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Play Guide [2.6MB PDF] - Arizona Theatre Company

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ALLUSIONS<br />

THE MYSTERY OF IRMA VEP<br />

Jane:<br />

Watch what you’re doing! Your’re soaking wet! Don’t<br />

track mud in here!<br />

Nicodemus:<br />

It’s God’s good rain, my girl!<br />

Jane:<br />

It’s the devil’s rain, that’s what it is!<br />

GHOSTS<br />

Regina:<br />

What do you want? Stay where you are, you’re dripping wet!<br />

Engstrand:<br />

It’s God’s good rain, my girl.<br />

Regina:<br />

It’s the devil’s rain, that’s what it is!<br />

REBECCA<br />

-Reprinted wither permission from the Court <strong>Theatre</strong>'s play guide for The Mystery of Irma Vep.<br />

One of the primary infl uences on THE MYSTERY OF IRMA VEP<br />

is Alfred Hitchcock’s fi lm version of the 1938 novel Rebecca<br />

and Charlotte Bronte’s Wuthering Heights. Read the summary<br />

and see if you can fi nd where Ludlam references Rebecca!<br />

Summary of Rebecca (Warning! Spoiler alert!)<br />

The fi lm begins with a voiceover of a woman speaking the fi rst<br />

lines from the novel: "Last night I dreamt I went to Manderley<br />

again," to the images of a ruined country manor [in IRMA VEP<br />

the name of the house is Mandacrest]. She continues that she<br />

can never return to Manderley — as it no longer exists, except<br />

as a ruin. Joan Fontaine plays a young woman (who is never<br />

named), an orphan, who works as a paid companion to the<br />

wealthy Edythe Van Hopper (Florence Bates). In Monte Carlo,<br />

The Mystery of Irma Vep<br />

A scene from a 1985 production<br />

of Ghosts in Berlin<br />

<strong>Arizona</strong> <strong>Theatre</strong> <strong>Company</strong> <strong>Play</strong> <strong>Guide</strong> 15

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