of<br />
paid purchases. Eldred’s will not be responsible for damage or loss once the item has been received by the shipper. In the case<br />
of fragile articles, shipping will be undertaken at the sole discretion of the shipper. Please refer to our Advice to Bidders for<br />
details.<br />
14. These Conditions of Sale cannot be altered except in writing by Eldred’s or by public announcement by the auctioneer at the<br />
time of the sale.<br />
15. Bidding on any article(s) indicates acceptance of the terms set forth above.<br />
16. These Conditions of Sale and any suits arising thereunder shall be construed and governed by the laws of Massachusetts.<br />
Revised 8/1/09
Bailey, Laforce 1057<br />
Ballou, Giddings Hyde (attr) 1395<br />
Barber, Sam 1070<br />
Barker, Al 1371<br />
Barlow, Myron G. 1146<br />
Barney, Frank A. 1378<br />
Bennett, Betsy Hammond 1055, 1318<br />
Berneker, Louis Frederick 1383<br />
Biesel, Charles 328<br />
Bonsall, Elizabeth Fearne 1442<br />
Boyhan, Matthew William 322<br />
Bricher, Alfred T. (manner of) 1505<br />
Brown, Harrison Bird 1427<br />
Budell, Emily Hortense 1422<br />
Buttersworth, Thomas, Sr. 1224<br />
Cagney, James 321<br />
Cahoon, Charles Drew 1421<br />
Cahoon, Ralph E., Jr. 1328<br />
Campbell, Laurence A. 1393<br />
Carlson, John Fabian 1518<br />
Cazin, Jean Charles 1511<br />
Chetcuti, John 1478, 1479<br />
Cikovsky, Nicolai S. 1475<br />
Clayton, John 1063<br />
Clinedinst, May Spear 1375<br />
Colao, Rudolph 381<br />
Connaway, Jay Hall 1387<br />
Coombs, Delbert Dana 1441<br />
Curtis, Howard A. 1467, 1468<br />
Cushing, Lily Dunlany 437G<br />
Dando, Susie May Berry (attr) 1377<br />
Davis, William R. 1069, 1321-1323<br />
Detaille, Edouard Jean Baptiste 1432A<br />
Devita, Nan 1515<br />
Dewitt, Jerome Pennington 1476<br />
Diaz de la Pena, Narcisse-Virgil (school of) 1432<br />
Dorion, Charles S. 1227<br />
Dow, William James 1385<br />
Drew, Clement 1265G<br />
Duncan, Chris 324<br />
Eddy, Henry Stephens 1324, 1325<br />
Eldred, Lemuel D. 1503<br />
Enneking, John J. 1498<br />
Farnsworth, Alfred Villiers 1436<br />
Fenson, Robert Robin 1003<br />
Ferne, Hortense T. 1060<br />
Fiene, Ernest 1142<br />
Fisher, William 112<br />
Folinsbee, John Fulton 1147, 1148<br />
Forster, George E. 1440<br />
Fowles, Arthur Wellington 1225<br />
Frazier, John Robinson 318, 319<br />
Index of Artists<br />
Frohsin, Kim 326<br />
Gay, George Howell 1469<br />
Gibbs, Howard Manning, Jr. 1335<br />
Gifford, Charles Henry 1423<br />
Gifford, Charles Henry (attr) 1519<br />
Gisson, Andre 1141<br />
Goltz, Walter 1391<br />
Grant, Gordon Hope 1233<br />
Green, William Bradford 1380, 1381<br />
Greenleaf, Jacob I. 1376<br />
Gruppe, Emile Albert 1373<br />
Gruppe, Robert Charles 1374<br />
Halter, Jean H. 1317<br />
Hammond, John A. 1430<br />
Hare, John Cuthbert 1474<br />
Harris, Charles Gordon 1379<br />
Hawkes, Joseph 1501, 1502<br />
Hensche, Henry 1074<br />
Hin Qua (attr) 1234<br />
Hoffman, Gustave Adolph 1438<br />
Howe, H.H. 1481<br />
Howes, Jerome 1229, 1247-1250,<br />
1261, 1262, 1265K<br />
Humann, O. Victor 1068<br />
Hunter, Robert Douglas 1319<br />
Hutchinson, Marieluise 1067<br />
Irvine, Wilson Henry 1151<br />
Jones, Eleanor Ferri 1056, 1071<br />
Jones, Francis Coates 1153<br />
Kennedy, Steve 1072<br />
Knight, Louis Aston 1431<br />
Kubitz, Frederick (Fritz) 1320<br />
Lansil, Walter Franklin 1517<br />
Lansil, Wilbur H. 1420<br />
Lever, Hayley 1500<br />
Levitsky, John 1473<br />
Lie, Jonas 1329A<br />
Liszt, Maria Veronica 1480<br />
MacGregor, Roy David 1221<br />
Macouillard, Louis 320<br />
Macy, William Ferdinand 1326<br />
Maes, Nicolaes (attr) 1477<br />
Martin, David McLeod 1004<br />
Matheson, Ivar John 1471<br />
Maynard, William 1062<br />
McGurl, Joseph 1066<br />
McKain, Bruce 1058<br />
McKay, Frances H. 1382<br />
Meunier, Mark 1333<br />
Moffett, Ross E. 1073<br />
Moore, Henry 1011<br />
Moore, Nelson Augustus 1152
Morrell, Wayne Beam 1386<br />
Muhr, Philip 'Phiz' 1327<br />
Mulcahy, John 1458A, 1458B<br />
Mumford, Elizabeth 1332<br />
Nappenbach, Henry (Nap) 291<br />
Newman, Joseph 1472<br />
Nierman, Leonardo M. 325<br />
Niles, George E. 1417<br />
Norton, William Edward (school of) 323<br />
Owen, Robert Emmett 1443A<br />
Parr, James Wingate 1059, 1065<br />
Paskell, William Frederick 114-116<br />
Pellew, John Clifford 1513<br />
Perkins, G.B. 1486A<br />
Perkins, Granville 1265J<br />
Perry, Ernest 1484<br />
Picknell, George W. 1514<br />
Porter, Vivian Forsythe 1418, 1419<br />
Portielje, Jan Frederik Pieter 1001<br />
Potter, William J. 1486B<br />
Ranger, Henry Ward 1149<br />
Reason, Florence 1009<br />
Richards, William Trost 1504<br />
Roark, Robert K. 1075, 1076<br />
Robinson, Hal 1392, 1486<br />
Roffo, Sergio 1077<br />
Rogers, Wendell M. 1061<br />
Rosser, Curtis 1482, 1483, 1485A<br />
Sawyer, Warren F. 1252<br />
Shapleigh, Frank Henry 1416<br />
Shelley-Pierce, Jayne 1054<br />
Smillie, George Henry 1428<br />
Smith, Vernon B. 295-297<br />
Speicher, Eugene Edward 1389, 1390<br />
Stevens, William Lester 1372<br />
Index of Artists, cont.<br />
Strisik, Paul 1367, 1368<br />
Stuart, Ronald A. 400<br />
Stubbs, William Pierce 1231<br />
Terris, John 1486D<br />
Thieme, Anthony 1394<br />
Thompson, Frederick Louis 1425<br />
Thors, Joseph 1005<br />
Titus, Earle A. 1388<br />
Turner, William Lakin 1002<br />
Valter, Florence E. 1493<br />
Van Nortwick, Chester K. 1143-1145<br />
van Severdonck, Joseph 1435<br />
Vickrey, Robert Remsen 1334<br />
von Kalckreuth, Patrick (Dunbar), 1265L<br />
Walker, Harold E. 1064<br />
Wall, William Allen (attr) 1424<br />
Waltensperger, Charles E. 1139, 1140<br />
Wasson, George Savary 1217<br />
Watts, James Thomas 1434<br />
Waugh, Frederick Judd 1506<br />
Weaver, Thomas (attr) 1433<br />
Weber, Otis S. 1215<br />
Wetherby, Isaac Augustus 120<br />
Wheater, Joseph Harry 1329, 1369<br />
Wheater, Joseph Harry (attr) 1370<br />
Whitaker, George William 1444<br />
Whorf, Nancy 1455<br />
Wiegand, Gustave Adolph 1384<br />
Williams, Kate A. 1507<br />
Williams, Pauline Bliss 1470<br />
Willis, Thomas H. 1223<br />
Woodward, Ellsworth 1497<br />
Wydeveld, Arnoud 1439<br />
Zorach, William 1510
Eldred’s Staff Directory<br />
Antiques and Fine Art Specialists Production and Administrative Staff<br />
Robert C. Eldred Jr.<br />
CEO<br />
Americana, Maritime Arts,<br />
Books and Documents<br />
rce@eldreds.com<br />
John H. Schofi eld<br />
President<br />
Asian Art<br />
johns@eldreds.com<br />
Susan M. Schofi eld<br />
Treasurer<br />
The <strong>Print</strong>s of Paul Jacoulet<br />
sue@eldreds.com<br />
Joshua F. Eldred<br />
Vice President<br />
American and European Paintings<br />
josh@eldreds.com<br />
William Bourne<br />
Vice President<br />
Americana, Maritime Arts and Sporting Antiques<br />
bill@eldreds.com<br />
Eric S. Mulak<br />
Americana, Sporting Antiques and Collectibles<br />
eric@eldreds.com<br />
Glen Krawczyk<br />
Oriental Rugs<br />
glen@eldreds.com<br />
Cynthia L. Gage<br />
Silver, Shipping Administrator<br />
cindyg@eldreds.com<br />
Mary Ann Eldred<br />
Appraisal and Mailing List Director<br />
maeldred@eldreds.com<br />
Deborah G. Clemence<br />
<strong>Catalog</strong> Layout and Design<br />
deb@eldreds.com<br />
Dennis C. Cowan<br />
Musical Instruments, Shipping<br />
dennis@eldreds.com<br />
Wendy A. Dunford<br />
Assistant Treasurer<br />
wendy@eldreds.com<br />
William Garnier<br />
Photography<br />
billg@eldreds.com<br />
Anne G. Lajoie<br />
Appraisals and Condition Reports<br />
annie@eldreds.com<br />
Kristyn Machon<br />
Assistant Photographer and Digital Image Editor<br />
kmachon@eldreds.com<br />
Bobby Nunes, Jr.<br />
Assistant Shipping Manager<br />
bobby@eldreds.com<br />
Cheryl Stewart<br />
<strong>Catalog</strong> Layout and Design<br />
cheryl@eldreds.com
Session I<br />
Friday, November 16, 2012, at 10:00 a.m.<br />
1. CASED STERLING SILVER FLATWARE SET BY R. WALLACE & CO.<br />
In the “Stradivari” pattern. Consists of:<br />
12 9” hollow-handled dinner knives 12 dinner forks 12 salad forks<br />
12 fl at butter spreaders 13 teaspoons 8 round soup spoons<br />
4 tablespoons 2 hollow-handled butter knives 1 hollow-handled butter spreader<br />
1 olive fork Approx. 67.4 troy oz. weighable 1,600/1,800<br />
2. GORHAM MFG. CO. STERLING SILVER PLATTER<br />
In a shaped oval form with a brite-cut fl oral pattern. Length 18”. Approx. 43.2 troy oz. 500/700<br />
3. GORHAM MFG. CO. STERLING SILVER THREE-PIECE TEA SET<br />
Consists of a teapot, a covered sugar and a creamer. Monogrammed. Height of teapot 10”.<br />
Approx. 44.0 troy oz. 1,000/1,200<br />
4. TIFFANY & CO. STERLING SILVER PEDESTAL BOWL Late 19th Century<br />
In half-rib design with frieze of cherubs inside the upper rim of bowl. Height 5½”. Diameter 9½”.<br />
Approx. 26.6 troy oz. 800/1,200<br />
5. GORHAM MFG. CO. CASED STERLING SILVER FLATWARE SET<br />
In the “Covington” pattern. Engraved crest. Consists of:<br />
13 9½” hollow-handled dinner knives 12 dinner forks 33 salad forks 7 teaspoons<br />
17 hollow-handled luncheon knives 14 luncheon forks 14 place spoons 4 tablespoons<br />
15 round soup spoons 17 cream soup spoons 12 iced tea spoons 11 citrus spoons<br />
15 demitasse spoons 17 dessert spoons 11 salt spoons 18 dessert forks<br />
16 ice cream forks 17 oyster forks 18 sardine forks 1 lemon fork<br />
7 individual butter spreaders 2 cucumber servers 1 cream ladle 1 jelly server<br />
1 hollow-handled cake slice 1 gravy ladle 1 olive fork 1 jelly slice<br />
1 hollow-handled cheese slice 1 casserole spoon 2 serving spoons 1 sugar spoon<br />
1 salad fork and spoon 1 small serving spoon 2 serving forks 1 cold meat fork<br />
13 hollow-handled fruit knives 18 hollow-handled fi sh knives<br />
Approx. 290.6 troy oz. weighable 6,000/8,000<br />
5A. ENGLISH SILVER COVERED ENTREE DISH BY RICHARD CROSSLEY London, 1800<br />
In rectangular form with ribbed edges and twig handle. Ornate engraved crest. Height 7”. Length 12”.<br />
Approx. 64.0 troy oz. 1,400/1,800<br />
6. ANTIQUE GEORGIAN STERLING SILVER SOUP LADLE 18th Century<br />
Marks mostly worn away. Length 12¼”. Approx. 4.6 troy oz. 150/200<br />
7. FIVE CONTINENTAL SILVER FLATWARE PIECES 19th Century<br />
Four Russian silver place spoons by various makers and a German .750 fi ne silver soup ladle.<br />
Approx. 15.6 troy oz. 150/250<br />
8. STERLING SILVER CIGARETTE CASE BY R. BLACKINTON & CO.<br />
With engine-turned and black enamel design. Monogrammed. 3” x 4½”.<br />
Approx. 5.0 troy oz. 100/150<br />
9. CASED RUSSIAN SILVER TEA FLATWARE SET Late 19th Century<br />
Includes a tea caddy spoon, sugar tongs, a tea strainer and a lemon fork with gold-washed engraved fl oral decoration.<br />
Approx. 1.8 troy oz. 100/150<br />
10. FOUR-PIECE STERLING SILVER TEA SET BY GORHAM MFG. CO.<br />
Together with an English silver plated two-handled waiter. Tea set in the “Plymouth” pattern. Includes a coffeepot, height 10”,<br />
a teapot, a creamer and an open sugar bowl. Approx. 52.2 troy oz. 1,400/1,600<br />
11. DOMINICK & HAFF STERLING SILVER-MOUNTED DESK SET<br />
Includes a tall letter box, notepad and large folder, all with matching reticulated fi ligree mounts depicting birds and cherubs in a<br />
shell and foliate design. Monogrammed. Folder 14½” x 12”. Letter box height 8½”. Width 12”. Depth 6”. 400/600
12. PAIR OF ENGLISH STERLING SILVER CHAMBER STICKS 1844<br />
By Edward, Edward Jr., John and William Barnard. With original snuffers and bobeches. Scrolled shell-form edges. Height 4”.<br />
Approx. 26.0 troy oz. 700/900<br />
13. STERLING SILVER PARTIAL FLATWARE SET BY LUNT<br />
In the “Modern Classic” pattern. Consists of:<br />
5 8¾” hollow-handled dinner knives 6 dinner forks 6 salad forks 11 teaspoons<br />
1 tablespoon 1 sugar spoon 1 pickle fork<br />
Approx. 29.0 troy oz. weighable 600/800<br />
14. GORHAM MFG. CO. STERLING SILVER CIRCULAR TRAY<br />
With shaped edge. Monogrammed. Diameter 12”. Approx. 19.8 troy oz. 350/450<br />
15. STERLING SILVER CENTERPIECE BOWL BY WHITING, DIV. OF GORHAM MFG. CO.<br />
In a lobed circular form with elaborate embossed rose decoration. Monogrammed. Height 3”. Diameter 12”.<br />
Approx. 34.2 troy oz. 850/950<br />
16. STERLING SILVER CENTERPIECE BOWL<br />
In circular form with chased lotus fl ower decoration. Marked on base “Sterling - R. C.” Diameter 13”.<br />
Approx. 24.0 troy oz. 500/700<br />
17. PERUVIAN STERLING SILVER RECTANGULAR TRAY<br />
With molded edge. Length 18”. Approx. 36.0 troy oz. 500/700<br />
18. GEORG JENSEN INC. HAND-HAMMERED STERLING SILVER BOWL<br />
With reticulated geometric foot. Presentation inscription on underside. Marked on bottom “Georg Jensen Inc. U.S.A.” Height<br />
5”. Diameter 9”. Approx. 22.0 troy oz. 700/1,000<br />
19. PAIR OF STERLING SILVER WEIGHTED FIVE-SOCLE CANDELABRA BY CARTIER<br />
Convertible to several different sizes. Fully assembled height 17”. Span 13”. 600/800<br />
20. STERLING SILVER FLATWARE SET BY TOWLE MFG. CO.<br />
In the “Chippendale” pattern. Consists of:<br />
12 9” hollow-handled dinner knives 12 dinner forks 12 salad forks 12 teaspoons<br />
12 round soup spoons 12 butter knives 1 gravy ladle 1 sugar spoon<br />
1 salad fork 1 salad spoon 1 hollow-handled cake slice<br />
Approx. 73.4 troy oz. weighable 1,400/1,600<br />
21. ENGLISH SILVER PLATED COFFEE SET<br />
Includes a coffeepot, teapot, open sugar and creamer with chased-style foliate design. Bird-form fi nials to covers and bird-form<br />
pouring spouts. Mythical mask at front of each spout. Height of coffeepot 11½”. 250/350<br />
22. FRENCH SILVER COFFEEPOT<br />
With fl oral fi nial and ebonized wood handle. French standard mark on inner rim of lid. Height 7¾”.<br />
Approx. 11.6 troy oz. 300/400<br />
23. AMERICAN SILVER TEA URN BY GORHAM MFG. CO. FOR M.W. GALT BROS. Circa 1860<br />
In urn form with embossed fl oral decoration in an engine-turned design. Dome-shaped top. Exceptional ram’s heads with ring<br />
handles applied to sides. Purportedly similar to one owned by Abraham Lincoln. Height 18”.<br />
Approx. 86.4 troy oz. 8,000/10,000<br />
24. ASSEMBLED ENGLISH STERLING SILVER FOUR-PIECE TEA SET 19th Century<br />
Together with an English silver plated two-handled waiter. Tea set by various makers in ribbed forms with applied fl oral and<br />
foliate handles and fi nials. Includes a matching creamer and open sugar bowl, a non-matching coffeepot, height 8½”, and a<br />
teapot. Approx. 70.2 troy oz. 1,400/1,600<br />
25. PAIR OF STERLING SILVER THREE-SOCLE CANDELABRA BY GORHAM MFG. CO.<br />
With embossed scroll and fl oral decoration. Weighted bases. Height 13”. Span 11¾”. 300/350<br />
26. THIRTY-EIGHT AMERICAN SILVER FLATWARE ITEMS<br />
Includes nineteen coin silver teaspoons, tablespoons and place spoons by various makers, and one tablespoon, one dinner fork,<br />
fi fteen teaspoons and two place spoons in sterling silver. Approx. 30.8 troy oz. 300/350
27. EIGHT PIECES OF STERLING SILVER HOLLOWWARE<br />
Includes a wooden-handled saucier, a bread tray, a tea caddy spoon, a pair of glass-lined salt & pepper shakers, a needle case<br />
and two silver overlay trivets. Approx. 20.0 troy oz. 300/350<br />
28. TWENTY PIECES OF STERLING SILVER FLATWARE BY DURGIN, DIV. OF GORHAM MFG. CO.<br />
In the “French Antique” pattern. Monogrammed. Consists of:<br />
5 dinner forks 12 luncheon forks 1 tablespoon 2 teaspoons<br />
Approx. 30.6 troy oz. 600/800<br />
29. FORTY-TWO PIECES OF STERLING SILVER FLATWARE BY GORHAM MFG. CO.<br />
In an unknown pattern. Monogrammed. Consists of:<br />
8 dessert forks 8 cocktail forks 8 iced tea spoons 8 cream soup spoons<br />
8 demitasse spoons 1 individual butter spreader<br />
Approx. 31.8 troy oz. 600/800<br />
30. TWELVE STERLING SILVER TEASPOONS BY ARTHUR STONE<br />
Hand-hammered in a coffi n-end form. Monogrammed “R.C.” on front. Dates on back from 1912 to 1922. Maker’s mark “W”.<br />
Approx. 10.2 troy oz. 350/550<br />
31. STERLING SILVER PARTIAL FLATWARE SET BY TIFFANY & CO.<br />
In the “Faneuil” pattern. Consists of:<br />
6 9¼” hollow-handled dinner knives 6 dinner forks 6 salad forks 6 teaspoons<br />
1 master butter knife 1 sugar spoon Approx. 29.8 troy oz. weighable 1,400/1,600<br />
32. EXCEPTIONAL FIVE-PIECE ENGLISH STERLING SILVER COFFEE SERVICE Mid-19th Century<br />
By Joseph and Albert Savory. Includes a hot water kettle on stand, height 15¾”, a coffeepot, height 9¾”, a teapot, an open<br />
sugar and a creamer in a chased fl oral design. Covers of three with bird fi nials.<br />
Approx. 169.0 troy oz. 3,500/4,500<br />
33. REED & BARTON FOUR-PIECE STERLING SILVER COFFEE SET<br />
In “Hampton Court” pattern. Includes a coffeepot, height 9”, a teapot, a covered sugar and a creamer.<br />
Approx. 74.0 troy oz. 1,000/1,500<br />
34. SET OF FOUR ENGLISH SILVER CASTORS London, 1816<br />
In baluster form with repoussé fl oral design and fl ower bud fi nial on domed top.<br />
Approx. 28.2 troy oz. 2,000/3,000<br />
35. ENGLISH SILVER TWO-HANDLED LOVING CUP BY FRANCIS SPILSBURY I 18th Century<br />
Maker’s mark for Francis Spilsbury I. Marks for London, 1740-41. Later inscribed “Charles Theodore Russell, Louise Rust<br />
Twenty fi fth wedding anniversary, March fourteenth 1906-1931.” Approx. 12.2 troy oz. 2,000/3,000<br />
36. ENGLISH SILVER MUSTARD POT BY THE BATEMAN FAMILY London, 1800<br />
Together with 19th Century mustard spoon. Pot with chased laurel leaf decoration and shell thumb latch. Cobalt blue glass<br />
liner. Maker’s mark for Peter, Ann and William Bateman. Height 3”.<br />
Approx. 4.6 troy oz. weighable 400/600<br />
37. SET OF FOUR STERLING SILVER WEIGHTED CANDLESTICKS BY GORHAM MFG. CO.<br />
Monogrammed. Heights 9½”. 300/500<br />
38. EIGHT GORHAM MFG. CO. STERLING SILVER CORDIALS<br />
In vase form with blue enameled interiors. Arranged into two cased sets. Heights 2¾”.<br />
Approx. 5.0 troy oz. 150/250<br />
39. SHEFFIELD TWO-HANDLED SILVER PLATED WAITER<br />
By Walker & Hall of Sheffi eld. In rectangular form with fl oral and scroll design. Length 28”. 300/500<br />
40. ENGLISH SILVER STUFFING SPOON London, 1757<br />
By Mary Chawner. In a back-tipt fi ddle pattern. Monogrammed “N”. Length 12”.<br />
Approx. 5.0 troy oz. 500/700
41. EIGHT AMERICAN AND CONTINENTAL SILVER SERVING PIECES<br />
Includes a lasagna server and a pie server by Wallace in the “Grande Baroque” pattern, a pie server, a pair of sandwich tongs, a<br />
gravy ladle, a nut spoon, an English stuffi ng spoon and a cream ladle.<br />
Approx. 7.0 troy oz. 200/300<br />
42. CASED STERLING SILVER FLATWARE SET BY WESTMORLAND SILVER CO.<br />
In the “George and Martha Washington” pattern. Consists of:<br />
8 8¾” hollow-handled dinner knives 8 dinner forks 8 salad forks 8 round soup spoons<br />
8 iced tea spoons 3 tablespoons 16 teaspoons 1 sugar spoon<br />
1 lemon fork 1 hollow-handled cake slice 1 salt spoon and salt dish<br />
Approx. 58.0 troy oz. 1,200/1,600<br />
43. SIX AMERICAN AND ENGLISH SILVER SERVING PIECES<br />
Includes a punch ladle by John Cook of New York, an English sauce ladle with illegible marks and four English master salts,<br />
maker unknown. Approx. 10.2 troy oz. 250/350<br />
44. ENGLISH SILVER WINE FUNNEL London, 1828<br />
With shell decoration. Maker’s mark “E.B.” untraced. Height 5½”.<br />
Approx. 3.6 troy oz. 250/350<br />
44A. SEVEN-PIECE STERLING SILVER TEA SERVICE BY HEER-SCHOFIELD CO.<br />
In a repoussé vintage design. Includes a coffeepot, height 13¾”, a teapot, a hot water kettle on stand, a covered sugar bowl, a<br />
creamer, a waste bowl and a two-handled waiter, length 24”. Approx. 277.4 troy oz. 8,000/10,000<br />
44B. THREE-PIECE STERLING SILVER DEMITASSE COFFEE SET<br />
Together with a non-matching sterling silver oval tray. Coffee set includes an ebony-handled coffeepot, height 9½”, a creamer<br />
and an open sugar bowl in urn form with beaded decoration. Approx. 40.8 troy oz. 800/1,200<br />
44C. RUSSIAN .84-FINE SILVER AND ENAMEL PEDESTAL BOWL<br />
Interior with fi nely enameled fl oral and bird decoration on a light green ground. Diameter 4”. 500/700<br />
44D. STERLING SILVER DECORATIVE PLAQUE<br />
Depicting three frogs swimming on and around lily pads. Maker’s mark not found. Standing in a wooden base. Length 4¾”.<br />
Approx. 4.2 troy oz. 800/1,000<br />
44E. AMERICAN SILVER PLATE STANDISH<br />
In shaped oval form with two cut glass inkwells and a wax holder in the center.Length 10½”. 200/250<br />
44F. ENGLISH SILVER WINE FUNNEL London, 1780-81<br />
With half-rib decoration. Maker’s mark for William Batemen. Height 5½”.<br />
Approx. 3.6 troy oz. 600/800<br />
44G. FOUR ENGLISH SILVER OPEN SALT DISHES 18th Century<br />
In circular form with ruffl ed rim. Supported on three pad feet. Maker’s mark “W. B.” untraced. Diameter 2¾”.<br />
Approx. 11.2 troy oz. 300/500<br />
44H. THREE STERLING SILVER HOLLOWWARE PIECES<br />
By various makers. Includes a creamer by Tiffany & Co., a large English creamer and an unmarked child’s cup.<br />
Approx. 14.0 troy oz. 400/600<br />
44I. FOUR CONTINENTAL SILVER PIECES<br />
Includes an English nutmeg grater, a French tastevin, a small Dutch bowl with four ram’s head-form feet and an Italian tea<br />
caddy spoon. Approx. 6.8 troy oz. 150/250<br />
44J. SET OF STERLING SILVER FLATWARE<br />
Maker unknown. Retailed by Chapin & O’Brien. In “Compton Thread” pattern. Consists of:<br />
16 8 7/8” hollow-handled dinner knives 16 dinner forks 16 salad forks 24 teaspoons<br />
12 weighted butter spreaders 2 sauce ladles 2 carving forks 1 cheese server<br />
3 serving forks 2 reticulated serving spoons 2 serving spoons 1 sugar tong<br />
1 weighted butter server 1 weighted carving knife<br />
Approx. 100.8 troy oz. 1,500/2,000
44K. FOUR TIFFANY & CO. STERLING SILVER SHOT GLASSES<br />
Monogrammed. Heights 1¾”. Approx. 2.4 troy oz. 150/250<br />
44L. MEXICAN SILVER BOWL<br />
In octagonal form with applied swirl edge. Supported on four paw-like feet. Maker’s mark for “A. Torres Vega”. Diameter 4”.<br />
Approx. 6.4 troy oz. 250/350<br />
44M. ENGLISH SILVER MUSTARD POT London, 1823<br />
In circular-form with shell thumb latch and engraved crest of an owl. Maker’s mark for William Plummer. Cobalt blue glass<br />
liner. Height 2¼”. Approx. 4.0 troy oz. weighable 300/500<br />
44N. STERLING SILVER FRAME BY LEBKUECHER & CO.<br />
For Bigelow, Kennard & Co. With green velvet back. 10” x 12½”. 200/250<br />
44O. GORHAM MFG. CO. AMERICAN SILVER BREAD TRAY<br />
With fenestrated scroll design and shell-decorated rim. Length 12”.<br />
Approx. 11.4 troy oz. 200/250<br />
44P. TWELVE STERLING SILVER TEASPOONS BY S. KIRK & SONS<br />
In a fi ddle-back design. Monogrammed. Approx. 10.2 troy oz. 200/250<br />
44Q. STERLING SILVER COVERED VEGETABLE DISH BY SHREVE, CRUMP & LOW<br />
In oval form with applied swirled rim and applied rope handles. Length 11¼”.<br />
Approx. 23.6 troy oz. 400/600<br />
45. THREE-PRONGED DIAMOND AND YELLOW GOLD RING<br />
Approx. .50 ct. central diamond fl anked by two approx. .15 ct. diamonds. Gold unmarked. Size 7¼. 600/800<br />
46. 14KT WHITE GOLD, DIAMOND AND CITRINE DINNER RING<br />
Faceted oval citrine surrounded by numerous diamonds in a fi ligree setting. Size 7½. 700/900<br />
47. DIAMOND, TSAVORITE AND GARNET 18K GOLD AND PLATINUM RING<br />
Central square-cut tsavorite fl anked by two baguette-cut diamonds and two smaller garnets. Size 7¼. 250/350<br />
48. 14KT YELLOW GOLD, PINK TOURMALINE AND DIAMOND RING<br />
Emerald-cut tourmaline surrounded by diamonds. Size 7. 350/450<br />
49. 14KT YELLOW GOLD AND DIAMOND RING<br />
Eighteen diamonds in a diagonal design. Size 4½. 1,000/1,500<br />
50. 14KT YELLOW GOLD, DIAMOND AND EMERALD RING<br />
Set with three emeralds and two diamonds in a tassel-like setting. Size 3½. 250/350<br />
51. FINELY CARVED CAMEO RING 19th Century<br />
Depicting a classical warrior in a gold mount. Size 11. 300/400<br />
52. THREE-PIECE 14KT YELLOW GOLD AND AQUAMARINE DEMI-PARURE<br />
By Adesso. Necklace with a faceted oval aquamarine prong-set in yellow gold with a tiny diamond on a very fi ne 14kt gold<br />
chain. Stud earrings in matching design. Pendant marked “ADESSO 14kt”. 350/450<br />
53. 14KT YELLOW GOLD, CITRINE AND DIAMOND PENDANT NECKLACE<br />
Central faceted citrine prong-set in a circular openwork gold setting encircled by two bands of small diamonds with<br />
intermittent diamonds highlighting the gold openwork between. Overall diameter 1”. Diamond-set bail and 18” gold chain.<br />
400/600<br />
54. 14KT YELLOW GOLD, ONYX AND DIAMOND RING<br />
Concentric ovals of ornately patterned gold and onyx with a central engraved gold starburst design highlighted with a small<br />
diamond. Size 2½. 250/350<br />
55. FOUR GOLD COCKTAIL RINGS<br />
One 14kt gold with central pearl fl anked by two diamond chips, one 14kt gold with square-cut citrine, one 14kt gold with fi ve<br />
small garnets, and one square-cut cubic zirconia in a twisted gold setting. 250/350
56. TWO VICTORIAN UNMARKED YELLOW GOLD AND NIELLO BRACELETS<br />
With engine-turned and fl oral designs. Diameter 2¼”. 27.0 grams 400/600<br />
57. BLUE TOPAZ, DIAMOND AND BLACK STONE BRACELET<br />
In a yellow gold mount. Length 6¼”. 300/400<br />
58. 14KT YELLOW GOLD, DIAMOND AND ENAMEL RING<br />
In a pinwheel design of small diamonds around a larger central diamond. Size 3. 300/400<br />
59. 14KT YELLOW GOLD AND PEARL NECKLACE<br />
With two suspended pearls. Length of chain sans pendants 15”. 300/400<br />
60. 14KT YELLOW GOLD, TANZANITE AND DIAMOND RING<br />
Oval tanzanite fl anked by two diamonds on one side and three on the other. Size 4½. 250/350<br />
61. 14KT YELLOW GOLD, SAPPHIRE AND DIAMOND RING<br />
In an open fl oral design. Size 4. 250/350<br />
62. WALTHAM LADY’S OPEN FACE WATCH<br />
In 14kt yellow gold case. Diameter 1”. 100/150<br />
63. PAIR OF 14KT YELLOW GOLD AND EMERALD EARRINGS<br />
With rectangular stones. 100/200<br />
63A. HAMILTON ELECTRIC “VENTURA” GENTLEMAN’S WRIST WATCH Mid-Century<br />
Asymmetric 14kt yellow gold case with nickel Damascene movement. Original gold-plated band and box. 1,500/2,000<br />
64. DIAMOND, EMERALD AND PLATINUM RING<br />
Approx. 1.8 ct. brilliant-cut central diamond fl anked by two 40 pt. diamonds and six baguette-cut emeralds surrounded by<br />
twenty-two smaller diamonds. Size 8. 7,000/9,000<br />
65. SWISS 18KT GOLD AND DIAMOND LADY’S WRIST WATCH<br />
By Corum. Gross weight approx. 32.9 dwt. 2,000/3,000<br />
65A. 18KT GOLD MAN’S WRIST WATCH BY GIRARD-PERREGAUX<br />
In rectangular form with black leather band. Roman numeral dial. Reference #2532. Original black leather case. 2,000/2,500<br />
66. 14KT YELLOW GOLD, MABE PEARL AND DIAMOND PENDANT<br />
In circular form with key fret border. Length 1 1/8”. 600/800<br />
67. GOLD WIRE AND FRESHWATER PEARL NECKLACE<br />
Length approx. 16”. 300/400<br />
68. YELLOW GOLD BEAD AND PEARL NECKLACE<br />
Together with a gold and pearl pendant drop. Necklace has twenty-two ribbed gold beads and eighty-four pearls. Length 27”.<br />
Length of pendant 1”. 900/1,100<br />
69. 14KT YELLOW GOLD AND PEARL CIRCLE PIN<br />
Diameter 1”. 200/300<br />
70. YELLOW GOLD AND DIAMOND PENDANT BROOCH<br />
In starburst form with approx. .3 ct central diamond and thirty-two smaller diamonds. Diameter 1”. 600/900<br />
71. THREE-PIECE 14KT YELLOW GOLD, EMERALD AND DIAMOND DEMI-PARURE<br />
A pair of emerald and diamond earrings and a pendant necklace. Pierced earrings, oval length 3/8”. Pendant length 5/8”.<br />
Length of chain approx. 14”. 600/800<br />
72. 14KT YELLOW GOLD RING<br />
In the form of a fl ip-fl op sandal with a small diamond. Size 4½. 180/220<br />
73. 14KT YELLOW GOLD, GARNET AND DIAMOND RING<br />
Set with three garnets and four diamonds in a fl ower-like setting. Size 3½. 300/400
74. 14KT YELLOW GOLD AND DIAMOND RING<br />
Eight small diamonds set in a 14kt white gold mount. One small diamond missing from setting. Size 6¼. 200/250<br />
75. YELLOW GOLD AND DIAMOND FLOWER-FORM SLIDE/PENDANT<br />
Diameter 7/8”. 400/500<br />
76. 14KT YELLOW GOLD AND DIAMOND RING<br />
In an openwork fl oral design with forty-three diamonds. Size 7. 800/1,000<br />
77. YELLOW GOLD, GREEN JADE AND DIAMOND BROOCH Early 20th Century<br />
By Erwin Paltscho. In four-leaf clover form. Length 1½”. In original box. 300/400<br />
78. DIAMOND SOLITAIRE YELLOW GOLD RING<br />
Surrounded by a diamond-mounted guard. Approx. .5 ct. diamond solitaire surrounded by sixteen brilliant-cut and six marquiscut<br />
diamonds. Total weight 21.1 cts. Gold unmarked. Size 7. 2,500/3,500<br />
79. COLLECTION OF TWELVE JEWELRY DESIGNS BY HENRI CREANGE<br />
Gilding and oil-based paint on paper. Each signed in pencil; some with monogram. 15” x 12”. 400/600<br />
80. OPAL AND 10KT GOLD RING<br />
Oblong opal doublet set in a gold openwork scrolled mount. Size 6½. 250/350<br />
81. BLACK ENAMEL AND PEARL FLORAL BROOCH<br />
Diameter 1¼”. 250/350<br />
82. DIAMOND AND PEARL BROOCH<br />
In the form of a snowfl ake. Diameter 1”. 200/300<br />
83. WHITE GOLD, DIAMOND AND SAPPHIRE PENDANT<br />
In rectangular form with cut rock crystal fi eld. Length 1 1/8”. 100/200<br />
84. CAMEO AND SEED PEARL BROOCH 19th Century<br />
With fi nely carved bust of a lady. Inscribed on back “Elizabeth du Fresne Tyler - Christmas 1880”. Length 1½”. 100/200<br />
85. HAND-PAINTED PORCELAIN BROOCH IN A GILT FRAME<br />
Depicting a young girl and her puppies. Length 2¼”. 150/250<br />
86. ANTIQUE AMERICAN CHIPPENDALE WING CHAIR Circa 1780<br />
Mahogany frame with H-stretcher base. <strong>Print</strong>ed upholstery in poor condition. 500/700<br />
87. ANTIQUE AMERICAN QUEEN ANNE TILT-TOP TABLE Circa 1750<br />
In cherry. Circular top on vasiform pedestal raised on cabriole legs ending in snake feet. Height 27½”. Diameter of top 29½”.<br />
400/600<br />
88. ANTIQUE AMERICAN SHERATON BOWFRONT BUREAU Circa 1820<br />
In cherry. Four drawers, all with replaced brasses. Ribbed and turned legs. Height 40”. Width 44”. Depth 21”. 300/500<br />
89. ANTIQUE AMERICAN SHERATON D-END CONSOLE CARD TABLE 18th Century<br />
In mahogany with double-banded inlay on lid and apron. Ribbed legs. Height 29”. Width 36”. Depth 17½”. 500/1,000<br />
90. ANTIQUE AMERICAN TAVERN TABLE Late 18th/Early 19th Century<br />
In pine with breadboard end top and single drawer below. Block legs and stretcher base. Height 29¾”. Width 30”. Depth 19½”.<br />
250/350<br />
91. ANTIQUE AMERICAN HEPPLEWHITE CHEST-OF-DRAWERS Circa 1790<br />
In wavy birch with four drawers and delicate high bracket feet. Height 36¼”. Width 40”. Depth 19¾”. 800/1,000<br />
92. AMERICAN CONVEX MIRROR 19th Century<br />
With gilt eagle, shields and arrows. Height approx. 37”. Width approx. 27”. 500/1,000<br />
93. ANTIQUE AMERICAN HEPPLEWHITE THREE-DRAWER BUREAU Early 19th Century<br />
In mahogany and mahogany veneers with line inlay to top edge. Brass pulls. French feet. Height 35”. Width 35½”. Depth 18”.<br />
300/500
94. ANTIQUE AMERICAN SHERATON CONSOLE CARD TABLE Late 18th/Early 19th Century<br />
In mahogany and mahogany veneers. Lobed form with swell front. Turned and ribbed legs. Height 29½”. Width 24”. Depth 17”.<br />
200/300<br />
95. ANTIQUE AMERICAN CHIPPENDALE MIRROR 18th Century<br />
In mahogany and mahogany veneers with phoenix crest and gilt bezel. Height 34”. 300/500<br />
96. ANTIQUE AMERICAN SHERATON DROP-LEAF TABLE Early 19th Century<br />
In mahogany. Ribbed edges to table top. Bold reeded legs end in simple turned feet. Height 28½”. Top 40” x 23” plus two<br />
13¾” drop leaves. 300/600<br />
97. ANTIQUE AMERICAN BIRDCAGE TIP-TOP TEA TABLE 18th Century<br />
In mahogany with vase-carved pedestal and snake feet. Height 28”. Diameter 29”. 800/1,000<br />
98. ANTIQUE AMERICAN SHERATON CARD TABLE Circa 1810<br />
In mahogany with string and banded inlay to edge of cookie-cornered top. Shaped front and sides. Tapered reeded legs. Height<br />
29¼”. Width 38”. Depth 19”. 800/1,200<br />
99. ANTIQUE AMERICAN SHERATON DROP-LEAF TABLE Early 19th Century<br />
In cherry with turned legs. Height 28½”. Length 40”. Width 17” plus two 15½” drop leaves. 200/300<br />
100. ANTIQUE AMERICAN TWO-PART MIRROR Circa 1810<br />
Reverse-painted upper tablet depicts a ship. Height 28½”. Width 14½”. 150/200<br />
101. FOUR-DRAWER CABINET American, Late 19th Century<br />
In walnut. Dovetail drawers with wooden pulls. Scrolled base. Height 16”. Width 18”. Depth 9”. 200/300<br />
102. ANTIQUE AMERICAN SHERATON GILT MIRROR Early 19th Century<br />
Cornucopia upper panel, ball frieze and turned half-column sides. Height 38”. Width 23”. 150/250<br />
103. ANTIQUE AMERICAN CHIPPENDALE MIRROR Late 18th Century<br />
Mahogany veneer frame with phoenix crest. Height 41”. Width 22½”. 300/500<br />
104. ANTIQUE ENGLISH CORNER CHAIR 18th Century<br />
In yew wood with low crest, two pierced vertical splats and slip seat. 400/600<br />
104A. ANTIQUE AMERICAN ONE-DRAWER BLANKET CHEST 18th Century<br />
In pine with grain-painted decoration. Wooden knobs. Cut-out end. Height 34”. Width 41”. Depth 18½”. 800/1,200<br />
105. ANTIQUE AMERICAN CHIPPENDALE MIRROR 18th Century<br />
In mahogany with gilt eagle pediment. Height 39½”. Width 22”. 300/500<br />
106. ANTIQUE AMERICAN CORNER CUPBOARD Second Quarter of the 19th Century<br />
In pine. Unusual molded cornice with inset steeple clock at center fl anked by two paneled cupboard doors. Two glazed paneled<br />
doors below. Lower case with three drawers over two paneled cupboard doors. Height 82½”. Takes a 29½” corner. 800/1,200<br />
107. UNUSUAL STORE DISPLAY CASE 19th Century<br />
In walnut and maple with glass panels. “John Hill & Son Tudo Cake Factory Ashton under Lyne” frosted on both sides. Bottom of<br />
case lined with green velvet. Height 26¾”. Width 26”. Depth 12¾”. 800/1,200<br />
108. ANTIQUE AMERICAN LIFT-TOP BLANKET CHEST 19th Century<br />
Possibly cherry. Two faux drawers above two real drawers, all with replaced brasses. Bracket base. Height 39½”. Width 38”.<br />
Depth 18”. 250/350<br />
109. ANTIQUE AMERICAN GILT TABERNACLE MIRROR 19th Century<br />
Upper panel depicts a basket of fruit. Height 32”. Width 20”. 100/200<br />
110. AMERICAN SCHOOL<br />
19th Century<br />
Pair of portraits including a woman wearing a lace collar and a man wearing a cravat. Unsigned. Oils on canvas, 27” x 22”.<br />
Framed. 1,000/2,000
111. AMERICAN SCHOOL<br />
19th Century<br />
Hillside landscape with trees and stone wall. Unsigned. Label for Boston framer L.E. Murphy. Oil on canvas, 22” x 27”.<br />
Framed. 300/500<br />
112. WILLIAM FISHER<br />
American, 1891-1985<br />
“Village Green - East Poultney, Vermont - Sept. 1954”. Signed lower right “William Fisher”. Titled on label verso. Oil on<br />
canvas, 25” x 30”. Unframed. 300/500<br />
113. AMERICAN SCHOOL<br />
19th Century<br />
Flowers and fruit in a vase. Unsigned. Oil on canvas, 10½” x 12¾”. Framed. 200/300<br />
114. WILLIAM FREDERICK PASKELL<br />
American, 1866-1951<br />
Mount Chocorua, White Mountains, New Hampshire. Signed lower right “H.H. Howe”. Titled on lower stretcher bar. Oil on<br />
canvas, 27” x 36”. Framed. 300/500<br />
Note: Howe is believed to be a pseudonym for Paskell.<br />
115. WILLIAM FREDERICK PASKELL<br />
American, 1866-1951<br />
Mt. Chocorua from the Ossipee River. Signed lower left “Wm. Paskell”. Oil on canvas, 20” x 25”. Framed. 400/600<br />
116. WILLIAM FREDERICK PASKELL<br />
American, 1866-1951<br />
Nantucket boat houses. Signed lower left “Wm. Paskell”. Oil on canvas, 20” x 24”. Framed. 400/600<br />
117. WHITE MOUNTAIN SCHOOL<br />
Late 19th Century<br />
Autumnal landscape with river and distant mountains. Unsigned. Oil on artist board, 10” x 18¾”. Framed. 500/1,000<br />
118. AMERICAN SCHOOL<br />
Early 20th Century<br />
Autumnal mountain landscape. Unsigned. Handwritten note verso states the artist is “John York”. Possibly John Devereux York<br />
(Illinois, b. 1865). Oil on canvas, 12” x 14”. Framed. 300/500<br />
119. FRAMED PORTRAIT British, Early 19th Century<br />
A seated gentleman wearing a brown coat and holding a book. Oil on canvas, 11¾” x 9¾”. 400/500<br />
120. ISAAC AUGUSTUS WETHERBY<br />
American, 1819-1904<br />
Portrait of woman wearing a lace bonnet and black dress with an oval pin at her collar seated in a chair and holding a book.<br />
Inscribed verso “Painted by I.A. Wetherby Nov 1845”. Oil on canvas, 33” x 27”. Framed. 600/800<br />
121. TOLE TRAY WITH PAINTED DECORATION BY ROSEMARY VON SCHLEGELL<br />
Central panel depicts women in classical dress holding symbolic items including a dove, mask, etc. Rim with foliate design on<br />
a rust-colored ground. Fitted with a 20th Century table base. Tray 28¼” x 21”. Height of table base 22”. 250/350<br />
122. BRONZE FIGURE OF A SEATED FEMALE NUDE BY ROSEMARY VON SCHLEGELL<br />
Height 7½”. 200/300<br />
123. FRAMED PAINTING BY ROSEMARY VON SCHLEGELL<br />
Depicts peasant women feeding doves. Signed lower right “RVS ’61”. Oil on masonite, 10” x 8”. 150/250<br />
124. FRAMED PAINTING BY ROSEMARY VON SCHLEGELL<br />
Depicts mermaids at the bottom of the sea with Neptune and a fi gure of a nude woman. Unsigned. Oil on panel, 20” x 16”.<br />
300/400
125. PHOTO ALBUM OF WESTERN SCENES 19th Century<br />
Approx. fi fty-two black and white images depicting Pike’s Peak, Garden of the Gods, the Royal Gorge, Marshall Pass,<br />
the Spanish Peaks, Yosemite and more. Some marked “W.H. Jackson & Co., Phot., Denver, Colo.” or “Taber Photo., San<br />
Francisco.” Sizes include 5” x 8”, 7½” x 9¼”, 10” x 11¼”, but most images are 4¼” x 6½”. Leather album 10½” x 13”.<br />
1,000/1,500<br />
126. REAL PHOTO POSTCARD DEPICTING GERONIMO ON HORSEBACK<br />
Dated July 17, 1909. 300/500<br />
127. SIX REAL PHOTO CABINET CARDS OF COLORADO VIEWS Late 19th Century<br />
All landscapes. Each approx. 7¼” x 4½”. 200/300<br />
128. FRAMED SIGNED PHOTOGRAPH OF JOHN L. LEWIS<br />
15” x 11½”. 200/300<br />
American labor leader John L. Lewis (1880-1969) served as president of the United Mine Workers of America from 1920<br />
to 1960 and was a founding member of the Congress of Industrial Organizations. Although known by his enemies as being<br />
brutally aggressive, he was beloved by coal miners for bringing them higher wages, pensions and medical benefi ts.<br />
129. FRAMED SILVER GELATIN PHOTOGRAPH “THE HUMAN LIBERTY BELL”<br />
By Mole & Thomas. Depicts 25,000 offi cers and men at Camp Dix, New Jersey confi gured to form an image of the Liberty<br />
Bell. 12” x 10” sight. 300/500<br />
130. ASSEMBLED FAÏENCE DINNER SERVICE BY LUNEVILLE Circa 1900<br />
In a fl oral design. Consists of thirteen dinner plates, seven bone dishes, ten 8½” bowls, eighteen bread & butter plates, seven<br />
two-handled porringers, eight coffee cups and saucers, eight tea cups and saucers, two open vegetable dishes, two celery<br />
dishes, one 13” rectangular platter, one creamer, one covered sugar, a teapot, one 12” chop plate, one 14” chop plate, one 9”<br />
square bowl and a 10” square bowl. 1,000/1,500<br />
131. MEISSEN PORCELAIN SAUCE BOAT WITH UNDERTRAY 19th Century<br />
In two-handled boat form with fl oral decoration. Crossed swords mark on base. Length 9¾”. 200/300<br />
132. ROYAL VIENNA MANTEL URN Late 19th Century<br />
In cobalt with gilt decoration and hand-painted oval panels, one depicting a woman and a cherub, and the other depicting a<br />
landscape. Ormolu lid fi nial, side mounts and foot. Height 15¼”. 700/900<br />
133. MEISSEN PORCELAIN FIGURINE 19th Century<br />
A cherub tailor cutting a piece of rose-colored fabric. Crossed swords mark on base. Height 4½”. 450/550<br />
134. THREE ANTIQUE ENGLISH BLUE AND WHITE STAFFORDSHIRE PLATES<br />
All part of the Dr. Syntax series by Clews. Includes “Seeking Possession of His Living”, diameter 10½”, “Painting a Portrait”,<br />
diameter 10”, and “Turned Nurse”, diameter 8”. 200/300<br />
135. SIX ANTIQUE ENGLISH BLUE AND WHITE PORCELAIN PLATES<br />
From the Dr. Syntax series including “Reading His Tour”, “Bound to a Tree By Highwaymen”, “Mistakes a Gentleman’s House For<br />
an Inn”, “Taking Possession of His Living”, “Disputing His Bill with the Landlady” and “Drawing After Nature”. One marked<br />
“Clews”. Others unmarked but probably also by Clews. Diameters approx. 10”. 300/500<br />
136. PAIR OF FRAMED TILE PICTURES Late 19th/Early 20th Century<br />
Each with three tiles. One depicts a young lady and the other depicts a man playing a mandolin. Brown and cream Majolicastyle<br />
glaze. Nicely detailed. 17¼” x 5¼”. 250/500<br />
137. SIX RARE CENTENNIAL PORCELAIN ITEMS<br />
A matching plate, diameter 9½”, a creamer, a covered sugar bowl, height 7½”, and a cup and saucer, together with a nearmatching<br />
plate with green trim. All with decoration of a sunburst with a rifl e, sword, hat and “Centennial” fl anked by “1776”<br />
and “1876”. 300/500<br />
138. PAIR OF ANTIQUE EASTERN EUROPEAN BRASS CANDLESTICKS 17th/18th Century<br />
Urn-form sockets on simple stems with bell-style foot. Height 7½”. 400/600<br />
139. ARCADE CAST IRON SAFETY COACH Circa 1930<br />
In blue paint. Length 12”. 150/250
140. JONAH AND THE WHALE MECHANICAL BANK<br />
By Shepard Hardware Company of Buffalo, New York. In original paint. Includes original stopper. Length 10”. 2,000/4,000<br />
141. ARCADE “YELLOW COACH” CAST IRON DOUBLE-DECKER BUS<br />
Painted black and brown. Two tires missing, and one tire in poor condition. Some minor wear to paint. Length 13½”.<br />
800/1,200<br />
142. ENGLISH SWIVEL-HEAD STUFFED BEAR Circa 1950<br />
In golden mohair with plastic eyes. Fully jointed. Height 12”. 100/200<br />
143. ENGLISH SWIVEL-HEAD STUFFED BEAR Circa 1930<br />
In golden mohair with shoe button eyes. Fully jointed. Height 13”. 100/200<br />
144. STEIFF BEAR Circa 1920<br />
In brown mohair with shoe button eyes. Fully jointed. Missing tag and button. Height 12”. 500/1,000<br />
145. GERMAN STUFFED BEAR Circa 1930<br />
In light brown mohair with shoe button eyes. Fully jointed. Height 14”. 100/200<br />
146. GERMAN STUFFED BEAR Circa 1950s<br />
In yellow mohair with glass eyes. Fully jointed. Height 16”. 400/700<br />
147. GERMAN STUFFED BEAR Circa 1930<br />
Possibly Steiff. In golden mohair with plastic eyes. Fully jointed. Height 17”. 200/300<br />
148. GERMAN STUFFED BEAR Circa 1920<br />
Possibly Steiff. In golden mohair with shoe button eyes. Fully jointed. Height 16”. 300/500<br />
149. EARLY STEIFF BEAR Circa 1910<br />
In brown mohair with shoe button eyes. Fully jointed. Retains button in ear. Height 8”. 200/300<br />
150. EARLY STEIFF BEAR Circa 1910<br />
In blonde mohair with shoe button eyes. Fully jointed. Retains button in ear. Height 9”. 300/500<br />
151. STEIFF BEAR Circa 1950<br />
Fully jointed. Glass eyes. Retains button and tag. Height 9½”. 150/250<br />
152. EARLY STEIFF BEAR Circa 1910<br />
In blonde mohair with shoe button eyes. Retains button in ear. Height 13”. 300/500<br />
153. STEIFF BEAR Circa 1920s<br />
In blonde mohair with shoe button eyes. Fully jointed. Retains button in ear. Height 13”. 300/500<br />
154. EARLY STEIFF BEAR Circa 1920<br />
In blonde mohair with shoe button eyes. Fully jointed. Button and tag missing. Height 14”. 500/800<br />
155. STEIFF BEAR Circa 1920<br />
In blonde mohair, mostly missing. Shoe button eyes. Fully jointed. Button and tag missing. Height 13”. 400/700<br />
156. EARLY STEIFF BEAR Circa 1920<br />
In blonde mohair with shoe button eyes. In golden mohair with plastic eyes. Button missing. Height 13”. 500/1,000<br />
157. EARLY STEIFF BEAR Circa 1904/1905<br />
In golden mohair with shoe button eyes. Fully jointed. Early “blank button”. Height 13”. 800/1,200<br />
158. GERMAN STUFFED BEAR<br />
Possibly a later reproduction. In golden mohair with shoe button eyes. Height 13”. 100/200<br />
159. STEIFF BEAR Circa 1920<br />
In blonde mohair, mostly missing. Glass eyes. Fully jointed. Button missing. Height 13”. 100/200
160. STEIFF BEAR Circa 1910<br />
In blonde mohair with shoe button eyes. Wearing a white stocking knit hat and sweater. Fully jointed. Retains button in ear.<br />
Some restitching. Height 12”. 300/500<br />
161. STEIFF BEAR Circa 1920<br />
In blonde mohair with shoe button eyes. Fully jointed. Replaced pads. Left ear partially attached. Restitched nose. Some hair<br />
loss. Height 13”. 300/500<br />
162. EARLY GERMAN STUFFED BEAR Circa 1910<br />
Possibly Steiff. In gray mohair with shoe button eyes. Wearing a tan outfi t and a black belt. Considerably worn. Height 12”.<br />
200/400<br />
163. GERMAN STUFFED BEAR Circa 1910<br />
Possibly Steiff. In blonde mohair with shoe button eyes. Wearing one-piece pajamas and slippers. Considerable wear. Height 22”.<br />
300/500<br />
164. SIX SMALL STUFFED BEARS<br />
1) Perfume holder (head comes off to reveal a glass bottle inside) in brown mohair. Fully jointed. Height 5”. 2) White mohair<br />
bear with swivel head and glass eyes. Fully jointed. Height 5”. 3) Perfume holder in golden mohair. Fully jointed. Height 4”.<br />
Sans glass bottle. 4) Fullly jointed white mohair bear with some discoloration. Height 4”. 5) Make-up holder bear in yellow<br />
mohair. Fully jointed. Height 4”. 6) Perfume holder in yellow mohair. Height 3”. 200/400<br />
165. FOUR ENGLISH FULLY JOINTED STUFFED BEARS<br />
Including one in golden mohair with one glass eye and a growler, height 21”, one in golden mohair with glass eyes, height 18”,<br />
a Chad Valley in golden mohair with damage to right ear, height 20”, and one in brown mohair with glass eyes, height 17”.<br />
200/300<br />
166. TWO TEDDY BEARS<br />
Both with considerable wear. One holding an ice cream cone. The other has a velvet heart attached to its chest. Heights 12” and 16”.<br />
200/300<br />
167. TWO BOXED STEIFF ANNIVERSARY BEARS<br />
In gold mohair. Fully jointed. Heights 4” and 12”. 100/200<br />
168. STEIFF ANNIVERSARY BEAR<br />
In gold mohair. Includes original box. Height 16”. 100/200<br />
169. THREE MODERN STEIFF ANIMALS<br />
Including a dog with damage to ear, length 5”, a fully jointed brown bear, height 13”, and Zotte the Bear, height 11”. 100/200<br />
170. LOT OF TOBACCO CARDS Late 19th/Early 20th Century<br />
Contained within a cigar box. Cards from cigarette companies Gypsy Queen, Old Judge, Richmond and more. Depict various<br />
subjects including North American Native Americans, authors, game birds, early bicycling, and sporting fi gures, including<br />
boxers Wallace Ross, Jack Dempsey, J.P. Clough, Patsey Cardiff, and John L. Sullivan. 500/1,000<br />
171. FRAMED JOHN DILLINGER “WANTED” POSTER<br />
“Wanted in 5 States ... Public Enemy Number One!”. 21” x 16”.<br />
John Herbert Dillinger, Jr. (American, 1903-1934) was an infamous bank robber during the heyday of Depression-era outlaws.<br />
He and his gang robbed two dozen banks and four police stations, and Dillinger escaped twice from jail before being shot and<br />
killed by police as they were trying to apprehend him at a Chicago theater. J. Edgar Hoover used Dillinger’s notoriety as a<br />
platform to launch the FBI. 400/600<br />
172. (FRAMED T.L.S.) JOHN F. KENNEDY AS REPRESENTATIVE<br />
Dated June 20, 1952. To “Mr. Halford” [sic: Halfyard]. Concerning seeking help in procurring nomination signatures. On U.S.<br />
House of Representatives stationery. 800/1,200<br />
173. (FRAMED T.L.S.) LYNDON B. JOHNSON AS SENATOR<br />
Dated November 19, 1954. To Captain Halfyard concerning Strom Thurmond. On U.S. Senate stationery. 150/250
174. (UNFRAMED A.L.S.) LONGFELLOW, HENRY WADSWORTH<br />
Dated Cambridge, March 13, 1882. Thank you note for a case of wine addressed to Mr. S. Reich of New York. Written just<br />
eleven days before Longfellow (b. 1807) died after suffering from severe stomach pains for several weeks. In the letter he<br />
writes “I fi nd writing with my own hand rather diffi cult.” Signed “Henry W Longfellow”. Three pages. 12 mo. Tears and small<br />
loss at horizontal folds and along edges that do not obscure text. 175/250<br />
175. FRAMED LARGE FOLIO REPRODUCTION COLORED PRINT<br />
Depicting a bird’s-eye view of Quincy, Massachusetts. 20” x 34” sight. 150/200<br />
176. “STEREOPTICON ENTERTAINMENT!” BROADSIDE<br />
“Gems from Amateur Photographers. By Chas. W. Eddy, Ware, Mass.” at the Congregational Church, East Granby, Conn.<br />
Dated Dec. 29th, 1898. 19½” x 18¾”. Mounted to board. Unframed. 200/400<br />
177. TWO BROADSIDES<br />
1) “First Annual Grange Fair! ... Ware Center ... on Exhibition a Large Variety of Fruit, Vegetables, Fancy Work, Curiosities, &c.”<br />
Dated October 26, 1898. 24½” x 18¼”. 2) “Executrix’ Sale of Personal Property at Auction! ... at Hardwick Center” with list of<br />
items to be sold including two chamber sets, furniture, tools, etc. Dated October 12, 1895. 22½” x 17½”. Both printed by Eddy the<br />
<strong>Print</strong>er, Ware, Mass. Both mounted on board and unframed. 150/200<br />
178. “DUAL PARISH CARNIVAL” BROADSIDE Late 19th Century<br />
“Sports, Boxing, Dancing, Fire Works and Everything So. Groveland”. Undated. 19½” x 12¼”. Unframed. 150/200<br />
179. SOCIAL EVENT BROADSIDE<br />
“Grand Entertainment! at A.O.H. Hall, Gilbertville, Mass. ... Consisting of Singing, Dancing, Instrumental Music &c. ... Good<br />
Music Will Be Furnished. Perfect Order will be maintained and a good time assured all who attend. Ladies Especially Invited.”<br />
Dated February 13, 1897. 24½” x 18”. Mounted on board. Unframed. 150/200<br />
180. DOUBLE-SIDED BROADSIDE<br />
One side dated Friday, Jan. 1, 1932 with “Third Annual New Years Night Dance ... Fireman’s Association Plaistow Town Hall”<br />
in red, and the other dated Wednesday, Oct. 29 with “Republican Rally Under the Auspices of the Italian-American Registered<br />
Voters Club” and list of speakers in black. 19¼” x 12¼”. Unframed. 150/250<br />
181. MINIATURE HOODED MERGANSER DRAKE<br />
By Harold Gibbs of Barrington, Rhode Island. Signed on bottom of driftwood base “H. Gibbs 1968”. 300/400<br />
182. UNUSUAL PAIR OF SHOVELERS<br />
By Harold Gibbs of Barrington, Rhode Island. Mounted on a wooden base painted blue. Signed in pen on bottom “H.G.”<br />
400/600<br />
183. MINIATURE RED-BREASTED MERGANSER DRAKE<br />
By Harold Gibbs of Barrington, Rhode Island. Signed on bottom of driftwood base “H. Gibbs Aug. 1969”.<br />
300/400<br />
184. MINIATURE CANADA GOOSE IN DECOY FORM<br />
An early example by Harold Gibbs of Barrington, Rhode Island. Cracked neck. Signed on bottom “H.G.” 150/250<br />
185. MINIATURE MALLARD DRAKE<br />
By Harold Gibbs of Barrington, Rhode Island. Signed on bottom of driftwood base “H. Gibbs 1965”. 300/400<br />
186. MINIATURE BLACK DUCK<br />
By Harold Gibbs of Barrington, Rhode Island. Mounted to a driftwood base. Signed on bottom “H. Gibbs 1967”. 300/400<br />
187. CANVASBACK DRAKE DECOY<br />
From the Chesapeake Bay. Maker unknown. Repaint and wear. 150/250<br />
188. ROOTHEAD BRANT DECOY<br />
From Long Island. Maker unknown. Some repaint and wear. 100/200<br />
189. CANADA GOOSE DECOY<br />
By Alfred Gardner of Accord, Massachusetts. Head slightly loose. Tack eyes. Cork body. Branded on bottom “J.C. Adams”.<br />
150/250
190. ONE DOZEN BLUE-WINGED TEAL DECOYS<br />
Six hens and six drakes by the Animal Trap Decoy Company of Pascagoula, Mississippi. Includes two original cardboard<br />
shipping boxes, each stamped “½ doz. Teal Wood Decoys”, and original newspapers dated 1956 used for packing. One hen<br />
has minor bill damage from factory or shipping, otherwise all birds are in mint condition and were never rigged. Ink stamp on<br />
bottom of each. 300/500<br />
191. THREE MINIATURE BIRD CARVINGS<br />
A goose, a goldeneye drake and a green-winged teal by Stan Sparre of Cape Cod, Massachusetts. 100/200<br />
192. TWO MINIATURE BRANTS<br />
By Harry V. Shourds III of Tuckerton, New Jersey. One with tack eyes. Signed on bottoms in pen “H.V. Shourds ’91”.<br />
100/200<br />
193. PAIR OF MINIATURE GEESE<br />
By Shorty Burr of Hingham, Massachusetts. One in preening form. Mounted to a single driftwood base. Signed on bottom of<br />
base “A.P. Burr Hingham, Mass.” 100/200<br />
194. PAIR OF MINIATURE GOLDENEYES<br />
By Shorty Burr of Hingham, Massachusetts. Mounted on a burlwood base with inset mirror to simulate water. 100/200<br />
195. TWO DECOYS<br />
A balsa-carved black duck decoy branded on bottom “Quoghe [?], New York”, and a green-winged teal drake branded on<br />
bottom “FSM”, both by the Wildfowler Decoy Company. 150/250<br />
196. PAIR OF BLUEBILL DECOYS<br />
By the Wildfowler Decoy Company of Point Pleasant, New Jersey. Original paint with minor wear. Stamped on bottom “Point<br />
Pleasant, New Jersey”. 200/300<br />
197. LIFE-SIZE SAW-WHET OWL<br />
By Peter Peltz of East Sandwich, Massachusetts. Mounted on a driftwood base. 200/400<br />
198. LIFE-SIZE COMMON SNIPE<br />
By Peter Peltz of East Sandwich, Massachusetts. Mounted on an oval wooden base. 200/400<br />
199. MINIATURE GROUSE<br />
By Peter Peltz of East Sandwich, Massachusetts. Mounted on a cedar base. 200/400<br />
200. TWO DECOYS<br />
A redhead hen and a canvasback drake, both by Byron Bruffee of Middleboro, Massachusetts. Both stamped on underside.<br />
200/400<br />
201. FULL-SIZE BLACK DUCK DECOY<br />
By James Lapham of Dennis Port, Massachusetts. In fl ying form. Glass eyes. Signed on the bottom “J. Lapham”. 150/250<br />
202. RARE MINIATURE SCREECH OWL<br />
By James Lapham of Dennis Port, Massachusetts. Glass eyes. Signed on bottom of circular wooden base “J. Lapham”. 400/600<br />
203. TWO MINIATURE WOOD DUCK DRAKES<br />
Both by James Lapham of Dennis Port, Massachusetts. One mounted on a driftwood base and one on a round wooden base.<br />
200/300<br />
204. MINIATURE RED-BREASTED MERGANSER DRAKE<br />
By James Lapham of Dennis Port, Massachusetts. Finely executed. Mounted on a driftwood base. 500/800<br />
205. MINIATURE BALD PATE DRAKE<br />
By James Lapham of Dennis Port, Massachusetts. Turned head. Paint loss to tip of tail and feet. Mounted to a driftwood base<br />
marked in pen on bottom “Baldpate made by J. Lapham Dennis Port Mass ’56”. 400/700<br />
Illustrated Birds in Wood and Paint by Joseph H. Ellis, p. 124.<br />
206. MINIATURE DRAKE COMMON EIDER<br />
By James Lapham of Dennis Port, Massachusetts. Head turned slightly to right. Mounted on a driftwood base. 300/500
207. MINIATURE OLD SQUAW DRAKE<br />
By James Lapham of Dennis Port, Massachusetts. Tip of tail chipped. Mounted to a driftwood base. 200/300<br />
208. MINIATURE KING EIDER<br />
By James Lapham of Dennis Port, Massachusetts. Signed on bottom of driftwood base “King Eider Feb 26 1958 J. Japham<br />
Dennis Port”. 300/500<br />
209. MALLARD DRAKE DECOY<br />
From Wisconsin. Maker unknown. Glass eyes. Original paint with wear. 150/250<br />
210. MINIATURE PINTAIL DRAKE<br />
By Harold Gibbs of Barrington, Rhode Island. Mounted on a driftwood base. Signed on bottom “H. Gibbs 1963”. 300/400<br />
211. MINIATURE BLUE-WINGED TEAL DRAKE<br />
By Harold Gibbs of Barrington, Rhode Island. Mounted to a driftwood base. Signed on bottom “H. Gibbs”. 300/400<br />
212. MINIATURE WOOD DUCK DRAKE<br />
By Harold Gibbs of Barrington, Rhode Island. Mounted to a driftwood base. Signed on bottom “H. Gibbs 1958”. 300/400<br />
213. MINIATURE RUFFED GROUSE<br />
By Stan Sparre of Cape Cod, Massachusetts. Bill, wings and tail open. Mounted on a driftwood base. 140/180<br />
Ex Collection: Ellis.<br />
214. TWO LIFE-SIZE BABY DUCKS<br />
By Holger Smith of Mattapoisett, Massachusetts. Both with glass eyes. One with turned head. Branded on bottom “H.G. Smith<br />
Decoys”. 150/200<br />
215. MINIATURE BURMESE BARD BLACK PHEASANT<br />
By Harold Gibbs of Barrington, Rhode Island. Signed on bottom of driftwood base “H. Gibbs 1968”. 500/700<br />
216. MINIATURE BLACK PHEASANT<br />
By Harold Gibbs of Barrington, Rhode Island. Signed on bottom of driftwood base “H.G.” 500/700<br />
217. LIFE-SIZE DECORATIVE GREATER YELLOWLEGS<br />
Wing up in preening form. Bill open and holding a feather. Glass eyes. Standing with right foot forward of left foot on a carved<br />
oval wooden base painted to simulate a rock. Rectangular stamp and signed in Crowell’s handwriting on underside of base<br />
“Winter Yellowleg A.E. Crowell Cape Cod”. 6,000/10,000<br />
218. RARE LIFE-SIZE DECORATIVE CURLEW<br />
In preening form. Glass eyes. Carved tail. Original paint. Standing with right foot forward of left foot on a carved oval wooden<br />
base painted to simulate a rock. Rectangular stamp and signed in pen in Crowell’s handwriting on underside of base “A.E.<br />
Crowell Cape Cod”. 12,000/16,000<br />
219. LIFE-SIZE DECORATIVE GREATER YELLOWLEGS<br />
In running form. Glass eyes. Carved tail feathers. Gesso missing from both legs including a small chip where right leg meets<br />
body. Part of left foot missing. Mounted on an oval wooden base simulating a rock. Rectangular stamp and signed in Crowell’s<br />
handwriting on underside of base “A.E. Crowell Cape Cod”. 5,000/8,000<br />
220. LIFE-SIZE DECORATIVE KILLDEER<br />
Glass eyes. Carved tail feathers. Mounted on a simulated rockery base. Rectangular stamp and signed in Crowell’s handwriting<br />
on underside of base “A.E. Crowell Cape Cod 1940”. 7,000/10,000<br />
221. LIFE-SIZE DECORATIVE JACK SNIPE<br />
Glass eyes. Standing with left leg forward of right leg on a carved oval wooden base painted to simulate a rock. Rectangular<br />
stamp and signed in Crowell’s handwriting on underside of base “Jack Snipe A.E. Crowell Cape Cod”. 5,000/8,000<br />
222. RARE LESSER YELLOWLEGS MANTEL CARVING<br />
Head turned slightly to the right. Minor damage to bill. Cracks to gesso where top of right leg meets the body. Mounted on<br />
a kidney-shaped faux sand base. Signed in Crowell’s hand on underside of base “A.E. Crowell E. Harwich Mass. Cape Cod<br />
1940”. Rectangular stamp. 6,000/8,000
223. RARE LIFE-SIZE DECORATIVE PIPING PLOVER<br />
Glass eyes. Minor amounts of gesso missing from feet. Mounted on a carved wooden base simulating a clamshell. Rectangular<br />
stamp and signed in Crowell’s handwriting on underside of base “A.E. Crowell Cape Cod Piping Plover”. 5,000/7,000<br />
224. LIFE-SIZE DECORATIVE BLUE JAY<br />
Glass eyes. Damage to crest and tail. Dark brown patina overall. Mounted on a birch branch. Signed on underside of tail<br />
feathers “A.E. Crowell” with additional illegible writing. 3,000/5,000<br />
225. MINIATURE MALLARD DRAKE<br />
Mounted on a circular wooden base. Not stamped. 700/1,000<br />
226. MINIATURE WOOD DUCK DRAKE<br />
By the Crowells of East Harwich, Massachusetts. Mounted on a circular chip-carved wooden base. Rectangular stamp on<br />
underside of base. 500/800<br />
227. MINIATURE AMERICAN MERGANSER DRAKE<br />
Mounted on an oval base with some minor heat crazing. Rectangular stamp on underside of base. 600/800<br />
228. MINIATURE MALLARD DRAKE<br />
Mounted on a round base with white-painted bottom. 1,200/1,400<br />
229. BLACK DUCK DECOY<br />
Head turned slightly left. Glass eyes. Some damage to bill. Neck repaired. Old brown original paint with wear. Oval brand on<br />
underside. 800/1,200<br />
230. BLACK DUCK DECOY<br />
Head turned slightly left. Glass eyes. Neck damage. Paint loss to left side. Oval brand on underside. 800/1,200<br />
231. BLACK-BELLIED PLOVER DECOY<br />
From southeastern Massachusetts. Iron bill. Split tail. Original paint with traces of some overpaint. Some wear and lightly hit<br />
with shot. 400/700<br />
232. BLUEBILL DRAKE DECOY<br />
By Lem and Steve Ward of Crisfi eld, Maryland. 1936 model. Glass eyes. Head turned to left. Age crack to head and tail. Repair<br />
to neck. Original paint. Marked in ink on bottom “1936 L.T. Ward Crisfi eld Maryland”. Signed on bottom “Lem Ward”.<br />
1,000/2,000<br />
233. LIFE-SIZE WHITE RUMPED SANDPIPER<br />
By James Lapham of Dennis Port, Massachusetts. Upswept wing. Mounted to a clamshell base. 150/250<br />
234. MINIATURE FRESH WATER COOT<br />
By James Lapham of Dennis Port, Massachusetts. Carved wing feathers. Mounted on a round wooden base. 300/500<br />
235. BRANT DECOY<br />
By the Wildfowler Decoy Company of Point Pleasant, New Jersey. Hollow-carved. Glass eyes. Branded on bottom “FSM”.<br />
150/200<br />
236. HARLEQUIN DRAKE DECOY<br />
By Bob Kerr of Smith Falls, Ontario. Glass eyes. Head turned to left. Carved wings. Signed on bottom “Made 1959 Bob Kerr”.<br />
300/500<br />
237. FOLK ART CARVED FISH Mid-20th Century<br />
Appears to be pine under traces of blue paint. Glass eyes. Length 15½”. 300/500<br />
238. DECORATIVE CARVED HERRING GULL Mid-20th Century<br />
By Reid Higgins of Cotuit, Massachusetts. In fl ying form. Glass eyes. 800/1,200<br />
239. HOLLOW-CARVED BLACK DUCK DECOY<br />
By James Look of West Tisbury, Martha’s Vineyard, Massachusetts. Tack eyes. Rare original paint shows wear.<br />
4,000/6,000
240. BLACK DUCK DECOY<br />
By Keyes Chadwick of Oak Bluffs, Martha’s Vineyard, Massachusetts. Glass eyes. Minor crack to neck. Tail rubbed. Original<br />
paint with heat crazing. 2,500/3,500<br />
241. RED-BREASTED MERGANSER HEN DECOY<br />
From the south shore of Massachusetts. Maker unknown. Old in-use repaint. Wear. Branded on bottom “LLS”. 500/700<br />
242. HOODED MERGANSER DRAKE DECOY<br />
From the south shore of Massachusetts. Maker unknown. Old in-use repaint. Shows wear. Branded on bottom “LLS”. 500/800<br />
243. OLD SQUAW DRAKE DECOY<br />
From Long Island, New York. Maker unknown. Head turned to right. Neck split. Carved eyes. Original paint with wear.<br />
400/600<br />
244. BLACK DUCK DECOY<br />
By Ben Smith of Oak Bluffs, Martha’s Vineyard, Massachusetts. Head turned to left. Tack eyes. Carved wings. Original paint<br />
with wear. 5,000/7,000<br />
245. THREE LIFE-SIZE DECORATIVE MALLARD DUCKLINGS<br />
By Stan Sparre of Cape Cod, Massachusetts. Ducklings surrounded by carved oak leaves. Driftwood and wooden circulating<br />
base. Unsigned. Includes lucite case. Height 9”. 200/400<br />
246. DECORATIVE-CARVED PINTAIL DRAKE<br />
By Stan Sparre of Cape Cod, Massachusetts. Glass eyes. Carved feather details to back. Tail broken and repaired. Unsigned.<br />
150/250<br />
247. PAIR OF THREE-QUARTER SIZE DECORATIVE-CARVED GREEN-WINGED TEAL<br />
By Stan Sparre of Cape Cod, Massachusetts. In fl ying form. Mounted on a driftwood and walnut base. Signed on bottom “Stan<br />
Sparre, Falmouth, Cape Cod”. Overall height 24”. 200/400<br />
248. PAIR OF LIFE-SIZE DECORATIVE CARVED BOBWHITE QUAIL<br />
By Stan Sparre of Cape Cod, Massachusetts (1923-2011). Mounted on a driftwood base. Unsigned. 200/300<br />
249. LIFE-SIZE DECORATIVE-CARVED BELTED KINGFISHER<br />
By Stan Sparre of Cape Cod, Massachusetts (1923-2011). Mounted on a driftwood and pine base. Signed on base “Belted<br />
Kingfi sher, Cape Cod, 1980, by Stan Sparre”. 200/300<br />
250. LIFE-SIZE DECORATIVE-CARVED MALE CARDINAL<br />
By Stan Sparre of Cape Cod, Massachusetts (1923-2011). Wings open. Damage to underside of left wing. Signed on driftwood<br />
base “Stan Sparre, Cape Cod”. 100/150<br />
251. THREE MINIATURE RED-BREASTED MERGANSERS<br />
By C.E. Doughty of Chebeague Island, Maine. Painted eyes. Inletted heads. Original paint. Lengths 4”, 6” and 10”. 800/1,200<br />
252. MINIATURE GREAT BLUE HERON<br />
By George Boyd of Saybrook, New Hampshire. Turned head. Mounted on a chip-carved base. 1,500/2,500<br />
253. MINIATURE STELLER’S EIDER DRAKE<br />
By James Lapham of Dennis Port, Massachusetts. Signed on bottom of brown wooden base “J. Lapham”. 200/300<br />
254. LIFE-SIZE SWAMP SPARROW<br />
By James Lapham of Dennis Port, Massachusetts. Signed on round wooden base “J. Lapham”. 150/200<br />
255. MINIATURE RUDDY DUCK DRAKE<br />
By James Lapham of Dennis Port, Massachusetts. Signed on wooden base “J. Lapham”. 200/300<br />
256. MINIATURE BRANT<br />
By Harold Gibbs of Barrington, Rhode Island. Signed on bottom of driftwood base “H.G. 1944”. 500/700<br />
257. MINIATURE CANADA GOOSE<br />
By Harold Gibbs of Barrington, Rhode Island. Old neck repair. Standing on a driftwood base. Signed on bottom “H.G.”<br />
200/400
258. MINIATURE WOODCOCK<br />
By Harold Gibbs of Barrington, Rhode Island. Standing on a driftwood base. Signed on bottom of base “H.G. 1948”. 300/400<br />
259. COLLECTION OF ELEVEN MINIATURE DECOYS<br />
Attributed to William Baldwin of Long Island, New York. Includes fi ve pairs of bluebills and a red-breasted merganser.<br />
Lengths from 2” to 2½”. 1,800/2,200<br />
260. GROUP OF THREE LIFE-SIZE DECORATIVE-CARVED CHICKADEES<br />
By Stan Sparre of Cape Cod, Massachusetts (1923-2011). Mounted on a tree limb attached to an oval backboard. Signed on<br />
reverse “Chickadee, Stan Sparre, ’78”. Overall length 19”. 200/300<br />
261. LIFE-SIZE AMERICAN KNOT<br />
By James Lapham of Dennis Port, Massachusetts. Glass eyes. Bill damaged. Signed on bottom of painted pine base “J.<br />
Lapham”. 100/200<br />
262. LIFE-SIZE YELLOWLEGS<br />
By James Lapham of Dennis Port, Massachusetts. Glass eyes. Cracked neck. Signed on bottom of clamshell base “J. Lapham”.<br />
150/250<br />
263. LIFE-SIZE RUBY-THROATED HUMMINGBIRD<br />
By James Lapham of Dennis Port, Massachusetts. Raised carved wings. Signed on bottom of cone-form base “J. Lapham”.<br />
300/500<br />
264. COLLECTION OF FIVE DECORATIVE-CARVED BIRD OBJECTS<br />
Three swagger sticks and two letter openers by Stan Sparre of Cape Cod, Massachusetts (1923-2011). Two swagger sticks with<br />
carved peregrine falcon heads and one with a mallard drake head, length 26”. Both letter openers with pintail drake heads. One<br />
with a damaged wooden blade, length 11”, and one with a brass blade, length 10½”. 200/400<br />
265. ORIENTAL RUG: CONTEMPORARY DESIGN 8’0” x 10’0”<br />
Bold fl owering branches of light gold and brown bearing blossoms of golds, brown, dark pink, crimson, blue and slate gray<br />
with celadon leaves on a midnight blue fi eld. Repeated bold motifs in similar colors throughout ivory main border. 800/1,200<br />
266. TWO ORIENTAL RUGS: KAZAK DESIGN 2’7” x 4’3” and 2’7” x 4’1”<br />
Each with bold geometric elements in blue, green and yellow on red fi elds. Stylized elements throughout borders in primary<br />
colors. 400/500<br />
267. ORIENTAL RUG: SERAPI DESIGN 10’1” x 14’0”<br />
Gold and navy blue central medallion contains ivory and light blue stylized elements. Brick-red fi eld and ivory subfi eld. Small<br />
spandrels of green and dark pink with meandering vines and serrated leaves throughout. Dark blue main border with turtles.<br />
1,500/2,000<br />
268. ORIENTAL RUG: KESHAN 10’3” x 14’7”<br />
Celadon pendant medallion with a light blue and pale yellow center defi ned by red arabesque vines on a bright red fi eld<br />
containing traditional elements in blues, greens, brown, peach, pale yellow and ivory. Blue and pale yellow spandrels. Peach<br />
garrus vine throughout blue main border. 1,400/1,800<br />
269. ORIENTAL RUG: BAKHTIARI PRAYER 4’4” x 5’10”<br />
Dark blue fi eld with central fl ower vase fl anked by fl owering tree branches and cypress trees under a mihrab formed by<br />
arabesque garlands. Light blue spandrels, and red and ivory borders with foliate motifs. 800/1,000<br />
270. ORIENTAL RUG: MESHED 9’7” x 12’5”<br />
Central fl oral medallion of dark blue, dark orange, light blue, pink and tan on a dark red fi eld with fl owering vines. Floral<br />
spandrels of light blue, ivory and salmon pink. Salmon pink and dark blue fl oral borders. 600/800<br />
271. ORIENTAL RUG: BIDJAR 5’1” x 10’4”<br />
Elaborate arabesque medallion of light blue, pink, red and light gold on a camel’s-hair fi eld with a delicate lattice design of<br />
dark blue, dark red and ivory. Quartered spandrels echo central medallion. Dark red and dark blue fl oral borders. 400/500<br />
272. ORIENTAL RUG: SARABAND RUNNER 3’3” x 10’5”<br />
Multiple staggered rows of tiny boteh in pink, light blue, dark blue and ivory on an abrashed red fi eld. Ivory main border with<br />
traditional meandering vine motif. 300/350
273. ORIENTAL RUG: SERAPI DESIGN 7’10” x 9’9”<br />
Gabled medallion of navy blue and tan with a light blue center on a brick red fi eld. Ivory subfi eld with brick red and gray<br />
spandrels. Ivory fl oral border with green leaves and garrus vine throughout. 700/900<br />
274. ORIENTAL RUG: KAZAK DESIGN 3’10” x 5’3”<br />
Central rectangular medallion of red and blue outlined in pale yellow on a bright red fi eld. Additional rectangular medallions of<br />
pale yellow with dark blue latch hook perimeters located in each corner. Light blue and pale yellow borders. 250/350<br />
275. ORIENTAL RUG: SERAPI DESIGN 8’1” x 10’0”<br />
Dark rust-red, dark ivory and navy blue gabled medallion with matching pendants on a rust-red fi eld. Dark ivory subfi eld. Navy<br />
blue and rust-red spandrels. Traditional motifs throughout rust-red turtle border. 800/1,200<br />
276. ORIENTAL RUG: BIDJAR 4’0” x 6’4”<br />
Traditional medallion and Herati-patterned fi eld with spandrels in pale green, red and dark blue. 300/500<br />
277. ORIENTAL RUG: HERIZ 10’3” x 13’6”<br />
Gabled central medallion of blue, red and ivory on a red fi eld. Ivory, red and blue spandrels. Navy blue main border.<br />
Meandering vine, serrated leaves and fl ower blossoms throughout. 1,500/2,500<br />
278. ORIENTAL RUG: TURKISH 7’1” x 8’7”<br />
Central array of fl ower blossoms in pale shades of gray, gold, tan and green surrounded by a series of gray curvate serrated<br />
leaves. Open red fi eld with a perimeter of fl ower blossoms and urns. Tan and gold borders. 600/900<br />
279. ORIENTAL RUG: HERIZ 10’2” x 13’2”<br />
Central gabled medallion with pendants in dark blue, medium blue, red, pink, gold and ivory on a red fi eld with red and ivory<br />
spandrels. Traditional fl owering vines throughout. Abrashed and faded main border of midnight blue. 1,000/1,500<br />
280. ORIENTAL RUG: GABBEH TRIBAL 6’1” x 8’5”<br />
Grid composed of blue vertical and gold horizontal lines on a red fi eld with random squares containing blue and gold<br />
rudimentary elements as well as a few human and animal fi gures. 550/750<br />
281. ORIENTAL RUG: HERATI DESIGN 6’8” x 9’7”<br />
Midnight blue, crimson, green, gray and light yellow on a light gray fi eld. Dark blue turtle border. 600/800<br />
282. ORIENTAL RUG: PERSIAN DESIGN 9’0” x 11’9”<br />
Two columns of graceful garrus vine in dark red and gold with fl oral elements of midnight blue and slate gray on a tan fi eld.<br />
Midnight blue turtle border. 1,200/1,800<br />
283. ORIENTAL RUG: CAUCASIAN DESIGN RUNNER 2’7” x 11’10”<br />
Three geometric medallions with fl owering branches in soft navy blue, rust-red, brown and green emanate from each side of a<br />
pale yellow fi eld. Flowering vine on rust-red main border. 450/550<br />
284. ORIENTAL RUG: PERSIAN DESIGN 9’9” x 14’5”<br />
Repeated rows of stylized fl oral elements alternating with bold garrus vine in red, gold, deep green and dark blue on abrashed<br />
turquoise fi eld. Gold main border. 2,000/2,500<br />
285. ORIENTAL RUG: TURKISH PRAYER 4’6” x 7’7”<br />
Stylized elements of red, brown and ivory on a dark gold fi eld. Ivory mihrab. Brown, light gold and ivory borders contain<br />
further stylized elements. 400/600<br />
286. ORIENTAL RUG: SAROUK 9’1” x 11’11”<br />
Central navy blue pendant medallion with light blue center on a red fi eld fi lled with fl owering vines, serrated leaves, palmettes<br />
and Shah Abbas. Light blue spandrels. Blue and ivory borders. 1,000/1,500<br />
287. FIDELIA BRIDGES<br />
American, 1834-1923<br />
Illustration “First Impressions of a Maryland Coon Hunt & Oyster Roast By One of the Second Cruiser Squadron”, depicting a<br />
group of drunken men by a bonfi re. A raccoon and oyster fl anked by two bottles of wine in lower right. Signed lower left “F.D.<br />
Bridges 8 Nov. 05”. Watercolor and gouache, 6¾” x 9½” sight. Framed. 500/800
288. HENRY REUTERDAHL<br />
American, 1871-1925<br />
Two illustrations: 1) A shirtless sailor fi ring a cannon. Initialed in pencil lower right “H.R.” Watercolor and gouache, 10¾” x<br />
7¾” sight. Framed. 2) The U.S.S. Missouri. Signed lower left “Reuterdahl”. Watercolor and gouache, 10¾” x 8” sight. Framed.<br />
500/800<br />
289. FRAMED PAINTING Turn-of-the-Century<br />
Saint Basil’s Cathedral, Moscow. Unsigned. Oil on canvas, 20” x 14”. 300/500<br />
290. CLIFFORD ROSS<br />
American, b. 1952<br />
“Hurricanes XXVI-XXX”. Five views of crashing waves. Original presentation box with signed title page. Gelatin silver prints,<br />
each 2½” x 3” sight. Framed. 2,000/3,000<br />
291. HENRY (NAP) NAPPENBACH<br />
American, 1862-1931<br />
“Pearl Harbor, U.S. Naval Station, Honolulu 1900”. Titled, dated and signed “H. Nap” lower right. Oil on board,<br />
15½” x 20½”. Framed. 500/1,000<br />
292. WENDELL F. COLLUM<br />
American, 20th Century<br />
“Face on the Bar Room Floor”, an unusual six-panel mural of a Cape Cod bar scene. Shelves of liquor bottles and glassware at<br />
center, a sign for “Joe’s Bar” over a saloon door at left, and the face of a woman on the fl oor along lower edge. Windows look<br />
out onto Nauset Lighthouse and a harbor scene. Eight fi gural cut-out silhouettes, silhouettes of liquor bottles and a painting of<br />
boxer John L. Sullivan can be mounted to the panels with pegs. Silhouette fi gures, heights from 24” to 34”, include a bartender<br />
and an artist, purportedly Wendell Collum. Signed lower right “Wendell F. Collum”. A unique piece of Cape Cod folk art. Oil<br />
on masonite, most panels 85” x 36”. 500/1,000<br />
293. UNFRAMED ILLUSTRATION OF A RED TWO-DOOR CONVERTIBLE SEDAN Circa 1930<br />
Most likely a Cadillac. Set within a fi gural winter scene. Unsigned. Pen, watercolor and gouache, 11” x 18”. 300/500<br />
294. CHARLES MARK RELYEA<br />
American, 1863-1932<br />
Illustration “Highland Lassie”. Signed lower right “Relyea”. Watercolor on paper laid down, 24” x 17”. Unframed. 300/400<br />
295. VERNON B. SMITH<br />
American, 1894-1969<br />
Mountainous scene, probably Alaska. Signed lower left “Vernon Smith 1937 Seward”. Watercolor on paper, 14” x 21” sight.<br />
Framed. 300/500<br />
296. VERNON B. SMITH<br />
American, 1894-1969<br />
Alaskan mountain scene. Signed lower left “Vernon Smith”. Watercolor on paper, 16” x 20” sight. Framed. 300/500<br />
297. VERNON B. SMITH<br />
American, 1894-1969<br />
Five pencil, watercolor and charcoal sketches including a landscape, two abstracts and two of Southwestern Native buildings.<br />
On paper, largest 10” x 14”. Unframed. 200/400<br />
298. MODERN FOLK ART FIGURE OF A FISHERMAN American, Late 20th Century<br />
Made from a post with applied hat and arms. Purportedly by a New Hampshire artist. Overall height 40¾”. 300/500<br />
299. DOCUMENT CHEST 19th Century<br />
Painted green with shadowed yellow lettering “M.G. & Co. 1881-82.” Iron handles. Height 13½”. Width 31”. Depth 14”.<br />
200/300<br />
300. BALTIMORE-RELATED PLASTER SIGN OF A SMILING MOON WEARING A CAP American, Circa 1930<br />
Cap painted green with gold tassel and gold relief lettering “Baltimore T.C.L.”. , possibly related to the 1929 27th Annual<br />
Supreme Forest Convention held in Baltimore. Height 16”. 500/800<br />
301. CAST IRON FIGURE OF A JOCKEY<br />
In red, black and white paint. Height 48”. 300/400
302. WOODEN WALL-MOUNTED PLANTER/LETTER HOLDER Early 20th Century<br />
In mahogany. Acorn fi nial surmounts a slotted post and copper-lined planter. Height 36”. 100/200<br />
303. GIANT HAND-HEWN AND PAINTED CODFISH<br />
By Capt. Mike Orbe, woodcarver, artist, charter boat captain and marine life naturalist who lives in Brewster, Massachusetts. In<br />
original weathered paint. Length 74”. 500/1,000<br />
304. REVERSE-PAINTED WINDOW PANEL Late 19th/Early 20th Century<br />
“Asylum for the Insane” in gold letters on a black ground. 18¼” x 28½”. 400/600<br />
305. UNUSUAL PAINT AND RHINESTONE-DECORATED PLAQUE 20th Century<br />
In the form of a propeller with aviator design. Rhinestone inlay and inscription of numerous aviators’ names and organizations.<br />
Length 39”. 400/600<br />
306. RARE PAIR OF PROVINCETOWN TOWN CRIER BOOKENDS<br />
In bell form with relief depiction of a town crier. “Town Crier Provincetown, Mass.” in relief. Height 7¼”. 300/500<br />
307. WOODEN BUTTER CHURN IN BLUE PAINT 19th Century<br />
With plunger. Height of barrel 25”. 200/400<br />
308. LEATHER STRAP OF TWENTY-FIVE ENGLISH BRASS SLEIGH BELLS<br />
Bells in mixed sizes. Approx. length 96”. 150/250<br />
309. TWO WOODEN BOXES<br />
1) Handled box with sliding cover. Probably in cherry with old crackled fi nish. Height 9”. Length 13½”. Width 5¾”. 2) Benchmade<br />
six-drawer jewelry box with mosaic inlaid top. White porcelain pulls. Bun feet. Height 6”. Length 17¾”. Width 7”.<br />
100/150<br />
310. SHAKER THREE-FINGER HANDLED LIDDED BOX 19th Century<br />
In oval form with swing handles. Medium brown fi nish. Height 4”. Length 10¼”. Width 7¼”. 150/200<br />
Provenance: Herreshoff House in Bristol Rhode Island, from the estate of Norman Herreshoff.<br />
Eldred’s Americana Auction, November 2011, Lot #567.<br />
311. CAPE COD CRANBERRY SCOOP 19th Century<br />
Full-sized. Height 20”. Width 20½”. 150/200<br />
312. ANTIQUE AMERICAN COUNTRY-MADE WRITING BOX 19th Century<br />
In pine with a star-decorated backsplash. Six drawers over a hinged folding writing surface. Height 19”. Width 19½”. Depth 13½”.<br />
250/300<br />
313. COLLECTION OF FOUR WOODEN DRESSER AND DEED BOXES 18th/19th Century<br />
Three with geometric or fl oral inlay. Varying conditions. Largest height 5½”. Width 13¾”. Depth 9”. 200/300<br />
314. THREE ASSORTED TRUNKS AND BOXES 18th/19th Century<br />
A hide-covered trunk, length 16”, a carved wooden brush box, and an octagonal inlaid jewelry box, 11” x 9”. 150/200<br />
315. ANTIQUE GRAIN-PAINTED DOME-TOP BOX 19th Century<br />
Height 7½”. Width 18”. Depth 8½”. 100/150<br />
316. FIVE ASSORTED WOODEN ITEMS<br />
Includes a butter churn with paddle, two cutlery boxes, a carrying box and an unusual rack. 100/200<br />
317. SIX ASSORTED ANTIQUE AMERICAN TABLE LAMPS<br />
Together with two oil lamps, which never had bases. Lamps with clear fonts and various bases. Heights from 9” to 11½”. 100/200<br />
318. JOHN ROBINSON FRAZIER<br />
American, 1889-1966<br />
Three fi gures looking out on a sailboat race. Unsigned. Notated verso “From the studio collection of John R. Frazier”, signed<br />
by Mary D. Frazier. Oil on canvas, 20” x 24”. Framed. 600/900<br />
Frazier was a longtime head of the art department of the Rhode Island School of Design.
319. JOHN ROBINSON FRAZIER<br />
American, 1889-1966<br />
Still life of a pear, oyster shells and a book titled “Velazquez”. Unsigned. Notated verso “From the studio collection of John R.<br />
Frazier”, signed by Mary D. Frazier. Oil on canvas, 20” x 24”. Framed. 500/800<br />
320. LOUIS MACOUILLARD<br />
American, 1913-1987<br />
“Marin <strong>View</strong>”. Signed lower right “L. Macouillard”. Titled verso. Oil on board, 22” x 28”. Framed. 500/700<br />
Provenance: A Quincy, Massachusetts estate.<br />
321. JAMES CAGNEY<br />
American, 1899-1986<br />
“Martha’s Vineyard”. Unsigned. Identifi ed on a Salmagundi Club label verso. Oil on canvas, 8” x 10”. Framed. 300/500<br />
Provenance: A Quincy, Massachusetts estate.<br />
322. MATTHEW WILLIAM BOYHAN<br />
American, 1916-1996<br />
“Cambridge Work Out”. Signed and dated lower left “Boyhan ’41”. Titled on an old Vose Gallery label verso. Gouache on<br />
paper, 15½” x 19¾” sight. Framed. 400/600<br />
Provenance: A Quincy, Massachusetts estate.<br />
323. SCHOOL OF WILLIAM EDWARD NORTON<br />
American, Early 20th Century<br />
Ship under full sail. Signed lower left “W.E. Norton Atelier”. Oil on canvas board, 18” x 22”. Framed. 400/600<br />
324. CHRIS DUNCAN<br />
American, Contemporary<br />
Untitled, 2008. Unsigned. Identifi ed on gallery label verso. Spray paint, acrylic, gouache, watercolor, ink, colored pencil and<br />
graphite on paper, 12” x 9”. Framed. 500/1,000<br />
Provenance: Jeff Bailey Gallery, New York.<br />
325. LEONARDO M. NIERMAN<br />
American, 1932-<br />
“Fuego Magico”. Signed lower right “Nierman”. Together with two hardcover books on the artist. One book with personalized<br />
and signed inscription as well as a typed and hand-signed note. Acrylic on board, 23½” x 16”. Framed. 800/1,200<br />
Provenance: Galeria Tasende, Acapulco, December 1974.<br />
Private Collection, Cape Cod, Massachusetts.<br />
326. KIM FROHSIN<br />
American, b. 1961<br />
Standing fi gure of a man in uniform. Signed and dated lower left “Frohsin 9.14.87”. Mixed media on paper, 23” x 16” sight.<br />
Framed. 500/700<br />
327. UNKNOWN ARTIST<br />
Late 20th Century<br />
A Victorian-era beach scene. Appears unsigned. Oil on panel, 8” x 10”. Framed. 300/500<br />
328. CHARLES BIESEL<br />
American, 1865-1945<br />
A WWI-era cruiser in heavy seas. Signed and dated lower right “C Biesel 1916”. Watercolor on paper, 21” x 25½” sight.<br />
Framed. 300/500<br />
329. FALL RIVER SCHOOL<br />
19th Century<br />
Still life of peaches. Unsigned. Watercolor and gouache, 7” x 9¾”. Framed. 300/500<br />
330. U.S. ARMY PRESENTATION SWORD Circa 1912<br />
Made by Allen & Co., NY. Blade etched with eagle and liberty shield on one side and “U.S.” on the other. Inscribed on scabbard<br />
“Presented to Second Lieutenant Louis F. Lahens, by the non-commissioned staff, 7th Regiment, N.G., NY, February 13th,<br />
1932”. Three sergeant majors and eleven sergeants individually listed below the presentation inscription. Length of blade 32”.<br />
300/500
331. TWO COPIES OF A SMITH & WESSON REVOLVER ADVERTISING POSTER Early 20th Century<br />
Depicting a frontiersman on horseback being chased by Native Americans. Illustration by Dan Smith. Each 22” x 18”.<br />
Shrink-wrapped on foam core. 400/600<br />
332. TELETYPE PRINTOUT ANNOUNCING JAPANESE SURRENDER<br />
Issued by CINCPAC/CINCPOA (Commander in Chief, Pacifi c Command / Pacifi c Ocean Area) and dated<br />
16 Aug. 45. Broadcasts “The State Department has received offi cial Japanese acceptance of surrender demands”, the “Prompt<br />
cessation of hostilities by Japanese Forces” and “General of the Army Douglas MacArthur has been designated as the Supreme<br />
Commander for the Allied Powers and he will notifi y the Japanese government of the time place and other details of the formal<br />
surrender”. Together with assorted other teletypes and pieces of ephemera from the LST Group 40 and LST 554 including<br />
grants of leave, two letters granting permission to own Japanese rifl es as souvenirs from the occupation, and a ship newspaper.<br />
Surrender teletype creased and torn, not obscuring text, and mounted to a scrapbook page. 6½” x 8”. 500/1,000<br />
333. HANGER/MACHETE 19th Century<br />
Steel blade with D-form handle and wooden grip. Partial leather scabbard. Shows rust and considerable wear. Early cloth tag<br />
inscribed “Artifact Honolulu Hawaii July 1863”. Length of blade 18”. 300/500<br />
334. W.W. GREENER DAMASCUS BARREL SIDE-BY-SIDE SHOTGUN<br />
.12 ga., Serial #12147. Side plates engraved with decoration of pointing dog. Barrels cut down to 22¼”. Shows rust and wear.<br />
200/300<br />
335. UNFRAMED MAP OF NEW ENGLAND<br />
“Nova Anglia Septentrionali Americae implantata Anglorumque coloniis fl orentiffi ma...” Undated. 21½” x 25”. 1,000/1,500<br />
336. UNFRAMED MAP OF NEW ENGLAND<br />
Undated. Depicts northeast Massachusetts from Lynn, eastern New Hampshire and the southern Maine coast to Pemmaquid<br />
Point. One piece from a larger map. Map based on The Survey of Gardner and Kellock, made in 1737, the Surveys of Mitchell<br />
and Hazen in 1750 and others, as listed in lower right corner. 28” x 23”. 500/1,000<br />
337. FRAMED MAP “VIRGINIAE ITEM ET FLORIDAE” Amsterdam, Early 17th Century<br />
Double-page hand-colored engraved map. After Gerard Mercator. 13¼” x 19” sight. 500/1,000<br />
338. FRAMED AUDUBON ELEPHANT FOLIO “VULPES FULVUS”<br />
“American Red-Fox. Male.” No. 18. Plate LXXXVII. <strong>Print</strong>ed by J.T. Bowen, 1846. 1,500/2,000<br />
339. LOOSELY BOUND PORTFOLIO OF ORIGINAL ETCHINGS BY BERNHARDT WALL American, Circa 1920<br />
Includes twenty etchings, all signed in pencil by Wall. Thick cardboard cover with etched titled. A copper plate for the cover<br />
etching is inset into the back cover. No date or editions noted. Spine not attached; all etchings are loose. Good condition overall<br />
with very light and even toning. Tissue guards in place. 300/500<br />
340. (ORNITHOLOGY) Four leather-bound collector’s volumes. All by Easton Press, Norwalk, Connecticut. 1) The Field Guide<br />
Art of Roger Tory Peterson, Eastern and Western Birds. 1980. 1st ed. 2 vols. 2) Roger Tory Peterson, The Art and<br />
Photography of The World’s Foremost Birder. 1994. 1st ed. Numbered 554 of 3,500. 3) The Wildfowl Art of David<br />
Maass. 1990. Numbered 29 of 3,500. Signed by author. 300/500<br />
341. (POETRY/AUTOGRAPH) Holmes, O.W., Holmes’ Poems: The Poetical Works of Oliver Wendell Holmes Household<br />
Edition. Houghton, Miffl in and Company, Boston and N.Y., 1886. O. Gilt blue cloth. Spine ends worn. Corners slightly<br />
dog-eared. Signed note from Holmes glued to front fl y: “Dear Sir, If you will remind me when you fi nd your volume that you<br />
would like one of mine I will send you one. If you do not jog my memory I shall forget it. Fraternally [?] O.W. Holmes.” Dated<br />
Boston, Jan. 16th, 1886. Folded O. Note was probably mounted to fl y when recipient received it from Holmes. 300/400<br />
342. TWO FRAMED COLORED FRENCH BOOKPLATES 18th Century<br />
“Twelve Pence a Peck Oysters” and “Crab Crab Any Crabs”, both depicting merchants hawking their wares. Each 10” x 7” sight.<br />
200/300<br />
343. (BURGESS, THORNTON) Four books. Burgess, T. Unless otherwise noted, all published by Little, Brown, and Company,<br />
Boston. 1st ed. Illus. by Harrison Cady. O. Pictorial cloth. Please visit www.eldreds.com for titles. 100/200<br />
344. (BURGESS, THORNTON) Five books. Burgess, T. Unless otherwise noted, all published by Little, Brown, and Company,<br />
Boston. 1st ed. Illus. by Harrison Cady. O. Pictorial cloth. Please visit www.eldreds.com for titles. 120/140
345. (BURGESS, THORNTON) Nine books. Burgess, T. Unless otherwise noted, all published by Little, Brown, and Company,<br />
Boston. 1st ed. Part of the Bedtime Story-Books series. Illus. by Harrison Cady. 12 mo. Pictorial cloth. No dj. Please visit www.<br />
eldreds.com for titles. 250/300<br />
346. (BURGESS, THORNTON) Ten books. Burgess, T. Unless otherwise noted, all published by Little, Brown, and Company,<br />
Boston. 1st ed. Part of the Bedtime Story-Books series. Illus. by Harrison Cady. 12 mo. Pictorial cloth. Sans dj. Please visit<br />
www.eldreds.com for titles. 300/400<br />
347. (BURGESS, THORNTON) Nine books. Burgess, T. Unless otherwise noted, all published by Little, Brown, and Company,<br />
Boston. 1st ed. Illus. by Harrison Cady. O. Cloth. Dj. Please visit www.eldreds.com for titles. 300/500<br />
348. (BURGESS, THORNTON) Five books. Burgess, T. 1) The Christmas Reindeer. The Macmillan Company, N.Y., 1926. Illus.<br />
by R. Chase. 12 mo. Red cloth. 2) The Boy Scouts of Woodcraft Camp. The Penn Publishing Company, Philadelphia, 1913.<br />
Copyright 1912. Illus. by C.S. Corson. O. Pictorial red cloth. Fly chipped. 3) The Boy Scouts in a Trapper’s Camp. The Penn<br />
Publishing Company, Philadelphia, 1915. Illus. by F.A. Anderson. O. Pictorial red cloth. 4) The Boy Scouts on Swift River. The<br />
Penn Publishing Company, Philadelphia, 1913. O. Rebound in red cloth. 5) The Big Thornton Burgess Story-Book .... Grosset<br />
& Dunlap, N.Y., 1938. Q. Green cloth. 150/200<br />
349. (BURGESS, THORNTON) Six books. Burgess, T. 1) The Burgess Bird Book For Children. Boston, 1919. Illus. by L.A.<br />
Fuertes. O. Pictorial boards. Dj. Bookplate. 2) The Burgess Big Book of Green Meadow Stories. Boston, 1932. Illus.<br />
by H. Cady. Four earlier works combined into one book. O. Cloth. Probably rebacked. 3) The Burgess Flower Book For<br />
Children. Boston, 1923. O. Pictorial cloth. Dj. 4) The Burgess Book of Nature Lore. Boston, 1965. O. Pictorial cloth. Dj.<br />
5) The Burgess Seashore Book For Children. Boston, 1929. Illus. by W.H. Southwick & G. Sutton. O. Pictorial cloth. Bold<br />
owner’s name and address on pastedown. 6) The Burgess Animal Book for Children. Boston, 1920. Illus. by L.A. Fuertes. O.<br />
Pictorial cloth. Dj. 150/200<br />
350. (BURGESS, THORNTON) Eight books. Burgess, T. Various publishers and illustrators. All Folio or Q.<br />
Please visit www.eldreds.com for titles. 40/60<br />
351. (LITERATURE) Kipling, R., The Writings in Prose and Verse of Rudyard Kipling. N.Y., 1916 and other dates. 30 vols. O.<br />
½ gilt brown morocco with pink cloth. T.e.g. 300/400<br />
352. (ENGRAVED FIGURAL PORTRAITS) Birch, Thomas, Heads of Illustrious Persons of Great Britain, Engraven by Mr.<br />
Houbraken, and Mr. Vertue. With Their Lives and Characters. London, MDCCXLIII (1743). <strong>Print</strong>ed for John and Paul<br />
Knapton. Two vols. Folio (approx. 20¾” x 14½”). Full brown calf with ornate gilt decoration. Marbled end papers. First book<br />
with 4 pp subscriber list and 114 pp of text and plates for Vol. I. Second book opens with p115 and ends Vol. I at p160, with 23<br />
plates of Vol. I in the second book. The rest of the second book contains Vol. II, with 56 pp and 27 plates. The volumes were<br />
divided as such apparently to make each book similar in size after binding. Some slight toning and foxing. One plate with<br />
marginal tear. Covers show some wear, including stains and cut marks. Spine and covers both rebacked. 800/1,200<br />
353. FOUR-PART RUSSIAN BRASS ICON<br />
Each panel with fi ve sections depicting scenes from the life of Christ. Height 7”. Length 17½”. 600/800<br />
354. RUSSIAN SILVER AND ENAMEL KOVSH Circa 1900<br />
Together with a silver and enamel spoon. Kovsh with shaded fl oral enameling. Marks for .84 standard. Maker’s touch “HC”.<br />
Length 3¼”. 1,000/1,500<br />
355. FRAMED PORTRAIT ON COPPER Probably Continental, 19th Century<br />
Depicting a young woman holding a potted plant. Oval, 8” x 6”. 300/500<br />
356. BRONZE FIGURE OF COSIMO DE MEDICI<br />
After Buonarroti Michelangelo. Height 16”. 200/250<br />
357. ANTIQUE AMERICAN ONE-PIECE CORNER CUPBOARD Circa 1840<br />
Wonderfully carved cornice with geometric moldings. Two glass doors fl anked by fl uted columns. Two paneled doors below.<br />
Brown fi nish not original. Height 84”. Width 51”. Takes a 33” corner. 1,000/2,000<br />
358. ANTIQUE AMERICAN LIFT-TOP BLANKET CHEST Late 18th Century<br />
In walnut with original strap hinges and lock. Covered till. Scrolled bracket base. Old fi nish. Height 26”. Width 52”. Depth 23½”.<br />
500/1,000
359. ANTIQUE AMERICAN PLANK-SEAT BENCH 19th Century<br />
In dark red-brown paint. Shaped back rail with hand-painted fruit and fl ower decoration. Length 77”. 300/500<br />
360. GILT-TIN WEATHER VANE Late 19th Century<br />
In the form of a spread-winged eagle and arrow. With fi nders and copper pedestal. Height overall 66”. Wingspan 29”. 500/600<br />
361. ANTIQUE SHEET IRON HORSE-FORM WEATHER VANE<br />
Pieced from several pieces of iron. Height 31”. Length 42”. 500/800<br />
362. ANTIQUE AMERICAN TRANSITIONAL SIDE CHAIR Circa 1785<br />
In cherry with ribbon back. Delicate tapered linenfold legs joined by H-stretcher base. Seat upholstered in salmon-colored<br />
velour. 300/400<br />
363. BRASS AND CAST IRON LOG FORK<br />
With brass wall mount. Length 47”. 150/200<br />
364. LARGE GRUEBY VASE<br />
In matte green glaze with raised linear leaf decoration. Circular stamp and incised “146” on base. Rim chip. Height 15½”.<br />
1,500/2,000<br />
365. MOE-BRIDGES REVERSE-PAINTED TABLE LAMP Milwaukee, Circa 1920<br />
Shade with autumnal landscape design. Vasiform cast metal base with copper fi nish. Stamped underneath base. Height 24”.<br />
Shade diameter at base 18”. 600/800<br />
366. DEDHAM POTTERY MORN AND SUNSET PITCHER<br />
With rooster and owl design. Rabbit mark on base. Height 5”. 300/400<br />
367. WELLER POTTERY GREEN “COPPERTONE” GARDEN FROG<br />
Signed on base. Height 6½”. Length 7”. 300/500<br />
368. PAIR OF MINTON PÂTE-SUR-PÂTE PORCELAIN PLATES Late 19th Century<br />
By Birks. With relief fi gural panels and a gilt rim. Both as is. Diameter 10¼”. 600/800<br />
369. CARVED ALABASTER BUST OF APHRODITE Circa 1880<br />
By Pietro Bazzanti (Italian, Late 19th/Early 20th Century). On a green and black marble socle atop a column-form pedestal.<br />
Signed “P. Bazzanti Florence”. Bust height 14”. Socle height 4½”. Approx. overall height 60½”. 800/1,200<br />
370. PHOENIX GLASS UMBRELLA STAND VASE Early 20th Century<br />
In custard color with polychrome berry and foliate design. Height 18”. 300/500<br />
371. SIX-PIECE BLOWN GLASS SET Probably German, First Half of the 19th Century<br />
Includes a chalice, three covered sweetmeats and two goblets, all with matching etched monogram. Covered pieces with applied<br />
swirled glass fi nials. Heights from 5½” to 10½”. 300/400<br />
372. TWO SILVER OVERLAY GREEN GLASS VASES<br />
One with quilted glass, height 10½”. Other height 7½”. 100/150<br />
373. PAIR OF ANTIQUE AMERICAN CUT CRYSTAL DECANTERS<br />
Include stoppers. Height 9”. 75/120<br />
374. THREE ANTIQUE AMERICAN BLOWN GLASS WHALE OIL LAMPS First Half of the 19th Century<br />
With broken pontils. Heights from 5½” to 7”. 100/200<br />
375. CAST STONE STATUE “THE GARDENER” BY HADDONSTONE 20th/21st Century<br />
Number HE650. Height 54¼”. Base width 14”. Weighs 308 pounds. Together with a cast stone pedestal, number B255. Height<br />
27”. Cap and base width 19”. Weighs 337 pounds. 500/1,000<br />
376. FRAMED PORTRAIT 19th Century<br />
A young boy wearing a blue dress and holding a whip. Oil on canvas, 30” x 25”. 500/1,000<br />
377. FRAMED PORTRAIT 19th Century<br />
A young girl wearing a lace bonnett and checkered dress holding strawberries. Oil on canvas, 20¾” x 17½”. 500/1,000
378. FRAMED PAINTING IN THE MANNER OF THOMAS SULLY 20th Century<br />
A boy riding on a pony while accompanied by a young girl. 36” x 24”. 1,000/1,500<br />
379. FRAMED PORTRAIT 19th Century<br />
A woman wearing a black dress with lace collar and bonnet. Retains Wadsworth Atheneum label on stretcher. Unsigned. Oil on<br />
canvas, 29” x 24½”. 1,000/1,500<br />
380. AMERICAN SCHOOL<br />
19th Century<br />
Bust portrait of a cleric. Unsigned. Oil on canvas, oval 27¼” x 22¼”. Framed. 600/800<br />
381. RUDOLPH COLAO<br />
American, b. 1927<br />
Portrait of a pensive clown seated at a table. Signed lower left “R. Colao”. Oil on canvas, 30” x 25”. Framed. 600/800<br />
382. SET OF CURRIER & IVES “THE FOUR SEASONS OF LIFE” LITHOGRAPHS American, 19th Century<br />
Includes Childhood, Youth, Middle Age and Old Age. 19¼” x 25½”. Tiger and curly maple frames. 1,200/1,800<br />
383. GILT TIN WEATHER VANE Late 19th Century<br />
In the form of a spread-winged eagle and arrow. With fi nders and copper pedestal. Height overall 66”. Wingspan 29”.<br />
1,500/2,000<br />
384. SHEET METAL WEATHER VANE IN THE FORM OF A TRAIN ENGINE<br />
With engineer on board. Length 43”. 300/500<br />
385. LOT OF TEN ASSORTED TINWARE ITEMS<br />
Includes a painted Oolong store display tin, height 12½”, a Max Glick Co. cocoa display canister, diameter 10”, a tole fourlobed<br />
pan, 12” across, a twelve-candle mold, height 10½”, a Sunshine biscuit container, height 11½”, a six-candle mold, a<br />
medium-size store container, and three tole boxes, one in as-is condition, lengths from 6½” to 9”. 100/200<br />
386. THREE ANTIQUE METAL ITEMS Early 19th/19th Century<br />
A pair of brass push-up candlesticks, height 6”, a pair of painted tin single-candle wall sconces with crimped decoration, height<br />
14”, and a wrought iron teakettle, height 8”. 100/200<br />
387. SET OF TEN HEPPLEWHITE-STYLE DINING CHAIRS BY JAEGER & ERNST 20th Century<br />
Two armchairs and eight side chairs in Hawaiian koa wood with foliate-carved vertical splats and molded front legs ending in<br />
spade feet. Seats upholstered in lilac-colored leather. 1,100/1,500<br />
388. LOUIS XV-STYLE ARMCHAIR 19th Century<br />
With cane seat and back. Floral-carved crest and knees. 200/300<br />
389. ANTIQUE ENGLISH DROP-LEAF TABLE Circa 1750<br />
In mahogany with straight legs ending in pad feet. Height 28¼”. Length 47”. Width 16¼”. Two demilune drop leaves, length 21¾”.<br />
600/900<br />
390. ENGLISH BOOKCASE 19th Century<br />
In mahogany with three full-length glazed paneled doors in sectioned geometric form. Interior shelves are glass replacements.<br />
One door damaged. Height 81½”. Width 66¼”. Depth 13”. 500/1,000<br />
391. ANTIQUE AMERICAN HEPPLEWHITE SLANT-LID DESK Circa 1800<br />
In cherry. Originally the base to a secretary. Fall front reveals simple interior of pigeonholes and drawers. Case with four<br />
graduated full-width drawers. Shaped skirt and French splayed feet. Height 48”. Width 39”. Depth 18 1/8”. Writing height 32½”.<br />
600/800<br />
392. ANTIQUE AMERICAN TIP-TOP TABLE 18th Century<br />
Shaped molded top with serpentine edge. Vase-turned pedestal. Arched knees and elongated claw & ball feet. Height 28½”.<br />
Top 32” x 31½”. 500/1,000<br />
393. ENGRAVED WOOD PANEL Late 19th/Early 20th Century<br />
In maple and oak. Part of a shipping crate. Six vertical panels engraved with fl oral and geometric designs. Central horizontal<br />
panel with a ribbon design engraved “Central School Supply House, Chicago, USA”. Height 42¾”. Width 26”. Depth ½”.<br />
200/300
394. FOUR ANTIQUE ENGLISH SHERATON SIDE CHAIRS Late 18th/Early 19th Century<br />
In mahogany. Circular backs with pierced and carved ribbon-form splats. Seats upholstered in green leather with brass studs.<br />
Turned legs and feet. 600/800<br />
395. ANTIQUE AMERICAN LIFT-TOP ONE-DRAWER BLANKET CHEST Circa 1860<br />
In pine with snipe hinges, wooden pulls and bracket base. Height 36”. Width 43½”. Depth 16½”. 200/400<br />
396. CAPE COD THREE-DRAWER BUREAU 19th Century<br />
Painted to simulate tiger maple. Splash back. Wooden drawer pulls. Turned bun feet. Height 35”. Width 40¾”. Depth 16”.<br />
300/500<br />
397. PAIR OF ANTIQUE AMERICAN TALL BRASS ANDIRONS Circa 1810<br />
With urn-form tops and fi gure eight scrolled feet. Height 26”. 300/500<br />
398. TIN HAND LANTERN 19th Century<br />
Clear glass body engraved “A.N.M.” Metal mounts repainted silver. Height including handle 16”. 80/120<br />
399. ENGLISH BRASS AND IRON TRIVET<br />
Brass top depicts partial royal coat of arms with a crowned lion and a unicorn standing on hind legs touching a central circular<br />
crowned design. Iron base with writhen legs. Height 11”. Length 12”. Depth 7”. 200/400<br />
400. RONALD A. STUART<br />
American, Late 19th Century<br />
Blueberry pickers. Signed lower right “R.A. Stuart 76”. Oil on canvas, 38” x 64¼”. Framed. 800/1,000<br />
401. FRAMED PAINTING European, 19th Century<br />
Interior view of several adults observing a young child entertaining a toddler with a puppet. Signed lower right “[?] Fortini”.<br />
Oil on canvas, 27½” x 36”. Ornate gilt frame. 1,800/2,200<br />
402. ANTIQUE ENGLISH CHEST Circa 1780<br />
In oak with two half-drawers over three graduated full-width drawers fl anked by quarter columns. Flat bracket feet. Retains<br />
period hardware. Height 35”. Width 39”. Depth 19½”. 700/1,000<br />
403. ENGLISH TIN COAL HOD 19th Century<br />
With pottery-handled tin scoop. Reverse-painted insert on front depicts an elderly gentleman tending an injured dog as another<br />
dog lifts its howling head. Height 13½”. Width 13½”. Depth 18½”. 200/300<br />
404. ANTIQUE ENGRAVED BRASS BED WARMER<br />
With turned wooden handle. Length 48”. 100/200<br />
405. OVERSIZED DOORSTOP IN THE FORM OF A THREE-MASTED SHIP 19th/20th Century<br />
Probably cast iron. Height 21”. Width 18”. 200/300<br />
406. HUBLEY CAST IRON DOORSTOP Circa 1910<br />
In the form of two cats. Original paint shows wear. Height 7”. 150/200<br />
407. CAST IRON DOORSTOP Late 19th Century<br />
In the form of a frog. Paint shows wear. Length 5”. 100/200<br />
408. TWO CAST IRON DOORSTOPS Early 20th Century<br />
One in the form of an old salt, height 11”, and the other in the form of a cottage, length 9”. Original paint on both shows wear.<br />
150/250<br />
409. VICTORIAN PAINTED TIN COAL BOX<br />
With fruit decoration. Height 22½”. Width 11”. Depth 9”. 100/200<br />
410. COUNTRY STEP-BACK CUPBOARD 20th Century<br />
In pine under blue paint. Two shelves above paneled door with wood pull. Height 77½”. Width 39½”. Depth 13½”. 500/800<br />
411. WILLIMANTIC SIX-DRAWER SPOOL CABINET Late 19th Century<br />
In maple and other woods. Paneled sides and labeled drawers. Original brass bail handles. Lithographed design of an owl<br />
holding thread on reverse. Height 20”. Width 25½”. Depth 19¼”. 300/500
412. FRAMED PASTEL Early 20th Century<br />
A tree-lined fence. Unsigned. Pastel on paper, 6¼” x 9¼”. 200/300<br />
413. DIAMOND DYES CABINET<br />
Cabinet probably made from birch. Front has compartmented interior. Back has tin lithographed panel with advertising logo of<br />
Diamond Dyes Co. Height 30½”. Width 24”. Depth 10¼”. 200/300<br />
414. ANTIQUE CHILD’S WOODEN WAGON<br />
Stenciled on side “Goodwill Soap”. Length approx. 31”. Width approx. 19”. 150/250<br />
415. ANTIQUE AMERICAN WOODEN SLED First Part of the 19th Century<br />
With painted fl oral decoration on a red ground. Length 41”. Width 11”. 100/200<br />
416. AMERICAN CHILD’S SLED 19th Century<br />
With swan-form fi nials and painted decoration of a running horse on a white and brown ground. Length 33”. 200/300<br />
417. TIN LITHOGRAPH “INTERCOLLEGIATE FOOTBALL” GAME BY FRANTZ Circa 1932<br />
Shows rust and pitting. 13½” x 9”. 200/300<br />
418. BUDDY “L” 2ND GENERATION WILD ANIMAL CIRCUS WAGON<br />
Length 26”. 100/200<br />
419. CRAGSTAN TIN LITHOGRAPHED WIND-UP TOY<br />
By Yonezawa. In the form of an astronaut. Height 10”. 150/250<br />
420. TWO PEWTER RABBIT-FORM CHOCOLATE MOLDS Late 19th/Early 20th Century<br />
One full-fi gure facing and the other in full-fi gure profi le. Heights 10”. 80/120<br />
421. COPPER WEATHER VANE IN THE FORM OF NEPTUNE AND A SEAHORSE American, Mid-20th Century<br />
Height 28”. Length 34”. 500/800<br />
422. CAST IRON LIGHTHOUSE DOORSTOP Late 19th Century<br />
Depicting Portland Light in relief on a rectangular plaque. Height 5”. 300/500<br />
423. CAST IRON DOORSTOP IN THE FORM OF HIGHLAND LIGHT Late 19th Century<br />
In original paint. Height 8”. 400/700<br />
424. FRAMED TIN SIGN<br />
Lithographed “Southern Railway System - High Bridge, Kentucky River Completed September 1911 Queen And Crescent<br />
Rowe.” 26” x 38”. Modern frame. 800/1,200<br />
425. FRAMED ANTI-WAR PROPAGANDA “PUZZLE PICTURE” Mid-20th Century<br />
Depicting a seated solider. Image toggles between the soldier’s face and a skull when the puzzle is tilted. 6¾” x 4¾”. 300/500<br />
426. PORCELAIN SHAVING MUG 19th Century<br />
Depicting a bald eagle atop a globe fl anked by American fl ags. Floral decoration on sides. Gilt accents. Inscribed “C. & A. Van<br />
Buskirk.” Height 3 5/8”. 100/150<br />
427. COLLECTION OF TWELVE PORCELAIN SHAVING MUGS 19th Century<br />
With fl oral decoration in pastel colors with gilt accents. All but one are inscribed with people’s names or initials, mostly in gilt.<br />
Heights 3¼”. 200/300<br />
428. PAIR OF QUEEN ANNE BRASS CANDLESTICKS 18th Century<br />
With lobed feet. Height 7¾”. 200/300<br />
429. FIVE PIECES OF ANTIQUE PEWTER 19th Century<br />
A charger, probably English, diameter 18”, two English plates marked “S.T.” on rims, diameters 9”, another English plate,<br />
diameter 8 3/8”, a bowl, diameter 8”, and a measure, height 5”. 120/180<br />
430. ASSEMBLED SET OF SIX PEWTER MESS BOWLS 19th Century<br />
Probably English. One marked on bottom “H.M.S. Victory”. Diameters 5½”. 300/400
431. PAIR OF ANTIQUE BRASS CANNONBALL ANDIRONS<br />
In verdigris patina. Height 17”. Length 20½”. 300/500<br />
432. THREE PAINTED METAL ITEMS<br />
1) Tole tray with decoration of a house and train, 15½” x 20”. Redecorated. 2) 19th Century milk bucket with 20th Century<br />
fl oral tole decoration by Jean Dewey. Height 12”. 3) Grain measure with bird decoration. Signed “Newcomer” and dated 1952.<br />
Crazed. Height 3½”. Diameter 9”. 170/200<br />
433. BRONZE FIGURE OF A NATIVE AMERICAN 20th Century<br />
Depicted paddling a canoe along a gentle river. Signed “S. Wiggins Driscoll”. Approx. height 6½”. Length 24”. Width 13½”.<br />
Mounted on a mahogany base. 300/400<br />
434. BRONZE FIGURE OF A NATIVE AMERICAN DEER HUNTER 20th Century<br />
In crouching form. Signed “S. Wiggins Driscoll”. Mounted on a circular mahogany base. Overall height 17”. 250/350<br />
435. CARVED STONE FIGURE OF AN ESKIMO CATCHING A SEAL<br />
Height 9¾”. 250/400<br />
436. CARVED STONE FIGURE OF AN ESKIMO<br />
Depicted with seals in a pack on his back. Height 8¼”. 250/350<br />
437. CALIFORNIA MISSION BASKET<br />
In green and two-tone brown diamond design. Diameter 9½”. 200/300<br />
437A. “KENNEDY FOR PRESIDENT” CAMPAIGN POSTER<br />
“Leadership for the 60’s” under a central photograph of Kennedy on a red, white and blue ground. Marked on lower margin<br />
“Democratic National Committee, Washington, DC”. 21 1/8” x 18½”. Unframed. 700/1,000<br />
437B. ENGLISH 18KT GOLD MASONIC PRECEPTOR’S BADGE Late 19th Century<br />
With enamel design on face with blue buckle, red dragon. Inscribed “China and Past”. Length 3”. 400/600<br />
437C. ENGLISH SILVER KNIGHTS TEMPLAR PRECEPTOR’S BREAST BADGE 19th Century<br />
In star-form. Maker’s mark “W. P.”. Original case. Diameter 2½”. 200/300<br />
437D. BRASS FENDER TRIVET WITH MASONIC DECORATION 19th/20th Century<br />
Length 17”. Together with two smaller trivets with wooden handles. 100/150<br />
437E. TWO CASED ROYAL ARCH COMPANION BREAST JEWELS<br />
One is is gilt-silver and the other is gold-washed with rhinestones. 100/150<br />
437F. CONTINENTAL SCHOOL<br />
Late 19th/Early 20th Century<br />
Small vessels off the coast. No apparent signature. Oil on canvas, 18” x 36”. Framed. 600/900<br />
437G. LILY DULANY EMMET CUSHING<br />
American, 1909-1969<br />
“Spring Flowers”. Unsigned. Identifi ed on label verso. Watercolor on paper, 14” x 17½” sight. Framed. 500/1,000<br />
438. RARE LOUIS VUITTON SUITCASE IN GREEN<br />
With interior tray. Serial #1023060. Height 20½”. Length 31¾”. 4,000/6,000<br />
439. RARE LOUIS VUITTON SUITCASE IN GREEN<br />
With insert tray. Serial #1028065. Height 19½”. Length 29¾”. 4,000/6,000<br />
440. 1988 C.F. MARTIN D-16A ACOUSTIC FLAT TOP GUITAR<br />
With Piezo bridge pick-up and strap plug side. Body is ash; top is spruce. Includes hard-shell case. Some repairs performed by<br />
Martin-authorized luthier James P. Boyce. 1,200/1,400<br />
441. 1981 C.F. MARTIN D-19M ALL-MAHOGANY ACOUSTIC GUITAR<br />
With original hard-shell case. 1,300/1,500
442. 1978 GURIAN J-M MODEL ACOUSTIC GUITAR<br />
Jumbo size with deep body. Indian rosewood back and sides. Nice herringbone rope purfl ing around the body. Tortoise shell<br />
pick guard. Hard-shell case. 800/1,000<br />
443. 1971 C.F. MARTIN D12-35 FLAT TOP ACOUSTIC GUITAR<br />
With slotted headstock and three-piece back. Mahogany neck and Indian rosewood body. Original hard-shell case. 2,000/2,400<br />
444. 1967 FENDER TELECASTER GUITAR<br />
With blonde body and maple neck and fretboard. Comes with battered and burned hard-shell case. (This guitar survived a<br />
house fi re). 4,500/6,500<br />
445. RARE 1980S GUILD D-80NT SIX-STRING ACOUSTIC GUITAR<br />
With original hard-shell case. 4,000/5,000<br />
446. VEGA “PROFESSIONAL” TENOR BANJO Circa 1927<br />
With resonator. Mother-of-pearl inlay peghead and fi ngerboard. Original grooves. Hard-shell case. 800/1,000<br />
447. WEYMANN “ORCHESTRA MODEL” TENOR BANJO Circa 1927<br />
Made in Philadelphia, Pennsylvania. Style A. Original resonator and hard-shell case. 400/600<br />
448. SLINGERLAND TENOR FOUR-STRING BANJO<br />
Model 207. Mother-of-pearl inlays to ebony fretboard and on ebony-veneered peghead. Bird’s-eye maple neck and pot. Bound<br />
neck and waverly tail piece. 10¾” skin head. 200/300<br />
449. 1995 CRATE VINTAGE CLUB 30 AMPLIFIER<br />
With 112 speaker. Blonde Tulex tube amp. 300/400<br />
449A. GEORGE WASHBURN 1897 “NEW WORLD” MODEL PARLOR GUITAR<br />
Twelve frets to body. Mahogany neck. Slotted peg head with rosewood veneer. Ebony fretboard. Three dot inlays. Two-piece<br />
rosewood body. Spruce top. 12½” lower bout. 9” upper bout. 300/400<br />
450. JOHN FRIEDRICH & BROS. STRADIVARIUS COPY VIOLIN<br />
In the style of Benjamin Banks. Length of body 356mm. Bausch bow. Original hard-shell case. 2,000/3,000<br />
451. UNMARKED GERMAN-STYLE VIOLIN Late 19th/Early 20th Century<br />
Includes one bow by Josef Richter and an another unmarked bow. Refi nished. 800/1,000<br />
452. UNMARKED GERMAN VIOLIN<br />
Dated 1716 on obscure paper label. Together with an A.H. Karr bow and hard-shell case. Some repair to peghead. 100/200<br />
453. DOUBLE-CASED PAIR OF VIOLINS AND BOWS<br />
One is a copy of Jean Baptiste Vuillaume made in Germany with double purfl ing, two-piece tiger maple back and sides, and<br />
two-piece tight spruce top. Needs restoration. Second is a copy of David Techier Lintano made in Germany with one- piece<br />
tiger maple back and sides, and tight spruce top. Together with a students’ bow by W. & S. Leipsing and unmarked fi ne silver<br />
and ebony permabuca bow. 400/600<br />
454. CONN “NEW WONDER” TENOR SAXOPHONE Circa 1927<br />
With hard-shell case and soft gig bag. 2,000/2,500<br />
455. 2008 CUSTOM STRAT-STYLE ELECTRIC GUITAR<br />
Body and neck by Mighty Mite. Neck in bird’s-eye maple. Natural ash body with maple veneered top. EMG active pick-ups<br />
(81 and 85). Wilkinson big block tremelo bridge. CTS Pots. CRL fi ve-way switch. Sperzel tuners. 600/700<br />
456. 2008 CUSTOM STRAT-STYLE ELECTRIC GUITAR<br />
Maple neck by Mighty Mite. Natural ash body by Fender. Three single coil pick-ups are Mexican, probably by Seymour<br />
Dunkun. L.R. Baggs piezo tremelo bridge and block. Pots are CTS. CLR fi ve-way switch by Fender. Set of Sperzel locking<br />
tuners and Schaller strap locks. 600/700<br />
457. UNMARKED CUSTOM GIBSON “PETE SEEGER STYLE” FIVE-STRING BANJO<br />
With soft-shell case. 200/400<br />
458. TRACE ELLIOT “COMMANDO” BASS AMPLIFIER<br />
With one 15” speaker. Model 1001. 100 watts. 200/250
459. PEAVEY “DELTA BLUES” AMPLIFIER<br />
Thirty watts with one 15” speaker. Tweed Tolex tube amplifi er on wheels. 250/350<br />
460. ALEX LAP STEEL “GUYERSTONE” GUITAR<br />
With soft-shell case. Together with Crate B-10 amplifi er with Shure head phone microphone. 150/250<br />
461. 1982 C.F. MARTIN E-28 SOLID BODY ELECTRIC GUITAR<br />
With two open humbucker pick-ups and stop tail piece. Body and neck are mahogany. With original hard-shell case.<br />
1,300/1,500<br />
462. 1959 CUSTOM SHOP GIBSON ES 335 DOUBLE CUTAWAY ELECTRIC GUITAR<br />
With semi-hollow body in red fi nish. Reissued around 2002. Dual humbucker pick-ups. Original hard-shell case.<br />
2,800/3,000<br />
463. 2003 PAUL REED SMITH “SANTANA II” MODEL SOLID BODY ELECTRIC GUITAR<br />
With tiger maple burst fi nish. Mother-of-pearl dove inlays on neck. Rosewood fretboard. Dual humbucker pick-ups. Original<br />
hard-shell case. 4,000/4,500<br />
464. 2002 CHRIS BENEVENTE ZK MODEL SOLID BODY ELECTRIC GUITAR<br />
With dual humbucker pick-ups and Grover tuners. Set neck with rosewood fretboard with twenty-two frets. 25” scale. Figured<br />
maple top. Gibson hard-shell case. 2,000/2,200<br />
465. 2001 PAUL REED SMITH SINGLECUT SOLID BODY ELECTRIC GUITAR<br />
In maple with Chevron burst fi nish. Dual humbuckers. Gold hardware. Mother-of-pearl dove inlays on ebony fretboard. Gibson<br />
hard-shell case. 2,100/2,200<br />
466. 1963 GIBSON ES 125 TDC SINGLE CUTAWAY SEMI-HOLLOW BODY ELECTRIC GUITAR<br />
With two P-90 single coil pick-ups. Original soft-shell case. 2,700/3,000<br />
End of Session I
Session II<br />
Saturday, November 17, 2012, at 10:00 a.m.<br />
1001. JAN FREDERIK PIETER PORTIELJE<br />
Dutch, 1829-1908<br />
Two portaits of ladies. Unsigned. Inscribed verso. Dated 1887 and 1888. Oils on panel, 11½” x 8¾”. Framed. 2,000/3,000<br />
1002. WILLIAM LAKIN TURNER<br />
English, 1867-1936<br />
“A Spring Day Ben Ledie”, depicting cattle by a mountain river. Signed lower left “W.L. Turner”. Also signed, titled and dated<br />
1922 verso. Oil on canvas, 14” x 21”. Framed. 800/1,200<br />
Provenance: A Cape Cod, Massachusetts estate.<br />
1003. ROBERT ROBIN FENSON<br />
English, 19th/20th Century<br />
“Morning Chores”. Signed lower left “R. Fenson”. Titled on label verso. Oil on canvas, 12¼” x 20¼”. Framed. 500/700<br />
1004. DAVID MCLEOD MARTIN, R.S.W., R.G.I.<br />
Scottish, b. 1922<br />
“Cyclamen in the Village”, a still life of fl owers in a window with distant houses. Signed lower right “David M. Martin”. Titled<br />
verso. Oil on canvas, 30” x 30”. Framed. 1,000/1,500<br />
1005. JOSEPH THORS<br />
British, c. 1843-1898<br />
A woman gathering sticks along a country road. Cottages on side and in distance. Signed lower left “J. Thors”.<br />
Oil on canvas, 15” x 11¾” sight. Framed. 800/1,200<br />
1006. DUTCH SCHOOL<br />
19th Century<br />
Figures skating on a pond. Unsigned. Oil on canvas, 10¼” x 13¼”. Framed. 500/700<br />
1007. CONTINENTAL SCHOOL<br />
19th Century<br />
A hiker gazing down upon a mountain river. Signed lower left “Schneider”. Inscribed verso “... B.C. Schneider Van ...”.<br />
Oil on panel, 4” x 3½”. Framed. 500/1,000<br />
1008. BARBIZON SCHOOL<br />
Late 19th Century<br />
Boats in a river landscape. Unsigned. Oil on canvas, 10” x 18”. Framed. 300/500<br />
1009. FLORENCE REASON<br />
English, Active 1883-1903<br />
A young girl with a basket of wild fl owers. Signed “F. Reason”. Oil on canvas, 27½” x 22”. Superb carved gilt frame.<br />
1,500/2,500<br />
Note: The painting has been trimmed and laid down on masonite. An approximate 1” strip of the trimmed canvas is taped to the<br />
reverse. The signature is located on this strip.<br />
1010. PAIR OF FRAMED ITALIAN PAINTINGS Early 19th Century<br />
A landscape with a waterfall and fi gures before a city wall, and a coastal scene with a fi shing boat dashed upon the rocks. Oils<br />
on panel, 12” x 16½”. 800/1,200<br />
1011. HENRY MOORE<br />
English, 1831-1895<br />
Two vessels battling stormy seas off a lighthouse. Signed lower left “H. Moore”. George Rowley, London canvas label. Oil on<br />
canvas, 10” x 15”. Period gilt frame. 1,200/1,500<br />
1012. FRAMED PAINTING Possibly 18th Century<br />
Dutch marine view. Unsigned. Inscribed in pencil on stretcher “Willem van de Veids”. Oil on canvas, 8½” x 12¼”. 500/700<br />
1013. FRAMED PAINTING 20th Century<br />
A reclining female nude partially covered by lace. Monogrammed lower right “AB”. Oil on board, 12” x 16”. 600/900
1014. CONTINENTAL SCHOOL<br />
Late 19th Century<br />
Portrait of two spaniels. Signed lower left “E.V.E”. Label on reverse of ornate frame inscribed “Biggs & Sons Carvers and<br />
Gilders, and Picture Restorers, London...” Oil on panel, 4½” x 7”. Framed. 300/400<br />
1015. TWO FRAMED ABSTRACT PORTRAITS BY LEV SERGYEV<br />
A woman and a semi-nude woman wearing a hat. Both signed lower right “Lev Sergyev”. Gouaches on paper, 11¾” x 8¼”.<br />
200/300<br />
1016. ANTIQUE GEORGIAN SOFA Late 18th Century<br />
With Chinese Chippendale-style base. Blue and gold upholstery in a bird and fl oral design. Length approx. 86”. 1,000/1,500<br />
1017. HEPPLEWHITE-STYLE SIDEBOARD<br />
In mahogany and mahogany veneers with banded and string inlay throughout top, doors and legs. Brass rod gallery on a<br />
breakfront D-form case with a central drawer above an arched open compartment fl anked by cupboard doors. Lion’s head-form<br />
brass hardware. Square tapered legs. Height 36½”. Width 66”. Depth 22”. 800/1,200<br />
1018. CAMPAIGN-STYLE TWO-PART CUPBOARD Probably Second Half of the 19th Century<br />
In mahogany. Top case with removable pediment, one full-length cupboard, and one half-length cupboard above three drawers.<br />
Lower case with two drawers and a fl at bracket base. Height 87½”. Overall width 56”. Overall depth 22¼”. 500/1,000<br />
1019. ANTIQUE ENGLISH TWO-PART CHINA CABINET First Quarter of the 19th Century<br />
In mahogany. Upper cabinet with glazed doors and shelved interior. Lower cabinet with paneled doors. Flat bracket base.<br />
Height 77¼”. Width 42”. Depth 21¾”. 1,000/1,400<br />
1020. ADAM-STYLE DINING TABLE First Half of the 20th Century<br />
Cut-cornered top features select veneers of varied woods and inlays. Tapered fl uted legs with carved rosettes at top and foliate<br />
carving at foot. Height 29½”. Length 68”. Width 45½” plus one 11” leaf. 1,200/1,800<br />
1021. CONTINENTAL BREAKFRONT Late 19th/Early 20th Century<br />
Probably Austrian. Upper section has multiple-mirrored back, central cupboard, and numerous galleried shelves. Lower case<br />
has central cupboard fl anked by two drawers and glass-paneled cupboards. Entire piece has rosewood veneers with delicate<br />
marquetry inlays in multiple woods. Height 87½”. Width 60”. Depth 17”. 1,500/2,500<br />
1022. BOULLE TURTLE-TOP TABLE Late 19th/Early 20th Century<br />
With ormolu mounts, single drawer on one side, and cabriole legs. Height 30½”. Length 40”. Width 26½”. 500/1,000<br />
1023. LOUIS MAJORELLE WRITING DESK 20th Century<br />
In nicely fi gured hardwood. Arched kneehole fl anked on each side by two drawers and a slide extension. Height 29½”. Width<br />
49”. Depth 29½”. 1,800/2,400<br />
1024. GEORGIAN-STYLE KNEEHOLE DESK<br />
In mahogany. Made in three parts with dovetail construction and carved moldings. Top section with three drawers and porringer<br />
ends. Each side with drawers. Height 28½”. Width 50”. Depth 22½”. 800/1,000<br />
1025. ANTIQUE ENGLISH BOWFRONT SERVER Early 19th Century<br />
In mahogany with banded mahogany veneer at top. Molded tapered front legs end in spade feet. Turned tapered back legs.<br />
Height 36”. Width 82¼”. Depth 24”. 800/1,200<br />
1026. FINE REPRODUCTION OF AN 18TH CENTURY ENGLISH SECRETARY<br />
In walnut and burled walnut veneers. Upper case in double-arch form with glazed panel doors and shelved interior. Lower<br />
case with slant lid above four graduated drawers and fl at bracket feet. Lower case interior features a variety of pigeonholes,<br />
compartments and drawers. Height 80¼”. Width 33”. Depth 19”. 700/1,000<br />
1027. POLE SCREEN 19th Century<br />
In mahogany with Chinese needlework panel depicting a dragon and phoenix in an oval cartouche. Overall height 52”. Length of<br />
panel 16”. 700/900<br />
1028. ANTIQUE CONVEX MIRROR Late 18th/Early 19th Century<br />
Gilt frame with attached upper and lower foliate mounts. Height approx. 36½”. 500/1,000
1029. HANDEL LEADED GLASS TABLE LAMP Early 20th Century<br />
Shade in an apple blossom pattern, and base in a leaf pattern. Marked on base and shade. Height 33”. Diameter of shade 18”.<br />
6,000/8,000<br />
1030. ORMOLU-MOUNTED PORCELAIN URN Early 20th Century<br />
In the manner of Royal Vienna with decoration of cherubs and classical maidens. Satyr handles. Reverse decorated with<br />
landscapes. Signed “T. Quentin”. Height of urn including metal mounts 30”. Mounted as a table lamp. 1,500/2,500<br />
1031. ANTIQUE ENGLISH TALL-CASE CLOCK Circa 1820<br />
In walnut with mahogany case. Bonnet top fronted by full columns. Dial marked “M. Blumfi eld, Norwich”. Case fl anked by<br />
fl uted columns. Flat bracket feet. Height 91”. 1,200/1,500<br />
1032. ENGLISH TALL-CASE CLOCK 18th Century<br />
By John Elliott. In walnut and walnut veneers. Bonnet with modifi ed dental molding above applied leaf carving and fronted by<br />
brass-capped stop-fl uted reeded columns. Brass face with circular upper panel engraved with birds and “Tempis Fugit”. Brass<br />
Roman numeral dial with second sweep and calendar signed “John Elliott”. Center of face painted with a shepherd, a hunter and<br />
a classical scene. Case with shaped front door, carved quarter columns and molded panel at bottom. Height 84”. 2,000/3,000<br />
1033. ANTIQUE AMERICAN TALL-CASE CLOCK<br />
In mahogany. Brass ball and spire fi nials above fenestrated fretwork. Bonnet supported by full unturned columns. Painted dial<br />
with calendar wheel and gilt spandrels. Dome door fl anked by plain brass-mounted columns. Bracket base. No maker’s mark.<br />
Height approx. 95½”. 3,000/5,000<br />
1034. FINE QUALITY LONG-CASE CLOCK<br />
In mahogany. Roxbury-style case with scrolled pediment and ball and spire fi nials. Gilt and silvered dial marked “Bigelow,<br />
Kennard, Boston”. Throat with stop-fl uted ribbed columns. Central glass panel. Scrolled bracket base. Height approx. 91”.<br />
2,000/3,000<br />
1035. ANTIQUE FRENCH EMPIRE MARBLE MANTEL CLOCK Circa 1835<br />
Face marked “Graverand”, “Boult des Capuchines 1” and “A Paris”. Case features nicely scrolled relief-carved moldings.<br />
Height 17½”. 800/1,200<br />
1036. CONTEMPORARY CHELSEA DESK CLOCK<br />
Centennial model. Dial signed “Chelsea”. Brass numerals on burnished steel with pierced brass center. Mahogany base.<br />
Includes orignal box. Overall height 9”. Dial diameter 5½”. 800/1,200<br />
1037. 14KT YELLOW GOLD TRAVEL CLOCK<br />
By C.B. Baillot of Geneva, Switzerland. Quarter-hour repeater, 15-jewels, and four adjustments. Marked on case and back of<br />
works. Interior inscribed with presentation to Daniel Waldo Field. Monogrammed lid and back.<br />
Approx. 82.41 dwt. 5,000/7,000<br />
1038. BRASS WALL-MOUNTED CLOCK 19th Century<br />
By Star Brass Mfg. Co. Boston, Mass. Roman numeral dial marked boldy “1899”. Diameter 10½”. Dial diameter 7½”. 400/600<br />
1039. DOME-TOP MANTEL CLOCK Early 20th Century<br />
Dial marked “Smith Patterson Company Boston”. Mahogany case with small rosette inlay at front. Pierced brass sound holes at<br />
sides. Brass ball feet. Height 12½”. Width 10”. Diameter of face 6”. 200/300<br />
1040. ANTIQUE AMERICAN BANJO CLOCK Circa 1820<br />
Maker unknown. Gilt wooden bezel, and gilt throat, door and presentation bracket. Reverse painting of an eagle and shield on<br />
throat glass and a naval battle between the Constitution and the Guerriere on door glass. Height 42½”. 1,500/2,000<br />
1041. ANTIQUE AMERICAN BANJO CLOCK First Quarter of the 19th Century<br />
By John Sawin. Mahogany case with eagle fi nial. Reverse painted throat and door glass. Door glass depicts an eagle and shield.<br />
Height 34¼”. 1,200/1,800<br />
1042. ANTIQUE AMERICAN BANJO CLOCK First Quarter of the 19th Century<br />
Maker unknown. Mahogany case, and gilt moldings, side brackets and presentation brackets. Reverse-painted throat and lower<br />
door glass. Door glass depicts a mythical chariot drawn by two horses. Height 41”. 1,500/2,000
1043. DIMINUTIVE TALL-CASE CLOCK Early 20th Century<br />
Made for J.E. Caldwell & Co. Mahogany case with string inlay. Bonnet with broken arch pediment and central wood fi nial.<br />
Moon phase dial. Beveled glass panel door. Height 81”. 400/600<br />
1044. ANTIQUE AMERICAN ELI TERRY PILLAR & SCROLL CLOCK Early 19th Century<br />
In mahogany and mahogany veneers. Broken arch pediment with brass urn-form fi nials. Floral-painted dial. Reverse-painted<br />
lower door panel depicts a waterside monument with buildings in background. Delicately shaped bracket base. Height to top of<br />
bonnet 28¾”. 500/800<br />
1045. FRENCH GUILLOCHÉ ENAMEL DESK CLOCK Late 19th Century<br />
Made for Diener Hermanos, Mexico. Quarter-hour repeater movement. Height 5”. 400/500<br />
1046. UNUSUAL THREE-PIERCE MANTEL GARNITURE SET Late 19th Century<br />
Includes a clock and two candlesticks in mixed metals, each with a winged fi gure of Satan playing a musical instrument.<br />
Painted red, gold and black, which shows some fl aking. Clock with simplistic French movement. Drumstick missing from clock<br />
fi gure, and one candlestick mount broken at base and socle. Heights 18”. 300/500<br />
1047. WALTHAM NINE-CHIME TALL-CASE CLOCK Early 20th Century<br />
Mahogany case with shell crest and beveled glass door. Moon phase dial. Brass numerals on burnished steel circle. Molded<br />
polished brass face. Height 79½”. 1,600/2,000<br />
1048. SWISS DESK CLOCK BY ATELIERS JUVENIA Circa 1900<br />
Face decorated with a Watteau-style fi gural landscape. Pink marble and ormolu base. Height 7”. 600/800<br />
1049. AUSTRIAN ENAMEL BOUDOIR CLOCK Late 19th Century<br />
In snuff box form with fi gural decoration on a blue guilloché ground. Height 4¼”. 300/400<br />
1050. FRENCH ALABASTER AND ORMOLU REGULATOR CLOCK Late 19th Century<br />
With urn fi nial, and fl oral and scroll embellishments. Enamel dial. Height 15”. 700/900<br />
1051. FRENCH BRASS REGULATOR CLOCK Late 19th Century<br />
With painted porcelain panels depicting birds. Height 13½”. 400/600<br />
1052. THREE-PIECE BLACK MARBLE AND ORMOLU CLOCK GARNITURE<br />
Includes two seven-armed candelabra and a lyre-form clock with infant satyr mounts and elaborate giltwork. Heights of<br />
candelabra 27¼”. Height of clock 24½”. 2,000/3,000<br />
1053. FRENCH ORMOLU REGULATOR CLOCK Late 19th Century<br />
In temple form with Corinthian columns. Figural fi nial depicting a reclining woman and a cherub. Faux pendulum in a cherubic<br />
design. Foliate-design foot. Height 28½”. 2,500/3,500<br />
1054. JAYNE SHELLEY-PIERCE<br />
American, Contemporary<br />
“The Big Flag”, depicting a procession of people carrying a large American fl ag in front of the John F. Kennedy Museum in<br />
Hyannis. Onlookers on roof release balloons over the background of Hyannis Sound. Signed and dated lower right “Jayne<br />
Shelly-Pierce 1989”. Oil on breadboard, 19¼” x 28½”. Unframed. 300/500<br />
1055. BETSY HAMMOND BENNETT<br />
American, 1928-2007<br />
“Arch of Time” (The Crosby Mansion, Brewster, Massachusetts). Signed lower right “B. Bennett”. Acrylic on board, 24” x 32”.<br />
Framed. 2,000/3,000<br />
Published: American Artist Magazine, June 1990, p. 41-42. Accompanied by a copy of the magazine.<br />
Provenance: Estate of Margaret and Bruce Findley of Virginia.<br />
1056. ELEANOR FERRI JONES<br />
American, 1930-2008<br />
“In the Gloaming”. Signed lower left “Eleanor Ferri Jones”. Titled verso. Acrylic on masonite, 14” x 18”. Unframed. 300/500<br />
1057. LAFORCE BAILEY<br />
American, 1893-1962<br />
Dock scene, likely Provincetown. Signed lower right “Laforce Bailey”. Gouache on paper, 12” x 16½” sight. Framed. 600/900
1058. BRUCE MCKAIN<br />
American, 1900-1990<br />
Provincetown wharf. Signed lower right “McKain”. Oil on canvas, 14” x 22”. Framed. 1,500/2,500<br />
1059. JAMES WINGATE PARR<br />
American, 1923-1969<br />
A house across the marsh. Signed lower left “James Wingate Parr”. Watercolor on paper, 20” x 29” sight. Framed.<br />
1,000/1,500<br />
1060. HORTENSE T. FERNE<br />
American, 1885-1976<br />
Still life of a fl oral arrangement and a cherub-form candlestick. Signed lower right “Ferne”. Hand-carved Arts and Crafts-style<br />
frame. Oil on canvas, 36” x 40”. Framed. 600/900<br />
1061. WENDELL M. ROGERS<br />
American, 1890-1973<br />
A Cape Cod harbor. Signed lower right “Wendell M. Rogers”. Oil on board, 16” x 20”. Framed. 500/700<br />
1062. WILLIAM MAYNARD<br />
American, b. 1921<br />
Provincetown view. Signed lower right “Wm. Maynard 56”. Watercolor on paper, 18” x 26”. Framed. 600/900<br />
1063. JOHN CLAYTON<br />
American, b. 1961<br />
Captain Jack’s with the Provincetown Monument in the background. Signed lower right “John Clayton”. Oil on board, 8” x 14”.<br />
Framed. 300/500<br />
1064. HAROLD E. WALKER<br />
American, 1890-<br />
“Dunes at Peaked Hills Bars Provincetown, Mass 1939”. Signed lower right “Harold Walker”. Titled and dated verso. Oil on<br />
board, 12” x 16”. Framed. 400/600<br />
1065. JAMES WINGATE PARR<br />
American, 1923-1969<br />
Still life of dead game. Signed lower right “James Wingate Parr”. Mixed media on board, 22” x 28” sight. Framed. 300/500<br />
1066. JOSEPH MCGURL<br />
American, Contemporary<br />
“World’s End Hillside” (Hingham). Signed lower right “Joseph McGurl”. A fi ne early work by the artist. Oil on board, 24” x<br />
30”. Framed. 3,000/4,000<br />
1067. MARIELUISE HUTCHINSON<br />
American, Contemporary<br />
“Sear’s Barn, East Dennis”. Signed lower left “Marieluise”. Oil on board, 12” x 16”. Framed. 1,000/1,500<br />
1068. O. VICTOR HUMANN<br />
American, 1874-1951<br />
Dune scene with marsh and ocean. Signed lower right “O.V. Humann”. Oil on canvas, 11” x 25”. Framed. 300/500<br />
1069. WILLIAM R. DAVIS<br />
American, Contemporary<br />
“Marsh Study Oct. 2006”. Signed lower left “W. Davis”. Oil on panel, 8” x 12”. Framed. 1,000/1,500<br />
1070. SAM BARBER<br />
American, b. 1943<br />
“Waterperry Courtyard”. Signed lower right “S. Barber”. Titled verso. Oil on canvas, 48” x 36”. Framed. 4,000/6,000<br />
1071. ELEANOR FERRI JONES<br />
American, 1930-2008<br />
An artist and his model. Signed lower left “Eleanor Jones”. Oil on board, 27½” x 21½” sight. Framed. 500/700<br />
Provenance: Private Collection, New Jersey.
1072. STEVE KENNEDY<br />
American, 20th Century<br />
<strong>View</strong> of Provincetown Harbor. Signed lower right “S. Kennedy”. Oil on canvas, 25” x 40”. Framed. 1,000/1,500<br />
1073. ROSS E. MOFFETT<br />
American, 1888-1971<br />
“Overhauling Fishing Gear”. Signed lower right “Ross Moffett”. Titled lower left. Oil on board, 10” x 14”. Framed.<br />
10,000/12,000<br />
Provenance: Private Collection, Provincetown, Massachusetts.<br />
1074. HENRY HENSCHE<br />
American, 1899-1992<br />
Still life of a yellow mixing bowl. Signed upper right “Henry Hensche”. Oil on masonite, 24” x 24”. Framed. 6,000/8,000<br />
Exhibited:<br />
Provincetown Art Association & Museum’s “Henry Hensche and The Legacy”, June 12-June 28th, 1998.<br />
Provenance: Private Collection, Provincetown, Massachusetts.<br />
1075. ROBERT K. ROARK<br />
American, Contemporary<br />
“Grand Ol’ Flag”, depicting an American fl ag on a pole standing in a shaker basket resting on a chair. Signed lower right<br />
“Roark”. Oil on canvas, 18” x 14”. Framed. 800/1,200<br />
1076. ROBERT K. ROARK<br />
American, Contemporary<br />
“Twilight on the Marsh”, Blackfi sh Creek, Wellfl eet, Massachusetts. Signed lower left “Robert Roark”. Titled verso. Oil on<br />
masonite, 20” x 16”. Framed. 800/1,200<br />
1077. SERGIO ROFFO<br />
American, Contemporary<br />
“Path to Edgartown Light”. Signed lower right “Sergio Roffo”. Oil on canvas, 24” x 48”. Framed. 6,000/9,000<br />
Provenance: Private Collection, Connecticut.<br />
1078. ORIENTAL RUG: ISPHAHAN 9’9” x 13’2”<br />
Central fl oral medallion surrounded by palmettes in blues, olive green, gold, mauve and ivory on a dark blue fi eld with a<br />
graceful fl owering arabesque vine. Quartered spandrels match medallion. Light and dark blue and gold borders with foliate<br />
motifs. 1,200/1,800<br />
1079. ORIENTAL RUG: ISPHAHAN 10’2” x 15’9”<br />
Central medallion of light and dark blue with a pale yellow center and dark blue pendants on a red fi eld fi lled with delicate<br />
arabesque vine bearing palmettes and Shah Abbas in blues, pale green, pale yellow and ivory. Arabesque spandrels, and light<br />
blue, dark blue and pale yellow borders. 1,200/1,800<br />
1080. ORIENTAL RUG: CAUCASIAN DESIGN 3’0” x 7’4”<br />
Three columns of repeated stylized fl owering branches and cypress trees in red, pink, pale yellow and dark blue on a pale<br />
turquoise fi eld. Repeated elements of red, blue and peach in a light yellow main border. 300/500<br />
1081. ORIENTAL RUG: SULTANABAD DESIGN 9’2” x 12’3”<br />
Symmetrical arrangement of Shah Abbas and a meandering vine in olive green, light gold, tan, rust-red, dark blue and pale blue<br />
on a dark blue fi eld. Broad tan border with similar elements. 1,500/2,000<br />
1082. ORIENTAL RUG: HERIZ 9’3” x 12’0”<br />
Navy blue, light blue, pink, green and ivory gabled medallion on a red fi eld. Ivory subfi eld and navy blue turtle border. 800/1,200<br />
1083. ORIENTAL RUG: HAMADAN RUNNER 2’6” x 13’1”<br />
Repeating arrays of fl ower vases and fl oral bouquets in light blue, dark blue, pink, brown, rust-red, gold, green and ivory fi ll a<br />
salmon-red fi eld. Narrow borders of dark gold and light blue contain fl owering vines. 400/600<br />
1084. ORIENTAL RUG: SULTANABAD DESIGN 9’1” x 11’5”<br />
Repeated bold palmettes and serrated leaves joined by a meandering vine rendered in greens, blue, tan, peach and pale yellow<br />
on a mallard blue fi eld. Matching bold palmettes on a pale yellow border. 1,500/2,000
1085. ORIENTAL RUG: KIRMAN 4’3” x 6’8”<br />
Floral elements throughout a pendant medallion of navy blue with a cranberry red center and outlined in orange and abrashed<br />
ivory. Ivory fi eld of fl owering branches and quartered spandrels of blue and tan echo medallion. Floral borders of ivory,<br />
cranberry red and dark blue. 400/600<br />
1086. ORIENTAL RUG: CAUCASIAN RUNNER 2’11” x 8’9”<br />
Three geometric medallions contain a latch hook, a diamond and stylized fl owering vines in rust-red, blues and tan. Dark blue<br />
fi eld contains stylized elements including animal fi gures. Brick red panels at either end of fi eld contain stylized vines in similar<br />
colors. Rust-red, ivory and light blue borders. 300/400<br />
1087. ORIENTAL RUG: BOUKARA BAGFACE 2’7” x 3’8”<br />
Traditional quartered guls in dark slate blue, red, ivory and rust-red on a rust-red fi eld with additional stylized elements.<br />
Borders with repeated stylized motifs. 150/200<br />
1088. ORIENTAL RUG: TURKISH PRAYER 3’10” x 5’4”<br />
Central panel of bright red, blue and ivory with subtle brown and yellow. Mihrab defi ned by serrated edges and contains a<br />
fl owering branch on each side. Rectangular horizontal panels above and below contain a repeating fl oral element. Multiple<br />
borders contain fl owers and vines in primary red, blue and yellow, as well as green and ivory. Intertwined tassel fringe ends.<br />
400/700<br />
1089. ORIENTAL RUG: KIRMAN 10’4” x 18’6”<br />
Flowering arabesque vines, Shah Abbas and other traditional motifs in blues, green, gold, pink and ivory arranged<br />
symmetrically around the center of a red fi eld. A series of elaborate cartouches in similar colors form a single broad border.<br />
800/1,200<br />
1090. ORIENTAL RUG: SERAPI DESIGN 6’0” x 9’0”<br />
Central medallion of brick-red and navy blue. Brick-red fi eld on a light blue and light gold subfi eld with a meandering vine<br />
throughout. Ivory turtle main border. 600/800<br />
1091. ORIENTAL RUG: SULTANABAD DESIGN 8’1” x 10’0”<br />
Central column of palmettes and Shah Abbas with serrated leaves radiating from a meandering vine in light gray, green,<br />
celadon, slate blue, gold and tan on a brick red fi eld. Similar elements in matching colors throughout a light gray main border.<br />
700/1,000<br />
1092. ORIENTAL RUG: SERAPI DESIGN 8’10” x 12’0”<br />
Gabled medallion of dark blue, light blue and navy blue with light blue pendants on a rust-red fi eld and a light gray subfi eld<br />
with gold and green spandrels. Meandering vines, serrated leaves and stylized fl ower blossoms throughout. Navy blue turtle<br />
main border. 1,000/1,500<br />
1093. ORIENTAL RUG: HERIZ DESIGN 4’0” x 6’0”<br />
Rectangular medallion of salmon red with dark blue and rust-red center defi ned by pale green stylized vine on a dark red fi eld.<br />
Gold subfi eld and meandering vines throughout. 300/400<br />
1094. ORIENTAL RUG: KAZAK 5’2” x 6’1”<br />
Central medallion of pale yellow, red and blue contains stylized elements of green and peach on a bright red fi eld surrounded by<br />
symmetrically arranged stylized elements in the same colors. Blue and yellow borders. 350/450<br />
1095. ORIENTAL RUG: ISPHAHAN 9’10” x 12’0”<br />
Ivory, light blue and dark blue fl oral central medallion and dark blue fl oral pendants on a red fi eld with fl oral arabesque vine<br />
and elaborate ivory and dark blue spandrels. Dark blue main border with ivory and dark blue guard borders. 800/1,200<br />
1096. ORIENTAL RUG: SHIRVAN DESIGN RUNNER 2’9” x 10’2”<br />
Repeating traditional stylized elements in blues, gold and yellow run down the center of a bright red fi eld bordered in red, pale<br />
green and yellow. 400/500<br />
1097. ORIENTAL RUG: SERAPI DESIGN 3’0” x 8’0”<br />
Two gabled medallions in navy and light blue on a rust-red fi eld with fl owering vine of ivory, light gold, tan, pale greens and<br />
blues. Navy blue, rust-red and ivory spandrels. Rust-red turtle border. 250/450<br />
1098. CARVED MARBLE FIGURE Late 19th Century<br />
Depicting a woman in a gossamer gown standing beside a tree stump. Height 31½”. 1,000/1,500
1099. BRONZE FIGURE GROUP 20th Century<br />
By Ary Bitter. Depicting a nude female accompanied by a doe and fawn. Length 29½”. Black marble base. 1,500/2,000<br />
1100. BRONZE SCULPTURE AFTER FREDERIC REMINGTON<br />
“The Mountain Man”, depicting a man on horseback descending a steep hillside. Height 27¼”. 1,000/1,500<br />
1101. BRONZE FIGURE AFTER FREDERIC REMINGTON<br />
“The Bronco Buster”, depicting a cowboy on horseback. Height 22½”. 1,000/1,500<br />
1102. BRONZE SCULPTURE AFTER MENE<br />
Depicting two horses. Length 10½”. Marble base. 400/600<br />
1103. GUSTAVE DORÉ<br />
French, 1832-1883<br />
“Saute-Mouton” (Leap Frog). Signed in base “G. Doré”. “Thiébaut Freres” foundry mark. Bronze, height 14”. 2,000/3,000<br />
1104. ANTIQUE AMERICAN SHERATON FOUR-DRAWER BUREAU Circa 1820<br />
Possibly birch. Top with plain cookie corners. Replaced oval brasses. Turned and ribbed legs. Height 40”. Width 43”. Depth 18½”.<br />
300/500<br />
1105. ANTIQUE AMERICAN HEPPLEWHITE TIP-TOP TABLE<br />
In well-grained mahogany. Shaped top set on vase-form pedestal raised on splayed feet ending in brass casters. Height 27”. Top<br />
19” x 30”. 200/300<br />
1106. ANTIQUE AMERICAN SHERATON DROP-LEAF TABLE 19th Century<br />
In cherry with turned legs. Height 21½”. Top 41” x 16½” plus two 11” drop leaves.<br />
200/300<br />
1107. ANTIQUE AMERICAN SHERATON PEMBROKE DROP-LEAF TABLE Circa 1805<br />
In mahogany with shaped leaves and delicate tapered reeded legs. Single drawer at one end with cockbeaded molding.<br />
Height 29¼”. Length 37”. Width 23¼” plus two 15” drop leaves. 500/700<br />
1108. FIRE SCREEN WITH GILT AND LACQUERED CHINESE-STYLE DECORATION 19th Century<br />
Height 50”. 200/300<br />
1109. ANTIQUE AMERICAN HEPPLEWHITE SECRETARY Circa 1800<br />
In cherry. Upper case features raised cornice with rectangular inlaid panel and two wooden urn-form fi nials above dental<br />
molding. Shelved interior with two glazed diamond panel doors. Lower case with pull-out fall-front drawer with interior<br />
pigeonhole and drawers. Full-width drawer and paneled cupboard door fl ank sectioned bottle drawers below. Slightly splayed<br />
French bracket feet. Height approx. 90¼”. Width 43”. Depth 22½”. 2,500/3,500<br />
1110. ANTIQUE AMERICAN CHIPPENDALE TWO-PART CUPBOARD Pennsylvania, Circa 1780<br />
In walnut. Upper case made from old parts. Bonnet top with broken arch pediment and three fi nials above two glazed panel<br />
doors fl anked by carved fl uted quarter columns. Lower case of the period, probably from a chest-on-chest with an added dresser<br />
slide. Three drawers over two full-width drawers fl anked by fl uted quarter columns. Ogee bracket feet. Height 85½”. Width<br />
43½”. Depth 19”. 1,000/1,500<br />
1111. FEDERAL-STYLE DOUBLE-PEDESTAL DINING TABLE Late 19th/Early 20th Century<br />
In mahogany with lighter wood banded veneer to edge. Vasiform pedestals set on four legs with brass-capped feet. Height<br />
29¼”. Length 67”. Width 44½”. Includes four 13½” leaves. 1,200/1,800<br />
1112. ANTIQUE AMERICAN SHERATON SECRETARY North Shore, MA, Circa 1810<br />
In mahogany and mahogany veneers. Upper case with two paneled doors concealing a shelved interior. Fold-out writing<br />
surface. Lower case with three side-by-side drawers over a central cupboard door fl anked by two bottle drawers. Reeded<br />
columns at sides. Reeded legs. Height 77”. Width 42¾”. Depth 20¾”. The consignor’s ancestors were told it was made by<br />
Thomas Seymour. 400/600<br />
1113. ANTIQUE AMERICAN LINEN PRESS Probably New Jersey, Late 18th Century<br />
In cherry. Upper case with paneled cupboard doors and shelved interior. Lower case with four cockbeaded drawers and French<br />
splayed bracket feet. Retains original hardware. Height 83½”. Width 40”. Depth 22”. 2,500/3,500
1114. ANTIQUE AMERICAN FEDERAL LOVE SEAT North Shore of Massachusetts, Circa 1810<br />
With mahogany veneer. Cornucopia design on rolled arms. Sheafs of wheat motif above carved paw feet. Beige velvet<br />
upholstery. Length 72”. 600/800<br />
1115. QUEEN ANNE-STYLE CHILD’S CHAIR Early 20th Century<br />
In mahogany with sleep seat. Height 26¾”. 200/300<br />
1116. THREE-PIECE CAST IRON GARDEN FURNITURE SET Late 19th/Early 20th Century<br />
Including garden bench and two chairs. Heavy foliate design with geometric circular design on seats. In white paint. Length of<br />
bench 59½”. 300/500<br />
1117. ANTIQUE AMERICAN CHIPPENDALE SLANT-LID DESK Late 18th Century<br />
In maple with some curl. Interior fi tted with fi ve pigeonholes and eight drawers. Drawer fronts in bird’s-eye maple with<br />
probably original oval brasses and escutcheons. Bracket base. Height 42”. Width 37¾”. Depth 18½”. 1,400/1,800<br />
1118. ANTIQUE AMERICAN CHIPPENDALE SLANT-LID DESK 18th Century<br />
In cherry, maple and other woods. Interior with seven pigeonholes and fi ve drawers. Four full-width drawers below. Scrolled<br />
legs. Height 44”. Width 37¾”. Depth 17¾”. 800/1,200<br />
1119. COUNTRY PAINTED ONE-DOOR CABINET ATTRIBUTED TO PHIPPS & WINN American, 20th Century<br />
Breadboard top with decoration of a harbor and lighthouse. Front and sides with New England farmhoue design. Height 35”.<br />
Width 26½”. Depth 16¼”. 400/600<br />
1120. ANTIQUE AMERICAN SHERATON TWO-DRAWER STAND Circa 1820<br />
In mahogany with opalescent Sandwich glass drawer pulls and rope-turned legs. Height 31½”. Width 19½”. Depth 18”. 150/250<br />
1121. ANTIQUE AMERICAN FEDERAL FLY-LEAF CARD TABLE Boston, Circa 1825<br />
In mahogany with string inlay to top and skirt. Molded vasiform base raised on four cabriole legs ending in paw feet. Height<br />
30½”. Width 33½”. Depth 17”. 500/1,000<br />
1122. CHINESE EXPORT PORCELAIN CHARGER Second Quarter of the 19th Century<br />
Central landscape cartouche surrounded by a fl oral ring and three additional cartouches. Diameter 13½”. 300/400<br />
1123. CHINESE CAMPHORWOOD LAP DESK Second Quarter of the 19th Century<br />
Brass plaque on top of lid. Fold-out writing surface. Roll top activated by opening drawer. Height 8½”. Width 18”. Depth 14½”.<br />
500/600<br />
1124. CHINESE BRASS-BOUND CAMPHORWOOD LAP DESK Second Quarter of the 19th Century<br />
Brass side carrying handles. Fold-out writing surface. Roll top activated by opening drawer. Height 10”. Width 24”. Depth 17¾”.<br />
500/600<br />
1125. CHINESE ROUGE MARBLE-TOP CARVED WOOD STAND 19th Century<br />
With pierced fl oral carved skirt and four relief-carved legs. Height 27”. Overall diameter 19”. 200/350<br />
1126. TWO PIECES OF CHINESE EXPORT BLUE AND WHITE PORCELAIN<br />
A hot water dish, length 10½”, and a plate, diameter 10¼”. 100/150<br />
1127. CHINESE ROUGE MARBLE TOP CARVED WOOD STAND 19th Century<br />
In octagonal form. Height 35½”. Length of top 16”. 250/350<br />
1128. CHINESE EXPORT BLUE AND WHITE CANTON PORCELAIN MAZARIN 19th Century<br />
Mounted in a contemporary mahogany table with bamboo-turned legs. Height 20”. Length 15¾”. Width 12¼”. 250/350<br />
1129. PAIR OF CHINESE EXPORT ROSE MEDALLION PORCELAIN PALACE VASES 19th Century<br />
In an unusual waisted form with scalloped rim and bulbous base. Figural and fl oral decoration. Height 37”. 2,000/3,000<br />
1130. PAIR OF CHINESE EXPORT PORCELAIN SERVING DISHES IN MANDARIN PATTERN Circa 1840<br />
In rectangular form with a fi gural cartouche surrounded by a bird and fl ower border. Lengths 8¼”. 500/700<br />
1131. PAIR OF ROSE MEDALLION PORCELAIN COVERED BOXES Mid-19th Century<br />
In drum form with fi gural cartouches. Heights 4½”. 300/500
1132. CHINESE EXPORT BLUE AND WHITE CANTON PORCELAIN DEEP DISH 19th Century<br />
10½” x 13½”. 200/300<br />
1133. ANTIQUE CHINESE EXPORT CANTON PORCELAIN COVERED SOUP TUREEN Mid-19th Century<br />
In blue and white decoration. Boar’s-head handles. Height 8½”. Length 13”. 400/600<br />
1134. PAIR OF TALL CHINESE EXPORT ROSE MANDARIN PORCELAIN VASES Mid-19th Century<br />
Four cartouches depict alternating views of a landscape with multiple fi gures, and bird, butterfl y and fl oral motifs. Molded gilt<br />
foo dogs with rings in mouths applied to sides. Height 24½”. 2,500/3,500<br />
1135. PAIR OF INDIAN ARMCHAIRS<br />
Middle eastern wood with shell decoration. 800/1,200<br />
1136. ANTIQUE CHINESE GARDEN BARREL<br />
In pale celadon with raised white fl oral decoration. Height 18½”. Diameter 12½”. 300/500<br />
1137. CHINESE EXPORT CHARGER 18th Century<br />
In fl oral form with armorial and fl oral decoration. Diameter 13”. 500/600<br />
1138. CHINESE EXPORT SILVER TEA CADDY Late 19th Century<br />
By Luen Wo, Shanghai. In ovoid form with repoussé dragon and pearl design. Height 4½”. 300/500<br />
Approx. 11.4 troy oz.<br />
1139. CHARLES E. WALTENSPERGER<br />
American, 1870-1931<br />
“Happy Moments” (1917). Signed lower right “Charles Waltensperger”. Titled and dated 1917 on label verso. Oil on canvas,<br />
22” x 17”. Framed. 800/1,200<br />
Provenance: Private Collection, Cape Cod, Massachusetts.<br />
1140. CHARLES E. WALTENSPERGER<br />
American, 1870-1931<br />
“Mother and Child”. No apparent signature. Titled and identifi ed on label verso. Oil on canvas, 16” x 20”. Framed. 800/1,200<br />
Provenance: Private Collection, Cape Cod, Massachusetts.<br />
1141. ANDRE GISSON<br />
American, 1921-2003<br />
Impressionist landscape. Signed lower left “Gisson”. Oil on canvas, 9” x 12”. Framed. 800/1,200<br />
Provenance: Newman Galleries, Philadelphia.<br />
Private Collection, Pennsylvania.<br />
1142. ERNEST FIENE<br />
American, 1894-1965<br />
Fallen Tree in Connecticut. Signed lower right “E. Fiene”. Typed note verso inscribed “Gift of Dr. Martin H. Bush, Wichita,<br />
Kansas. Wichita State University Endowment Association Art Collection. 81.23.2”. Oil on canvas, 17” x 26”. Framed.<br />
1,500/2,500<br />
Provenance:<br />
Treadway-Toomey, December 4, 2005, Lot #642.<br />
1143. CHESTER K. VAN NORTWICK<br />
American, 1881-1944<br />
Winter snow scene. Unsigned. Estate stamp verso. Oil on canvas, 30” x 40”. Framed. 3,000/5,000<br />
1144. CHESTER K. VAN NORTWICK<br />
American, 1881-1944<br />
Two fi shermen in a dory hauling nets. Signed lower left “C.K. Van Nortwick”. Label verso for J.J. Gillespie Gallery, Pittsburgh.<br />
Oil on canvas board, 18” x 24”. Framed. 600/900<br />
1145. CHESTER K. VAN NORTWICK<br />
American, 1881-1944<br />
Father and son in a dory setting traps. Signed lower left “C.K. Van Nortwick”. Oil on canvas board, 18” x 24”. Framed. 600/900
1146. MYRON G. BARLOW<br />
American, 1873-1937<br />
A conversation. Signed lower right “Barlow”. Oil on canvas, 39¾” x 39¾”. Framed. 5,000/7,000<br />
Provenance: Private Collection, Cape Cod, Massachusetts.<br />
1147. JOHN FULTON FOLINSBEE<br />
American, 1892-1972<br />
Maine coastal scene. Signed lower right “John Folinsbee”. Oil on canvas board, 9¾” x 13¾”. Framed. 6,000/8,000<br />
1148. JOHN FULTON FOLINSBEE<br />
American, 1892-1972<br />
The coast of Maine. Signed lower left “John Folinsbee”. Oil on canvas, 16” x 24”. Framed. 7,000/9,000<br />
Provenance: Bonham’s.<br />
1149. HENRY WARD RANGER<br />
American, 1858-1916<br />
Travelers on a mountain pass. Signed lower right “H.W. Ranger”. Oil on board, 18” x 14”. Framed. 2,500/3,500<br />
1150. FRAMED PAINTING Late 19th Century<br />
Deer along a riverbank. Oil on canvas, 10” x 16”. 500/700<br />
1151. WILSON HENRY IRVINE<br />
American, 1869-1936<br />
November, Lyme, circa 1925. Signed lower right “Irvine”. Oil on canvas, 25½” x 30”. Framed. 6,000/8,000<br />
1152. NELSON AUGUSTUS MOORE<br />
American, 1824-1902<br />
<strong>View</strong> from the coast, circa 1880. Signed and dated lower right “N.A. Moore ’80”. Oil on canvas, 13” x 20”. Framed.<br />
3,000/5,000<br />
1153. FRANCIS COATES JONES<br />
American, 1857-1932<br />
A woman standing in a forest interior. Signed lower left “Francis C. Jones”. Oil on canvas, 31” x 22”. Framed. 12,000/18,000<br />
Provenance: Private Collection, Connecticut.<br />
1154. CONTINENTAL SCHOOL<br />
Mid-19th Century<br />
Hikers gazing down on a dramatic moutain landscape. Signed lower right “Sch... 18..”. Oil on canvas, 22¾” x 35”. Framed.<br />
1,000/2,000<br />
1155. BRISTOL CERAMIC SHALLOW BOWL 18th Century<br />
In melon form. Blue and white decoration with three fi gures in center and fl oral designs to edge. Diameter 16¼”. 1,000/1,500<br />
1156. CAPODIMONTE CERAMIC DOME-TOP TRUNK 20th Century<br />
Panels of relief classical fi gures in landscape settings framed by foliate designs. Height 7¼”. Width 10”. Depth 7”. 500/1,000<br />
1157. EUROPEAN BLUE AND WHITE FAÏENCE POTTERY STANDING CABINET German or Dutch, Early 19th Century<br />
Upper section with cupboard doors that open to reveal six drawers. Open cabinet below. Paw feet. Top, sides and doors<br />
decorated with genre scenes. Lower section decorated with coat of arms and fl oral design. Height 13”. Width 9¼”. Depth 4½”.<br />
800/1,200<br />
1158. EUROPEAN SHELF CLOCK Early 19th Century<br />
Ebonized wooden base with gilt trim. Porcelain Roman numeral dial. Height 19½”. 600/900<br />
1159. SPANISH MAJOLICA BOWL Early 19th Century<br />
Decorated in yellow, green, blue, red and black. Oval cartouches on interior depicting rabbits, a stag, a bull and a bullfi ghter.<br />
Exterior fl oral decoration. Diameter 12¼”. 600/900<br />
1160. BLUE AND WHITE DELFT CERAMIC CHARGER 18th Century<br />
Central decoration of a bowl of fl owers and fl oral and foliate design at rim. Diameter 13½”. 700/1,000
1161. EUROPEAN FAÏENCE POTTERY BOWL 18th Century<br />
Central wreath design with a fl eur de lis and “Vive el Roi” above “18” in brown, yellow, blues and greens. Exterior with<br />
molded swirls. Diameter 11”. 300/400<br />
1162. SPANISH MAJOLICA SHALLOW BOWL Late 18th/Early 19th Century<br />
Green, blue and yellow landscape design with dog at center. Diameter 12”. 400/600<br />
1163. FIVE-PIECE DELFT CERAMIC GARNITURE SET 18th Century<br />
Including two vases and three covered jars, each decorated with a bust portrait of William of Orange and fl oral and foliate<br />
designs. Blue markings on bottoms. Vase heights 7¾”. Jar heights 11”. 4,000/6,000<br />
1164. DELFT CERAMIC PLATE 18th Century<br />
In a peafowl design in blue, green and red. Diameter 9”. 500/1,000<br />
1165. DELFT CERAMIC PLATE 18th Century<br />
Decoration of a Chinaman in a landscape with fl oral and foliate border in blue, green, yellow and red. Diameter 9”. 500/800<br />
1166. DELFT CERAMIC CHARGER 18th Century<br />
With fl oral designs in green, blue and rust-red. Diameter 13¼”. 800/1,000<br />
1167. DELFT CERAMIC CHARGER 18th Century<br />
Floral and bird design with fl oral and foliate border in blue, green, yellow and red. Diameter 13½”. 700/1,000<br />
1168. DELFT CERAMIC TWO-HANDLED PORRINGER Late 18th/Early 19th Century<br />
In a blue and white fl oral design. Height 2½”. Length 9¼”. 500/800<br />
1169. EUROPEAN FAÏENCE POTTERY BOWL 19th Century<br />
Central bird design in green, blue, yellow, red and purple. Diameter 9¼”. 400/600<br />
1170. EUROPEAN FAÏENCE POTTERY DECORATIVE PITCHER 18th Century<br />
In brown and green glaze. Pierced fl oral designs at upper edge. Faux pouring spout. Height 6¼”. 500/1,000<br />
1171. EUROPEAN CERAMIC SHAVING BOWL Late 18th Century<br />
Geometric design in blue, yellow, green and brown. Diameter 10”. 500/700<br />
1172. EUROPEAN FAÏENCE POTTERY WALL-MOUNTED FLOWER HOLDER 18th Century<br />
Floral and geometric designs in blue, yellow and green. Height 5”. Width 8”. Depth 5”. 500/800<br />
1173. EUROPEAN FAÏENCE POTTERY SHALLOW BOWL Early 19th Century<br />
Decoration of tulips in yellow, blue, green, rust-red and brown. Diameter 9”. 200/300<br />
1174. EUROPEAN FAÏENCE POTTERY BOWL Early 19th Century<br />
Small fl oral design at interior center and exterior fl oral and geometric design in blue, green, yellow, red and black. Height 3¾”.<br />
Diameter 7¾”. 200/300<br />
1175. BLUE AND WHITE CHINESE PORCELAIN TEAPOT STAND 18th Century<br />
Interior decoration of tables and vases. Diameter 5¼”. 200/250<br />
1176. CHINESE PORCELAIN SHALLOW BOWL Early 19th Century<br />
Blue and white decoration of two deer and a tree. Diameter 10¾”. 250/350<br />
1177. TWO STONEWARE PLANTERS<br />
In tree trunk form. One signed “F.B. Norton Worcester, MA”, height 9” and length across handles 10½”. Other unsigned but<br />
similar and without handles, height 8” and diameter 9”. 300/500<br />
1178. QUIMPER TIERED THREE-PART OYSTER SERVING SET Second Quarter of the 20th Century<br />
Consists of a sauceboat atop two graduated tazzes, all with decoration of fl owers and peasant fi gures. Overall height 10”.<br />
Diameter of lower tazze 11”. 250/350<br />
1179. WELLER POTTERY CENTER BOWL Early 20th Century<br />
With molded fl owers, birds and nest of eggs on a molded green foliate ground. Middle period mark of “Weller Ware” stamped in<br />
dark letters within a fl oriform cartouche. Possibly once had a matching fl ower frog. Height 3½”. Diameter 15¾”. 300/500
1180. RORSTRAND PORCELAIN UMBRELLA STAND<br />
In lobed form with raised green and brown acanthus and fl oral design on an ivory ground. Marked “Rorstrand” on base. Height 26½”.<br />
300/500<br />
1181. GERMAN FAÏENCE POTTERY TANKARD Early 19th Century<br />
With pewter lid. Decoration of a gentleman smoking a pipe at front, and fern and fl oral design at sides. Height 11”. 200/250<br />
1182. SET OF TWELVE LIMOGES PORCELAIN SERVICE PLATES Circa 1900<br />
In a heavy gilt fl oral design. Diameters 10½”. 500/700<br />
1183. SET OF TWELVE GERMAN PORCELAIN SERVICE PLATES Early 20th Century<br />
In a cobalt blue and gilt fl ower and vase design. Diameters 11”. 200/300<br />
1184. DELFT CERAMIC BOWL Early 19th Century<br />
In melon-ribbed form. Yellow and blue tulip design at center and vine design at rim. Diameter 12¼”. 200/250<br />
1185. BRISTOL CERAMIC CHARGER Late 18th/Early 19th Century<br />
In a blue fl oral design. Diameter 13¼”. 150/250<br />
1186. TWO PIECES OF ANTIQUE BLUE AND WHITE STAFFORDSHIRE First Half of the 19th Century<br />
A platter and a bowl with similar decoration of a river landscape with castles, fi gures and animals. Platter<br />
20½” x 15¾”. Bowl height 4½” and diameter 10½”. 100/150<br />
1187. TWO ROCKINGHAM FLOWER POTS<br />
One marked “Bennington Centennial Aug. 16, 1877”, height 3” and diameter 4”. Other in a pointed arch design, height 4¼” and<br />
diameter 4¼”. 100/150<br />
1188. ROYAL RUDOLSTADT PORCELAIN FIGURE German, 20th Century<br />
Depicting classical fi gures drinking wine while seated on a paw-foot bench. Rudolstadt mark on bottom. Height 12”. Length 11½”.<br />
300/500<br />
1189. SET OF TWELVE CROWN STAFFORDSHIRE PLATES Second Quarter of the 20th Century<br />
In patterned gilt decoration. Retailed by Gilman Collamore & Co., New York. Diameters 10¼”. 250/350<br />
1190. MOCHAWARE PITCHER 19th Century<br />
Bands of black and green above and below worm decoration in dark brown, ochre and ivory on a light blue fi eld. Impact mark<br />
at bottom including a small hole and loss of glaze. Height 7¼”. 500/800<br />
1191. ORIENTAL RUG: PERSIAN DESIGN 8’11” x 12’1”<br />
A column of bold Shah Abbas and palmettes in gold, pale yellow and ivory on a red fi eld with blue and gold fl owering<br />
branches. Dark blue main border with bold Persian motifs. 1,000/1,500<br />
1192. ORIENTAL RUG: SEICHOUR 4’6” x 6’11”<br />
Ivory fi eld containing double columns of traditional X-form motif in blue and red. Ivory Kufi c main border. 2,500/3,500<br />
1193. ORIENTAL RUG: FLAT WEAVE KAZAK DESIGN 5’11” x 12’2”<br />
Bold geometric medallions of bright red with red and blue centers on a dark blue fi eld with a perimeter bound by bisected<br />
geometric medallions in red, blue and amethyst. 250/400<br />
1194. ORIENTAL RUG: KILIM 3’10” x 4’11”<br />
Three linked geometric medallions of rust-red and light blue contain small stylized elements. Dark blue fi eld with colorful<br />
Herati-like design. Light blue fl oral border. 100/200<br />
1195. ORIENTAL RUG: KAZAK 5’2” x 7’0”<br />
Three geometric medallions in red, blue, brown, pink and ivory on a red fi eld with latch hook medallion perimeters. Wine cup<br />
and serrated leaf motif throughout blue main border. 200/250<br />
1196. ORIENTAL RUG: MALAYER 3’5” x 6’2”<br />
A rose red fi eld with three columns of stylized fl ower blossoms in crimson, dark blue, dark gold, ivory and tan all linked by a<br />
meandering blue vine. Ivory main border with motifs of simple fl ower blossoms and leaves. 400/600
1197. ORIENTAL RUG: TABRIZ 7’9” x 11’6”<br />
Floral central medallion of red, ivory and navy blue on a red fi eld containing fl owering vines and serrated leaves. Ivory<br />
spandrels. Ivory and blue borders. 700/1,000<br />
1198. ORIENTAL RUG: SENNA KILIM 5’0” x 7’5”<br />
Two rows of four hexagonal medallions in red, blue and ivory on a blue fi eld containing small stylized elements in similar<br />
colors. Ivory and dark blue borders. 300/400<br />
1199. ORIENTAL RUG: KILIM 4’11” x 10’5”<br />
Several bands containing stylized and geometric motifs traverse the fi eld in red, blue, green, gold, brown and ivory. Geometric<br />
motifs in brown and ivory throughout border. 120/180<br />
1200. ORIENTAL RUG: TURKISH 3’9” x 7’3”<br />
Gray geometric medallion with green pendants and a dark blue center on an empty red fi eld and a blue subfi eld. Gray and gold<br />
spandrels. Borders of blue, gold and brown. 600/700<br />
1201. ORIENTAL RUG: TURKISH PRAYER 3’11” x 6’0”<br />
Central ivory fi eld with hanging lantern and fl anked by columns. Mihrab formed by rows of repeated stylized elements on a<br />
blue background. Borders of red, ivory and pale green. 350/450<br />
1202. ORIENTAL RUG: KILIM 6’2” x 10’7”<br />
Design composed of several horizontal bands containing a different repeated stylized element all rendered in brick-red, blue,<br />
green, yellow, brown and ivory. Narrow tan and dark blue borders. 200/300<br />
1203. ORIENTAL RUG: SENNA KILIM CRADLE 3’4” x 1’7” x 1’4” deep<br />
Base with orange and brown stripes. Sides woven with repeating latch hook medallions in red, gold, ivory, orange and charcoal.<br />
700/800<br />
1204. ORIENTAL RUG: PAIR OF STUFFED FLAT WEAVE SADDLEBAGS 2’7” x 4’7”<br />
Each with bold geometric latch hook medallions of blue, ivory, crimson, gold and green surrounded by bands of repeated<br />
stylized motifs. 250/300<br />
1205. ORIENTAL RUG: HERIZ 3’4” x 5’10”<br />
Abrashed brick-red fi eld traversed by a linear stylized blue vine bearing a variety of stylized fl oral elements and traditional<br />
serrated leaves in blue, turquoise, brown and ivory. Stylized elements throughout borders of rust-red, gray and blue. 700/1,000<br />
1206. ORIENTAL RUG: SENNA KILIM 4’4” x 6’6”<br />
Central diamond medallion of blue overlaps another larger medallion of gold. Dark blue fi eld fi lled with stylized elements in<br />
brown, gold, gray, red, pink and ivory. Borders of dark blue, yellow and gold. 700/900<br />
1207. ORIENTAL RUG: CAUCASIAN 3’11” x 7’0”<br />
Row of four small geometric medallions in red, blue, green, orange and ivory, each fl anked by scrolling elements on an<br />
abrashed blue fi eld. Red Kufi c main border. 850/950<br />
1208. ORIENTAL RUG: LADIK PRAYER 3’7” x 6’0”<br />
Oxblood fi eld contains hanging chandelier underneath a Mihrab defi ned by a small repeating stylized element of rust-red, gray,<br />
green, red and ivory. Borders of gray and blue contain further repeated stylized elements. 650/750<br />
1209. ORIENTAL RUG: KILIM 5’0” x 10’9”<br />
Five geometric medallions in red, black, green, gray and mauve on a gray fi eld fi lled with bold stylized elements in similar<br />
colors. Red and black borders. 200/300<br />
1210. ORIENTAL RUG: CABISTAN 4’0” x 5’4”<br />
Geometric elements in blue, brown, gold and ivory in the center of a blue fi eld surrounded by repeating stylized elements. Blue<br />
and ivory borders. 500/600<br />
1211. ORIENTAL RUG: YAHYALI 4’5” x 6’4”<br />
Central fl oral medallion of red, blue and yellow on a red fi eld with bold stylized elements. Unusual spandrels interrupt fl oral<br />
main border. 200/250
1212. ORIENTAL RUG: KESHAN 3’5” x 4’6”<br />
Floral central medallion of ivory on a dark blue fi eld with fl owering branches throughout rendered in red, pink, ivory, light blue<br />
and gold. Salmon red fl oral spandrels. Light blue and red borders. 450/550<br />
1213. ORIENTAL RUG: SENNA KILIM CRADLE 1’9” x 2’3” x 1’4” deep<br />
Base in simple stripes of red, blue and brown. Sides woven with bands of repeating geometric elements in red, blue, green and<br />
ivory. 350/450<br />
1214. ORIENTAL RUG: SINGLE STUFFED FLAT WOVEN SADDLEBAG 1’10” x 3’3”<br />
Several rows of repeated diamond-form medallions in red, gold gray, charcoal and ivory. 150/250<br />
1214A. ORIENTAL RUG: PAIR OF FLAT WOVEN SADDLEBAGS 1’8” x 4’9”<br />
Each bagface with a row of three diamond medallions, each bound by repeating zig-zag borders in ivory, dark red, charcoal,<br />
green, blue, orange and gold. 100/200<br />
1215. OTIS S. WEBER<br />
American, Late 19th Century<br />
Numerous catboats racing around a buoy under sunset skies. Lighthouse in background. Signed and dated lower right “O.S.<br />
Weber ’76”. Oil on canvas, 14” x 24”. Framed. 1,500/2,000<br />
1216. AMERICAN SCHOOL<br />
Late 19th Century<br />
“The Clyde - Wm C. Dillingham Owner”. Depicting a catboat and numerous fi gures sailing off a coast. Possibly Gay Head with<br />
Nashon Island to the left. Signed lower right “S.L. T...”. Oil on canvas, 18” x 24”. Framed. 500/1,000<br />
1217. GEORGE SAVARY WASSON<br />
American, 1855-1926<br />
A catboat off the coast. Signed lower left “G.S. Wasson”. Boston framer’s label verso. Oil on board, 10” x 14¾”. Period frame.<br />
700/1,000<br />
1218. AMERICAN SCHOOL<br />
19th Century<br />
The ship Robert Bruce in distress. Signed lower right “R.B.S...”. Oil on canvas laid down on board, 20” x 30”. Framed.<br />
500/1,000<br />
1219. FRAMED PAINTING<br />
“‘Maud’ of Jersey John N. Keagan Master” depicting a two-masted topsail schooner. Unsigned. Gouache, 17½” x 25½”.<br />
300/500<br />
1220. AMERICAN SCHOOL<br />
Late 19th Century<br />
Yachts racing off the coast. Signed lower right “C. Horton”. Oil on canvas, 23” x 39”. Framed. 800/1,200<br />
1221. ROY DAVID MACGREGOR<br />
English, 1925-<br />
Yacht racing off the coast. Signed lower left “R. Macgregor”. Oil on canvas, 20” x 30”. Unframed. 600/900<br />
1222. AMERICAN SCHOOL<br />
19th Century<br />
American naval ship off an icebound coast. Five smaller vessels in foreground. Unsigned. Oil on canvas,<br />
21” x 30”. Framed. 500/1,000<br />
1223. THOMAS H. WILLIS<br />
American, 1850-1925<br />
A two-masted schooner at sea. Signed lower right “T. Willis, New York”. Label on stretcher for canvas preparer Charles G.<br />
Calder, Providence, Rhode Island. Oil on canvas with applied silk and embroidery, 18” x 26”. Unframed. 800/1,200<br />
1224. THOMAS BUTTERSWORTH SR.<br />
British, b. 1768, d. after 1828<br />
Dramatic scene of a naval battle at night with a dis-masted warship on fi re and a British warship dis-masting another ship in the<br />
distance. Signed lower center “T. Buttersworth”. Oil on canvas, 14” x 18”. Framed. 5,000/8,000
1225. ARTHUR WELLINGTON FOWLES<br />
British, 1815-1878<br />
An American schooner off of Ryde, Isle of Wight. Signed and dated lower left “A.W. Fowles - Ryde 1878”.<br />
Oil on canvas, 14” x 24”. Framed. 3,000/5,000<br />
Provenance: Private Collection, Massachusetts.<br />
1226. FRAMED PAINTING<br />
A full-rigged British steam/sail vessel in rough seas. Coast and lighthouse off the stern. Ship wreckage off the bow. Unsigned.<br />
Oil on canvas, 24” x 36”. 1,200/1,800<br />
1227. CHARLES S. DORION<br />
American, Late 19th/Early 20th Century<br />
Catboats under moonlight. Signed lower left “C.S. Dorion”. Oil on canvas, 18” x 30”. Framed. 800/1,200<br />
1228. AMERICAN SCHOOL<br />
Early 20th Century<br />
“The Cape Ann”. Initialed illegibly lower right. Titled lower center “Cape Ann”. Oil on academy board, 12½” x 18½”. Framed.<br />
300/500<br />
1229. JEROME HOWES<br />
American, b. 1955<br />
Early American pilot boats. Signed lower right “Jerome Howes”. Oil on masonite, 16” x 20”. Framed. 900/1,200<br />
1230. RARE BLUEBACK CHART OF THE COAST OF CALIFORNIA London, 1849<br />
“Chart of the Coast of California from San Blas to San Francisco Drawn chiefl y from the Spanish Surveys, the Charts of<br />
Vancouver &c. [sic] the whole much improved by recent observations made by English and French Naval Offi cers”. Published<br />
by James Imray, London 1849. Six inset maps depicting the Harbour of San Francisco, the Bay of Monterey, Guaymas,<br />
Magdalen Bay, Mazatlan and the Entrance of San Francisco Harbor. 58” x 26¼”. Unframed. 1,000/1,500<br />
1231. WILLIAM PIERCE STUBBS<br />
American, 1842-1909<br />
Portrait of the two-masted schooner Gov. J.Y. Smith with a red and white lighthouse off her bow. Unsigned.<br />
Oil on canvas, 24” x 36”. Framed. 6,000/9,000<br />
1232. PERIOD SMALL CARVED WOODEN FIGUREHEAD Probably American, 19th Century<br />
In the form of a young woman with long wavy blonde hair and a detailed dress. Cornucopia form below ends in foliate scrolls.<br />
Probably taken from a yacht or small schooner. Lower portion of support mount and bottom half of cornucopia probably redone<br />
in the 1920s. Mounted on a mahogany plank. Overall height 31”. 1,000/1,500<br />
1233. GORDON HOPE GRANT<br />
American, 1875-1962<br />
A ship at sea with a small dory in the foreground. Sunset-lit sky. Signed lower right “Gordon Grant”. Inscribed below signature<br />
“To Henry B. Culver Jan 1930”. Grant was the illustrator of Culver’s book The Book of Old Ships: From Egyptian Galleys to<br />
Clipper Ships. Oil on board, 30” x 40½”. Framed. 5,000/7,000<br />
Provenance: John F. Sturm, Paris (notation verso.)<br />
A Cape Cod, Massachusetts estate.<br />
1234. ATTRIBUTED TO HIN QUA<br />
Chinese, 19th Century<br />
The “Wild Pigeon” off Hong Kong. Unsigned. Oil on canvas, 21” x 26”. Framed. 8,000/10,000<br />
For a similar example see Marine Paintings and Drawings in the Peabody Museum by M.V. and Dorothy Brewington<br />
(Salem, Massachusetts, 1968), plate 226.<br />
1235. WALRUS IVORY JAGGING WHEEL 19th Century<br />
Exceptionally crafted form of whaleman art. Fold-out fork and knife above a double-wheeled crimping end. Other end with a<br />
geometrically carved hole punch to vent pastry. Broken but all pieces are present for complete restoration Length approx. 7½”.<br />
350/500<br />
1236. WHALE IVORY JAGGING WHEEL Mid-19th Century<br />
With single wheel and turned handle. Length 6¼”. 400/600
1237. WHALEBONE AND WALRUS IVORY CANE 19th Century<br />
Carved walrus ivory handle in octagonal form with one of two ebony bands present. Carved whalebone shaft in octagonal form.<br />
Length 36”. 450/650<br />
1238. ANTIQUE WHALE’S TOOTH<br />
Unpolished and undecorated. Length 6”. 100/150<br />
1239. CASED MODEL OF AN ARMED BRIG<br />
Painted hull. Model height 21”. Length 22”. Width 7”. 200/300<br />
1240. TWO SHIP LANTERNS<br />
An early 20th Century brass Japanese port light, height 17½”, and a late 19th/early 20th Century copper anchor light, height<br />
20”. 250/350<br />
1241. CHELSEA SHIP’S STRIKE CLOCK Late 19th Century<br />
In the form of a ship’s wheel. Includes stand. Sans key. Height 9”. Diameter 4”. 400/600<br />
1242. MULLINS TORPEDO ROWBOAT<br />
Wood with aluminum frame. Hull painted white. Length 15’10”. 500/800<br />
1243. WOODEN DUCK BOAT Late 19th Century<br />
In green paint. Length 13’10”. In need of restoration. 200/300<br />
1244. BRASS SHIPS BELL CLOCK 19th Century<br />
By Kelvin White Co. Boston-New York / Seth Thomas. Chimes working. Dial diameter 5½”. 100/200<br />
1245. SETH THOMAS SHIP’S CLOCK<br />
Mounted on a wooden backboard with a Kelvin Wilfrid O. White Co. barometer. Brass clock case in the form of a ship’s wheel.<br />
Diameter of face 4”. 150/250<br />
1246. SETH THOMAS MARK I U.S. NAVY CLOCK<br />
Diameter of face 5½”. 150/250<br />
1247. JEROME HOWES<br />
American, b. 1955<br />
The American Steamer State of Maine. Signed lower right “Jerome Howes”. Oil on masonite, 24” x 48”. Framed. 1,500/2,500<br />
1248. JEROME HOWES<br />
American, b. 1955<br />
“Catboats off Brant Point Light, Nantucket, Mass.” Signed lower right “Jerome Howes”. Titled and initialed on reverse of<br />
frame. Oil on masonite, 16” x 32”. Framed. 1,000/1,500<br />
1249. JEROME HOWES<br />
American, b. 1955<br />
Two sailboats racing off the coast. Signed lower right “Jerome Howes”. Oil on masonite, 16” x 20”. Framed. 900/1,200<br />
1250. JEROME HOWES<br />
American, b. 1955<br />
Three catboats off the coast. Signed lower right “Jerome Howes”. Oil on masonite, 16” x 32”. Framed. 1,000/1,500<br />
1251. POND MODEL OF THE GAFF-RIGGED SLOOP ALICE 19th Century<br />
Plank-on-frame construction with bow sprit and two jibs. Black hull, and salmon-colored bottom and lead keel. Fitted stand.<br />
Overall height approx. 60”. Length 62”. 1,000/1,500<br />
1252. WARREN F. SAWYER<br />
American, 1904-1977<br />
Dramatic maritime scene. Signed lower right “Warren Sawyer”. Oil on canvas, 36” x 42”. Framed. 700/1,000<br />
1253. ONE-DRAW TELESCOPE 19th Century<br />
Brass mounts. Canvas-wrapped barrel. Length closed 20¾”. 150/250<br />
1254. WILD HEERBRUGG M5 STEREO MICROSCOPE<br />
With original metal cyclinder case. Believed to be made by Leica of Switzerland. 200/300
1255. ANTIQUE AMERICAN SIX-BOARD PAINTED SEA CHEST<br />
In blue paint. Lid decorated with an American ship and four stars. Ditty box and drawer interior. Snipe hinges. Height 16½”.<br />
Width 44”. Depth 16¾”. 400/600<br />
1256. WALL BAROMETER Mid-19th Century<br />
By Kendall Bros., N. Lebanon, New York. Flame mahogany veneered case with beaded and rippled moldings. Thermometer at<br />
center of case. Height 38½”. 1,000/1,200<br />
1257. GLASS MODEL OF A STEAMBOAT<br />
Signed “Daum France”. Length 16”. 300/400<br />
1258. PINE SEA CHEST 19th Century<br />
With fi ne rope beckets. Heights 16¼”. Width 50”. Depth 14½”. 300/500<br />
1259. SHADOW BOX MODEL OF A FOUR-MASTED SHIP 19th Century<br />
With pilot boat. 22½” x 33¼” sight. 500/800<br />
1260. FRAMED PHOTOGRAPH OF THE SIDEWHEELER MASSACHUSETTS Late 19th Century<br />
12½” x 20¾” sight. 400/600<br />
1261. JEROME HOWES<br />
American, b. 1955<br />
Two two-masted schooners off the coast. Signed lower right “Jerome Howes”. Oil on masonite, 18” x 22”. Framed. 1,000/1,500<br />
1262. JEROME HOWES<br />
American, b. 1955<br />
The Steamer Martha’s Vineyard and the Rainbow Fleet off Brant Point, Nantucket. Signed lower right “Jerome Howes”. Oil on<br />
masonite, 24” x 18”. Framed. 2,000/3,000<br />
1263. AMERICAN SCHOOL<br />
Early 20th Century<br />
Wreck of the ship Jason off Cape Cod. Unsigned. Modern note affi xed verso identifi es the scene. Oil on canvas, 8½” x 13”.<br />
Framed. 200/300<br />
1264. HOURGLASS 19th Century<br />
Turned wood frame with whalebone feet, one of which is missing. Height 8”. 150/250<br />
1265. E. & G.W. BLUNT BLUEBACK CHART<br />
“Long Island Sound From New York To Montock Point Surveyed In The Years 1828.29. & 30”. 81” x 24”. Rebacked with<br />
canvas. 400/600<br />
1265A. MOUNTED HALF MODEL ON WOODEN BOARD 19th Century<br />
The clipper ship George Skofi eld. 14½” x 59½”. 1,000/2,000<br />
1265B. GEORGE ALBERT GALE<br />
American, 1893-1957<br />
“Close Quarters”. Titled and signed in pencil lower margin “Close Quarters - George Gale”. Etching on paper, 9½” x 12½”<br />
sight. Framed. 300/400<br />
1265C. TWELVE FRAMED BOOK PLATES OF WHALING SCENES<br />
Matted in framed in three sets of four. Each plate approx. 4” x 6”. 400/600<br />
1265D. FRAMED SET OF SEVEN TRADE CARDS<br />
By Frederic S. Cozzens. Made for the Clarks O.T. Cotton Spool Company. Each 4¾” x 7¼” sight. Framed together. 300/500<br />
1265E. OCTAGONAL BRASS SHIP’S LAMP<br />
With alternating red and clear glass panels. Kerosene burner. Height 19”. 100/200<br />
1265F. FRAMED CURRIER AND IVES PRINT “THE GREAT OCEAN RACE” American, 1867<br />
“Between the Henrietta, Fleetwing & Vesta. The “Good Bye” to the Yacht Club Steamer “River Queen”, 4 miles east of Sandy<br />
Hook. Light Ship. Decr. 11th. 1866”. Hand-colored lithograph on paper, 23¾” x 32¾” sight. Conningham #2634. 1,000/2,000
1265G. CLEMENT DREW<br />
American, 1806-1889<br />
The Nancy Ann aids the Milo. Signed lower right “C. Drew”. Oil on canvas, 20” x 30”. Framed. 2,500/3,500<br />
1265H. *ENGRAVED WHALE’S TOOTH 20th Century<br />
Depicting “James Meredith of the Mass. 12th Artillery 1862”. Reverse depicts cannons and American fl ags. Work done by a<br />
highly competent hand with the fi nest of detail. Length 5”. *May only be purchased by a Massachusetts resident and will<br />
not be shipped out of state. 500/700<br />
1265I. WHALEBONE CORSET STAVE 19th Century<br />
Unusual decoration of a rebel soldier loading a cannon, a rebel fl ag and the initials “SC” fl anking a tree (the state emblem of<br />
South Carolina). Reverse depicts one arm and two lady’s legs. Length 7¾”. 300/500<br />
1265J. GRANVILLE PERKINS<br />
American, 1830-1895<br />
Yacht racing. Signed and dated lower left “Granville Perkins 1893”. Watercolor, 19” x 28” sight. Framed. 800/1,200<br />
1265K. JEROME HOWES<br />
American, Contemporary<br />
Yachting scene. Signed lower right “Jerome Howes”. Oil on masonite, 9” x 12”. Framed. 600/800<br />
1265L. PATRICK (DUNBAR) VON KALCKREUTH<br />
German, 1892-1970<br />
Seascape at sunset. Signed lower right “P. v. Kalckreuth”. Oil on canvas, 24” x 36”. Framed. 800/1,200<br />
1265M. CHINESE SCHOOL<br />
19th Century<br />
“Ship George Skolfi eld - Hall Master”. Unsigned. Oil on canvas, 24” x 36”. Framed. 2,500/3,500<br />
The George R. Skofi eld was built in Brunswick, Maine in 1870. Toward the end of her career she was converted to a schooner<br />
barge and eventually wrecked off the coast of New Jersey in 1920. Her partial wreck is still visible in shallow waters off Ludlam<br />
Beach, Sea Isle City.<br />
1266. ANTIQUE AMERICAN TWO-TIER WATER BENCH<br />
In pine with three drawers above two cabinets. Height 46”. Width 48”. Depth 15”. 300/500<br />
1267. ANTIQUE AMERICAN QUEEN ANNE TAVERN TABLE Circa 1760<br />
In maple with a nicely shaped cherry skirt. Oval top. Straight legs end in pad feet. Height 26¼”. Length 35”. Width 27¼”.<br />
400/600<br />
1268. FOLK ART WEATHER VANE IN THE FORM OF A CHICKEN 20th Century<br />
In wood and tin with red, white and black paint. Mounted on a white-painted pedestal. Height of chicken 22½” and width 32”.<br />
Height of pedestal 20”. 300/500<br />
1269. ANTIQUE AMERICAN OVAL QUEEN ANNE TAVERN TABLE 18th Century<br />
In maple and tiger maple. Height 28”. Top 32½” x 24”. 400/600<br />
1270. ANTIQUE AMERICAN FANBACK WINDSOR SIDE CHAIR Late 18th Century<br />
With nine-spindle back, nicely shaped seat and bulbous turned base. Old black paint possibly original. 250/350<br />
1271. UNUSUAL ANTIQUE AMERICAN CORNER CUPBOARD 19th Century<br />
In pine with two glass doors over one drawer over two paneled doors. Original brass hardware. Height 77”. Width 49”. Takes a 33”<br />
corner. 500/800<br />
From a Dennis, Massachusetts home.<br />
1272. ANTIQUE AMERICAN ONE-PIECE CORNER CUPBOARD First Half of the 19th Century<br />
In cherry. Twelve-paneled glaze door over one drawer and two paneled cupboard doors. Height 84¼”. Takes a 27½” corner.<br />
800/1,200<br />
1273. AMERICAN HARVEST TABLE 19th Century<br />
In pine with turned legs. Height 29”. Length 110”. Width 22½” plus two 8” drop leaves. 1,000/1,500
1274. CONTINENTAL FARM TABLE 19th Century<br />
In pine with two drawers and turned legs. Height 31”. Length 72”. Width 32½”. 400/700<br />
1275. ANTIQUE CONTINENTAL GATE-LEG TABLE<br />
Reconfi gured in the 19th Century with 18th Century parts. Inlaid top with geometric designs and gameboard at center. Single<br />
drawer at one end. Turned legs; one at each end made in two parts to support drop leaves. Height 29”. Length 47½”. Width 21”<br />
plus two 21¼” drop leaves. 800/1,200<br />
1276. ANTIQUE ENGLISH TIP-TOP TABLE 18th/19th Century<br />
In mahogany with turned pedestal, tri-legged base and padded snake feet. Height 28¼”. Diameter 35½”. 200/300<br />
1277. ANTIQUE ENGLISH HEPPLEWHITE CARD TABLE Circa 1800<br />
In mahogany. Rectangular top with canted front corners. Simple tapered legs stand slightly proud of apron.<br />
Height 29½”. Width 36¼”. Depth 16½”. 100/200<br />
1278. PAIR OF LADDERBACK SIDE CHAIRS<br />
Brown and mustard yellow painted surfaces. Rush seats. 100/200<br />
1279. ANTIQUE AMERICAN LADDERBACK SIDE CHAIR 18th Century<br />
In original brown grain fi nish. Rush seat. 200/300<br />
1280. SET OF SIX ANTIQUE AMERICAN PLANK-SEAT HITCHCOCK SIDE CHAIRS<br />
Under black paint with gilt decoration. 250/350<br />
Provenance: A Yarmouth Port, Massachusetts, home.<br />
1281. ANTIQUE AMERICAN WINDSOR COMB-BACK SIDE CHAIR Circa 1810<br />
With bamboo turnings. Retains old rich brown coloring. 120/180<br />
1282. ANTIQUE ENGLISH OCTAGONAL CELLARET First Quarter of the 19th Century<br />
In mahogany with banded and geometric inlays and brass side carrying handles. Retains original four-section leather liner.<br />
Height 14½”. Width 12¼”. Depth 12¼”. 400/600<br />
1283. ANTIQUE AMERICAN SHERATON TWO-DRAWER STAND Circa 1815<br />
In tiger maple. Drawers with cherry pulls. Turned legs. Height 28¾”. Width 19¾”. Depth 18¼”. 500/800<br />
1284. ANTIQUE AMERICAN WINDSOR CONTINUOUS ARMCHAIR Circa 1810<br />
Pine seat with ash rods, back and legs. 250/350<br />
1285. SET OF FIVE ANTIQUE AMERICAN WINDSOR ARROWBACK SIDE CHAIRS Circa 1820<br />
In original green fi nish with red and mustard yellow geometric decoration. Rush seats. 600/800<br />
1286. ANTIQUE AMERICAN SHERATON WASHSTAND Circa 1810<br />
In mahogany with scrolled backsplash, single drawer at lower tier and rope-turned legs. Height 40½”. Width 18”. Depth 17”.<br />
200/300<br />
1287. ANTIQUE AMERICAN QUEEN ANNE ONE-DRAWER DROP-LEAF TABLE Circa 1770<br />
In maple with cherry drawer front. Straight legs end in pad feet. Height 27”. Length 37½”. Width 20¾” plus<br />
two 8” drop leaves. 400/600<br />
1288. FRAMED ANTIQUE AMERICAN SAMPLER Ipswich, Massachusetts, 1826<br />
“Wrought by Mary E. Brown Aged 10 1826”. House and landscape design surounded by a fl oral border. 15¾” x 17¾” sight.<br />
900/1,200<br />
1289. FRAMED ANTIQUE ENGLISH NEEDLEWORK SAMPLER Late 18th/Early 19th Century<br />
Petit point style work with alphabet, numerals and illegible verse at top and rows of fl owers, crowns, bird and animal fi gures<br />
below. Floral and foliate border. 12¾” x 11¾” sight. 600/900<br />
1290. FRAMED ANTIQUE ENGLISH NEEDLEWORK<br />
Wrought by Elizabeth Barringar. Dated 1839. Fine petit point work depicting a six-line verse above rows of fl owers, trees,<br />
stags, birds, etc. Floral and foliate border. Colors remain strong. 12” x 12¼” sight. 600/1,000
1291. FRAMED ANTIQUE AMERICAN NEEDLEWORK SAMPLER<br />
By “Anna Hodskins born January 7 1800. She wrought this in the tenth year of her age”. Alphabet and fl oral designs. 13” x 12”<br />
sight. 200/300<br />
1292. AMANA COLONIES WINTER WEDDING QUILT Circa 1929<br />
Deep burgundy face with fl oral backing with central embroidered fl oral motif. Beautifully quilted in several designs. 95” x 94”.<br />
400/600<br />
The Amana colonies of Eastern Iowa, sometimes mistaken for the Amish, were settled in 1856 by German Pietists. They lived<br />
a communal, self-suffi cient life, specializing in handcrafts and farming occupations, until the colony offi cially dissolved in<br />
1932. As in many cultures, quilts were particularly important at the time of marriage, and in the Amana tradition both the bride<br />
and groom brought at least two quilts to the marriage. While other quilts were recycled, wedding quilts were preserved for<br />
sentimental reasons.<br />
1293. THIRTY-EIGHT STAR U.S. PARADE FLAG 1876<br />
Commemorating the Centennial celebration. Five-pointed stars confi gured into the dates 1776 and 1876 printed on a blue<br />
wool canton that is machine-sewn onto a fi eld of red and white stripes printed on wool. Approx. 47½” x 46½”. 3,000/5,000<br />
1294. ORIENTAL RUG: ISPHAHAN 5’8” x 3’8”<br />
In brick-red, ivory, blue and green. 400/600<br />
1295. GRENFELL-TYPE HOOKED RUG<br />
2’4” x 3’6”<br />
Depicting a mallard drake and hen taking fl ight in a mountain landscape.<br />
300/500<br />
1296. ORIENTAL RUG: TABRIZ 6’8” x 9’9”<br />
Floral central medallion in dark blue, ivory, dark red and light blue on a red fi eld containing leaves and blossoms in ivory,<br />
green, brown, light blue and tan. Pale green spandrels bounded by light blue boteh. Light blue and dark blue borders. 700/900<br />
1297. ORIENTAL RUG: BIDJAR DESIGN RUNNER 2’6” x 9’10”<br />
Three salmon red pendant medallions with ivory fl oral centers on a midnight blue fi eld fi lled with Herati design in red, gold and<br />
green. Red main turtle border and green guard borders. 250/450<br />
1298. ORIENTAL RUG: AFGHAN BOUKARA<br />
7’1” x 10’7”<br />
Seven staggered rows of guls composed of geometric shapes in dark amethyst, reds, dark gray and ivory on a dark red fi eld.<br />
Stylized sunburst motif repeated throughout main border in red, black, ivory and orange. 300/600<br />
1299. ORIENTAL RUGS: PAIR OF SAROUK MATS 1’11” x 2’5” each<br />
Central fl oral element surrounded by symmetrical fl oral arrangements in light blue, midnight blue, faded gold, brown and dark<br />
red on a red fi eld. Midnight blue and gold borders. 250/400<br />
1300. ORIENTAL RUG: SAROUK 3’5” x 5’0”<br />
Flowering vines emanate from a central fl oral element rendered in blues, gold and red. Red fi eld surrounded by additional fl oral<br />
bouquets. Faded gold and navy blue border. 250/350<br />
1301. ORIENTAL RUG: HAMADAN RUNNER 3’7” x 12’7”<br />
Two columns of bold Herati pattern in gray, crimson, pink and ivory on an abrashed midnight blue fi eld. Red and tan borders.<br />
250/350<br />
1302. ORIENTAL RUG: MALAYER 4’7” x 6’3”<br />
Central medallion of red, blues, and yellow on a dark blue fi eld with yellow and light blue spandrels. Tan and red borders.<br />
Serrated leaves and fl ower blossoms throughout. 250/350<br />
1303. ORIENTAL RUG: MAHAL 10’6” x 17’4”<br />
Classic Persian fl oral motif repeated in three staggered rows in reds, light blue, dark slate blue, green, brown and ivory on a<br />
dark blue fi eld. Floral borders of yellow, blue and red. 4,000/6,000<br />
1304. ORIENTAL RUG: TABRIZ 6’7” x 10’1”<br />
In garden design with bird and fl ower elements executed in dark red, light blue, ivory, faded gold and light gray. 700/900
1305. ORIENTAL RUG: ARTS & CRAFTS DESIGN 6’7” x 7’7”<br />
Three rows of a bold stylized foliate motif in rich gold, dark green, tan and dark red on a dark blue fi eld. Reddish-brown border<br />
contains another foliate motif in ivory, dark blue, green and gold. 400/600<br />
1306. ORIENTAL RUG: KIRMAN 8’8” x 11’8”<br />
Vertical array of assorted fl owering trees and branches in red, blues, pink, brown and gold on an ivory fi eld. Blue, gold and red<br />
borders with similar motifs. 400/800<br />
1307. ORIENTAL RUGS: TWO HAMADAN MATS 2’0” x 2’6” and 2’2” x 2’11”<br />
Each with geometric central medallion in blues, red and ivory on a red fi eld with typical Herati pattern. Stylized motifs<br />
throughout borders of blue, pink, light brown and ivory. 80/120<br />
1308. ORIENTAL RUG: KESHAN IN SAVONNERIE DESIGN 9’10” x 12’7”<br />
Broad central medallion stretching border-to-border with central fl oral element surrounded by concentric rings of arabesques<br />
and fl oral elements rendered in tans, blues, greens and ivory on a celadon fi eld. Moss green fi eld contains crisp dark blue<br />
arabesques bearing blue and ivory fl ower blossoms. Circular celadon medallions containing a bold fl oral element at each corner<br />
of moss green main border. Guard borders of tan, brown and moss green. 1,200/1,800<br />
1309. ORIENTAL RUG: HERIZ 7’9” x 10’4”<br />
Gabled medallion in light blue, ivory and salmon red with navy blue pendants. Terracotta fi eld and navy blue turtle border.<br />
700/1,000<br />
1310. ORIENTAL RUG: HERIZ 8’4” x 11’6”<br />
Abrashed brick-red fi eld contains several bold stylized elements in blue, salmon pink, faded green and gold. Faded gold border<br />
with repeating fl ower blossoms and serrated leaves. Salmon pink and blue guard borders. 2,500/3,500<br />
1311. ORIENTAL RUG: LILLIHAN 6’3” x 4’5”<br />
With fl oral pattern on a blue ground. 300/500<br />
1312. ORIENTAL RUG: KIRMAN 8’10” x 5’8”<br />
Blue ground with pink, green and light blue elements. 200/300<br />
1313. ORIENTAL RUG: KASGHAI BAGFACE 1’3” x 2’0”<br />
Some loss at edges. 120/170<br />
1314. ORIENTAL RUG: INDO-PERSIAN 5’2” x 3’6”<br />
In pink, navy, beige, green and blue with birds throughout main fi eld and border. 250/350<br />
1315. ORIENTAL RUG: PERSIAN PRAYER 3’0” x 2’0” 150/250<br />
1316. ORIENTAL RUG: HAMADAN 6’6” x 3’7”<br />
Central navy shield-form design with architectural elements in numerous colors. Red, navy and pink borders. 200/300<br />
1317. JEAN H. HALTER<br />
American, 1916-1981<br />
Folk art fi gural winter landscape. Signed lower right “Jean H. Halter”. Oil on canvas, 18” x 24”. Framed. 1,000/1,500<br />
1318. BETSY HAMMOND BENNETT<br />
American, 1928-2007<br />
“Aerie Queens II”, a dune landscape with stairs leading toward beach roses and Queen Anne’s Lace. Signed lower left<br />
“Bennett”. Acrylic on panel, 29” x 24” sight. Framed. 1,000/1,500<br />
1319. ROBERT DOUGLAS HUNTER<br />
American, b. 1928<br />
“Norfolk Pasture, Dec. 01”. Signed lower right “Robert Douglas Hunter”. Titled on label verso. Oil on canvas, 12” x 18”.<br />
Framed. 1,000/1,500<br />
Provenance: A Quincy, Massachusetts estate.
1320. FREDERICK (FRITZ) KUBITZ<br />
American, 20-21st Century<br />
“Beacon Hill From the Charles River”. Signed lower left “F. Kubitz, AWS”. Titled verso. Watercolor on paper, 22” x 30”.<br />
Framed. 600/900<br />
Provenance: A Quincy, Massachusetts estate.<br />
1321. WILLIAM R. DAVIS<br />
American, b. 1952<br />
Hummingbird and orchids. After Martin Johnson Heade. Signed lower left “William Davis”. Signed and dated “3/16/87” on<br />
stretcher. Oil on canvas, 11” x 16”. Framed. 6,000/9,000<br />
1321A. WILLIAM R. DAVIS<br />
American, b. 1952<br />
“Passing Storm”. Signed lower left “W. Davis”. Oil on panel, 5” x 7”. Framed. 1,800/2,200<br />
1322. WILLIAM R. DAVIS<br />
American, b. 1952<br />
“Crossing the Sandbar”. Signed lower right “W. Davis”. Oil on panel, 5 x 7”. Framed. 1,800/2,200<br />
1323. WILLIAM R. DAVIS<br />
American, b. 1952<br />
“Chocorua Sunset”. Signed lower left “William R. Davis”. Oil on panel, 12” x 15”. Framed.<br />
3,000/5,000<br />
1324. HENRY STEPHENS EDDY<br />
American, 1878-1944<br />
“Fitting out the Tuna Fishers”. Signed lower right “Eddy”. Titled in pencil on upper left stretcher. Also titled on label verso. Oil<br />
on canvas, 24” x 20”. Framed. 1,500/2,250<br />
Provenance: Private Collection, Pennsylvania.<br />
1325. HENRY STEPHENS EDDY<br />
American, 1878-1944<br />
“The Road to Wosterlo”. Signed lower left “Eddy”. Titled in pencil verso. Oil on board, 12” x 16”. Framed. 750/1,100<br />
Provenance: Private Collection, Pennsylvania.<br />
1326. WILLIAM FERDINAND MACY<br />
American, 1852-1901<br />
Luminist landscape. Signed lower left “W. Ferdinand Macy /82”. Oil on canvas, relined, 22” x 27”. Framed. 4,000/6,000<br />
1327. PHILIP “PHIZ” MUHR<br />
American, 1860-1916<br />
“Gay Head 1911”. Signed lower right “Philip Muhr”. Signed, dated and titled verso. Oil on canvas, 16” x 20”. Framed. 700/900<br />
1328. RALPH E. CAHOON JR.<br />
American, 1910-1982<br />
Set of ten oil paintings, all depicting scenes of hotel life, including dining and dancing. One signed “R.C.” and one signed “R.<br />
Cahoon”. Others unsigned. These were part of an installation of twenty-one paintings in the bar and dining rooms of the Royal<br />
Victoria Hotel in the Bahamas, which was abandoned in 1971. Oils on masonite, 13½” x 13½”. Framed. 20,000/30,000<br />
1329. JOSEPH HARRY WHEATER<br />
American, 1885-1959<br />
Boat in dry-dock. Unsigned. Oil on canvas, 8” x 10”. Framed. 3,000/5,000<br />
Provenance: Joseph White.<br />
The Shilhan Company, Hingham, Massachusetts.<br />
Note: Signed label of authenticity from the Shilhan Company verso.<br />
1329A. JONAS LIE<br />
American, 1880-1940<br />
“River Rapids”. Signed lower left “Jonas Lie”. Titled in pencil and estate stamped verso. Oil on board, 10” x 12”. Framed.<br />
3,000/5,000
1330. ADA GILMORE CHAFFEE<br />
American, 1883 - 1955<br />
Rare double-sided wood block. 10” x 10”. Framed. 10,000/15,000<br />
1331. BLANCHE LAZZELL<br />
American, 1878 - 1956<br />
“Four Boats”. Signed in pencil lower left “Blanche Lazzell 1925”. Titled in pencil lower right. White line woodblock on paper,<br />
11½” x 12” sight. Framed. 50,000/70,000<br />
Provenance: Hirschl and Adler, New York.<br />
Private Collection.<br />
1332. ELIZABETH MUMFORD<br />
American, 20th Century<br />
“Broken Eggs Can Never be Mended”, depicting a girl lamenting over her upturned basket of eggs that have fallen from a<br />
horse-drawn cart. Figures and catboats along the shoreline. Signed lower right “Elizabeth Mumford 1992”. Oil on panel,<br />
15” x 15”. Framed. 1,000/1,500<br />
1333. MARK MEUNIER<br />
American, Contemporary<br />
“Morning Surf 1998”. Signed lower left “Mark Meunier”. Egg tempera on masonite, 7” x 11”. Framed. 600/900<br />
1334. ROBERT REMSEN VICKREY<br />
American, 1926-2011<br />
“Sister Cassandra”. Signed lower left “R. Vickrey”. Titled verso. Egg tempera on board, 6¼” x 9¼”. Framed. 5,000/7,000<br />
1335. HOWARD MANNING GIBBS, JR.<br />
American, 1904-1970<br />
Abstract seascape of a ship, fi sh and fi gures. Signed lower right “H. Gibbs”. Oil on canvas, 26” x 32”. Framed. 400/600<br />
1336. CARVED AND PAINTED FIGURE OF A RECLINING MERMAID<br />
Purportedly hung over the fi replace of a Nova Scotia inn. Professionally restored by current consignor. Length 48”. 3,000/5,000<br />
1337. WONDERFUL FOLK ART CARVED AND PAINTED OUTSTRETCHED HAND<br />
Distressed gilt fi nish on the hand and red stain to the carved mount. Length 9”. 500/800<br />
1338. AMERICAN CIGAR STORE INDIAN FIGURE 19th Century<br />
Holding a tobacco leaf in his left hand and cigars in his right hand. Shows a few traces of old paint. Pedestal missing. Height 49”.<br />
2,500/3,000<br />
1339. ANTIQUE AMERICAN CORNER CUPBOARD First Half of the 19th Century<br />
In mahogany and pine. Once was an architectural built-in cupboard. Shell-crested interior with shaped shelves. Two paneled<br />
cupboard doors below. Height 78”. Takes an approx. 16” corner. 500/800<br />
1340. ANTIQUE FEDERAL TWO-PART SECRETARY Circa 1790<br />
In mahogany with string inlay. Upper case with glazed doors enclosing a shelved interior and two half-drawers below. Lower<br />
case with fold-out writing surface over three graduated drawers. Oval light wood panels to writing lid, and foliate inlay to lower<br />
case drawer fronts. Tapered legs with curly maple veneers. Height 78½”. Width 37¼”. Depth 20”. Note: Collection of decorative<br />
books included with secretary. 3,000/4,000<br />
1341. ANTIQUE AMERICAN QUEEN ANNE LOWBOY Circa 1760<br />
In maple with curly maple replaced top. Full-width drawer over three narrow drawers, the central of which is fan-carved.<br />
Cabriole legs end in pad feet. Height 32¼”. Width 32½”. Depth 21”. 800/1,000<br />
1342. ANTIQUE AMERICAN QUEEN ANNE HIGHBOY BASE Circa 1760<br />
In maple and curly maple with full-width drawer over three narrow drawers. Cabriole legs end in pad feet. Height 38¼”. Width<br />
40½”. Depth 21½”. 500/800<br />
1343. ANTIQUE AMERICAN QUEEN ANNE DROP-LEAF TABLE Circa 1760<br />
In tiger maple with tight, strong fi guring. Straight legs end in pad feet. Height 27½”. Length 36”. Width 18¾” plus two 11” drop<br />
leaves. 1,000/1,500
1344. ANTIQUE AMERICAN CHIPPENDALE MIRROR<br />
In mahogany. Fine gilt eagle surmount. Well-carved pierced pediment. Height 51”. Width 26”. 1,000/1,500<br />
1345. CONVEX MIRROR Late 19th Century<br />
Eagle and ribbon crest, and urn and garland mountings below mirror. Height 49”. Width 23¼”. 500/1,000<br />
1346. ANTIQUE AMERICAN CHIPPENDALE DROP-LEAF TABLE Circa 1780<br />
In mahogany with linenfold molded legs. Height 28¼”. Length 47½”. Width 20¼” plus two 20½” drop leaves. 350/450<br />
1347. ANTIQUE AMERICAN HEPPLEWHITE DROP-LEAF TABLE Mid-Atlantic Coast Region, Circa 1790-1800<br />
In mahogany. Single drawer at one end with secondary woods of southern yellow pine and a poplar drawer bottom. Legs with<br />
unusual two-piece construction. Height 28¾”. Length 33½”. Width 19¼” plus two 10” drop leaves. 1,000/1,500<br />
1348. AMERICAN PEWTER DRESSER 19th Century<br />
In grained and stained pine under old but not original fi nish. Upper section with molded top, scalloped edge and three shelves<br />
with plate rails. Base section with three drawers over two doors and tapered cylindrical legs. Height 82½”. Width 54”. Depth of<br />
base 19½”. 3,000/4,000<br />
1349. ANTIQUE AMERICAN HEPPLEWHITE PEMBROKE TABLE Circa 1790<br />
Maker’s brand “C. Hardy” on frame under leaf. In mahogany with exceptional grained wood to top. Shaped drop leaves. Single<br />
drawer at one end and faux drawer at opposite end. Tapered legs. Height 28¼”. Length 33¾”. Width 19” plus two 9¾” drop<br />
leaves. 500/800<br />
1350. ANTIQUE AMERICAN QUEEN ANNE HIGHBOY Circa 1760<br />
In maple and curly maple. Upper case with two half drawers over three graduated full-width drawers. Lower case with fullwidth<br />
drawer over three narrow drawers and cabriole legs ending in pad feet. Married. Height 68¾”. Width 39”. Depth 20½”.<br />
1,800/2,200<br />
1351. ELDRED WHEELER LOWBOY American, Late 20th Century<br />
In tiger maple with inset slate top. Full-width drawers over three narrow drawers, the central of which is fan-carved. Height<br />
31¾”. Width 31½”. Depth 19½”. 600/900<br />
1352. ELDRED WHEELER QUEEN ANNE-STYLE TEA TABLE American, Late 20th Century<br />
With candle slides. Height 27½”. 600/900<br />
1353. QUEEN ANNE-STYLE CHILD’S WING CHAIR<br />
In maple and curly maple with faded light blue upholstery. Scrolled out arms. Cabriole legs joined by turned H-stretcher base<br />
end in pad feet. 250/350<br />
1354. FOUR WINDSOR-STYLE BOWBACK PUB CHAIRS<br />
By D.R. Dimes. Painted black. Seat height 26”. 300/500<br />
1355. FRAMED MINIATURE PORTRAIT ON IVORY First Half of the 19th Century<br />
Bust portrait of a young lady with hair swept up in a tortoise comb and wearing pearl earrings and necklace and a formal black<br />
dress. 3” x 2½”. Not available for international or California delivery. 600/800<br />
1356. FRAMED MINIATURE PORTRAIT ON IVORY Early 19th Century<br />
Bust portrait of a gentleman with graying hair and brown eyes and wearing black stock, white vest and black coat. 2¼” x 1¾”.<br />
Nice 19th Century bronze frame. Not available for international or California delivery. 600/800<br />
1357. FRAMED MINIATURE PORTRAIT ON IVORY Early 19th Century<br />
Bust portrait of a young gentleman with brown hair and wearing a black stock with white shirt and black dress coat. 2½” x 2”.<br />
Not available for international or California delivery. 500/600<br />
1358. FRAMED MINIATURE PORTRAIT ON IVORY Early 19th Century<br />
Bust portrait of a gentleman with reddish-blond hair and blue eyes and wearing white stock and a deep blue coat. 2½” x 2”. Not<br />
available for international or California delivery. 300/400<br />
1359. FRAMED MINIATURE PORTRAIT ON IVORY First Half of the 19th Century<br />
Bust portrait of a young lady with hair upswept in a tortoise comb and wearing a lace collar and black dress. 2¼” x 1¾”. Not available<br />
for international or California delivery. 200/400
1360. ANTIQUE CANE Late 19th/Early 20th Century<br />
With scrolled ivory handle, copper mounts and wooden shaft under old black paint. Length 29”. Not available for international<br />
or California delivery. 150/250<br />
1361. ANTIQUE CANE Late 19th Century<br />
Walrus ivory handle in the form of a dog-like creature’s head with glass eyes. Wooden shaft with brass and silver mounts.<br />
Length 34”. 400/600<br />
1362. UNUSUAL ARTICULATED WOODEN CANE Late 19th Century<br />
Handle carved in the form of a donkey with glass eyes. Pressing a button behind the ears moves the tongue and ear. Length<br />
37½”. 300/500<br />
1363. ANTIQUE ENGLISH MIRROR Circa 1780<br />
Gilt and mahogany veneer frame. Top with broken arch pediment and shell crest. Scrolled moldings below. Retains original<br />
label from William Sprinks Ltd. Height approximately 47”. Width 27½”. 600/800<br />
1364. ANTIQUE AMERICAN SHERATON TWO-DRAWER DROP-LEAF STAND Circa 1815<br />
In cherry with turned legs. Height 28¾”. Width 19½” plus two 9” drop leaves. Depth 19”. 300/400<br />
1365. ANTIQUE AMERICAN SIX-BOARD LIFT-TOP CHEST Delaware Valley, Early 19th Century<br />
In old brown fi nish. Dovetail construction and short bracket feet. Intricate locking mechanism. Height 21¼”. Width 50½”.<br />
Depth 23¼”. 300/500<br />
1366. ASSEMBLED SET OF FOUR ANTIQUE AMERICAN QUEEN ANNE SIDE CHAIRS Circa 1740<br />
In maple with vasiform splats, rush seats and Spanish feet. 500/700<br />
1367. PAUL STRISIK<br />
American, 1918-1998<br />
“Sparkling Harbor (Maine)”. Signed lower right “P. Strisik”. Titled verso. Oil on masonite, 10” x 14”. Framed. 1,500/2,500<br />
Provenance:<br />
Newman Galleries, Philadelphia.<br />
Private Collection, Pennsylvania.<br />
1368. PAUL STRISIK<br />
American, 1918-1998<br />
“Story’s Cove”. Signed lower left “P. Strisik N.A.” Titled on artist’s label on stretcher. Oil on canvas, 24” x 30”. Framed.<br />
4,000/6,000<br />
1369. JOSEPH HARRY WHEATER<br />
American, 1885-1959<br />
“Gloucester Harbor”. Signed faintly lower right “Joseph Wheater”. Titled on frame plaque. Watercolor on paper, 9¾” x 13½”<br />
sight. Framed. 1,500/2,500<br />
1370. ATTRIBUTED TO JOSEPH HARRY WHEATER<br />
American, 1885-1959<br />
Four landscape studies. Unsigned. One labeled verso “No. 221 - Still Waters - Joe H. Wheater”. Watercolors on paper, approx.<br />
7” x 9”. Framed. 1,200/1,800<br />
1371. AL BARKER<br />
American, Contemporary<br />
“Cove Hill - Rockport, Ma”. Signed lower right “Al Barker”. Titled and dated “9/97” on artist’s label verso. Oil on masonite, 8”<br />
x 10”. Framed. 500/700<br />
1371A. AMERICAN SCHOOL<br />
Early 20th Century<br />
A girl feeding the chickens. Singed lower left “C.H. Schreyer[?]”. Oil on canvas, 28” x 22”. Framed. 800/1,200<br />
1372. WILLIAM LESTER STEVENS<br />
American, 1888-1969<br />
Mountain lake view. Signed lower left “W. Lester Stevens. N.A.” Watercolor on paper, 12½” x 20” sight. Framed. 400/600
1373. EMILE ALBERT GRUPPE<br />
American, 1896-1978<br />
“Lobster Fishermen”. Signed lower right “Emile A. Gruppe”. Titled on upper stretcher bar. Oil on canvas, 25” x 30”. Framed.<br />
15,000/20,000<br />
Provenance: Private Collection, Provincetown, Massachusetts.<br />
1374. ROBERT CHARLES GRUPPE<br />
American, b. 1944<br />
Boats in a harbor. Signed lower right “Robert C. Gruppe”. Oil on canvas, 16” x 20”. Framed. 4,000/6,000<br />
Provenance: Pocock Gallery, Florida.<br />
Private Collection, Provincetown, Massachusetts.<br />
1375. MAY SPEAR CLINEDINST<br />
American, 1887-1960<br />
Street scene, likely Cape Ann. Signed lower right “M.S. Clinedinst”. Oil on canvas, 25” x 30”. Framed. 700/1,000<br />
Provenance: Private Collection, New Jersey.<br />
1376. JACOB I. GREENLEAF<br />
American, 1887-1968<br />
“Farm”. Signed lower right “J. Greenleaf”. Titled in pencil on upper stretcher bar. Remnants of Boston Business Men’s Art<br />
Club label verso. Oil on canvas, 22” x 28”. Framed. 800/1,200<br />
Provenance: Private Collection, New Jersey.<br />
1377. ATTRIBUTED TO SUSIE MAY<br />
BERRY DANDO<br />
American, 1873-1934<br />
House by the ocean, likely on Cape Ann. Signed lower left “Dando”. Oil on canvas, 16” x 20”. Framed. 300/500<br />
Provenance: Private Collection, New Jersey.<br />
1378. FRANK A. BARNEY<br />
American, 1862-1954<br />
“Early Spring”. Signed lower right “F.A. Barney”. Titled in pencil verso. Oil on board, 12” x 16”. Framed. 700/1,000<br />
Provenance: Private Collection, New Jersey.<br />
1379. CHARLES GORDON HARRIS<br />
American, 1891-1963<br />
Sunset marsh landscape with town in the background. Likely a view in Rhode Island. Signed lower right “C. Gordon Harris”.<br />
Oil on canvas, 24” x 32”. Framed. 1,500/2,500<br />
Provenance: Private Collection, New Jersey.<br />
1380. WILLIAM BRADFORD GREEN<br />
American, 1871-1945<br />
“Old Castine” (Maine). Signed lower left “Wm. Bradford Green”. Inscribed verso “Old Castine”, “Wm Bradford Green 133<br />
Steele Road Hartford, Conn.” and “Property of W.B. Green”. Oil on canvas board, 18” x 23½”. Framed. 800/1,200<br />
Provenance: Private Collection, New Jersey.<br />
1381. WILLIAM BRADFORD GREEN<br />
American, 1871-1945<br />
“Farmington Church” (Connecticut). Signed lower left “Wm Bradford Green”. Titled verso. Label for the “Connecticut<br />
Academy of Fine Arts Seventeenth Annual Exhibition” affi xed to upper stretcher bar. Oil on canvas, 14” x 18”. Framed.<br />
800/1,200<br />
Provenance: Private Collection, New Jersey.<br />
1382. FRANCES H. MCKAY<br />
American, 1880-<br />
Figures on a country road with houses on each side. Signed lower left “F.H. McKay”. Oil on canvas, 28” x 38”. Framed.<br />
1,000/1,500<br />
1383. LOUIS FREDERICK BERNEKER<br />
American, 1876-1937<br />
Boats at a pier. Signed lower left “Louis F. Berneker”. Oil on board, 8” x 10”. Framed. 500/700
1384. GUSTAVE ADOLPH WIEGAND<br />
American, 1870-1957<br />
“Winter Sketch, New Jersey”. Signed lower right “Gustav Wiegand”. Titled verso. Oil on canvas board, 9” x 12”. Framed.<br />
700/1,000<br />
Private Collection, New Jersey.<br />
1385. WILLIAM JAMES DOW<br />
American, 1891-1973<br />
“Little Squaw”. Signed and dated lower right “William Dow 26”. Titled on exhibition label verso. Oil on board, 8” x 10”.<br />
Framed. 400/600<br />
Exhibited: The Fellowship of the Pennsylvania Academy of the Fine Arts Exhibition, 1926.<br />
Private Collection, New Jersey.<br />
1386. WAYNE BEAM MORRELL<br />
American, b. 1923<br />
“The Meadows of Ipswich, Mass. Near Crane’s Beach”. Signed lower left “Wayne Morrell”. Titled, signed, dated October 1963<br />
and inscribed “To Lula Blackwood, Ipswich, Mass.” verso. Oil on board, 24” x 36”. Framed. 1,500/2,500<br />
1387. JAY HALL CONNAWAY<br />
American, 1893-1970<br />
“Sea Coast” (Monhegan, Maine). Signed lower center right “Connaway”. “Public Works of Art Project” label verso. Oil on<br />
board, 24” x 38”. Framed. 2,000/3,000<br />
1388. EARLE A. TITUS<br />
American, 1895-1962<br />
“The Plum Covered Barn - Jeffersonville, VT”. Signed and dated lower left “E.A. Titus 58”. Titled verso. Oil on board, 24” x<br />
32”. Framed. 1,000/1,500<br />
1389. EUGENE EDWARD SPEICHER<br />
American, 1883-1962<br />
Landscape with bridge. Signed lower right “Eugene Speicher”. Oil on canvas, 19” x 22”. Framed. 2,000/3,000<br />
Provenance: F.B. Horowitz Fine Art.<br />
Treadway-Toomey, December 4, 2005, Lot #694.<br />
Private Collection, New Jersey.<br />
1390. EUGENE EDWARD SPEICHER<br />
American, 1883-1962<br />
“Country Road”. Signed lower right “Eugene Speicher”. Oil on canvas, 19” x 27”. Framed. 3,000/5,000<br />
Provenance: Babcock Galleries, New York.<br />
Shannon’s, October 20, 2005, Lot #222.<br />
Private Collection, New Jersey.<br />
1391. WALTER GOLTZ<br />
American, 1875-1956<br />
Trout Creek, Woodstock, New York. Unsigned. Oil on canvas, 30” x 36”. Framed. 3,000/5,000<br />
Provenance: Covington Fine Arts.<br />
Bonhams & Butterfi elds, San Francisco,<br />
December 12, 2005, Lot #51.<br />
Private Collection, New Jersey.<br />
1392. HAL ROBINSON<br />
American, 1875-1933<br />
“On the Banks of the Hudson”. Signed lower right “Hal Robinson”. Label verso with typed inscription “On the banks of the<br />
Hudson upper New York City. By Robinson painted about 1920.” Oil on canvas, 12” x 16”. Framed. 1,000/1,500<br />
1393. LAURENCE A. CAMPBELL<br />
American, b. 1939<br />
“Winter in New York - Warren Street City Hall”. Signed lower right “L. Campbell”. Titled and dated 1987 verso. Oil on canvas,<br />
18” x 24”. Framed. 4,000/6,000
1394. ANTHONY THIEME<br />
American, 1888-1954<br />
Dock scene with fi gures, most likely in Rockport, Massachusetts. Signed lower right “A. Thieme”. Accompanied by a copy of a<br />
certifi cate of authenticity performed by Artlink International. Oil on canvas board, 16” x 20”. Framed. 6,000/8,000<br />
Note: 100% of the proceeds of the sale of this painting will be donated to the Message From Marli Foundation, a non-profi t<br />
charitable organization to help raise awareness of ovarian cancer and advocate for early detection of the disease. More<br />
information on the MFM Foundation can be found at www.messagefrommarli.org.<br />
1395. ATTRIBUTED TO GIDDINGS HYDE BALLOU<br />
American, 1820-1886<br />
Bust portrait of Freeman Cobb. Oil on canvas, 29½” x 24½”. Framed. 2,000/3,000<br />
1396. FRAMED WATERCOLOR<br />
Depicting the Cobb & Co. stagecoach No. 3. Together with two framed sheets of stamps depicting a Cobb & Co. stagecoach.<br />
Sheet sizes approx. 10½” x 12½”. Watercolor executed mostly in green and yellow. Stagecoach also marked “Cassidy & Co.”<br />
Pencil sketches in upper left corner. Unsigned. Approx. 9” x 12” sight. 400/600<br />
1397. TWO PIECES OF ANTIQUE AMERICAN SCRIMSHAW 19th Century<br />
A whalebone-handled wooden pestle, length 9”, and a wooden rolling pin with whale ivory handles, length 12”. 300/400<br />
1398. THREE-PIECE STERLING SILVER CHILD’S FLATWARE SET BY BALL BLACK & CO.<br />
A fork, knife and spoon, all engraved “Augusta.” (Augusta Cobb). Includes incomplete case. 75/125<br />
1399. (BINDINGS) Eighteen works of Charles Dickens. <strong>Print</strong>ed in Philadelphia by T.B. Peterson & Brothers. No date. O. ½ calf with<br />
marbled boards. Edges show some wear but overall in fairly good condition. 100/200<br />
1400. CASED FULL-PLATE DAGUERREOTYPE Later 1840s<br />
Depicting four men standing in front of crossed fl ags. The men are dressed in matching uniforms and visored hats with star<br />
emblems. Image partly hand-colored by the photographer and also shows later coloring of the sashes by a less professional<br />
hand. The seal appears to have been broken many years ago, but the image is in good overall condition. Contained within its<br />
original embossed leather case with broken hinge. As this descended in the family of Freeman Cobb, it is probable one of the men<br />
in the photo is Cobb. Before moving to Australia, Cobb worked for Adams & Co., a famous Boston express company that grew<br />
out of the Gold Rush and carried passengers to California and South America, from 1849 to 1853. It is possible the uniforms worn<br />
by the men in this image are tied to Adams & Co., as we have found online an 1864 photo of the Adams Express offi ce depicting a<br />
man in a very similar uniform and with an emblem on his hat very similar to the ones in this image. 5,000/7,000<br />
1401. COLLECTION OF EIGHT MINIATURE DAGUERREOTYPES 19th Century<br />
All depicting members of the Freeman Cobb family. 1) Three children, 2½” x 3”. Bakelite case with three corners chipped. 2)<br />
Three-quarter length portrait of Freeman Cobb holding a cane, 3½” x 2¾”. Bakelite case. 3) Three-quarter length portrait of<br />
a girl, 3” x 2¾”. Bakelite case with small chip. 4) Portrait of a man, probably Freeman Cobb, 3½” x 2¾”. Leather case with<br />
broken hinge. 5) Bust portrait of a man, 2½” x 2”. No case. 6) Half-length portrait of a girl in a bonnet, 2” x 1½”. Weak leather<br />
case. 7) Half-length portrait of a woman in a bonnet, 2” x 1½”. Worn leather case. 8) Half-length portrait of a woman, 2” x 1½”.<br />
Leather case. 300/500<br />
1402. TWO FRAMED PORTRAITS<br />
Depicting the daughters of Freeman Cobb. 1) Bust portrait of Augusta “Little Aggie” Cobb. Watercolor, 8¼” x 6½”. Rectangular<br />
frame with oval aperture. 2) Bust portrait of Emily Cobb. Signed lower right with entwined “CE” and “79” over “S.S.C”. Oil, 9”<br />
x 6”. Oval frame and aperture. 300/500<br />
1403. CONTEMPORARY BACCARAT GLASS PAPERWEIGHT<br />
Multicolor fl oral design on a blue ground with white honeycomb design. Signed on interior and on bottom. Dated 1986.<br />
Numbered 132/200. Diameter 3¼”. 200/300<br />
1404. GLASS PAPERWEIGHT BY VICTOR TRABUCCO<br />
Depicting a pink rose with leaves and several buds. Signed “Trabucco” and dated 1985 on lower side edge. Diameter 3¼”.<br />
200/300<br />
1405. CONTEMPORARY BACCARAT GLASS PAPERWEIGHT<br />
In a multicolor fl oral design on an amethyst ground. Signed in interior and on bottom. Dated 1982. Numbered 94/175. Diameter 3”.<br />
200/300
1406. BACCARAT GLASS PAPERWEIGHT 20th Century<br />
Depicting two fl owers and a ladybug. Signed with cane “1976 B”. Acid Baccarat signature on bottom. Dated 1976. Numbered<br />
263/400. Diameter 3¾”. 150/250<br />
1407. FRENCH BACCARAT GLASS PAPERWEIGHT 19th Century<br />
With multiple colorful canes, fi ve with animal design. Latticinio ground. Signed “B” and dated 1848 in between the cane<br />
design. Diameter 2½”. 700/1,000<br />
1408. FRENCH FACETED PAPERWEIGHT ATTRIBUTED TO ST. LOUIS 19th Century<br />
Depicting a purple and yellow pansy with green foliate design. Diameter 2¾”. 600/900<br />
1409. DOUBLE-CUT OVERLAY GLASS PAPERWEIGHT ATTRIBUTED TO ST. LOUIS<br />
Millefi ori mushroom center. Cut overlay in opaque green-cut to white-cut to clear. Diameter 3”. 700/1,000<br />
1410. TWO CONTEMPORARY BACCARAT GLASS PAPERWEIGHTS<br />
One depicting a butterfl y and the other a basket of fruit. Both signed and dated in interior and on bottom. Butterfl y numbered<br />
125/125 and dated 1978. Basket of fruit numbered 293/3,000 and dated 1976. Diameters 3”. 300/500<br />
1411. AUSTRIAN ART<br />
GLASS VASE<br />
Early 20th Century<br />
Attributed to Loetz. In gold iridescent with iridescent purple allover threading. Austrian Art Nouveau bronze holder with three<br />
panels depicting a woman’s face with wings at her side. Height including stand 8”.<br />
300/500<br />
1412. JEWELED LEADED GLASS PANEL<br />
Attributed to Belcher. Geometric patterns with areas of faceted jeweled insets. 30” x 26¼”. Mounted in a brass frame.<br />
800/1,200<br />
1413. SET OF FOUR HANS WEGNER OAK WISHBONE CHAIRS Denmark, Circa 1950<br />
Two with paper labels. 1,500/2,000<br />
1414. HANS HARTUNG<br />
French, 1904-1989<br />
Untitled. Geometrical abstract in blue and black. Signed in pencil lower right “Hartung”. Numbered lower left 6/50. Lithograph<br />
on paper, 21” x 14¼”, sight. Framed. 500/1,000<br />
1415. FRAMED 1927 POSTER FOR THE WHARF PLAYERS OF PROVINCETOWN<br />
Together with a program for the 1939 production of “Companion Unknown”. Advertising broadside for the production of<br />
“Mark Twain ... Featuring Louis Leon Hall”. 22” x 13¾” sight. 300/500<br />
1416. FRANK HENRY SHAPLEIGH<br />
American, 1842-1906<br />
Figures outside a Victorian house. Signed and dated lower left “F.H. Shapleigh 1881”. Oil on canvas, 12” x 16”. Framed.<br />
3,000/4,000<br />
1417. GEORGE E. NILES<br />
American, 1837-1898<br />
New England landscape with cattle and a woman strolling by a river. A church steeple rises up in the distance. Signed and dated<br />
lower right “G.E. Niles 1870”. Winsor & Newton artist supply label verso. Oil on artist board, 7” x 10”. Victorian gilt-lined<br />
frame. 200/300<br />
1418. VIVIAN FORSYTHE PORTER<br />
American, 1880-1982<br />
A Native American hunting from a canoe. Signed lower right “V.F. Porter”. Oil on canvas, 16” x 21”. Framed. 700/1,000<br />
1419. VIVIAN FORSYTHE PORTER<br />
American, 1880-1982<br />
A ship and dory. Signed lower left “V.F. Porter”. Oil on canvas, 16” x 21”. Framed.<br />
300/500
1420. WILBUR H. LANSIL<br />
American, 1855-1897<br />
Portrait of a cow. Signed lower left “W.H. Lansil”. Oil on canvas, 24” x 20”. Framed. 600/900<br />
1421. CHARLES DREW CAHOON<br />
American, 1861-1951<br />
Fisherman in a dory. Unsigned. Inscribed in pencil verso “C.D. Cahoon, Harwich, MA”, possibly in a later hand. Oil on board,<br />
9½” x 12¼”. Framed. 2,000/3,000<br />
Note: Although unsigned this was popular image for the artist and other similar signed versions are known.<br />
1422. EMILY HORTENSE BUDELL<br />
American, 1884-1981<br />
“The Harbor - Nantucket”. Signed lower right “H. Buddell”. Titled on the artist’s original label verso. Oil on canvas, 10” x 12”.<br />
Framed. 700/1,000<br />
Note: Budell commonly went by her middle name of Hortense and did not sign her works with Emily.<br />
1423. CHARLES HENRY GIFFORD<br />
American, 1839-1904<br />
Ships off the coast. Signed lower left “C.H. Gifford”. Oil on board, 4¾” x 8½”. Framed. 4,000/6,000<br />
1424. ATTRIBUTED TO<br />
WILLIAM ALLEN WALL<br />
American, 1801-1885<br />
Portrait of Captain Abraham Hathaway Howland. Unsigned. Identifi ed on frame plaque. Oil on canvas, 36” x 29”. Framed.<br />
1,000/1,500<br />
Howland was the fi rst elected mayor of New Bedford.<br />
1425. FREDERICK LOUIS THOMPSON<br />
American, 1868-1933<br />
New Bedford Harbor. Signed lower right “Frederick Thompson 1897”. Oil on canvas, 36” x 58”. Framed. 3,000/5,000<br />
Provenance: Hung in the Wamsutta Club,<br />
New Bedford, Massachusetts.<br />
Private Collection, Cape Cod, Massachusetts.<br />
1426. HUDSON RIVER SCHOOL<br />
Early 20th Century<br />
Pair of Hudson River School primitive landscapes. Unsigned. Oils on cambric, 18” x 24”. Framed. 400/600<br />
1427. HARRISON BIRD BROWN<br />
American, 1831-1915<br />
White Mountains of New Hampshire, likely Mt. Washington. Signed lower right “H.B. Brown”. Oil on canvas, 25” x 42”.<br />
Framed. 10,000/15,000<br />
Provenance: Private Collection, Cape Cod, Massachusetts.<br />
1428. GEORGE HENRY SMILLIE<br />
American, 1840-1921<br />
A hiker and a dog in an expansive river landscape. Signed and dated lower right “Geo. H. Smillie 1880”. Watercolor on paper,<br />
11¼” x 20¾”. Framed. 1,500/2,000<br />
1429. FRENCH SCHOOL<br />
19th Century<br />
Still life of fruit. Signed and dated lower right “Le Camus 1918”. Oil on canvas, 15” x 18”. Framed. 1,000/1,500<br />
1430. JOHN A. HAMMOND<br />
Canadian, 1843-1939<br />
“Harvest Time in France”. Signed and dated lower right “J. Hammond 1927”. Also titled and signed verso. Oil on board, 9¼” x<br />
15”. Framed. 1,000/1,500<br />
1431. LOUIS ASTON KNIGHT<br />
American, 1873-1948<br />
River landscape at dusk. Signed lower left “Aston Knight”. Mixed media on board, 18” x 21½”. Framed. 800/1,200
1432. SCHOOL OF NARCISSE-VIRGIL<br />
DIAZ DE LA PENA<br />
French, 19th Century<br />
Barbizon-style landscape. Possibly signed lower left. Paris canvas preparer’s stamp verso. Oil on canvas, 13” x 18”. Framed.<br />
1,000/2,000<br />
1432A. EDOUARD JEAN BAPTISTE DETAILLE<br />
French, 1848-1912<br />
Battle scene. Signed and dated lower left “E. Detaille 1871”. Watercolor on paper, 8½” x 11”. Framed. 2,500/3,500<br />
1433. ATTRIBUTED TO THOMAS WEAVER<br />
English, 1774-1843<br />
“A Group of Four Prize Cattle”. Unsigned. Identifi ed on museum label verso. Oil on canvas, 33¼” x 42¼”. Framed.<br />
5,000/7,000<br />
Provenance: Eldred’s, July 27, 1990, Lot #118.<br />
1434. JAMES THOMAS WATTS<br />
American, 1853-1930<br />
Pair of landscapes: “After Evening in a Welsh Wood” and “Birch Trees in Autumn”. Signed lower left and lower right. Oils on<br />
panel, 8” x 6”. Framed. 2,000/3,000<br />
1435. JOSEPH VAN SEVERDONCK<br />
American, 1819-1905<br />
Four mounain sheep. Signed lower center “J. Vanseverdonck 1874”. Also inscribed verso. Oil on panel, 7¼” x 10½”. Framed.<br />
1,000/1,500<br />
1436. ALFRED VILLIERS FARNSWORTH<br />
American, 1858-1908<br />
Pair of English-style sporting watercolors. Both signed lower left “A. Farnsworth 1906”. On paper, 14” x 21”. Framed.<br />
1,500/2,500<br />
1437. ITALIAN SCHOOL<br />
20th Century<br />
Four Italian gouaches. One signed lower left M. Gianni (Maria Gianni, 20th Century). 7½” x 17”. The others unsigned and<br />
titled “Napoli da Capodimonte”, “Eruzione del 1857” and “Napoli del Campo”. All approx. 6” x 9”. 400/600<br />
1438. GUSTAVE ADOLPH HOFFMAN<br />
American, 1869-1945<br />
Floral still life. Signed lower left “G.A. Hoffman”. Oil on canvas, 16” x 12”. Newcomb-Macklin frame. 1,200/1,800<br />
Deaccessioned from the New Britian Museum of American Art.<br />
1439. ARNOUD WYDEVELD<br />
American, 1823-1888<br />
Still life of a pineapple, grapes and other fruit. Signed lower right “A. Wydeveld”. Oil on canvas, 14” x 22”. Framed.<br />
3,000/5,000<br />
1440. GEORGE E. FORSTER<br />
American, 1817-1896<br />
Still life of peaches, grapes and a glass. Signed lower right “G. Forster 1857”. Oil on panel, 9½” x 12”. Framed. 3,000/5,000<br />
1441. DELBERT DANA COOMBS<br />
American, 1850-1938<br />
“Harvest Time at Dillingham Farm”, depicting a man loading a horse-drawn cart with hay. Farm and rolling hills in the<br />
background. Signed and dated lower left “D.D. Coombs 1896”. Titled on frame plaque. Oil on canvas, 13” x 24”. Framed.<br />
1,000/1,500<br />
1442. ELIZABETH FEARNE BONSALL<br />
American, 1861-1956<br />
Three kittens with their mother. Signed upper left and lower right “E.F. Bonsall”. Oil on canvas, 16” x 20”. Framed. 2,000/3,000
1443. AMERICAN SCHOOL<br />
Early 20th Century<br />
Two building views: 1) A city street scene. Signed lower left “Lou Jordan[?]”. Oil on canvas, 25” x 32”. Framed. 2)<br />
Impressionist canal scene with buildings and a bridge. Unsigned. 32” x 26”. Framed. 1,000/1,500<br />
1443A. ROBERT EMMETT OWEN<br />
American, 1878-1954<br />
Rural winter landscape. Signed lower right “R. Emmett Owen”. Oil on canvas, 25” x 30½”. Framed. 3,000/5,000<br />
1444. GEORGE WILLIAM WHITAKER<br />
American, 1841-1916<br />
A forest stream. Signed and dated lower right “G.W. Whitaker 1906”. Oil on canvas, 34” x 28”. Framed. 1,500/2,500<br />
1444A. AMERICAN SCHOOL<br />
Late 19th/Early 20th Century<br />
Two setters in a mountain landscape. Unsigned. Oil on canvas, 24” x 33¾”. Framed. 400/600<br />
1445. VICTORIAN TILT-TOP TABLE 19th Century<br />
Top with painted decoration of a river landscape with castle in background. Base in black and gilt paint. Height 27”. Diameter of<br />
top 22”. 300/500<br />
1446. ANTIQUE AMERICAN FEDERAL CARD TABLE Circa 1830<br />
In mahogany with select fl ame veneers. Carved molded rosette corners. Acanthus-carved pedestal raised on nicely detailed paw<br />
feet. Height 29¼”. Width 36”. Depth 17¾”. 500/800<br />
1447. SIX WALLACE NUTTING BOWBACK WINDSOR SIDE CHAIRS<br />
Under reddish-brown stain. Each with nine shaped spindles and splayed legs. Five with bowed front stretcher (one not quite<br />
matching). Stamped “Wallace Nutting” under seat. 1,200/1,400<br />
1448. ELDRED WHEELER QUEEN ANNE-STYLE BENCH American, Late 20th Century<br />
Together with a small Queen Anne-style stool, possibly by Eldred Wheeler, height 15½”. Bench with slip seat with fl amestitched<br />
upholstery. Height 19”. Length 30”. 300/500<br />
1449. FRENCH PROVINCIAL-STYLE SERVER<br />
In mahogany. Molded top edge. Four graduated central drawers with beaded fronts fl anked on each side by a matching simple<br />
drawer over a single cupboard door. Scrolled metal pulls. Cabriole legs end in scrolled feet. Height 37”. Top 62” x 20¾”.<br />
100/200<br />
1450. SIX ADAM-STYLE DINING CHAIRS<br />
Two armchairs and four side chairs in cherry with backs and seats upholstered in a red and ivory fl oral striped fabric. 300/500<br />
1451. RARE ORIGINAL “KING KONG” MOVIE POSTER Early 20th Century<br />
Starring Fay Wray, Robert Armstrong and Bruce Cabot. Depicting King Kong holding an airplane in one hand and Ann Darrow<br />
(Fay Wray) in the other. Dated lower right 1933. 29” x 20½”. 500/1,000<br />
1452. PHILIPPE HALSMAN POSTER OF MARILYN MONROE ON THE COVER OF LIFE MAGAZINE<br />
The April 7, 1952 issue. According to the consignor, the poster came from the estate of a Life magazine publisher. Unframed.<br />
Minor damage to one edge. 34” x 26”. 500/800<br />
1453. FRAMED CHARLES LINDBERGH PHOTO COLLAGE<br />
“Col. Chas. A. Lindbergh’s Reception, N.Y.C. June 13, 1927”. Fifteen photos and one photocopy, all annotated. 15¾” x 29½”<br />
sight. 400/600<br />
1454. BLACK AND WHITE PHOTOGRAPH OF GEORGE HERMAN “BABE” RUTH<br />
Taking a practice swing. Signed “To Ralph Houseman, Jr., from Babe Ruth”. 10” x 8”. Unframed. 1,500/2,500<br />
Given to Houseman at age 11 at a Yankees game. Descended since in the consignor’s family as part of a private Cape Cod<br />
collection.<br />
1455. NANCY WHORF<br />
American, 1930-2009<br />
“Provincetown Lane”. Signed lower right “Nancy Whorf”. Oil on canvas board, 16” x 20”. Framed. 1,000/1,500
1456. NANCY WHORF<br />
American, 1930-2009<br />
Hand-painted trunk. Top with rope-framed vignette of a ship fl anked by two fi gures and seagulls. Front panel with a ship and<br />
lighthouse fl anked by anchors. Anchor design on ends. Height 22”. Width 50½”. Depth 16”. 800/1,200<br />
1457. SIX-PIECE BEDROOM SET Mid-20th Century<br />
Commissioned by the family to be painted by Nancy Whorf. Unsigned. Consists of a pair of twin beds, a one-drawer stand, a<br />
ladderback chair, a mirror and a fi ve-drawer chest, height 37½”, width 35½”, depth 18¼”. All in cream with salmon-colored<br />
trim. Beds and chest have fl oral and foliate designs. 500/1,000<br />
1458. PETER HUNT-DECORATED STOOL<br />
In red, dark gray, yellow and black paint. Signed in pencil underneath. Height 11”. Width 16”. Depth 8½”. 180/250<br />
1458A. JOHN MULCAHY<br />
American, b. 1931<br />
Abstract view of Commercial Street, Provincetown. Signed, inscribed and dated October 1998 verso. Oil on board, 9¼” x<br />
11¼”. Framed. 500/700<br />
1458B. JOHN MULCAHY<br />
American, b. 1931<br />
“Winter Afternoon, Provincetown, MA”, an abstract street scene. Signed lower right “Mulcahy”. Titled, signed and dated 1995<br />
verso. Oil on board, 4” x 5”. Framed. 300/400<br />
1459. CURTIS & DUNNING GIRANDOLE CLOCK<br />
Dial signed “warranted by Curtis & Dunning”. Eagle fi nial. Case features applied foliate mounts. Applied gilt balls and drop<br />
presentation foliate design at bottom. Circular door panels to lower and upper case. Reverse-painted throat glass depicts an<br />
eagle and American fl ags with “C&D patents” below. Lower door glass depicts mythical scene with “commerce” below. Overall<br />
height 37½”. 2,500/3,500<br />
1460. ANTIQUE AMERICAN BANJO CLOCK 19th Century<br />
By Aaron Willard Jr., Boston, Massachusetts. Mahogany case with brass bezel, fi nial and side brackets. Gilt door frames and<br />
presentation bracket. Reverse-painted throat glass in a foliate design and door glass depicting a house in a landscape. Face<br />
signed “A. Willard Jr. Boston”. Height 41”. 3,000/4,000<br />
1461. FEDERAL TALL-CASE CLOCK<br />
Bears paper label of Ebenezer Kingsbury of Shrewsbury, dated 1799. Also noted “No. 5” on label. Case appears to be cherry.<br />
Bonnet with three brass fi nials and three plinths with open fretwork between is<br />
fronted by full brass-capped columns. Lower case with carved fl uted quarter columns with brass caps. Oval inlay of alternating<br />
woods to center of door panel. Scalloped moldings around base. Nice ogee bracket feet. Overall height 91”. 5,000/8,000<br />
1462. TWO STERLING SILVER AND ENAMEL CLOCKS<br />
Includes a miniature English carriage clock with engine-turned surface, height 2¾”, and an emerald green enamel desk clock<br />
with easel stand in blue enamel decoration, height 2½”. 350/450<br />
1463. SAMUEL AND ELI TERRY PILLAR & SCROLL CLOCK Second Quarter of the 19th Century<br />
Mahogany case with ivory escutcheon. Floral-decorated face above a reverse-painted tablet. Retains Terry paper label on interior<br />
of back. Height 31½”. 500/800<br />
1464. OAK WALL CLOCK RELATING TO NEW BEDFORD American, Circa 1904<br />
“New Bedford Friends 1904” on white-painted face. Likely pertaining to the New Bedford Quakers. Label for Waterbury Clock<br />
Company. Diameter 26”. 300/500<br />
1465. FRENCH MANTEL CLOCK Mid-19th Century<br />
Elaborate brass case with hand-hammered style dome and side panels with bronze patina. Molded brass fl oral design contrasts<br />
patinated surfaces. Burnished steel dial with exposed escapement at center. French works. Height 17”. 700/1,000<br />
1466. ELI TERRY AND SONS PILLAR & SCROLL CLOCK<br />
Mahogany veneered case with three brass urn-form fi nials. Ivory diamond-form escutcheon on door. Wood dial with painted<br />
decoration of fl owers at center. Reverse-painted lower tablet depicts a riverscape with house and boat. Retains original Terry<br />
label. Height 33”. 500/800
1467. HOWARD A. CURTIS<br />
American, 1906-1989<br />
Coastal scene. Signed lower right “H. Curtis”. Inscribed verso “For the Danforths - on the ocasion of the visit of Mr. Danforth<br />
and his daughter, May 13, 1977. Presented to them from Howard A. Curtis on this date. A sketch from imagination.” Oil on<br />
canvas board, 12” x 16”. Framed. 400/600<br />
1468. HOWARD A. CURTIS<br />
American, 1906-1989<br />
“Late in the Day”. Signed lower right “Howard A. Curtis”. Inscribed verso “Low Key sketch from imaginations - Late in the<br />
Day - By Howard A. Curtis - presented to Paul Danforth - May 31, 1977 at 10:30 am in appreciation for surveying property at<br />
861 Washington Street, Gloucester Massachusetts.” Oil on canvas board, 12” x 16”. Framed. 400/600<br />
1469. GEORGE HOWELL GAY<br />
American, 1858-1931<br />
Birch-lined river landscape. Signed lower right “Geo. Howell Gay”. Watercolor on paper, 5¾” x 12½” sight. Framed. 200/300<br />
1470. PAULINE BLISS WILLIAMS<br />
American, 1888-1962<br />
Rockport seascape. Signed lower right “Pauline Bliss Williams”. Inscribed verso “Rockport”. Oil on board, 8” x 10”. Framed.<br />
600/800<br />
1471. IVAR JOHN MATHESON<br />
American, 20th Century<br />
Boat at a pier. Signed lower right “I.J. Matheson”. Oil on canvas board, 12” x 16”. Framed. 500/700<br />
1472. JOSEPH NEWMAN<br />
American, 1890-1979<br />
Harbor scene. Signed lower right “J. Newman”. Oil on masonite, 15½” x 20”. Framed. 400/600<br />
1473. JOHN LEVITSKY<br />
American, 1922-2002<br />
Crashing waves. Signed lower right “Levitsky”. Oil on canvas board, 12” x 16”. Framed. 300/500<br />
1474. JOHN CUTHBERT HARE<br />
American, 1908-1978<br />
A New England harbor. Signed lower right “John Hare”. Watercolor on paper, 9½” x 11½” sight. Framed. 300/500<br />
1475. NICOLAI S. (NICOLA) CIKOVSKY<br />
American, 1894-1984<br />
Figures on a pier, probably Long Island. Signed lower right “Nicolai Cikovsky”. Oil on board, 16” x 20”. Framed.<br />
1,500/2,500<br />
1476. JEROME PENNINGTON DEWITT<br />
American, 1895-1940<br />
Landscape with tree and farmhouse. Signed lower right “Joseph Pennington DeWitt”. Oil on canvas board, 16” x 20”. Framed.<br />
400/600<br />
1477. ATTRIBUTED TO NICOLAES MAES<br />
Dutch, 1632-1693<br />
Portrait of a woman. Unsigned. Oil on canvas, 17” x 13½”. Framed. 3,000/5,000<br />
1478. JOHN CHETCUTI<br />
American, 1900-1976<br />
Double-sided watercolor: A fi sh house interior and a mountain bridge. Fish house scene signed lower right “Chetcuti”. On<br />
paper, 15” x 19½” sight. Framed. 250/350<br />
1479. JOHN CHETCUTI<br />
American, 1900-1976<br />
Double-sided watercolor: A mother and daughter walking in a fi eld, and a harbor scene. Mother and daughter scene signed<br />
lower right “Chetcuti”. On paper, 14½” x 19½” sight. Framed. 250/350
1480. MARIA VERONICA LISZT<br />
American, 1902-1992<br />
Crashing waves. Signed lower right “Liszt”. Oil on canvas, 18” x 20”. Framed. 300/500<br />
1481. H.H. HOWE<br />
American, Early 20th Century<br />
Floral still life. Signed lower right “H.H. Howe”. Oil on canvas, 14” x 10”. Framed. 200/300<br />
1482. CURTIS ROSSER<br />
American, 1927-2005<br />
City scene, likely Boston’s Back Bay. Signed lower right “C. Rosser”. Oil on canvas, 18” x 24”. Framed. 700/900<br />
1483. CURTIS ROSSER<br />
American, 1927-2005<br />
Boston street scene. Signed lower right “C. Rosser”. Oil on canvas, 18” x 24”. Framed. 700/900<br />
1484. ERNEST PERRY<br />
Early 20th Century<br />
Street scene, probably Provincetown. Signed lower right “E.E. Perry”. Oil on board, 16” x 20”. Framed. 600/900<br />
1485. JANET SCUDDER<br />
American, 1869-1940<br />
Relief portrait of Ezra Howard Child. Titled under a half-length profi le over an urn. Signed lower right in relief “Janet Scudder<br />
Fecit”. Bronze, height 32”, width 30”, depth 2”. 1,500/2,000<br />
1485A. CURTIS ROSSER<br />
American, 1927-2005<br />
“The Ritz-Carlton, Boston”. Signed lower right “C. Rosser”. Watercolor on paper, 16½” x 22¼” sight. Framed. 250/350<br />
1486. HAL ROBINSON<br />
American, 1875-1933<br />
Winter landscape. Signed lower right “Hal Robinson”. Oil on canvas, 10” x 12”. Framed. 800/1,200<br />
1486A. G.B. PERKINS<br />
Early 20th Century<br />
Home across the marsh. Signed lower right “G.B. Perkins 1911”. Watercolor, 14½” x 21¼” sight. Framed. 400/600<br />
1486B. WILLIAM J. POTTER<br />
American, 1883-1964<br />
“Harborview, Gloucester”. Signed lower right “W.J. Potter”. Titled verso on the remains of old label. Oil on board, 12” x 14”.<br />
Framed. 800/1,200<br />
1486C. ENGLISH SCHOOL<br />
20th Century<br />
Folk art portrait of a pig. Signed lower right “Rose”. Oil on board, 23½” x 32”. Framed. 800/1,200<br />
1486D. JOHN TERRIS<br />
English, 1865-1914<br />
A gentleman with a top hat and cane walking along a path. Signed lower right “J. Terris, R.S.W.” Watercolor on paper, 6½” x 6”<br />
sight. Framed. 300/400<br />
1487. CLASSICAL-STYLE STANDING LAMP<br />
In the form of a woman holding a classical urn over her head. Replaced red and white glass shade. Height excluding shade 47½”.<br />
1,500/2,000<br />
1488. QUEEN ANNE BONNET-TOP HIGHBOY<br />
In cherry. Upper case is of the period with three replaced fl ame fi nials and fan-carved central drawer fl anked by two small drawers<br />
over four graduated drawers. Nicely made 20th Century lower case is complementary to the piece with one full-width drawer over<br />
three smaller drawers. Cabriole legs end in modifi ed pad feet. Hardware replaced. Height 87”. Width 37½”. Depth 19”.<br />
1,000/1,400
1489. ANTIQUE SHERATON SOFA Early 19th Century<br />
In mahogany with striped upholstery. Scrolled arms with writhen supports above eight legs. Two front legs are turned. Rear six<br />
legs are square. Height 36”. Length 78”. 1,000/1,500<br />
1490. ENGLISH CAULDON POTTERY<br />
SOUP SERVICE Early 19th Century<br />
Consists of a covered scalloped-edge tureen and eight matching bowls in red, blue, and gilt decoration. Overglaze brown coat of<br />
arms for the Scottish Middleton family of a “boar’s head erased and erect” over “Guard Yourself”. (See Fair Bairn’s Book of<br />
Crests). Tureen height 10½” and diameter 10½”. Diameters of bowls 10”. 500/1,000<br />
1491. SLAG GLASS TABLE LAMP<br />
By Salem Brothers. Iron base in a dolphin pattern. Matching slag glass shade. Height 25”. Diameter of shade 18½”. 450/550<br />
1492. AMERICAN SCHOOL<br />
20th Century<br />
Cranberry harvesting. Monogrammed lower left “MS”. Oil on canvas, 24½” x 30½”. Framed. 500/700<br />
1493. FLORENCE E. VALTER<br />
English, Early 20th Century<br />
Numerous horses and riders on a country road. Signed lower right “Florence E. Valter”. Watercolor on paper, 10” x 12” sight.<br />
Framed. 400/600<br />
1494. ANTIQUE AMERICAN SHERATON TWO-PART SECRETARY Circa 1830<br />
In mahogany and mahogany veneers with tiger maple inlaid pediment with eagle fi nial and two ball and spire fi nials. Two<br />
three-arched glazed doors above two tambour doors and central cabinet. Base with fl ap front and three inalid drawers. Brass<br />
pulls not original. Feet probably not original. Height including fi nial 45½”. Width 38”. Depth 19”. 1,000/1,500<br />
1495. CONTINENTAL THREE-DRAWER LIBRARY TABLE 19th Century<br />
In oak. Floral carving to drawer fronts. Turned legs. Stretcher base. Height 33”. Length 74¼”. Width 32½”. 800/1,200<br />
1496. PAIR OF QUEEN ANNE-STYLE TEA TABLES<br />
By John T. Prendergast/Custom Wood Crafts. In maple. Bases painted black. Height 27”. Length 31½”. Width 23”. 500/1,000<br />
1497. ELLSWORTH WOODWARD<br />
American, 1861-1939<br />
Two young men by a country barn. Signed and dated in pencil lower left “E. Woodward 84”. Grisaille on paper, 8½” x 11½”<br />
sight. Framed. 300/500<br />
Woodward and his brother William were born in Seekonk, Massachusetts but made New Orleans, Louisiana their home. They<br />
were both instrumental in spreading the New Orleans art community and were infl uential in the early history of Newcomb<br />
College.<br />
1498. JOHN J. ENNEKING<br />
American, 1841-1916<br />
“Fall Tints”. Unsigned. Titled in pencil verso. Vose Galleries stamp. Inscribed on reverse “#244 - Eva Enneking’s <strong>Catalog</strong><br />
Number”. Oil on board, 10” x 14”. Framed. 1,000/1,500<br />
Provenance: A Quincy, Massachusetts estate.<br />
1499. DENNIS SHEEHAN<br />
American, b. 1950<br />
Sunset over a winter marsh. Signed lower left “Sheehan”. Oil on canvas, 8” x 16”. Framed. 1,000/1,500<br />
Provenance:<br />
Private Collection, Cape Cod, Massachusetts.<br />
1500. HAYLEY LEVER<br />
American, 1875-1958<br />
London Bridge over the Thames at night. Signed lower left “Hayley Lever”. Watercolor on paper, 9½” x 12” sight. Framed.<br />
1,500/2,500<br />
Provenance: Heritage Auction, Nov. 17-18, 2005, Lot #30433.<br />
1501. JOSEPH HAWKES<br />
British, 19th/20th Century<br />
River landscape with trees and cows on right and houses in distance. Oil on artist panel, 10” x 13½”. Framed. 200/300
1502. JOSEPH HAWKES<br />
British, 19th/20th Century<br />
“In Sherwood Forest”, a landscape with dirt road, trees and sheep. Titled verso. Signed lower right “J. Hawkes”. Oil on canvas,<br />
14” x 20”. Framed. 300/400<br />
1503. LEMUEL D. ELDRED<br />
American, 1848-1921<br />
Sunset coast. Signed and dated lower right “L.D. Eldred 98[?]”. Oil on canvas, 9” x 14”. Framed. 3,000/5,000<br />
1504. WILLIAM TROST RICHARDS<br />
American, 1833-1905<br />
“Clovelly”, depicting rough seas crashing upon a rocky coast. Signed lower left “W.T.R.” Titled verso. Label on reverse for<br />
William Vareika Fine Arts, Newport, Rhode Island lists provenance as the family of the artist. Oil on panel, 5” x 7”. Framed.<br />
1,000/1,500<br />
1505. MANNER OF ALFRED T. BRICHER<br />
American, Early 20th Century<br />
After the storm. Unsigned. Illegible pencil notation to upper stretcher. Noted on lower stretcher in a later hand “After the Storm<br />
by Bricher”. Oil on canvas, 10” x 20½”. Framed. 500/1,000<br />
1506. FREDERICK JUDD WAUGH<br />
American, 1861-1940<br />
Rocky coastal scene. Signed lower right “F.J. Waugh”. Oil on canvas, 18” x 30”. Unframed. 1,500/2,500<br />
1507. KATE A. WILLIAMS<br />
American, d. 1939<br />
“Along the Shore”. Signed lower left “Kate Williams”. Titled on a 1933 National Arts Club Members Exhibition of Small<br />
Paintings label affi xed verso. Oil on canvas board, 16” x 20”. Framed. 800/1,200<br />
1508. AMERICAN SCHOOL<br />
19th Century<br />
Sailing off the coast. Signed lower right “M. Le Cler”. Watercolor on paper, 11” x 27” sight. Framed. 500/700<br />
1509. AMERICAN SCHOOL<br />
Early 20th Century<br />
<strong>View</strong> of the Charles River. Signed lower right “O. Noah”. Watercolor on paper, 15” x 28”. Framed. 700/1,000<br />
1510. WILLIAM ZORACH<br />
American, 1887-1966<br />
Abstract river landscape. Signed and dated lower right “Zorach 1936”. Watercolor on paper, 14” x 20” sight. Framed.<br />
2,500/3,500<br />
1511. JEAN CHARLES CAZIN<br />
French, 1841-1901<br />
French landscape at sunset. Signed lower right “J.C. Cazin”. Oil on board, 6¼” x 11¼”. Framed. 1,200/1,800<br />
1512. BARBIZON SCHOOL<br />
19th Century<br />
Nymphs in a forest. Initialed lower right “C.E.F.[?]” Oil on canvas, 16” x 21”. Framed. 800/1,200<br />
1513. JOHN CLIFFORD PELLEW<br />
American, 1903-1993<br />
New England farm scene. Signed lower left “Pellew”. Oil on canvas board, 24” x 42”. Framed. 400/600<br />
Pellew was a member of the National Academy of Design, the Salmagundi Club and the American Watercolor Society. He was<br />
the author of three books on painting including Oil Painting Outdoors.<br />
1514. GEORGE W. PICKNELL<br />
American, 1864-1943<br />
Marsh with haystacks. Trees in the distance. Signed lower right “GW Picknell”. Oil on canvas, 23½” x 32”. Framed.<br />
1,500/2,000
1515. NAN DEVITA<br />
American, d. 1985<br />
A seated woman wearing a white dress with red ribbons peruses a photo album on her lap. Signed lower right “Nan Devita”. Oil<br />
on board, 10” x 8”. Framed. 300/400<br />
Consignor purchased from the artist at Worden Hall Gallery, East Dennis, Massachusetts.<br />
1516. AMERICAN SCHOOL<br />
19th Century<br />
Still life of beer, a mincemeat pie and celery in a glass. Unsigned. Oil on canvas, 16” x 20”. Framed. 600/800<br />
1517. WALTER FRANKLIN LANSIL<br />
American, 1846-1925<br />
“Seaweed Gatherers 1883”. Signed lower left “Walter F. Lansil”. Signed, dated and titled verso. Oil on canvas, 10” x 16”.<br />
Period frame. 1,200/1,800<br />
1518. JOHN FABIAN CARLSON<br />
American, 1874-1945<br />
“Cabins in Winter”. Signed lower left “John F. Carlson”. Oil on board, 12” x 16”. Framed. 2,000/3,000<br />
Provenance: Heritage Auctions, Nov. 17-18, 2005,<br />
Lot #30359.<br />
Private Collection, New Jersey.<br />
1519. ATTRIBUTED TO CHARLES HENRY GIFFORD<br />
American, 1839-1904<br />
Moonlit lighthouse. Unsigned. Oil on panel, 8” x 5¾”. Framed. 3,000/5,000<br />
End of Session II
THE PROPERTY LISTED IN THIS CATALOG WILL BE OFFERED AND SOLD SUBJECT TO<br />
THE TERMS AND CONDITIONS LISTED IN THIS CATALOG.<br />
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not meant to be taken as a guide to the value of an item, but as a guide to its expected selling price.<br />
Estimates are prepared well in advance of a sale and are subject to revision.<br />
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packing and shipping of items by Eldred’s will be undertaken solely at our discretion. Upon receipt of payment,<br />
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AMERICANA, DECORATIVE & SPORTING ART<br />
AT AUCTION<br />
November 16-17, 2012<br />
Addenda<br />
Corrections:<br />
303. WITHDRAWN: Hand-hewn and painted codfi sh.<br />
1430. WITHDRAWN: John Hammond painting “Harvest Time in France”.<br />
1442. WITHDRAWN: Elizabeth Fearne Bonsall painting of three kittens.<br />
Additions:<br />
14A. THREE-PIECE STERLING SILVER TEA SET<br />
In hand-hammered Art Deco form with ebony handles. Inscribed on bottom “Entirely Hand Wrought - Sterling”.<br />
Approx. 31.0 troy oz. including handles 800/1,200<br />
14B. TWO PIECES OF ENGLISH SILVER HOLLOWWARE Early 20th Century<br />
Includes an oval salver and a wine coaster with wooden base. 150/250<br />
14C. SEVEN PIECES OF STERLING SILVER HOLLOWWARE AND FLATWARE<br />
By various makers. Includes a sandwich plate, three fenestrated candy dishes, a three-part serving dish, an oval card tray and a<br />
cold meat fork. Approx. 32.0 troy oz. 700/900<br />
14D. TIFFANY STERLING SILVER CORDIAL SET<br />
Includes a small oval tray and two gilt-lined round cordials. Length of tray 6 1/8”.<br />
Approx. 5.4 troy oz. 150/250<br />
14E. SEVEN PIECES OF STERLING SILVER HOLLOWWARE<br />
By various makers. Includes a pierced candy dish by Gorham, a cream and pitcher set, a cigarette urn, a cobalt blue glass-lined<br />
open salt with spoon, and a cobalt blue glass-lined sweetmeat basket.<br />
Approx. 16.0 troy oz. weighable 350/450<br />
14F. PAIR OF REED & BARTON SILVER PLATED CANDLESTICKS<br />
With raised fl oral decoration. Height 12”. 150/250<br />
14G. TWO SILVER PICTURE FRAMES<br />
One silver plated, 8” x 11”. Other marked “J. R. - 925”, approx. 9” x 12”. 150/250<br />
14H. GORHAM MFG. CO. STERLING SILVER COVERED VEGETABLE DISH<br />
In oval form with ribbed edges. Lid with two handles. Inscribed on base. Length 10 5/8”.<br />
Approx. 27.5 troy oz. 300/500<br />
14I. WALLACE MFG. CO. STERLING SILVER ENTRÉE DISH<br />
In the “Orange Blossom” pattern. Diameter 14”. Approx. 32.4 troy oz. 700/900<br />
14J. PAIR OF STERLING SILVER WEIGHTED CANDLE HOLDERS BY INTERNATIONAL SILVER CO.<br />
In an Art Deco design with swirls and applied wings. Monogrammed “J. B.” Diameter 7”. 250/350<br />
14K. RUSSIAN .84 FINE SILVER PEDESTAL SALT Circa 1856<br />
Ornate urn-form salt on platform base. Maker’s mark for Karol Filip Malcz of Warsaw. Height 2¾”.<br />
Approx. 4.0 troy oz. 200/300<br />
74A. 14KT GOLD LORGNETTE<br />
Maker’s mark present but worn. Length 4”. 200/300<br />
90A. SEVEN CHIPPENDALE-STYLE DINING CHAIRS<br />
In mahogany with ribbon backs and molded legs. Upholstered seats. 300/500
90B. 18TH CENTURY FRENCH-STYLE ARMCHAIR<br />
Walnut frame with shell crest. Needlepoint back and seat. 200/300<br />
90C. ANTIQUE ENGLISH SLANT-LID SECRETARY<br />
In burled walnut veneers. Upper case with three gilt fi nials, double-arched top, and closed-face paneled doors. Lower case with<br />
interior pigeonholes and drawers, four graduated drawers and bun feet. Height 91”. Width 39”. Depth 21”. 1,000/1,500<br />
133A. PAIR OF ENGLISH STAFFORDSHIRE FIGURES 19th Century<br />
A boy and girl, each on the back of a rust and white spaniel. Height 8¾”. 400/600<br />
133B. PAIR OF ENGLISH STAFFORDSHIRE SPANIELS 19th Century<br />
Holding baskets of fl owers in their mouths. Spaniels in rust and white with black chains. Height 7”. 400/600<br />
133C. PAIR OF ENGLISH STAFFORDSHIRE HORSE FIGURES 19th Century<br />
With tree-form vases at back. Each with light orange horse and reclined foal. Bases with grass and stream. Height 10½”. 400/500<br />
133D. PAIR OF ENGLISH STAFFORDSHIRE HORSE FIGURES 19th Century<br />
With tree-form vases at back. Each with a rust and white horse standing with foal. Bases with grass, moss and stream. Height 12½”.<br />
300/500<br />
133E. PAIR OF ENGLISH STAFFORDSHIRE SPANIELS 19th Century<br />
Holding baskets of fl owers in their mouths. Spaniels in rust and white with gilt chains. Height 7”. 300/500<br />
133F. ENGLISH STAFFORDSHIRE FIGURE OF JENNY LIND 19th Century<br />
Depicted seated and holding a monument cross. Wearing a royal blue blouse, plaid scarf and printed yellow dress. “Jenny Lind<br />
as Alice Meyerbeer’s Opera” on banner at bottom. Height 13¼”. 300/500<br />
133G. PAIR OF ENGLISH STAFFORDSHIRE SPANIELS 19th Century<br />
With tree-form vases in yellow, green and brown at backs. Spaniels in white with gilt highlighting. Height 13½”. 250/350<br />
133H. PAIR OF ENGLISH STAFFORDSHIRE FIGURES 19th Century<br />
A young lady and a young gentleman, each standing with a cow next to a tree. Height 5¼”. 250/350<br />
133I. ENGLISH STAFFORDSHIRE FIGURE OF A HORSE 19th Century<br />
Tree-form vase in green and brown at back. Horse in beige and black. Height 10¾”. 150/200<br />
133J. ENGLISH STAFFORDSHIRE FIGURE GROUP 19th Century<br />
“Tythe Pig” depicting a minister, a man holding a pig and a woman holding a baby standing underneath a tree. Base with wheat,<br />
moss and basket of eggs. Height 6½”. 150/250<br />
133K. TWO ENGLISH STAFFORDSHIRE COVERED DISHES 19th Century<br />
A black hen on a white basket, height 6¾”, and a duck on a water-style base, height 5¾”. 250/350<br />
133L. ENGLISH STAFFORDSHIRE CLOCK FIGURE GROUP 19th Century<br />
Depicting Daniel in the lion’s den. Daniel seated atop a clock fl anked by lions. Height 9½”. 300/400<br />
133M. ROYAL NISHIKI NIPPON PORCELAIN TANKARD Early 20th Century<br />
With fl oral decoration. Green stamp. Height 12¼”. 100/200<br />
133N. TWO-GALLON OVOID STONEWARE CROCK Early 20th Century<br />
By L. & B. G. Chace Somerset. Cobalt blue fl oral decoration. Converted to a table lamp. Height of crock 10½”. 150/250<br />
258A. MINIATURE YELLOWLEGS<br />
By Arnold Melbye of South Yarmouth, Massachusetts. Carved minnow in the throat. Minor knick to tip of wings. Cracking to<br />
gesso around top of legs. Mounted standing on a driftwood base with right leg forward of left leg. Carved on underside and on<br />
side of base “ATM”. 800/1,200<br />
286A. ORIENTAL RUG: KIRMAN MAT 1’11” x 2’7”<br />
Central portrait of a woman wearing a veil on a fl oral ground of pink, red, moss green and midnight blue. Similar colors in<br />
moss green fl oral border. 250/350
286B. ORIENTAL RUG: KIRMAN MAT 1’10” x 2’4”<br />
Portrait of bearded king in a fl oral landscape on a red background with Arabic script. Midnight blue fl oral subfi eld and pale yellow<br />
border. 100/200<br />
286C. ORIENTAL RUG: KIRMAN MAT WITH TREE-OF-LIFE DESIGN 1’6” x 2’1”<br />
Blue tree with fl owering branches of pink, red, and green on a yellow fi eld. Dark red and dark blue borders. 200/300<br />
286D. ORIENTAL RUG: CAUCASIAN DESIGN 5’7” x 6’7”<br />
Wool-on-wool foundation. Staggered rows of traditional geometric medallions in dark gold, rust-red and turquoise on a dark<br />
blue fi eld. Kufi c red main border. 550/750<br />
291A. JON WHITCOMB<br />
American, 1906-1988<br />
Illustration of a young couple among cherry blossoms. Signed lower right “Jon Whitcomb”. Watercolor and gouache on paper,<br />
16” x 22” sight. Framed. 500/1,000<br />
291B. AMERICAN SCHOOL<br />
Late 19th Century<br />
A bridge over a river with mountains in the background. Unsigned. Oil on board, 6¼” x 9¼”. Framed. 250/350<br />
291C. HEIDI GALLO<br />
Cape Cod, Contemporary<br />
“Great Blue”, depicting a great blue heron. Signed lower right “Heidi Gallo”. Watercolor, 9” x 6”. Framed. 300/400<br />
337A. FRAMED MAP “L’ EUROPE DIVISEE ...”<br />
For M. Brian de la Tour, 1789. Mostly black and white with some colored highlights. Large folio. Some extra creasing on fold<br />
lines. 250/300<br />
337B. FRAMED BLACK AND WHITE MAP “GALLIAE REGIONIS NOVA DESCRIPTIO” Munster, Circa 1570<br />
11” x 14¼” sight. 300/350<br />
420A. CHESS SET<br />
Two-tone marble chessboard raised on gilt metal horse-form feet. Gilt metal chess pieces. Board height 4”. Overall 22½” x 22½”.<br />
Height of chess pieces 4¼”. 200/300<br />
420B. TWO ANTIQUE AMERICAN POWDER HORNS<br />
One late 18th century horn with mounted iron pouring spout and wooden molded plug. Not engraved. Length 12”. The other<br />
circa 1810 with wooden plug on both ends. Leather strap damaged. Length 16”. Both as is. 150/250<br />
420C. ANTIQUE AMERICAN LEATHER FIRE BUCKET 19th Century<br />
In conical form. “Thos., Kinne. No. 2.” and scroll decoration in original gold paint on a brown ground. Reverse embossed in four<br />
places “UC” in an oval. Handle present but unattached. Purportedly from Connecticut. Height 12½”. 400/600<br />
420D. UNFRAMED LARGE PHOTOGRAPH OF GENERAL ULYSSES S. GRANT<br />
Heavily stained. Mat torn in several places. Image size 18½” x 14½”. 300/500<br />
420E. 14KT GOLD AND BONE-HANDLED CANE 19th Century<br />
Walnut shaft. Length 35”. 150/250<br />
436A. NAVAJO CYLINDRICAL BASKET Circa 1940s<br />
With two loop handles. In reds, greens and tan. Height 12”. Diameter 9”. 150/250<br />
1232A. RARE NANTUCKET BASKET 19th Century<br />
In exaggerated oval form with swing handle and wooden base. Unsigned. Height 2½”. Length 7¾”. Width 6”. 500/1,000<br />
1232B. NANTUCKET BASKET 19th Century<br />
In circular form with swing handle and turned base. Unsigned. Height 5”. Diameter 8”. 400/600<br />
1292A. FRAMED NEEDLEWORK SAMPLER<br />
“Mary Fawcetts [sic] Work 1806”. Alphabet, fl owers, trees and a central house above a verse. Vine border. 18” x 17½”.<br />
300/500
1338A. POLYCHROME-DECORATED CARVED WOOD STRIPED BASS WEATHER VANE 20th Century<br />
Taken off a house in Marstons Mills, Cape, Cod, Massachusetts. Retains original paint with slight losses. Some weather damage<br />
to belly at post. Length 45”. 800/1,200<br />
1412A. EXCEPTIONAL AUSTRIAN ART GLASS EWER WITH SILVER OVERLAY Circa 1910<br />
Iridescent mottled blue glass attributed to Loetz. American sterling silver overlay in a fl oral and foliate design by George A.<br />
Henckel Co. Retains original stopper. Height 11½”. 1,200/1,800<br />
Note: It is purported this piece was bought by a family member of the current consignor from the estate of Harry Houdini.<br />
1412B. PAIR OF JOSH SIMPSON GLASS WINE GOBLETS Dated 1985<br />
In blue with clear stem and foot. One signed on foot “Simpson 1985”. Height 9”. 200/300<br />
1412C. VINTAGE HARVARD UNIVERSITY GLASS COCKTAIL SET Circa 1940s<br />
With Harvard “Veritas” motto. Consists of a three-piece decanter with removable shaker spout, height 12¼”, and nine whiskey<br />
tumblers, heights 3¼”. Seven tumblers with faded motto. Together with a handpainted Limoges saucer with Harvard motto and<br />
fl oral decoration. Signed on bottom “K.E. ‘94”. Diameter 5¼”. 200/300
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