HISTORY INTO ART AND ANTHROPOLOGY - Snite Museum of Art ...
HISTORY INTO ART AND ANTHROPOLOGY - Snite Museum of Art ...
HISTORY INTO ART AND ANTHROPOLOGY - Snite Museum of Art ...
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DIRECTOR’S ACKNOWLEDGMENTS<br />
I am deeply grateful to Curator <strong>of</strong> Native American <strong>Art</strong> and Associate Pr<strong>of</strong>essor<br />
<strong>of</strong> Anthropology Joanne Mack for organizing this exhibition and publication.<br />
Shortly after arriving at the University <strong>of</strong> Notre Dame in 1997, Dr. Mack became<br />
fascinated by the Father Lindesmith collection <strong>of</strong> Native American art at the<br />
university’s <strong>Snite</strong> <strong>Museum</strong> <strong>of</strong> <strong>Art</strong>. Since that time, she has been indefatigable in<br />
researching Lindesmith, his collecting, the documentation accompanying his 1899<br />
gifts to Notre Dame, and the subsequent distribution <strong>of</strong> portions <strong>of</strong> the collection<br />
to a private individual.<br />
I marvel at what Dr. Mack and her undergraduate students have discovered about<br />
the man and his collection, and what the information they have found tells us about<br />
nineteenth-century Native Americans and Euro-Americans vis-à-vis the myth <strong>of</strong><br />
the American West.<br />
Dr. Mack’s research was greatly facilitated by the archive staffs at Notre Dame<br />
and the Catholic University <strong>of</strong> America as well as by that at the Congregation<br />
<strong>of</strong> the Holy Cross U.S. Province Archives Center. The Smithsonian Institution’s<br />
National <strong>Museum</strong> <strong>of</strong> Natural History generously shared a half-dozen important<br />
Lindesmith-acquired works for this exhibition and provided photographs <strong>of</strong> them<br />
for inclusion in this book. We are especially grateful to that museum’s registrar,<br />
Susan Crawford, for her assistance.<br />
Dr. Mack and I appreciate the fine essays prepared by former Notre Dame fellow<br />
Bethany Montagano and by Department <strong>of</strong> Anthropology, Smithsonian Institution<br />
National <strong>Museum</strong> <strong>of</strong> Natural History curator Candace Greene, as well as the<br />
contributions made by editor Phil Freshman and assistant editor Susan C. Jones,<br />
both <strong>of</strong> Minneapolis.<br />
The <strong>Snite</strong> <strong>Museum</strong> exhibition team skillfully insured, assembled, designed, and<br />
installed the exhibition. Therefore, I wish to thank Associate Director Ann Knoll,<br />
Registrar Rebeka Ceravolo, Exhibition Designer John Phegley, Exhibition Coor dinator<br />
Ramiro Rodriguez, and former Staff Photographer and Digital Archivist Eric<br />
Nisly for all their efforts.<br />
Neither the exhibition nor this book would have been realized without funds from<br />
the Humana Foundation Endowment for American <strong>Art</strong>, which was established<br />
through the vision <strong>of</strong> Mr. William C. Ballard, Jr.<br />
— Charles R. Loving<br />
Director and Curator, George Rickey Sculpture Archive<br />
<strong>Snite</strong> <strong>Museum</strong> <strong>of</strong> <strong>Art</strong>, University <strong>of</strong> Notre Dame<br />
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