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National Performance Network's 2012 Annual Meeting in Philadelphia

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NPN's <strong>2012</strong> <strong>Annual</strong> <strong>Meet<strong>in</strong>g</strong> <strong>in</strong> <strong>Philadelphia</strong> Attendees / Page 1 of 115<br />

<strong>National</strong> <strong>Performance</strong> <strong>Network's</strong><br />

<strong>2012</strong> <strong>Annual</strong> <strong>Meet<strong>in</strong>g</strong> <strong>in</strong> <strong>Philadelphia</strong><br />

Attendees<br />

Last updated: Thursday, December 13, <strong>2012</strong><br />

MANUEL ACEVEDO<br />

Visual Artist<br />

4333 46th Street, Apt. F9, Sunnyside, NY 11104<br />

phone 973 207.0954<br />

m.acevedo@rcn.com<br />

Manuel Acevedo is a Bronx, NY-based multidiscipl<strong>in</strong>ary artist whose work highlights the<br />

transformation of urban spaces. He was a <strong>2012</strong> resident artist <strong>in</strong> LMCC's Arts Center at Governors<br />

Island and Round 36 at Project Row Houses <strong>in</strong> Houston, TX. His solo exhibitions <strong>in</strong>clude 2011 Made<br />

and Unmade at Cuchifritos <strong>in</strong> NYC, 2010's critically acclaimed Keys of Light presented at the Bronx<br />

River Art Center (BRAC) <strong>in</strong> NY and the Lat<strong>in</strong>o Cultural Center (LCC) <strong>in</strong> Dallas, TX. Acevedo's<br />

awards <strong>in</strong>clude the <strong>2012</strong> Bronx Recognizes Its Own (BRIO), Joan Mitchell Foundation Grant and<br />

Mid-Atlantic Foundation's Artist as Catalysts Award. Mr. Acevedo works with urban youth as an artist<br />

educator <strong>in</strong> collaboration with BRAC, Rutgers University, and Museum of Arts and Design.<br />

CHRIS AIKEN<br />

Chris Aiken and Angie Hauser<br />

Urs<strong>in</strong>us College P.O. Box 1000, Collegeville, PA 19426<br />

phone (610) 425-7672 fax 6104257672<br />

caiken@smith.edu<br />

Chris Aiken is a lead<strong>in</strong>g <strong>in</strong>ternational teacher and performer of dance improvisation and contact<br />

improvisation. His work has evolved through years of mak<strong>in</strong>g dance performances which bridge<br />

real-time composition, perceptual tun<strong>in</strong>g and aesthetic design. His perceptually based approach blends<br />

the ecological study of human be<strong>in</strong>gs and their environments with an effort to study the poetic<br />

imag<strong>in</strong>ation from a diverse range of aesthetic and cultural viewpo<strong>in</strong>ts. He calls this an eco-poetic<br />

approach to dance. He has won numerous awards for his work <strong>in</strong>clud<strong>in</strong>g a Guggenheim Fellowship and<br />

is an assistant professor of dance at Smith College and the Five College Dance Department <strong>in</strong><br />

Northampton, MA. He will premiere "Utopia Parkway" an even<strong>in</strong>g-length work with Angie Hauser <strong>in</strong><br />

<strong>2012</strong>.


ANA MARIA ALVAREZ<br />

Contra Tiempo<br />

Artistic Director<br />

246 West 38th Street, 4th Floor, New York, NY 10018<br />

phone 212-278-8111 x 313 fax 8668475956<br />

anamariaalvarezct@gmail.com<br />

NPN's <strong>2012</strong> <strong>Annual</strong> <strong>Meet<strong>in</strong>g</strong> <strong>in</strong> <strong>Philadelphia</strong> Attendees / Page 2 of 115<br />

Ana Maria Alvarez is a Cuban-American choreographer raised <strong>in</strong> the Southern United States. Alvarez<br />

studied at the North Carol<strong>in</strong>a School of the Arts and has tra<strong>in</strong>ed with the Urban Bush Women,<br />

Cutumba, Narcisco Med<strong>in</strong>a, Dr. Elenor Gwynn, Kather<strong>in</strong>e Dunham, Vic Marks and David Rousseve<br />

among others. After receiv<strong>in</strong>g a BA <strong>in</strong> Dance and Politics from Oberl<strong>in</strong> College, Alvarez moved to<br />

Brooklyn, NY. Several years alter Alvarez received her MFA <strong>in</strong> Choreography from UCLA's<br />

Department of World Arts and Cultures, and she founded CONTRA-TIEMPO Urban Lat<strong>in</strong> Dance<br />

Theater <strong>in</strong> 2005. The company's Urban Lat<strong>in</strong> Dance Theater br<strong>in</strong>gs to life voices that are not<br />

traditionally heard on the concert stage. The company builds community, facilitates dialogue and<br />

moves youth to imag<strong>in</strong>e what is possible <strong>in</strong> the world.<br />

JUAN AMADOR<br />

The Liv<strong>in</strong>g Word Project<br />

Performer<br />

c/o 1663 Mission Street, Suite 604, San Francisco, CA 94103<br />

phone 925-325-5197<br />

wonwayposibul@gmail.com<br />

JUAN AMADOR A modern day renaissance man, all around b-boy and performer, Juan's artistic<br />

resume <strong>in</strong>cludes emcee freestyle champion, DJ, educator, radio host of Th<strong>in</strong>kbeat Radio on KPFA and<br />

All Day Play FM, and actor. He began his theatrical career jo<strong>in</strong><strong>in</strong>g Pittsburg, California's Teatro<br />

L.O.C.O.S while still <strong>in</strong> high school. Other projects <strong>in</strong>clude work with La Peña's Hybrid Theater<br />

Ensemble, SF State's Playwrit<strong>in</strong>g program, Cutt<strong>in</strong>g Ball's Vanguardia showcase of experimental Lat<strong>in</strong>o<br />

playwrights, and "Who's Rhyme is it Anyway?" an improv theater troupe he created us<strong>in</strong>g freestyle rap<br />

as its focus. After years of various <strong>in</strong> house read<strong>in</strong>gs Juan f<strong>in</strong>ally hit the stage with Intersection for the<br />

Arts and Campo Santo with Block by Block and with Campo Santo/Liv<strong>in</strong>g Word Project on Tree City<br />

Legends.<br />

MYRNA ANDERSON-FULLER<br />

Hammonds House Museum<br />

Executive Director<br />

503 Peeples St. SW, Atlanta, GA 30331


phone (404) 612-0481 fax (404) 752-8733<br />

fuller2@bellsouth.net<br />

NPN's <strong>2012</strong> <strong>Annual</strong> <strong>Meet<strong>in</strong>g</strong> <strong>in</strong> <strong>Philadelphia</strong> Attendees / Page 3 of 115<br />

Myrna Fuller holds a B.A. <strong>in</strong> psychology, with a m<strong>in</strong>or <strong>in</strong> f<strong>in</strong>e arts, from Talladega College, graduate<br />

credits from New York Institute of Technology and a degree <strong>in</strong> applied arts from the Art Institute of<br />

Atlanta. Dur<strong>in</strong>g her career with Eastern Airl<strong>in</strong>es, Ms. Fuller managed a base of 2,000 flight attendants,<br />

was responsible for the 16 EAL Atlanta city ticket offices and conducted management tra<strong>in</strong><strong>in</strong>g and<br />

development to middle and upper management. She served as <strong>in</strong>terim manag<strong>in</strong>g director of the<br />

<strong>National</strong> Black Arts Festival, graphic designer and art director for Acuity, Inc., chief of staff to<br />

Commissioner Hightower, and owner of iView Graphics. She was a found<strong>in</strong>g board member of<br />

Hammonds House Museum <strong>in</strong> 1988 and transitioned off of the board <strong>in</strong> May of 2004 to serve as the<br />

executive director.<br />

MEL ANDRINGA<br />

Legion Arts<br />

Produc<strong>in</strong>g Director<br />

1103 Third Street SE, Cedar Rapids, IA 52401<br />

phone (319) 364-1580 fax 319.362.9156<br />

mel@legionarts.org<br />

ANNE H ARRASMITH<br />

Space One Eleven<br />

Found<strong>in</strong>g Director<br />

2409 2nd Avenue North, Birm<strong>in</strong>gham, AL 35203<br />

phone (205) 328-0553 fax (205) 254-6176<br />

annearrasmith@spaceoneeleven.org<br />

ANDREA ASSAF<br />

Art2Action, Inc.<br />

Founder & Artistic DirectorTampa,<br />

FL<br />

phone (413) 531-5042<br />

art2action@earthl<strong>in</strong>k.net<br />

Andrea Assaf is a writer, performer, director & cultural organizer. She's the found<strong>in</strong>g artistic director<br />

of Art2Action Inc., and a consultant with the Arts & Democracy Project. Formerly artistic director of<br />

New WORLD Theater (2004-09), and Program Associate for Animat<strong>in</strong>g Democracy (2001-04), she<br />

has a masters degree <strong>in</strong> performance studies from NYU. Recent awards <strong>in</strong>clude: FY11 NPN Creation<br />

Fund commission, 2010 Pr<strong>in</strong>cess Grace Award for direct<strong>in</strong>g, 2007 Hedgebrook residency. She serves<br />

on the board of the Consortium of Asian American Theaters & Artists (CAATA), the executive


NPN's <strong>2012</strong> <strong>Annual</strong> <strong>Meet<strong>in</strong>g</strong> <strong>in</strong> <strong>Philadelphia</strong> Attendees / Page 4 of 115<br />

committee of Alternate ROOTS, and the management committee of Women Playwrights International<br />

(WPI), and is a member of RAWI (Radius of Arab American Writers).<br />

STEPHANIE M. ATKINS<br />

<strong>National</strong> <strong>Performance</strong> Network / Visual Artists Network<br />

Resource Development Specialist<br />

PO Box 56698, New Orleans, LA 70156-6698<br />

phone 504.595.8008 ext 202 fax 504.595.8006<br />

stephanie@npnweb.org<br />

Stephanie Atk<strong>in</strong>s has been <strong>in</strong>volved with the arts for more than 24 years. Prior to work<strong>in</strong>g with NPN as<br />

Resource Development Specialist, she taught art education <strong>in</strong> the New Orleans public school system<br />

and held adjunct teach<strong>in</strong>g positions at Xavier University of Louisiana and Southern University at New<br />

Orleans. She holds a B.A. <strong>in</strong> Visual Arts from Spelman College and a M.F.A. <strong>in</strong> Pa<strong>in</strong>t<strong>in</strong>g from<br />

University of C<strong>in</strong>c<strong>in</strong>nati. Her artwork focuses on <strong>in</strong>vestigat<strong>in</strong>g the histories and present stories that<br />

def<strong>in</strong>e the female existence. She works <strong>in</strong> the <strong>in</strong>stallation format and has exhibited <strong>in</strong> Dallas, New<br />

Orleans, Baton Rouge, Atlanta, C<strong>in</strong>c<strong>in</strong>nati and Lex<strong>in</strong>gton, KY.<br />

ESTEVAN AZCONA<br />

MECA/Multi-Cultural Education and Counsel<strong>in</strong>g through the Arts<br />

Music Director/<strong>Performance</strong> Series Director<br />

1900 Kane Street, Houston, TX 77007<br />

phone (713) 802-9370 fax 713-802-9403<br />

estevan@meca-houston.org<br />

Estevan Azcona is <strong>Performance</strong> Series Director and Music Director at Multicultural Education and<br />

Counsel<strong>in</strong>g through the Arts (MECA), work<strong>in</strong>g <strong>in</strong> MECA's <strong>Performance</strong>/Residency program and<br />

AfterSchool Arts program s<strong>in</strong>ce 2010. Azcona currently also serves on NPN's Perform<strong>in</strong>g Americas<br />

curators team. He holds a Ph.D. <strong>in</strong> Ethnomusicology from University of Texas and teaches and writes<br />

on Chicano/Lat<strong>in</strong>o music culture.<br />

MELVIGN BADIOLA<br />

The Liv<strong>in</strong>g Word Project<br />

Stage Manager<br />

c/o 1663 Mission Street, Suite 604, San Francisco, CA 94103<br />

phone 415-691-5045<br />

melvignbadiola@yahoo.com


NPN's <strong>2012</strong> <strong>Annual</strong> <strong>Meet<strong>in</strong>g</strong> <strong>in</strong> <strong>Philadelphia</strong> Attendees / Page 5 of 115<br />

MELVIGN BADIOLA got his start <strong>in</strong> theater with B<strong>in</strong>dlestiff Studio work<strong>in</strong>g <strong>in</strong> the tech booth for<br />

Stories High 9. Then followed Fob Show:TNT, Stories High X, PMSTA's Love At The Time of Breast<br />

Cancer, and KulArts' Lawigan. He first popped his act<strong>in</strong>g cherry dur<strong>in</strong>g The Bakla Show. He's acted <strong>in</strong><br />

numerous productions with B<strong>in</strong>dlestiff <strong>in</strong>clud<strong>in</strong>g, The Love Edition 2: Turned On, Bakla Show 1 & 2,<br />

Good Friday, & Stories High XI & XII, also for Guerilla Rep's The Oddman Family Christwanzuhkah<br />

Spectacular at Exit Stage Left. He's also part of B<strong>in</strong>dlestiff's sketch comedy troupe, Taste Better With,<br />

which performed <strong>in</strong> this year's SF SketchFest. His last project was a short film, Viewer Discretion<br />

Advised Tape 96 with Scary Cow Productions, premiered at the Castro Theater <strong>in</strong> 2011 w<strong>in</strong>n<strong>in</strong>g<br />

numerous awards.<br />

STEVE BAILEY<br />

<strong>National</strong> <strong>Performance</strong> Network / Visual Artists Network<br />

Chief Operat<strong>in</strong>g Officer<br />

PO Box 56698, New Orleans, LA 70156-6698<br />

phone (210) 227-5867 fax (504) 595-8006<br />

steve@npnweb.org<br />

Steve Bailey is the Chief Operat<strong>in</strong>g Officer at NPN. His immediate past position was Produc<strong>in</strong>g<br />

Director of Jump-Start <strong>Performance</strong> Co. <strong>in</strong> San Antonio, Texas. He was the founder and director of<br />

24th Street Experiment Theater Company, research coord<strong>in</strong>ator for Theater Communications Group,<br />

and artist-<strong>in</strong>-residence with Teatro del Sol <strong>in</strong> Lima, Peru. Over the past thirty years, Steve Bailey has<br />

created and/or directed over fifty orig<strong>in</strong>al productions that have been presented across the U.S. and<br />

Lat<strong>in</strong> America. He is an arts educator and has worked with numerous youth and adult groups <strong>in</strong> a<br />

variety of community sett<strong>in</strong>gs.<br />

LETICIA ROSARIO BAJUYO<br />

Associate Professor of Art at Hanover College<br />

310 Broadway Street, Madison, IN 47250<br />

phone (812) 701-8832<br />

bajuyo@me.com<br />

NINA ELIZABETH BALL<br />

Lyrispect/Spoken Soul 215 The Harvest<br />

Self (perform<strong>in</strong>g artist)/Executive Producer<br />

1706 W. Girard Avenue, <strong>Philadelphia</strong>, PA 19130<br />

phone 2673207695<br />

lyrispectbook<strong>in</strong>gs@gmail.com


NPN's <strong>2012</strong> <strong>Annual</strong> <strong>Meet<strong>in</strong>g</strong> <strong>in</strong> <strong>Philadelphia</strong> Attendees / Page 6 of 115<br />

N<strong>in</strong>a 'Lyrispect' Ball is an award-w<strong>in</strong>n<strong>in</strong>g writer, spoken-word artist, actress, emcee, who has shared<br />

stages with such talent as Mos Def, Raheem DeVaughn, Julius Garvey The Last Poets, Jaguar Wright,<br />

Saul Williams &more. She has been recognized by organizations such as the NAACP, U.S. Coast<br />

Guard and Temple University. She is the recipient of the 2005 Sonia Sanchez Women's Studies award<br />

and is a 2011 grantee of the Mural Arts Program Porch Light Initiative with Yale University and<br />

Project H.OME. Lyrispect's work has been featured on two murals (both North &South Philly) as well<br />

as at The Trumpet Awards, the Shero Awards, The PMA, Academy of F<strong>in</strong>e Art and more!. She is also<br />

a program facilitator BLACK GIRLS ROCK! INC and has been an <strong>in</strong>vited guest of the The White<br />

House's 2011.<br />

TEEKA BALLAS<br />

Out North<br />

Operations Manager<br />

3800 Debarr Road, Anchorage, AK 99508<br />

phone 907-279-8099 fax 907-279-8100<br />

operations@outnorth.org<br />

Teeka Ballas started work<strong>in</strong>g as operations manager for Out North <strong>in</strong> February, <strong>2012</strong>. An<br />

award-w<strong>in</strong>n<strong>in</strong>g pr<strong>in</strong>t, web and radio journalist, Teeka has traveled extensively and covered everyth<strong>in</strong>g<br />

from hostile environments to outdoor recreation. She and a colleague started F Magaz<strong>in</strong>e, an<br />

Anchorage-based monthly arts and culture magaz<strong>in</strong>e, <strong>in</strong> 2009, and Teeka became the sole owner and<br />

publisher <strong>in</strong> 2010. The magaz<strong>in</strong>e hosts numerous statewide arts competitions like an annual art and<br />

writ<strong>in</strong>g competition for youth, and a music video competition. Ballas grew up surrounded by jazz<br />

musicians, pa<strong>in</strong>ters, actors, dancers and writers, and earned her first degree <strong>in</strong> music composition and<br />

voice before study<strong>in</strong>g journalism.<br />

MARC BAMUTHI JOSEPH<br />

Youth Speaks, Inc./ The Liv<strong>in</strong>g Word Project<br />

Artistic Director Emeritus<br />

290 Division St. #302, San Francisco, CA 94103<br />

phone (415) 255-9035 x17<br />

bamuthi@gmail.com<br />

ERIC BASS<br />

Sandglass Theater<br />

Artistic Director


PO Box 970, Putney, VT 05346<br />

phone (802) 387-4051<br />

eric@sandglasstheater.org<br />

NICK BAZO<br />

The Theater Offensive/OUT <strong>in</strong> Your Neighborhood<br />

Assistant Director of Programs<br />

565 Boylston Street, 3rd Floor, Boston, MA 02116<br />

phone 617-661-1600<br />

nick@thetheateroffensive.org<br />

NPN's <strong>2012</strong> <strong>Annual</strong> <strong>Meet<strong>in</strong>g</strong> <strong>in</strong> <strong>Philadelphia</strong> Attendees / Page 7 of 115<br />

Nick Bazo is the Assistant Director of Programs and Director of True Colors: OUT Youth Theater! at<br />

The Theater Offensive. His primary responsibility is to assist <strong>in</strong> the development and implementation<br />

of all artistic, community, and education programm<strong>in</strong>g. This <strong>in</strong>cludes identify<strong>in</strong>g and work<strong>in</strong>g with<br />

national and local artists and teach<strong>in</strong>g artists on performances, residencies, and workshops. He<br />

previously was Manager of School Programs at the Citi Perform<strong>in</strong>g Arts Center <strong>in</strong> Boston and he holds<br />

an MFA <strong>in</strong> Theater for Young Audiences from the University of Central Florida.<br />

ELISABETH BEAIRD<br />

Circuit Network<br />

Co-Director<br />

499 Alabama Street, #203, San Francisco, CA 94110<br />

phone (415) 863-2441 fax (415) 863-2160<br />

elisabethbeaird@hotmail.com<br />

Elisabeth Beaird has been co-director of Circuit Network, a San Francisco based non-profit artists'<br />

management and produc<strong>in</strong>g organization, s<strong>in</strong>ce 2006. Circuit <strong>Network's</strong> current roster <strong>in</strong>cludes Culture<br />

Clash, Cyclecide Heavy Pedal Bicycle Rodeo, Felonious hip hop theater collective, John Leanos'<br />

Imperial Silence multi-media mariachi opera, James Luna, Ruben Mart<strong>in</strong>ez, Miya Masaoka, Navarrete<br />

x Kajiyama Dance Theater (NAKA), Krist<strong>in</strong>a Wong, and Pamela Z. Circuit also serves as the fiscal<br />

sponsor and producer of the annual San Francisco Electronic Music Festival. Prior to her position with<br />

Circuit, Elisabeth was executive and adm<strong>in</strong>istrative director of The Lab, an alternative arts space <strong>in</strong> San<br />

Francisco's Mission District, from 1996 to 2005. She holds a BBA from Loyola University, New<br />

Orleans.<br />

CAROL FRANCES BEBELLE<br />

Ashé Cultural Center/Efforts of Grace, Inc.<br />

Co-Founder/Executive Director<br />

1712 Oretha Castle Haley Blvd., New Orleans, LA 70113


phone (504) 569-9070 fax 504-569-9075<br />

carol.bebelle@gmail.com<br />

NPN's <strong>2012</strong> <strong>Annual</strong> <strong>Meet<strong>in</strong>g</strong> <strong>in</strong> <strong>Philadelphia</strong> Attendees / Page 8 of 115<br />

Carol Bebelle (a.k.a. Akua Wambui), a life-long New Orleanian, spent 20 years <strong>in</strong> the public sector as<br />

an adm<strong>in</strong>istrator/planner of education, social and health programs, then became an <strong>in</strong>novative private<br />

consultant to non-profits stress<strong>in</strong>g the pivotal <strong>in</strong>fluence of culture and creativity <strong>in</strong> community<br />

development. A writer, poet and producer of many art and performance projects, she co-founded (with<br />

artist Douglas Redd) Efforts of Grace, Inc., a non-profit community cultural art organization, which<br />

runs the Ashé Cultural Arts Center on historic Oretha Castle Haley Boulevard, dedicated to the sav<strong>in</strong>g<br />

and re-development of New Orleans' rich cultural, creative and community legacy.<br />

TAD BECK<br />

380 Broadway #2M, New York, NY 10013<br />

phone (323) 363-8601<br />

tad@tadbeck.com<br />

MADELINE BELL<br />

Flynn Center for the Perform<strong>in</strong>g Arts<br />

Programm<strong>in</strong>g Manager<br />

153 Ma<strong>in</strong> Street, Burl<strong>in</strong>gton, VT 05401<br />

phone (802) 652-4540 fax 802-863-8788<br />

mbell@flynncenter.org<br />

GRETCHEN JOAN BERG<br />

Portland Ovations<br />

Director of Ovations Offstage<br />

50 Monument Square 2nd floor, Portland, ME 04101<br />

phone 207.773.3150<br />

gberg@portlandovations.org<br />

TAYLOR BERGEN<br />

Legion Arts<br />

Program Associate<br />

1103 Third St SE, Cedar Rapids, IA 52401<br />

phone 319.364.1580 fax 319.362.9156<br />

taylor@legionarts.org


NPN's <strong>2012</strong> <strong>Annual</strong> <strong>Meet<strong>in</strong>g</strong> <strong>in</strong> <strong>Philadelphia</strong> Attendees / Page 9 of 115<br />

Taylor G. Bergen is a Wiscons<strong>in</strong> native who graduated from Luther College, <strong>in</strong> Decorah, Iowa, <strong>in</strong> 2011<br />

with BA <strong>in</strong> Music. Currently, Taylor lives <strong>in</strong> Cedar Rapids, Iowa, where he has been a program<br />

associate with Legion Arts s<strong>in</strong>ce January of <strong>2012</strong>.<br />

SHANA BERGER<br />

The Coleman Center for the Arts<br />

Co-Director<br />

630 Avenue A, York, AL 36925<br />

phone 205-392-2005<br />

sberger@colemanarts.org<br />

ADAM BERNSTEIN<br />

Mid Atlantic Arts Foundation<br />

Deputy Director, Programs<br />

201 N. Charles Street, Suite 401, Baltimore, MD 21201<br />

phone 410-539-6656 x114 fax 410-837-5517<br />

adam@midatlanticarts.org<br />

RON BERRY<br />

Fusebox Festival<br />

Artistic Director<br />

400 B. W. Alp<strong>in</strong>e Rd, Aust<strong>in</strong>, TX 78704<br />

phone (512) 569-6129 fax 9738679749<br />

ron@fuseboxfestival.com<br />

TYRONE BEVERLY<br />

RedL<strong>in</strong>e<br />

Community Coord<strong>in</strong>ator<br />

2350 Arapahoe Street, Denver, CO 80205<br />

phone 303 296-4448<br />

tyronebev@yahoo.com<br />

PHILIP CHARLES BITHER<br />

Walker Art Center<br />

Senior Curator<br />

1750 Hennep<strong>in</strong> Avenue, M<strong>in</strong>neapolis, MN 55403


phone (612) 375-7624 fax (612) 375-7575<br />

philip.bither@walkerart.org<br />

EMILY WARD BIVENS<br />

The Bridge Club<br />

Artist<br />

3205 Avondale Ave., Knoxville, TN 37917<br />

phone 865-776-8685<br />

ebivens@utk.edu<br />

NPN's <strong>2012</strong> <strong>Annual</strong> <strong>Meet<strong>in</strong>g</strong> <strong>in</strong> <strong>Philadelphia</strong> Attendees / Page 10 of 115<br />

I use performance, <strong>in</strong>stallation, sculpture, video, sound and web-based art to address issues of<br />

vulnerability, temporality, <strong>in</strong>teractivity and the subversion of authorship. Aspects of my work are made<br />

to decompose dur<strong>in</strong>g an exhibition, to entrap unwitt<strong>in</strong>g viewers <strong>in</strong> video surveillance and to question<br />

the truth <strong>in</strong> biographical fiction. In addition to my solo work, I work collaboratively with The Bridge<br />

Club, a contemporary visual and performance art collaborative consist<strong>in</strong>g of artists Annie Strader,<br />

Christ<strong>in</strong>e Owen, Emily Bivens and Julie Wills. The Bridge Club's <strong>in</strong>terdiscipl<strong>in</strong>ary <strong>in</strong>stallation, video,<br />

live performance and digital media works are site- and context- specific. Each work <strong>in</strong>vestigates<br />

specific local histories, populations, contexts, stereotypes, expectations and conflicts.<br />

DEBORAH BLIN<br />

San Francisco International Arts Festival<br />

The Flood Build<strong>in</strong>g 870 Market Street, Suite 1256, San Francisco, CA 94102<br />

phone 415-399-9554 fax 415-259-5703<br />

deborah@sfiaf.org<br />

In addition to her current role with the Festival, Deborah Bl<strong>in</strong> has worked as the Box Office Manager<br />

and Market<strong>in</strong>g Assistant at Lorra<strong>in</strong>e Hansberry Theater and also as a Development Assistant at<br />

CounterPULSE both <strong>in</strong> San Francisco. Prior to settl<strong>in</strong>g <strong>in</strong> the United States she worked as Arts<br />

Adm<strong>in</strong>istrator and Tour<strong>in</strong>g Assistant for "la Charge du Rh<strong>in</strong>oceros," an established Belgian non-profit<br />

theater production <strong>in</strong>stitution <strong>in</strong> Brussels. <strong>in</strong> 2010 Deborah earned a Masters Degree <strong>in</strong> Comparative<br />

Literature/Theatre Arts with a m<strong>in</strong>or <strong>in</strong> languages at the Sorbonne University (Paris III).<br />

JOHN BOESCHE<br />

Lucky Plush Productions<br />

Projection Designer<br />

301 Olmsted Road, Chicago, IL 60546<br />

phone 773-704-0242<br />

johnboesche@mac.com


MEREDITH BOGGIA<br />

New York Live Arts<br />

Producer<br />

219 West 19th Street, New York, NY 10011<br />

phone (212) 691-6500 fax 2126331974<br />

mboggia@newyorklivearts.org<br />

CHRISTY BOLINGBROKE<br />

ODC Theater<br />

Associate Director<br />

351 Shotwell Street, San Francisco, CA 94110<br />

phone 415-863-6066, x301<br />

christy@odctheater.org<br />

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Christy Bol<strong>in</strong>gbroke is the Director of ODC Theater and is charged with its executive and artistic<br />

leadership. Prior to jo<strong>in</strong><strong>in</strong>g ODC, Christy was the Director of Market<strong>in</strong>g for the Mark Morris Dance<br />

Group. She is a former dancer, educator, Board President of the Dance Resource Center of Greater Los<br />

Angeles and a found<strong>in</strong>g member of Emerg<strong>in</strong>g Leaders for New York Arts. Christy earned a BA <strong>in</strong><br />

Dance from UCLA, is a graduate of the DeVos Institute for Arts Management Fellowship program,<br />

and is currently complet<strong>in</strong>g the certificate program at the Institute of Curatorial Practice <strong>in</strong><br />

<strong>Performance</strong> at Wesleyan University.<br />

EDWARD BOURGEOIS<br />

Alaska Native Heritage Center<br />

Director of Public Programs<br />

8800 Heritage Center Drive, Anchorage, AK 99504<br />

phone 907-330-8000<br />

ebourgeois@alaskanative.net<br />

WILL THOMAS BOWLING<br />

<strong>National</strong> <strong>Performance</strong> Network / Visual Artists Network<br />

Progam Assistant, <strong>National</strong> Programs<br />

PO Box 56698, New Orleans, LA 70156-6698<br />

phone (504) 595-8008 fax (504) 595-8006<br />

will@npnweb.org<br />

Will is a writer, performer and musician based <strong>in</strong> New Orleans, and is the co-artistic director of<br />

NOLA's Goat In The Road Productions (GRP). In addition to work<strong>in</strong>g with NPN, Will works as a


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teach<strong>in</strong>g artist <strong>in</strong> three New Orleans schools, and has taught theater and music arts <strong>in</strong>tegration for<br />

KIDsmART, and worked as the special projects manager for the New Orleans Contemporary Arts<br />

Center, an NPN Partner.<br />

MOIRA BRENNAN<br />

MAP Fund<br />

Program Director<br />

73 Spr<strong>in</strong>g Street Ste. 401, New York, NY 10012<br />

phone 212.226.1677 fax 212.226.7665<br />

moira@mapfund.org<br />

STANLYN BREVÉ<br />

<strong>National</strong> <strong>Performance</strong> Network / Visual Artists Network<br />

Program Director, NPN <strong>National</strong> Programs<br />

PO Box 56698, New Orleans, LA 70156-6698<br />

phone (504) 595-8008 fax (504) 595-8006<br />

stanlyn@npnweb.org<br />

SHARON BRIDGFORTH<br />

2275 19th Ave Apt. 11, San Francisco, CA 94116<br />

phone (512) 689-2739<br />

sharon.bridgforth@gmail.com<br />

A resident playwright at New Dramatists, Sharon Bridgforth is recipient of The Theater Offensive<br />

<strong>2012</strong> Out On The Edge Award. Pillsbury House Theatre received <strong>2012</strong> MAP Fund<strong>in</strong>g <strong>in</strong> support of her<br />

current project River See. River See is a <strong>2012</strong> <strong>National</strong> <strong>Performance</strong> Network Creation Fund Project<br />

co-commissioned by L<strong>in</strong>ks Hall, Liv<strong>in</strong>g Arts of Tulsa, Diaspora Vibe Gallery, Pillsbury House<br />

Theatre, The Theatre Offensive and NPN. Author of love conjure/blues and the Lambda Literary<br />

Award-w<strong>in</strong>n<strong>in</strong>g the bull-jean stories, RedBone Press. Bridgforth is co-editor of Experiments <strong>in</strong> a Jazz<br />

Aesthetic: Art, Activism, Academia, and the Aust<strong>in</strong> Project, University of Texas Press.<br />

HENRIËTTE JOHANNA BROUWERS<br />

Los Angeles Poverty Department<br />

Associate Director<br />

P.O. Box 26190, Los Angeles, CA 90026<br />

phone 213 413 1077 fax (917) 656-1860<br />

henribro@dds.nl


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Henriëtte Brouwers is a performer, teacher and director. She studied dance and theater <strong>in</strong> the<br />

Netherlands, corporeal mime and 'theater of the oppressed' <strong>in</strong> Paris. Henriette is the associate director<br />

of Los Angeles Poverty Department s<strong>in</strong>ce 2000 and collaborator/ producer of RFK<strong>in</strong>EKY, a<br />

community-based re-enactment of Robert F. Kennedy's 1968 trip to <strong>in</strong>vestigate poverty <strong>in</strong> Appalachia.<br />

Brouwers developed the 'Weep<strong>in</strong>g Women" performance series based on Mexican legends. She<br />

directed Pomona College students <strong>in</strong> 'Weep<strong>in</strong>g Women and War,' 'La Llorona, Weep<strong>in</strong>g Women on<br />

Skid Row' with LAPD, performed on Skid Row and at a national conference on women and poverty at<br />

Scripps College, and 'La Llorona, Weep<strong>in</strong>g Women of Echo Park' with a group of Lat<strong>in</strong>o Women <strong>in</strong><br />

Echo Park.<br />

DENISE M BROWN<br />

Leeway Foundation<br />

Executive Director<br />

1315 Walnut Street suite 832, <strong>Philadelphia</strong>, PA 19107<br />

phone 215-545-4078 fax 215-545-4021<br />

denise@leeway.org<br />

Denise Brown is executive director of the Leeway Foundation, a <strong>Philadelphia</strong>-based arts fund<strong>in</strong>g<br />

organization whose mission states: "Leeway Foundation supports women and trans artists and cultural<br />

producers work<strong>in</strong>g <strong>in</strong> communities at the <strong>in</strong>tersection of art, culture, and social change. Through our<br />

grantmak<strong>in</strong>g and other programs we promote artistic expression that amplifies the voices of those on<br />

the marg<strong>in</strong>s, promotes susta<strong>in</strong>able and healthy communities, and works <strong>in</strong> the service of movements<br />

for economic and social justice."<br />

JAMIE J BRUNSON<br />

First Person Arts<br />

Executive Director<br />

1 South Broad Street, 17th Floor, <strong>Philadelphia</strong>, PA 19107<br />

phone 267-402-2058<br />

jamiej@firstpersonarts.org<br />

ANN BRUSKY<br />

John Michael Kohler Arts Center<br />

Perform<strong>in</strong>g Arts Coord<strong>in</strong>ator<br />

608 New York Ave., Sheboygan, WI 53081<br />

phone (920) 458-6144 fax (920) 458-4473<br />

abrusky@jmkac.org


REGIE CABICO<br />

916 G Street NW, Wash<strong>in</strong>gton, DC 20001<br />

phone (917) 282-1923<br />

missbamboo@aol.com<br />

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Regie Cabico is a poet and spoken word pioneer, hav<strong>in</strong>g won the Nuyorican Poets Café Grand Slam <strong>in</strong><br />

1993 and tak<strong>in</strong>g top prizes <strong>in</strong> the 1993, 1994 & 1997 <strong>National</strong> Poetry Slams. Television appearances<br />

<strong>in</strong>clude two seasons on HBO's Def Poetry Jam. His work appears <strong>in</strong> over 30 anthologies <strong>in</strong>clud<strong>in</strong>g<br />

"Spoken Word Revolution," "The Outlaw Bible of American Poetry" and he co-edited "Poetry Nation:<br />

A North American Anthology of Fusion Poetry." The Kenyon Review recently named Regie Cabico<br />

the "Lady Gaga of Poetry" and he has been listed <strong>in</strong> BUST magaz<strong>in</strong>e's 100 Men We Love.<br />

SUZANNE CALLAHAN<br />

Callahan Consult<strong>in</strong>g for the Arts<br />

Founder<br />

1625 15th Street, NW, # 6, Wash<strong>in</strong>gton, DC 20009<br />

phone (202) 955-8325 fax (202) 955-8324<br />

callahan@forthearts.org<br />

Suzanne Callahan founded Callahan Consult<strong>in</strong>g for the Arts <strong>in</strong> 1996, which serves arts organizations<br />

and funders nationally through plann<strong>in</strong>g, fundrais<strong>in</strong>g, and evaluation. She worked with the NPN on its<br />

newly completed <strong>2012</strong> strategic plan. Her book "S<strong>in</strong>g<strong>in</strong>g Our Praises: Case Studies <strong>in</strong> the Art of<br />

Evaluation" featured NPN Partners and won a national award. She developed content for Impact Arts,<br />

AFTA's website offer<strong>in</strong>g evaluation tools for arts-social impact projects. Prior to that, she was Senior<br />

Specialist at the NEA, for choreographers, service organizations and presenters. The firm has<br />

conducted national studies on dance and/or technology for the Andrew W. Mellon Foundation, The<br />

Joyce Theater, The Pew Charitable Trusts and the Chicago Community Trust.<br />

BEN CAMERON<br />

Doris Duke Charitable Foundation<br />

Program Director for the Arts<br />

Office of Grants Adm<strong>in</strong>istration 650 Fifth Avenue, 19th Floor, New York, NY 10019<br />

phone (212) 974-7109<br />

bcameron@ddcf.org<br />

In 2006, Ben Cameron assumed his current position as program director for the arts at the Doris Duke<br />

Charitable Foundation <strong>in</strong> New York, NY. In that capacity, he supervises a $13 million grants program<br />

focus<strong>in</strong>g on organizations and artists <strong>in</strong> the theatre, contemporary dance, jazz and present<strong>in</strong>g fields.<br />

Previously, he served for more than 8 years as the executive director of Theatre Communications


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Group (TCG), the national service organization for the American nonprofit professional theater,<br />

significantly expand<strong>in</strong>g its programs, membership base and grantmak<strong>in</strong>g activities. Prior roles <strong>in</strong>clude<br />

his work as senior program officer at the Dayton Hudson Foundation, manager of community relations<br />

for Target Stores (supervis<strong>in</strong>g its grantmak<strong>in</strong>g program) and four years at the <strong>National</strong> Endowment for<br />

the Arts.<br />

BENJAMIN CAMP<br />

Team Sunsh<strong>in</strong>e <strong>Performance</strong> Corporation<br />

Artistic Director<br />

1913 S 8th St, <strong>Philadelphia</strong>, PA 19148<br />

phone 6102208550<br />

benjam<strong>in</strong>mcamp@gmail.com<br />

Benjam<strong>in</strong> Camp is an actor/creator/teacher work<strong>in</strong>g <strong>in</strong> <strong>Philadelphia</strong>, and a co-founder of the<br />

<strong>Philadelphia</strong> based physical theater company Team Sunsh<strong>in</strong>e <strong>Performance</strong> Corporation. Benjam<strong>in</strong> has<br />

also had the pleasure of work<strong>in</strong>g with Pig Iron Theater Company, Shakespeare <strong>in</strong> Clark Park, and<br />

Theater Horizon, among others. Ben attended the London International School of Perform<strong>in</strong>g Arts<br />

(LISPA), a Lecoq style graduate program <strong>in</strong> ensemble created physical theater. He is a graduate of<br />

Swarthmore College, and additionally creates and executes programm<strong>in</strong>g for adults and children.<br />

NICHOLE CANUSO<br />

Nichole Canuso Dance Company<br />

Artistic Director<br />

913 Federal Street, <strong>Philadelphia</strong>, PA 19147<br />

phone (215) 413-9083<br />

ncanuso@comcast.net<br />

Nichole Canuso founded Nichole Canuso Dance Company (NCDC) <strong>in</strong> 2004. She was a company<br />

member of Headlong Dance Theater from 1997 - 2011, and also performed with Pig Iron Theater<br />

Company and Bill Irw<strong>in</strong>. Support for her work has come from the <strong>National</strong> Endowment for the Arts,<br />

the Independence Foundation, Dance Advance, and others. Presentation of her choreography <strong>in</strong>cludes<br />

Dance Theater Workshop (NYC), The International Festival for Art and Ideas, HERE arts Center and<br />

Movement Research Exchange. Choreographic residency support <strong>in</strong>cludes at Maggie Alessee <strong>National</strong><br />

Center Choreography, Millay Colony for the Arts. Nichole is a 2011/<strong>2012</strong> recipient of a Knight Arts<br />

Challenge grant for the creation of The Garden, an immersive performance event <strong>in</strong>spired by Italo<br />

Calv<strong>in</strong>o's Invisible Cities.<br />

BRAD CARLIN<br />

Fusebox Festival


Manag<strong>in</strong>g Director<br />

400 B. W. Alp<strong>in</strong>e Rd, Aust<strong>in</strong>, TX 78704<br />

phone (512) 800-3066<br />

brad@fuseboxfestival.com<br />

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Brad is the manag<strong>in</strong>g director of the Fusebox Festival, a contemporary art and performance festival <strong>in</strong><br />

Aust<strong>in</strong>, TX. He received a masters degree <strong>in</strong> arts management from Carnegie Mellon University and a<br />

B.A. <strong>in</strong> theatre from St. Edward's University. Brad has worked <strong>in</strong> management and fundrais<strong>in</strong>g for SITI<br />

Company (NYC), Salvage Vanguard Theatre (Aust<strong>in</strong>), and the Guadalupe Cultural Arts Center (San<br />

Antonio). He is an alum of the Theatre Communications Group New Generations Fellowship,<br />

University of Texas LBJ School Strategic Management Program, and APAP Leadership Development<br />

Institute.<br />

CECE CARPIO<br />

La Peña Cultural Center<br />

Program Manager<br />

3105 Shattuck Avenue, Berkeley, CA 94705<br />

phone 510-849-2568 x11 fax 510-849-9397<br />

cece@lapena.org<br />

Cece Carpio is La Peña Cultural Center's program manager. Cece is also a visual artist that has<br />

produced and exhibited work <strong>in</strong> the Philipp<strong>in</strong>es, Fiji Islands, Cuba, Mexico, Guatemala, Nicaragua,<br />

Italy, Norway and throughout the United States. She has previously been awarded the New York<br />

Foundation of the Art Immigrant Artist Fellowship, a teach<strong>in</strong>g residency at Cafe R.E.D & La Botica<br />

Espacio Cultural at Xela, Guatemala, and is awarded an artist residency at KulArts <strong>in</strong> San Francisco.<br />

She guest lectured at New School <strong>in</strong> New York, California College of the Arts <strong>in</strong> Oakland, and has<br />

been commissioned to do work for UC Berkeley and Oakland Museum of California.<br />

MARIE CASIMIR<br />

L<strong>in</strong>ks Hall<br />

Communications Director<br />

3435 North Sheffield, Chicago, IL 60657<br />

phone (773) 281-0824 fax 773.281.1915<br />

marie@l<strong>in</strong>kshall.org<br />

ARMANDO RAMON CASTELLANO<br />

Qu<strong>in</strong>teto Lat<strong>in</strong>o<br />

Founder/Director/French horn<br />

185 Sem<strong>in</strong>ary Drive, Menlo Park, CA 94025


phone (650) 704-2949 fax 650-847-1085<br />

acastellano@qu<strong>in</strong>tetolat<strong>in</strong>o.org<br />

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Armando Castellano is a musician and bil<strong>in</strong>gual arts advocate resid<strong>in</strong>g the San Francisco Bay Area. As<br />

a teach<strong>in</strong>g artist, he has taught throughout the Bay area <strong>in</strong> both English and Spanish, from pre-school<br />

through college. As a French horn player he performs regularly <strong>in</strong> regional orchestras and spends much<br />

of his time perform<strong>in</strong>g chamber music with his ensemble, Qu<strong>in</strong>teto Lat<strong>in</strong>o, a w<strong>in</strong>d qu<strong>in</strong>tet that<br />

advocates for classical music by Lat<strong>in</strong> American and Lat<strong>in</strong>o composers through performance and<br />

education Through his family's foundation, the Castellano Family Foundation, he has worked with<br />

Lat<strong>in</strong>o organizations throughout the Bay Area deal<strong>in</strong>g with issues around education, family and the<br />

arts.<br />

TEO CASTELLANOS<br />

Teo Castellanos D-Projects<br />

Artistic Director<br />

P.O. Box 557845, Miami, FL 33255<br />

phone (786) 271-2076<br />

teocastellanos@me.com<br />

YOLANDA CESTA CURSACH<br />

Museum of Contemporary Art Chicago<br />

Associate Director, <strong>Performance</strong> Programs<br />

1640 E 50th Street, Apt 19A, Chicago, IL 60615<br />

phone (312) 397-3843 fax (312) 397-3893<br />

ycursach@mcachicago.org<br />

Yolanda programs dance, music, and theater for MCA, with a focus on creative residencies and<br />

partnerships for presentations and tours, and directs MCA's Artists Up Close series of artist-centered<br />

talks, workshops, and residencies. She serves NPN as past regional desk, International Program<br />

curator, and is honored to be a partner-elected board member. She is a Paul Harris Fellow, Rotary<br />

International's award for humanitarian work, and Judge of Election for Cook County. She is program<br />

ponsultant for Creative Capital and panelist for USArtists International, Wallace A. Gerbode<br />

Foundation, and US/Japan Creative Artists Program among others. She is founder of the League of<br />

Chicago Theaters Access Committee and chairs the Council for Bodies of Work, a festival of disability<br />

arts & culture.<br />

LEILANI C CHAN<br />

TeAda Productions<br />

Artistic Director


1653 18th St., Suite 2, Santa Monica, CA 90404<br />

phone (310) 210-5907<br />

urgr8la@gmail.com<br />

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Leilani Chan recently received a partial commission from the Center for Cultural Innovation to create<br />

"Global Taxi Driver," a transnational community-based ensemble performance explor<strong>in</strong>g immigration<br />

and mobility <strong>in</strong> the 21st century. She and her partner Ova Saopeng, are co-creators of "Refugee<br />

Nation," a nationally tour<strong>in</strong>g play about Laotian refugees <strong>in</strong> the U.S. which was commissioned through<br />

a MAP Fund and an NPN Creation Fund. Leilani is the Found<strong>in</strong>g Artistic Director of TeAda<br />

Productions (www.teada.org). As member of the Consortium of Asian American Theaters & Artists,<br />

TeAda co-hosted the 3rd <strong>National</strong> Asian American Theater Conference & Festival <strong>in</strong> L.A.<br />

H.T. CHEN<br />

Chen Dance Center<br />

Artistic Director<br />

70 Mulberry Street, 2nd fl, New York, NY 10013<br />

phone (212) 349-0126 fax (212) 349-0494<br />

htchen@chendancecenter.org<br />

H.T. Chen is a lead<strong>in</strong>g choreographer acclaimed for his dynamic fusion of the spirited energy of<br />

American modern dance and the poise of traditional and contemporary Asian aesthetics. He has created<br />

and performed over 40 works <strong>in</strong> over 100 cities and festivals <strong>in</strong> the United States, Hong Kong, Taiwan,<br />

Ch<strong>in</strong>a, and Germany. As artistic director/founder of H.T. Chen & Dancers, he has created a body of<br />

work that gives poetic voice to Asians <strong>in</strong> America. H.T. is also founder/director of Chen Dance Center<br />

School and Theater <strong>in</strong> NYC. The Theater supports dance artists through commissions, showcase<br />

opportunities and space grants.<br />

NANCY CHEN<br />

Asian Arts Initiative<br />

Program Assistant<br />

1219 V<strong>in</strong>e Street, <strong>Philadelphia</strong>, PA 19107-1111<br />

phone (215) 557-0455 ext. 221 fax (215) 557-9531<br />

nancy.chen@asianarts<strong>in</strong>itiative.org<br />

Nancy Chen jo<strong>in</strong>ed Asian Arts Initiative <strong>in</strong> March 2011 as Public Programs Assistant. She was born <strong>in</strong><br />

Beij<strong>in</strong>g, Ch<strong>in</strong>a, moved to the U.S. at age 6, and grew up <strong>in</strong> Lower Merion <strong>in</strong> the suburbs of<br />

<strong>Philadelphia</strong>. She received a B.A. with honors <strong>in</strong> English Language and Literature from the University<br />

of Virg<strong>in</strong>ia <strong>in</strong> Charlottesville, VA. She also spent a rather formative year abroad <strong>in</strong> London, some of<br />

which <strong>in</strong>volved study<strong>in</strong>g literature and art history at University College London and a lot of which


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<strong>in</strong>volved explor<strong>in</strong>g that great city ('all that mighty heart'!) and travel<strong>in</strong>g throughout Europe. Outside of<br />

work, Nancy is particularly <strong>in</strong>terested <strong>in</strong> bookmak<strong>in</strong>g, draw<strong>in</strong>g, and pr<strong>in</strong>tmak<strong>in</strong>g <strong>in</strong> various mediums<br />

(with particular fondness for <strong>in</strong>taglio/etch<strong>in</strong>g).<br />

SHERWOOD CHEN<br />

<strong>in</strong>kBoat<br />

351 Shotwell, San Francisco, CA 94110<br />

phone 4152441615<br />

sherwoodchen@gmail.com<br />

Sherwood Chen has worked as a performer with artists <strong>in</strong>clud<strong>in</strong>g Anna Halpr<strong>in</strong>, M<strong>in</strong> Tanaka, Ko<br />

Murobushi, Mar<strong>in</strong>a Abramovic, Grisha Coleman/echo::systems, Oguri, Sara Shelton Mann and Do Hee<br />

Lee. He has been a contribut<strong>in</strong>g performer to Sh<strong>in</strong>ichi Iova-Koga's <strong>in</strong>kBoat s<strong>in</strong>ce 2005. In 2009, he<br />

formed the dance collaborative Headmistress with choreographer Amara Tabor-Smith. Together they<br />

are artists-<strong>in</strong>-residence at ODC Theatre (<strong>2012</strong>-2015). Sherwood has worked with Body Weather<br />

Laboratory tra<strong>in</strong><strong>in</strong>g, <strong>in</strong>itiated by Tanaka, s<strong>in</strong>ce 1993, and was a resident member of Tanaka's<br />

<strong>in</strong>ternational performance collective Mai Juku <strong>in</strong> rural Japan <strong>in</strong> the 1990s. He creates solo and<br />

collaborative work <strong>in</strong> the US and abroad, and facilitates Body Weather Laboratory <strong>in</strong>ternationally,<br />

<strong>in</strong>clud<strong>in</strong>g <strong>in</strong> the US, Brazil and France.<br />

ELLEN CHENOWETH<br />

Dance Exchange<br />

Manag<strong>in</strong>g Director<br />

7117 Maple Ave., Takoma Park, MD 20912<br />

phone (301) 270-6700<br />

ellen@danceexchange.org<br />

Ellen Chenoweth has been with the Dance Exchange s<strong>in</strong>ce 2009 and is currently manag<strong>in</strong>g director.<br />

She has previously worked at the Kennedy Center for the Perform<strong>in</strong>g Arts and the American Dance<br />

Festival. She holds degrees from Rice and Texas Woman's University. Ellen is a member of the<br />

Takoma Park Arts and Humanities Commission and a member of the steer<strong>in</strong>g committee of the<br />

Emerg<strong>in</strong>g Arts Leaders DC. She enjoys yoga, travel<strong>in</strong>g, and support<strong>in</strong>g artists of all stripes.<br />

JENNIFER CHILDS<br />

1812 Productions<br />

Artistic Director<br />

421 N. 7th Street Suite 218, <strong>Philadelphia</strong>, PA 19123<br />

phone (215) 592-9560<br />

jen@1812productions.org


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Jennifer Childs is the Co-Founder and Artistic Director of 1812 Productions, <strong>Philadelphia</strong>'s<br />

All-Comedy Theater Company. For 1812 she has created over a dozen orig<strong>in</strong>al pieces <strong>in</strong>clud<strong>in</strong>g her<br />

solo, WHY I'M SCARED OF DANCE BY JEN CHILDS, a full-length musical about the vaudeville<br />

act The Cherry Sisters with composer James Sugg entitled CHERRY BOMB, an annual political<br />

humor show called THIS IS THE WEEK THAT IS and a series of pieces that explore an era or area of<br />

comedic history. This spr<strong>in</strong>g she will premiere her latest work, IT'S MY PARTY: The Women and<br />

Comedy Project, which comb<strong>in</strong>es clown<strong>in</strong>g, storytell<strong>in</strong>g and music to explore how women use humor<br />

differently at different stages of their lives. You can follow the project at<br />

www.womenandcomedyproject.blogspot.com<br />

EUN JUNG CHOI<br />

Da·Da·Dance Project<br />

Artistic Co-Director<br />

1740 Pierce Street, <strong>Philadelphia</strong>, PA 19145<br />

phone (917) 880-0669<br />

ejgnyc@gmail.com<br />

Eun Jung Choi, featured as one of Dance Magaz<strong>in</strong>e's 25 to Watch <strong>in</strong> <strong>2012</strong>, is a movement artist who<br />

has been work<strong>in</strong>g professionally for the past 15 years <strong>in</strong> the United States, Europe, Mexico, and Korea.<br />

She was an artist-<strong>in</strong>-residence at the Live Arts Brewery 2011-<strong>2012</strong>. S<strong>in</strong>ce 2008, she has been artistic<br />

co-director of Da·Da·Dance Project, a duet repertory dance theater and teaches at Temple University<br />

and the University of the Arts.<br />

LISA CHOINACKY<br />

Women & Their Work<br />

Operations Manager<br />

1710 Lavaca St., Aust<strong>in</strong>, TX 78701<br />

phone (512) 477-1064 fax 512-477-1090<br />

cho<strong>in</strong>acky@womenandtheirwork.org<br />

THOMAS CHOINACKY<br />

Applied Mechanics<br />

Executive Director<br />

4624 Larchwood Ave Apt 2, <strong>Philadelphia</strong>, PA 19143<br />

phone 267.207.4488<br />

thomas@appliedmechanics.us


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Thomas Cho<strong>in</strong>acky: Executive Director of Applied Mechanics. He jo<strong>in</strong>ed the company <strong>in</strong> 2009 with<br />

their piece "It's Hard Times at the Camera Blanca," performed <strong>in</strong> a Fishtown bar. He is most proud of<br />

play<strong>in</strong>g Beethoven <strong>in</strong> their epic 26 person cast "Va<strong>in</strong>glorious" which will perform aga<strong>in</strong> at PIFA this<br />

April. Cho<strong>in</strong>acky creates and devises avant-garde performance art <strong>in</strong>clud<strong>in</strong>g: "daDAda," a Dadaist<br />

play, "Never Been Stoked: A Travel<strong>in</strong>g Bromance" performed <strong>in</strong> a mov<strong>in</strong>g vehicle, and "Substance,"<br />

staged throughout his South Philly apartment. He was the <strong>2012</strong> grantee of 1812 Productions' Jill<strong>in</strong>e<br />

R<strong>in</strong>gle Solo <strong>Performance</strong> Program for his one man show "Thomas is Titanic." Cho<strong>in</strong>acky is also the<br />

producer and Co-curator of SoLow Festival.<br />

SUN MEE CHOMET<br />

1219 V<strong>in</strong>e Street, <strong>Philadelphia</strong>, PA 19107<br />

phone 215-557-0455<br />

s.chomet@gmail.com<br />

Sun Mee Chomet is a St. Paul-based actor, dancer, and playwright. She has acted with the Guthrie<br />

Theater, Hartford Stage, C<strong>in</strong>c<strong>in</strong>nati Playhouse, Repertory Theatre of St. Louis, Syracuse Stage,<br />

California Shakespeare Company, L<strong>in</strong>coln Center, Penumbra Theatre, Mu Perform<strong>in</strong>g Arts, and many<br />

other theaters nationally. As a playwright, Chomet's award-w<strong>in</strong>n<strong>in</strong>g play, "Asiamnesia," was recently<br />

published by Temple University Press <strong>in</strong> the anthology, "Asian American Plays for a New<br />

Generation." Chomet's newest play, "How to Be a Korean Woman," is a one-woman show about<br />

f<strong>in</strong>d<strong>in</strong>g her birth family. Us<strong>in</strong>g text, movement, and music, Chomet explores how this affected her<br />

sense of what it means to be a woman. She is look<strong>in</strong>g to share her show on stages nationally.Please<br />

visit www.sunmeechomet.com for more <strong>in</strong>fo.<br />

ASIMINA CHREMOS<br />

The PEW Center for Arts & Heritage<br />

Program Specialist, Pew Fellowships<br />

1608 Walnut Street - 18th floor, <strong>Philadelphia</strong>, PA 19103<br />

phone 267-350-4922 fax 267-350-4997<br />

achremos@pcah.us<br />

STEPHEN T. CLAPP<br />

Dance Place<br />

Grants Manager<br />

3225 8th Street NE, Wash<strong>in</strong>gton, DC 20017<br />

phone (202) 269-1600 fax (202) 269-4103<br />

stephenc@danceplace.org


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Stephen Clapp has been affiliated with Dance Place s<strong>in</strong>ce 2003 serv<strong>in</strong>g as Grants Manager until<br />

September 2011. He now manages Dance Place's New Releases program and is a facilitator/teacher<br />

through Dance Place's Outreach program.<br />

GRETJEN CLAUSING<br />

<strong>Philadelphia</strong> Community Access Media (Philly CAM)<br />

Executive Director<br />

699 Ranstead Street, <strong>Philadelphia</strong>, PA 19106<br />

phone 267-640-7848<br />

gretjen@phillycam.org<br />

LAURA COLBY<br />

Lucky Plush Productions<br />

Book<strong>in</strong>g Agent<br />

301 Olmsted Road, Chicago, IL 60546<br />

phone 718-797-4577 fax 718 797 4576<br />

laurac@elsieman.org<br />

JEVON LAMAR COLLINS<br />

K<strong>in</strong>g Arts Complex<br />

Act<strong>in</strong>g Perform<strong>in</strong>g Arts Director<br />

867 Mount Vernon Avenue, Columbus, OH 43203-1411<br />

phone (614) 645-0643 fax (614) 645-0672<br />

jcoll<strong>in</strong>s@k<strong>in</strong>gartscomplex.com<br />

A Columbus, Ohio native, Jevon Coll<strong>in</strong>s is <strong>in</strong> his seventh performance season at The K<strong>in</strong>g Arts<br />

Complex. In July 2011, Jevon was selected to become program director. He has served as program<br />

associate, perform<strong>in</strong>g arts assistant, box office manager and volunteer coord<strong>in</strong>ator <strong>in</strong> his tenure. Jevon<br />

created The Altruist Volunteer Newsletter and has helped to establish the Young Professionals Society.<br />

He earned a bachelor of science from The Ohio State University. Dur<strong>in</strong>g his time at Ohio State, he was<br />

president of his college organization and a student assistant at The Wexner Center for the Arts. He will<br />

serve as a panelist for the Ohio Arts Council's Susta<strong>in</strong>ability program <strong>in</strong> April 2013. Jevon is focused<br />

and committed to make a difference <strong>in</strong> the Arts <strong>in</strong> Columbus, Ohio and beyond!<br />

KIM COOK<br />

Nonprofit F<strong>in</strong>ance Fund<br />

Manager<br />

1608 Walnut Street, Suite 703, <strong>Philadelphia</strong>, PA 19103


phone 213-623-7001 x6<br />

kim.cook@nffusa.org<br />

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Kim Cook jo<strong>in</strong>ed the Los Angeles/California team of the Nonprofit F<strong>in</strong>ance Fund <strong>in</strong> <strong>2012</strong> after four<br />

years of manag<strong>in</strong>g NFF’s arts and culture <strong>in</strong>itiatives for the Mid-Atlantic and Southeastern US. Her<br />

work at NFF has <strong>in</strong>cluded conduct<strong>in</strong>g sector research projects, lead<strong>in</strong>g tra<strong>in</strong><strong>in</strong>gs and workshops,<br />

re-grant<strong>in</strong>g, writ<strong>in</strong>g for the NFF national blog, and deliver<strong>in</strong>g custom engagements to help clients craft<br />

strategy grounded <strong>in</strong> f<strong>in</strong>ancial analysis. She came to NFF after six years of consult<strong>in</strong>g and special<br />

projects that <strong>in</strong>cluded launch<strong>in</strong>g a creative economies project <strong>in</strong> collaboration with the City of San Jose<br />

and the Silicon Valley Arts Council, culm<strong>in</strong>at<strong>in</strong>g <strong>in</strong> a new festival of art and technology “ZeroOne.”<br />

Kim served as director and dramaturg for a theater project with Shailja Patel lead<strong>in</strong>g to tours <strong>in</strong> Vienna<br />

and Kenya and the 2010 publication of the book, “Migritude." Kim is an avid learner with expertise<br />

areas <strong>in</strong> strategic management, market<strong>in</strong>g communications, social enterprise, and the use of electronic<br />

media/virtual space. Ms. Cook's work <strong>in</strong> the cultural sector encompasses the roles of community<br />

convener, artistic director, strategist, and producer. She has a BA <strong>in</strong> the perform<strong>in</strong>g arts from Cal State<br />

and an MA <strong>in</strong> Arts and Consciousness from JFK University. She is a 2004-05 Kennedy Center for the<br />

Perform<strong>in</strong>g Arts/DeVos Institute Fellow.<br />

MONIQUE COURCY<br />

On the Boards<br />

OntheBoards.tv & Media Manager<br />

PO Box 19515, Seattle, WA 98109<br />

phone 206-217-9886 fax 206-217-9887<br />

monique@ontheboards.org<br />

NIKI COUSINEAU<br />

Subcircle<br />

Co-Director<br />

946 N. Randolph Street, <strong>Philadelphia</strong>, PA 19123<br />

phone 267-269-1449<br />

niki@subcircle.org<br />

CHRIS COWDEN<br />

Women & Their Work<br />

Executive Director<br />

1710 Lavaca St., Aust<strong>in</strong>, TX 78701<br />

phone (512) 477-1064 fax (512) 447-1090<br />

cowden@womenandtheirwork.org


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Chris Cowden has served as executive director of W&TW s<strong>in</strong>ce 1986 and has overseen the work of<br />

over 1,550 visual and perform<strong>in</strong>g artists. She directs all programm<strong>in</strong>g and is responsible for fiscal<br />

management, plann<strong>in</strong>g, implementation, and evaluation. Dur<strong>in</strong>g her tenure, W&TW has tripled <strong>in</strong> size<br />

and the organization ma<strong>in</strong>ta<strong>in</strong>s a national presence. W&TW was a found<strong>in</strong>g member of NPN and<br />

VAN. Cowden has served numerous times as a panelist for the NEA and the Texas Commission on the<br />

Arts and as an arts consultant. Cowden has a B.A. (Phi Beta Kappa) and M.A. <strong>in</strong> English Literature and<br />

completed all course work for a PhD. She taught English at the University of Texas. Before jo<strong>in</strong><strong>in</strong>g<br />

W&TW, Cowden served as a corporate loan officer at what is now JPMorgan Chase Bank <strong>in</strong> New<br />

York.<br />

ROBERT CROUCH<br />

LACE (Los Angeles Contemporary Exhibitions)<br />

Assistant Director<br />

6522 Hollywood Boulevard, Los Angeles, CA 90028<br />

phone (323) 957-1777 fax (323) 957-9025<br />

robert@welcometolace.org<br />

Robert Crouch is the Associate Director/Curator at LACE, where he has curated exhibitions with artists<br />

Karen Lofgren, G<strong>in</strong>a Osterloh, Steve Roden, Sean Sullivan, and Margo Victor. He also organizes<br />

LACE's performance program and has worked with a wide range of local, national, and <strong>in</strong>ternational<br />

artists <strong>in</strong>clud<strong>in</strong>g Andras Blazsek, Ezekiel Honig, Lawrence English,<br />

PJ JOHN D'AMICO<br />

RedL<strong>in</strong>e<br />

Executive Director<br />

2350 Arapahoe Street, Denver, CO 80205<br />

phone (303) 296-4448 fax 303 296-4449<br />

pdamico@redl<strong>in</strong>eart.org<br />

PJ D'Amico br<strong>in</strong>gs over 20 years of experience to the creative sector where he has served as an<br />

executive director, foundation director and advocate for creative social change at the local and national<br />

level. He received his B.S. <strong>in</strong> Political Science and M.S. <strong>in</strong> Theological Studies from Emory University<br />

and holds a Masters of Nonprofit Management from Regis University. PJ began his career work<strong>in</strong>g as a<br />

grassroots community organizer <strong>in</strong> Atlanta where he worked with the Atlanta Project and Hands On<br />

Atlanta. He went on to become the <strong>National</strong> Director of AmeriCorps Alums whose mission it was to<br />

build a national platform for civic engagement among 450,000 <strong>National</strong> Service Alumni. PJ is the<br />

Executive Director of RedL<strong>in</strong>e a creative urban labratory where arts, education and community<br />

converge.


D'LO<br />

D'LocoKid Productions<br />

Artist<br />

1021 5th Street #204, Santa Monica, CA 90403<br />

phone (310) 403-2676<br />

dlocokidla@yahoo.com<br />

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D'Lo is a queer Tamil Sri L.A.nkan-American, political theatre artist/writer, director, comedian and<br />

music producer. Aside from tour<strong>in</strong>g the university/college circuit with D'FaQTo Life (pr. defacto),<br />

D'Lo tours his 2 other solo shows : Ramble-ations: A One D'Lo Show and D'FunQT: Stand up or Die.<br />

He has toured as a collaborator with Adel<strong>in</strong>a Anthony on Talk<strong>in</strong>g Taboo which received a NPN<br />

Creation Fund award. D'Lo's latest full-length stand-up storytell<strong>in</strong>g show D'FunQT (dir. Steven Sapp)<br />

premiered <strong>in</strong> NYC and toured <strong>in</strong>ternationally (SF, Manchester, India, Sri Lanka) with support from the<br />

Ford Foundation. Currently, D'Lo is work<strong>in</strong>g on his play Boys that Pray with support from the Astraea<br />

Foundation.<br />

SHAILY DADIALA<br />

Usiloquy Dance Designs<br />

Artistic Director<br />

1317 Crease Street, <strong>Philadelphia</strong>, PA 19125<br />

phone 2673245917<br />

shaily@usiloquydance.org<br />

Shaily Dadiala is the Artistic Director of Usiloquy Dance Designs, a <strong>Philadelphia</strong> based Bharatanatyam<br />

company. Established <strong>in</strong> 2008,Usiloquy creates orig<strong>in</strong>al dance productions explor<strong>in</strong>g contemporary<br />

themes and cross cultural music while stay<strong>in</strong>g rooted <strong>in</strong> the ancient techniques of Indian Classical<br />

Dance.<br />

JERRY DANNEMILLER<br />

Wexner Center for the Arts<br />

1871 N. High St., Columbus, OH 43210<br />

phone 614-975-0946<br />

jdannemiller@wexarts.org<br />

Jerry Dannemiller works at the Wexner Center for the Arts <strong>in</strong> Columbus, Ohio. He's a recent graduate<br />

of the Institute for Curatorial Practice <strong>in</strong> <strong>Performance</strong> at Wesleyan University ('12) and served as<br />

curator of "Bebe Miller: Trac<strong>in</strong>g History" an exhibition focused on the life and work of


NPN's <strong>2012</strong> <strong>Annual</strong> <strong>Meet<strong>in</strong>g</strong> <strong>in</strong> <strong>Philadelphia</strong> Attendees / Page 26 of 115<br />

dancer/choreographer, Bebe Miller. He has programmed and presented music events over the last<br />

decade and was a music critic for NPR, the Village Voice, Salon.com, and many alternative weeklies.<br />

He also serves as a contribut<strong>in</strong>g editor for contemporaryperformance.com<br />

ADRIAN DANZIG<br />

Lucky Plush Productions<br />

Lucky PLush Dance Team Capta<strong>in</strong><br />

301 Olmsted Road, Chicago, IL 60546<br />

phone 312-371-9751<br />

adrian@500clown.com<br />

ADRIAN DANZIG (Produc<strong>in</strong>g Artistic Director, Clown) Recent credits <strong>in</strong>clude The Feast: An<br />

<strong>in</strong>timate Tempest at Chicago Shakespeare Theatre, The Seagull at Lake Lucille, and Orlando at The<br />

Court Theater, he is currently perform<strong>in</strong>g <strong>in</strong> The Better Half. He regularly performs the shows <strong>in</strong> the<br />

500 Clown tour<strong>in</strong>g repertoire: 500 Clown Macbeth, 500 Clown Frankenste<strong>in</strong>, 500 Clown Christmas,<br />

and 500 Clown Trapped. Adrian has lead workshops <strong>in</strong> physical theater, ensemble development and<br />

teamwork all around the country, and <strong>in</strong>ternationally for the past decade. work<strong>in</strong>g with disparate<br />

groups <strong>in</strong>clud<strong>in</strong>g bus<strong>in</strong>ess people, Pediatricians, tsunami relief, the deaf community, Athletes and<br />

performers. He has studied clown with Ctibor Turba, Philippe Gaulier, Ronl<strong>in</strong> Foreman, Dom<strong>in</strong>ique<br />

Jando, Els Comediants and others.<br />

LESLIE BUXBAUM DANZIG<br />

Lucky Plush Productions<br />

Co-Director<br />

301 Olmsted Road, Chicago, IL 60546<br />

phone 312-498-3665<br />

lbdanzig@uchicago.edu<br />

Leslie Buxbaum Danzig is co-director with Lucky Plush Productions and co-founder of the<br />

Chicago-based physical theater company 500 Clown, which tours regularly throughout the US. Credits<br />

<strong>in</strong>clude direct<strong>in</strong>g Redmoon's "Hunchback" at New Victory Theater (NYC) and tour<strong>in</strong>g as an actor with<br />

NYC's Elevator Repair Service. Leslie received her PhD <strong>in</strong> performance studies at Northwestern<br />

University and tra<strong>in</strong>ed <strong>in</strong> physical theater with Jacques Lecoq. She is program curator for the Gray<br />

Center for Arts and Inquiry at the University of Chicago and will be co-direct<strong>in</strong>g Redmoon's "The<br />

Elephant and the Whale" with Chicago Children's Theater this spr<strong>in</strong>g as well as collaborat<strong>in</strong>g on a new<br />

work with Lucky Plush.<br />

SHANNON DAUT<br />

Alaska State Council on the Arts


Executive Director<br />

161 Klev<strong>in</strong> Street, Suite 102, Anchorage, AK 99508-106<br />

phone (907) 269-6607 fax (907) 269-6601<br />

shannon.daut@gmail.com<br />

NPN's <strong>2012</strong> <strong>Annual</strong> <strong>Meet<strong>in</strong>g</strong> <strong>in</strong> <strong>Philadelphia</strong> Attendees / Page 27 of 115<br />

Shannon Daut is the Executive Director of the Alaska State Council on the Arts, where she leads the<br />

state's efforts to serve the citizens and communities of Alaska through the arts. Daut most recently was<br />

deputy director of the Western States Arts Federation (WESTAF). At WESTAF Daut oversaw the<br />

organization's work <strong>in</strong> the areas of cultural policy and technology. In addition, she worked closely with<br />

the state arts agency directors <strong>in</strong> the WESTAF region to help advance their work <strong>in</strong> cultural policy. She<br />

was also co-chair of the Create Denver Advisory Committee, a creative economy <strong>in</strong>itiative of the city<br />

of Denver. Daut received her bachelor's degree <strong>in</strong> Communication Arts/Film from the University of<br />

Wiscons<strong>in</strong>-Madison and her graduate degree <strong>in</strong> Communication from the University of<br />

Colorado-Denver.<br />

MARIA LOPEZ DE LEON<br />

<strong>National</strong> Association of Lat<strong>in</strong>o Arts and Culture<br />

Executive Director<br />

1208 Buena Vista, San Antonio, TX 78207<br />

phone 210-432-3982 fax 210-432-3934<br />

maria@nalac.org<br />

Maria Lopez De León is the executive director and board member of the <strong>National</strong> Association of<br />

Lat<strong>in</strong>o Arts and Cultures (NALAC). In May <strong>2012</strong>, President Obama nom<strong>in</strong>ated Ms. De León to serve<br />

on the <strong>National</strong> Council on the Arts and most recently, Ms. De Leóon was named among the nation's<br />

<strong>2012</strong> Fifty Most Powerful and Influential People <strong>in</strong> the Nonprofit Arts. Ms. De León has been with<br />

NALAC for fourteen years and has served as executive director for ten years. Ms. De León has been<br />

<strong>in</strong>volved <strong>in</strong> all aspects of development and implementation of the NALAC programs and strategic<br />

<strong>in</strong>itiatives.<br />

ALEC DE LEÓN<br />

<strong>National</strong> <strong>Performance</strong> Network / Visual Artists Network<br />

Program Specialist- Visual Artists Network<br />

PO Box 56698, New Orleans, LA 70156-6698<br />

phone 504.595.8008 x209 fax 504-595-8006<br />

alec@npnweb.org<br />

Alec De León, Program Specialist - Visual Artists Network (VAN) and <strong>National</strong> <strong>Performance</strong> Network<br />

(NPN), works with all aspects of VAN and NPN <strong>in</strong>clud<strong>in</strong>g programm<strong>in</strong>g and development. His work


NPN's <strong>2012</strong> <strong>Annual</strong> <strong>Meet<strong>in</strong>g</strong> <strong>in</strong> <strong>Philadelphia</strong> Attendees / Page 28 of 115<br />

with VAN and NPN <strong>in</strong>volves travel throughout the U.S., visit<strong>in</strong>g partner sites and attend<strong>in</strong>g national<br />

and regional meet<strong>in</strong>gs and conferences. He holds an MFA <strong>in</strong> pa<strong>in</strong>t<strong>in</strong>g from the Maryland Institute<br />

College of Art, Baltimore, MD; and a BFA <strong>in</strong> pa<strong>in</strong>t<strong>in</strong>g and draw<strong>in</strong>g from Louisiana State University,<br />

Baton Rouge, LA. His artwork has been exhibited <strong>in</strong> New Orleans, <strong>Philadelphia</strong>, New York, Baltimore<br />

and Florida. He is also the co-founder of the <strong>in</strong>fluential, yet largely unknown, psychedelic rock band,<br />

the Heatbunnies.<br />

KENT DE SPAIN<br />

512 Xenia Avenue, Aust<strong>in</strong>, TX 45387<br />

phone 512-529-5208<br />

despa<strong>in</strong>k@earthl<strong>in</strong>k.net<br />

KENT DE SPAIN is a choreographer/director/multimedia artist who has taught and toured throughout<br />

the United States, and <strong>in</strong> Lat<strong>in</strong> America, Europe, and Asia, <strong>in</strong>clud<strong>in</strong>g performances at Jacob's Pillow<br />

and Judson Church. He has been the recipient of several major awards, <strong>in</strong>clud<strong>in</strong>g the Pew Fellowship<br />

<strong>in</strong> the Arts for Choreography and an Established Choreographers Fellowship from the Pennsylvania<br />

Council on the Arts. De Spa<strong>in</strong> is widely known for his performances, documentation, and teach<strong>in</strong>g of<br />

movement and theatre improvisation, and has also written and performed extensively explor<strong>in</strong>g the<br />

<strong>in</strong>terface between movement and technology.<br />

EMMANUELLE DELPECH<br />

2117 N Howard St, New Orleans, LA 70117<br />

phone 2673043471<br />

manoche13@gmail.com<br />

RYAN N DENNIS<br />

Project Row Houses<br />

Public Art Director<br />

5251 Holman Street, Houston, TX 77004<br />

phone 7135267662 fax 7135261623<br />

rdennis@projectrowhouses.org<br />

KATHIE ELIZABETH DENOBRIGA<br />

<strong>National</strong> <strong>Performance</strong> Network / Visual Artists Network<br />

Writer/Editor<br />

PO Box 56698, New Orleans, LA 70156-6698<br />

phone 404-299-9498 fax 404-299-9498<br />

kdenobriga@m<strong>in</strong>dspr<strong>in</strong>g.com


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A found<strong>in</strong>g and current member of Alternate ROOTS, Kathie deNobriga served as ROOTS' executive<br />

director and plann<strong>in</strong>g/development director for ten years. Early careers <strong>in</strong>cluded theatre director,<br />

ensemble member, producer and presenter. She is now a consultant specializ<strong>in</strong>g <strong>in</strong> strategic plann<strong>in</strong>g,<br />

build<strong>in</strong>g organizational capacity, staff/board retreats and creative conflict engagement. Current clients<br />

<strong>in</strong>clude the GA Center for NonProfits, Appalshop and Omaha Theatre for Youth. She is also project<br />

manager for the Arts & Democracy Project. DeNobriga is Mayor of P<strong>in</strong>e Lake GA and is a certified<br />

mediator<br />

LISA DENT<br />

Creative Capital<br />

Director of Grants and Services<br />

65 Bleecker Street, 7th Floor, New York, NY 10012<br />

phone 415-577-3818<br />

lisakdent@gmail.com<br />

LORI DILLARD DILLARD RECH<br />

The Center for Emerg<strong>in</strong>g Visual Artists<br />

CEO<br />

237 South 18th Street, Suite 3A, <strong>Philadelphia</strong>, PA 19103<br />

phone 215-546-7775<br />

lori@cfeva.org<br />

Lori Dillard Rech is the CEO for the Center for Emerg<strong>in</strong>g Visual Artists, a service organization which<br />

helps artists develop viable and susta<strong>in</strong>able careers, helps emerg<strong>in</strong>g artists reach new audiences, and<br />

promotes <strong>in</strong>terest and understand<strong>in</strong>g of visual art <strong>in</strong> the community. Lori has worked <strong>in</strong> the Museum<br />

and arts related field for 22 years, <strong>in</strong>clud<strong>in</strong>g the Pennsylvania Academy of F<strong>in</strong>e Arts, Wilm<strong>in</strong>gton Art<br />

Museum, and the <strong>National</strong> Museum of American Jewish History. In addition, she was the Executive<br />

Director of the Betsy Ross House and served as the President of the Independence Seaport Museum.<br />

She holds a BA degree <strong>in</strong> Art History with a m<strong>in</strong>or <strong>in</strong> Studio Arts from the University of Florida and a<br />

MA <strong>in</strong> Museum Studies from Syracuse University. Lori also is a Board member for two local<br />

non-profits.<br />

PETER JAMES DIMURO<br />

PDM: Public Displays of Motion<br />

Creative Director<br />

826 P<strong>in</strong>e Street #3C, <strong>Philadelphia</strong>, PA 19107<br />

phone (202) 905-4662<br />

peterdimuro@gmail.com


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Peter DiMuro is a choreographer/arts engager whose latest adventure is PDM: Public Displays of<br />

Motion. PDM br<strong>in</strong>gs artists, audiences and communities together <strong>in</strong> workshop and performance,<br />

deepen<strong>in</strong>g value for movement <strong>in</strong> everyday and extraord<strong>in</strong>ary ways. Formerly director of service org<br />

Dance/MetroDC and artistic director of Liz Lerman Dance Exchange, Peter is now on faculty at Drexel<br />

University. A tour<strong>in</strong>g artist on the NPN (ever grateful: thank you!) and NPN board member <strong>in</strong> previous<br />

years, Peter is currently direct<strong>in</strong>g multiple choreographers (Hip Hop to Hula, Modern to Flamenco) <strong>in</strong><br />

"Future Preludes," with music by Rachman<strong>in</strong>off, premier<strong>in</strong>g at Dance Place/DC and tour<strong>in</strong>g other sites<br />

<strong>in</strong> 2013, and work<strong>in</strong>g on a multimedia play "Nij<strong>in</strong>sky's Last Dance" about the artist at the end of his<br />

life.<br />

BILL DOOLIN<br />

Florida Dance Association<br />

Artistic Director<br />

PO Box 415818, Miami Beach, FL 33141<br />

phone (305) 310-8080 fax 786-472-4178<br />

billd@floridadanceassociation.org<br />

Current artistic director of Florida Dance Association with over 30 years of experience as a self-made<br />

adm<strong>in</strong>istrative manager, <strong>in</strong>stitut<strong>in</strong>g organizational strategies and measures for improvements and well<br />

organized bus<strong>in</strong>ess operations of the Florida Dance Association and its outreach programm<strong>in</strong>g, Florida<br />

Dance Festival and FDA Young Dancer Workshops. He has been <strong>in</strong>volved <strong>in</strong> arts adm<strong>in</strong>istration s<strong>in</strong>ce<br />

the early 1980s when he jo<strong>in</strong>ed the staff of Harvard Summer Dance Center, Iris Fanger, director, <strong>in</strong><br />

1982. A choreographer for over 22 years Bill's work has been presented <strong>in</strong> Colorado, Ill<strong>in</strong>ois,<br />

Massachusetts, New York and <strong>in</strong> Florida at the Florida Dance Festival, Excello Dance Studio <strong>in</strong> Miami<br />

and currently has 4 works <strong>in</strong> Mov<strong>in</strong>g Current Dance Collective's repertory.<br />

SEAN DORSEY<br />

Sean Dorsey Dance<br />

Artistic Director<br />

375 27th Street #A, San Francisco, CA 94131<br />

phone (415) 355-0071<br />

sean@seandorseydance.com<br />

SEAN DORSEY is an award-w<strong>in</strong>n<strong>in</strong>g choreographer and dancer. He has been named San Francisco's<br />

Best Dance Company (SF Weekly) and named <strong>in</strong> the nation's "Top 25 to Watch" (Dance Magaz<strong>in</strong>e).<br />

Dorsey's work is a fusion of modern dance, storytell<strong>in</strong>g and theater. Praised as "exquisite"<br />

(BalletTanz), "trailblaz<strong>in</strong>g" (SF Chronicle) and "epic, powerful, mov<strong>in</strong>g" (Miami Herald), Dorsey is<br />

celebrated as the US's first out transgender choreographer. Dorsey has been awarded commissions<br />

from NPN, NEFA, <strong>National</strong> Dance Project, Creative Work Fund, Gerbode Foundation, Hewlett


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Foundation, SFAC, the Queer Cultural Center, The Theater Offensive, L<strong>in</strong>ks Hall, and Highways<br />

<strong>Performance</strong> Space. His NPN-commissioned full-even<strong>in</strong>g work "The Secret History Of Love" is<br />

available for tour<strong>in</strong>g; contact him at www.seandorseydance.com<br />

ELIZABETH DOUD<br />

<strong>National</strong> <strong>Performance</strong> Network / Visual Artists Network<br />

Perform<strong>in</strong>g Americas Coord<strong>in</strong>ator<br />

PO Box 545865, Miami Beach, FL 33154<br />

phone (305) 519-6877 fax (305) 237-7559<br />

edoud@npnweb.org<br />

Elizabeth Doud is an <strong>in</strong>dependent perform<strong>in</strong>g artist, writer and arts organizer. She has written,<br />

produced and toured dozens of orig<strong>in</strong>al performance works, rang<strong>in</strong>g from one-woman literary<br />

collage-bak<strong>in</strong>g extravaganzas to full blown capoeira pop-operas, and is creat<strong>in</strong>g a new performance<br />

<strong>in</strong>stallation entitled The Mermaid Tear Factory. She has over 15 years experience as an arts organizer<br />

and educator, with an emphasis on <strong>in</strong>ternational cultural exchange. She is a tenacious champion of<br />

creat<strong>in</strong>g and protect<strong>in</strong>g the space to experiment and experience contemporary performance. Currently,<br />

she is the program coord<strong>in</strong>ator for NPN's Perform<strong>in</strong>g Americas Program and a programm<strong>in</strong>g and<br />

residency consultant for FUNDarte, Inc.<br />

ERIN BOBERG DOUGHTON<br />

Portland Institute for Contemporary Art<br />

Perform<strong>in</strong>g Arts Program Director<br />

415 SW 10th AVENUE, SUITE 300, Portland, OR 97205<br />

phone (503) 242-1419 fax (503) 243-1167<br />

er<strong>in</strong>@pica.org<br />

Er<strong>in</strong> Boberg Doughton, perform<strong>in</strong>g arts program director at the Portland Institute for Contemporary<br />

Art (PICA) has worked on PICA's performance and residency programs s<strong>in</strong>ce its <strong>in</strong>ception <strong>in</strong> 1995.<br />

She is part of the curatorial team for PICA's annual TBA (Time-Based Art) Festival which features<br />

artists work<strong>in</strong>g <strong>in</strong> performance, media, visual arts and hybrid forms. She is a past NPN board member<br />

and has served as an NPN Perform<strong>in</strong>g Americas Curator. She is a current <strong>National</strong> Dance Project Hub<br />

Site Adviser.<br />

DAVID DOWER<br />

ArtsEmerson, Emerson College<br />

Director of Artistic Programs


120 Boylston St., Boston, MA 02116<br />

phone 415.425.4960<br />

david_dower@emerson.edu<br />

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David is the director of artistic programs at ArtsEmerson <strong>in</strong> Boston, programm<strong>in</strong>g multiple venues <strong>in</strong><br />

Boston with theater and film from around the world. He cofounded the Center for the Theater<br />

Commons, which is housed at Emerson, and it's predecessor, the American Voices New Play Institute.<br />

Prior to jo<strong>in</strong><strong>in</strong>g ArtsEmerson <strong>in</strong> <strong>2012</strong>, David was the Associate Artistic Director at Arena Stage after<br />

spend<strong>in</strong>g 20 years <strong>in</strong> the San Francisco Bay Area where he founded and led The Z Space and it's<br />

precursor, The Z Collective.<br />

ANNA DROZDOWSKI<br />

Neighborhood House @ Christ Church<br />

20 North American Street, <strong>Philadelphia</strong>, PA 19107<br />

phone 2159221695<br />

adrozdowski@christchurchphila.org<br />

Anna has worked <strong>in</strong> performance production and arts management for fifteen years, and cont<strong>in</strong>ues to<br />

be curious about the ways <strong>in</strong> which our fragile ecosystem relies on symbiosis. While the midwest and<br />

dance have shaped her understand<strong>in</strong>g of the world, more and more she is <strong>in</strong>terested <strong>in</strong> process,<br />

community and carv<strong>in</strong>g opportunities for artists to create work <strong>in</strong> a well-resourced way. She can most<br />

often be found at the Neighborhood House or work<strong>in</strong>g with Artists U and Thirdbird, and has been glad<br />

to learn NPN first hand while work<strong>in</strong>g on the showcase <strong>in</strong> Philly. Anna enjoys cross-stitch<strong>in</strong>g<br />

obscenities, danc<strong>in</strong>g tango and grocery shopp<strong>in</strong>g slowly. www.annadrozdowski.com<br />

JAMES DUMLAO<br />

The Liv<strong>in</strong>g Word Project<br />

Musician/Performer<br />

c/o 1663 Mission Street, Suite 604, San Francisco, CA 94103<br />

phone 805-705-9415<br />

jamesdumlao@gmail.com<br />

James Dumlao is a first-generation Filip<strong>in</strong>o-American multi-Instrumentalist, educator, and performer.<br />

From the classroom to the stage, his <strong>in</strong>fluences stem from critical ethnic-studies pedagogy to<br />

formal/<strong>in</strong>formal music tra<strong>in</strong><strong>in</strong>g. He has performed all over the nation <strong>in</strong> venues such as Carnegie Hall,<br />

Great American Music Hall, and the RCA Dome. As member of various ensembles throughout his<br />

career, he considers himself the "utility man" when it comes to perform<strong>in</strong>g. James is currently the


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assistant director of music at acclaimed Riordan High School, volunteers as PEP's (P<strong>in</strong>@y Educational<br />

Partnerships) after-school music enrichment teacher at Longfellow Elementary School, AND is<br />

drummer/trumpet/vocalist of the band Dirty Boots.<br />

JESS EDKINS<br />

<strong>Performance</strong> Space 122<br />

Creative Producer<br />

150 First Avenue, New York, NY 10009<br />

phone (212) 477-5829 ext. 303<br />

jess@ps122.org<br />

Prior to jo<strong>in</strong><strong>in</strong>g <strong>Performance</strong> Space 122 <strong>in</strong> June 2011 as creative producer, Jess Edk<strong>in</strong>s was the<br />

produc<strong>in</strong>g assistant at Whitney Live, the live performance department at the Whitney Museum of<br />

American Art, where she headed projects as varied as Christian Marclay: Festival, Elizabeth Streb's<br />

"ASCENSION" and the re-stag<strong>in</strong>g of Trisha Brown's "Walk<strong>in</strong>g on the Walls" and "Man Walk<strong>in</strong>g<br />

Down the Side of Build<strong>in</strong>g." As a freelance producer she has worked on projects at the Greene Space,<br />

Joyce Soho, and Alv<strong>in</strong> Ailey Studios. She is currently a master's candidate <strong>in</strong> perform<strong>in</strong>g arts<br />

adm<strong>in</strong>istration at New York University and holds a bachelors degree <strong>in</strong> dance and art history from<br />

Mount Holyoke College.<br />

LISA JO EPSTEIN<br />

Gas & Electric Arts<br />

Artistic Director<br />

6703 Cresheim Road, <strong>Philadelphia</strong>, PA 19119<br />

phone 2152909784<br />

lisajo@gasandelectricarts.org<br />

Lisa Jo Is the Artistic Director of Gas & Electric Arts <strong>in</strong> <strong>Philadelphia</strong>. She is a theatre director &<br />

educator whose work has been <strong>in</strong>fluenced by her tra<strong>in</strong><strong>in</strong>g at Jeune Lune, the Theatre du Soleil &<br />

Augusto Boal's Center for the Theatre of the Oppressed. Gas & Electric Arts explores a hybrid of<br />

techniques on stage & <strong>in</strong> communities as our means of be<strong>in</strong>g active citizens respond<strong>in</strong>g to an<br />

ever-chang<strong>in</strong>g world. Lisa Jo's work bridges the gap between ensemble physical theatre & text-based<br />

approaches, with the goal of creat<strong>in</strong>g compell<strong>in</strong>g theatrical experiences which ignite the imag<strong>in</strong>ation<br />

and <strong>in</strong>tellect. She's been tra<strong>in</strong><strong>in</strong>g teachers, social-service professionals & under-served urban teens <strong>in</strong><br />

Theatre of the Oppressed for 20 years, & also leads the TO-based program called Power gRRRls.<br />

KAT EVASCO<br />

Youth Speaks, Inc./ The Liv<strong>in</strong>g Word Project<br />

Production Associate


1663 Mission Street, Suite 604, San Francisco, CA 94103<br />

phone 4156941338<br />

kevasco@youthspeaks.org<br />

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Kat Evasco is a perform<strong>in</strong>g artist and arts adm<strong>in</strong>istrator currently work<strong>in</strong>g at Youth Speaks Inc. as the<br />

Production Associate. Evasco recently served as Board Chair for B<strong>in</strong>dlestiff Studio (2009-<strong>2012</strong>), the<br />

only theater space <strong>in</strong> the nation dedicated to Filip<strong>in</strong>o arts, and is the Manag<strong>in</strong>g Director of Guerrilla<br />

Rep, a theater company that explores class <strong>in</strong> American society through new plays. Draw<strong>in</strong>g on her<br />

experiences as a stand up comic and comedic actress, Evasco is currently develop<strong>in</strong>g her<br />

autobiographical one-woman show, "Mama Queerest" that chronicles her unconventional com<strong>in</strong>g out<br />

tale, <strong>in</strong>clud<strong>in</strong>g the earth-shatter<strong>in</strong>g discovery that her mother is lesbian too.<br />

TERESA EYRING<br />

Theatre Communications Group<br />

Executive Director<br />

520 8th Avenue, 24th Floor, New York, NY 10018-4156<br />

phone 212-609-5900 x237 fax 212-609-5901<br />

teyr<strong>in</strong>g@tcg.org<br />

ROBERTA ELLEN FALLON<br />

the artblog<br />

Founder and editor<br />

103 Bentley Ave., Bala Cynwyd, PA 19004<br />

phone 484 620 9013<br />

robertafallon@gmail.com<br />

Roberta Fallon makes art, writes about art and th<strong>in</strong>ks about art probably too much. She's proud to claim<br />

part ownership of THEartblog with her dear friend and long-time collaborator, Libby. As a child <strong>in</strong><br />

Milwaukee, Roberta put on puppet shows <strong>in</strong> the garage and sold popcorn for a penny and realized she<br />

loved an audience but had no head for bus<strong>in</strong>ess. Married to Steve and with three children, Oona, Max<br />

and Stella, Roberta has written about art for <strong>Philadelphia</strong> Daily News, <strong>Philadelphia</strong> Weekly, Artnet,<br />

Art Review, Art on Paper, <strong>Philadelphia</strong> Inquirer and Art and Auction, and has taught and been a<br />

visit<strong>in</strong>g critic at Tyler School of Art, St. Joseph's University and Cranbrook Academy of Art.<br />

LAURA DAY FAURE<br />

Bates Dance Festival<br />

Director


Pettigrew Hall 305 College St., Lewiston, ME 04240<br />

phone 207-871-0509 fax (207) 871-0136<br />

lfaure@bates.edu<br />

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Laura Faure is the director of the Bates Dance Festival and lecturer <strong>in</strong> the arts at Bates College <strong>in</strong><br />

Lewiston, Ma<strong>in</strong>e. S<strong>in</strong>ce tak<strong>in</strong>g this position <strong>in</strong> 1988 she had developed the Festival <strong>in</strong>to an<br />

<strong>in</strong>ternationally acclaimed contemporary dance program known for its artistic excellence, curatorial<br />

vision, and commitment to build<strong>in</strong>g community through dance. Ms. Faure is currently serv<strong>in</strong>g a<br />

three-year term as a hubsite for the <strong>National</strong> Dance Project. She is a found<strong>in</strong>g member of The Africa<br />

Contemporary Arts Consortium and has been develop<strong>in</strong>g a cross-cultural exchange program with<br />

artists from Japan, Indonesia, Africa, Cuba, Portugal and Mexico s<strong>in</strong>ce 1994.<br />

BETH FELDMAN BRANDT<br />

Stockton Rush Bartol Foundation<br />

Executive Director<br />

230 South Broad St, Suite 1003, <strong>Philadelphia</strong>, PA 19102<br />

phone 215-545-4037 fax 215-545-4039<br />

bfbrandt@bartol.org<br />

Beth Feldman Brandt is the executive director of the Stockton Rush Bartol Foundation that supports<br />

arts and cultural programs <strong>in</strong> <strong>Philadelphia</strong> with an emphasis on arts education and community-based<br />

arts programs. The Foundation also presents free professional development workshops for teach<strong>in</strong>g<br />

artists. Beth was the project director for Cultural Builds Communities for the William Penn Foundation<br />

and the arts education development project for The Pew Charitable Trusts, and was the director of an<br />

after-school visual arts programs. She is also a poet whose book with artist Claire Owen, "Sage," was<br />

the focus of a <strong>2012</strong> exhibition at the Chicago Botanic Gardens. They are currently at work on a new<br />

collaboration for an upcom<strong>in</strong>g exhibition at the Center for Art <strong>in</strong> Wood <strong>in</strong> <strong>Philadelphia</strong>.<br />

MIKHAIL ALEXANDER FIKSEL<br />

Lucky Plush Productions<br />

Sound Designer<br />

301 Olmsted Road, Chicago, IL 60546<br />

phone 773-456-3055<br />

mikhail.fiksel@gmail.com<br />

MIKHAIL FIKSEL (Sound Designer/Composer) is a Chicago-based designer, composer and DJ who<br />

regularly works with The Goodman, Redmoon, Timel<strong>in</strong>e, Writers Theatre, Victory Gardens, About<br />

Face, The Hypocrites, The Seldoms and Albany Park Theatre Project. Off-Broadway and regional<br />

projects <strong>in</strong>clude 2nd Stage Theatre, The Geffen Playhouse, Dallas Theatre Center, The Repertory


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Theatre of St. Louis and Milwaukee Chamber Theatre as well as <strong>in</strong>ternational work with Tukkers<br />

Connexion (Holland) and Festival FILO (Brazil). He has received multiple Joseph Jefferson awards, a<br />

Lucille Lortel Award and the Michael Maggio Emerg<strong>in</strong>g Designer Award. Mr. Fiksel is an artistic<br />

associate with Teatro Vista, Collaboraction and Redmoon Theatre and faculty at Loyola University<br />

Chicago. www.mikhailfiksel.com<br />

MEG FOLEY<br />

Mov<strong>in</strong>g Parts<br />

Director<br />

1723 S Chadwick Street, <strong>Philadelphia</strong>, PA 19145<br />

phone 3108507946<br />

meg.foley@gmail.com<br />

Meg is a dance artist and the director of Mov<strong>in</strong>g Parts, a name ascribed to various dance- and<br />

performance-based acts that explore the materiality of dance and its relationship to form. Grounded <strong>in</strong><br />

the body, she is explor<strong>in</strong>g her body <strong>in</strong> relationship to herself, to others, and to the environment, ask<strong>in</strong>g<br />

existential questions about the basic experience of be<strong>in</strong>g. She is a <strong>2012</strong> PEW Fellow <strong>in</strong> the Arts and a<br />

<strong>2012</strong> Independence Foundation Fellow. Her work has been presented by the <strong>Philadelphia</strong> Live Arts<br />

Festival, Thirdbird, Bowerbird, Mascher Space Cooperative, Little Berl<strong>in</strong> Gallery, Vox Populi Gallery,<br />

the Community Education Center, Cirque De Verre, and <strong>in</strong> Movement Research at the Judson Church.<br />

She holds a BA from Scripps College and a Professional Diploma from Laban Centre London.<br />

CHARLOTTE LONGBRAKE FORD<br />

1524 Morris St., <strong>Philadelphia</strong>, PA 19945<br />

phone 267.886.4480<br />

charlotteford24@gmail.com<br />

CHARLOTTE FORD is a <strong>Philadelphia</strong>-based theatre artist who creates avant-garde slapstick<br />

performance art that celebrates sublime stupidity with joyful abandon. She has toured her orig<strong>in</strong>al work<br />

to Ed<strong>in</strong>burgh's Traverse Theatre, the London Barbican and Paris's Maison de Metallos. Orig<strong>in</strong>al work<br />

<strong>in</strong>cludes CHICKEN, Flesh and Blood & Fish and Fowl (Fr<strong>in</strong>ge First, Ed<strong>in</strong>burgh, 2010, short-listed for<br />

Total Theatre Award) and BANG. She has worked with Pig Iron (Welcome to Yuba City), 1812<br />

(Cherry Bomb, the upcom<strong>in</strong>g Women <strong>in</strong> Comedy), Theatre Exile (Red Light W<strong>in</strong>ter, That Pretty<br />

Pretty, Gruesome Playground Injuries), the Arden Theatre and the Lantern Theatre among others. "Best<br />

of Philly" Theatre Performer <strong>2012</strong>. F. Otto Haas f<strong>in</strong>alist 2011, <strong>2012</strong>. BA, Bryn Mawr College, MFA,<br />

LISPA.<br />

EVELYN FRANCIS<br />

The Theater Offensive/OUT <strong>in</strong> Your Neighborhood


Director of Programs<br />

565 Boylston Street, Boston, MA 02116<br />

phone (617) 661-1600 fax (617) 661-1610<br />

evelyn@thetheateroffensive.org<br />

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Evelyn Francis, director of programs at The Theater Offensive, an LGBTQ theater company based <strong>in</strong><br />

Boston. As the former director of True Colors: Out Youth Theater, a program of TTO for LGBTQ<br />

youth ages 14-22, Evelyn leads long-term vision<strong>in</strong>g and plann<strong>in</strong>g for all programs and productions of<br />

the organization. This <strong>in</strong>cludes develop<strong>in</strong>g relationships with national and local artists <strong>in</strong> order to<br />

produce and present work throughout the neighborhoods of Boston. In addition to her work with TTO,<br />

she has served as an arts manager and teach<strong>in</strong>g artist at organizations <strong>in</strong> Greater Boston. Evelyn holds a<br />

maste's degree <strong>in</strong> theatre education from Emerson College.<br />

MELISSA FRANKLIN<br />

The PEW Center for Arts & Heritage<br />

Director of PEW Fellowships <strong>in</strong> the Arts<br />

1608 Walnut St. 18th Floor, <strong>Philadelphia</strong>, PA 19103<br />

phone (267) 350-4920<br />

mfrankl<strong>in</strong>@pcah.us<br />

MAYA FREELON ASANTE<br />

Kariamu & Company: Traditions<br />

8630 Trumbauer Drive, <strong>Philadelphia</strong>, PA 19122<br />

phone 919-491-4209<br />

maya@freelonasante.com<br />

Maya Freelon Asante's unique tissue paper artwork has been described by the International Review of<br />

African American Art as a "vibrant, beat<strong>in</strong>g assemblage of color." Her massive tissue paper sculpture<br />

"Ubuntu" is part of the permanent art collection of the US Embassy <strong>in</strong> Madagascar. She has also<br />

exhibited at US Embassies <strong>in</strong> Italy, Jamaica, Swaziland and the Corcoran Gallery of Art <strong>in</strong> D.C. Her<br />

work is part of the critically acclaimed exhibition, "Material Girls' which premiered at the Reg<strong>in</strong>ald F.<br />

Lewis Museum <strong>in</strong> Baltimore, MD and is currently travel<strong>in</strong>g around the nation. Maya Freelon Asante<br />

has attended numerous residencies <strong>in</strong>clud<strong>in</strong>g Skowhegan School of Pa<strong>in</strong>t<strong>in</strong>g and Sculpture, the<br />

Korobitey Institute <strong>in</strong> Ghana and Branyw<strong>in</strong>e Workshop.<br />

NNENNA FREELON<br />

Kariamu & Company: Traditions


8630 Trumbauer Drive, <strong>Philadelphia</strong>, PA 19122<br />

phone 9199439229<br />

nnenna@mac.com<br />

LESLIE FRIEDMAN<br />

NAPOLEON<br />

founder, artist<br />

319 N. 11th Street 2L, <strong>Philadelphia</strong>, PA 19125<br />

phone 401-524-3299<br />

lesliepvd@gmail.com<br />

NPN's <strong>2012</strong> <strong>Annual</strong> <strong>Meet<strong>in</strong>g</strong> <strong>in</strong> <strong>Philadelphia</strong> Attendees / Page 38 of 115<br />

Leslie Friedman was born 1981 <strong>in</strong> Providence, Rhode Island, USA. She learned the process of<br />

silk-screen <strong>in</strong> the summer of 2002 at Providence's AS220 and started mak<strong>in</strong>g posters. Friedman moved<br />

to Argent<strong>in</strong>a for 2 and a half years to focus on art. Upon return<strong>in</strong>g to the United States <strong>in</strong> 2007 and she<br />

moved to <strong>Philadelphia</strong>, Pennsylvania to pursue her masters. There, along with a fellow Tyler alumna,<br />

founded an artist-run project space called Napoleon. In <strong>2012</strong>, Leslie was named a Center For Emerg<strong>in</strong>g<br />

Visual Artists fellow <strong>in</strong> their Career Development Program. Leslie teaches pr<strong>in</strong>tmak<strong>in</strong>g and criticism<br />

sem<strong>in</strong>ars at Temple University, The University of the Arts, and Muhlenberg College.<br />

JOHN K FRISBEE<br />

Pig Iron Theatre Company<br />

Manag<strong>in</strong>g Director<br />

1417 N. 2nd Street, <strong>Philadelphia</strong>, PA 19122<br />

phone 215-425-1100<br />

johnf@pigiron.org<br />

John Frisbee is the Manag<strong>in</strong>g Director of Pig Iron Theatre Company, where he formerly served as<br />

Director of Development. Dur<strong>in</strong>g his seven years at Pig Iron, the company has doubled <strong>in</strong> size,<br />

received <strong>in</strong>ternational acclaim, and opened a new two-year tra<strong>in</strong><strong>in</strong>g program for performers. In addition<br />

to his work with Pig Iron, John has also served on the Board of the Theatre Alliance of Greater<br />

<strong>Philadelphia</strong> and Shakespeare <strong>in</strong> Clark Park, and three panels for the <strong>Philadelphia</strong> Cultural Fund. John<br />

is a graduate of Haverford College.<br />

COLETTE FU<br />

1020 Hamilton Street, Apt. 12, <strong>Philadelphia</strong>, PA 191233735<br />

phone 9176225047<br />

fusansan@gmail.com


NPN's <strong>2012</strong> <strong>Annual</strong> <strong>Meet<strong>in</strong>g</strong> <strong>in</strong> <strong>Philadelphia</strong> Attendees / Page 39 of 115<br />

Colette Fu is a <strong>Philadelphia</strong> based photographer and paper eng<strong>in</strong>eer with an MFA <strong>in</strong> photography from<br />

the Rochester Institute of Technology. She has created most of her work at artist residencies such as<br />

the Prov<strong>in</strong>cetown F<strong>in</strong>e Arts Work Center, Instituto Sacatar, Bemis Center, Visual Studies Workshop,<br />

Frans Masereel Centrum, and the Alden B. Dow Center for Creativity. Colette has received awards<br />

from Fulbright, the Independence Foundation, Sovereign Foundation, Pennsylvania Council on the<br />

Arts, Virg<strong>in</strong>ia Museum of F<strong>in</strong>e Arts, Virg<strong>in</strong>ia Commission for the Arts, En Foco, Photographer's<br />

Forum, Nikon and the Puff<strong>in</strong> Foundation. She has worked as a paper eng<strong>in</strong>eer<strong>in</strong>g consultant for stop<br />

animation commercials, freelances and teaches community workshops and pop-up courses<br />

<strong>in</strong>ternationally.<br />

COLLEEN C. FURUKAWA<br />

Maui Arts & Cultural Center<br />

Vice President - Programm<strong>in</strong>g<br />

One Cameron Way, Kahului, HI 96732<br />

phone (808) 243-4263 fax (808) 242-4665<br />

colleen@mauiarts.org<br />

JANE GABRIELS<br />

Pepatian<br />

Director<br />

1001 Grand Concourse 10F, Bronx, NY 10452<br />

phone (917) 903-7651 fax n/a<br />

gabriels_j@yahoo.com<br />

Hello! I'm a writer, performer, curator, PhD student, and producer of performance events. In the South<br />

Bronx, I direct Pepatian and am project director for the Young Roots <strong>Performance</strong> Series at Hostos<br />

Center for the Arts and Culture (funded by Rockefeller Foundation NYC Cultural Innovation Fund).<br />

With other South Bronx venues (BAAD!, Hostos, Pregones Theater), we are organiz<strong>in</strong>g our third<br />

annual APAP@HOME adventure with guided tour, food and multiple artist showcases on Friday<br />

January 11, 2013 - you are very <strong>in</strong>vited!!! Other news: The Montreal Association of Arts Curators<br />

(MAAC) is sett<strong>in</strong>g up an <strong>in</strong>terest<strong>in</strong>g symposium <strong>in</strong> September 2013, "Envision<strong>in</strong>g the Practice:<br />

Montréal International Symposium on Curat<strong>in</strong>g the Perform<strong>in</strong>g Arts." I'll be able to tell you more <strong>in</strong><br />

December...look<strong>in</strong>g forward!<br />

ARLENE GALINDO<br />

MACLA/Movimiento de Arte y Cultura Lat<strong>in</strong>o Americana<br />

Program Director<br />

510 S. First Street, San Jose, CA 95113


phone 408-998-2783 Ext.22 fax 408-998-2817<br />

arlene@maclaarte.org<br />

ADRIANA GALLEGO<br />

<strong>National</strong> Association of Lat<strong>in</strong>o Arts and Culture<br />

Deputy Direcotr<br />

1208 Buena Vista, San Antonio, TX 78207<br />

phone 210.432.3982 fax 210-432-3934<br />

agallego@nalac.org<br />

VALLEJO EBENEZER GANTNER<br />

<strong>Performance</strong> Space 122<br />

Artistic Director<br />

150 First Avenue, New York, NY 10009<br />

phone (212) 477-5829 fax (212) 535-1315<br />

vallejo@ps122.org<br />

MARIO GARCIA GARCIA DURHAM<br />

Association of Perform<strong>in</strong>g Arts Presenters<br />

President and CEO<br />

1211 Connecticut Ave. NW Suite 200, Wash<strong>in</strong>gton, DC 20036<br />

phone (202) 207-3847 fax 202-833-1543<br />

mdurham@artspresenters.org<br />

LEO GARCIA<br />

Highways <strong>Performance</strong> Space and Gallery<br />

Executive Director / Artistic Director<br />

1651 18th Street, Santa Monica, CA 90404<br />

phone 310-729-0883 fax (310) 453-4347<br />

leogarcia@highwaysperformance.org<br />

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Leo Garcia has served as Highways' Artistic Director s<strong>in</strong>ce 2003 where he has developed and<br />

presented over 600 performance works. Garcia is aligned with Highways' mission to develop and<br />

present <strong>in</strong>novative socially engaged performance and visual art that challenges contemporary American<br />

society's dom<strong>in</strong>ant sexual, psychological and political paradigms. His personal mission is to support<br />

the artists <strong>in</strong> a non-elitst, non-judgmental, non-dogmatic way. <strong>2012</strong> marks Leo's 10th NPN annual<br />

meet<strong>in</strong>g.


JENNIFER GARDNER<br />

DiverseWorks Artspace<br />

Director of External Affairs<br />

4102 Fann<strong>in</strong> St, Suite 200, Houston, TX 77004<br />

phone 7132238346<br />

jennifer@diverseworks.org<br />

NPN's <strong>2012</strong> <strong>Annual</strong> <strong>Meet<strong>in</strong>g</strong> <strong>in</strong> <strong>Philadelphia</strong> Attendees / Page 41 of 115<br />

Jennifer Gardner jo<strong>in</strong>ed DiverseWorks as director of external affairs <strong>in</strong> April <strong>2012</strong>. Previously she was<br />

with Arthouse at the Jones Center <strong>in</strong> Aust<strong>in</strong>, where she was special projects manager and ga<strong>in</strong>ed ten<br />

years of experience <strong>in</strong> art education, public programm<strong>in</strong>g, development, strategic plann<strong>in</strong>g, and<br />

non-profit governance. Gardner holds a BA <strong>in</strong> art history from Connecticut College and completed<br />

graduate-level coursework <strong>in</strong> museum education at The University of Texas. As DiverseWorks'<br />

director of external affairs, she is responsible for all market<strong>in</strong>g, public relations, and community<br />

engagement efforts related to programm<strong>in</strong>g and the organization as a whole.<br />

VALERIE GARLICK<br />

Real Art Ways<br />

Visual Arts Manager<br />

56 Arbor Street, Hartford, CT 06106<br />

phone 8602321006 fax 8602336691<br />

vgarlick@realartways.org<br />

Valerie Garlick, Real Art Ways' Visual Arts Manager, is a visual artist, curator, and writer who works<br />

<strong>in</strong> photography, video, and performance. Her art and curatorial projects focus primarily on gender,<br />

sexuality, and the <strong>in</strong>tersection of the body with technology. Her work has been the subject of national<br />

and <strong>in</strong>ternational exhibitions, screen<strong>in</strong>gs, publications, and lectures. Recent projects have been<br />

exhibited at HERE Arts Center, Participant Inc., the Elizabeth Foundation, and Soho20, as well as the<br />

Vox Fem<strong>in</strong>ae Video Festival <strong>in</strong> Zagreb, Hotch Potch <strong>in</strong> Oslo, the Kurye International Video Festival,<br />

Istanbul, and Shau Fenster, Berl<strong>in</strong>. She holds both an MA <strong>in</strong> Art History, and an MFA <strong>in</strong> F<strong>in</strong>e Arts<br />

from the University of Connecticut.<br />

THEASTER GATES<br />

6918 South Dorchester Ave., Chicago, IL 60637<br />

phone 773-213-6603<br />

theaster@uchicago.edu<br />

MEGAN GECKLER<br />

Megan Geckler Studio


Owner / Artist<br />

530 Mol<strong>in</strong>o Street #206, Los Angeles, CA 90013-2276<br />

phone (323) 253-4173 fax 3232534173<br />

megangeckler@gmail.com<br />

NPN's <strong>2012</strong> <strong>Annual</strong> <strong>Meet<strong>in</strong>g</strong> <strong>in</strong> <strong>Philadelphia</strong> Attendees / Page 42 of 115<br />

At first, Megan Geckler's work seems to be digital <strong>in</strong> nature, the colors are vibrant and unreal, but her<br />

<strong>in</strong>stallations are created with flagg<strong>in</strong>g tape, a mass-produced colorful plastic ribbon utilized on<br />

construction sites. These massive <strong>in</strong>stallations are assembled by hand alongside crews of assistants and<br />

community volunteers. Each space is transformed <strong>in</strong>to an immersive environment <strong>in</strong> which the viewer<br />

is given multiple pathways to experience the <strong>in</strong>stallation on their own terms. Geckler, a <strong>Philadelphia</strong><br />

native, has been exhibit<strong>in</strong>g <strong>in</strong> galleries, museums and alternative spaces s<strong>in</strong>ce 1998, with many shows<br />

<strong>in</strong> the United States and soon, around the world. She received her MFA from Claremont Graduate<br />

University (2001) and her BFA from Temple University's Tyler School of Art (1998).<br />

MICHELLE NICOLE GIBSON<br />

South Dallas Cultural Center<br />

Dance Instructor<br />

3400 South Fitzhugh, Dallas, TX 75206<br />

phone 214-939-2787 fax 214-670-8118<br />

mgibson4life@yahoo.com<br />

Michelle Gibson received her BFA <strong>in</strong> dance from Tulane University and her MFA <strong>in</strong> dance and<br />

performance studies from Holl<strong>in</strong>s University/American Dance Festival at Duke University. She has<br />

performed works choreographed by Baba Chuck Davis, Baba Richard Gonzales, Donald McKayle,<br />

Sean Curran, Ronald K. Brown, Danys "La Mora" Perez Prades, Marlies Yearby, Tommy F. DeFrantz,<br />

Thaddeus and Tanya Davis, Vernel Bagneris and Scott Grossman. She toured and performed <strong>in</strong> Europe<br />

and Asia with motion picture credits that <strong>in</strong>clude a featured dancer <strong>in</strong> "Interview With a Vampire," the<br />

Academy Award w<strong>in</strong>n<strong>in</strong>g film, "Ray," and "Just My Luck" with L<strong>in</strong>dsay Lohan acquir<strong>in</strong>g Screen<br />

Actors Guild status. Along with teach<strong>in</strong>g at SDCC and Dallas area colleges, Michelle is also a faculty<br />

member with the American Dance Festival.<br />

RUDI GOBLEN<br />

Teo Castellanos D-Projects<br />

P.O. Box 557845, Miami, FL 33255<br />

phone 7862712076<br />

i@rudigoblen.com<br />

A found<strong>in</strong>g member of Teo Castellanos' D-Projects s<strong>in</strong>ce 2003, Rudi; dancer, writer, and actor - is also<br />

a member of Octavio Campos' Campostion Hybrid Theater Works, Rosie Herrera's Rosie Herrera


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Dance Theatre, and has tra<strong>in</strong>ed/worked with DV8 Physical Theater & Cirque De Soleil. Rudi is also a<br />

recipient of the Future Aesthetics Artist Regrant (FAAR), and the Miami-Dade County & Cultural<br />

Affairs Choreographer's Fellowship <strong>2012</strong>.<br />

ROSIE GORDON-WALLACE<br />

Diaspora Vibe Cultural Arts Incubator<br />

Found<strong>in</strong>g Excutive Director<br />

686 NE 56 Street, Miami, FL 33137<br />

phone (305) 573-4046 fax (305) 573-7576<br />

rogwall3@yahoo.com<br />

Rosie Gordon-Wallace is founder, curator, and director of Diaspora Vibe Gallery and Diaspora Vibe<br />

Cultural Arts Incubator. In 1996, she <strong>in</strong>itiated and produced transnational creative programs that<br />

redef<strong>in</strong>ed concepts of diaspora <strong>in</strong>clud<strong>in</strong>g the International Cultural Exchange program, Caribbean<br />

Crossroads Series, Off The Wall Experimental Series, Artist-In-Residence and numerous<br />

community-based outreach projects. DVG and Diaspora Vibe Cultural Arts Incubator specialize <strong>in</strong><br />

Caribbean and Lat<strong>in</strong> American and artists of color with an emphasis on emerg<strong>in</strong>g artists. We support<br />

the development of new works by resident artists by offer<strong>in</strong>g exhibition space, artist development and<br />

artists-<strong>in</strong>-residence programs. DVG transformed to social media for a comprehensive customized<br />

digital approach <strong>in</strong> 2011.<br />

PAT M GRANEY<br />

Pat Graney Company<br />

Executive Director<br />

925 E. Thomas St. suite B, Seattle, WA 98102<br />

phone (206) 329-3705 fax (206) 320-6646<br />

patgraney@earthl<strong>in</strong>k.net<br />

Pat Graney is a Seattle-based artist, currently produc<strong>in</strong>g <strong>in</strong>stallation/performance works and work<strong>in</strong>g<br />

with <strong>in</strong>carcerated women and female ex-offenders. The Pat Graney Company was one of the first<br />

contemporary dance groups to tour through NPN <strong>in</strong> 1986. PGCo has toured to most major American<br />

cities as well as abroad. The Company's most recent work, House of M<strong>in</strong>d, was featured <strong>in</strong> an 8-month<br />

exhibit at the Kohler Art Center with over 50,000 viewers. Ms. Graney is the recipient of a US Artist<br />

Award, an Alpert Award, a Guggenheim Fellowship as well as the recently established 'Arts Innovator'<br />

Award through Artist Trust and the Dale Chihuly Foundation. The Pat Graney Company was proud to<br />

be an NPN Partner for over ten years.<br />

TOM GURALNICK<br />

Outpost Productions, Inc.


Executive Director<br />

PO Box 4543, Albuquerque, NM 87196<br />

phone (505) 268-0044 fax (505) 268-4481<br />

tguralnick@comcast.net<br />

NPN's <strong>2012</strong> <strong>Annual</strong> <strong>Meet<strong>in</strong>g</strong> <strong>in</strong> <strong>Philadelphia</strong> Attendees / Page 44 of 115<br />

Tom Guralnick is the Founder and Executive Director of Outpost Productions <strong>in</strong> Albuquerque New<br />

Mexico s<strong>in</strong>ce 1988. He has been a presenter of jazz, experimental, <strong>in</strong>ternational music and more s<strong>in</strong>ce<br />

1977. He was an improvis<strong>in</strong>g saxophonist and composer who toured nationally & <strong>in</strong>ternationally for 25<br />

years until 2001.<br />

REIKO HAGIHARA<br />

Kyoto Art Center<br />

Program Director<br />

546-2 Yamafushiyama-cho, Muromachi-Dori, Takoyakushi-sagaru,<br />

Nakagyou-ku,, Kyoto, Japan 604-8156<br />

phone +81-75-213-1000 fax :+81-75-213-1004<br />

hagihara@kac.or.jp<br />

Kyoto Art Center, opened <strong>in</strong> 1996, is funded by the city government. Built on the site of the Meir<strong>in</strong><br />

elementary school founded by the people of Kyoto <strong>in</strong> the Meiji era, the Center houses a studio, gallery,<br />

auditorium, Japanese-style hall, library, Japanese-style tea room, cafe and shops. The center rents its<br />

studio on a three-month basis to support creation of new work. They produce projects <strong>in</strong> the visual an<br />

perform<strong>in</strong>g that <strong>in</strong>corporate the traditional arts <strong>in</strong>to multi-discipl<strong>in</strong>ary contemporary works. In addition<br />

to their Artist-<strong>in</strong>-Residence (AIR) program for emerg<strong>in</strong>g artists and arts researchers, s<strong>in</strong>ce 2010 they<br />

produce the Kyoto Experiment, an <strong>in</strong>ternational festival of contemporary arts.<br />

THEODORE AUGUSTUS HARRIS<br />

6346 Musgrave Street, <strong>Philadelphia</strong>, PA 19144<br />

phone 267-981-0637<br />

artasaweapon@aol.com<br />

JANICE HAYES-CHA<br />

MamaCita<br />

Artist<br />

545 Elk<strong>in</strong>s Ave, Elk<strong>in</strong>s Park, PA 19027<br />

phone 215-758-2723<br />

jhayescha@gmail.com


NPN's <strong>2012</strong> <strong>Annual</strong> <strong>Meet<strong>in</strong>g</strong> <strong>in</strong> <strong>Philadelphia</strong> Attendees / Page 45 of 115<br />

Janice Hayes-Cha is a mixed media artist. She is here to represent MamaCita, a <strong>Philadelphia</strong>-based<br />

mother's cooperative <strong>in</strong> the arts. In partnership with 4 other artists- Julie Mann, Karen McLaughl<strong>in</strong>,<br />

Brenda Howell and Kimberly Mehler, she is work<strong>in</strong>g on an <strong>in</strong>stallation called One Year. One Year will<br />

explore urban violence and community responses to it by memorializ<strong>in</strong>g each murder victim <strong>in</strong><br />

<strong>Philadelphia</strong> over <strong>2012</strong>. This work is <strong>in</strong>spired by Mothers <strong>in</strong> Charge, a violence prevention<br />

organization created by mothers <strong>in</strong> <strong>Philadelphia</strong>.<br />

TIM HECK<br />

Lucky Plush Productions<br />

Performer<br />

301 Olmsted Road, Chicago, IL 60546<br />

phone 847 345-2465<br />

timothycheck@mac.com<br />

Tim Heck is a multi-genre performer based <strong>in</strong> Chicago. He has worked with Blue Man Group, Molly<br />

Shanahan/Mad Shak, Mucca Pazza, 500 Clown, Thodos Dance Chicago, Redmoon Theater, and<br />

Eisenhower Dance Ensemble. He is at NPN with the amaz<strong>in</strong>g, <strong>in</strong>tuitive, and multi-faceted Lucky Plush<br />

Productions.<br />

CAMERON HEINZE<br />

Museum of Contemporary Art Chicago<br />

Manager of <strong>Performance</strong> Programs<br />

220 East Chicago Avenue, Chicago, IL 60611<br />

phone (312) 397-4065 fax (312) 397-4095<br />

che<strong>in</strong>ze@mcachicago.org<br />

CHARLES RICHARD HELM<br />

Wexner Center for the Arts<br />

Director, Perform<strong>in</strong>g Arts<br />

The Ohio State University 1871 North High Street, Columbus, OH 43210-1393<br />

phone (614) 292-5785 fax 614-292-7824<br />

chelm@wexarts.org<br />

Charles Helm jo<strong>in</strong>ed the staff of the Wexner Center <strong>in</strong> 1991. Helm regularly serves as a panelist for<br />

regional and national arts agencies and foundations. The Wexner Center's perform<strong>in</strong>g arts program was<br />

the first university-based program funded by the Doris Duke Charitable Foundation's prestigious<br />

Leadership Present<strong>in</strong>g Institutions program <strong>in</strong> recognition of its creative laboratory work. Helm is<br />

currently work<strong>in</strong>g on creative residency or commission<strong>in</strong>g projects with artists such as Young Jean


NPN's <strong>2012</strong> <strong>Annual</strong> <strong>Meet<strong>in</strong>g</strong> <strong>in</strong> <strong>Philadelphia</strong> Attendees / Page 46 of 115<br />

Lee, Bebe Miller, Palissimo, and Faye Driscoll who will also conduct educational forums with students<br />

and community members at the Wexner Center.<br />

MURPH HENDERSON<br />

The PEW Center for Arts & Heritage<br />

Program Specialist, <strong>Philadelphia</strong> Theatre Initiative<br />

1608 Walnut St. 18th Floor, <strong>Philadelphia</strong>, PA 19103<br />

phone (267) 350-4940 fax (267) 350-4997<br />

mhenderson@pcah.us<br />

JEONG-AH HEO<br />

Korea Arts Management Service<br />

Market Development<br />

B1F Daehangno Arts Theater, 1-67 Dongsung-dong, Jongno-gu, Seoul, Korea 110-809<br />

phone +82 2 708 2287 fax +82 2 708 2243<br />

1107na@gokams.or.kr<br />

Korea Arts Management Service (KAMS), established <strong>in</strong> January 2006, is a branch organization of the<br />

M<strong>in</strong>istry of Culture, Sports, and Tourism of South Korea. KAMS offers multifaceted assistance <strong>in</strong><br />

<strong>in</strong>ternational exchanges, human resources tra<strong>in</strong><strong>in</strong>g, research, and consultancy for arts groups and arts<br />

organizations <strong>in</strong> order to promote more effective arts management <strong>in</strong> Korea.<br />

F. JOHN HERBERT<br />

Legion Arts<br />

Executive Director<br />

1103 Third Street SE, Cedar Rapids, IA 52401<br />

phone (319) 364-1580 fax 319/362-9156<br />

john@legionarts.org<br />

F. John Herbert is co-founder and executive director of Legion Arts, an Iowa nonprofit dedicated to<br />

contemporary artists, community development, and cultural diversity, and a long-time NPN Partner.<br />

Based at CSPS, a renovated Czech social hall <strong>in</strong> downtown Cedar Rapids, Legion Arts ma<strong>in</strong>ta<strong>in</strong>s<br />

vigorous present<strong>in</strong>g programs <strong>in</strong> the visual and perform<strong>in</strong>g arts.<br />

KATIE HERRON HERRON ROBB<br />

Pangea World Theater<br />

Office Manager/Ensemble Member<br />

711 West Lake Street, M<strong>in</strong>neapolis, MN 55408


phone (612) 822-0015 fax (612) 821-1070<br />

katie@pangeaworldtheater.org<br />

NPN's <strong>2012</strong> <strong>Annual</strong> <strong>Meet<strong>in</strong>g</strong> <strong>in</strong> <strong>Philadelphia</strong> Attendees / Page 47 of 115<br />

Katie is office manager of Pangea World Theater and has been with the company s<strong>in</strong>ce 2000. As a<br />

perform<strong>in</strong>g ensemble member of Pangea World Theater, she has acted <strong>in</strong> numerous productions, most<br />

recently creat<strong>in</strong>g a solo show "Solo Flight" for the Alternate Visions Series. Her solo performance<br />

"Mirror, Mirror" was commissioned <strong>in</strong> 2006 by the Naked Stages program at Intermedia Arts, funded<br />

by the Jerome Foundation. She graduated from the University of M<strong>in</strong>nesota with a B.A. <strong>in</strong> theatre arts<br />

and m<strong>in</strong>or <strong>in</strong> mathematics, and also tra<strong>in</strong>ed with the Fl<strong>in</strong>ders Drama Centre <strong>in</strong> Adelaide, Australia and<br />

DAH Teatar <strong>in</strong> Belgrade, Serbia and Montenegro. Katie is on the executive committee of the<br />

M<strong>in</strong>nesota Association for Experiential Learn<strong>in</strong>g (MAFEL) as membership coord<strong>in</strong>ator.<br />

CHAD HERZOG<br />

Juniata College<br />

Director of the Perform<strong>in</strong>g Arts<br />

1700 Moore Street, Hunt<strong>in</strong>gdon, PA 16652<br />

phone 814-641-3608<br />

herzogc@juniata.edu<br />

RODNEY HILL<br />

Rennie Harris RHAW<br />

Company Manager<br />

P.O.Box 1254, Sharon Hill, PA 19079<br />

phone 267-236-4097<br />

igetrhaw@gmail.com<br />

Conceived <strong>in</strong> 2007, founder Rennie Harris orig<strong>in</strong>ally founded Rennie Harris Awe-<strong>in</strong>spir<strong>in</strong>g Works as a<br />

youth organization driven by community outreach, education i.e. lectures and classes, as well as<br />

mentorship. Harris' <strong>in</strong>spiration for this youth driven company was <strong>in</strong>spired by the overwhelm<strong>in</strong>g<br />

<strong>in</strong>terest from teens and young adults to jo<strong>in</strong> his <strong>in</strong>ternationally renowned company Rennie Harris<br />

Puremovement. Ultimately RHAW is a perfessional company that will teach its pre-professional<br />

dancers: professionalism, production, Street Dance History, technique <strong>in</strong> the various styles of street<br />

dance, such as but not limited to, Campbell Lock<strong>in</strong>g, Popp<strong>in</strong>g & Boogaloo, B-boy/girl, House and Hip<br />

hop dance. RHAW will usher <strong>in</strong> Rennie Harris' newest and brightest street dancers.<br />

KENYATTA A.C. HINKLE<br />

4717 Elmwood Ave #105, Valencia, CA 91355<br />

phone (443) 248-5364<br />

kenyattah<strong>in</strong>kle@alum.calarts.edu


NPN's <strong>2012</strong> <strong>Annual</strong> <strong>Meet<strong>in</strong>g</strong> <strong>in</strong> <strong>Philadelphia</strong> Attendees / Page 48 of 115<br />

Interdiscipl<strong>in</strong>ary visual artist, performer and writer, Kenyatta A.C. H<strong>in</strong>kle, was born <strong>in</strong> the West End of<br />

Louisville, KY and is a descendant of Kentifrica. She received her B.F.A from the Maryland Institute<br />

College of Art <strong>in</strong> Pa<strong>in</strong>t<strong>in</strong>g. She is also an alumna of the New York Studio AICAD Program. H<strong>in</strong>kle has<br />

exhibited work at American University <strong>in</strong> Wash<strong>in</strong>gton D.C., Project Row Houses <strong>in</strong> Houston, TX, The<br />

Hammer Museum, and The Barnsdall Theater and was the youngest artist to participate <strong>in</strong> the Made <strong>in</strong><br />

LA <strong>2012</strong> Biennial. H<strong>in</strong>kle is the recipient of many awards and honors <strong>in</strong>clud<strong>in</strong>g the Jacob K. Javits<br />

Full Fellowship for Graduate Study (2009), The <strong>National</strong> Scholastics Excellence <strong>in</strong> Art Silver Portfolio<br />

Award (2005), and the Emerg<strong>in</strong>g Leader Award (2007) from the Maryland Institute College of Art.<br />

MAKOTO HIRANO<br />

Team Sunsh<strong>in</strong>e <strong>Performance</strong> Corporation<br />

Co-Founder<br />

1170 South Broad Street, <strong>Philadelphia</strong>, PA 19146<br />

phone (773) 988-3508<br />

mgunr@msn.com<br />

Makoto Hirano is an award-w<strong>in</strong>n<strong>in</strong>g <strong>Philadelphia</strong>-based choreographer and performer. His solo and<br />

ensemble dance-theatre works have been presented by numerous national venues and festivals<br />

<strong>in</strong>clud<strong>in</strong>g Yale University, <strong>National</strong> Asian American Theater Festival, and <strong>Philadelphia</strong> Live Arts<br />

Festival. Performer highlights <strong>in</strong>clude work with Bill Irw<strong>in</strong>, Pig Iron Theatre Company, and Subcircle.<br />

In 2008, Hirano co-founded the versatile Team Sunsh<strong>in</strong>e <strong>Performance</strong> Corporation, dedicated to<br />

creat<strong>in</strong>g unique, hybrid events grounded <strong>in</strong> physical theatre. In addition to perform<strong>in</strong>g, Hirano is a<br />

Facilitator with Artists U, a 9-month professional development program for performance artists. A<br />

former-U.S. Mar<strong>in</strong>e, Hirano earned his BFA <strong>in</strong> Dance at Temple University.<br />

MAORI KARMAEL HOLMES<br />

Leeway Foundation<br />

Associate Director<br />

1315 Walnut Street, Suite 832, <strong>Philadelphia</strong>, PA 19107<br />

phone 215-545-4078 fax 215-545-4021<br />

maori@leeway.org<br />

Maori Karmael Holmes is a filmmaker, writer, curator and producer. She has taught at Scribe Video<br />

Center, Temple University and Villanova University. She is a recipient of grants and awards from<br />

Independence Media, Leeway Foundation, Pennsylvania Council on the Arts, and Women's Way.<br />

Maori is the found<strong>in</strong>g artistic director of the BlackStar Film Festival and was named a Creative<br />

Ambassador by the Greater <strong>Philadelphia</strong> Tourism Market<strong>in</strong>g Corporation. She currently works as the<br />

associate director at the Leeway Foundation.


ADAM HOROWITZ<br />

The Future Project<br />

302 Butler St, Brooklyn, NY 11217<br />

phone 4136588379 fax 4136588379<br />

adam.s.horowitz@gmail.com<br />

ANDREW MICHAEL HORWITZ<br />

Culturebot<br />

Founder and Director<br />

414 E. 58th St. #C4, New York, NY 10022<br />

phone 9172083703<br />

amhnyc@gmail.com<br />

NPN's <strong>2012</strong> <strong>Annual</strong> <strong>Meet<strong>in</strong>g</strong> <strong>in</strong> <strong>Philadelphia</strong> Attendees / Page 49 of 115<br />

Andrew Horwitz is the founder of Culturebot.org, the lead<strong>in</strong>g website devoted to contemporary<br />

perform<strong>in</strong>g arts, culture and ideas. Culturebot provides a platform for conversation, foster<strong>in</strong>g new<br />

voices <strong>in</strong> critical writ<strong>in</strong>g and support<strong>in</strong>g thoughtful <strong>in</strong>vestigation of art and artists work<strong>in</strong>g across<br />

discipl<strong>in</strong>es. Launched <strong>in</strong> December 2003 from <strong>Performance</strong> Space 122, it has cont<strong>in</strong>ued <strong>in</strong>dependently<br />

s<strong>in</strong>ce 2007. Andrew is currently the curator of The River To River Festival <strong>in</strong> NYC. He worked at<br />

PS122 from 200-2007 and from 2007-2009 curated the PRELUDE Festival at the Mart<strong>in</strong> E. Segal<br />

Theater Center at the Graduate Center at CUNY. Andrew frequently serves as a panelist for arts<br />

organizations and funders. He also works with artists and organizations on strategic plann<strong>in</strong>g and<br />

project development.<br />

HEIDI S. HOWARD<br />

7 Stages<br />

Ed Director / Prod Manager<br />

1105 Euclid Avenue, NE, Atlanta, GA 30307<br />

phone (404) 522-8602 fax (404) 522-0913<br />

heidi@7stages.org<br />

Heidi S Howard is 7 Stages' ed director and prod manager, soon to be artistic director. Her favorites<br />

<strong>in</strong>clude Dracula, The Rock Opera, Klassvack's Dreamatorium, If the Art Fits YC 07, Maria Kizito, and<br />

HAIR. She has toured the USA, Serbia and Ch<strong>in</strong>a. She studied direct<strong>in</strong>g with the L<strong>in</strong>coln Center<br />

Director's Lab and DAH Tra<strong>in</strong><strong>in</strong>g <strong>in</strong> Serbia. She received the TCG Observership and Future<br />

Collaborations grants to travel to The Netherlands, and the International Travel Grant to cont<strong>in</strong>ue work<br />

with DAH. Serv<strong>in</strong>g as the NPN rep and work<strong>in</strong>g alongside AD Del Hamilton, she develops residencies<br />

with world-renowned, nationally acclaimed, and local artists. "Theatre is a collaborative sport, by<br />

reach<strong>in</strong>g across the table to create, we rem<strong>in</strong>d ourselves the peace is possible regardless of our<br />

differences."


JENNY A. HOWELL<br />

<strong>National</strong> <strong>Performance</strong> Network / Visual Artists Network<br />

Program Assistant - Conven<strong>in</strong>gs<br />

PO Box 56698, New Orleans, LA 70156-6698<br />

phone (504) 595-8008 fax 504-595-8006<br />

jenny@npnweb.org<br />

JESSICA RENEE HUANG<br />

Pangea World Theater<br />

Development Associate<br />

711 West Lake Street, M<strong>in</strong>neapolis, MN 55408<br />

phone (612) 822-0015 fax 612-821-1070<br />

jessica@pangeaworldtheater.org<br />

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Jessica Huang has worked at Pangea World Theater as the development associate for the past year, and<br />

as an artist s<strong>in</strong>ce 2009. She was a recipient of the Playwrights' Center's Many Voices Fellowship <strong>in</strong> FY<br />

2011-<strong>2012</strong>, and was an artist <strong>in</strong> residence for the Red Eye Collaborative's Works <strong>in</strong> Progress series <strong>in</strong><br />

2010. Huang is a co-founder and core writer of The Unit Collective, a diverse community of<br />

under-represented theater professionals who nurture, develop, advocate and produce new work, and<br />

who produce Madness, a monthly even<strong>in</strong>g of short plays. Huang's ten-m<strong>in</strong>ute play, "Mermaids" was a<br />

f<strong>in</strong>alist for the KCACTF <strong>National</strong> Short Play Contest <strong>in</strong> 2009. She graduated with a degree <strong>in</strong><br />

journalism from the University of Missouri <strong>in</strong> 2009.<br />

GERMAINE INGRAM<br />

1706 W. Girard Avenue, <strong>Philadelphia</strong>, PA 19130<br />

phone (215) 701-6136<br />

germ<strong>in</strong>g_5165@yahoo.com<br />

Germa<strong>in</strong>e Ingram is a percussive dancer, choreographer, and vocal improviser. Her current projects<br />

<strong>in</strong>volve multidiscipl<strong>in</strong>ary performance pieces that uncover hidden narratives related to local history and<br />

collective memory. She recently launched a professional learn<strong>in</strong>g communty of percussive dancers and<br />

dance improvisers who use history, collective memory, and social justice as content for their work. Her<br />

research, development, and performance work has been supported by the Pew Center for Arts &<br />

Heritage, the NEA, the Independence Foundation, the Haas Foundation, the Leeway Foundation, the<br />

Pa Council Humanities Council, and the Pa Council on the Arts. She was a 2010 Pew Fellow <strong>in</strong> the<br />

Arts.


DANA ANNE IOVA-KOGA<br />

<strong>in</strong>kBoat<br />

Dancer<br />

351 Shotwell St, San Francisco, CA 94110<br />

phone 510-295-9805<br />

daisy@<strong>in</strong>kboat.com<br />

SHINICHI MOMO IOVA-KOGA<br />

<strong>in</strong>kBoat<br />

Artistic Director<br />

351 Shotwell Avenue, San Francisco, CA 94110<br />

phone 415-992-7705<br />

momoio@<strong>in</strong>kboat.com<br />

NPN's <strong>2012</strong> <strong>Annual</strong> <strong>Meet<strong>in</strong>g</strong> <strong>in</strong> <strong>Philadelphia</strong> Attendees / Page 51 of 115<br />

Japanese and European avant-garde developments from the 1960's form the core of Sh<strong>in</strong>ichi's aesthetic<br />

and physical tra<strong>in</strong><strong>in</strong>g. His <strong>in</strong>tensive collaborations from 1997 to 2005 <strong>in</strong> Berl<strong>in</strong> and Tokyo have been<br />

greatly <strong>in</strong>fluential and cont<strong>in</strong>ue to provide a counterpo<strong>in</strong>t to a San Francisco perspective. Today,<br />

Japanese traditional and martial arts <strong>in</strong>form the rigor that Sh<strong>in</strong>ichi applies to his teach<strong>in</strong>g and creative<br />

process as he ma<strong>in</strong>ta<strong>in</strong>s the operation and artistic life of the San Francisco based performance company<br />

<strong>in</strong>kBoat, founded <strong>in</strong> 1998. Sh<strong>in</strong>ichi currently teaches dance at Mills College <strong>in</strong> Oakland, CA. He and<br />

his wife Dana run <strong>in</strong>kGround, a venue and studio for explor<strong>in</strong>g dance <strong>in</strong> natural environments on the<br />

Lost Coast of California.<br />

GAYLE ISA<br />

Asian Arts Initiative<br />

Executive Director<br />

1219 V<strong>in</strong>e Street, <strong>Philadelphia</strong>, PA 19107-1111<br />

phone (215) 557-0455 fax 215-557-9531<br />

gayle@asianarts<strong>in</strong>itiative.org<br />

CANDACE JACKSON<br />

Leverag<strong>in</strong>g Investments <strong>in</strong> Creativity<br />

Manag<strong>in</strong>g Director<br />

237 West 35th Street Suite 1202, New York, NY 10001<br />

phone 6467313275<br />

sh<strong>in</strong>@l<strong>in</strong>cnet.net


JEFFERSON JAMES<br />

Contemporary Dance Theater, Inc.<br />

Artistic & Executive Director<br />

744 Betula Ave., C<strong>in</strong>c<strong>in</strong>nati, OH 45229<br />

phone (513) 591-2557 fax (513) 281-6450<br />

jfrsonj@aol.com<br />

NPN's <strong>2012</strong> <strong>Annual</strong> <strong>Meet<strong>in</strong>g</strong> <strong>in</strong> <strong>Philadelphia</strong> Attendees / Page 52 of 115<br />

Jefferson James founded Contemporary Dance Theater <strong>in</strong> 1972. She moved to C<strong>in</strong>c<strong>in</strong>nati from NYC<br />

and is a past member and chair of C<strong>in</strong>c<strong>in</strong>nati Arts Allocation Committee and the Regional Cultural<br />

Plann<strong>in</strong>g Committee of OH, KY & IN. Ms. James has received the Ohio Governor's Award <strong>in</strong> Arts<br />

Adm<strong>in</strong>istration, the OhioDance Award and the Scripps-Corbett Lifetime Achievement Award. She<br />

served on the board of OhioDance for six years and is celebrat<strong>in</strong>g the 40th Anniversary of CDT this<br />

year. Dur<strong>in</strong>g those 40 years, Ms. James has presented over 225 dance presentations and overseen<br />

numerous productions of new work. She has received choreography fellowships from the NEA and the<br />

Ohio Arts Council. She is currently chair of the Greater C<strong>in</strong>c<strong>in</strong>nati Dance Alliance, a network<strong>in</strong>g and<br />

service org. for dance.<br />

FREDRICA JARCHO<br />

215 West 101st Street, New York, NY 10025-5051<br />

phone 9176967089<br />

fjarcho@gmail.com<br />

EMILY AUGUST JOHNSON<br />

Catalyst<br />

Director/ Choreographer<br />

P.O. Box 18262, M<strong>in</strong>neapolis, MN 55418<br />

phone (612) 597-7400 fax n/a<br />

emily@catalystdance.com<br />

KELLE SHAMENA JOLLY<br />

Carpetbag Theatre, Inc.<br />

Cast Member<br />

135 E.Scott Avenue, Knoxville, TN 37917<br />

phone 865-622-7174 fax 865-544-0447<br />

myjollyboy@gmail.com<br />

Kelle Jolly is a graduate of South Carol<strong>in</strong>a State University, where she earned a B.S. <strong>in</strong> music<br />

education with concentrations <strong>in</strong> voice. She currently resides <strong>in</strong> Knoxville, TN where she works <strong>in</strong> the


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community as a s<strong>in</strong>ger, actress, organizer and fashion designer. Kelle Jolly is an ensemble member of<br />

The Carpetbag Theatre. She is currently explor<strong>in</strong>g puppetry arts. Ms. Jolly's <strong>in</strong>fectious stage presence<br />

and unique style demonstrates a hybrid of sensitive song styl<strong>in</strong>g with conservative bursts of courageous<br />

musical creativity. She can surprise with anyth<strong>in</strong>g from passionate ethno-rhythmic scat s<strong>in</strong>g<strong>in</strong>g to<br />

whistle tones to comedy. www.kellejolly.com<br />

LELA AISHA JONES<br />

FlyGround<br />

Founder - Artistic Director<br />

806 69th Avenue 2nd Floor, <strong>Philadelphia</strong>, PA 19126<br />

phone 8504599021<br />

flyground@gmail.com<br />

Lela Aisha Jones is a native of Tallahassee, Florida and is at home when creat<strong>in</strong>g. While <strong>in</strong> movement<br />

she found her entry po<strong>in</strong>t as an artist, she cannot be def<strong>in</strong>ed by one discipl<strong>in</strong>e or practice; her<br />

experiences have lead to a more nomadic existence. She is the founder of FlyGround - her creative<br />

home, co-founder of The Requisite Movers, and the development coord<strong>in</strong>ator for, as a well as a<br />

member of, Mascher Space Co-op. Lela walks with her transitioned, as well as liv<strong>in</strong>g, family; she is<br />

humbled and so thankful for all those who have nurtured her, especially her grandfather, mom, dad,<br />

and sister.<br />

RHODESSA JONES<br />

Cultural Odyssey<br />

Co-Artistic Director<br />

P.O. Box 156680, San Francisco, CA 94115<br />

phone (415) 292-1850 fax (415) 346-9163<br />

rhodessa@culturalodyssey.org<br />

RHODESSA JONES is co-artistic director of the San Francisco acclaimed performance company<br />

Cultural Odyssey. She is an actress, teacher, s<strong>in</strong>ger, and writer. Ms. Jones is also the director of the<br />

award w<strong>in</strong>n<strong>in</strong>g Medea Project: Theater for Incarcerated Women, which is a performance workshop that<br />

is designed to achieve personal and social transformation with <strong>in</strong>carcerated women. Rhodessa was<br />

most recently selected as an "Arts Envoy" by the U.S. Department of State to conduct an <strong>in</strong>ternational<br />

six-week residency/workshop process <strong>in</strong>side the Naturena Women's Prison <strong>in</strong> Johannesburg, South<br />

Africa. In December of 2007 Ms. Jones received a United States Artist Fellowship to support her work.<br />

Rhodessa is currently direct<strong>in</strong>g a "re-mix" of Sekou Sundiata's "Bless<strong>in</strong>g the Boats."<br />

GRETCHEN JUDE<br />

<strong>in</strong>kBoat


<strong>in</strong>kBoat<br />

<strong>in</strong>kBoat, San Francisco, CA 94606<br />

phone 510-779-7101<br />

gretchenjude@gmail.com<br />

ALBERTO JUSTINIANO<br />

Teatro del Pueblo<br />

Artistic Director<br />

209 Page Street W. Suite 208, Sa<strong>in</strong>t Paul, MN 55107<br />

phone (651) 224-8806<br />

al@teatrodelpueblo.org<br />

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Al Just<strong>in</strong>iano is a filmmaker, playwright and theater artist affiliated with Teatro del Pueblo a Lat<strong>in</strong>o<br />

professional theater <strong>in</strong> St. Paul, M<strong>in</strong>nesota. As a playwright, he has written series of 12 children plays,<br />

musical plays and full-length stage play of which eight have been produced at Stepp<strong>in</strong>g Stone theater,<br />

The Wellstone Center and Teatro del Pueblo. He is a work<strong>in</strong>g artist <strong>in</strong> addition to serv<strong>in</strong>g as producer<br />

and artistic director at Teatro del Pueblo. He has studied and <strong>in</strong>vestigated the dynamics and art of<br />

collaboration for the past 21 years. He has been the recipient of The Many Voices Fellowship at the<br />

playwright Center <strong>in</strong> M<strong>in</strong>neapolis and Leadership <strong>in</strong> the Art award.<br />

KENNEDY KABASARES<br />

Asian Arts Initiative<br />

1219 V<strong>in</strong>e Street, <strong>Philadelphia</strong>, PA 19107<br />

phone 2136183223<br />

kennedy@imjustaguy.com<br />

CHRIS ELI KAMINSTEIN<br />

Goat <strong>in</strong> the Road Productions<br />

Co-Artistic Director<br />

3400 Dauph<strong>in</strong>e St., New Orleans, LA 70117-6244<br />

phone (610) 220-6739<br />

ckam<strong>in</strong>ste<strong>in</strong>@gmail.com<br />

Chris Kam<strong>in</strong>ste<strong>in</strong> is an actor, writer, director and co-artistic director of the New Orleans-based<br />

performance ensemble Goat <strong>in</strong> the Road. Over the past few years Goat <strong>in</strong> the Road has made a series of<br />

pieces that take a humorous/fantastical/all-too-real approach to our American political myths, <strong>in</strong>clud<strong>in</strong>g<br />

the critically acclaimed "Our Man." In addition to his work with Goat <strong>in</strong> the Road, Kam<strong>in</strong>ste<strong>in</strong> is an


NPN's <strong>2012</strong> <strong>Annual</strong> <strong>Meet<strong>in</strong>g</strong> <strong>in</strong> <strong>Philadelphia</strong> Attendees / Page 55 of 115<br />

improviser with The New Movement Theater, and an arts-<strong>in</strong>tegration teacher <strong>in</strong> the New Orleans<br />

school system. Goat <strong>in</strong> the Road has received fund<strong>in</strong>g through NPN’s Perform<strong>in</strong>g Americas Program<br />

for its ongo<strong>in</strong>g collaboration with Guatemalan theater group Artzenico.<br />

PEILING KAO<br />

<strong>in</strong>kBoat<br />

Performer<br />

351 Shotwell, San Francisco, CA 94110<br />

phone 510-579-7079<br />

kpl6226@gmail.com<br />

JAMES KASS<br />

Youth Speaks, Inc./ The Liv<strong>in</strong>g Word Project<br />

Executive Director<br />

1663 Mission Street, Suite 604, San Francisco, CA 94103<br />

phone 415.255.9035 ext 11 fax 415.255.9065<br />

jkass@youthspeaks.org<br />

TRACI AKEMI KATO-KIRIYAMA<br />

Artists Exchange<br />

Co-Director<br />

16011 Halldale Avenue, Gardena, CA 90247<br />

phone (323) 868-6532<br />

traciakemi@gmail.com<br />

...multidiscipl<strong>in</strong>ary perform<strong>in</strong>g artist; actor; author & columnist; educator; community organizer.<br />

Tour<strong>in</strong>g s<strong>in</strong>ce 1996 throughout the States and <strong>in</strong> Toronto to countless venues from theatres & festivals<br />

to universities, libraries & nightclubs - <strong>in</strong> projects with a heavy emphasis on collaborative & ensemble<br />

work. Whether comment<strong>in</strong>g on L.A. & love, peace or polyamory, commission hear<strong>in</strong>gs or croissants,<br />

traci's work strives to dig underneath the surface to draw out desire, struggle & connection present <strong>in</strong><br />

any situation. Current <strong>in</strong>cl: "PULL: Tales of Obsession" (theatre, CCI-award); work on second book of<br />

poetry for 2013 (Writ Large Press); "Wellness & the AA Community" (teach<strong>in</strong>g artist, Claremont<br />

Colleges); Tuesday Night Project director (art+community space); Madele<strong>in</strong>e (Fly<strong>in</strong>g Platforms band).<br />

JESSE M KELLER<br />

The Yard<br />

Resident Director of Island Programs & Education, Co-Producer<br />

PO Box 405, Chilmark, MA 02535


phone 508-645-9662<br />

jessekeller@dancetheyard.org<br />

ARNOLD JOSEPH KEMP<br />

537 Metropolitan Avenue #502, Brooklyn, NY 11211<br />

phone (415) 218-9541<br />

ajkemp2@earthl<strong>in</strong>k.net<br />

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ARNOLD J. KEMP was recently named Chair of the Master <strong>in</strong> F<strong>in</strong>e Arts <strong>in</strong> Visual Studies Program at<br />

Pacific Northwest College of Art. He has received awards from Pr<strong>in</strong>ted Matter, Art Matters, the Joan<br />

Mitchell Foundation, Pollock-Krasner Foundation, and Artadia Fund for Art, and the John Simon<br />

Guggenheim Foundation. His works are <strong>in</strong> the collections of the Berkeley Art Museum, The<br />

Metropolitan Museum of Art, The Tacoma Art Museum, The F<strong>in</strong>e Arts Collection, UC Davis and the<br />

Studio Museum <strong>in</strong> Harlem.<br />

KERRY KENNEDY<br />

Diaspora Vibe Cultural Arts Incubator<br />

Grants Writer<br />

686 N 56 street, Miami, FL 33137<br />

phone 954-235-8041<br />

kerrkenn@yahoo.com<br />

Kerry Kennedy lives <strong>in</strong> Syracuse and Ft. Lauderdale. She holds a BA <strong>in</strong> psychology and a MA <strong>in</strong> art<br />

history. Kerry is a writer/playwright and has worked with both artists/the public to create projects that<br />

affect the community. Ms. Kennedy's primary goal is to provide audiences with access to the arts/arts<br />

education, through public art, performance and workshops. Kerry Kennedy has a great deal of<br />

experience with cultural <strong>in</strong>stitutions. She has worked with museums, botanical gardens, historic homes,<br />

public art programs, perform<strong>in</strong>g arts organizations and provides community development facilitation.<br />

KRISTAN ELIZABETH KENNEDY<br />

Portland Institute for Contemporary Art<br />

Visual Art Program Director<br />

415 SW 10th AVENUE, SUITE 300, Portland, OR 97205<br />

phone (503) 242-1419 fax 5032421419<br />

kristan@pica.org<br />

Kristan Kennedy is an artist and a curator and educator based <strong>in</strong> Portland, Oregon. Kennedy has been<br />

work<strong>in</strong>g for the Portland Institute for Contemporary Art s<strong>in</strong>ce 2003 where she works with artists to<br />

develop projects through residencies , commissions, exhibitions and publications. Kennedy is


NPN's <strong>2012</strong> <strong>Annual</strong> <strong>Meet<strong>in</strong>g</strong> <strong>in</strong> <strong>Philadelphia</strong> Attendees / Page 57 of 115<br />

represented by Fourteen30 Contemporary, teaches Contemporary Art History at Portland State<br />

University and curates the PSU MFA Studio Practice Visit<strong>in</strong>g Artist and Lecture Series. She is a<br />

Curatorial Advisor for the Artist Pension Trust and exhibits and lectures about her work<br />

<strong>in</strong>ternationally.<br />

SARAH KIM<br />

The Liv<strong>in</strong>g Word Project<br />

Musician/Performer<br />

c/o 1663 Mission Street, Suite 604, San Francisco, CA 94103<br />

phone (323) 839 0796<br />

skimmusic@gmail.com<br />

SKIM is a Queens-raised, L.A.-based emcee/songwriter and activist and is a trailblazer <strong>in</strong> every way.<br />

SKIM weaves together stories of life, movement and love with her fiery rap lyrics mixed with her<br />

sultry s<strong>in</strong>g<strong>in</strong>g. She has emerged as one of the most refresh<strong>in</strong>g new artists from the Los Angeles<br />

soundscape as she flows through elements of hip hop, spoken word and Korean folk music. Her reach<br />

is cont<strong>in</strong>ually expand<strong>in</strong>g as her soulful sounds echo across the nation - whether at the Michigan<br />

Women's Music or San Francisco's Pride Festivals, at college campuses or juvenile halls, on HBO's<br />

Def Poetry or on Pacifica Radio, harmoniz<strong>in</strong>g with the Chicago Children's Choir or open<strong>in</strong>g for<br />

KRS-One. Her album For Every Tear debuted <strong>in</strong> 2006, and features iconic underground anthems<br />

"Unfamiliar" and "Long Story."<br />

SOOMI KIM<br />

Asian Arts Initiative<br />

volunteer<br />

1219 V<strong>in</strong>e Street, <strong>Philadelphia</strong>, PA 19107<br />

phone 646-326-1233<br />

soomdawg@gmail.com<br />

Soomi Kim is an actor/perform<strong>in</strong>g artist based <strong>in</strong> NYC. She performs her own work as well as work<strong>in</strong>g<br />

with other artists, mostly <strong>in</strong> the collaborative sett<strong>in</strong>g. Her pieces <strong>in</strong>clude: Lee/gendary, Dictee: bells fall<br />

a peal to sky and Chang(e) (currently <strong>in</strong> development through HERE Arts Residence Program). Her<br />

works have been featured <strong>in</strong> the <strong>National</strong> Asian American Theater Festival (NYC and LA), Culture<br />

Projectâ€s Women Center Stage Festival, HERE Arts Center and the Asian Arts Initiative.<br />

Lee/gendary won the 2009 New York Innovative Award for Outstand<strong>in</strong>g Production of a Play.<br />

JAAMIL OLAWALE KOSOKO<br />

The Philadiction Movement & anonymous bodies || art collective<br />

Co-Director


1000 South Street, Apt. C, <strong>Philadelphia</strong>, PA 19147<br />

phone 267 270 5671<br />

jaamil@anonymousbodies.org<br />

NPN's <strong>2012</strong> <strong>Annual</strong> <strong>Meet<strong>in</strong>g</strong> <strong>in</strong> <strong>Philadelphia</strong> Attendees / Page 58 of 115<br />

Jaamil Olawale Kosoko is a performance curator, poet, and performance artist. He is a <strong>2012</strong> Live Arts<br />

Brewery Fellow as a part of the <strong>Philadelphia</strong> Live Arts Festival, a 2011 Fellow as a part of the DeVos<br />

Institute of Art Management at the John F. Kennedy Center for the Perform<strong>in</strong>g Arts and a certificate<br />

candidate at the Institute for Curatorial Practice <strong>in</strong> <strong>Performance</strong> (ICPP) at Wesleyan University, is a<br />

poet, choreographer, and performance artist. He is the Co-Director of anonymous bodies, a site based<br />

performance company based <strong>in</strong> <strong>Philadelphia</strong>. His work <strong>in</strong> theater and dance has received support from<br />

The Pew Center for Arts and Heritage through Dance Advance, The <strong>Philadelphia</strong> Cultural<br />

Management Initiative, The Joyce Theater Foundation, and The <strong>Philadelphia</strong> Cultural Fund.<br />

JOHN KRAMEL<br />

Tigertail Productions, Inc.<br />

Director of Operations<br />

842 NW 9th Court, Miami, FL 33136<br />

phone 305 324 4337 fax 305 324 4337<br />

jkramel@tigertail.org<br />

JOHN KRAMEL is the Director of Operations for Tigertail. A native of Cleveland, Ohio John Kramel<br />

came to Tigertail from a long career <strong>in</strong> computer application development. He graduated from Florida<br />

International University with degrees <strong>in</strong> Computer Science and English. His passion for the arts has<br />

<strong>in</strong>volved him <strong>in</strong> theater, music and visual arts for most of his life. John volunteered for Tigertail for<br />

many years <strong>in</strong> IT, web design and event production before jo<strong>in</strong><strong>in</strong>g the staff.<br />

SARAH NAOMI KRAMER<br />

Dance Place<br />

Production Manager & Development Associate<br />

3225 8th Street NE, Wash<strong>in</strong>gton, DC 20017<br />

phone (202) 269-1600 fax 202-269-4103<br />

sarahk@danceplace.org<br />

FRAN KUMIN<br />

The PEW Center for Arts & Heritage<br />

Director, <strong>Philadelphia</strong> Theatre Initiative<br />

1608 Walnut St. 18th Floor, <strong>Philadelphia</strong>, PA 19103<br />

phone (267) 350-4940 fax (267) 350-4997<br />

fkum<strong>in</strong>@pcah.us


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Fran Kum<strong>in</strong> is the director of the <strong>Philadelphia</strong> Theatre Initiative at The Pew Center for Arts &<br />

Heritage. S<strong>in</strong>ce 1995, the <strong>in</strong>itiative has funded 209 projects, <strong>in</strong>vest<strong>in</strong>g almost $11.5 million <strong>in</strong> the<br />

artistic development of the region's professional theater. Fran previously served as a vice president of<br />

Theatre Communications Group, the national organization of the American theater, where she<br />

supervised a broad range of artistic and management programs and coord<strong>in</strong>ated that organization's<br />

research and advocacy efforts. Earlier, Fran cast close to 40 Broadway plays and 100 regional theater<br />

productions, <strong>in</strong>clud<strong>in</strong>g premieres by August Wilson, Athol Fugard, and Tom Stoppard. She is a<br />

graduate of Wellesley College and the Yale School of Drama where she later served on the faculty.<br />

DAN KIT KWONG<br />

Great Leap, Inc.<br />

<strong>Performance</strong> Artist/Video Artist<br />

1629 18th Street #10, Santa Monica, CA 90404<br />

phone (310) 453-4544<br />

dkbb12@aol.com<br />

Dan Kwong has been perform<strong>in</strong>g his solo multimedia work nationally and <strong>in</strong>ternationally s<strong>in</strong>ce 1989.<br />

His ground-break<strong>in</strong>g performances and workshops have played a key role <strong>in</strong> the development of the<br />

next generation of Asian American solo performers. In February he assumed the position of associate<br />

artistic director of Great Leap, the multicultural perform<strong>in</strong>g arts organization <strong>in</strong> Los Angeles founded<br />

by Nobuko Miyamoto. His play "Be Like Water" was produced by East West Players <strong>in</strong> 2008 and <strong>in</strong><br />

the last 3 years he has been direct<strong>in</strong>g and edit<strong>in</strong>g environmentally-themed music videos for Great Leap.<br />

He is currently develop<strong>in</strong>g a new work on the topic of Asian American s<strong>in</strong>gle motherhood, entitled<br />

"CENTER OF THE UNIVERSE."<br />

STEVE M LAMBERT<br />

Artist<br />

544 Ma<strong>in</strong> St. #9, Beacon, NY 12508<br />

phone (415) 533-3961<br />

steve@visitsteve.com<br />

Steve Lambert aims to make art for non-art audiences: work that is accessible, relevant, challeng<strong>in</strong>g,<br />

and often fun. Lambert's work has been shown everywhere from museums to protest marches<br />

nationally and <strong>in</strong>ternationally, featured <strong>in</strong> over fourteen books, four documentary films, and is <strong>in</strong> the<br />

collections of The Sheldon Museum, the Progressive Insurance Company, and the Library of Congress.<br />

Lambert has discussed his projects on NPR, the BBC, and CNN, and been featured <strong>in</strong> the New York<br />

Times, Harper's, Newsweek and others. He lives <strong>in</strong> Beacon, NY and dropped out of high school <strong>in</strong><br />

1993.


ROSIE LANGABEER<br />

1105 Gerritt St, <strong>Philadelphia</strong>, PA 19147<br />

phone 2675885916<br />

rosielangabeer@gmail.com<br />

RACHEL LASTIMOSA<br />

The Liv<strong>in</strong>g Word Project<br />

Musician/Performer<br />

c/o 1663 Mission Street, Suite 604, San Francisco, CA 94103<br />

phone 415-531-7897<br />

rmlastimosa@gmail.com<br />

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RACHEL LASTIMOSA (Musician, Dirty Boots) musician, song writer, producer, <strong>in</strong>struments: voice,<br />

keys & bass. As a member of the R&B/rock band Dirty Boots, and former member of <strong>in</strong>die rock band<br />

Creeper Lagoon, San Diego native Rachel Lastimosa has contributed to the Bay Area music scene for<br />

the past 10 years. She plays frequently at clubs and venues around the Bay Area and has toured the<br />

U.S. She's co-produced and arranged full length albums: Long Dry Cold (2006), Creeper Lagoon; No<br />

One Really Knows (2009), Conchita Campos and Where We Go (2011), Dirty Boots. Currently, she is<br />

work<strong>in</strong>g on a collaborative album with Clockwise label mate, Professor Brian Oblivion.<br />

BETTY LEACRAFT<br />

Artist / Art Education Specialist<br />

P.O. Box 42643, <strong>Philadelphia</strong>, PA 19101-2643<br />

phone 215-763-4971<br />

bettyleacraft@yahoo.com<br />

I am a shape shifter of textile forms creat<strong>in</strong>g works which blend multiple fiber processes and surface<br />

design techniques. My work is <strong>in</strong>formed by artistic and cultural traditions of Africa, the African<br />

Diaspora, and global textiles, is <strong>in</strong>spired by cultural contributions of African Americans, address<strong>in</strong>g<br />

themes of identity, heritage, nature, ritual, and cultural symbolism. In 2011 I was the recipient of a<br />

Leeway Foundation Transformation Award.<br />

REBEKAH LANAE LENGEL<br />

Miami Light Project<br />

Manag<strong>in</strong>g Producer<br />

PO Box 1048, Miami, FL 33137<br />

phone (305) 576-4350 fax (305) 576-6480<br />

rlengel@miamilightproject.com


NPN's <strong>2012</strong> <strong>Annual</strong> <strong>Meet<strong>in</strong>g</strong> <strong>in</strong> <strong>Philadelphia</strong> Attendees / Page 61 of 115<br />

Rebekah Lanae Lengel is Miami Light Project's manag<strong>in</strong>g producer and has been with the organization<br />

s<strong>in</strong>ce 2002. In 2006, Ms. Lengel was selected by the Arts & Bus<strong>in</strong>ess Council of Miami as the<br />

co-recipient of the <strong>in</strong>augural Miami Emerg<strong>in</strong>g Leaders Award; <strong>in</strong> 2005 she was recognized as a<br />

Lead<strong>in</strong>g Woman <strong>in</strong> South Florida's Urban Community by Urban America Newspaper and was, <strong>in</strong> the<br />

same year, selected by the Association of Perform<strong>in</strong>g Arts Presenters as one of 18 <strong>in</strong>dividuals across<br />

the country to participate <strong>in</strong> the 2005 Emerg<strong>in</strong>g Leaders Institute. She is currently a participant <strong>in</strong> the<br />

Arts Presenters Leadership Development Institute. Ms. Lengel is also an accomplished journalist and<br />

playwright, whose work has been published <strong>in</strong> three languages.<br />

TOBY LEVIN<br />

Robert Rauschenberg Foundation<br />

Grants Adm<strong>in</strong>istrator<br />

381 Lafayette Street, New York, NY 10003<br />

phone (212) 228-5283<br />

<strong>in</strong>fo@rauschenbergfoundation.org<br />

SHEILA LEWANDOWSKI<br />

The Chocolate Factory Theater<br />

Executive Director<br />

5-49 49th Avenue, Long Island City, NY 11101<br />

phone (718) 482-7069 fax 718 4827069<br />

sheila@chocolatefactorytheater.org<br />

MELISSA LI<br />

631 Sterl<strong>in</strong>g Place, 3L, Brooklyn, NY 11238<br />

phone (617) 818-0418<br />

melsaboo@gmail.com<br />

Melissa Li is a writer, composer, and performer based <strong>in</strong> Brooklyn. She was a recipient of the 2007<br />

Jonathan Larson Award and her first musical, Surviv<strong>in</strong>g the Nian, co-written by Abe Rybeck, was<br />

produced by The Theater Offensive that same year. She toured nationally <strong>in</strong> the band Good Asian<br />

Drivers from 2008-2010 and currently fronts the band Melissa Li and The Barely Theirs. In addition,<br />

she's co-writ<strong>in</strong>g 99% Stone, a musical based on the events lead<strong>in</strong>g up to and result<strong>in</strong>g from the<br />

Stonewall Riots, with playwright Letta Neely. She is also currently a Queer Art Mentorship fellow and<br />

will be work<strong>in</strong>g with performer/writer Moe Angelos through September 2014.<br />

STEVE D LIGGETT<br />

Liv<strong>in</strong>g Arts of Tulsa, Inc.


Artistic Director<br />

307 East Brady Street, Tulsa, OK 74120<br />

phone (918) 585-1234 fax (918) 585-1234<br />

steve@liv<strong>in</strong>garts.org<br />

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Liv<strong>in</strong>g Arts of Tulsa hosts twelve programs: Video/New Media Program, the Myers Gallery, Spoken<br />

Word Series, Contemporary Dance Program, the <strong>Performance</strong> Network, PechaKucha Tulsa, New<br />

Music, Education Program, Dance, Dia de Los Muertos Arts Festival, African Drumm<strong>in</strong>g Program,<br />

The Tulsa ArtCar Weekend as well as The New Genre Festival. Liv<strong>in</strong>g Arts became the recipient of<br />

the first award <strong>in</strong> the state of Oklahoma from the Andy Warhol Foundation for the Visual Arts and the<br />

<strong>National</strong> <strong>Performance</strong> Network. Recently the Liv<strong>in</strong>g Arts board has <strong>in</strong>creased the staff to 2 full time<br />

and contracted workers to 4 and has just started a retirement plan for the artistic director position. We<br />

have a wonderful 14,000 sq ft space for presentation and 6,000 sq ft for research/development &<br />

residency program.<br />

RENAY LOPER<br />

Center for Global Partnerships, Grassroots Exchange and Education<br />

Associate Program Officer<br />

152 W. 57th Street, 17th Floor, New York, NY 10019<br />

phone (212) 489-1255 fax (212) 489-1344<br />

renay_loper@cgp.org<br />

ABEL LOPEZ<br />

GALA Hispanic Theatre<br />

Associate Produc<strong>in</strong>g Director<br />

P.O. Box 43209, Wash<strong>in</strong>gton, DC 20010<br />

phone (202) 234-7174 fax (202) 332-1247<br />

abel@galatheatre.org<br />

MARY LUFT<br />

Tigertail Productions, Inc.<br />

Executive Director<br />

842 NW 9th Court, Miami, FL 33136<br />

phone (305) 324-4337 fax (305) 545-8546<br />

mluft@tigertail.org<br />

MARY LUFT is the founder and executive director of Tigertail Productions, a 33 year old,<br />

Miami-based not-for-profit organization that is committed to the creation and presentation of new work<br />

<strong>in</strong> music, dance, poetry and the visual arts. Ms. Luft has received numerous grants and honors


NPN's <strong>2012</strong> <strong>Annual</strong> <strong>Meet<strong>in</strong>g</strong> <strong>in</strong> <strong>Philadelphia</strong> Attendees / Page 63 of 115<br />

<strong>in</strong>clud<strong>in</strong>g a Fulbright Fellowship to Brazil and four <strong>National</strong> Endowment for the Arts Fellowships. She<br />

has served as a Hub Site for the <strong>National</strong> Dance Project and is currently a <strong>National</strong> Council Member of<br />

the Atlantic Center for the Perform<strong>in</strong>g Arts.<br />

GEORGE LUGG<br />

REDCAT/Roy and Edna Disney, CalArts Theater<br />

Associate Director<br />

631 W. 2nd Street, Los Angeles, CA 90012<br />

phone 213-237-2814 fax 213-237-2811<br />

george.lugg@calarts.edu<br />

George Lugg, associate director of the Roy and Edna Disney/CalArts Theater (REDCAT), has been<br />

work<strong>in</strong>g <strong>in</strong> the field of contemporary performance s<strong>in</strong>ce 1991. At REDCAT he oversees the<br />

implementation of a diverse array of multidiscipl<strong>in</strong>ary programm<strong>in</strong>g, serves on the curatorial team for<br />

dance and theater, coord<strong>in</strong>ates an ongo<strong>in</strong>g series for new works and works-<strong>in</strong>-progress, and produces<br />

the annual New Orig<strong>in</strong>al Works Festival. In addition to his work at REDCAT, he is currently lead<br />

program consultant <strong>in</strong> the perform<strong>in</strong>g arts for the Creative Capital Foundation (2011-<strong>2012</strong>), and a Hub<br />

Site Representative for the <strong>National</strong> Dance Project (<strong>2012</strong>-14). He has served as a member of the U.S.<br />

curatorial team for the <strong>National</strong> <strong>Performance</strong> <strong>Network's</strong> Perform<strong>in</strong>g Americas Program and numerous<br />

juries and panels.<br />

SUSIE LUNDY<br />

Youth Speaks, Inc./ The Liv<strong>in</strong>g Word Project<br />

Manager of Grants & Foundations<br />

1663 Mission Street, Suite 604, San Francisco, CA 94103<br />

phone (415) 255-9035 x21<br />

slundy@youthspeaks.org<br />

Susie Lundy is the director: grants & foundations at Youth Speaks. Susie is experienced <strong>in</strong> <strong>in</strong>stitutional<br />

development br<strong>in</strong>g<strong>in</strong>g a creative vision and a depth of experience with community-based culture. She<br />

has worked <strong>in</strong> community arts programs and taught <strong>in</strong> school and university classrooms <strong>in</strong> the Bay<br />

Area for the past fourteen years. Susie has worked with the Museum of Children's Art, Eastside Arts<br />

Alliance, Oakland Leaf, La Peña Cultural Center, and Youth Speaks, Inc. Her experience <strong>in</strong>cludes:<br />

grant writ<strong>in</strong>g and adm<strong>in</strong>istration; program development and coord<strong>in</strong>ation; budget oversight; teach<strong>in</strong>g<br />

and curriculum development; faculty professional development; and long term strategic plann<strong>in</strong>g. She<br />

has taught at the University of San Francisco and The New College <strong>in</strong> their arts education programs.<br />

ADRIENNE MACKEY<br />

Swim Pony Perform<strong>in</strong>g Arts


Founder<br />

1835 S 5th Street, <strong>Philadelphia</strong>, PA 19148<br />

phone 847-309-1266<br />

amackey1@gmail.com<br />

NPN's <strong>2012</strong> <strong>Annual</strong> <strong>Meet<strong>in</strong>g</strong> <strong>in</strong> <strong>Philadelphia</strong> Attendees / Page 64 of 115<br />

Adrienne Mackey is the founder of Swim Pony Perform<strong>in</strong>g Arts. She conceived and directed<br />

SURVIVE! - a 22,000 sq foot choose-your-own adventure <strong>in</strong>stallation of the multi-verse as well as<br />

LADY M (2011 Phila. Live Arts): an all female spectacle based on Shakespeare's Macbeth. She<br />

directed THE GIANT SQUID a Crypto-zoology-horror-comedy that will swim to the Academy of<br />

Natural Sciences as part of a $50,000 grant from the Knight Foundation. Adrienne has been a LAB<br />

Fellow and won the CEC's New Edge Residency and an Independence Foundation Fellowship (2008).<br />

Her study of alternative voice has taken her to France's Pantheatre and Roy Hart Voice Centre. She<br />

teaches at Drexel University and can be heard s<strong>in</strong>g<strong>in</strong>g 70's funk as "The Truth" on Johnny Showcase's<br />

album "Love is the Message."<br />

STEVE MACQUEEN<br />

Flynn Center for the Perform<strong>in</strong>g Arts<br />

Artistic Director<br />

153 Ma<strong>in</strong> Street, Burl<strong>in</strong>gton, VT 05401<br />

phone (802) 652-4500 fax (802) 863-8788<br />

smacqueen@flynncenter.org<br />

ARNIE MALINA<br />

Consultant<br />

111 Foster Street, Burl<strong>in</strong>gton, VT 05401<br />

phone (802) 658-9568<br />

arniemal<strong>in</strong>a@gmail.com<br />

Recently retired from the Flynn Center for the Perform<strong>in</strong>g Arts and founder of Helena Presents/Myrna<br />

Loy Center <strong>in</strong> Montana, Mal<strong>in</strong>a has been <strong>in</strong>volved with the NPN as current board member and former<br />

partner s<strong>in</strong>ce the 80's. He lives <strong>in</strong> Burl<strong>in</strong>gton Vermont and recently accepted an artistic consultant<br />

position with the Mahaiwe Performng Arts Center <strong>in</strong> Great Barr<strong>in</strong>gton, MA.<br />

JOHN DAVID MALPEDE<br />

Los Angeles Poverty Department<br />

P.O. Box 26190, Los Angeles, CA 90026<br />

phone 213-413-1077<br />

jmalfoot@aol.com


NPN's <strong>2012</strong> <strong>Annual</strong> <strong>Meet<strong>in</strong>g</strong> <strong>in</strong> <strong>Philadelphia</strong> Attendees / Page 65 of 115<br />

John Malpede, directs and performs. In 1985, Malpede founded and cont<strong>in</strong>ues to direct the Los<br />

Angeles Poverty Department (LAPD). Recent work <strong>in</strong>cludes LA Poverty Department's "Walk the<br />

Talk" and "State of Incarceration," co-directed by Malpede and Henriette Brouwers and performed at<br />

The Box Gallery, Highways <strong>Performance</strong> Space, and the Radar LA Festival; as a collaborat<strong>in</strong>g<br />

performer <strong>in</strong> Wunderbaum's "Look<strong>in</strong>g for Paul," at the REDCAT Theater and Stadsschouwburg's <strong>in</strong><br />

Rotterdam and Amsterdam; and "Bright Futures" directed by Malpede and performed by Nell Breyer,<br />

Malpede, and Tanya Selvaratnam at MIT and NYC's Performa Festival.<br />

ALISON L MANNING<br />

The Yard<br />

Associate Director & General Manager<br />

PO Box 405, Chilmark, MA 02535<br />

phone (508) 645-9662<br />

alisonmann<strong>in</strong>g@dancetheyard.org<br />

Alison L Mann<strong>in</strong>g, The Yard's manag<strong>in</strong>g director & co-producer, has been work<strong>in</strong>g with the Martha's<br />

V<strong>in</strong>eyard based arts organization for 5 years to br<strong>in</strong>g perform<strong>in</strong>g arts to the local community, and<br />

provide mean<strong>in</strong>gful residency opportunities for artists each season. In her spare time she co-directs<br />

(with partner Jesse Keller) and performs with YARDWorks, The Yard's year-round company of<br />

educators and artists, and freelances with The Peggy Sp<strong>in</strong>a Tap Company, Xodus Dance Collective,<br />

and Naomi Goldberg Haas' Dances for a Variable Population among others. Alison teaches Horton<br />

Technique at STEPS on Broadway, Peridance Capezio Center, The Yard, and The Perform<strong>in</strong>g Arts<br />

Center of Connecticut.<br />

PAULA MARINCOLA<br />

The PEW Center for Arts & Heritage<br />

Executive Director<br />

1608 Walnut St. 18th Floor, <strong>Philadelphia</strong>, PA 19103<br />

phone (267) 350-4930<br />

pmar<strong>in</strong>cola@pcah.us<br />

LOUISE PILAR MARTORANO<br />

RedL<strong>in</strong>e<br />

Deputy Director<br />

2350 Arapahoe St, Denver, CO 80205<br />

phone 303-296-4448 fax 303-296-4449<br />

louise.martorano@redl<strong>in</strong>eart.org


NPN's <strong>2012</strong> <strong>Annual</strong> <strong>Meet<strong>in</strong>g</strong> <strong>in</strong> <strong>Philadelphia</strong> Attendees / Page 66 of 115<br />

Louise Martorano holds a M.H. from The University of Colorado at Denver with a focus <strong>in</strong><br />

Contemporary Art History & Music and has ten years management experience <strong>in</strong> both for-profit and<br />

non-profit arts organizations. In addition, Martorano has four years experience <strong>in</strong> the film <strong>in</strong>dustry<br />

produc<strong>in</strong>g and fundrais<strong>in</strong>g for <strong>in</strong>dependent films that have received <strong>in</strong>ternational festival recognition <strong>in</strong><br />

Dallas, Aust<strong>in</strong>, Poland, and Denver. Presently, Martorano is the Deputy Director of RedL<strong>in</strong>e Denver, a<br />

non-profit arts organization committed to the convergence of art, community and education.<br />

VIJAY MATHEW<br />

Center for the Theater Commons<br />

Associate Director<br />

120 Boylston Street, c/o Office of the Arts, Emerson College, Boston, MA 02116<br />

phone (202) 600-4072 fax (202) 488-4056<br />

vijay@howlround.com<br />

Vijay Mathew - associate director of the Center for the Theater Commons at Emerson College - is<br />

privileged to assist a talented team by lead<strong>in</strong>g the Center's development of onl<strong>in</strong>e knowledge shar<strong>in</strong>g<br />

platforms and its notions of cultural <strong>in</strong>novation. Prior to his current position, he was the coord<strong>in</strong>ator for<br />

the NEA New Play Development Program for two years, as well as a Theater Communication Group<br />

New Generations Future Leader grant recipient under David Dower's mentorship <strong>in</strong> new work at Arena<br />

Stage <strong>in</strong> Wash<strong>in</strong>gton, DC. Vijay has a MFA from New School University and a BA from University of<br />

Chicago. Twitter: @vijay_mathew, Email: vijay (at) howlround (dot) com, Mobile: +1 917 686 3185<br />

KERYL MCCORD<br />

Alternate ROOTS<br />

Director Resource Development<br />

1083 Aust<strong>in</strong> Ave NE, Atlanta, GA 30307<br />

phone 404-577-1079 fax 404-577-7991<br />

keryl@alternateroots.org<br />

Keryl handles development and market<strong>in</strong>g for Alternate ROOTS, a regional network of progressive<br />

activist artists based <strong>in</strong> Atlanta, serv<strong>in</strong>g the fourteen states of the South. ROOTS is a regional<br />

organization with national impact and <strong>in</strong>fluence. She has been with ROOTS almost four years, and is<br />

delighted to work with an amaz<strong>in</strong>g group of artists and cultural workers from the South and across the<br />

US.<br />

KIYOKO MCCRAE<br />

Junebug Productions, Inc.<br />

Manag<strong>in</strong>g Director


phone 504-577-0732<br />

kmccrae@junebugproductions.org<br />

STEPHANIE V. MCKEE<br />

Junebug Productions, Inc.<br />

Artistic Produc<strong>in</strong>g Director<br />

P.O. Box 2331, New Orleans, LA 70176<br />

phone (917) 476-2459 fax (586) 283-2729<br />

smckee@junebugproductions.org<br />

CASSIE MEADOR<br />

Dance Exchange<br />

Artistic Director<br />

7117 Maple Avenue, Takoma Park, MD 20912<br />

phone 301-270-6700<br />

ellen@danceexchange.org<br />

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Cassie Meador is a choreographer, performer, educator and Artistic Director of the Dance Exchange.<br />

Cassie has taught and created dances <strong>in</strong> communities throughout the U.S. and <strong>in</strong>ternationally <strong>in</strong> Japan,<br />

Canada, London, Ireland, and Guyana. Born <strong>in</strong> Charleston, SC, and raised <strong>in</strong> Augusta, GA, Cassie<br />

received her B.F.A. <strong>in</strong> dance from The Ohio State University. She jo<strong>in</strong>ed the perform<strong>in</strong>g company of<br />

the Dance Exchange <strong>in</strong> 2002 and assumed the role of Artistic Director <strong>in</strong> 2011. Her current<br />

choreographic project, How To Lose a Mounta<strong>in</strong>, will <strong>in</strong>corporate a 500-mile walk from Wash<strong>in</strong>gton,<br />

D.C. to West Virg<strong>in</strong>ia to trace the sources of the energy that fuel her home. The work will premiere <strong>in</strong><br />

the spr<strong>in</strong>g of 2013.<br />

VICKI MEEK<br />

South Dallas Cultural Center<br />

Manager<br />

3400 South Fitzhugh, Dallas, TX 75206<br />

phone (214) 670-0315 fax (214) 670-8118<br />

msart55@yahoo.com<br />

Vicki Meek is a nationally recognized visual artist who has exhibited widely. She earned her bachelor<br />

of f<strong>in</strong>e arts from Tyler School of F<strong>in</strong>e Arts and her master of f<strong>in</strong>e arts from the University of<br />

Wiscons<strong>in</strong>, Madison. Ms. Meek did post-graduate work <strong>in</strong> Art History at Queens College <strong>in</strong> New York.<br />

In addition to produc<strong>in</strong>g art, Vicki Meek has a long history as a curator and is an adjunct curator for the<br />

African American Museum <strong>in</strong> Dallas. Meek has over 35 years experience <strong>in</strong> arts adm<strong>in</strong>istration and has<br />

held various teach<strong>in</strong>g positions at Brookhaven College, Kentucky State University and <strong>Philadelphia</strong>


NPN's <strong>2012</strong> <strong>Annual</strong> <strong>Meet<strong>in</strong>g</strong> <strong>in</strong> <strong>Philadelphia</strong> Attendees / Page 68 of 115<br />

College of Art. She currently manages the South Dallas Cultural Center <strong>in</strong> Dallas, Texas and is on the<br />

adjunct faculty of Southern Methodist University's Masters of Liberal Studies Program.<br />

LAURA MERAGE<br />

RedL<strong>in</strong>e<br />

Founder, Board President<br />

2350 Arapahoe St, Denver, CO 80205<br />

phone 303-296-4448 fax 303-296-4449<br />

imag<strong>in</strong>elaura@aol.com<br />

JAMIE MERWIN<br />

olive Dance Theatre<br />

Produc<strong>in</strong>g Artistic Director<br />

43 North Wiota, <strong>Philadelphia</strong>, PA 19104<br />

phone (215) 386-1411 fax (215) 386-0176<br />

olivedancetheatre@gmail.com<br />

Jamie is a <strong>Philadelphia</strong> based artist, maverick, organizer and educator. She works <strong>in</strong> community us<strong>in</strong>g<br />

hip-hop, theatre, dance and orig<strong>in</strong>al text as a medium for creativity, growth and understand<strong>in</strong>g. She<br />

collaborates often with New Orleans based Mondo Bizarro, <strong>Philadelphia</strong>'s own Spiral Q and with<br />

several liked m<strong>in</strong>ded organizations nationally and <strong>in</strong>ternationally. She leads the artist driven and<br />

focused consult<strong>in</strong>g group, Seed Management, which uses lateral strategies to guide and <strong>in</strong>form<br />

artist-adm<strong>in</strong>istrators, artist-executives, artist-managers and all other hybrid creative and cultural<br />

workers with peer to peer advice. Our goal is to advance each others' visions and navigate our missions<br />

on the open waters of capitalism <strong>in</strong> hopes to grow a global community of empowered holistic artists!<br />

KEN METZNER<br />

Kun-Yang L<strong>in</strong>/Dancers<br />

Exec Director<br />

1316 S. N<strong>in</strong>th St., <strong>Philadelphia</strong>, PA 19147<br />

phone (267) 294-8956<br />

kyldphilly@gmail.com<br />

A recover<strong>in</strong>g corporate lawyer, Ken is Executive Director of Kun-Yang L<strong>in</strong>/Dancers & its CHI<br />

Movement Arts Center <strong>in</strong> South <strong>Philadelphia</strong>. Formerly General Counsel for Saks Fifth Avenue <strong>in</strong><br />

New York City, where he practiced law for 17 years, Ken is an orda<strong>in</strong>ed Interfaith M<strong>in</strong>ister and a<br />

life-long student of Spirit. Ken received a B.S. <strong>in</strong> International Relations from Georgetown; General<br />

Course Diploma from the London School of Economics and his law degree from UVA. Ken served as<br />

a Trustee for the Alabama Ballet from 1999 to 2005 and <strong>in</strong> <strong>Philadelphia</strong> has served on the Advisory


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Board of DanceUP and as a grant panelist for the <strong>Philadelphia</strong> Cultural Fund. In <strong>2012</strong> Ken traveled to<br />

Germany and Ch<strong>in</strong>a as a delegate for American Dance Abroad at the Tanzmesse & Guangdong<br />

International Dance Festivals.<br />

WILLIAM BRYANT MILES<br />

Leverag<strong>in</strong>g Investments <strong>in</strong> Creativity<br />

Operations Coord<strong>in</strong>ator<br />

237 West 35th Street Suite 1202, New York, NY 10001<br />

phone 6467313275 fax 6467313289<br />

sh<strong>in</strong>@l<strong>in</strong>cnet.net<br />

AMANDA MILLER<br />

Miller Rothle<strong>in</strong> (MIRO)<br />

Artistic Director<br />

Girard College #160 2001 S. College Ave, <strong>Philadelphia</strong>, PA 19121<br />

phone (267) 888-6476<br />

amanda@millerrothle<strong>in</strong>.org<br />

Miller Rothle<strong>in</strong> (MIRO) creates and performs orig<strong>in</strong>al work that explores the collaborative<br />

<strong>in</strong>tersections of contemporary dance, video, and visual art. In 2004 dancer/choreographer Amanda<br />

Miller and video/visual artist Tob<strong>in</strong> Rothle<strong>in</strong> founded Miller Rothle<strong>in</strong> <strong>in</strong> order to realize their unique<br />

creative vision, and explore the <strong>in</strong>tersections of contemporary dance, video, and visual art. Miller, with<br />

ten years experience as a dancer at the Pennsylvania Ballet and choreographic studies <strong>in</strong> Europe under<br />

Siobhan Davies, is at the helm of MIRO's choreographic exploration. Rothle<strong>in</strong>, whose work as video<br />

artist and visual designer for Rennie Harris Puremovement and others has garnered <strong>in</strong>ternational<br />

accolades, oversees the company's work <strong>in</strong> comb<strong>in</strong><strong>in</strong>g dance, multi-media and visual arts.<br />

SAMUEL MILLER<br />

Lower Manhattan Cultural Council<br />

President<br />

125 Maiden Lane, 2nd Floor, New York, NY 10038<br />

phone 617-699-9402 fax 212.219.2058<br />

smiller@lmcc.net<br />

MAGGIE MILLS<br />

723 Lower State Road, North Wales, PA 19454<br />

phone 2158724700<br />

awesomezone4000@gmail.com


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In 2011, Maggie Mills was awarded a career development program fellowship at The Center for<br />

Emerg<strong>in</strong>g Visual Artists. For twelve years, she has worked to br<strong>in</strong>g a voice to artists <strong>in</strong> under-served<br />

populations through education, exhibition, and build<strong>in</strong>g partnerships with <strong>in</strong>novative artists and<br />

<strong>in</strong>stitutions. Mill's work is grounded <strong>in</strong> the depiction of contemporary ru<strong>in</strong>: the decomposition of nature<br />

and <strong>in</strong>dustry and the fragmentation of time and space due to technology. She creates scenarios <strong>in</strong> which<br />

future generations navigate these <strong>in</strong>herited spaces with little guidance. She is currently work<strong>in</strong>g on a<br />

series of pa<strong>in</strong>t<strong>in</strong>gs document<strong>in</strong>g children's <strong>in</strong>teractions with surround<strong>in</strong>g fragile ecosystems as part of a<br />

residency at the Schuylkill Center for Environmental Education.<br />

YVONNE MONTOYA<br />

Guadalupe Cultural Arts Center<br />

Program Director<br />

1300 Guadalupe Street, San Antonio, TX 78207<br />

phone (210) 271-3151 fax 210-2713480<br />

yvonnem@guadalupeculturalarts.org<br />

YVONNE MARIE MONTOYA<br />

Safos Dance Theatre<br />

Artistic Director<br />

7812 e. elida st, Tucson, AZ 85715<br />

phone (520) 481-1656<br />

ymontoyamart<strong>in</strong>ez@gmail.com<br />

Yvonne Montoya is a dancer/choreographer and director of Safos Dance Theatre <strong>in</strong> Tucson, AZ. She<br />

danced for Tucson modern dance companies FUNHOUSE movement theater, New ARTiculations<br />

Dance Theatre and Zeffirelli 8. She also worked as a commissioned artist for "Undocumented Historias<br />

<strong>in</strong> the Desert of Dreams" co-produced by the Royal Society of the Arts, UK and the Fundación<br />

México. She is currently work<strong>in</strong>g with Denise Uyehara on her project "Bus Stop Dream<strong>in</strong>g." Yvonne<br />

cont<strong>in</strong>ues to study modern dance technique with Norman Walker.<br />

TANYA MARINA MOTE<br />

El Centro Su Teatro<br />

Associate Director<br />

721 Santa Fe Drive, Denver, CO 80204-4428<br />

phone (303) 296-0219 fax (303) 296-4614<br />

tanya@suteatro.org


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Tanya Mote is the Associate Director at Su Teatro Cultural and Perform<strong>in</strong>g Arts Center. She is excited<br />

about cultural equity issues, community based arts organizations and the importance of the arts <strong>in</strong> a<br />

democracy.<br />

LISA MOUNT<br />

Artistic Logistics<br />

Director<br />

P.O. Box 602, Sautee Nacoochee, GA 30571<br />

phone (706) 839-7147 fax (866) 311-5526<br />

lqmount@earthl<strong>in</strong>k.net<br />

Lisa Mount is an <strong>in</strong>dependent arts management consultant who works with a variety of arts<br />

organizations on strategic th<strong>in</strong>k<strong>in</strong>g, organizational advancement, and creative community cultural<br />

expansion. Her company, Artistic Logistics, is a consultants' cooperative that offers a work<strong>in</strong>g<br />

relationship that's personal, participatory, egalitarian, artist-centered, and fun. She is based <strong>in</strong><br />

Sautee-Nacoochee, Georgia, one of the "100 Best Small Art Towns" <strong>in</strong> the U.S., where she produces<br />

and directs the annual community story performance "Headwaters." She served as the board chair of<br />

Alternate ROOTS from 2002-2004 and <strong>in</strong> 2008, she was named one of the 100 most <strong>in</strong>fluential<br />

Georgians by Georgia Trend Magaz<strong>in</strong>e. Lisa is a banjo player.<br />

LENELLE MOÏSE<br />

P.O. Box 1386, Northampton, MA 1061<br />

phone (413) 320-6253 fax (413) 584-9305<br />

lenelle@lenellemoise.com<br />

Lenelle Moïse is an award-w<strong>in</strong>n<strong>in</strong>g writer and <strong>in</strong>ternationally-tour<strong>in</strong>g performance artist. She creates<br />

jazz-<strong>in</strong>fused, politicized texts about Haitian-American identity and the <strong>in</strong>tersection of race, class,<br />

gender, sexuality and magic. In addition to featured solo performances <strong>in</strong> venues as diverse as the<br />

Louisiana Superdome and the United Nations, Lenelle regularly performs her acclaimed<br />

autobiographical one-woman show "Womb-Words, Thirst<strong>in</strong>g" at theatres and colleges across the USA.<br />

She was the fifth Poet Laureate of Northampton, MA, the Spr<strong>in</strong>g <strong>2012</strong> Visit<strong>in</strong>g Perform<strong>in</strong>g Artist<br />

Fellow <strong>in</strong> African & African Diaspora Studies at UT Aust<strong>in</strong>, and the Spr<strong>in</strong>g 2011 Mellon<br />

Artist-<strong>in</strong>-Residence <strong>in</strong> <strong>Performance</strong> Studies at Northwestern University. www.lenellemoise.com<br />

LB MUNOZ<br />

Real Art Ways<br />

Chief Vibe Officer<br />

56 Arbor Street, Hartford, CT 06106


phone (860) 232-1006 fax 860-233-6691<br />

lbmunoz@realartways.org<br />

KIRK MURPHY<br />

Sandglass Theater<br />

Adm<strong>in</strong>istrator<br />

Po Box 970, Putney, VT 05346<br />

phone 802-387-4051<br />

kirk@sandglasstheater.org<br />

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Kirk Murphy works with Sandglass Theater as office adm<strong>in</strong>istrator, as well as performer. Kirk traveled<br />

with Sandglass to Cambodia <strong>in</strong> 2005 for the collaborative Story of the Dog project with Savanna Phum<br />

of Phnom Penh. He is currently a co-creator and performer <strong>in</strong> D-Generation: an Exaltation of Larks,<br />

Sandglass' newest production.<br />

TAIYO NA<br />

The Liv<strong>in</strong>g Word Project<br />

Performer<br />

c/o 1663 Mission Street, Suite 604, San Francisco, CA 94103<br />

phone 646-279-5714<br />

taiyo.na@gmail.com<br />

TAIYO NA Honored <strong>in</strong> 2010 by Governor David A. Paterson and the State of New York for his<br />

"legacy of leadership to the Asian American community and the Empire State," Taiyo Na is a s<strong>in</strong>ger,<br />

songwriter, MC, producer and actor. His critically acclaimed debut album Love is Growth (Issilah<br />

Productions, 2008) features the song "Lovely To Me (Immigrant Mother)," whose music video was<br />

heralded by MTV Iggy as "the realest th<strong>in</strong>g seen <strong>in</strong> a while." In 2010 & 2011, he released the albums<br />

Home:Word & Home:Word [Deluxe Edition] with hip-hop duo Magnetic North. The title track off<br />

those albums was released as a s<strong>in</strong>gle <strong>in</strong> Japan <strong>in</strong> March 2011 and hit #2 on their iTunes Hip- Hop<br />

charts. The albums also <strong>in</strong>cluded the music videos "Summertime, "I Got My," "Fukushima," and<br />

"Home: Word," which was directed by Wong Fu Productions.<br />

SARA CRAWFORD NASH<br />

New England Foundation for the Arts<br />

Program Manager, <strong>National</strong> Dance Project<br />

145 Tremont St., 7th Floor, Boston, MA 02111<br />

phone 617-951-0010 x512 fax 617-951-0016<br />

snash@nefa.org


MEENA NATARAJAN<br />

Pangea World Theater<br />

Executive/Literary Director<br />

711 West Lake Street, M<strong>in</strong>neapolis, MN 55408<br />

phone (612) 822-0015 fax (612) 821-1070<br />

meena@pangeaworldtheater.org<br />

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Meena Natarajan is a playwright and director and the executive and literary director of Pangea World<br />

Theater, a progressive, <strong>in</strong>ternational ensemble space for arts and dialogue. She has led the theater's<br />

growth s<strong>in</strong>ce its found<strong>in</strong>g <strong>in</strong> 1995. She serves on the boards of NPN and the Consortium of Asian<br />

American Theater and Artists. She was on the advisory council of the Community Arts Network and is<br />

past president of Women Playwrights International. She has written several full-length works for<br />

Pangea, rang<strong>in</strong>g from adaptations of poetry and mythology to orig<strong>in</strong>al works deal<strong>in</strong>g with war,<br />

spirituality, personal and collective memory.<br />

LETTA SIMONE NEELY<br />

20 Annabel, Apt 1, Dorchester, MA 02125<br />

phone (617) 367-8611<br />

lettaneely30@gmail.com<br />

LISA NELSON HAYNES<br />

Pa<strong>in</strong>ted Bride Art Center<br />

Associate Director<br />

230 V<strong>in</strong>e Street, <strong>Philadelphia</strong>, PA 19106<br />

phone (215) 925-9914 x21 fax (215) 925-7402<br />

lhaynes@pa<strong>in</strong>tedbride.org<br />

RICHARD CHANDLER NEWMAN<br />

The H<strong>in</strong>terlands<br />

Co-Director<br />

12645 Moran Street, Detroit, MI 48212<br />

phone 313.454.1756<br />

richard@theh<strong>in</strong>terlandsensemble.org<br />

RICHARD NEWMAN is the found<strong>in</strong>g co-director of The H<strong>in</strong>terlands (Detroit, MI). His art researches<br />

American performance traditions, subcultures, and archetypes through the creation of visceral and<br />

physical theatrical works. Often participatory and always explosive, his work re-imag<strong>in</strong>es the theatrical<br />

space as a ground for ecstatic <strong>in</strong>teraction between performer and audience. Prior to found<strong>in</strong>g The


NPN's <strong>2012</strong> <strong>Annual</strong> <strong>Meet<strong>in</strong>g</strong> <strong>in</strong> <strong>Philadelphia</strong> Attendees / Page 74 of 115<br />

H<strong>in</strong>terlands he was an ensemble member of Double Edge Theatre (Ashfield, MA), a collaborat<strong>in</strong>g<br />

artist with The Dell'Arte Company (Blue Lake, CA) and Bond Street Theatre (New York, NY), and<br />

co-founder of The Break<strong>in</strong>g Bread <strong>Performance</strong> Project, an ongo<strong>in</strong>g collaboration between U.S. and<br />

Kosovar artists.<br />

ED NOONAN<br />

Myrna Loy Center/Helena Presents<br />

Executive Director<br />

316 8th Avenue, Helena, MT 59601<br />

phone (406) 443-0287 fax 406 443 6620<br />

noonaned@aol.com<br />

SHAVON NORRIS<br />

idiosynCrazy productions<br />

co-Director<br />

615 South 48th Street, <strong>Philadelphia</strong>, PA 19143<br />

phone 9144393673<br />

shavon@idiosyncrazy.org<br />

Shavon Norris is an artist, educator and performer. Orig<strong>in</strong>ally from New York City, she received a BA<br />

from Manhattanville College where she majored <strong>in</strong> Biology and a Master of F<strong>in</strong>e Arts <strong>in</strong> dance from<br />

Temple University. As a dance maker, Shavon's work has been presented at Manhattanville College,<br />

The <strong>Philadelphia</strong> Live Arts and Fr<strong>in</strong>ge Festival, Temple University, The <strong>National</strong> Constitutional<br />

Center, Art's Sanctuary, Chester Eastside M<strong>in</strong>istries, the CEC, and at Joyce Soho. Shavon's artistic and<br />

educational philosophies are rooted <strong>in</strong> the desire to give herself, students, performers and audiences<br />

opportunities to deepen the understand<strong>in</strong>g of self and the collective.<br />

MOLLY O'CONNOR<br />

Liv<strong>in</strong>g Arts of Tulsa, Inc.<br />

307 East Brady Street, Tulsa, OK 74120<br />

phone (405) 521-2931<br />

molly.oconnor@arts.ok.gov<br />

Molly O'Connor is a multi-disciplanry artist from Oklahoma City. Her work <strong>in</strong>cludes: solo<br />

performance, creative writ<strong>in</strong>g and sculpture. She is also Director of Cultural Development for the<br />

Oklahoma Arts Council. www.mollyoconnor.com


CYNTHIA OLIVER<br />

COCo Dance Theatre<br />

Artistic Director<br />

205 West Ill<strong>in</strong>ois Street, Urbana, IL 61801<br />

phone (217) 384-8231 fax (217) 333-3000<br />

<strong>in</strong>fo@cynthiaoliver.com<br />

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Cynthia is a former dancer with numerous companies <strong>in</strong>clud<strong>in</strong>g the David Gordon Pick Up Co., Ronald<br />

Kev<strong>in</strong> Brown/Evidence, and Bebe Miller Co. A woman of Caribbean descent, Cynthia's work is a<br />

melange of dance, theatre and the spoken word, and <strong>in</strong>corporates textures of Caribbean performance<br />

with African and American sensibilities. Ms. Oliver is an award-w<strong>in</strong>n<strong>in</strong>g choreographer who has<br />

earned a New York Dance and <strong>Performance</strong> Award (a Bessie), a CalArts Alpert Award nom<strong>in</strong>ation by<br />

her peers <strong>in</strong> the dance field, and a University Scholar award <strong>in</strong> 2011 from the University of Ill<strong>in</strong>ois<br />

where she is Professor of Dance.<br />

MICHAEL J ORLOVE<br />

<strong>National</strong> Endowment for the Arts<br />

Artist Communities & Present<strong>in</strong>g Director<br />

Public Affairs 1100 Pennsylvania Avenue NW Room 614, Wash<strong>in</strong>gton, DC 20506<br />

phone (202) 682-5028 fax (202) 682-5638<br />

orlovem@arts.gov<br />

MICHELLE ANGELA ORTIZ<br />

Stockton Rush Bartol Foundation<br />

Program Manager<br />

230 South Broad Street, Suite 1003, <strong>Philadelphia</strong>, PA 19102<br />

phone 215-545-4037<br />

<strong>in</strong>fo@bartol.org<br />

Michelle Angela Ortiz is a visual artist/ skilled muralist/ community arts educator who uses her art as a<br />

vehicle to represent people and communities whose histories are often lost or co-opted. Through<br />

pa<strong>in</strong>t<strong>in</strong>g, pr<strong>in</strong>tmak<strong>in</strong>g, and community arts practices, she creates a safe space for dialogue around some<br />

of the most profound issues communities and <strong>in</strong>dividuals may face. Her work tells stories us<strong>in</strong>g richly<br />

crafted and emotive imagery to claim and transform "blighted" spaces <strong>in</strong>to a visual affirmation that<br />

reveals the strength and spirit of the community. In 2007, she jo<strong>in</strong>ed the Stockton Rush Bartol<br />

Foundation as the program manager where she has developed programs and workshops to support the<br />

professional development of teach<strong>in</strong>g artists.


JOAN KIMIKO OSATO<br />

Youth Speaks, Inc./ The Liv<strong>in</strong>g Word Project<br />

Produc<strong>in</strong>g Director<br />

1663 Mission Street, Suite 604, San Francisco, CA 94103<br />

phone 415-710-7427 fax 4152559065<br />

josato@youthspeaks.org<br />

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Joan is produc<strong>in</strong>g director of Youth Speaks, Inc. She is <strong>in</strong> charge of the public performances, events<br />

and festivals of the company <strong>in</strong>clud<strong>in</strong>g Brave New Voices International Poetry Festival, The Liv<strong>in</strong>g<br />

Word Festival and Life is Liv<strong>in</strong>g. She produces and tours the repertory works of The Liv<strong>in</strong>g Word<br />

Project <strong>in</strong>clud<strong>in</strong>g recent works: red, black and GREEN: a blues, Tree City Legends, and Word<br />

Becomes Flesh.<br />

LILLIAN OSEI-BOATENG<br />

Doris Duke Charitable Foundation<br />

Program Associate for the Arts<br />

Office of Grants Adm<strong>in</strong>istration 650 Fifth Avenue, 19th Floor, New York, NY 10019<br />

phone 212-974-7109<br />

losei-boateng@ddcf.org<br />

Lillian Osei-Boateng serves as the program associate for the arts at the Doris Duke Charitable<br />

Foundation <strong>in</strong> New York, NY. In that capacity, she assists with the supervision of a $13 million grants<br />

program focused on organizations and artists <strong>in</strong> the theatre, contemporary dance, jazz and present<strong>in</strong>g<br />

fields. She jo<strong>in</strong>ed the foundation <strong>in</strong> December of 2005. Prior to work<strong>in</strong>g at DDCF she was the program<br />

assistant at Fractured Atlas, an arts organization that provides services, resources, and support to<br />

<strong>in</strong>dependent artists and arts organizations to help them better focus on their creative responsibilities.<br />

She has also worked <strong>in</strong> advertis<strong>in</strong>g, writ<strong>in</strong>g and edit<strong>in</strong>g for dance and theatre magaz<strong>in</strong>es. She holds a<br />

B.F.A. from New York University. She is currently work<strong>in</strong>g on her M.P.A at Baruch College.<br />

SHIN OTAKE<br />

Leverag<strong>in</strong>g Investments <strong>in</strong> Creativity<br />

Program Assistant<br />

237 West 35th Street Suite 1202, New York, NY 10001<br />

phone 6467313275 fax 6467313289<br />

sh<strong>in</strong>@l<strong>in</strong>cnet.net<br />

DARL ANDREW PACKARD<br />

The Liv<strong>in</strong>g Word Project<br />

Technical Director/Light<strong>in</strong>g Designer


c/o 1663 Mission Street, Suite 604, San Francisco, CA 94103<br />

phone 443-801-2024<br />

darl.a.packard@gmail.com<br />

NPN's <strong>2012</strong> <strong>Annual</strong> <strong>Meet<strong>in</strong>g</strong> <strong>in</strong> <strong>Philadelphia</strong> Attendees / Page 77 of 115<br />

DARL ANDREW PACKARD (Technical Director/Light<strong>in</strong>g Designer) is a theater artist orig<strong>in</strong>ally<br />

from Baltimore, MD where he attended Goucher College. After a short st<strong>in</strong>t beh<strong>in</strong>d the scenes <strong>in</strong><br />

television he moved to San Francisco to pursue theater work with Josh Kornbluth, Word for Word<br />

Perform<strong>in</strong>g Arts and the Z Space Studio. He has extensive design experience, apprentic<strong>in</strong>g video<br />

designer David Szlasa and light<strong>in</strong>g designer Allen Wilner, while also accumulat<strong>in</strong>g his own design<br />

credits for work with Golden Thread Productions, Crowded Fire Theater, Amara Tabor-Smith/Deep<br />

Waters Dance, and Adia Tamar-Whitaker/Ase Dance among many others. Packard is a 2-time recipient<br />

of the Light<strong>in</strong>g Artist <strong>in</strong> Dance Award. He has served as the Production Manager and Technical<br />

Director for CounterPULSE.<br />

MYRNA PACKER<br />

Bridgman|Packer Dance<br />

Co-director<br />

281 Old Mill Rd., Valley Cottage, NY 10989<br />

phone 845 268-9008 fax 845 268-9008<br />

dancebp@gmail.com<br />

Myrna Packer is co-artistic director of Bridgman|Packer Dance with her partner Art Bridgman. Their<br />

work focuses on the <strong>in</strong>tegration of live performance and video technology. Recipients of a 2008<br />

Guggenheim Fellowship Award, they have also received 3 NPN Creation Fund Awards, NEA Grants<br />

for the past 6 consecutive years, 2 New York Foundation for the Arts Fellowships, 2 New England<br />

Foundation for the Arts Expeditions Tour<strong>in</strong>g Grants,and commissions from DTW (now NYLA),<br />

Danspace Project, 92nd St Y New Works <strong>in</strong> Dance Fund, DNA, and Portland Ovations.They have<br />

toured throughout USA, Europe and Asia, and with NPN's Perform<strong>in</strong>g Americas Program throughout<br />

Central America. Their newest work, VOYEUR,is designed to be performed <strong>in</strong> gallery spaces as well<br />

as theaters and <strong>in</strong>cludes a video <strong>in</strong>stallation component.<br />

CASSANDRA JACKSON PARKER NOWICKI<br />

Carver Community Cultural Center<br />

Cultural Center Supervisor<br />

226 North Hackberry Street, San Antonio, TX 78202<br />

phone (210) 207-2718 fax (210) 207-4412<br />

cassandraparker.nowicki@sanantonio.gov


NPN's <strong>2012</strong> <strong>Annual</strong> <strong>Meet<strong>in</strong>g</strong> <strong>in</strong> <strong>Philadelphia</strong> Attendees / Page 78 of 115<br />

Cassandra Parker-Nowicki is the cultural center supervisor for the Carver Community Cultural Center<br />

<strong>in</strong> San Antonio, Texas, where she assists with programm<strong>in</strong>g, development and the adm<strong>in</strong>istration of the<br />

multi-cultural, multidiscipl<strong>in</strong>ary perform<strong>in</strong>g and visuals arts center. Cassandra holds a bachelor of f<strong>in</strong>e<br />

arts <strong>in</strong> theatre arts from Southwestern University (Georgetown, TX).<br />

LINDA SUSAN PARRIS-BAILEY<br />

Carpetbag Theatre, Inc.<br />

Executive/Artistic Director<br />

100 South Gay Street Suites 106 and 114, Knoxville, TN 37902<br />

phone (865) 544-0447 fax (865) 544-0447<br />

l<strong>in</strong>dapb1@aol.com<br />

L<strong>in</strong>da Parris-Bailey has written numerous tour<strong>in</strong>g works for The Carpetbag Theatre and has produced<br />

commissioned works for national theater companies and communities across the country. Her<br />

published works can be found <strong>in</strong> several anthologies <strong>in</strong>clud<strong>in</strong>g "Breath<strong>in</strong>g the Same Air," "Ensemble<br />

Works!" and "Alternate ROOTS, Plays From The Southern Theater." Her latest work "Speed Killed<br />

My Cous<strong>in</strong>," recently premiered at the Knoxville TN/Harlan KY Micro-Fest, a project of the Network<br />

of Ensemble Theaters (NET). She is an adviser to the International Women Playwrights Conference<br />

and a board member of NET. She is currently participat<strong>in</strong>g <strong>in</strong> the Direct<strong>in</strong>g and Ensemble Creation<br />

Institute at Pangea World Theater <strong>in</strong> M<strong>in</strong>neapolis, sponsored by Pangea World Theater and Art 2<br />

Action and national networks.<br />

JEN MAY F PASTORES<br />

Jen May Photography<br />

Artist<br />

2910 W Ashland Ave, Visalia, CA 93277<br />

phone 818-534-7409<br />

jenmay@jenmayphotography.com<br />

I grew up <strong>in</strong> a world of constant change, mov<strong>in</strong>g from city to city, and I carry that <strong>in</strong>to my<br />

documentary work. Besides work<strong>in</strong>g with youth, I'm a wedd<strong>in</strong>g and portrait photographer based <strong>in</strong><br />

Visalia and Los Angeles, California. I'm also the Events Coord<strong>in</strong>ator for Help Portrait, a global<br />

movement of photographers us<strong>in</strong>g their time and talents to give back to those <strong>in</strong> need. My work can be<br />

seen at www.jenmayphotography.com.<br />

CARLA IDELLE PERLO<br />

Dance Place<br />

Founder/Director


3225 8th Street NE, Wash<strong>in</strong>gton, DC 20017<br />

phone (202) 269-1600 fax (202) 269-4103<br />

cperlo@danceplace.org<br />

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Carla Perlo is the Found<strong>in</strong>g Director of Dance Place and currently co-directs the organization with<br />

Deborah Riley. She has enjoyed a successful career as teacher, choreographer, performer and director.<br />

In addition to her passion for the arts, Carla is an advocate of property ownership, community<br />

development and creative education. Dance Place was one of the ten orig<strong>in</strong>al partners of the NPN.<br />

CARLA PETERSON<br />

New York Live Arts<br />

Artistic Director<br />

219 West 19th Street, New York, NY 10011<br />

phone (212) 691-6500<br />

cpeterson@newyorklivearts.org<br />

Carla Peterson was appo<strong>in</strong>ted Artistic Director of New York Live Arts <strong>in</strong> February 2011, after<br />

provid<strong>in</strong>g overall direction for the artistic mission of Dance Theater Workshop (DTW), <strong>in</strong> the same<br />

position 2006-11. 2002-06, she held the position of Executive Director of Movement Research.<br />

1993-96, she served at DTW as both Manag<strong>in</strong>g Director of the <strong>National</strong> <strong>Performance</strong> Network and<br />

Director of The Suitcase Fund, an <strong>in</strong>ternational artist exchange program. 1988-93, she was Assistant<br />

Perform<strong>in</strong>g Arts Director at the Wexner Center for the Arts <strong>in</strong> Columbus, OH. She has held numerous<br />

positions <strong>in</strong> freelance arts consult<strong>in</strong>g, fundrais<strong>in</strong>g and management work<strong>in</strong>g with artists Tere<br />

O'Connor, Jennifer Monson, Chamecki/Lerner, Ann Carlson and others, and for Doris Duke Charitable<br />

Foundation and Surdna Foundation.<br />

CRAIG PETERSON<br />

<strong>Philadelphia</strong> Live Arts Festival and Philly Fr<strong>in</strong>ge<br />

Director of Fr<strong>in</strong>ge and LAB<br />

919 North 5th Street, <strong>Philadelphia</strong>, PA 19123<br />

phone 215-413-9006 fax 2154139007<br />

craig@livearts-fr<strong>in</strong>ge.org<br />

Craig T. Peterson, director of the Philly Fr<strong>in</strong>ge Festival and Live Arts Brewery (LAB) program, jo<strong>in</strong>ed<br />

the staff of the <strong>Philadelphia</strong> Live Arts Festival <strong>in</strong> 2010. Initiated <strong>in</strong> 2009, the LAB program seeks to<br />

support artists <strong>in</strong> the creative process through <strong>in</strong>tegrated, long-term residencies, elective programm<strong>in</strong>g<br />

and the facilitation of collaborative artistic exchange between audiences and artists of all discipl<strong>in</strong>es.<br />

He is also director the annual Philly Fr<strong>in</strong>ge Festival, a three week city-wide festival featur<strong>in</strong>g the work<br />

of more than 200 perform<strong>in</strong>g artists and companies. For ten years he served <strong>in</strong> numerous positions at


NPN's <strong>2012</strong> <strong>Annual</strong> <strong>Meet<strong>in</strong>g</strong> <strong>in</strong> <strong>Philadelphia</strong> Attendees / Page 80 of 115<br />

Dance Theater Workshop (now New York Live Arts), based <strong>in</strong> NYC, <strong>in</strong>clud<strong>in</strong>g that of artistic director<br />

and producer for four years.<br />

RENATA PETRONI<br />

<strong>National</strong> <strong>Performance</strong> Network / Visual Artists Network<br />

Director of International Program<br />

235 East 26th Street, #4A, New York, NY 10010<br />

phone (212) 689-0181<br />

renata@npnweb.org<br />

Renata Petroni has developed cultural exchange programs and <strong>in</strong>ternational partnerships s<strong>in</strong>ce 1980,<br />

first as director of the <strong>National</strong> <strong>Performance</strong> Network and the Suitcase Fund, two programs of Dance<br />

Theater Workshop <strong>in</strong> New York City and later as director of projects and partnerships at Arts<br />

International. Follow<strong>in</strong>g her engagement at the Universal EXPO 92 <strong>in</strong> Seville, Spa<strong>in</strong>, she founded Two<br />

Moon, an <strong>in</strong>ternational production company which produced and toured new works by contemporary<br />

U.S. and European artists. Ms. Petroni is currently director of the <strong>in</strong>ternational program at the <strong>National</strong><br />

<strong>Performance</strong> Network, designed to <strong>in</strong>crease artistic exchange and knowledge build<strong>in</strong>g between the<br />

United States, Lat<strong>in</strong> America and Asia.<br />

LIONEL POPKIN<br />

501 (see three) ARTS<br />

Choreographer<br />

3117 17th Street, Santa Monica, CA 90405<br />

phone (917) 921-3383<br />

lionelpopk<strong>in</strong>@gmail.com<br />

CASSANDRA R PORTER<br />

Dallas Contemporary<br />

Development Manager<br />

161 Glass Street, Dallas, TX 75207<br />

phone (214) 821-2522 fax (214) 821-9103<br />

cassandra.porter@dallascontemporary.org<br />

MICHAEL PREMO<br />

Hous<strong>in</strong>g is a Human Right<br />

Creator / Co-Producer


208 Qu<strong>in</strong>cy Street, Brooklyn, NY 11216<br />

phone 718-497-4282 fax 9175471292<br />

michael@hous<strong>in</strong>gisahumanright.org<br />

OLIVE PRINCE<br />

Olive Pr<strong>in</strong>ce Dance<br />

Artistic Director<br />

737 South 8th Street, <strong>Philadelphia</strong>, PA 19147<br />

phone 215 8884570<br />

olivepr<strong>in</strong>cedance@gmail.com<br />

NPN's <strong>2012</strong> <strong>Annual</strong> <strong>Meet<strong>in</strong>g</strong> <strong>in</strong> <strong>Philadelphia</strong> Attendees / Page 81 of 115<br />

Olive Pr<strong>in</strong>ce is the artistic director of Olive Pr<strong>in</strong>ce Dance where she focuses on provocative, enigmatic<br />

images and douses them with gesture and abstract movement vocabulary to create dances that are<br />

psychologically compell<strong>in</strong>g, physically stimulat<strong>in</strong>g and thematically suggestive. Her choreography has<br />

been featured at the 2011 <strong>Philadelphia</strong> International Festival of Arts, 2010 Live Arts Festival, the<br />

International Contemporary Dance Conference, New Dance Alliance's <strong>Performance</strong> Mix Joyce Soho,<br />

the <strong>Philadelphia</strong> Fr<strong>in</strong>ge Festival, the nEW Festival and as part of the Susan Hess Choreographer's<br />

Project. Her most recent project, Tw<strong>in</strong>e, <strong>in</strong>volves creat<strong>in</strong>g choreography that will be performed <strong>in</strong><br />

dissimilar locations. Tw<strong>in</strong>e will tour to upstate NY to be performed <strong>in</strong> a chapel.<br />

PETER PRINZ<br />

Space One Eleven<br />

Co-Founder and CEO<br />

2409 2nd Avenue North, Birm<strong>in</strong>gham, AL 35203<br />

phone (205) 328-0553 fax (205) 254-6176<br />

peterpr<strong>in</strong>z@spaceoneeleven.org<br />

NATHAN PURATH<br />

The Coleman Center for the Arts<br />

Co-Director<br />

630 Avenue A, York, AL 36925<br />

phone 205-392-2005<br />

npurath@colemanarts.org<br />

LAUREL RACZKA<br />

Pa<strong>in</strong>ted Bride Art Center<br />

Executive Director<br />

230 V<strong>in</strong>e Street, <strong>Philadelphia</strong>, PA 19106


phone (215) 925-9914 fax (215) 925-7402<br />

laurel@pa<strong>in</strong>tedbride.org<br />

OTTO RAMSTAD<br />

BodyCartography Project<br />

Co-director<br />

3528 10th ave south, M<strong>in</strong>neapolis, MN 55407<br />

phone 6128223397<br />

otto@bodycartography.org<br />

NPN's <strong>2012</strong> <strong>Annual</strong> <strong>Meet<strong>in</strong>g</strong> <strong>in</strong> <strong>Philadelphia</strong> Attendees / Page 82 of 115<br />

Otto Ramstad is a co-director of the BodyCartography Project with Olive Bier<strong>in</strong>ga. They create<br />

<strong>in</strong>timate solos for the street or stage, to large community dance works <strong>in</strong> tra<strong>in</strong> stations, short<br />

experimental films <strong>in</strong> national parks, to complex works for site or stage amidst <strong>in</strong>stallations of video<br />

and sound. Their works have been presented across the USA, Canada, New Zealand, Japan, Europe,<br />

Russia and South America by venues such as the Walker Art Center, Intermedia Arts and Bryant Lake<br />

Bowl, M<strong>in</strong>neapolis; PS 122, DTW, and Movement Research <strong>in</strong> NYC; American Dance Festival, NC;<br />

Dance Camera West, LA; <strong>Philadelphia</strong> Dance Projects; Kyoto Art Center; Anti Festival, F<strong>in</strong>land;<br />

Stromereien, Zurich; Lyon Opera Ballet; British Dance Edition; C<strong>in</strong>edans, Amsterdam; and Polish<br />

Public TV, amongst others.<br />

KATHY ANN RANDELS<br />

ArtSpot Productions<br />

Artistic Director<br />

609 Sa<strong>in</strong>t Ferd<strong>in</strong>and Street, New Orleans, LA 70117-7365<br />

phone (504) 826-7783 fax (504) 826-7784<br />

kathy@artspotproductions.org<br />

THOMAS F REESE<br />

Stone Center for Lat<strong>in</strong> America Studies, Tulane University<br />

Executive Director<br />

Tulane University 100 Joseph Mary Hall, New Orleans, LA 70118<br />

phone 504.865.5164 fax (504) 865-6719<br />

treese@tulane.edu<br />

JULIA RHOADS<br />

Lucky Plush Productions<br />

Artistic Director<br />

301 Olmsted Road, Chicago, IL 60546


phone (773) 862-9484<br />

julia@luckyplush.com<br />

NPN's <strong>2012</strong> <strong>Annual</strong> <strong>Meet<strong>in</strong>g</strong> <strong>in</strong> <strong>Philadelphia</strong> Attendees / Page 83 of 115<br />

Julia Rhoads is artistic director of Chicago-based Lucky Plush Productions, a dance theater company<br />

known for its unique blend of evocative choreography, cultural criticism, and humor. She has<br />

choreographed for River North Chicago, Look<strong>in</strong>gglass Theater, and Redmoon Theater, among others,<br />

and <strong>in</strong> 2010 was named one of Dance Magaz<strong>in</strong>e's "25 to Watch." Julia has received two Ill<strong>in</strong>ois Arts<br />

Council Fellowships, a Jacob K. Javits Fellowship, a Maggie Allesee <strong>National</strong> Center for<br />

Choreography Fellowship, a Chicago Dancemakers Forum Award, a <strong>National</strong> Dance Project award,<br />

and a <strong>National</strong> <strong>Performance</strong> Network Creation Fund award. She earned a BA <strong>in</strong> history from<br />

Northwestern University and an MFA from School of the Art Institute Chicago, and teaches at<br />

Columbia College Chicago and University of Chicago.<br />

DEBORAH RILEY<br />

Dance Place<br />

Director<br />

3225 8th Street NE, Wash<strong>in</strong>gton, DC 20017<br />

phone (202) 269-1601 fax 202-269-4103<br />

deborahr@danceplace.org<br />

CLARE LAURIE ROCHE<br />

Lucky Plush Productions<br />

Stage Manager<br />

301 Olmsted Road, Chicago, IL 60546<br />

phone 773-508-3831<br />

croche915@gmail.com<br />

Clare Roche (Stage Manager) has been with Lucky Plush's production of The Better Half s<strong>in</strong>ce summer<br />

2011. Outside of Lucky Plush Ms. Roche is on the faculty at Loyola University Chicago, Master<br />

Electrician at Lifel<strong>in</strong>e Theatre and Manager with The House Theatre of Chicago presents The Magic<br />

Parlour. Ms. Roche also tours as Production Stage Manager with 500 Clown and Lakeside Shakespeare<br />

Theatre. Ms. Roche works as Light<strong>in</strong>g designer, Stage Manager and Master Electrician around the city<br />

of Chicago with theatre companies such as Victory Gardens, Strawdog Theatre, Theatre Seven,<br />

Chicago Shakespeare Theatre, Griff<strong>in</strong> Theatre, Adventure Stage Chicago and International<br />

Contemporary Ensemble.<br />

LINDSAY ROSS<br />

Contemporary Arts Center<br />

Director of Communications


900 Camp Street, New Orleans, LA 70130<br />

phone 504-258-2475<br />

lross@cacno.org<br />

NPN's <strong>2012</strong> <strong>Annual</strong> <strong>Meet<strong>in</strong>g</strong> <strong>in</strong> <strong>Philadelphia</strong> Attendees / Page 84 of 115<br />

L<strong>in</strong>dsay Ross has been director of communications for the Contemporary Arts Center <strong>in</strong> New Orleans<br />

s<strong>in</strong>ce 2009. From 2006 - 2009, L<strong>in</strong>dsay served as manag<strong>in</strong>g director of the Children's Heal<strong>in</strong>g Art<br />

Project <strong>in</strong> Portland, Oregon. Past posts <strong>in</strong>clude CAC market<strong>in</strong>g director (1994-1999), and executive<br />

director of the New Orleans Film Festival (2000-2005). L<strong>in</strong>dsay's event production experience <strong>in</strong>cludes<br />

3 NFL Superbowls and the Hamptons Film Festival. She was a found<strong>in</strong>g board member of the 3 R<strong>in</strong>g<br />

Circus Arts Education Center, a founder of the Ogden Museum of Southern Art's Kohlmeyer Circle to<br />

support the Museum's education <strong>in</strong>itiatives, and currently serves on the Sh<strong>in</strong>e A Light board, br<strong>in</strong>g<strong>in</strong>g<br />

arts programs <strong>in</strong>to New Orleans youth detention centers.<br />

MILDRED RUIZ-SAPP<br />

UNIVERSES Theater Company, Inc.<br />

Co-Founder, Co-Director<br />

2038 Cicero Avenue #1, Bronx, NY 10473<br />

phone 646.406.7540<br />

mredruiz@gmail.com<br />

Found<strong>in</strong>g member UNIVERSES. Playwright/Actor/S<strong>in</strong>ger PARTY PEOPLE (Director Liesl Tommy);<br />

AMERIVILLE (Director Chay Yew); The Denver Project (Director Dee Cov<strong>in</strong>gton); One Shot <strong>in</strong><br />

Lotus Position- War Anthology (Director: Bonnie Metzger); BLUE SUITE (Director Chay Yew );<br />

RHYTHMICITY (Humana Festival); SLANGUAGE (Director Jo Bonney); THE RIDE. Actor <strong>in</strong><br />

Alfred Jarry's UBU:Encha<strong>in</strong>ed (Director Steven Sapp). Awards/Affiliations: 2008 Jazz@L<strong>in</strong>coln<br />

Center Rhythm Road Tour; 2008 TCG Peter Zeisler Award; 2006 Career Advancement Fellowship<br />

from the Pregones Theater; 2002-2004 and 1999-2001 TCG <strong>National</strong> Theater Artist Residency<br />

Program Award; BRIO Awards (Bronx Recognizes its own); Co-Founder of The Po<strong>in</strong>t CDC; Bard<br />

College -BA '92; former board member: NET; Current board member: NPN.<br />

ABE RYBECK<br />

The Theater Offensive/OUT <strong>in</strong> Your Neighborhood<br />

Executive Artistic Director<br />

565 Boylston Street, Boston, MA 02116<br />

phone 617-661-1600 fax 617-661-1610<br />

abe@thetheateroffensive.org<br />

Abe co-founded The Theater Offensive: OUT <strong>in</strong> Your Neighborhood <strong>in</strong> 1989. He collaborates with<br />

artists, neighbors, community groups and local bus<strong>in</strong>esses to create OUT performances <strong>in</strong> the South


NPN's <strong>2012</strong> <strong>Annual</strong> <strong>Meet<strong>in</strong>g</strong> <strong>in</strong> <strong>Philadelphia</strong> Attendees / Page 85 of 115<br />

End, Roxbury, Dorchester and Jamaica Pla<strong>in</strong> areas of Boston. Programs Abe started <strong>in</strong>clude True<br />

Colors OUT Youth Theater Troupe; the safe-sex-activist group A Street Theater Named Desire; OUT<br />

on the Edge Queer Theater Festival; and the band Adult Children of Heterosexuals. He won the<br />

Jonathan Larson Award for the book to Melissa Li's "Surviv<strong>in</strong>g the Nian." He was declared one of the<br />

"Heeb 100" progressive Jewish world cultural leaders. Abe was named 2011 Honorary Drum Majorette<br />

by South End Dynamite girls drill team.<br />

CHIZU SAITO<br />

ConCar<strong>in</strong>o<br />

Artistic Director<br />

The Tower Place 1F, Hachiken 1-West1, Nishi-ku,, Sapporo, Japan 063-0841<br />

phone + 81-(0)11-6154859 fax +81-(0)11)-615-4866<br />

chizu_s@concar<strong>in</strong>o.or.jp<br />

ConCar<strong>in</strong>o, a non-profit theatre group created <strong>in</strong> 1995, was housed <strong>in</strong> an old refurbished stone<br />

warehouse which was torn down <strong>in</strong> 2002 due to a redevelopment program. With the support of the arts<br />

and local bus<strong>in</strong>ess communities, Concar<strong>in</strong>o was able to open a new space <strong>in</strong> 2006. With the belief that<br />

the perform<strong>in</strong>g arts are powerful <strong>in</strong> develop<strong>in</strong>g life values and community cohesion, ConCar<strong>in</strong>o, a<br />

280-seat Theatre, provides space and opportunity for local people and artists to get together,<br />

encourag<strong>in</strong>g l<strong>in</strong>ks between different groups and generations.<br />

SEAN SAN JOSE<br />

The Liv<strong>in</strong>g Word Project<br />

Performer<br />

c/o 1663 Mission Street, Suite 604, San Francisco, CA 94103<br />

phone 415-626-2787<br />

sean@the<strong>in</strong>tersection.org<br />

SEAN SAN JOSE (Denizen, Campo Santo, Intersection) has been a proud staff member of Intersection<br />

for more than a dozen years under Deborah Cull<strong>in</strong>an's leadership. He is also the co-founder of Campo<br />

Santo (founded 1996) - multicultural theatre company that br<strong>in</strong>gs socially relevant plays to life <strong>in</strong> direct<br />

and accessible ways. All of the projects are world premieres, created <strong>in</strong> long-term processes. San Jose<br />

has overseen the development, creation and production of more 40 premiere productions s<strong>in</strong>ce 1996<br />

<strong>in</strong>clud<strong>in</strong>g the first plays by Jimmy Santiago Baca, Jorge Ignacio Cortiñas, Junot Diaz, Dave Eggers,<br />

Denis Johnson, Greg Sarris, Vendela Vida, and others, and premieres of multiple works by Philip Kan<br />

Gotanda, Jessica Hagedorn, Naomi Iizuka, Octavio Solis, and Er<strong>in</strong> Cressida Wilson.<br />

AMINA SANCHEZ<br />

Skirball Cultural Center


Associate Director of Programs<br />

2701 North Sepulveda Blvd., Los Angeles, CA 90049-6833<br />

phone 310-440-4644 fax 310-440-4695<br />

am<strong>in</strong>a@skirball.org<br />

SUZANNE SBARGE<br />

516 Arts<br />

Executive Director<br />

516 Central Ave SW, Albuquerque, NM 87102<br />

phone (505) 242-1445 fax 505-244-4101<br />

suzanne@516arts.org<br />

NPN's <strong>2012</strong> <strong>Annual</strong> <strong>Meet<strong>in</strong>g</strong> <strong>in</strong> <strong>Philadelphia</strong> Attendees / Page 86 of 115<br />

Suzanne Sbarge is an arts organizer, gallery director, curator, graphic designer, fundraiser and<br />

market<strong>in</strong>g specialist. She is the Founder and Executive Director of 516 ARTS (www.516arts.org), an<br />

<strong>in</strong>dependent, nonprofit arts and education organization operat<strong>in</strong>g a museum-style gallery <strong>in</strong> downtown<br />

Albuquerque. She has directed numerous collaborative arts projects <strong>in</strong>clud<strong>in</strong>g the current ISEA<strong>2012</strong><br />

Albuquerque: Mach<strong>in</strong>e Wilderness (www.isea<strong>2012</strong>.org). She presents contemporary art and<br />

<strong>in</strong>terdiscipl<strong>in</strong>ary projects <strong>in</strong> an educational context, with an emphasis on collaboration among artists<br />

and organizations. She holds a B.A. <strong>in</strong> Art History and Studio Arts from Barnard College and an M.A.<br />

<strong>in</strong> Art Education from the University of New Mexico.<br />

DEWEY SCHOTT<br />

Dewey Schott Coach<strong>in</strong>g and Consult<strong>in</strong>g<br />

2548 8th Avenue, Oakland, CA 94606<br />

phone 510-287-6690<br />

dewey@dewey-schott.com<br />

Dewey Schott, CPCC, PCC is passionate about help<strong>in</strong>g leaders soar to new heights. He considers<br />

himself part punk, part mystic, and part organizational development nerd. He has over eighteen years<br />

of experience work<strong>in</strong>g <strong>in</strong> the social and cultural sectors specializ<strong>in</strong>g <strong>in</strong> capacity build<strong>in</strong>g and leadership<br />

development. Through both his coach<strong>in</strong>g practice and his role as senior manager of leadership services<br />

for NAMAC, a national arts service organization, he helps people hone their leadership capabilities,<br />

achieve their creative goals, develop healthy life/work practices, and create more effective<br />

organizations. He is particularly <strong>in</strong>terested <strong>in</strong> support<strong>in</strong>g LGBTQ leaders. Dewey lives <strong>in</strong> Oakland, CA<br />

with his partner Alan and his 10-year-old daughter.<br />

KATHRYN MARIE SCLAVI<br />

<strong>National</strong> <strong>Performance</strong> Network / Visual Artists Network<br />

Site Coord<strong>in</strong>ator


PO Box 56698, New Orleans, LA 70156-6698<br />

phone 6094330485<br />

kathrynsclavi@gmail.com<br />

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Kathryn Sclavi is a socially-engaged artist who collaborates with communities <strong>in</strong> creat<strong>in</strong>g unique<br />

gather<strong>in</strong>g spaces designed to enhance learn<strong>in</strong>g, encourage communication, and <strong>in</strong>spire change. Her<br />

projects are created <strong>in</strong> conjunction with art collectives, schools, museums, non-profit organizations,<br />

and alternative spaces. These gather<strong>in</strong>g spaces take the form of participatory projects such as colorful<br />

tents, collaborative creations, art parades, z<strong>in</strong>es, and more us<strong>in</strong>g media <strong>in</strong>clud<strong>in</strong>g fiber, found objects,<br />

and costume-mak<strong>in</strong>g. Sclavi has worked <strong>in</strong> collaboration with the <strong>Philadelphia</strong> Mural Arts Program,<br />

Fleisher Arts Memorial, the Pa<strong>in</strong>ted Bride, and currently, is an artist-<strong>in</strong>-residence <strong>in</strong> Asian Arts<br />

Initiative's Social Practice Lab <strong>in</strong> a year-long project about creative community engagement.<br />

JANELLA SELLARS<br />

St. Joseph's Historic Foundation, Inc.<br />

Development Director<br />

804 Old Fayetteville Street, Durham, NC 27701<br />

phone 919-683-1709 ext 28 fax 919-682-5869<br />

jsellars@hayti.org<br />

Janella Sellars currently serves as the Interim Executive Director for the St. Joseph's Historic<br />

Foundation, Inc. - Hayti Heritage Center located <strong>in</strong> Durham, NC. She holds a Master of Bus<strong>in</strong>ess<br />

Adm<strong>in</strong>istration and a Bachelor of Arts degree <strong>in</strong> Art from NC Central University (Durham, NC). She<br />

has worked with the Foundation for over a decade.<br />

TONI SHAPIRO-PHIM, PH.D.<br />

<strong>Philadelphia</strong> Folklore Project<br />

Program Specialist<br />

735 S. 50th Street, <strong>Philadelphia</strong>, PA 19143<br />

phone 215-726-1106<br />

toni@folkloreproject.org<br />

Toni Shapiro-Phim is a dance ethnologist and cultural anthropologist with specializations <strong>in</strong> the<br />

relationship between the arts, human rights and social justice issues, and <strong>in</strong> the perform<strong>in</strong>g arts of<br />

Southeast Asia.<br />

ALEX SHAW<br />

Musician / Teach<strong>in</strong>g Artist<br />

806 69th Ave., 2nd Fl., <strong>Philadelphia</strong>, PA 19126


phone (267) 258-7030<br />

alexbshaw@gmail.com<br />

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Alex Shaw is a percussionist, vocalist, composer, and arts educator specializ<strong>in</strong>g <strong>in</strong> Brazilian music<br />

traditions. He holds a B.A. from Swarthmore College (2000) and is a member of Spoken Hand<br />

Percussion Orchestra and musical director for the renowned Brazilian ensemble, Alo Brasil. A<br />

freelance arts educator s<strong>in</strong>ce 2001, Alex regularly teaches and performs throughout the mid-Atlantic<br />

region and also works as a dance accompanist. In 2010, he jo<strong>in</strong>ed the music faculty at the University of<br />

the Arts. Alex has been awarded several competitive artist grants <strong>in</strong>clud<strong>in</strong>g Arts International's Artist<br />

Exploration Fund (2004) and the Independence Foundation Fellowship <strong>in</strong> the Arts (2007). He is<br />

currently a board member for LiveConnections.org and is a lead facilitator for their music education<br />

programm<strong>in</strong>g.<br />

JOANNA MENDL SHAW<br />

The Equus Projects<br />

Artistic Director<br />

121 West 17th Street, 4B, New York, NY 10011<br />

phone 212-924-1336<br />

jmsnyc@aol.com<br />

Choreographer JoAnna Mendl Shaw has been mak<strong>in</strong>g works for stage, for rural and urban landscapes<br />

s<strong>in</strong>ce 1998. As artistic director of The Equus Projects, her choreography with and without equ<strong>in</strong>es<br />

<strong>in</strong>cludes commissioned works for The Flynn, Myrna Loy, the Saratoga Arts Festival, New York City's<br />

River-to-River Festival, Bates Dance Festival, Danc<strong>in</strong>g <strong>in</strong> the Streets, The Neubeger Museum, and<br />

Dance NOW, among others. Known for the <strong>in</strong>novative choreographic structures that have emerged<br />

from their work with horses The Equus Projects recently launched OnSite NYC, movement<br />

<strong>in</strong>stallations created for one NYC venue every month featur<strong>in</strong>g performers engaged <strong>in</strong> real time<br />

decision-mak<strong>in</strong>g. Shaw has taught at Juilliard, Pr<strong>in</strong>ceton and Tisch/NYU and currently teaches <strong>in</strong> the<br />

Ailey/Fordham BFA program.<br />

LINDA B. SHEARER<br />

Project Row Houses<br />

Executive Director<br />

P. O. Box 1011, Houston, TX 77251-1011<br />

phone 713 526 7662 fax 713 526 1623<br />

lshearer@projectrowhouses.org<br />

ANULA SHETTY<br />

412 Belgrade Street, <strong>Philadelphia</strong>, PA 19125


phone (267) 253-8565<br />

anula@termite.org<br />

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Anula Shetty is a <strong>Philadelphia</strong> based <strong>in</strong>dependent filmmaker. She received her MFA <strong>in</strong> Film & Media<br />

Arts from Temple University. She is a co-director of Termite TV Collective, a group of video artists<br />

who produce experimental and activist media. Her work has been broadcast on PBS and screened at<br />

festivals and museums worldwide, <strong>in</strong>clud<strong>in</strong>g MOMA and the Flaherty Film Sem<strong>in</strong>ar. Anula is a<br />

Co-Founder of the performance group, ASIANS MISBEHAVIN'. She has performed at the<br />

<strong>Philadelphia</strong> and New York Fr<strong>in</strong>ge festivals, the Adrienne and Walnut Street theater, PSNBC<br />

performance showcase, New Edge Artist Residency at the Community Education Center & Vancouver<br />

Asian-Canadian Theatre's Asian Comedy SKETCH OFF. She is a regular participant <strong>in</strong> Asian Arts<br />

Initiative's Artist Exchange <strong>Performance</strong> Showcase.<br />

BO YEON SHIN<br />

Korea Arts Management Service<br />

Manager<br />

B1F Daehangno Arts Theater, 1-67 Dongsung-dong, Jongno-gu, Seoul, Korea 110-809<br />

phone +82-2-708-2284 fax +82-2-708-2243<br />

bysh<strong>in</strong>@gokams.or.kr<br />

Korea Arts Management Service (KAMS), established <strong>in</strong> January 2006, is a branch organization of the<br />

M<strong>in</strong>istry of Culture, Sports, and Tourism of South Korea. KAMS offers multifaceted assistance <strong>in</strong><br />

<strong>in</strong>ternational exchanges, human resources tra<strong>in</strong><strong>in</strong>g, research, and consultancy for arts groups and arts<br />

organizations <strong>in</strong> order to promote more effective arts management <strong>in</strong> Korea.<br />

TERRI SHOCKLEY<br />

Community Education Center<br />

executive director<br />

3500 Lancastr Avenue, <strong>Philadelphia</strong>, PA 19104<br />

phone 215-387-1911 fax 215 387-3701<br />

cec@cecarts.org<br />

Theresa (Terri) Shockley has been <strong>in</strong>volved <strong>in</strong> dance performance and production, education and arts<br />

management for more than 25 years. She is currently the executive director of the Community<br />

Education Center/CEC, an artists <strong>in</strong>cubator and community art center <strong>in</strong> West <strong>Philadelphia</strong>. She is a<br />

found<strong>in</strong>g member and 10-year veteran of the multi-discipl<strong>in</strong>ary performance group, Urban Bush<br />

Women. In addition to her executive responsibilities, Terri is the driv<strong>in</strong>g force beh<strong>in</strong>d the CEC's<br />

successful New Edge Resident Artists Program. She holds a BFA <strong>in</strong> Dance from Ohio State University.


ANDREW SIMONET<br />

Artist U<br />

Founder and Director<br />

1170 South Broad Street, <strong>Philadelphia</strong>, PA 19146<br />

phone (646)731-3275<br />

adm<strong>in</strong>@l<strong>in</strong>cnet.net<br />

PAULA SMITH ARRIGONI<br />

Youth Speaks, Inc./ The Liv<strong>in</strong>g Word Project<br />

Manag<strong>in</strong>g Director<br />

1663 Mission Street, Ste 604, San Francisco, CA 94103<br />

phone 4152559035 fax 4152559035<br />

parrigoni@youthspeaks.org<br />

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Paula Smith Arrigoni is Youth Speaks' Manag<strong>in</strong>g Director. She first began work<strong>in</strong>g with Youth Speaks<br />

while a loan officer at Nonprofit F<strong>in</strong>ance Fund. She went on to serve <strong>in</strong> the roles of lead consultant and<br />

Associate Director for NFF's Northern California Program, direct<strong>in</strong>g large <strong>in</strong>itiatives funded by The<br />

California Wellness Foundation, Bank of America and Blue Shield of California Foundation, which<br />

provided strategic f<strong>in</strong>ancial management services to a host of nonprofits and foundations. In addition to<br />

her positions with NFF, Paula has served as an <strong>in</strong>dependent consultant and tra<strong>in</strong>er, and board member<br />

to small and mid-size nonprofits.<br />

DAWNELL L SMITH<br />

Out North<br />

executive director<br />

3800 Debarr Road, Anchorage, AK 99508<br />

phone (907) 279-8099 fax (907) 279-8100<br />

development@outnorth.org<br />

Before jo<strong>in</strong><strong>in</strong>g Out North, Dawnell covered arts and culture as a reporter and freelance writer for the<br />

Anchorage Daily News and the Anchorage Press. She has a master's degree <strong>in</strong> literary arts, and has<br />

collaborated on several Alaska visual and performance art pieces at the International Gallery of<br />

Contemporary Art, the MTS Gallery and the U-Haul Festival. She also helps coord<strong>in</strong>ate local art events<br />

like the Anchorage International Film Festival and the International Gallery's Object Runway art<br />

fashion show. She likes pillow fights with her boys, the open road with her friends, mounta<strong>in</strong> climbs<br />

with her dogs, and tak<strong>in</strong>g and giv<strong>in</strong>g hits with her derby sisters. She skates as WickedSpeedia for Rage<br />

City Rollergirls.


AUGUSTO CESAR SOLEDADE<br />

Brazz Dance Theater<br />

Artistic Director<br />

P.O.Box 655130, Miami, FL 33265<br />

phone 786-338-5488<br />

augusto@brazzdance.com<br />

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Augusto Soledade, a native of Bahia, Brazil, is a performer, choreographer and found<strong>in</strong>g artistic<br />

director and resident choreographer for Brazz Dance Theater <strong>in</strong> Miami. In August 2011, Mr. Soledade<br />

was nom<strong>in</strong>ated for the Zelda Fichandler Fellowship, and received a Creation Fund award from<br />

<strong>National</strong> <strong>Performance</strong> Network (NPN). In 2010, Mr. Soledade was awarded for the third time the<br />

Dance Miami Choreographer's Fellowship; he received this important fellowship the second time <strong>in</strong><br />

September of 2008. Also <strong>in</strong> 2008, he was awarded a Guggenheim Fellowship <strong>in</strong> Choreography.<br />

Augusto Soledade currently serves as a full time assistant professor <strong>in</strong> dance at Nova Southeastern<br />

University <strong>in</strong> Davie, FL.<br />

JANERA SOLOMON<br />

Kelly Strayhorn Theater<br />

Executive Director<br />

5530 Penn Avenue, Pittsburgh, PA 15206<br />

phone 4123633000 fax 4123634320<br />

janera@kelly-strayhorn.org<br />

Janera Solomon, is an experienced producer & curator with an extensive portfolio <strong>in</strong>clud<strong>in</strong>g: exhibition<br />

development and programm<strong>in</strong>g for Museum of the African Diaspora; project management, August<br />

Wilson Center for African American History & Culture; and audience development/brand<strong>in</strong>g,<br />

Brooklyn Museum of Art. Her perform<strong>in</strong>g arts background <strong>in</strong>cludes st<strong>in</strong>ts with the <strong>Philadelphia</strong> Live<br />

Arts Festival, and several <strong>in</strong>dependent artist projects. An advocate for arts education, she has<br />

developed many community based arts programs and worked as a teach<strong>in</strong>g artist. She has an<br />

<strong>in</strong>terest<strong>in</strong>g mix of artistic, educational and cultural plann<strong>in</strong>g expertise, and currently serves as the<br />

Executive Director of the Kelly Strayhorn Theater, a multi-arts presenter <strong>in</strong> Pittsburgh.<br />

CAROLYN SOMERS<br />

Joan Mitchell Foundation<br />

Executive Director<br />

545 West 25th St, 15th Floor, New York, NY 10001<br />

phone (212) 524-0100 fax (212) 524-0101<br />

csomers@joanmitchellfoundation.org


ALFREDO A SOTELO<br />

Teo Castellanos D-Projects<br />

Fat Boy<br />

P.O. Box 557845, Miami, FL 33255<br />

phone 3057424946<br />

lego@flipsidek<strong>in</strong>gs.com<br />

SHELLEY SPECTOR<br />

SPECTOR Projects<br />

Director<br />

PO Box 63544, <strong>Philadelphia</strong>, PA 19147<br />

phone 215-238-0840<br />

spectorprojects@mac.com<br />

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Shelley Spector is a artist, curator and teacher. She creates multidiscipl<strong>in</strong>ary works that explore<br />

identity, memory, perception, and language. Her work is part of many collections <strong>in</strong>clud<strong>in</strong>g The<br />

<strong>Philadelphia</strong> Museum of Art, The Pennsylvania Academy of the F<strong>in</strong>e Arts, and the Human Rights<br />

Campaign <strong>in</strong> Wash<strong>in</strong>gton, DC. Spector has received grants from the Independence Foundation<br />

Fellowship <strong>in</strong> the Arts, Pennsylvania Council on the Arts and Leeway Foundation. She founded<br />

SPECTOR Gallery/Projects, work<strong>in</strong>g outside the traditional gallery system to champion new talent and<br />

concepts. An offshoot of this is Artjaw,com, an onl<strong>in</strong>e anthology of first person stories from the<br />

<strong>Philadelphia</strong> art community. She teaches at University of the Arts, Pennsylvania Academy of the F<strong>in</strong>e<br />

Arts and Tyler School of Art.<br />

KAYLA MERRISSA SPELLS<br />

Teo Castellanos D-Projects<br />

TD/PSM<br />

P.O. Box 557845, Miami, FL 33255<br />

phone 8565357355<br />

kylspells@yahoo.com<br />

JOHN SPOKES<br />

United States Artists<br />

Director of Development<br />

5757 Wilshire Blvd. St. 580, Los Angeles, CA 90036<br />

phone 3238575857 ext. 723<br />

jspokes@usaprojects.org


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John Spokes, an experienced fundraiser/management consultant with an extensive background <strong>in</strong> the<br />

perform<strong>in</strong>g arts, jo<strong>in</strong>ed the USA team <strong>in</strong> 2011 after serv<strong>in</strong>g as the director of development at UCLA<br />

Live for 5 years. In M<strong>in</strong>neapolis, Spokes operated his own nonprofit management consult<strong>in</strong>g bus<strong>in</strong>ess<br />

and served as D.O.D. at Chrysalis, A Center for Women, successfully implement<strong>in</strong>g a<br />

multimillion-dollar capital campaign. From 94-98, he was a key part of the development team at<br />

M<strong>in</strong>neapolis' Guthrie Theater, work<strong>in</strong>g as director of annual/<strong>in</strong>dividual giv<strong>in</strong>g, <strong>in</strong>terim development<br />

director, and director of community giv<strong>in</strong>g. He was also annual fund manager at Children's Theatre<br />

Company, director of development at Illusion Theatre, co-founder/manag<strong>in</strong>g director of the Eye of<br />

Storm Theatre.<br />

THADDEUS ANDREW SQUIRE<br />

CultureWorks Greater <strong>Philadelphia</strong><br />

Founder & Manag<strong>in</strong>g Director<br />

The <strong>Philadelphia</strong> Build<strong>in</strong>g 1315 Walnut Street Suite 302, <strong>Philadelphia</strong>, PA 19107<br />

phone 267-597-3808<br />

tsquire@cultureworksphila.org<br />

THADDEUS SQUIRE has been hailed as a visionary voice <strong>in</strong> the contemporary arts by David Patrick<br />

Stearns of The <strong>Philadelphia</strong> Inquirer, and was named one of <strong>Philadelphia</strong>'s top 76 Creative Connectors<br />

by Leadership <strong>Philadelphia</strong> <strong>in</strong> 2011. He has also received <strong>Philadelphia</strong> City Paper's "Big Vision Issue<br />

Choice Awards" for his work as founder of Hidden City <strong>Philadelphia</strong>. As a curator, consultant, writer,<br />

and producer, Thaddeus has worked across a wide variety of discipl<strong>in</strong>es, from history and heritage to<br />

the f<strong>in</strong>e and perform<strong>in</strong>g arts. In 2005, Thaddeus founded Peregr<strong>in</strong>e Arts, which was relaunched <strong>in</strong> 2010<br />

as <strong>Philadelphia</strong>'s first Management Services Organization, CultureWorks Greater <strong>Philadelphia</strong>,<br />

support<strong>in</strong>g the arts and heritage fields.<br />

MICHELE A STEINWALD<br />

Walker Art Center<br />

Program Manager, Perform<strong>in</strong>g Arts<br />

1750 Hennep<strong>in</strong> Avenue, M<strong>in</strong>neapolis, MN 55403<br />

phone (612) 375-7581 fax (612) 375-7575<br />

michele.ste<strong>in</strong>wald@walkerart.org<br />

S<strong>in</strong>ce retir<strong>in</strong>g as a dancer/choreographer, Michele Ste<strong>in</strong>wald has managed perform<strong>in</strong>g arts projects and<br />

professional development programs for On the Boards (Seattle), New England Foundation for the<br />

Arts/<strong>National</strong> Dance Project (Boston), DanceUSA (DC), and the Deborah Hay Dance Company<br />

(Aust<strong>in</strong>). She jo<strong>in</strong>ed the Walker Art Center <strong>in</strong> October 2006 to manage a third of their perform<strong>in</strong>g arts<br />

season and co-curate Momentum: New Dance Works with the Southern Theater. She is an active<br />

supporter of the local contemporary dance scene.


GARY P. STEUER<br />

City of <strong>Philadelphia</strong><br />

Chief Cultural Officer<br />

City Hall - Room 116, <strong>Philadelphia</strong>, PA 19147<br />

phone 215-686-3989<br />

gary.steuer@phila.gov<br />

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Gary Steuer is the Chief Cultural Officer for the City of <strong>Philadelphia</strong> and directs the Office of Arts,<br />

Culture and the Creative Economy.<br />

HAROLD JAMES STEWARD<br />

South Dallas Cultural Center<br />

Perform<strong>in</strong>g Arts Coord<strong>in</strong>ator<br />

3400 South Fitzhugh, Dallas, TX 75206<br />

phone 214/671-5800 fax 214/670-8118<br />

harold.steward@dallascityhall.com<br />

Harold Steward is an arts adm<strong>in</strong>istrator and theater practitioner with over twelve years of experience <strong>in</strong><br />

the field of arts and education. Mr. Steward currently serves as a perform<strong>in</strong>g arts coord<strong>in</strong>ator for the<br />

City of Dallas Office of Cultural Affairs' South Dallas Cultural Center. Mr. Steward is the artistic<br />

director of The Centers' Soul Children's Theatre, a theatre program that pledges to provide high-quality<br />

family theatre and <strong>in</strong>novative educational programs aim<strong>in</strong>g to create a soulful understand<strong>in</strong>g of,<br />

appreciation for and re-connection to the African Diaspora. Harold is also the founder and artistic<br />

director of Fahari Arts Institute, a multidiscipl<strong>in</strong>ary arts and letters <strong>in</strong>stitute <strong>in</strong> Dallas, TX that was<br />

created to showcase the works of queer artists from the African Diaspora.<br />

LYENA STRELKOFF<br />

Artist<br />

5429 Troost Avenue #1, North Hollywood, CA 91601<br />

phone (310) 880-8551 fax (818) 766-4663<br />

lyena@lyenastrelkoff.org<br />

Lyena Strelkoff loves kale chips, funky female power-pop, and the way her 2-year-old puts his hands<br />

above his head, tilts his face <strong>in</strong>to the breeze and says, "Wi<strong>in</strong>-dy!" This year, Lyena was a featured<br />

storyteller on KCRW's Strangers, as well as at the performance salons, Spark Off Rose, Tasty Words,<br />

and The Trunk Show. She was also a contribut<strong>in</strong>g essayist to the anthology, Danc<strong>in</strong>g at the Shame<br />

Prom (Seal Press, <strong>2012</strong>). A selected performer for the VSA Arts International Festival, an affiliate of


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the John F. Kennedy Center, and a Vermont Studio Center writ<strong>in</strong>g fellow, Lyena's one-woman play,<br />

Caterpillar Soup, has toured across the country. She has led transformational storytell<strong>in</strong>g workshops for<br />

high school students, the <strong>in</strong>carcerated, health care providers, church groups, and theater artists.<br />

NICK STUCCIO<br />

<strong>Philadelphia</strong> Live Arts Festival and Philly Fr<strong>in</strong>ge<br />

Produc<strong>in</strong>g Director<br />

211 V<strong>in</strong>e Street, <strong>Philadelphia</strong>, PA 19106<br />

phone (215) 413-9006 x 12<br />

nick@livearts-fr<strong>in</strong>ge.org<br />

LISA SUAREZ<br />

Jump-Start <strong>Performance</strong> Co.<br />

Artistic Director - Guest Artists<br />

108 Blue Star, San Antonio, TX 78204<br />

phone (210) 227-5867 fax (210) 222-2231<br />

lisa@jump-start.org<br />

Lisa Suarez is a company member and the Produc<strong>in</strong>g Director at Jump-Start <strong>Performance</strong> Co. She is<br />

also the playwright and performer of "I'll Remember for You" an Alzheimer's story based on her<br />

experience car<strong>in</strong>g for her mother. Suarez is also a Zumba and group fitness <strong>in</strong>structor.<br />

ANDREW SUGGS<br />

Vox Populi<br />

Executive Director<br />

319 North 11th Street Third Floor, <strong>Philadelphia</strong>, PA 19107<br />

phone 215-238-1236 fax 215-238-1253<br />

director@voxpopuligallery.org<br />

Andrew Suggs is the Executive Director of Vox Populi, and a curator and writer. Recent projects<br />

<strong>in</strong>clude Pa<strong>in</strong>t<strong>in</strong>g Bitten by a Man, and Kick <strong>in</strong> the Eye, both at Vox Populi (<strong>Philadelphia</strong>, PA) and an<br />

upcom<strong>in</strong>g conven<strong>in</strong>g of artist-run spaces <strong>in</strong> collaboration with Cleopatra's (Brooklyn). He participated<br />

<strong>in</strong> a 2010 curatorial Intensive with Independent Curators International and has contributed texts to<br />

numerous exhibition catalogs and Phonebook: Directory of Independent Art Projects & Spaces. He<br />

received an AB cum laude from Harvard University.<br />

QUITA SULLIVAN<br />

New England Foundation for the Arts


Program Manager, Theater<br />

145 Tremont St., 7th Floor, Boston, MA 02111<br />

phone 617.951.0010 ext 531 fax 617.951.0016<br />

qsullivan@nefa.org<br />

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Quita is the Program Manager for New England Foundation for the Arts' (NEFA) <strong>National</strong> Theater<br />

Project. She holds a BA and MA <strong>in</strong> Theatre from Knox College and SUNY Stony Brook, respectively,<br />

as well as a law degree from Wayne State University Law School. Before law school, she worked as a<br />

Stage Manager <strong>in</strong> Chicago and later as an Adm<strong>in</strong>istrator for a not-for-profit artist management office,<br />

creat<strong>in</strong>g contracts and manag<strong>in</strong>g book<strong>in</strong>g and perform<strong>in</strong>g fees for musicians <strong>in</strong> the Great Lakes area.<br />

After law school, she practiced Environmental Justice law for 10 years <strong>in</strong> Detroit and Boston. Prior to<br />

jo<strong>in</strong><strong>in</strong>g NEFA as a staff member, Quita was an Advisor for NEFA's Native Arts Program. Quita is Of<br />

Counsel to and a member of the Montaukett tribe.<br />

SHIMA SUZUKI<br />

Fukuoka City Foundation for Arts and Cultural Promotion<br />

Program Coord<strong>in</strong>ator<br />

6th floor Fukuoka Shobo Kaikan, 3-10 Nakasu-Nakashimamachi, Hakata-ku, Fukuoka, Japan 8100802<br />

phone +81-92-263-6266 fax +81-92-263-6259<br />

pro-c@ffac.or.jp<br />

Shima Suzuki majored <strong>in</strong> art Science at Tama Art University and graduated <strong>in</strong> 2005. She worked at<br />

Sagamihara Culture Foundation, where she was <strong>in</strong> charge of curat<strong>in</strong>g, manag<strong>in</strong>g, and produc<strong>in</strong>g arts<br />

programs for public theaters between 2005 and <strong>2012</strong>. She moved to Fukuoka <strong>in</strong> <strong>2012</strong> and is currently<br />

work<strong>in</strong>g for the Fukuoka City Foundation for Arts and Cultural Promotion as Project Coord<strong>in</strong>ator.<br />

THERESA SWEETLAND<br />

Intermedia Arts<br />

Executive Director<br />

2822 Lyndale Avenue South, M<strong>in</strong>neapolis, MN 55408<br />

phone (612) 874-2808 fax 612-871-6927<br />

theresa@<strong>in</strong>termediaarts.org<br />

Theresa Sweetland, executive/artistic director of Intermedia Arts, holds a BA <strong>in</strong> cultural anthropology<br />

from the University of M<strong>in</strong>nesota and a master's degree <strong>in</strong> urban and regional plann<strong>in</strong>g at the<br />

University of M<strong>in</strong>nesota Hubert H Humphrey School of Public Affairs with a concentration on<br />

community and economic development. Theresa is a co-found<strong>in</strong>g artistic director of B-Girl Be, the


NPN's <strong>2012</strong> <strong>Annual</strong> <strong>Meet<strong>in</strong>g</strong> <strong>in</strong> <strong>Philadelphia</strong> Attendees / Page 97 of 115<br />

world's first <strong>in</strong>ternational women <strong>in</strong> hip hop summit presented annually by Intermedia Arts. She has<br />

been a guest lecturer on "Art and Democracy," "Community Partnerships" and "Arts and Social<br />

Change" for various university classes and community groups.<br />

SARAH SWINFORD<br />

Wexner Center for the Arts<br />

Perform<strong>in</strong>g Arts Program Coord<strong>in</strong>ator<br />

The Ohio State University 1871 North High Street, Columbus, OH 43210-1393<br />

phone (614) 292-5785 fax 614-292-7824<br />

ssw<strong>in</strong>ford@wexarts.org<br />

IVAN R. SYGODA<br />

Pentacle<br />

Director<br />

246 West 38th Street, 4th floor, Aust<strong>in</strong>, TX 10018<br />

phone 212.278.8111 ext.. 300 fax 212.278.8555<br />

ivans@pentacle.org<br />

Sygoda jo<strong>in</strong>ed Pentacle <strong>in</strong> 1976 after a first career teach<strong>in</strong>g French literature. In the 35 years s<strong>in</strong>ce, he<br />

has served on myriad adjudication panels, written for arts publications, taught arts adm<strong>in</strong>isitration<br />

courses and sem<strong>in</strong>ars, and mentored numerous artists and managers. He devised and directed Pentacle's<br />

"Market<strong>in</strong>g From The Inside Out" sem<strong>in</strong>ars, which evolved <strong>in</strong>to Pentacle's Help Desk projects <strong>in</strong> New<br />

York and then Los Angeles, San Francisco and Chicago. He co-founded (with David White) the New<br />

York State DanceForce, <strong>in</strong> which he rema<strong>in</strong>s a participant. He is a longtime member of the Bessie (NY<br />

Dance & <strong>Performance</strong> Awards) Committee, and currently co-chairs its "small capacity" subcommittee.<br />

He has received various honors, <strong>in</strong>clud<strong>in</strong>g Dance/USA's "Ernie" and Arts Presenters' Fan Taylor<br />

award.<br />

KAY TAKEDA<br />

Lower Manhattan Cultural Council<br />

Director of Grants & Services<br />

125 Maiden Lane, 2nd Floor, New York, NY 10038<br />

phone 212-219-9401<br />

ktakeda@lmcc.net<br />

Kay Takeda has worked for over 15 years to provide artists and arts organizations with present<strong>in</strong>g,<br />

f<strong>in</strong>ancial and capacity-build<strong>in</strong>g support. She is currently the director of grants & services at Lower<br />

Manhattan Cultural Council where she develops and oversees its grantmak<strong>in</strong>g and career development<br />

programs. Prior to jo<strong>in</strong><strong>in</strong>g LMCC, she managed Arts International's national grantmak<strong>in</strong>g programs to


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support visual and perform<strong>in</strong>g artists work<strong>in</strong>g <strong>in</strong>ternationally. She has served as assistant director of the<br />

Newhouse Center for Contemporary Art, Snug Harbor; and on the boards of the artist-run Goliath<br />

Visual Space and Tickle the Sleep<strong>in</strong>g Giant, Inc./Trajal Harrell. She lectures widely on professional<br />

issues affect<strong>in</strong>g artists.<br />

PETER TAUB<br />

Museum of Contemporary Art Chicago<br />

Director of Peformance Programs<br />

220 East Chicago Avenue, Chicago, IL 60611<br />

phone (312) 280-2660<br />

ptaub@mcachicago.org<br />

Peter Taub curates artist-centered projects. At the Museum of Contemporary Art Chicago, he directs<br />

the perform<strong>in</strong>g arts program, which features artists work<strong>in</strong>g <strong>in</strong> cross-discipl<strong>in</strong>ary modes <strong>in</strong> dance,<br />

theater and music; and which engages audiences with artists around the creative process.<br />

TAMMY C. TERRELL<br />

Ashé Cultural Center/Efforts of Grace, Inc.<br />

Operations Manager<br />

1712 Oretha Castle Haley Blvd., New Orleans, LA 70113<br />

phone 713-526-7662 fax 713.526.7662<br />

tcterrell@gmail.com<br />

PAUL ANTHONY TERUEL<br />

Columbia College Chicago, Center for Community Arts Partnerships<br />

Director of Community Partnerships<br />

600 S. Michigan Ave, Chicago, IL 60605<br />

phone (312) 369-8871 fax 312.369-8015<br />

pteruel@colum.edu<br />

Paul Teruel is the Director of Community Partnerships at the Center for Community Arts Partnerships<br />

(CCAP) at Columbia College Chicago, and is one of the founders and former Directors of Street-Level<br />

Youth Media, which is locally and nationally known as a model <strong>in</strong> the community/media arts field.<br />

Paul studied Film at Columbia College and has worked <strong>in</strong> the community arts/ perform<strong>in</strong>g arts field for<br />

25 years.<br />

MORGAN THORSON<br />

Artist/Choreographer


3112 10th Avenue South, M<strong>in</strong>neapolis, MN 55407<br />

phone (612) 221-3416 fax 612 221-3416<br />

emorgant@earthl<strong>in</strong>k.net<br />

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Morgan Thorson is a dancemaker based <strong>in</strong> M<strong>in</strong>neapolis and is currently a USA Artist Fellow. She is<br />

tour<strong>in</strong>g her work Spaceholder Festival and is <strong>in</strong> the process of develop<strong>in</strong>g a new work, Journeyman.<br />

JACQUES-JEAN TIZIOU<br />

JJ Tiziou Photography<br />

PO Box 42127, <strong>Philadelphia</strong>, PA 19101<br />

phone 267-702-5464<br />

jj@jjtiziou.net<br />

Jacques-Jean "JJ" Tiziou is a photographer specializ<strong>in</strong>g <strong>in</strong> portraiture and movement documentation; he<br />

has never encountered an un-photogenic person <strong>in</strong> his life. His images are used both <strong>in</strong> corporate and<br />

editorial contexts as well as arts and activism. Based <strong>in</strong> West <strong>Philadelphia</strong>, JJ uses his work to celebrate<br />

the beautiful people around him who are work<strong>in</strong>g to make the world a better place. You can f<strong>in</strong>d<br />

85,000 sq ft of his work <strong>in</strong> the How Philly Moves mural at PHL International Airport, or check it out<br />

onl<strong>in</strong>e at www.jjtiziou.net, www.HowPhillyMoves.org and www.EveryoneIsPhotogenic.com<br />

ALISHA TONSIC<br />

Network of Ensemble Theaters<br />

Manag<strong>in</strong>g Director<br />

1709 N Ave 56, Los Angeles, CA 90042<br />

phone (323) 255-2124<br />

atonsic@ensembletheaters.net<br />

ALEX TORRA<br />

Team Sunsh<strong>in</strong>e <strong>Performance</strong> Corporation<br />

Resident Director<br />

1913 S 8th St,, <strong>Philadelphia</strong>, PA 19148<br />

phone 9177709492<br />

alextorra@gmail.com<br />

Alex Torra is an Associate Artist with <strong>Philadelphia</strong>-based, devised works companies Team Sunsh<strong>in</strong>e<br />

<strong>Performance</strong> Corporation and Pig Iron Theatre Company. Recent direct<strong>in</strong>g credits <strong>in</strong>clude:<br />

Punchkapow and Wonderwave (Team Sunsh<strong>in</strong>e); Tandem Bik<strong>in</strong>g and Other Dangerous Pastimes for<br />

Two (Green Chair Dance); Come to My Awesome Fiesta, it's Go<strong>in</strong>g to be Awesome, Okay? (Pig Iron);<br />

Much Ado About Noth<strong>in</strong>g (Shakespeare <strong>in</strong> Clark Park). Awards: Independence Foundation Fellowship


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<strong>in</strong> the Arts, <strong>Philadelphia</strong> Live Arts Brewery Fellowship, Pr<strong>in</strong>cess Grace Award (Grace Le V<strong>in</strong>e<br />

Award).<br />

JOSE TORRES-TAMA<br />

ArteFuturo Productions<br />

<strong>Performance</strong> Artist<br />

3119A Royal Street, New Orleans, LA 70117<br />

phone (504) 232-2968<br />

jose@torrestama.com<br />

José Torres-Tama is an award-w<strong>in</strong>n<strong>in</strong>g <strong>in</strong>terdiscipl<strong>in</strong>ary artist explor<strong>in</strong>g the underbelly of the<br />

American Dream mythology and the immigrant experience. "ALIENS, IMMIGRANTS & OTHER<br />

EVILDOERS" is his NPN Creation Fund commissioned performance that is tour<strong>in</strong>g nationally to<br />

critical acclaim for humaniz<strong>in</strong>g Lat<strong>in</strong>o immigrants, who are under extreme persecution <strong>in</strong> the so-called<br />

"land of the free." "ALIENS" is a sci-fi Lat<strong>in</strong>o noir, genre-bend<strong>in</strong>g, bil<strong>in</strong>gual performance solo that has<br />

sold out a two hundred-seat theater at Vanderbilt University and a three night run at the Lat<strong>in</strong>o Political<br />

Theater Festival hosted by Pangea World Theatre and Teatro del Pueblo <strong>in</strong> M<strong>in</strong>neapolis. S<strong>in</strong>ce 2006,<br />

he is a contributor to NPR's "Lat<strong>in</strong>o USA" with commentaries on the immigrants who have rebuilt<br />

New Orleans.<br />

RORY OWEN TRAINOR<br />

Alverno Presents<br />

Operations Manager<br />

P.O. Box 343922, Milwaukee, WI 53234-3922<br />

phone 414-382-6151 fax 414-382-6354<br />

rory.tra<strong>in</strong>or@alverno.edu<br />

ANNA TRIER<br />

L<strong>in</strong>ks Hall<br />

Residency Coord<strong>in</strong>ator<br />

L<strong>in</strong>ks Hall 3435 N. Sheffield Avenue, Suite 207, Chicago, IL 60657<br />

phone 773.281.0824 fax 773.281.1915<br />

anna@l<strong>in</strong>kshall.org<br />

Anna Trier founded the Happy Collaborationists curatorial project <strong>in</strong> 2008 to support performance,<br />

<strong>in</strong>stallation and media arts. She holds a BFA from Columbia College Chicago <strong>in</strong> Studio Art and Art<br />

History and has been work<strong>in</strong>g at L<strong>in</strong>ks Hall for the past three years where she runs the L<strong>in</strong>kUp<br />

Residency program, dabbles with graphic designs and occasionally cooks everyone d<strong>in</strong>ner.<br />

www.l<strong>in</strong>kshall.org www.happycollaborationists.com


KELLY ZEN-YIE TSAI<br />

579 Greene Ave. #2, Brooklyn, NY 11216<br />

phone 773-991-0280<br />

kz@yellowgurl.com<br />

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KELLY ZEN-YIE TSAI is an award-w<strong>in</strong>n<strong>in</strong>g spoken word poet, actress, playwright, and filmmaker<br />

based <strong>in</strong> Brooklyn. She has been a featured performer at over 500 venues worldwide <strong>in</strong>clud<strong>in</strong>g the<br />

White House, Apollo Theater <strong>in</strong> Harlem, L<strong>in</strong>coln Center, Kennedy Center, and three seasons of<br />

"Russell Simmons Presents HBO Def Poetry." Her awards / residencies <strong>in</strong>clude New York Live Arts,<br />

New York Foundation for the Arts, Asian Women's Giv<strong>in</strong>g Circle, & Lower Manhattan Cultural<br />

Council. Her solo show, "Formosa," and ensemble spoken word play, "Say You Heard My Echo" have<br />

been presented at HERE Arts Center, New York Live Arts, Asian Arts Initiative, Museum of Ch<strong>in</strong>ese<br />

<strong>in</strong> America, Hip Hop Theater Festival, Ris<strong>in</strong>g Circle's PlayRISE on Theater Row and more<br />

(yellowgurl.com, @yellowgurlpoet, youtube.com/kztsai)<br />

CARLTON TURNER<br />

Alternate ROOTS<br />

Executive Director<br />

1083 Aust<strong>in</strong> Ave NE, Atlanta, GA 30307<br />

phone (404) 577-1079 fax (404) 577-7991<br />

carlton@alternateroots.org<br />

Carlton Turner is the Executive Director of Alternate ROOTS, a regional non-profit arts organization<br />

based <strong>in</strong> the south. Carlton Turner is also co-founder and co-artistic director, along with his brother<br />

Maurice Turner, of the group M.U.G.A.B.E.E. (Men Under Guidance Act<strong>in</strong>g Before Early Ext<strong>in</strong>ction).<br />

M.U.G.A.B.E.E. is a perform<strong>in</strong>g arts group that blends of jazz, hip-hop, spoken word poetry and soul<br />

music together with multimedia storytell<strong>in</strong>g.<br />

MAURICE SAMUEL TURNER<br />

Turner World Around Productions<br />

Artistic Director<br />

23710 Hwy 18, Raymond, MS 39154<br />

phone 662-312-5830<br />

mturner@turnerworldaround.org<br />

GUSTAVO ARIEL UANO<br />

USINA 4 - AGENCIA CREATIVA


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Mna I Casa 7 BAMSA La Colonia Jun<strong>in</strong> Mendoza. Argent<strong>in</strong>a C.P. 5572, Mendoza, Argent<strong>in</strong>a 5500<br />

phone 0261 4253028 fax 0261 4232371<br />

gustavouano@gmail.com<br />

Gustavo is a manager and producer of plays, theatrical events and perform<strong>in</strong>g arts <strong>in</strong> Mendoza,<br />

Argent<strong>in</strong>a. He has a dramatic arts degree from the <strong>National</strong> University of Argent<strong>in</strong>a. He is a found<strong>in</strong>g<br />

member of USINA 4, a creative creative agency and production company. He is also a network<br />

member of La RED - Red de Promotores Culturales de Lat<strong>in</strong>oamérica y el Caribe. He is Mendoza's<br />

representative to the <strong>National</strong> Theater Institute, an organization that supports and promotes<br />

<strong>in</strong>dependent theater. He is also a curator and member of the national theater tour<strong>in</strong>g network.<br />

FERNANDO RAUL UMANA<br />

La RED (Red de Promotores Culturales de Lat<strong>in</strong>oamerica y el Caribe)<br />

Master of Arts<br />

Calle Pr<strong>in</strong>cipal,casa 135, colonia Nicaragua, San Salvador, El Salvador<br />

phone 503-22371605<br />

fernandoumana53@hotmail.com<br />

FERNANDO UMANA: Salvadorean. He studied High School <strong>in</strong> Centro Nacional de Artes€,<br />

graduat<strong>in</strong>g <strong>in</strong> Arts, with a speciality <strong>in</strong> Theatre. In 1973, along with other Salvadorian playwriters, he<br />

founded Sol del Rio Theatre. In 1978 he jo<strong>in</strong>ed the Top Institute of Art and Theatre "Lunacharsky"<br />

(Gitis) Moscow, Russia, where later he obta<strong>in</strong>ed his Masters <strong>in</strong> Arts and an specialization <strong>in</strong> Direct<strong>in</strong>g<br />

Dramatic Art. In the years 1986 and 1987, he worked <strong>in</strong> Porto (Portugal) with the Seiva Troupe<br />

Company, he directed the play "Uncle Vanya" by Anton Chekhov and worked as a teacher at the<br />

company's school. Now he is a member of "The Lat<strong>in</strong> American Net."<br />

DENISE YURIKO UYEHARA<br />

<strong>Performance</strong> Artist/Writer/Playwright<br />

2315 E. Edison Street, Tucson, AZ 85719<br />

phone 310-991-3698<br />

denise@deniseuyehara.com<br />

Denise Uyehara is a performance artist and writer based <strong>in</strong> Tucson, AZ. Her work has been presented<br />

<strong>in</strong> London, Hels<strong>in</strong>ki, Toyko and Vancouver and across the U.S. Recently she has collaborated with<br />

Adam Cooper-Teran on Archipelago (NPN Creation Fund) about Yaqui and Ok<strong>in</strong>awan creation stories,<br />

and with Jason Aragon/Pan Left Productions (MAP Fund) for Bus Stop Dream<strong>in</strong>g, a multi-media,<br />

rov<strong>in</strong>g performance respond<strong>in</strong>g to thousands of deportations <strong>in</strong> South Tucson. Currently she is a<br />

lecturer at Arizona State University and will serve as Activist/Artist <strong>in</strong> Residence at the Claremont<br />

Colleges. She is orig<strong>in</strong>ally from the Los Angeles area where she attended UC Irv<strong>in</strong>e and UCLA. She


NPN's <strong>2012</strong> <strong>Annual</strong> <strong>Meet<strong>in</strong>g</strong> <strong>in</strong> <strong>Philadelphia</strong> Attendees / Page 103 of 115<br />

has two children, a partner and not enough time, except for what really matters.<br />

www.deniseuyehara.com<br />

KINAN VALDEZ<br />

El Teatro Campes<strong>in</strong>o<br />

Produc<strong>in</strong>g Artistic Director<br />

705 Fourth Street, San Juan Bautista, CA 95045<br />

phone (831) 623-2444 fax (831)623-4127<br />

valdezteatro@gmail.com<br />

LAKIN MIGUEL VALDEZ<br />

El Teatro Campes<strong>in</strong>o<br />

resident artist<br />

1414 34th Avenue, Oakland, CA 94601<br />

phone (831) 524-6098 fax 831 524 6098<br />

lak<strong>in</strong>mvaldez@gmail.com<br />

Lak<strong>in</strong> Valdez is an actor, director and playwright. Born and raised <strong>in</strong> the extended family of El Teatro<br />

Campes<strong>in</strong>o, he is currently a resident artist/ensemble member with the company. In 2009, Lak<strong>in</strong><br />

received a NPN Creation Fund Award for his play Victor <strong>in</strong> Shadow, which was commissioned by La<br />

Pena Cultural Center and El Teatro Campes<strong>in</strong>o.<br />

SAMUEL VALDEZ<br />

Centro Cultural de La Raza<br />

Director, Playwright, and Actor<br />

2004 Park Blvd, San Diego, CA 92101<br />

phone 619-892-3179<br />

saamul2003@yahoo.com<br />

Samuel Valdez graduated from San Diego State University <strong>in</strong> 1991 with a B.A. degree <strong>in</strong> theater arts,<br />

emphasis <strong>in</strong> direct<strong>in</strong>g. Between the years of 1992 to 2002 he directed a large number of Lat<strong>in</strong>o plays<br />

such as "Roosters" by Milcha Sanchez Scott, "The Conduct of Life" by Maria Irene Fornes, and "The<br />

Guitarron." With 7 plays under his shoulder Mr. Valdez characterizes himself as a playwright. He has<br />

directed and produced several of his <strong>in</strong>dividual works such as "Soy Yo/It's Me," "P13-Vive,"<br />

"Ambos/Both," and most recently "Outside The Circle," a collaboration with Andrea Assaf and Dora<br />

Arreola. He is <strong>in</strong> the process of beg<strong>in</strong>n<strong>in</strong>g his future work focus<strong>in</strong>g on the creation of man and how he<br />

fits <strong>in</strong>to this concept as a man with a disability.


CLYDE VALENTIN<br />

Hip-Hop Theater Festival<br />

Executive Director<br />

208 Qu<strong>in</strong>cy St, Apt 4, Brooklyn, NY 11216<br />

phone (718) 497-4282<br />

clyde@hiphoptheaterfest.org<br />

KATIE KA VANG<br />

64 Dexter Street Apt 2L, Providence, RI 02909<br />

phone 6513872887<br />

katieka.vang@gmail.com<br />

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Katie Ka Vang is a performance artist and playwright and prose writer. She has been described as a<br />

"dynamic performer and relentless writer of truth." She has performed for Pangea World Theater (as<br />

ensemble member), Theatre Mu, Pillsbury House Theatre, Ordway Center for Perform<strong>in</strong>g Arts, Center<br />

for Hmong Arts and Talent, The Walker Art Center. She self released a collection of poetry and prose<br />

called Never Said. Her work has been published <strong>in</strong> Sa<strong>in</strong>t Paul Almanac, Asian American Press,<br />

BlueFifth Magaz<strong>in</strong>e and Voices from the Asian American Experience. Her commissioned works<br />

<strong>in</strong>clude wtf, Hmong Bollywood, 5:1 Mean<strong>in</strong>g of Freedom; 6:2 Use of Sharpen<strong>in</strong>g (as a Naked Stages<br />

Fellow), Youth In Session (CHAT's Creative Drama Youth class), and Myth of Xee. She's received<br />

fund<strong>in</strong>g from Jerome and MSAB.<br />

ALIE VIDICH<br />

Movement Brigade<br />

Artistic Director<br />

1122 Crease Street, <strong>Philadelphia</strong>, PA 19125<br />

phone 267-467-0657<br />

<strong>in</strong>fo@movementbrigade.org<br />

Alie Vidich is a choreographer, director, and performer creat<strong>in</strong>g immersive, site specific performance<br />

journeys and viscerally engag<strong>in</strong>g stage works. In 2009, she formed Movement Brigade, a dance theater<br />

group that acts as a vehicle for her choreographic voice. She is <strong>in</strong>terested <strong>in</strong> the dynamic <strong>in</strong>tersection<br />

between dance and theater and blurr<strong>in</strong>g the l<strong>in</strong>es between these two worlds. Recent choreographic<br />

works <strong>in</strong>clude: "CONSTANTS," an <strong>in</strong>teractive performance journey about the hidden histories of<br />

<strong>Philadelphia</strong>'s Schuylkill River <strong>in</strong> which audience members were guided by performers on land and <strong>in</strong><br />

canoes, and "For those who I love," a driv<strong>in</strong>g k<strong>in</strong>etic exploration <strong>in</strong>to the personal landscape of a<br />

turbulent mother-daughter relationship. For more <strong>in</strong>fo: movementbrigade.org.


BENJAMIN VOLTA<br />

2117 N Howard St, <strong>Philadelphia</strong>, PA 19122<br />

phone 267-252-9521<br />

benjam<strong>in</strong>volta@gmail.com<br />

NPN's <strong>2012</strong> <strong>Annual</strong> <strong>Meet<strong>in</strong>g</strong> <strong>in</strong> <strong>Philadelphia</strong> Attendees / Page 105 of 115<br />

Benjam<strong>in</strong> Volta, works with public school teachers and community leaders creat<strong>in</strong>g methods that l<strong>in</strong>k<br />

art to specific areas of learn<strong>in</strong>g. Students and participants learn how to recognize the importance of<br />

their own ideas as well as how to appreciate each others' differences while merg<strong>in</strong>g them <strong>in</strong>to a<br />

collective focus. Studio Initiatives comb<strong>in</strong>e academic learn<strong>in</strong>g and life skill development with an<br />

audacious aspiration to create great art with<strong>in</strong> an unexpected context. His studio is <strong>in</strong> the Fairmount<br />

section of <strong>Philadelphia</strong>. www.benvolta.com<br />

SHAY WAFER<br />

651 ARTS<br />

Executive Director<br />

651 Fulton Street, Brooklyn, NY 11217<br />

phone (718) 230-2526 fax (718) 636-4166<br />

swafer@651arts.org<br />

Shay Wafer, Executive Director 651 ARTS has demonstrated a stalwart dedication to the arts and<br />

community development through many years of service to the field. Her passionate vision is balanced<br />

with pragmatic experience, as she has held senior level positions at a number of non-profit arts<br />

organizations with a focus on African Diasporic programm<strong>in</strong>g, community engagement and arts<br />

education. In 2007, Shay became the found<strong>in</strong>g Vice President of Programs for the August Wilson<br />

Center for African American Culture, a new multi-discipl<strong>in</strong>ary perform<strong>in</strong>g arts center and museum <strong>in</strong><br />

downtown Pittsburgh. Prior to the August Wilson Center, she served as the manag<strong>in</strong>g director of<br />

Cornerstone Theater Company and LA Theatreworks <strong>in</strong> Los Angeles, California- her hometown. She<br />

also served as the Manag<strong>in</strong>g Direct<br />

SIXTO A. WAGAN<br />

DiverseWorks Artspace<br />

Co-Executive Director<br />

4102 Fann<strong>in</strong> St, Suite 200, Houston, TX 77004<br />

phone (713) 223-8346 fax (713) 223-4608<br />

sixto@diverseworks.org<br />

MIRANNE WALKER<br />

First Peoples Fund


Program Officer<br />

P.O. Box 2977, Rapid City, SD 57709<br />

phone (605) 348-0324 fax (605) 348-6594<br />

miranne@firstpeoplesfund.org<br />

FRANK WALN<br />

First Peoples Fund<br />

Artist<br />

6960 N. Wolcott Ave. Unit 2, Chicago, IL 60626<br />

phone 605-828-3181<br />

f_waln_35@hotmail.com<br />

JACK WALSH<br />

<strong>National</strong> Alliance for Media Arts and Culture<br />

Executive Director<br />

145 9th Street, Suite 102, San Francisco, CA 94103<br />

phone 415-431-1391 x304 fax 415-431-1392<br />

jack@namac.org<br />

EMILY WATTS<br />

Fractured Atlas<br />

Community Engagement Manager<br />

248 W 35th St, Floor 10, New York, NY 10001<br />

phone 212/277-8020<br />

emily.watts@fracturedatlas.org<br />

SUSAN LANKIN WATTS<br />

Fabulous Shpielkes<br />

123 Argyle Road, Ardmore, PA 19003<br />

phone (610) 645-5242<br />

susan@susanwattsonl<strong>in</strong>e.com<br />

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Ela<strong>in</strong>e and Susan are 3rd and 4th generation Klezmer musicians carry<strong>in</strong>g on the tradition with new life<br />

and those fabulous shpielkes.<br />

MK WEGMANN<br />

<strong>National</strong> <strong>Performance</strong> Network / Visual Artists Network


President/CEO<br />

PO Box 56698, New Orleans, LA 70156-6698<br />

phone (504) 595-8008 ext 205 fax (504) 595-8006<br />

mkw@npnweb.org<br />

THÉRÈSE WEGMANN<br />

<strong>National</strong> <strong>Performance</strong> Network / Visual Artists Network<br />

Senior Operations & Data Specialist<br />

PO Box 56698, New Orleans, LA 70156-6698<br />

phone (504) 595-8008 x208 fax (504) 595-8006<br />

therese@npnweb.org<br />

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Thérèse Wegmann, senior operations and data specialist, has been with the <strong>National</strong> <strong>Performance</strong><br />

Network s<strong>in</strong>ce its move to New Orleans <strong>in</strong> 2001. She has also worked as an arts adm<strong>in</strong>istrator with<br />

Young Aspirations/Young Artists (YA/YA), Junebug Productions, Dog & Pony Theatre Company, and<br />

the Arts Council of New Orleans; and she has years of theatre management/production experience <strong>in</strong><br />

New Orleans, Wash<strong>in</strong>gton, DC, and Allentown, PA. She studied drama and history at the University of<br />

Virg<strong>in</strong>ia, English at Georgetown University <strong>in</strong> the master’s program, then earned a second bachelor’s<br />

degree from Tulane University <strong>in</strong> computer <strong>in</strong>formation systems. Dur<strong>in</strong>g playwright Vaclav Havel’s<br />

first two years as president of Czechoslovakia, she was an English lecturer at Charles University,<br />

Faculty of Pharmacy <strong>in</strong> Hradec Králové. She is a proud native of New Orleans and is concerned for<br />

Louisiana, a state which is vital to the U.S. energy pipel<strong>in</strong>e and supplier of most of the country’s best<br />

seafood, yet whose wetlands are disappear<strong>in</strong>g at the rate of a football field an hour.<br />

LOIS A WELK<br />

Dance/USA <strong>Philadelphia</strong><br />

Director<br />

1427 Spruce St. #1F, <strong>Philadelphia</strong>, PA 19102<br />

phone 215-922-5970<br />

loiswelk@danceusaphiladelphia.org<br />

KARIAMU WELSH<br />

Kariamu & Company: Traditions<br />

Artistic Director<br />

8630 Trumbauer Drive, <strong>Philadelphia</strong>, PA 19122<br />

phone (215) 233-0692<br />

kariamu@me.com


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Kariamu Welsh is the artistic director of Kariamu & Co.: Traditions. Kariamu is the recipient of<br />

numerous fellowships, grants and awards <strong>in</strong>clud<strong>in</strong>g a <strong>National</strong> Endowment for the Arts Choreography<br />

Fellowship, the Creative Public Service Award of NY, a Pew Choreography Fellowship, a Simon<br />

Guggenheim Fellowship, a Pennsylvania Council on the Arts grant, a Fulbright Specialist award and a<br />

Senior Fulbright Scholar Award. She is the found<strong>in</strong>g artistic director of the <strong>National</strong> Dance Company<br />

of Zimbabwe <strong>in</strong> southern Africa. Kariamu is the creator of the Umfundalai dance technique, a<br />

contemporary technique that has been <strong>in</strong> existence for forty years. Kariamu has received many honors<br />

and awards <strong>in</strong>clud<strong>in</strong>g the Pioneer Award from The International Association of Blacks <strong>in</strong> Dance <strong>in</strong><br />

January of 2010.<br />

DAVID R. WHITE<br />

The Yard<br />

Executive and Artistic Director<br />

PO Box 405, Chilmark, MA 02535<br />

phone (508) 645-9662<br />

drw@dancetheyard.org<br />

David R White is the executive and artistic director of The Yard <strong>in</strong> Chilmark, MA (Martha's V<strong>in</strong>eyard),<br />

an artist/company residency and presentation center dedicated to contemporary dance and related art<br />

forms. Until 2011, he was the Director of ARTVENTURES New England, a statewide program<br />

focus<strong>in</strong>g on rural community cultural development and arts accessibility. He chairs the <strong>National</strong><br />

[Artist] Council of Florida's Atlantic Center for the Arts. From 1975-2003, White served as the<br />

executive director and producer of Dance Theater Workshop (now New York Live Arts) <strong>in</strong> NYC,<br />

where he nurtured countless contemporary artists and founded, funded and directed such longstand<strong>in</strong>g<br />

community-wide programs as the <strong>National</strong> <strong>Performance</strong> Network, the Suitcase Fund, and the NY State<br />

Dance Force.<br />

KIM WHITENER<br />

HERE Art Center<br />

Produc<strong>in</strong>g Director<br />

145 6th Avenue, New York, NY 10013<br />

phone (212) 647-0202 fax 212-647-0257<br />

kim@here.org<br />

Kim Whitener is the Produc<strong>in</strong>g Director at HERE, work<strong>in</strong>g <strong>in</strong> partnership with Artistic Director Krist<strong>in</strong><br />

Mart<strong>in</strong>g to curate and produce HERE's performance programs and activities. HERE supports the work<br />

of mid-career artists work<strong>in</strong>g <strong>in</strong> hybrid forms through commissions, workshops, and full productions as<br />

part of the HERE Artist Residency Program (HARP). Ms. Whitener has also been an <strong>in</strong>dependent


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producer work<strong>in</strong>g with a diverse range of artists <strong>in</strong> the contemporary theater, dance-theater, and<br />

multimedia worlds, <strong>in</strong>clud<strong>in</strong>g The Builders Association, Big Dance Theater, Martha Clarke, among<br />

others. Previously, Ms. Whitener was Manag<strong>in</strong>g Director of The Wooster Group.<br />

SARAH K WILKE<br />

On the Boards<br />

Manag<strong>in</strong>g Director<br />

100 West Roy Street, Seattle, WA 98119<br />

phone (206) 217-9886 fax (206) 217-9887<br />

swilke@ontheboards.org<br />

HELANIUS JAMES WILKINS<br />

EDGEWORKS Dance Theater<br />

Founder/Artistic Director/Choreographer<br />

P.O. Box 73396, Wash<strong>in</strong>gton, DC 20056-3396<br />

phone (202) 483-0606 fax (202) 483-0555<br />

helanius@hjwedgeworks.org<br />

Helanius J. Wilk<strong>in</strong>s, a native of Lafayette, LA, is an award w<strong>in</strong>n<strong>in</strong>g choreographer, performance artist,<br />

and <strong>in</strong>structor based <strong>in</strong> Wash<strong>in</strong>gton, D.C. He is the founder and artistic director of EDGEWORKS<br />

Dance Theater - a Wash<strong>in</strong>gton, DC-based all male contemporary dance company of predom<strong>in</strong>ately<br />

African-American men (www.hjwEdgeworks.org).<br />

WILL K. WILKINS<br />

Real Art Ways<br />

Executive Director<br />

56 Arbor Street, Hartford, CT 06106<br />

phone (860) 232-1006 fax (860) 233-6691<br />

mmcbrien@realartways.org<br />

Will K. Wilk<strong>in</strong>s is executive director of Real Art Ways, one of the country's lead<strong>in</strong>g contemporary<br />

multidiscipl<strong>in</strong>ary organizations. Mr. Wilk<strong>in</strong>s has overseen the $1.8 million development of the Real<br />

Art Ways arts center, a place for art, ideas and social <strong>in</strong>teraction. Among the highlights of Mr. Wilk<strong>in</strong>s'<br />

tenure has been a series of commissioned artists' projects, many <strong>in</strong> public sett<strong>in</strong>gs and <strong>in</strong>volv<strong>in</strong>g<br />

community participation. Under Mr. Wilk<strong>in</strong>s' direction, Real Art Ways has been a strong supporter of<br />

artists' rights and freedom of expression. It has received support from the Andy Warhol Foundation for<br />

the Visual Arts, the Ford Foundation, the Wallace Foundation, the Rockefeller Foundation, and the<br />

<strong>National</strong> Endowment for the Arts.


MEGHANN ROSE WILKINSON<br />

Lucky Plush Productions<br />

Performer<br />

301 Olmsted Road, Chicago, IL 60546<br />

phone 773-320-7290<br />

meghannrose@gmail.com<br />

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MEGHANN WILKINSON is a graduate of Northwestern University and has been a collaborat<strong>in</strong>g<br />

ensemble member with Lucky Plush Productions s<strong>in</strong>ce 2004. She is a former company member of<br />

Mord<strong>in</strong>e and Company Dance Theater and has appeared <strong>in</strong> Chicago with Smith/Wymore Disappear<strong>in</strong>g<br />

Acts, Cie Felix Ruckert, and Peter Carpenter <strong>Performance</strong> Project. Wilk<strong>in</strong>son has been a guest teacher<br />

and choreographer for the Cecchetti Council of America, Fairbanks Summer Arts Festival, and the<br />

Evanston Dance Ensemble and was Assistant Choreographer for Look<strong>in</strong>gglass Theater's The Great Fire<br />

and Walkabout Theater's Crow. She is on faculty at Columbia College Chicago, has taught at<br />

Northwestern University, Dance Center Evanston, and Visceral Dance Chicago, and has organized for<br />

the Society of Dance History Scholars.<br />

BERNARD F WILLIAMS<br />

Artist<br />

629 W. Cermak Road, Unit 412, Chicago, IL 60616<br />

phone (773) 910-8695<br />

bernardartist@aol.com<br />

Bernard Williams, lives: Chicago, Ill<strong>in</strong>ois. He is a pa<strong>in</strong>ter, sculptor, and muralist work<strong>in</strong>g around<br />

<strong>in</strong>terests <strong>in</strong> history, culture, and the sciences. Education:BFA University of Ill. at Champaign-Urbana,<br />

MFA (1990) Northwestern University, Evanston, IL. Also studied at the Skowhegan School of<br />

Pa<strong>in</strong>t<strong>in</strong>g and Sculpture, Ma<strong>in</strong>e. Williams taught art at The School of the Art Institute of Chicago from<br />

1991-2003 and 2010. Currently teach<strong>in</strong>g at Chicago State University and develop<strong>in</strong>g a temporary<br />

outdoor project (2013) concern<strong>in</strong>g the Mississippi River with Laumeier Sculpture Park <strong>in</strong> St. Louis.The<br />

artist has worked with youth and communities for 20 years, and ma<strong>in</strong>ta<strong>in</strong>s an <strong>in</strong>terest <strong>in</strong> education,<br />

expansive practices, pure artistic adventure,travel,theatre,Europe,books,cars,video,photography,and<br />

architecture.<br />

SHARON N. WILLIAMS<br />

Central District Forum for Arts & Ideas<br />

Manag<strong>in</strong>g Director<br />

P.O. Box 22824, Seattle, WA 98122-0824<br />

phone (206) 323-4032<br />

sharonw@cdforum.org


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Sharon N. Williams, founded the collaborative theatre and film organization The Mahogany Project.<br />

Sharon held the position of Production Manager at Langston Hughes Perform<strong>in</strong>g Arts Center for four<br />

years. Over the past several years she has served <strong>in</strong> the capacity as stage manager, research assistant,<br />

teach<strong>in</strong>g artist, production assistant, and producer for several perform<strong>in</strong>g arts organizations <strong>in</strong> the<br />

Seattle Area. She is a co-producer for the short film, What About Us? (Hollywood Black Film Festival<br />

and Bronze Lens Film Festival). Sharon, received a Masters of Bus<strong>in</strong>ess Adm<strong>in</strong>istration Degree from<br />

Delaware State University, and a Masters of F<strong>in</strong>e Arts <strong>in</strong> Arts Leadership at Seattle University. Sharon<br />

is excited to be the new Manag<strong>in</strong>g Director for the Central District Forum for Arts and Ideas.<br />

ALLEN WILLNER<br />

<strong>in</strong>kBoat<br />

Technical Director/Light<strong>in</strong>g Designer<br />

351 Shotwell, San Francisco, CA 94110<br />

phone 415.515.1274<br />

vilna2@yahoo.com<br />

Allen Willner is an award w<strong>in</strong>n<strong>in</strong>g light<strong>in</strong>g, set and visual Designer. Previous designs <strong>in</strong>clude <strong>in</strong>kBoat's<br />

"L<strong>in</strong>e Between," "Onion," "Heaven's Radio," "C(H)ord" and "Crazy Cloud." Erika Chong Shuch<br />

<strong>Performance</strong> Project's "After All," "51802" and "Sunday Will Come," The Shotgun Players' "The<br />

Three-Penny Opera," "Mrs. Warren's Profession" and "God's Ear," Isadora Duncan Dance Award for<br />

Light<strong>in</strong>g and Stage Design for <strong>in</strong>kBoat's "Heaven's Radio," Isadora Duncan Dance Visual Design<br />

nom<strong>in</strong>ations for Erika Chong Shuch's "51802" and <strong>in</strong>kBoat's "Cockroach," 2008 Light<strong>in</strong>g Artists <strong>in</strong><br />

Dance Award <strong>in</strong>kBoat "The L<strong>in</strong>e Between," 2010 Critics Circle Light<strong>in</strong>g Design Nom<strong>in</strong>ation for<br />

"God's Ear" The Shotgun Players. 2011 LAD Award recipient for "Sitt<strong>in</strong>g <strong>in</strong> a Circle."<br />

RISE WILSON<br />

Leverag<strong>in</strong>g Investments <strong>in</strong> Creativity<br />

Program Director<br />

237 West 35th Street Suite 1202, New York, NY 10001<br />

phone (646) 731-3275<br />

rise@l<strong>in</strong>cnet.net<br />

GEIN WONG<br />

Asian Arts Initiative<br />

1219 V<strong>in</strong>e Street, philadelphia, PA 19107<br />

phone 323-274-9260<br />

openeddictionary@gmail.com


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Ge<strong>in</strong> Wong is an <strong>in</strong>terdiscipl<strong>in</strong>ary director, playwright, poet, composer and video artist. She is a <strong>2012</strong><br />

Canadian Stage RBC BASH DIrector <strong>in</strong> Residence, a 2013 Harbourfront Centre HATCH Resident<br />

Artist, and a two-time <strong>Philadelphia</strong> Asian Arts Initiative Resident Artist. She has been short listed for<br />

the Ontario KM Hunter Award <strong>in</strong> Theatre (2010) and Literature (2013). She has created the large scale<br />

<strong>in</strong>terdiscipl<strong>in</strong>ary piece "Hid<strong>in</strong>g Words (for you)" which delves <strong>in</strong>to nushu, a secret language Ch<strong>in</strong>ese<br />

women created when they were not allowed to read or write, her two-hander "Ocean Carv<strong>in</strong>g", her one<br />

woman show "Fold My Soul" and her audience <strong>in</strong>teractive community build<strong>in</strong>g performance "Intent<br />

City". She is Artistic Director of the <strong>in</strong>terdiscipl<strong>in</strong>ary performance company Eventual Ashes.<br />

KRISTINA WONG<br />

Krist<strong>in</strong>a Wong<br />

Artistic Director<br />

1478 Westerly Terrace, Los Angeles, CA 90026<br />

phone (310) 435-4817<br />

k@krist<strong>in</strong>asherylwong.com<br />

Krist<strong>in</strong>a Wong is an <strong>in</strong>ternationally presented solo performer, writer, actor, educator, culture jammer,<br />

and filmmaker. She has written and performed five full-length solo theater works and one ensemble<br />

play. Krist<strong>in</strong>a's been a commentator for American Public Media's Marketplace radio show, PBS,<br />

KCET, xoJane.com, Jezebel and Playgirl Magaz<strong>in</strong>e. Her work has been awarded with the Creative<br />

Capital award, the Map Fund, three Center for Cultural Innovation awards, four Durfee<br />

Foundation/CCI ARC grants, two <strong>National</strong> <strong>Performance</strong> Network Creation Funds, the PEN USA<br />

Rosenthal Emerg<strong>in</strong>g Voices Fellowship and four Artist-<strong>in</strong>-Residence Awards from the City of Los<br />

Angeles Department of Cultural Affairs. More at www.krist<strong>in</strong>awong.com<br />

ANDREW WOOD<br />

San Francisco International Arts Festival<br />

Executive Director<br />

870 Market Street, Suite 1256, San Francisco, CA 94102<br />

phone (415) 399-9554 fax (415) 297-5703<br />

andrew@sfiaf.org<br />

Andrew is the founder of SFIAF, which coord<strong>in</strong>ates multiple Bay Area arts organizations to produce<br />

the annual Festival. SFIAF commissions and produces new work by local artists engaged <strong>in</strong><br />

<strong>in</strong>ternational projects and presents the exist<strong>in</strong>g repertoire of multiple ensembles from around the world<br />

(most of whom do not have US representation). Each Festival takes three years to plan and implement.<br />

SFIAF will celebrate its 10th anniversary <strong>in</strong> 2013. Prior to creat<strong>in</strong>g SFIAF, Andrew was the Director of


NPN's <strong>2012</strong> <strong>Annual</strong> <strong>Meet<strong>in</strong>g</strong> <strong>in</strong> <strong>Philadelphia</strong> Attendees / Page 113 of 115<br />

ODC Theater. In three years he transformed the venue from be<strong>in</strong>g primarily a rental facility with an<br />

annual <strong>in</strong>come of $150,000 <strong>in</strong>to a multi-discipl<strong>in</strong>ary present<strong>in</strong>g organization with a budget of nearly<br />

half a million dollars. Andrew's first job work<strong>in</strong>g <strong>in</strong> the arts was at a theatre called Life on the Water.<br />

SAYA WOOLFALK<br />

Artist<br />

323 W 39th Street Studio 406, New York, NY 10018<br />

phone 6466735004<br />

sayawoolfalk@mac.com<br />

RAPHAEL XAVIER<br />

Works of Raphael Xavier W.O.R.X.<br />

Choreographer/Artistic Director<br />

6310 Guyer Ave, <strong>Philadelphia</strong>, PA 19142<br />

phone (267) 253-3923<br />

viazeen@gmail.com<br />

Raphael Xavier, is an award w<strong>in</strong>n<strong>in</strong>g artist from Wilm<strong>in</strong>gton, Delaware and alumnus of Rennie Harris<br />

Puremovement. He is a Pennsylvania Fellow of the Arts <strong>in</strong> Folk and Traditional forms and has been<br />

funded by the Independence Foundation and the Pennsylvania Council on the Arts, Dance Advance<br />

and NEFA. A self taught Break<strong>in</strong>g practitioner s<strong>in</strong>ce 1983, Raphael cont<strong>in</strong>ues to learn and recreate new<br />

ways to expand the vocabulary of the dance and is forg<strong>in</strong>g an exceptional approach to improvisation.<br />

Brenda Dixon Gottschild deemed Xavier, "A f<strong>in</strong>e movement technician." His extensive research <strong>in</strong> Hip<br />

Hop forms and culture, specifically Break<strong>in</strong>g, has lead to the creation of Ground-Core, a Somatic<br />

dance technique that give the practitioner a better understand<strong>in</strong>g of the body with<strong>in</strong> all dance forms.<br />

NORIKO YAMAMOTO<br />

Japan Foundation Center for Global Partnerships<br />

Program Director, Grassroots Exchange and Education Programs<br />

152 West 57th Street, 17th Floor, New York, NY 10019<br />

phone (212) 489-1255 fax (212) 489-1344<br />

noriko_yamamoto@jfny.org<br />

Noriko Yamamoto is a Program Director for Japanese Studies, Grassroots Exchange and Education at<br />

Japan Foundation / Center for Global Partnership <strong>in</strong> New York. Born <strong>in</strong> Mie, Japan, she studied<br />

International Relations at Ritsumeikan University <strong>in</strong> Kyoto, and Sociology at the Graduate School of<br />

Hitotsubashi University <strong>in</strong> Tokyo. Her <strong>in</strong>terest is <strong>in</strong> multicultural society and education, <strong>in</strong>tegration<br />

policy of immigrants, etc. She jo<strong>in</strong>ed the Japan Foundation <strong>in</strong> 2005, where she worked for several<br />

divisions <strong>in</strong>clud<strong>in</strong>g CGP Tokyo, Human Resource Division and Account<strong>in</strong>g Division, and was


NPN's <strong>2012</strong> <strong>Annual</strong> <strong>Meet<strong>in</strong>g</strong> <strong>in</strong> <strong>Philadelphia</strong> Attendees / Page 114 of 115<br />

transferred to the NY office <strong>in</strong> September, 2011. In her spare time, she practices karate; she has a<br />

second level black belt (Shotokan).<br />

KYOKO YOKOYAMA<br />

Fukuoka City Foundation for Arts and Cultural Promotion<br />

Program & Plann<strong>in</strong>g Coord<strong>in</strong>ator<br />

6th floor Fukuoka Shobo Kaikan, 3-10 Nakasu-Nakashimamachi, Hakata-ku, Fukuoka, Japan 8100802<br />

phone +81-92-263-6265 fax +81-92-263-6259<br />

art-co@ffac.or.jp<br />

The Fukoka City Foundation for the Arts, established <strong>in</strong> 1999, is funded by the city government. Its<br />

mission is "to bridge people and the arts." The Foundation does not own its own space and supports<br />

traditional and contemporary arts that take place throughout the city. In addition to community<br />

workshops, Artist <strong>in</strong> Schools program, they host the Asia Film Festival and the Fukoka Arts Festival.<br />

The Foundation is a strong presence <strong>in</strong> the city and serves the diverse needs of the community through<br />

organic cooperation with other city <strong>in</strong>stitutions.<br />

KYOKO YOSHIDA<br />

U.S./Japan Cultural Trade Network, Inc.<br />

Executive Director<br />

1471 Guerrero Street, Suite 3, San Francisco, CA 94110<br />

phone 415-867-7080<br />

kyoko@usjapanctn.net<br />

Kyoko Yoshida is the founder and executive director of U.S/Japan Cultural Trade Network, Inc.<br />

(CTN), an <strong>in</strong>ternational <strong>in</strong>itiative of Arts Midwest to provide leadership, vision, <strong>in</strong>formation and<br />

technical support to enhance cultural trade between the two countries. S<strong>in</strong>ce its <strong>in</strong>ception, Yoshida has<br />

successfully lead CTN <strong>in</strong> br<strong>in</strong>g<strong>in</strong>g together public and private resources <strong>in</strong> both countries to create a<br />

dynamic system of support for the exchange of artists, artistic services, and exhibitions. After a<br />

productive five-year operation <strong>in</strong> the Midwest, CTN relocated to San Francisco <strong>in</strong> 2006 and became an<br />

<strong>in</strong>dependent nonprofit organization. Currently based <strong>in</strong> San Francisco, Yoshida also serves as senior<br />

program advisor for San Francisco International Arts Festival<br />

MIMI ZARSKY<br />

<strong>National</strong> <strong>Performance</strong> Network / Visual Artists Network<br />

Senior Program Specialist - Conven<strong>in</strong>gs<br />

PO Box 56698, New Orleans, LA 70156-6698<br />

phone (504) 595-8008 fax (504) 595-8006<br />

mzarsky@npnweb.org


NPN's <strong>2012</strong> <strong>Annual</strong> <strong>Meet<strong>in</strong>g</strong> <strong>in</strong> <strong>Philadelphia</strong> Attendees / Page 115 of 115<br />

AM Philly Yo! marks the 12th <strong>Annual</strong> <strong>Meet<strong>in</strong>g</strong> that Mimi has been <strong>in</strong>volved with. A part of the NPN<br />

crew s<strong>in</strong>ce 2001, she's been design<strong>in</strong>g, edit<strong>in</strong>g and produc<strong>in</strong>g materials and events for nonprofit arts<br />

organizations s<strong>in</strong>ce 1987. Clients have <strong>in</strong>cluded the <strong>National</strong> Alliance for Media Arts & Culture, The<br />

San Francisco Foundation, Crossroads Project for Art, Learn<strong>in</strong>g & Community, and the Maggie<br />

Allesee <strong>National</strong> Center for Choreography. She holds a B.A. <strong>in</strong> Folklore from University of<br />

Pennsylvania and is a professional potter.<br />

RACHEL ZIMMERMAN<br />

InLiquid<br />

Executive Director<br />

1400 N American Street, studio 314, <strong>Philadelphia</strong>, PA 19122<br />

phone 215.235.3405<br />

rachel@<strong>in</strong>liquid.com

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