110501 May GM Report long version.pub - Idaho Public Television
110501 May GM Report long version.pub - Idaho Public Television
110501 May GM Report long version.pub - Idaho Public Television
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Inside this issue<br />
�� Quotes, Page 1<br />
The latest Buzz<br />
on <strong>Idaho</strong>ptv.org<br />
Past <strong>GM</strong> <strong>Report</strong>s<br />
�� <strong>Idaho</strong>PTV Receives<br />
Edward R. Murrow<br />
Award, Page 1<br />
�� The Buzz, Page 2<br />
�� <strong>Idaho</strong>PTV People<br />
Updates, Page 5<br />
�� Our <strong>Idaho</strong>PTV<br />
Productions, Page 6<br />
�� Behind the Stories,<br />
Page 6<br />
�� DIALOGUE, Page 7<br />
�� <strong>Public</strong> <strong>Television</strong> in the<br />
News, Page 8<br />
Note: This edition has been expanded to include video. You will need Adobe Player 9.<br />
http://get.adobe.com/reader/<br />
Quotes<br />
“I’m running out of words to describe the photos on this website. I've gotta revert to speechless<br />
grading: A+.”<br />
Kent Schmidt via Facebook<br />
Checkout this month’s Iconic <strong>Idaho</strong> picture winners at: http://www.facebook.com/media/set/?<br />
set=a.10150177585030688.327214.37425870687<br />
“I just wanted to spend a minute and thank Penny Traylor and Kelly Hagans for<br />
keeping All About Adventures in your <strong>Idaho</strong> <strong>Public</strong> <strong>Television</strong> fund‐raising<br />
campaign.<br />
The way the campaign is managed is awesome, allowing for TRADE‐OUT makes<br />
it work for me! I have reaped the fruit of your broadcasts and all the time<br />
people remark to me that see my company advertised where they like to<br />
watch.<br />
I find this opportunity one of the best pieces of business I do. Being a child of Sesame Street, ZOOM!<br />
and NOVA, and all the rest, that makes me feel great! Great job!<br />
Please share my thoughts with your Board of Directors.”<br />
Signed, Ken Barrett, President/Founder/Outfitter, All About Adventures, Sandpoint<br />
<strong>Idaho</strong>PTV Receives Edward R. Murrow Award<br />
I’m very proud to let you all know that Outdoor <strong>Idaho</strong> has been awarded a<br />
prestigious regional Edward R. Murrow award for its documentary entitled<br />
“Wilderness in the 21st Century.“<br />
The Radio <strong>Television</strong> News Digital News Association made the announcement in April<br />
that Outdoor <strong>Idaho</strong>’s production “Wilderness in the 21st Century” (October 2010)<br />
received this distinction in the Video News Documentary Category.
idahoptv.org<br />
<strong>Idaho</strong>PTV is the only <strong>pub</strong>lic television station in the Northwest (Washington, Oregon, Montana and Alaska) to<br />
receive this honor this year, and only one of two <strong>pub</strong>lic television stations nationwide to be awarded regional<br />
distinctions.<br />
You can watch Wilderness in the 21st Century at: http://video.idahoptv.org/video/1622555196<br />
Congratulations go to the Outdoor <strong>Idaho</strong> team!<br />
GENERAL MANAGER’S REPORT<br />
—On Thursday, April 28, <strong>Idaho</strong>PTV received notification from the Corporation for <strong>Public</strong><br />
Broadcasting denying our early April 2011 request for special financial assistance to<br />
comply with the Federal Communications Commission (FCC) and Federal Emergency<br />
Management Agency (FEMA) mandates regarding Emergency Alert Service. To implement this mandate will cost<br />
<strong>Idaho</strong>PTV $121,000 in new equipment. In conversations with CPB, they indicated that expenses to implement EAS<br />
are viewed as “regular operating costs” and do not warrant their support. They also indicated that with Congress<br />
recently eliminating all equipment funds for both CPB and the <strong>Public</strong> Telecommunications Facilities Program, they<br />
must conserve the remaining funds for future, critical initiatives.<br />
This marks the fourth time that an entity that receives federal funds has turned down <strong>Idaho</strong>PTV’s request for<br />
assistance. In addition, the 2010 and 2011 <strong>Idaho</strong> legislative budget process has not resulted in any support from<br />
the state of <strong>Idaho</strong>.<br />
According to <strong>Idaho</strong>PTV’s attorneys, failure to comply with this mandate by September 30, 2011, typically results in<br />
initial fines totaling $8,000 per transmitter, which would total in our situation $40,000.<br />
We continue to weigh various options and will keep you fully apprised.<br />
—Keep your eyes open for an <strong>Idaho</strong>PTV fiscal year end fund raising announcement at www.idahostatesman.com .<br />
We appreciate the <strong>Idaho</strong> Statesman’s support toward this important effort! Getting the word out about our fiscal<br />
year end membership campaign is essential to achieving our overall goal in these challenging economic times.<br />
PAGE 2<br />
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GENERAL MANAGER’S REPORT<br />
—Just a reminder The Color of Conscience will air on Wednesday, Wednesday, <strong>May</strong><br />
25, at 7:00 p.m. MT/PT and in HD at 8:00/7:00 p.m. and 11:00/10:00 p.m. MT/PT.<br />
As outlined in last month’s <strong>GM</strong> <strong>Report</strong>, this new, hour‐<strong>long</strong> documentary,<br />
produced by Marcia Franklin and directed by Jay Krajic, explores the story of a<br />
group of activists in northern <strong>Idaho</strong> who mobilized to oppose the Aryan Nations, a white supremacist/neo‐Nazi<br />
group that set up a compound near Hayden, <strong>Idaho</strong>, in the 1970s.<br />
Using archival footage dating back 25 years, as well as interviews with human rights leaders, victims of prejudice<br />
and hate crimes, and a former neo‐Nazi skinhead, Franklin looks not only at the history of <strong>Idaho</strong>’s modern human<br />
rights movement, but also at challenges that still lie ahead. Those include the resurgence of hate groups, the debate<br />
over gay rights, the complex issue of immigration reform, and, most significantly, the potential for bias and<br />
prejudice in every person.<br />
—In late April, Outdoor <strong>Idaho</strong> started the process of shooting for a new major<br />
documentary look at <strong>Idaho</strong>’s geology, airing next March. They will attempt to tell<br />
the story of <strong>Idaho</strong>’s remarkable geology by using geologists and recreationists.<br />
Executive Producer Bruce Reichert reports “we hiked into an area in the<br />
Owyhees…about a mile from a dirt road, then down about 700 feet into a<br />
rhyolite canyon created by a small, but active creek called Succor Creek. The<br />
kayakers have named this little area ‘Scary Canyon.’<br />
We took top videographers…and then there was me with my little hand‐held camera, to document our efforts for<br />
social media.”<br />
—Above are just a few of the winning entries from this year’s PBS Go Writers Contest.<br />
The 17th annual Writers Contest has brought out the best in hundreds of <strong>Idaho</strong> students this year.<br />
Children in Kindergarten through 3rd grade shared true stories and imagined events. They wrote of friends and fun,<br />
animals and adventures, and princesses and pets. Illustrations brought the stories to life, enhancing the words in<br />
different styles — crayons, watercolor, photos, and even a 3‐D pop up entry.<br />
Statewide, 35 talented students will be recognized at regional award ceremonies in <strong>May</strong>.<br />
PAGE 3<br />
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idahoptv.org<br />
GENERAL MANAGER’S REPORT<br />
All winning stories — from KUID, KAID and KISU — appear on the <strong>Idaho</strong>PTV Web site ( http://www.idahoptv.org/<br />
kids/writerscontest.html ).<br />
Kindergarten<br />
First Place: Shayla Johnson, Bonners Ferry; Bradyn Hamel, Star; Grace Morrissey, Pocatello.<br />
Second Place: Maggie Russell, Sandpoint; Jasmine Zelenka, Twin Falls; Emma Tribe, Rupert.<br />
Third Place: Rachel Johnson, Bonners Ferry; Marcus Staffen, Jerome.<br />
First Grade<br />
First Place: Donnovan Machhour, Nezperce; Jake Simon, Hailey; Ella Rhinehart, <strong>Idaho</strong> Falls.<br />
Second Place: Jillian Lux, Nezperce; Jacob Simonson, Twin Falls; Kylie Nigbur, <strong>Idaho</strong> Falls.<br />
Third Place: Elliet Ingram, Meridian; Sera Durtschi, <strong>Idaho</strong> Falls; Dawson Teats, Lewiston.<br />
Second Grade<br />
First Place: Teagan Kramasz, Lewiston; Toren Sarsen, Boise; Madeline Moody, <strong>Idaho</strong> Falls.<br />
Second Place: Breanna Nine, Lewiston; Frances Chai, Meridian; Mya Tate, Pocatello.<br />
Third Place: Emilee McVey, Lewiston; Danny Cochrane, McCall; Whitney Gibbons, Rupert.<br />
Third Grade<br />
First Place: Topher Jacobus, Moscow; Zoe Simon, Hailey; Joseph Morrissey, Pocatello.<br />
Second Place: Callie Bernatz, Lewiston; Emily Zelenka, Twin Falls; Kate Wilson, Rupert.<br />
Third Place: Ashley Dominy, Lewiston; Solen Sheirbon, Boise; Jacoby Castro, Rupert.<br />
<strong>Idaho</strong> <strong>Public</strong> <strong>Television</strong> would like to thank the people and supporters who make this contest possible: Garden<br />
City Library, Cotton Tree Inn (Pocatello), Kiwanis Clubs of north <strong>Idaho</strong>, and our fantastic judges: Terry Armstrong,<br />
Susan Steele, Ruthie Nellis, Cindy Barnhart, and Tricia Nelson.<br />
—On Friday, April 16, <strong>Idaho</strong> <strong>Public</strong> <strong>Television</strong> partnered once again<br />
with the <strong>Idaho</strong> Museum of Natural History to offer Science Trek, a<br />
special overnight science adventure for children. More than 110<br />
children participated this year.<br />
We would like to thank the scientists who donated their time and<br />
energy, <strong>Idaho</strong> State University, the Union Pacific Foundation, and<br />
McDonald’s in Pocatello for their extra support to make this year’s event a success. This amazing program is also<br />
made possible by the generous support of these many businesses and donors including Dr. Peter & Margie Reedy,<br />
Pocatello Eye Care, Intermountain Gas Company, Rotary Club of Pocatello, Kiwanis Club of Pocatello, Golden<br />
Valley Natural, Sign‐O‐Rama and Pizza Hut.<br />
PAGE 4
idahoptv.org<br />
GENERAL MANAGER’S REPORT<br />
—On Tuesday, April 26, the City Club of Boise presented the<br />
2011 Dottie and Ed Stimpson Award for Civic Engagement<br />
to the Owyhee Initiative participants, a diverse group of<br />
ranchers, Native Americans, conservationists and<br />
government officials who crafted the underpinnings of the<br />
first <strong>Idaho</strong> wilderness bill to pass Congress in nearly 30 years. <strong>Idaho</strong> <strong>Public</strong> <strong>Television</strong> was there providing the<br />
assembled group of more than 125 people a view of the Owyhees from our Outdoor <strong>Idaho</strong> documentary on the<br />
subject, “Canyonlands Calling.” http://video.idahoptv.org/video/1781286439<br />
The Owyhee Initiative participants exemplified City<br />
Club's spirit of civil discourse by bringing together<br />
people with diverse viewpoints to protect wild<br />
lands and wild rivers in a way that Owyhee County<br />
ranchers and commissioners can embrace. Here<br />
are a few pictures from the event.<br />
(Pictured Top Left)<br />
Mikel Ward;<br />
(Bottom Left to Right)<br />
Marty Peterson; Peter<br />
Morrill, Pam Ahrens<br />
and Jerry Evans;<br />
members of the<br />
Owyhee Initiative.<br />
<strong>Idaho</strong>PTV People<br />
Updates<br />
—It is my pleasure to announce the hiring of a new member of the engineering staff has<br />
been completed and Andy Miles has accepted the challenge. Many of you already know<br />
Andy as a member of the Boise part‐time production crew. This will serve him well in the<br />
transition into engineering for he is already familiar with the way we run support to that end.<br />
Andy is a BSU alum and has his Bachelor’s degree in Broadcast Technology. Andy really<br />
stepped up and helped us out immensely during Festival running engineering support and audio. For those of you<br />
that haven’t met Andy, he’ll be the new friendly face that you’ll soon get accustom to seeing around here every day.<br />
Welcome Andy!<br />
PAGE 5<br />
—As I reported last month, former KAID Station Manager and Outreach Manager Lynn<br />
Allen died in April. I’ve included her <strong>Idaho</strong> Statesman obituary in the News Section<br />
below. I was asked by the family to speak at her memorial service on <strong>May</strong> 1. You can<br />
read my speech at:<br />
http://www.idahoptv.org/about/speeches/LynnAllenMemorial_30April2011.doc
idahoptv.org<br />
Behind the Stories<br />
GENERAL MANAGER’S REPORT<br />
<strong>Idaho</strong>’s Boat Builders…It’s Definitely a Labor of Love<br />
To air <strong>May</strong> 19th & 22nd<br />
By Bruce Reichert, Executive Producer<br />
<strong>May</strong> 3, 2011<br />
If you know folks who have built a wooden boat from scratch, you already know how passionate they are, and<br />
how committed they are to the small details.<br />
Pat Metzler, the director of Outdoor <strong>Idaho</strong>, is just such a person, and he was the perfect one to work on “Boat<br />
Builders.” Pat himself is an accomplished carpenter who understands how much effort can go into working with<br />
wood. “There’s just something about the feel and the look of wood that nothing else can match,” he says.<br />
When producer John Crancer and Pat built our 2010 award‐winning, hour‐<strong>long</strong> show, “Wooden Boats, Wondrous<br />
Lakes,” we were impressed. Little did we know that there was another show to be had in the unused parts on the<br />
proverbial cutting room floor. It took a few more interviews and a few more angles, but the resulting half hour<br />
show airing <strong>May</strong> 19th is a tribute to Pat’s eagerness and persistence to tell that story.<br />
“You’ll see some of the earliest recorded boat builders in <strong>Idaho</strong>,” says Pat, “covering trips dating back to the 1920s<br />
and ‘30s on the Middle Fork and Main Salmon. And you’ll meet the modern boat builders, too, who maintain and<br />
restore these treasures.”<br />
In other words, there’s a <strong>long</strong> tradition of wooden boats on <strong>Idaho</strong> waters. In the past we’ve concentrated on the<br />
finished product. With this show we shine the light on the ones who build, repair, and refurbish these remarkable<br />
works of art.<br />
PAGE 6
idahoptv.org<br />
After Bin Laden<br />
GENERAL MANAGER’S REPORT<br />
—Airs Thursday, <strong>May</strong> 12, at 8:30/7:30 p.m. MT/PT<br />
—Repeats Sunday, <strong>May</strong> 15, at 5:30/4:30 p.m. MT/PT<br />
—See it in HD Thursday, <strong>May</strong> 12, at 9:30/8:30 p.m. MT/PT and Sunday, <strong>May</strong> 15, at<br />
8:30/7:30 p.m. MT/PT (High Definition, digital Sub‐Channel 2)<br />
How much of an impact will the death of Osama bin Laden have on terrorism threats to the U.S.? How will it the<br />
change U.S. relations with Pakistan? How significant a role did bin Laden play in al‐Qaeda. Host Joan Cartan‐Hansen<br />
speaks with the foreign policy experts about the aftermath of bin Laden’s death. Cartan‐Hansen’s guests include<br />
Sean Anderson, Professor Political Science and Director of International Studies at <strong>Idaho</strong> State University, Greg<br />
Raymond, the Chair at the Frank Church Institute at Boise State University and Bill Smith, Director of the Martin<br />
Institute at the University of <strong>Idaho</strong>. Viewers are encouraged to call in with their questions.<br />
Photojournalist Paola Gianturco<br />
—Aired <strong>May</strong> 5 at 8:30/7:30 p.m. MT/PT<br />
Host Joan Cartan‐Hansen interviewed photojournalist Paola Gianturco about her book, Women Who Light the Dark.<br />
Gianturco spent months documenting the lives of women in 15 countries on five continents. Their stories and her<br />
stunning photographs are showcased in her latest book.<br />
Gianturco has chronicled women’s lives in 55 countries and has created four books as philanthropic projects. Many<br />
of her subjects have been the victims of violence, inequality and poverty. Her images have been exhibited at the<br />
United Nations, the U.S. Senate, numerous museums, and the Smithsonian Folklife Festival in Washington D.C. She<br />
has appeared on The Oprah Winfrey Show, CNN and NPR. Her pictures have been <strong>pub</strong>lished in Harpers Bazaar, the<br />
New York Times and the Washington Post.<br />
Captured by the Taliban<br />
—Aired April 28 at 8:30/7:30 p.m. MT/PT<br />
Host Marcia Franklin talked with journalist Jere Van Dyk about the 45 days he spent as a<br />
captive of the Taliban in Afghanistan in 2008.<br />
A veteran international reporter, Van Dyk has traveled to Afghanistan many times since the<br />
1970s. He was captured trying to find some of his original mujahideen contacts from the 1980s. His account of his<br />
experience and eventual release is detailed in his book, Captive.<br />
Franklin and Van Dyk talked about the conditions of his captivity, the difference in his view between the Taliban and<br />
al‐Qaeda, and his thoughts on America’s military presence in Afghanistan. He also discussed what has drawn him to<br />
that country for so many years, despite the danger. In a Web extra, Van Dyk discusses the case of U.S. soldier Bowe<br />
Bergdahl of Hailey, captured by the Taliban in June 2009.<br />
PAGE 7
idahoptv.org<br />
Salmon Recovery<br />
—Aired April 21 at 8:30/7:30 p.m. MT/PT<br />
GENERAL MANAGER’S REPORT<br />
<strong>Idaho</strong> <strong>Public</strong> <strong>Television</strong> discussed the Pacific Northwest salmon population as a<br />
federal judge prepared to hear oral arguments on recovery plans for the fish,<br />
including the <strong>Idaho</strong> sockeye.<br />
Host Joan Cartan‐Hansen previewed the issues before the court and discussed the current state of salmon<br />
recovery in the Pacific Northwest with her guests.<br />
Cartan‐Hansen’s guests included Tom Stuart, an <strong>Idaho</strong> Rivers United board member, and Boise resident Jim<br />
Norton, the writer/producer of “Salmon: Running the Gauntlet.” The documentary aired on <strong>Idaho</strong> <strong>Public</strong><br />
<strong>Television</strong> on <strong>May</strong> 1 at 8:00 p.m. MT/PT as part of PBS’ Nature series.<br />
After decades of litigation, Federal District Judge James Redden is poised to consider recovery plans for<br />
endangered salmon. Today, many Pacific Northwest salmon populations are already extinct, and several others,<br />
including the <strong>Idaho</strong> sockeye, are endangered. Fish hatcheries across the region, including <strong>Idaho</strong>, have become<br />
surrogates for rivers and streams, incubating salmon eggs and carefully controlling their reproduction.<br />
<strong>Public</strong> <strong>Television</strong> in the News<br />
Students from across the region win writing awards<br />
Posted: Friday, <strong>May</strong> 6, 2011 7:30 am<br />
Ten students from the Magic and Wood River valleys are winners in the <strong>Idaho</strong> <strong>Public</strong> <strong>Television</strong> regional PBS KIDS<br />
GO! Writers contests.<br />
Students from Twin Falls, Jerome and Hailey will be honored Saturday at a ceremony at 2 p.m. at the Garden City<br />
Library, 6015 Glenwood St. in Garden City. At the same time, students from Rupert will receive awards for their<br />
region at the Best Western Cotton Tree Inn, 1415 Bench Road in Pocatello.<br />
For southwest <strong>Idaho</strong>:<br />
Hailey students Jake and Zoe Simon each captured first‐place honors. Jake's story "Adventure of Robupiter"<br />
topped the first‐grade category. Zoe's story "The Amazing Bird" topped the third‐grade category.<br />
From Twin Falls, Jasmine Zelenka took second place in the kindergarten category with "One Hundred Princesses<br />
and a Prince," Jacob Simonson claimed second place in the first‐grade category with "The Habitator," and Emily<br />
Zelenka captured second place in the third‐grade category with "The Story of Dumpling."<br />
Marcus Staffen of Jerome won third place in the kindergarten category with "Alien Book."<br />
PAGE 8
idahoptv.org<br />
For southeast <strong>Idaho</strong>:<br />
GENERAL MANAGER’S REPORT<br />
Emma Tribe won second place in the kindergarten category with "Hazy & Hobo," Whitney Gibbons won third place<br />
in the second‐grade category with "The Dream Boy," Kate Wilson won second place in the third‐grade category with<br />
"Slower Than a Snail," and Jacoby Castro won third place in the third‐grade category with "The Worst Family<br />
Picture." All four students are from Rupert.<br />
All contestants statewide wrote stories illustrated with at least five pictures and submitted the entries to the<br />
<strong>Idaho</strong>PTV station in their region. Stories are judged on originality, creative expression, storytelling and integration of<br />
text and pictures.<br />
At the award ceremonies, students will read their stories aloud and receive certificates and donated prizes.<br />
This is the 17th year that <strong>Idaho</strong>PTV's three regional stations ‐ KUID/Moscow, KISU/Pocatello and KAID/Boise ‐ have<br />
participated in an annual student writers contest. The competition encourages students in kindergarten through<br />
third grade to pair their stories with original illustrations to create their own literary works.<br />
All winning stories from each region of <strong>Idaho</strong> will be available during the coming weeks for viewing on the <strong>Idaho</strong>PTV<br />
website, idahoptv.org/kids.<br />
Copyright 2011 Magicvalley.com. All rights reserved. This material may not be <strong>pub</strong>lished, broadcast, rewritten or<br />
redistributed.<br />
WMFE: Did <strong>pub</strong>lic broadcaster give enough warning about TV problems?<br />
By Hal Boedeker, Orlando Sentinel<br />
April, 28 2011 10:11 AM<br />
http://blogs.orlandosentinel.com/entertainment_tv_tvblog/2011/04/wmfe‐did‐<strong>pub</strong>lic‐broadcaster‐give‐enough‐<br />
warning‐about‐tv‐problems.html<br />
In January, <strong>pub</strong>lic broadcaster WMFE sent a letter asking backers for financial contributions. “Your support is critical.<br />
Now more than ever,” Jose Fajardo, WMFE’s president and CEO, wrote.<br />
But WMFE didn’t explain how dire it considered the situation for Channel 24, which airs PBS programs. WMFE’s<br />
announcement on April 1 that it is selling the station took many <strong>long</strong>time supporters by surprise.<br />
“Mister Rogers is probably turning over in his grave,” said David Odahowski, president and CEO of the Edyth Bush<br />
Charitable Foundation. “We all own WMFE. In fact, WMFE’s real name is Community Communications. That’s what<br />
was lacking: community communications. I can’t think of a great American city that doesn’t have a PBS station.”<br />
That’s a recurring theme in letters objecting to the sale.<br />
In a letter to the FCC, Orlando resident Michael Ashington‐Pickett, a <strong>long</strong>time Channel 24 supporter, complains:<br />
“The first knowledge that the <strong>pub</strong>lic in Central Florida had that WMFE had financial difficulties was when a report<br />
was <strong>pub</strong>lished in the local newspaper stating that the trustees for the station had signed a contract to sell WMFE to<br />
another broadcasting company! According to the report, the trustees had known about the financial difficulties for<br />
some time. For reasons known only to the trustees, their concerns were never made <strong>pub</strong>lic.”<br />
PAGE 9
idahoptv.org<br />
GENERAL MANAGER’S REPORT<br />
Lawrence D. Stephey of Winter Park writes: “The contemplation of this sale was never pre‐announced to the<br />
general <strong>pub</strong>lic by the current governing organization. Had the <strong>pub</strong>lic known, I’m sure a number of extraordinary<br />
fund‐raising campaigns would have been launched to preserve the frequency for educational use.”<br />
Fajardo has said the problems at the TV station had been unfolding over the past four years. He noted the staff<br />
reductions and loss of viewer contributions during that time.<br />
Viewers have complained that buyer, for $3 million, is Community Educators of Orlando Inc. Marcus Lamb,<br />
president and CEO of religious broadcaster Daystar <strong>Television</strong> Network in the Dallas area, is listed as group<br />
president.<br />
Stephey writes: “There is already a number of religion‐based programming television channels serving the<br />
Orlando market. Adding another at the expense of our sole educational channel could not possibly be justified by<br />
the Communications Act of 1934.”<br />
Bob Showalter, chairman of WMFE’s board of trustees, has said he heard few complaints about the sale, but one<br />
viewer wrote that he was disappointed that sale was “sprung” on the <strong>pub</strong>lic. The board will meet at 6:30 p.m.<br />
<strong>May</strong> 25 at the station, where viewers could raise objections.<br />
But objecting to the FCC, which has to approve the sale, has the most impact, and there is <strong>May</strong> 5 deadline. If you<br />
need details about registering a complaint, check my blog post.<br />
There are three informal objections to the sale with the FCC. One comes from Michael Slifker, a former editor‐<br />
director at WMFE who was laid off two years ago.<br />
PAGE 10<br />
He wrote to the FCC: “No one really owns WMFE. No one holds any stock. No one bought the station. All of its<br />
assets were donated by individuals, companies or from the government. WMFE uses Community Communications<br />
as its name, but in actuality, this is just for legal purposes. WMFE’s board of directors is chosen by the CEO. They<br />
are a lay board with no real say or involvement. It is a local community asset. They have no more right to sell it<br />
that I have to sell you the sun and the moon.”<br />
What do you think about the sale? And did WMFE give enough warning?<br />
L.A.’s KCET‐TV Sells Landmark Hollywood Studios to Church of<br />
Scientology<br />
7:01 PM 4/25/2011 by Daniel Miller<br />
UPDATED: The largest independent <strong>pub</strong>lic TV station in the country is leaving its<br />
4.5‐acre property at 4401 W. Sunset Blvd.<br />
http://www.hollywoodreporter.com/news/las‐kcet‐tv‐sells‐landmark‐181915<br />
KCET‐TV, the Los Angeles <strong>pub</strong>lic television station that split from PBS in January, has closed a deal to sell its<br />
landmark Hollywood studios to the Church of Scientology for an undisclosed sum.<br />
As a result, KCET, the largest independent <strong>pub</strong>lic TV station in the country, will leave the 4.5‐acre property at 4401<br />
W. Sunset Blvd. It is currently surveying the Los Angeles area for new studio space.
idahoptv.org<br />
GENERAL MANAGER’S REPORT<br />
PAGE 11<br />
“This is part of the new era for KCET; this is part of the second stage of the transformation of KCET from an affiliate<br />
of PBS to an independent media center,” KCET president and CEO Al Jerome told The Hollywood <strong>Report</strong>er. “We are<br />
in active discussions with several facilities. We are looking for the right environment for our future.”<br />
The station will remain at the 300,000‐square‐foot Sunset Boulevard facilities, which date to 1912 and have been<br />
home to several movie studios, for as <strong>long</strong> as a year before moving to new digs. Jerome said the station’s next<br />
headquarters will likely be a “little bit smaller” than its current property.<br />
The Church of Scientology plans to use the property ‐‐ which includes two sound stages, post‐production facilities<br />
and offices ‐‐ for the production of videos and other content, according to a statement issued by the group. It will<br />
use the property’s existing satellite uplink to transmit high definition video to its facilities around the world. The<br />
organization is already a large property owner in Hollywood and owns several other historic properties in the area,<br />
including four notable buildings on Hollywood Boulevard.<br />
“It is a perfect fit, in both size and location, for the expansion of the Church of Scientology’s production of religious<br />
and social betterment audiovisual properties, and we welcomed the unexpected opportunity to acquire it,” the<br />
group said in a statement.<br />
Los Angeles City Councilman Tom LaBonge, whose district includes the property, has expressed concern over a<br />
change in the facility’s use.<br />
“I hate to lose a production studio,” LaBonge told THR. “I don’t know what the intent of the new owners is. I have<br />
talked to our historic preservation people to make sure that whoever buys the property follows the guidelines.”<br />
KCET is said to face financial troubles after severing its relationship with PBS; prior to the split, the station had<br />
fought over dues with the programming provider. As a result of the change, the station no <strong>long</strong>er carries shows such<br />
as Charlie Rose and Sesame Street and has filled it schedule with news programs and documentaries. Since January,<br />
Orange County’s KOCE‐TV has operated as the local PBS outlet.<br />
Jerome wouldn’t pin the decision to sell the property on financial problems, noting that KCET planned for a dip in<br />
viewership in the aftermath of splitting from PBS.<br />
“When we left PBS in January, we knew this was a [period of] transition for us,” Jerome said. “This is the third time<br />
in the 15 years I’ve been at KCET that we’ve evaluated whether the present studio lot is the right fit for us going<br />
forward. It’s not a new issue.”<br />
The Sunset Boulevard property has functioned as a studio since it first opened and formerly housed Monogram<br />
Pictures and Allied Artists. The station purchased the site in 1970 for $800,000 and added several buildings to the<br />
property while maintaining several original brick structures. The facility was designated historic by the city of Los<br />
Angeles in 1978. Its status as a Historic‐Cultural Monument protects the property from alteration.<br />
Linda Dishman of the Los Angeles Conservancy said that the Church of Scientology should be a good steward of the<br />
property.<br />
“Given how well Scientology has maintained and restored their other historic buildings I think they will do a great<br />
job,” said Dishman, executive director of the Conservancy, a nonprofit advocacy organization that works to preserve<br />
and recognize the historic architectural and cultural resources of Los Angeles County. “I think they have a very<br />
strong preservation ethic and have demonstrated that repeatedly.”<br />
Commercial real estate broker Paul Stockwell of CB Richard Ellis Group, who represented KCET, declined to<br />
comment. Broker John Repstad of Binswanger/Realty Advisory Group, who represented the Church of Scientology,<br />
also declined to comment.
idahoptv.org<br />
GENERAL MANAGER’S REPORT<br />
Read the Church of Scientology’s complete statement on its purchase after the jump.<br />
The Church of Scientology is pleased to have acquired the historic KCET studio lot in Hollywood. At nearly 5 acres,<br />
this studio includes two sound stages, extensive post production resources and state‐of‐the‐art TV, satellite and<br />
Internet broadcasting capabilities. It is a perfect fit, in both size and location, for the expansion of the Church of<br />
Scientology’s production of religious and social betterment audiovisual properties, and we welcomed the<br />
unexpected opportunity to acquire it.<br />
This fully modern facility is just down Sunset Boulevard from our Los Angeles headquarters, within a few miles of<br />
the main offices of the Church’s global humanitarian programs and but a few blocks away from our recording<br />
studio in Silver Lake.<br />
The Church of Scientology is already well established in the audiovisual field with, as but one example, more than<br />
400 videos presenting information about the religion, its beliefs and its social betterment and humanitarian<br />
programs, all of which can be seen at www.scientology.org.<br />
This new studio is a turnkey setup that provides the Church the means to move into broadcasting for both the<br />
religion and its many social betterment and humanitarian programs. It is also ideally set up to establish a central<br />
media hub for our network of Churches around the world. Utilizing the studio’s existing satellite uplink, we will be<br />
able to provide our Churches and affiliated groups globally with instantaneous access to a wealth of content, all in<br />
high definition, ranging from the Church’s six annual international events to new educational and introductory<br />
films and even video updates for the <strong>pub</strong>lic informational displays located in Churches around the world.<br />
This new studio enables the Church to establish one of the most advanced centers used by religious broadcasters<br />
with the ability to harness 21st century broadcast technology and production power to deliver its message to the<br />
largest international audience possible.<br />
PAGE 12<br />
Established in 1912, the KCET studio lot is the <strong>long</strong>est continuously‐producing Hollywood studio. As such, the<br />
unique film and television heritage of this studio represents a legacy that the Church of Scientology is proud to<br />
carry forward. With a decades‐<strong>long</strong> tradition of historical property preservation, especially in Hollywood, the<br />
Church intends to not only maintain but enhance the rich history of this venerable studio by fully and meticulously<br />
restoring the property’s remarkable historical structures. We will now begin the planning phase for renovations<br />
and new equipment installations for the Church’s unique use so that work can commence immediately upon KCET’s<br />
move to their new facilities in the coming year.<br />
The Church’s existing state‐of‐the‐art studio, Golden Era Productions—located on 500 acres outside of Los Angeles<br />
with multiple sound stages, postproduction editing suites, numerous music and final mixdown studios and on‐site<br />
film lab—will continue to produce informational and educational films, while the new studio will concentrate on<br />
the production of television programs, short‐form information films and Internet content to further Scientology’s<br />
religious and charitable purposes.<br />
This acquisition expands the Church’s current audiovisual capabilities and enables us to move further into<br />
broadcast production, all close to our LA‐based Scientology groups and organizations. We see this facility as a<br />
great expansion opportunity for the Church and are pleased we were able to acquire it.<br />
Email: Daniel.Miller@thr.com<br />
Twitter: @DanielNMiller
idahoptv.org<br />
GENERAL MANAGER’S REPORT<br />
MASTERPIECE Executive Producer Rebecca Eaton Named One of TIME Magazine’s<br />
TIME 100<br />
April 22, 2011 (Boston, MA)—TIME has named Rebecca Eaton, executive producer of the popular drama series<br />
MASTERPIECE on PBS, to the 2011 TIME 100, the magazine’s annual list of the 100 most influential people in the<br />
world.<br />
PAGE 13<br />
“It’s an incredible privilege to be honored for doing work that I love: bringing great television drama to American<br />
audiences,” says Eaton. “This is a remarkable tribute to MASTERPIECE, our coproducers, PBS, and the viewers who<br />
watch MASTERPIECE every week.”<br />
Since taking over the helm of MASTERPIECE 25 years ago, Eaton has been responsible for such high‐profile titles as<br />
Prime Suspect, Bleak House, Little Dorrit, and the recent hits Sherlock, the new Upstairs Downstairs, and Downton<br />
Abbey, which was watched by more than 13 million people. The series—now celebrating its 40th anniversary on<br />
PBS—has won fifty‐one Emmy Awards, eighteen Peabodys, a Golden Globe, and two Academy Award nominations<br />
for the MASTERPIECE co‐production, Mrs. Brown. Eaton is credited with creating a renaissance of MASTERPIECE in<br />
2008, breaking it into three program strands (Classic, Mystery!, and Contemporary), and drawing in younger viewers<br />
with programming such as The Complete Jane Austen. Her distinguished career has earned her the official<br />
recognition of Queen Elizabeth II with an honorary OBE (Officer, Order of the British Empire).<br />
Other honorees on the TIME 100 list include President Barack Obama, actor Colin Firth, royal couple Prince William<br />
and Kate Middleton, and Facebook founder Mark Zuckerberg. The list, now in its eighth year, recognizes the<br />
activism, innovation and achievement of the world’s most influential individuals. As TIME Managing Editor Richard<br />
Stengel has said of the list in the past, “The TIME 100 is not a list of the most powerful people in the world, it’s not a<br />
list of the smartest people in the world, it’s a list of the most influential people in the world. They’re scientists,<br />
they’re thinkers, they’re philosophers, they’re leaders, they’re icons, they’re artists, they’re visionaries. People who<br />
are using their ideas, their visions, their actions to transform the world and have an effect on a multitude of<br />
people.” The full list and related tributes appear in the <strong>May</strong> 2 issue of Time, available on newsstands on Friday, April<br />
22, and now at time.com/time100.<br />
Sockeye subject of broadcast Man of the Year Nominations<br />
IPTV will discuss recovery plans for endangered salmon<br />
By :KATHERINE WUTZ<br />
Updated: April 20th, 2011 10:14 AM<br />
As a federal judge prepares to hear oral arguments on recovery plans for endangered salmon, “Dialogue” on <strong>Idaho</strong><br />
<strong>Public</strong> <strong>Television</strong> will discuss different proposals and the issues facing the court.<br />
After decades of litigation, Federal District Judge James Redden is poised to consider recovery plans for endangered<br />
salmon. Many species of salmon in the Pacific Northwest are already extinct and others, including the <strong>Idaho</strong><br />
sockeye, are endangered. Fish hatcheries across the region, including in <strong>Idaho</strong>, have become instrumental in<br />
preventing salmon extinction.
idahoptv.org<br />
GENERAL MANAGER’S REPORT<br />
Show host Joan Cartan‐Hansen will preview the issues before the court and discuss the current state of salmon<br />
recovery with expert guests. Tom Stuart, board member of <strong>Idaho</strong> Rivers United, will be joined by Boise resident<br />
Jim North, producer of the documentary “Salmon: Running the Gauntlet.”<br />
The show will air at 8:30 p.m. on Thursday, April 21, on <strong>Idaho</strong> <strong>Public</strong> <strong>Television</strong>. Viewers will be given the<br />
opportunity to ask questions by calling in on a toll‐free line, 1‐800‐973‐9800, or may submit questions via e‐mail<br />
to dialogue@idahoptv.org before the broadcast.<br />
Lynn Deskins Allen 1942 – 2011<br />
PAGE 14<br />
Lynn Deskins Allen, 68, of Boise, <strong>Idaho</strong>, passed away unexpectedly on March 28th, 2011 after a sudden illness<br />
while vacationing in Mexico. She was born in Indiana, on November 11, 1942. Lynn graduated from Leavenworth<br />
High School in Leavenworth, Kansas and received her Bachelor’s degree from the University of Kansas in 1964<br />
where she was a member of the Kappa Kappa Gamma sorority. She worked for <strong>Idaho</strong> <strong>Public</strong> <strong>Television</strong> for over 30<br />
years. She was very involved in the local Kappa Kappa Gamma chapter and other service organizations too<br />
numerable to mention. She was an avid bridge player, loved traveling and was a champion for children’s early<br />
learning. She is survived by her husband Richard (Dick) C. Allen; her children, Lisa Hettinger and Christine Henkel;<br />
her grandchildren, Anna Hettinger, <strong>May</strong>a Henkel and Even Henkel; and her brother, Charles F. Greever III. The<br />
family suggests memorials to <strong>Idaho</strong> <strong>Public</strong> <strong>Television</strong>, the Boise Women’s and Children’s Alliance, or the Kappa<br />
Kappa Gamma foundation. Her memorial will be held at 3 p.m. on April 30th at the Cathedral of the Rockies in<br />
Boise, <strong>Idaho</strong>.<br />
Read more: http://www.legacy.com/obituaries/idahostatesman/obituary.aspx?n=lynn‐<br />
allen&pid=150400996#ixzz1JyvjTcUG<br />
To serve Honolulu, PTFP helped Hawaii<br />
<strong>Public</strong> Radio put KHPR’s transmitter at<br />
Wiliwilinui and now will help it relocate it<br />
to a site that reaches more listeners and<br />
isn’t accessible only by copter. (Photo<br />
copyright by Don Mussell, consulting<br />
engineer.)<br />
PTFP expires in federal budget squeeze<br />
CPB survives, but not the facilities program<br />
Published in Current, April 18, 2011<br />
By Steve Behrens<br />
This year, St. Patrick’s Day was the deadline for <strong>pub</strong>casters to ask Uncle Sam for<br />
help replacing their ancient, failing transmitters, or for a broadcast starter set to<br />
put a new station on the air.<br />
It was also one of those days when Congress lurched toward its budget<br />
compromise — and took back the offer.<br />
Gone is the 49‐year‐old <strong>Public</strong> Telecommunications Facilities Program, a $20‐<br />
million line item in the Department of Commerce, which had been saved year<br />
after year by supporters in Congress. This time they were too busy saving PTFP’s<br />
younger and bigger sibling, CPB.
idahoptv.org<br />
GENERAL MANAGER’S REPORT<br />
PAGE 15<br />
When the two parties finally agreed on this year’s final continuing resolution, April 8, Congress had spared CPB’s<br />
basic appropriation — $430 million this year and next, plus $445 million for fiscal 2013 — though the only certainty<br />
provided by the advance appropriations was that Congress has more time to fight over them. Congress also left CPB<br />
with $6 million for digital projects, the remainder of a supplement that had been $36 million a year. Two other<br />
appropriations attached to CPB are gone but had not been expected to return anyway: a <strong>pub</strong>radio satellite outlay<br />
that was received last year and a one‐time relief payment prompted by the recession.<br />
The late‐night negotiations on Capitol Hill also saved NPR from a Re<strong>pub</strong>lican proposal to ban federal aid to the radio<br />
network.<br />
Surviving for now: Ready to Learn, the Department of Education program that may still put $27.2 million into<br />
reading readiness programs on PBS Kids. Congress didn’t kill Ready to Learn but punted the decision to the<br />
department.<br />
PTFP’s forerunner, the Educational <strong>Television</strong> Facilities Program in the Office of Education, was authorized by<br />
Congress in 1962, five years before CPB. That made sense in a way; stations had to equip themselves before they<br />
could receive operating aid from CPB. With the coming of “<strong>pub</strong>lic broadcasting,” the facilities program changed<br />
names and took in radio, too.<br />
Advocates for new stations still emphasize the point. In 2008, the FCC gave 38 noncommercial FM construction<br />
permits to Native American groups, which could double the number of <strong>pub</strong>lic stations on reservations. But private<br />
fundraising for the tribes has been harder than ever during the recession, and some of the CPs may expire before<br />
stations can be built, Loris Taylor of Native <strong>Public</strong> Media testified April 5 in the Senate Commerce Committee. And<br />
now PTFP no <strong>long</strong>er offers a shot at matching grants that would cover half or sometimes three‐fourths of a new<br />
<strong>pub</strong>lic station’s cost — and all of the cost of planning the facility.<br />
Hundreds of <strong>pub</strong>lic radio and TV stations have gotten started this way. Even with 90 percent of the U.S. population<br />
covered by <strong>pub</strong>lic radio, 30 new radio station projects and one TV station got grants last fall.<br />
“Only PTFP heps communities to establish first‐time stations,” says Jennifer Kieley, director of government relations<br />
at the Association of <strong>Public</strong> <strong>Television</strong> Stations. “Without that, they cannot get startup money.” And if the station is<br />
not started, she add, it can’t get CPB funding.<br />
Of the $20.45 million of PTFP money awarded last fall by the National Telecommunications and Information<br />
Administration, the largest categories were:<br />
� $5.1 million to build new stations and signal‐extending repeaters;<br />
� nearly half, or $9.9 million, to replace unreliable, dying or dead equipment; and<br />
� $4.3 million to convert stations to digital transmission.<br />
It’s seldom easy to fundraise for new boxes of circuitry to replace old ones, but that’s the job ahead for WERU‐FM in<br />
Blue Hill, Maine, where the transmitter is dying. “Basically, a 23‐year‐old transmitter is like a 23‐year‐old car,” says<br />
General Manager Matt Murphy. “It’s needing more and more maintenance. Parts are increasingly hard to come by.<br />
We were off half a dozen times last year for various things going wrong.”<br />
Murphy had been hoping to compete for a PTFP matching grant to pay half of the $120,000 cost of a new<br />
transmitter. Without that help, WERU will have to expand its listener fundraising 50 percent to cover the cost.<br />
“As bad as I may feel for us,” Murphy says, “I feel way worse for a station just getting started.”
idahoptv.org<br />
GENERAL MANAGER’S REPORT<br />
The community station in Waupaca, Wis., has been getting started since 1993, and organizer Mark Gerlach almost<br />
made a run for the license this year. He enjoys the Native station WOJB in northern Wisconsin and thinks it does<br />
excellent radio. “I just loved that station. Why couldn’t we do that?” he asks. Waupaca’s future station recently<br />
pinpointed an available frequency and figured it would have top priority for PTFP assistance because part of the<br />
coverage area could not yet receive any <strong>pub</strong>lic radio.<br />
Without PTFP, “it will definitely take <strong>long</strong>er now,” he says. “We think we can make a go of it.”<br />
PTFP came in especially handy during television’s DTV switchover. It helped some 280 stations to buy digital<br />
equipment, including 200 transmitters and antennas.<br />
PAGE 16<br />
The Office of Management and Budget took note: Nearly all TV stations would soon be switched over to digital<br />
operation. A budget officer therefore advised that funding PTFP was no <strong>long</strong>er justified. “In recent years, most<br />
PTFP funds have supported <strong>pub</strong>lic broadcasters’ transition to digital broadcasts. This transition is largely complete,<br />
so funds are no <strong>long</strong>er necessary.”<br />
It was one of many White House budget proposals, both Re<strong>pub</strong>lican and Democrat, that have tried to abolish<br />
PTFP.<br />
“They look around to cut something,” says Dennis Connors, retired former director of PTFP. “It’s been around for<br />
some time. They feel it has met its mission. It was an easy target.”<br />
The Obama White House is the latest to cross out PTFP’s budget line. A recent budget document suggested that<br />
CPB should pick up PTFP’s grantmaking since it also began making equipment grants during the DTV transition<br />
period.<br />
“It was pretty apparent to everybody when CPB started the fund that the [Office of Management and Budget]<br />
would keep only one of them,” says an executive familiar with PTFP. “This time [the budget office] is dead serious<br />
about closing it down.” PTFP staffers has been reassigned to other tasks at NTIA.<br />
The idea of PTFP closing down greatly concerns <strong>Idaho</strong> <strong>Public</strong> <strong>Television</strong> General Manager Peter Morrill. Rural<br />
broadcasting, like rural electrification, has required subsidy to overcome high costs per viewer. “To put in a<br />
repeater system or a full‐power transmitter in a rural situation where we have 50,000 viewers is very different per<br />
‐viewer than one transmitter that serves half a million people.”<br />
This time Congress couldn’t save PTFP. “Now it’s gone,” says Morrill. “Whether it ever comes back, we have no<br />
idea.”<br />
Comments, questions, tips? behrens@current.org<br />
Red State Home Companion<br />
By TIMOTHY EGAN<br />
The New York Times<br />
April 14, 2011<br />
http://opinionator.blogs.nytimes.com/2011/04/14/red‐state‐home‐companion/?partner=rss&emc=rss<br />
POCATELLO, <strong>Idaho</strong> – It gets pretty lonely out here on the lava beds of the Snake River Plain if you’re looking for<br />
something other than a right‐wing rant for company on the car radio. From Twin Falls to <strong>Idaho</strong> Falls, Rush<br />
Limbaugh, Sean Hannity, Laura Ingraham and Glenn Beck rule the airwaves. Beck is on two stations in Pocatello,<br />
case you missed one of his conspiracy theories.
idahoptv.org<br />
GENERAL MANAGER’S REPORT<br />
PAGE 17<br />
The <strong>pub</strong>lic airwaves that brush over this beautiful piece of high country carry a monopoly of thought — that is, until<br />
you pick up the first scratchy sounds of KISU‐FM. It’s run by a proud conservative, Jerry Miller, but he serves up<br />
something different for Eastern <strong>Idaho</strong>.<br />
You get a music program called “Potato Head Blues,” maybe some city hall news — up to 30 hours a week of home‐<br />
grown programming. On top of that, KISU‐FM delivers “Morning Edition,” “All Things Considered,” “Car Talk,” “A<br />
Prairie Home Companion” and “Fresh Air with Terry Gross” from the stellar lineup of NPR. Late at night, the crisp,<br />
authoritative tones of the BBC can be heard in the <strong>Idaho</strong> Rockies.<br />
It seems illogical that when the Re<strong>pub</strong>lican Congress took aim at <strong>pub</strong>lic radio, they were going after an audio lifeline<br />
much loved by their own constituents in Red State America.<br />
The big cities — they can take the hit. But up to 100 stations, mostly rural and small‐town, might have gone dark if<br />
the cuts from the House had survived. In a multiple‐prong attack on NPR, Re<strong>pub</strong>licans slashed funding for <strong>pub</strong>lic<br />
broadcasting, then passed an additional “emergency” bill to prohibit independent stations from using federal grants<br />
to buy NPR programs.<br />
Both cuts have been restored, for now. The amount of money at stake in targeting small stations — about $430<br />
million — would have zero effect on the budget deficit, the Congressional Budget Office reported.<br />
By comparison, the state of <strong>Idaho</strong> got $2.7 billion in taxpayer‐funded farm subsidies from 1995 to 2009, according<br />
to the excellent data system compiled by the Environmental Working Group. This at a time when crop prices are at<br />
near‐record highs and big corporate farms are flush.<br />
So why go after such a meager sum for <strong>pub</strong>lic radio, when it means so much to the least‐populated areas of<br />
America?<br />
Spite. Ideology. Choose your poison, it’s there. Some conservatives just hate <strong>pub</strong>lic radio. They think it’s elitist,<br />
snooty pants, full of borrrrrrrring civil discussions and, OMG — that 20‐minute piece on chanterelle mushrooms!<br />
Surely no one in <strong>Idaho</strong> Falls cares what the BBC World Service has to say about Ivory Coast.<br />
“I can tell you what the people in rural communities are not doing with their free time: listening to <strong>pub</strong>lic radio,”<br />
said Laura Ingraham, who comes up with such opinions from her home in the Washington, D.C., metro area. Like a<br />
lot of the Beltway magpies who flock from one partisan clack‐fest to the other without bothering with facts,<br />
Ingraham is clueless on this topic.<br />
Even with a broadcasting signal much weaker than its competitors, KISU‐FM is number six among 25 stations in<br />
morning‐drive‐time in the Pocatello region, a metro area of about 90,000, said Miller.<br />
But “the government is subsidizing entertainment and journalism,” as George Will has argued. “Is there a shortage<br />
of either?”<br />
Yes. There is. KISU‐FM carries “<strong>Idaho</strong> <strong>Report</strong>s,” the <strong>long</strong>est‐running legislative coverage program in the West. Rush<br />
Limbaugh is never going to cover the Boise statehouse — he tells them what to do.<br />
As for entertainment, ask people in Appalachian Kentucky. There, one of the poorest areas of the country is given a<br />
lift by the small federal grants that help keep local bluegrass acts and regional storytellers on the air, as my<br />
colleague Katherine Q. Seelye reported this week.<br />
Or visit one of the native villages of the Last Frontier State, where Alaska <strong>Public</strong> Radio serves 330 communities in an<br />
area the size of Ohio. That’s why Don Young, the Re<strong>pub</strong>lican Congressman, is against eliminating money that is so<br />
vital to keeping rural areas in the national conversation.
idahoptv.org<br />
GENERAL MANAGER’S REPORT<br />
PAGE 18<br />
Like most <strong>pub</strong>lic radio stations, KISU gets by on the usual on‐air begging, community support and help from the<br />
local college. But nearly 25 percent of its budget comes from a grant from the Corporation for <strong>Public</strong> Broadcasting.<br />
Take that away — as Congress tried to do, and still plans to do in future budget fights — and Miller knows where<br />
he’ll be.<br />
“Out on the street begging like Oliver with my tin cup,” he said in an interview. Still, he wishes he didn’t need a<br />
dime from the taxpayers.<br />
“I’m a conservative,” he said. “I have a political philosophy that leans to the right. I know when I hear slanted<br />
reporting — and I do hear it sometimes on NPR. But on the whole, it’s very balanced and detailed.”<br />
The current vendetta against <strong>pub</strong>lic radio was whipped up by a heavily edited sting video of an NPR fundraiser,<br />
Ronald Schiller, who called Tea Party members “scary” and “racist” in speaking to a man posing as a donor. And, in<br />
a perfect parody of a liberal, this executive told the fake Muslim about the joys of Madeira wines.<br />
“This tells us something about the internal culture of NPR,” said Rep. Steve King of Iowa. <strong>May</strong>be. But it tells us<br />
nothing about its audience. Miller knows the passion of that audience, first hand. Here in the most conservative<br />
part of the country, being informative is not the same as being liberal.<br />
So, the people the attacks on <strong>pub</strong>lic radio will hurt most are those who tend to vote Re<strong>pub</strong>lican, while listening to<br />
the best radio friend of Red State America — and see nothing inconsistent about it.