- Page 1 and 2: ENCLOSURE JOSEKIS ATTACKING AND DEF
- Page 3 and 4: PREFACE There is infinite variety i
- Page 5 and 6: CHAPTER ONE Small Knight Enclosure
- Page 7 and 8: Dia. 3 (variation for White). After
- Page 9: Dia. 15 (living in the corner). If
- Page 13 and 14: Dia. 9 (submissive). Black 4 is a s
- Page 15 and 16: Dia. 19 (adequate for White). If Bl
- Page 17 and 18: PATTERN THREE Black has made a four
- Page 19 and 20: Dia. 8 (jumping out). If Black emph
- Page 21 and 22: PATTERN FOUR Black has made a narro
- Page 23 and 24: Dia. 9 (ponnuki). Black could play
- Page 25 and 26: PATTERN FIVE Black has made extensi
- Page 27 and 28: Dia. 7 (irritating). The diagonal c
- Page 29 and 30: Dia. 15 (variation for Black). A fe
- Page 31 and 32: Dia. 23 (eye-shape). In this config
- Page 33 and 34: Dia. 31 (Black's kosumi). The idea
- Page 35 and 36: Dia. 39 (hoping to attack). Black 3
- Page 37 and 38: Dia. 47 (solid). Another option for
- Page 39 and 40: Dia. 3 (not a threat). Black 1, an
- Page 41 and 42: Reference Figure 1 (mimic-go style)
- Page 43 and 44: PATTERN ONE You can make a single-h
- Page 45 and 46: Dia. 7 (unreasonable). Attempting t
- Page 47 and 48: Dia. 15 (bad aji). All Black has to
- Page 49 and 50: Dia. 23 (strengthening the right si
- Page 51 and 52: Dia. 3 (sabaki). White cannot invad
- Page 53 and 54: Dia. 15 (in trouble?). The atari at
- Page 55 and 56: PATTERN THREE Black has made a wide
- Page 57 and 58: Dia. 8 (tesuji). The shoulder-hit a
- Page 59 and 60: Dia. 18 (thickness). Black forces w
- Page 61 and 62:
Dia. 28 (living in the corner). Whe
- Page 63 and 64:
PATTERN FOUR Black has made good sh
- Page 65 and 66:
Dia. 7 (into the center). Black can
- Page 67 and 68:
Dia. 15 (later aim). Black can also
- Page 69 and 70:
Dia. 23 (bad shape). Making a singl
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Dia. 3 (unsatisfactory). Pushing up
- Page 73 and 74:
Dia. 11 (solid connection). White c
- Page 75 and 76:
PATTERN SEVEN Black has made the id
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Dia. 7 (light). Attaching immediate
- Page 79 and 80:
Dia. 15 (the reverse extension). Ex
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Dia. 23 (slack). Pulling back at 6
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PATTERN ONE White wants to make a s
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Dia. 10 (thickness). If Black plays
- Page 87 and 88:
Dia. 21 (tight). Black 4 is a tight
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Dia. 3 (the ladder). If Black block
- Page 91 and 92:
Dia. 11 (thin). Playing a diagonal
- Page 93 and 94:
Dia. 19 (variation). If White ignor
- Page 95 and 96:
Dia. 3 (White dies). If White exten
- Page 97 and 98:
PATTERN FOUR Black has made the lar
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Dia. 9 (heavy). Turning at 5 is a h
- Page 101 and 102:
Dia. 19 (a running fight). White 3
- Page 103 and 104:
Dia. 3 (sealing White in). The aim
- Page 105 and 106:
Dia. 15 (life). If Black prefers to
- Page 107 and 108:
Dia. 3 (joseki). Pressing at 2 is a
- Page 109 and 110:
Dia. 11 (easy sabaki). If Black ata
- Page 111 and 112:
Dia. 19 (escape). If White 3, Black
- Page 113 and 114:
PATTERNSEVEN White's extension is o
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Dia. 7 (the clamp). The clamp at 6
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Dia. 15 (Black's defect). Black can
- Page 119 and 120:
Dia. 23 (into the center). Black 4
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Dia. 5 (a special case). An alterna
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Dia. 14 (bad style). Cutting with 4
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3. The result to 8 is a great succe
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PATTERN NINE This is another common
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Dia. 7 (the contact play). If Black
- Page 131 and 132:
Dia. 6 (dubious). Black 4 and 6 are
- Page 133 and 134:
PATTERN ELEVEN Black has made a one
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131
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Dia. 3 (White lands a punch). If Bl
- Page 139 and 140:
PATTERN THIRTEEN Black's formation
- Page 141 and 142:
Dia. 7 (reducing from the top). If
- Page 143 and 144:
Dia. 2 (successful forcing moves).
- Page 145 and 146:
Dia. 3 (pulling back). White can al
- Page 147 and 148:
Dia. 3 (life). White 1 is a subtle
- Page 149 and 150:
Reference Figure 3 (forming a moyo)
- Page 151 and 152:
PATTERN ONE When we learn go, we fi
- Page 153 and 154:
Dia. 3 (emphasizing the right side)
- Page 155 and 156:
Dia. 3 (variation). White can also
- Page 157 and 158:
Dia. 11 (sente). If Black 1, White
- Page 159 and 160:
Dia. 20 (reckless). Answering Black
- Page 161 and 162:
Dia. 30 (the tortoise shell). White
- Page 163 and 164:
Dia. 39 (variation for White). Whit
- Page 165 and 166:
Dia. 48 (set pattern). Black can al
- Page 167 and 168:
Dia. 3 (variation). White plays 9 w
- Page 169 and 170:
Dia. 12 (corner life). White plays
- Page 171 and 172:
Dia. 3 (ko aji). If White connects
- Page 173 and 174:
Dia. 11 (life). The counter-hane at
- Page 175 and 176:
Dia. 19 (crawling along the second
- Page 177 and 178:
Dia. 4 (complicated variation). Cut
- Page 179 and 180:
Dia. 12 (submarine invasion). The l
- Page 181 and 182:
PATTERNSEVEN Black has made the lar
- Page 183 and 184:
Dia. 7 (making good shape). Black m
- Page 185 and 186:
Dia. 15 (strengthening White). The
- Page 187 and 188:
Dia. 3 (slack). What about running
- Page 189 and 190:
Dia. 12 (the contact play). White h
- Page 191 and 192:
CHAPTER FIVE Other Invasions 187
- Page 193 and 194:
Dia. 3 (disagreeable aji). After th
- Page 195 and 196:
Dia. 11 (living in the corner). If
- Page 197 and 198:
Dia. 19 (the ladder). If White imme
- Page 199 and 200:
Dia. 4 (over-aggressive). Descendin
- Page 201 and 202:
Dia. 14 (a special case). In certai
- Page 203 and 204:
White settles his group, but Black
- Page 205 and 206:
choose whether he wants to enter th
- Page 207 and 208:
Dia. 1 (a blow on the jaw). Black 1
- Page 209 and 210:
Dia. 8 (joseki). Black 1, cutting a
- Page 211 and 212:
aji: potential Japanese terms aki-s
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OTHER BOOKS ON GO G2 BASIC TECHNIQU
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About the author Masaki Takemiya wa