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8am to 11pm 7 days a week 01582 477333 - Regtransfers.co.uk
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"It was one of those things I never<br />
really thought about, but a friend of<br />
ours has got N1 KKY or something<br />
similar. She's a client and a friend,<br />
and of <strong>co</strong>urse every time she pulls<br />
up in her really girly car everyone<br />
thinks it's mine because of the<br />
number! I tell her not park it <strong>to</strong>o<br />
near the salon, please! But with<br />
mine, it's one of those things where<br />
I haven't really gone out and<br />
thought 'Oh, I must get one with<br />
1NC' or something. I prefer the<br />
amusing side of it."<br />
passion<br />
It really does seem that it is the<br />
sheer fun aspect that interests<br />
Nicky, rather than any urge <strong>to</strong> show<br />
off or demonstrate his success with<br />
his number plates. That emphasis<br />
on fun and enjoyment is obviously a<br />
prime motiva<strong>to</strong>r in Nicky's<br />
professional life <strong>to</strong>o, and he is still<br />
very much hands-on where<br />
hairdressing is <strong>co</strong>ncerned. The<br />
passion for his craft clearly remains,<br />
and is reflected in his preference for<br />
the youngest, rawest recruits when<br />
training new staff. As he opens<br />
more salons, Nicky obviously find<br />
himself in need of <strong>to</strong>p-notch stylists,<br />
but he would rather train from<br />
scratch than try <strong>to</strong> force people <strong>to</strong><br />
unlearn the techniques taught by<br />
other stylists.<br />
"It's not like a KFC franchise," he<br />
says. "It's not a situation where I<br />
can say 'Here's the recipe, now off<br />
you go!', so I can't have just<br />
anybody doing it. I prefer 16 year<br />
olds <strong>to</strong> train: it means I get them<br />
raw, and I really do like being able<br />
<strong>to</strong> mould them. There is no past<br />
training <strong>to</strong> over<strong>co</strong>me."<br />
So is Nicky's approach <strong>to</strong> styling<br />
really that different?<br />
"Yes. That's why I prefer <strong>to</strong> train<br />
from raw. If someone has been<br />
trained in another method and they<br />
suddenly move between <strong>co</strong>mpanies,<br />
well then there is generally just<br />
slight tweaking <strong>to</strong> be done. Moving<br />
from that <strong>to</strong> what I do is a major<br />
shift - a real change.<br />
"For one thing, my method involves<br />
dry-cutting in a way that makes it<br />
quite an unusual thing. There's not<br />
been <strong>to</strong>o much of that in the last 30<br />
years, just a few of us doing it. I do<br />
what I call my 'rough sketch' wet,<br />
but all my fine-tuning is done dry.<br />
It's like a piece of sculpture: like<br />
you're chipping away at something<br />
until it's absolutely right. The<br />
attention <strong>to</strong> detail is much greater.<br />
It's a hard thing <strong>to</strong> teach en masse<br />
because you're basically trying <strong>to</strong>