Cosmic Dreams at Play - Stoned Circus radio show - Free
Cosmic Dreams at Play - Stoned Circus radio show - Free
Cosmic Dreams at Play - Stoned Circus radio show - Free
You also want an ePaper? Increase the reach of your titles
YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.
• MARTIN ROSCOE d<br />
• (KARL-HEINZ WEILER d) B<br />
• SIDHATTA GAUTAMA d C,D<br />
ALBUMS:<br />
(A)same () 1971<br />
(B)"We Never Lost Control" () 1973<br />
(C)"Only The Dancers" () 1974<br />
(D)"Sonnet To Billy Frost" () 1976<br />
Walter Seyffer founded the group Nine Days' Wonder as early as 1966. They recorded their first<br />
album in the Dierks Studio, January 1971 with the Hauke & Dierks team. This was a fine<br />
example of more bizarre German progressive rock, clearly inspired by King Crimson, Frank<br />
Zappa, Soft Machine, Traffic, Family and Deep Purple. They presented long, complex suites of<br />
heavy progressive riffing, jazz fusion, large amounts of free improvis<strong>at</strong>ion, neck-breaking shifts<br />
of tempo and general insanity on tracks like "Morning Spirit" and "Stomach's Choise". A fine<br />
achievement, if a little difficult to get into. The original German issue of the album came in a<br />
green foam-rubber cover designed by Seyffer!!! It surely qualifies for the top ten list of the<br />
craziest sleeve designs ever made! John Earle's talented sax and flute work was particularly<br />
notable. When the original Nine Days' Wonder disbanded in 1972, he went to England and joined<br />
Gnidrolog (you can hear him on the classic album Lady Lake). Martin Roscoe drummed for a<br />
while in 2066 & Then. Seyffer joined Michael Bundt's band Medusa. In December 1972 this<br />
band suddenly turned out to be the new Nine Days' Wonder. In July 1973 they recorded We<br />
Never Lost Control, which, understandably, was totally different to the 1971 album: a 'straighter'<br />
progressive rock album comparable to other Hauke productions like Epsilon, Nektar or Message.<br />
In 1974, Nine Days' Wonder went through further changes, ended up as a quartet <strong>at</strong> last.<br />
They recorded Only The Dancers in September 1974 in England with the guests Dave Jackson<br />
(sax, flute, from Van den Graaf Gener<strong>at</strong>or) and Steve Robinson (keyboards, ex-2066 & Then).<br />
This was much more a straight rock song oriented album, with tuneful and sophistic<strong>at</strong>ed<br />
compositions. The last incarn<strong>at</strong>ion of this unstable group formed in the Summer of 1975. Their<br />
album Sonnet To Billy Frost (1976) was dismissed in the music press <strong>at</strong> the time of release, but<br />
has proved able to stand the test of time. A kind of rock opera. It sounded strangely British<br />
(short, melodic up-be<strong>at</strong> rock songs with some linked musical themes and clever lyrics). After<br />
Nine Days' Wonder disbanded, Unger and Seyffer made three further albums together as<br />
Wintergarden.<br />
18 (ACHTZEHN) KARAT GOLD<br />
Personnel:<br />
• KLAUS EBERT g, v<br />
• JORG EVERS g, v<br />
• LOTHAR MEID b, v<br />
• KEITH FORSEY d<br />
ALBUM:<br />
"All Bumm" (United Artists UAS 29559) 1973<br />
NB: Originals had a special golden United Artists label. A 1981 re-release exists on Telefunken 6.54853, lacking the golden cover and<br />
label.<br />
Achtzehn Kar<strong>at</strong> Gold were a short-lived off-shoot of Amon Duul II of limited musical Interest.