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VENICE: CITY, REPUBLIC And EMPIRE - Academy Travel

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Above: Outside Vicenza we visit Palladio’s Villa Capra (La<br />

Rotonda) – a fine country residence so named because of its<br />

completely symmetrical plan with a central circular hall<br />

Below: an early depiction of the island of San Lazzaro degli<br />

Armeni<br />

Below: the view from the Piazzetta across to the island of<br />

San Giorgio Maggiore, with its Palladian church<br />

Venice<br />

City, republic and Empire<br />

Saturday 23 March<br />

Venetian fine art<br />

This morning we visit the church of San Zaccaria, containing paintings<br />

by artists including Tintoretto, Giovanni Bellini and Tiepolo. We also<br />

take in the Carpaccio cycle at the Scuola di San Giorgio degli<br />

Schiavoni, the tombs of Venice’s doges at Santi Giovanni e Paolo, and<br />

the beautiful Renaissance marbles of Santa Maria dei Miracoli. After a<br />

break for lunch, we visit the church of the Frari and its outstanding<br />

collection of paintings and sculptures, including Titian’s celebrated<br />

Assumption of the Virgin altarpiece, painted in 1517. This evening we<br />

meet for a talk on Palladio and the Renaissance in Venice. (B)<br />

Sunday 24 March<br />

Free day<br />

The day is free to relax, explore the Lido, or undertake individual<br />

sightseeing. Those interested in modern art may like to visit the<br />

impressive Peggy Guggenheim Collection, located in one of the<br />

heiress’s residences, the 18th century Palazzo Venier. The collection<br />

includes outstanding works by Dali, Kandinsky, Pollock, Magritte,<br />

Mondrian and Picasso. (B)<br />

Monday 25 March<br />

Palladio on the terrafirma<br />

In the 16th century, amid declining trade, the Venetian aristocracy<br />

sought to recreate the life of the ancients in the countryside. We travel<br />

by coach to the mainland to enjoy a full day visiting some of Palladio’s<br />

fine country villas, all elegant variations in the classical style. We begin<br />

the day at the Villa Barbaro at Maser, where we will have an opportunity<br />

to taste the wines and sample local produce. We then continue to<br />

Vicenza, with its important civic buildings by Palladio, and the Villa<br />

Capra or La Rotonda, Palladio’s celebrated centrally-planned pleasure<br />

villa. (B, L)<br />

Tuesday 26 March<br />

Palladio in Venice<br />

This morning we travel to the nearby island of San Lazzaro degli<br />

Armeni, where we visit the convent of the Armenian monks, a centre of<br />

learning and enlightenment for Venice for hundreds of years. Byron<br />

worked alongside the monks here (on an English-Armenian dictionary),<br />

and the monastery contains an eclectic collection of ceramics, liturgical<br />

apparatus, icons and, surprisingly, Egyptian artefacts. After a lunch<br />

break in the Zattere district, we visit the Palladian churches on<br />

Giudecca, the Redentore and San Giorgio Maggiore, where we ascend<br />

the belltower for a splendid panorama over the lagoon. (B)<br />

Wednesday 27 March<br />

The Accademia and the scuola GRANDE di<br />

san rocco<br />

This morning we have a booked visit to the Galleria dell’Accademia, the<br />

main gallery of Venetian painting from the Middle Ages to the 18th

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