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Cosmic Dreams at Play - Stoned Circus radio show - Free

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their own studio in the little village Forst, Niedersachsen. Their successive albums were all<br />

recorded there and/or <strong>at</strong> Conny Plank's studio. Occasionally they performed live <strong>at</strong> art galleries<br />

and museums.<br />

In May 1973 Cluster met Michael Rother (from Neu) and together they evolved into the trio<br />

Harmonia. Between June and November 1973 they recorded Musik von Harmonia. It seems<br />

likely th<strong>at</strong> Rother taught Cluster a lesson or two about using monotonous, repetitive rhythm<br />

loops, like the first Neu album. The tracks "W<strong>at</strong>ussi" and "Sonnenschein" were most<br />

characteristic in this sense. However, Harmonia were quite different from Neu, as they used<br />

electronic percussion and rich keyboard textures of synthesizers and piano. "Dine" and<br />

"Veterano" were more up-be<strong>at</strong> examples of electronic rock (almost pred<strong>at</strong>ing the Ashra sound),<br />

where Rother picked up his guitar. Other parts of this very vers<strong>at</strong>ile album were more ethereal<br />

and cosmic ("Sehr Kosmisch") or experimental ("Ohrwurm").<br />

Moebius and Roedelius recorded the third Cluster album Zuckerzeit in Autumn 1974 with Rother<br />

co-producing. This was a milestone in the history of electronic music, and probably Cluster's<br />

most influential album. In contrast to the urbane and cold electronic music (although sometimes<br />

romantic in its own way) of Kraftwerk and Tangerine Dream this was a rural, vivacious and often<br />

humorous use of synthesizers. Wh<strong>at</strong> a musical change this was from the Cluster II album! This<br />

was the first album to display their individual talents: Moebius' passion for strange sounds and<br />

quirky rhythms (l<strong>at</strong>er explored to full effect on his solo albums and collabor<strong>at</strong>ions with Plank')<br />

and Roedelius' charming, tuneful little ditties. With Rother (and special guest Mani Neumeier of<br />

Guru Guru) the second Harmonia album De Luxe was recorded in the Summer of 1975. The title<br />

track fe<strong>at</strong>ured some nonsensical lyrics. The music was surprisingly light, far less experimental<br />

than the first Harmonia album. One is left with the feeling th<strong>at</strong> the musicians did this more or<br />

less as a holiday project.<br />

In 1976 Rother started his successful solo career (enjoying instant chart success with the album<br />

and single Flammende Herzen), while Cluster recorded their fourth album Sowieso, developing<br />

the style of Zuckerzeit furthers seven sweet drops of witty sequencer music, all wrapped in light<br />

and pretty colour tones like some aural sweets! 1976 was also the year Cluster did their first<br />

collabor<strong>at</strong>ion with Brian Eno. This well respected Englishman had always admired their music<br />

very much, and met them for the first time backstage in Hamburg in 1974.<br />

COBRAA<br />

Personnel:<br />

• KLAUS SEBASTIAN v, g<br />

• ROLF SONDERMANN v, b, flt<br />

• FRIEDEL AHRENS kb<br />

• WOLFGANG HAUSMANN g, v<br />

• BERND KLIEMT d, perc, v<br />

ALBUM:<br />

same (EMI 1C062-29507) 1974<br />

A little known group. Their album consisted of 10 mainstream rock numbers, only occasionally<br />

getting vaguely progressive. A band to leave to rest in peace! Harvest collectors may buy the<br />

album as a curiosity as it was originally intended for release on the Harvest label.

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