21.01.2013 Views

Colour – Texture – Material – Pattern Relation in the Process of ...

Colour – Texture – Material – Pattern Relation in the Process of ...

Colour – Texture – Material – Pattern Relation in the Process of ...

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

A. Kwiatkowska‐Lubańska <strong>Colour</strong> <strong>–</strong> texture <strong>–</strong> material <strong>–</strong> pattern relation<br />

<strong>in</strong> <strong>the</strong> process <strong>of</strong> colour forecast<strong>in</strong>g<br />

are: <strong>the</strong> Color Association <strong>of</strong> <strong>the</strong> United States, <strong>the</strong> <strong>Colour</strong> Market<strong>in</strong>g Group, <strong>the</strong><br />

International <strong>Colour</strong> Authority, Panton Color Institute, <strong>the</strong> Trend Union, <strong>the</strong> Color<br />

Box, Perclers, Promostyl, Carl<strong>in</strong> International. At present <strong>the</strong> accuracy <strong>of</strong> <strong>the</strong><br />

forecasters <strong>in</strong>spires great confidence, this is why designers and market<strong>in</strong>g<br />

pr<strong>of</strong>essionals appear less sure <strong>of</strong> <strong>the</strong>ir own judgments and feel safer follow<strong>in</strong>g <strong>the</strong><br />

promoted trends. The <strong>in</strong>fluence <strong>of</strong> <strong>the</strong> forecasters on <strong>in</strong>dustry is thought by some<br />

to be highlighted by <strong>the</strong> power <strong>of</strong> promotion and advertis<strong>in</strong>g. But because so many<br />

colour designers work<strong>in</strong>g for <strong>the</strong> <strong>in</strong>dustry are <strong>in</strong>volved <strong>in</strong> colour<br />

forecast<strong>in</strong>g organizations, predictions made by <strong>the</strong>m can be treated as selffulfill<strong>in</strong>g<br />

[1]. The <strong>in</strong>formation collected by color forecasters is compiled <strong>in</strong>to<br />

trend prediction, develop<strong>in</strong>g colour stories, <strong>in</strong> which colour is is <strong>in</strong>separably<br />

connected with such properties as texture, shape, pattern and material. The<br />

simultaneous impact <strong>of</strong> <strong>the</strong> colour pallet becomes significantly streng<strong>the</strong>ned and<br />

directed by <strong>the</strong> name <strong>of</strong> <strong>the</strong> trend and <strong>in</strong>spir<strong>in</strong>g images, draw<strong>in</strong>gs, photos <strong>of</strong><br />

various objects <strong>–</strong> both from <strong>the</strong> range to which <strong>the</strong> mood board directly refers and<br />

additional areas (nature, art, technique). <strong>Colour</strong> stories are usually dedicated to a<br />

specific group <strong>of</strong> consumers, whose philosophy, lifestyle, preferences<br />

are determ<strong>in</strong>ed by market segmentation.<br />

Interior design is an area where <strong>the</strong> colour forecast<strong>in</strong>g plays a crucial role. The<br />

pa<strong>in</strong>t manufacturers form <strong>the</strong>ir own teams <strong>of</strong> colour experts from <strong>the</strong> fields <strong>of</strong><br />

design, architecture and fashion who annually meet to create <strong>the</strong>ir colour and<br />

lifestyle trends for <strong>the</strong> next season. Included <strong>in</strong> <strong>the</strong>se forecasts are not<br />

only color comb<strong>in</strong>ations but also o<strong>the</strong>r important features <strong>in</strong> <strong>the</strong> <strong>in</strong>terior<br />

design such as materials, styles, types <strong>of</strong> furniture, technology, textures and<br />

patterns [2].<br />

Although <strong>the</strong> color stories have different names one can extract a few lead<strong>in</strong>g<br />

trends. They usually have a reference to <strong>the</strong> styles function<strong>in</strong>g <strong>in</strong> <strong>the</strong> <strong>in</strong>terior<br />

decoration, colour traditions <strong>of</strong> <strong>in</strong>dividual countries or styles <strong>in</strong> architecture and<br />

art. The most common types <strong>of</strong> <strong>in</strong>terior trends are: m<strong>in</strong>imalist, rustic, <strong>in</strong>dustrial,<br />

retro, contemporary, English, French, Swedish (Gustavian), Mexican,<br />

Mediterranean, Tuscan, Art Deco, Pop Art, fifties, sixties, seventies, eighties. Any<br />

type <strong>of</strong> <strong>in</strong>terior trends corresponds to a specific palette <strong>of</strong> colors, materials, and a<br />

particular style <strong>of</strong> .furniture. They constitute a k<strong>in</strong>d <strong>of</strong> language used by <strong>in</strong>terior<br />

decorators. The versatile styles are <strong>in</strong> turn reflected <strong>in</strong> <strong>the</strong> trends<br />

annually produced by pa<strong>in</strong>t manufacturers. They also form <strong>the</strong> long term trend<br />

<strong>of</strong> color, and are repeated <strong>in</strong> <strong>the</strong> key styles and colors that are characteristic for a<br />

longer period <strong>of</strong> time (3-7 years) be<strong>in</strong>g at <strong>the</strong> same time a reflection <strong>of</strong><br />

current market developments, political, economic, cultural and social issues. At<br />

<strong>the</strong> same time colours and colour comb<strong>in</strong>ations used <strong>in</strong> <strong>the</strong> trends take on special<br />

mean<strong>in</strong>g and character, which sometimes is not <strong>in</strong>cluded <strong>in</strong> <strong>the</strong>ir more<br />

universal symbolism.<br />

<strong>–</strong> 76 <strong>–</strong>

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!