Play Guide [2.6MB PDF] - Arizona Theatre Company

DESIGN
DISCUSSION
DB: For me, it was mostly the 1931 Frankenstein fi lm. It is such a superb example of
expressionist fi lm set design. The radical way in which the abstraction of the physical
environment skews, twists, distorts, and ultimately refl ects the demented path of Dr
Frankenstein and his creation.
The Mystery of Irma Vep
JG: Have you designed something similar to this set in the past and/or have any aspects of this
set help inspire other projects?
DB: I have never designed anything like it before or since. It has, however, inspired me during
other projects. Mostly it reminds me to do something "crazy" and take real risks as a designer.
JG: What is unique about the set?
DB: It's the only motorized crumbling purple castle on wheels in existence (as far as I know).
POST SHOW DISCUSSION QUESTIONS
1. What is the defi nition of parody? Can you site examples of horror parodies? What do you think
of this style?
2. What acting skills are necessary for actors cast in a production that requires playing multiple
roles?
3. Why do you think The Mystery of Irma Vep has SUCH a strong national and international
following (a Japanese version used kabuki and a Brazilian production ran continuously for eight
years)?
4. Contractually, to produce the script, a theatre is required to cast two actors of the same sex, to
ensure cross-dressing. How did that element enhance the experience?
5. What is the signifi cance of the title?
6. What popular TV shows and movies would you consider to be farces? Explain your answer
Arizona Theatre Company Play Guide 19