Enclosure Josekis.pdf

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Dia. 24 (an exchange). The crosscut of White 2 is the tesuji for settling oneself. If Black resists with 3, White pushes through with 4 and 6, then regroups on the left with 8 and 10. In exchange, Black takes the right side. White has succeeded in settling himself. Dia. 25 (light). If Black captures with 3, White forces with 4 and 6, then switches lightly to 8. If Black cuts at `a', White keeps playing lightly with White `b', Black `c', White `d'. Dia. 26 (Black's knight move). Black 2 is also possible, but it feels a little loose. The result is not much different from Dia. 10. 12
PATTERN THREE Black has made a four-space extension from his corner enclosure, and White has extended right up the side towards Black's formation. What difference does Black's more narrow extension make? Dia. 1 (invasion). The presence of the white stone so close to Black's position means that once again invading at 1 is the key point. Dia. 2 (standard result). If Black 2, White has less space in which to settle himself than in Pattern Two. First, White plays the probe at 3. If Black 4, White 5 makes good shape. Next, Black `a' and White `b' can be expected. 13
Page 1 and 2: ENCLOSURE JOSEKIS ATTACKING AND DEF
Page 3 and 4: PREFACE There is infinite variety i
Page 5 and 6: CHAPTER ONE Small Knight Enclosure
Page 7 and 8: Dia. 3 (variation for White). After
Page 9 and 10: Dia. 15 (living in the corner). If
Page 11 and 12: PATTERN TWO The difference from Pat
Page 13 and 14: Dia. 9 (submissive). Black 4 is a s
Page 15: Dia. 19 (adequate for White). If Bl
Page 19 and 20: Dia. 8 (jumping out). If Black emph
Page 21 and 22: PATTERN FOUR Black has made a narro
Page 23 and 24: Dia. 9 (ponnuki). Black could play
Page 25 and 26: PATTERN FIVE Black has made extensi
Page 27 and 28: Dia. 7 (irritating). The diagonal c
Page 29 and 30: Dia. 15 (variation for Black). A fe
Page 31 and 32: Dia. 23 (eye-shape). In this config
Page 33 and 34: Dia. 31 (Black's kosumi). The idea
Page 35 and 36: Dia. 39 (hoping to attack). Black 3
Page 37 and 38: Dia. 47 (solid). Another option for
Page 39 and 40: Dia. 3 (not a threat). Black 1, an
Page 41 and 42: Reference Figure 1 (mimic-go style)
Page 43 and 44: PATTERN ONE You can make a single-h
Page 45 and 46: Dia. 7 (unreasonable). Attempting t
Page 47 and 48: Dia. 15 (bad aji). All Black has to
Page 49 and 50: Dia. 23 (strengthening the right si
Page 51 and 52: Dia. 3 (sabaki). White cannot invad
Page 53 and 54: Dia. 15 (in trouble?). The atari at
Page 55 and 56: PATTERN THREE Black has made a wide
Page 57 and 58: Dia. 8 (tesuji). The shoulder-hit a
Page 59 and 60: Dia. 18 (thickness). Black forces w
Page 61 and 62: Dia. 28 (living in the corner). Whe
Page 63 and 64: PATTERN FOUR Black has made good sh
Page 65 and 66: Dia. 7 (into the center). Black can
Page 67 and 68:
Dia. 15 (later aim). Black can also
Page 69 and 70:
Dia. 23 (bad shape). Making a singl
Page 71 and 72:
Dia. 3 (unsatisfactory). Pushing up
Page 73 and 74:
Dia. 11 (solid connection). White c
Page 75 and 76:
PATTERN SEVEN Black has made the id
Page 77 and 78:
Dia. 7 (light). Attaching immediate
Page 79 and 80:
Dia. 15 (the reverse extension). Ex
Page 81 and 82:
Dia. 23 (slack). Pulling back at 6
Page 83 and 84:
PATTERN ONE White wants to make a s
Page 85 and 86:
Dia. 10 (thickness). If Black plays
Page 87 and 88:
Dia. 21 (tight). Black 4 is a tight
Page 89 and 90:
Dia. 3 (the ladder). If Black block
Page 91 and 92:
Dia. 11 (thin). Playing a diagonal
Page 93 and 94:
Dia. 19 (variation). If White ignor
Page 95 and 96:
Dia. 3 (White dies). If White exten
Page 97 and 98:
PATTERN FOUR Black has made the lar
Page 99 and 100:
Dia. 9 (heavy). Turning at 5 is a h
Page 101 and 102:
Dia. 19 (a running fight). White 3
Page 103 and 104:
Dia. 3 (sealing White in). The aim
Page 105 and 106:
Dia. 15 (life). If Black prefers to
Page 107 and 108:
Dia. 3 (joseki). Pressing at 2 is a
Page 109 and 110:
Dia. 11 (easy sabaki). If Black ata
Page 111 and 112:
Dia. 19 (escape). If White 3, Black
Page 113 and 114:
PATTERNSEVEN White's extension is o
Page 115 and 116:
Dia. 7 (the clamp). The clamp at 6
Page 117 and 118:
Dia. 15 (Black's defect). Black can
Page 119 and 120:
Dia. 23 (into the center). Black 4
Page 121 and 122:
Dia. 5 (a special case). An alterna
Page 123 and 124:
Dia. 14 (bad style). Cutting with 4
Page 125 and 126:
3. The result to 8 is a great succe
Page 127 and 128:
PATTERN NINE This is another common
Page 129 and 130:
Dia. 7 (the contact play). If Black
Page 131 and 132:
Dia. 6 (dubious). Black 4 and 6 are
Page 133 and 134:
PATTERN ELEVEN Black has made a one
Page 135 and 136:
131
Page 137 and 138:
Dia. 3 (White lands a punch). If Bl
Page 139 and 140:
PATTERN THIRTEEN Black's formation
Page 141 and 142:
Dia. 7 (reducing from the top). If
Page 143 and 144:
Dia. 2 (successful forcing moves).
Page 145 and 146:
Dia. 3 (pulling back). White can al
Page 147 and 148:
Dia. 3 (life). White 1 is a subtle
Page 149 and 150:
Reference Figure 3 (forming a moyo)
Page 151 and 152:
PATTERN ONE When we learn go, we fi
Page 153 and 154:
Dia. 3 (emphasizing the right side)
Page 155 and 156:
Dia. 3 (variation). White can also
Page 157 and 158:
Dia. 11 (sente). If Black 1, White
Page 159 and 160:
Dia. 20 (reckless). Answering Black
Page 161 and 162:
Dia. 30 (the tortoise shell). White
Page 163 and 164:
Dia. 39 (variation for White). Whit
Page 165 and 166:
Dia. 48 (set pattern). Black can al
Page 167 and 168:
Dia. 3 (variation). White plays 9 w
Page 169 and 170:
Dia. 12 (corner life). White plays
Page 171 and 172:
Dia. 3 (ko aji). If White connects
Page 173 and 174:
Dia. 11 (life). The counter-hane at
Page 175 and 176:
Dia. 19 (crawling along the second
Page 177 and 178:
Dia. 4 (complicated variation). Cut
Page 179 and 180:
Dia. 12 (submarine invasion). The l
Page 181 and 182:
PATTERNSEVEN Black has made the lar
Page 183 and 184:
Dia. 7 (making good shape). Black m
Page 185 and 186:
Dia. 15 (strengthening White). The
Page 187 and 188:
Dia. 3 (slack). What about running
Page 189 and 190:
Dia. 12 (the contact play). White h
Page 191 and 192:
CHAPTER FIVE Other Invasions 187
Page 193 and 194:
Dia. 3 (disagreeable aji). After th
Page 195 and 196:
Dia. 11 (living in the corner). If
Page 197 and 198:
Dia. 19 (the ladder). If White imme
Page 199 and 200:
Dia. 4 (over-aggressive). Descendin
Page 201 and 202:
Dia. 14 (a special case). In certai
Page 203 and 204:
White settles his group, but Black
Page 205 and 206:
choose whether he wants to enter th
Page 207 and 208:
Dia. 1 (a blow on the jaw). Black 1
Page 209 and 210:
Dia. 8 (joseki). Black 1, cutting a
Page 211 and 212:
aji: potential Japanese terms aki-s
Page 213 and 214:
OTHER BOOKS ON GO G2 BASIC TECHNIQU
Page 215:
About the author Masaki Takemiya wa
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