A. Kwiatkowska‐Lubańska <strong>Colour</strong> <strong>–</strong> texture <strong>–</strong> material <strong>–</strong> pattern relation <strong>in</strong> <strong>the</strong> process <strong>of</strong> colour forecast<strong>in</strong>g TABLE II. <strong>Colour</strong> trends created by pa<strong>in</strong>t manufacturers <strong>the</strong> years 2008-2012 <strong>–</strong> 84 <strong>–</strong>
Óbuda University e‐Bullet<strong>in</strong> Vol. 3, No. 1, 2012 TABLE III. Shigenobu Kobayashi <strong>Colour</strong> Comb<strong>in</strong>ation Image Scale applied to <strong>in</strong>terior colour stories. Pop Art <strong>in</strong>spired Style: Vivid, clear and bright colors, with strong contrast <strong>of</strong> hue. Contrast<strong>in</strong>g color comb<strong>in</strong>ations us<strong>in</strong>g many different hues. Images from popular culture and advertis<strong>in</strong>g. The use <strong>of</strong> new manufactur<strong>in</strong>g techniques and materials like plastic and arylic. An irreverent, not-so-serious, tongue-<strong>in</strong>-cheek aes<strong>the</strong>tic. Natural Style: Richness <strong>of</strong> natural materials, warm, simple, opposed to <strong>the</strong> artificial feel<strong>in</strong>g <strong>of</strong> modern. Color comb<strong>in</strong>ations are rich, sometimes grayish without vivid, clear tones. There is no pure white or black. Style structure is a crude, rough details, structure elements <strong>of</strong> furniture / light<strong>in</strong>g can be <strong>in</strong> tree trunks, logs, branches, jute. Style is found <strong>in</strong> mounta<strong>in</strong> vacation homes, rural. Contemporary Style: Colors are balanced, warm and cold, bright and pastel tones. F<strong>in</strong>ishes warm, wood-veneer, solid wood doors with frames or appearance to look more polished and panels upholstered with lea<strong>the</strong>r or sometimes, may be characteristic <strong>of</strong> this style. Textile materials, lea<strong>the</strong>r, upholstered pieces are <strong>of</strong>ten used <strong>in</strong> shap<strong>in</strong>g <strong>the</strong> ambience characteristic <strong>of</strong> this style. Swedish (Gustavian) Style: Pale tones <strong>of</strong> white, cream, s<strong>of</strong>t yellow, pale p<strong>in</strong>k, s<strong>of</strong>t green, and dove gray. S<strong>in</strong>ce pale walls, floors, and furnish<strong>in</strong>gs reflect <strong>the</strong> natural light, <strong>in</strong>teriors decorated with this style are cheerful, calm, and even warm even on <strong>the</strong> darkest w<strong>in</strong>ter days. After white, blue and red are <strong>the</strong> colors most <strong>of</strong>ten used <strong>in</strong> Swedish style <strong>in</strong>teriors, <strong>the</strong>y can be found <strong>in</strong> wallpaper, fabrics, <strong>–</strong> 85 <strong>–</strong>