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And strike a farmer dead; hiding my keys,<br />
Glasses or pipe. Coordinating these<br />
Events and objects with remote events<br />
And vanished objects. Making ornaments<br />
Of accidents and possibilities.<br />
830 Stormcoated, I strode in: Sybil, it is<br />
Canto Four<br />
My firm conviction - "Darling, shut the door.<br />
Had a nice trip?" Splendid - but what is more<br />
I have returned convinced that I can grope<br />
My way to some - to some - "Yes, dear?" Faint hope.<br />
Now I shall spy on beauty as none has<br />
Spied on it yet. Now I shall cry out as<br />
None has cried out. Now I shall try what none<br />
Has tried. Now I shall do what none has done.<br />
And speaking of this wonderful machine:<br />
840 I'm puzzled by the difference between<br />
Two methods of composing: A, the kind<br />
Which goes on solely in the poet's mind,<br />
A testing of performing words, while he<br />
Is soaping a third time one leg, and B,<br />
The other kind, much more decorous, when<br />
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