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Cosmic Dreams at Play - Stoned Circus radio show - Free

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With Diez, but without Burmeister, the band went in the studio to record 2nd in July 1973. This<br />

time music was more subdued and medit<strong>at</strong>ive in a sophistic<strong>at</strong>ed way. The eastern flavour was not<br />

so distinctive this time, but the musical quality was certainly intact! "First Communic<strong>at</strong>ion''<br />

started the album off with white noise, wind and a distant bouzouki played by Ulbrich. A<br />

harmonic melody line on guitar slides slowly in and builds up a really gre<strong>at</strong> track, almost<br />

pred<strong>at</strong>ing some of Fichelscher's guitar work with Popol Vuh. "Dialogue And Random" was a<br />

short synthesizer experiment by Honig, not bearing any resemblance to his solo albums. The<br />

tuneful two part "Laila" finished side one. Electronic bird sounds on "In The Silence Of The<br />

Morning Sunrise" opened the other side. The track built up to fragile, jazzy rock almost in the<br />

melodious Terje Rypdal vein. "A Quiet Walk" included more <strong>at</strong>mospheric, electronically cre<strong>at</strong>ed<br />

environment sounds, before bouzouki and tre<strong>at</strong>ed guitar introduced melody lines. "Haunted<br />

Island" finished the album in a dram<strong>at</strong>ic vein with a heavy rhythm, mellotrons and Burghard<br />

Rausch's tre<strong>at</strong>ed recit<strong>at</strong>ion of an Edgar Allan Poe poem.<br />

Shortly after 2nd, Diez quit and the band's activities now decreased. For a last tour of France In<br />

January 1974 Gustav Lutjens was engaged as Agit<strong>at</strong>ion <strong>Free</strong>'s new second guitarist. Their last<br />

studio work was a recording of a Erhard Grosskopf composition ("Looping IV") in February<br />

1974. This would fill up the second side of the Last album, which was only released in France<br />

posthumously in 1976. It was a nice testament to a superb band. They performed a few concerts<br />

during the Summer of 1974 and then disbanded after a final goodbye concert in Berlin,<br />

November 1974.<br />

Lutz Ulbrich teamed up with Manuel Gottsching in 1976 for several Ashra-projects. He has also<br />

made scene music for some the<strong>at</strong>res in Berlin. Michael Honig, as Franke had done five years<br />

before him joined Tangerine Dream, but was with them for just two months (including a tour in<br />

Australia) in the Spring of 1975. Before th<strong>at</strong> he had a short collabor<strong>at</strong>ion with Klaus Schulze<br />

(doing concerts in Brussels, Zevenaar and Paris in November and December 1974). It was also<br />

planned th<strong>at</strong> Honig should join Ashra for a tour in November 1976, but this didn't happen.<br />

Agit<strong>at</strong>ion <strong>Free</strong> was one of the best groups to appear in Germany in the early seventies, and their<br />

albums are oblig<strong>at</strong>ory in any German rock collection!<br />

AINIGMA<br />

Personnel:<br />

• WILLI KLUTER kb,v<br />

• WOLFGANG NETZER g,b,v<br />

• MICHAEL KLUTER d,v<br />

ALBUM:<br />

"Diluvium" (Arc ALPS 151715) 1973<br />

NB:A limited edition counterfeit was released ca. 1988. This has exactly the same black and white cover as the original, which had an<br />

insert with inform<strong>at</strong>ion and lyrics. In 1991 yet another counterfeit re-issue appeared. Little Wing re-issued it legally in 1992 with new<br />

stunning cover artwork and one extra track.<br />

Ainigma's sound is "no compromise" heavy progressive rock, with fuzzy guitars and a very<br />

distinct organ sound. This uncomplic<strong>at</strong>ed instrument<strong>at</strong>ion is often associ<strong>at</strong>ed with the sixties<br />

American garage punk, in fact Ainigma sound very much like a psychedelic punk rock band from<br />

the l<strong>at</strong>e sixties and could very well be included on compil<strong>at</strong>ions like "Acid <strong>Dreams</strong>" or "Beyond<br />

The Calico Wall". Their album was recorded from April to May 1973 <strong>at</strong> PFS studio in four days.

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