FallArt Tour 2011 - University of Minnesota
FallArt Tour 2011 - University of Minnesota
FallArt Tour 2011 - University of Minnesota
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Hiawatha Avenue<br />
St. Catherine<br />
<strong>University</strong><br />
35E<br />
4<br />
2<br />
Randolph Avenue<br />
W 7th Street<br />
Macalester<br />
College<br />
3<br />
6. Northwestern College<br />
Behind Totino Fine Arts<br />
Center, at top <strong>of</strong> main loop<br />
around campus<br />
6. Hamline <strong>University</strong><br />
Hewitt Ave., in front <strong>of</strong> the<br />
statue <strong>of</strong> Bishop Hamline<br />
<strong>University</strong><br />
<strong>of</strong> St. Thomas<br />
3<br />
1<br />
Concordia<br />
<strong>University</strong><br />
College <strong>of</strong><br />
Visual Arts<br />
5<br />
Lake Street Marshall Avenue<br />
4<br />
94<br />
5. Bethel <strong>University</strong><br />
In front <strong>of</strong> the Community<br />
Life Center<br />
5. College <strong>of</strong> Visual Arts<br />
NW corner <strong>of</strong> Western and<br />
Selby<br />
94<br />
<strong>University</strong> Avenue<br />
Augsburg<br />
College<br />
1<br />
Hamline<br />
<strong>University</strong><br />
6<br />
2<br />
Lexington Avenue<br />
Dale Street<br />
4. St. Catherine <strong>University</strong><br />
Gate #2 <strong>of</strong>f Randolph, in<br />
front <strong>of</strong> Catherine Murphy<br />
Gallery<br />
4. Concordia <strong>University</strong><br />
1301 Marshall Avenue, SW<br />
corner <strong>of</strong> Marshall & Syndicate<br />
Katherine E. Nash<br />
U <strong>of</strong> MN<br />
Snelling Avenue<br />
280<br />
3. Macalester College<br />
Macalester St. at the path<br />
connecting Princeton Ave.<br />
and Macalester Street<br />
35W<br />
3. <strong>University</strong> <strong>of</strong> St. Thomas<br />
Cleveland Ave. between<br />
Portland and Ashland at<br />
Parking Lot G<br />
36<br />
2. St. Catherine <strong>University</strong><br />
Gate #2 <strong>of</strong>f Randolph, in<br />
front <strong>of</strong> Catherine Murphy<br />
Gallery<br />
2. Katherine E. Nash Gallery<br />
U <strong>of</strong> MN<br />
21st Ave. S. between 4th<br />
and 5th Streets<br />
1. Augsburg College<br />
7th St. and 22nd Ave. S.<br />
1. <strong>University</strong> <strong>of</strong> St. Thomas<br />
Cleveland Ave. between<br />
Portland and Ashland at<br />
Parking Lot G<br />
Northwestern<br />
College 6<br />
35W<br />
5<br />
Bethel<br />
<strong>University</strong><br />
WEST ROUTE:<br />
EAST ROUTE:<br />
Country Road E<br />
Old S.T.H. 10<br />
BUS STOPS<br />
Buses arrive every 20 minutes<br />
A U G S B U R G C O L L E G E<br />
B E T H E L U N I V E R S I T Y<br />
C O L L E G E O F V I S U A L A R T S<br />
C O N C O R D I A U N I V E R S I T Y<br />
H A M L I N E U N I V E R S I T Y<br />
M A C A L E S T E R C O L L E G E<br />
N O R T H W E S T E R N C O L L E G E<br />
S T . C A T H E R I N E U N I V E R S I T Y<br />
K A T H E R I N E E . N A S H G A L L E R Y<br />
U N I V E R S I T Y O F M I N N E S O T A<br />
U N I V E R S I T Y O F S T . T H O M A S<br />
Fall Art <strong>Tour</strong><br />
S A T U R D A Y, O C T O B E R 8 , 2 0 1 1<br />
<strong>Tour</strong> begins at 1 p.m., last bus at 5 p.m.
G ALLERY LOCATIONS, HOURS, A ND PARKING<br />
Augsburg College<br />
Gage Family Art Gallery<br />
22nd Ave. S. and Riverside Ave.,<br />
Minneapolis<br />
Christensen Center Art Gallery<br />
22nd Ave. South at 7 1/2 St., Minneapolis<br />
Street parking along 22nd, 21st, and<br />
Riverside Avenues<br />
M-F: 8 a.m.-8 p.m.; S/S: 9 a.m.-5 p.m.<br />
Bethel <strong>University</strong><br />
3900 Bethel Drive, St. Paul<br />
Olson Gallery, CLC Building, 2nd Floor<br />
Johnson Gallery, CC Building, 2nd Floor<br />
Free parking in West Lot in front <strong>of</strong> CLC<br />
M-Sat: 9 a.m.-8 p.m.; Sun: 11 a.m.-6 p.m.<br />
College <strong>of</strong> Visual Arts<br />
173 Western Ave. at Selby Ave., St. Paul<br />
Free parking in gallery lot, limited street<br />
parking<br />
W/F: 12-6 p.m.; Th: 12-8 p.m.;<br />
Sat: 12-4 p.m.<br />
Concordia <strong>University</strong><br />
Concordia Art Center Building, first floor<br />
1301 Marshall Ave., St. Paul<br />
Street parking on Marshall Ave. and<br />
Syndicate St. or in campus lots after 5 p.m.<br />
and on weekends<br />
M-F: 10 a.m.-4 p.m.<br />
Hamline <strong>University</strong><br />
Soeffker Gallery, Drew Fine Arts Center<br />
1536 Hewitt Avenue<br />
Saint Paul, MN 55104-1284<br />
For parking information visit:<br />
www.hamline.edu/<strong>of</strong>fices/security/parking.<br />
html<br />
M-F: 10 a.m.-4 p.m.<br />
Katherine E. Nash Gallery<br />
U <strong>of</strong> MN<br />
405 21st Ave. S, Minneapolis<br />
Parking is available in 21st Ave. ramp<br />
T-Sat: 11 a.m.-7 p.m.<br />
Macalester College<br />
During construction, the gallery is now at:<br />
1665 Princeton Ave., St Paul<br />
Free parking in lots to North, South, West<br />
West River Parkway<br />
M-F: 10 a.m.-4 p.m. (T until 8 p.m.);<br />
S/S: 12-4 p.m.<br />
Franklin Ave.<br />
Northwestern College<br />
3003 Snelling Ave. N, St. Paul<br />
Parking behind the Totino Fine Arts Center<br />
M-F: 9 a.m.-4 p.m.<br />
East River Parkway<br />
St. Catherine <strong>University</strong><br />
Visual Arts Building<br />
2004 Randolph Ave., St. Paul<br />
Park on sides <strong>of</strong> building–use Gate #2 or #3<br />
M-F: 8 a.m.-8 p.m.; S/S: 12-6 p.m.<br />
<strong>University</strong> <strong>of</strong> St. Thomas<br />
2115 Summit Ave., St. Paul<br />
O’Shaughnessy Educational Center<br />
Parking in Anderson Parking Ramp at the<br />
SW corner <strong>of</strong> Cretin and Grand Avenues<br />
M-Sat: 9 a.m.-10 p.m.; Sun: 12-10 p.m.<br />
N Mississippi River Blvd.<br />
Gallery Locations<br />
<strong>University</strong><br />
<strong>of</strong> St. Thomas<br />
Macalester<br />
College<br />
Augsburg College<br />
22nd Ave. S. and Riverside Ave.<br />
<strong>University</strong> <strong>of</strong> <strong>Minnesota</strong><br />
21st Ave S & S 5th Street<br />
<strong>University</strong> <strong>of</strong> St. Thomas<br />
Cleveland Ave & Portland Ave.<br />
Simpson Ave.<br />
Hamline<br />
<strong>University</strong><br />
Pascal St.<br />
Concordia<br />
<strong>University</strong><br />
Griggs St.<br />
Concordia <strong>University</strong><br />
Marshall Ave. & Syndicate St.<br />
Macalester College<br />
W Princeton Ave & S Vernon St.<br />
Hamline <strong>University</strong><br />
Hewitt Ave. & Simpson St
Bike the Art <strong>Tour</strong>!<br />
Grab a NICE RIDE bike and check out the art galleries.<br />
www.niceridemn.org<br />
S 4th Street<br />
Augsburg<br />
College<br />
S 4th Street<br />
Katherine E. Nash<br />
U <strong>of</strong> MN<br />
West River Parkway<br />
Franklin Ave.<br />
East River Parkway<br />
Nice Ride: Day Pass<br />
24 hour subscriptions are purchased using a credit card at the Nice Ride kiosk. A 24-hour<br />
subscription gives you the right to an unlimited number <strong>of</strong> trips in a 24-hour period for just<br />
$5 plus trip fees. Trip fees will be charged for rides lasting longer than 30 minutes. Visit<br />
www.niceridemn.org for more details.<br />
The bike map above is a self-guided tour and may not account for traffic changes or construction detours. The participating schools in the<br />
Fall Art <strong>Tour</strong> are not responsible for injury, damage or liability arising out <strong>of</strong> individuals participating in the bike tour or connected with<br />
use <strong>of</strong> the bike map. Riding a bicycle involves risks, hazards, and dangers; please ride safely.<br />
N Mississippi River Blvd.<br />
Fall Art <strong>Tour</strong><br />
Hamline<br />
The curators and gallery directors from Augsburg College, Bethel <strong>University</strong>, the College<br />
<strong>of</strong> Visual Arts, Concordia <strong>University</strong>, Hamline <strong>University</strong>, Katherine E. Nash Gallery U <strong>of</strong><br />
MN, Macalester College, Northwestern College, St. Catherine <strong>University</strong>, and <strong>University</strong> <strong>of</strong><br />
St. Thomas invite you to a “neighborhood” gallery crawl. Find quality art exhibitions and<br />
galleries close to home at the CAGC Fall Art <strong>Tour</strong>. Everyone is invited to attend this<br />
free event.<br />
Join us for exhibition receptions, refreshments, and music. Travel between the galleries on<br />
free shuttle buses - map and schedule on the back <strong>of</strong> this program.<br />
This collaborative gallery crawl is made possible with the support <strong>of</strong> the Associated<br />
Colleges <strong>of</strong> the Twin Cities Academic Deans.<br />
Concordia<br />
<strong>University</strong><br />
www.actc-mn.org/academic/cagc<br />
<strong>University</strong><br />
<strong>of</strong> St. Thomas<br />
Macalester<br />
College<br />
Simpson Ave.<br />
<strong>University</strong><br />
Pascal St.<br />
Griggs St.
AUGSBURG COLLEGE<br />
Recollections<br />
Alumni Juried Exhibition <strong>2011</strong><br />
August 5 – October 22, <strong>2011</strong><br />
Gage Family Art Gallery & Christensen Center Art Gallery<br />
This exhibition features the artwork <strong>of</strong> Augsburg’s alumni in both galleries. Twenty-three<br />
artists display over thirty pieces <strong>of</strong> artwork in the following media: ceramics, painting,<br />
drawing, multi-media, sculpture, photography, book arts, fiber arts and printmaking. The<br />
exhibition was juried by Diane Mullin, Associate Curator at the Weisman Art Museum.<br />
Closing Reception: Friday, October 21, 5-7 p.m.<br />
www.augsburg.edu/galleries<br />
The Horizon Line: Continuity and Change<br />
Megan Huskey, Eric A. Johnson, Eric Menzhuber, Sheila Moar,<br />
Jodi Reeb-Myers, and Getachew Irko Yadette<br />
September 6 – October 21, <strong>2011</strong><br />
UNIVERSIT Y OF ST.THOMAS<br />
The artists in this exhibit use line, the most basic element <strong>of</strong> art and design, to illustrate<br />
transition, change, and development. The horizon line appears to be solid but the moment<br />
you move – in any direction – the line is altered. The artists are striving towards their own<br />
“horizon line,” the ever-changing expression <strong>of</strong> the most basic <strong>of</strong> all ideas.<br />
www.stthomas.edu/arthistory/exhibitions
K ATHERINE E. N ASH G ALLERY, U OF M<br />
Li Huasheng<br />
The Great Celestial Abstraction:<br />
Chinese Art in the 21st Century<br />
September 6 – October 15, <strong>2011</strong><br />
The Great Celestial Abstraction: Chinese Art in the 21st Century provides a survey <strong>of</strong><br />
contemporary abstract painting in China, a practice and set <strong>of</strong> perspectives that engage<br />
historical, theoretical, and technical concerns. The exhibition was curated by Achille<br />
Bonito Oliva, organized by the China Art Academy with support from the San Chuan<br />
Gallery, Beijing and first presented in April 2010 at the National Art Museum <strong>of</strong> China,<br />
Beijing. The presentation at the Katherine E. Nash Gallery was developed as part <strong>of</strong> the<br />
International Exchange program with the <strong>University</strong> <strong>of</strong> <strong>Minnesota</strong> Department <strong>of</strong> Art, the<br />
Beijing Film Academy, and the Beijing Central Academy <strong>of</strong> Fine Art. Co-sponsored by<br />
the College <strong>of</strong> Liberal Arts, the Institute for Advanced Study, and the Institute for Global<br />
Studies.<br />
Artists included in the exhibition: Lei Hong, Liang Quan, Li Huasheng, Li Xiangyang, Liu<br />
Gang, Liu Xuguang, Ma Kelu, Meng Luding, Tan Ping, Xu Hongming, Yu Youhan, Zhang<br />
Hao, Zhang Jianjun, Zhang Yu, Zhou Yangming.<br />
All in all, the Chinese abstract artist creates a border between art and life, a hinge for the<br />
social gaze which can swing back and forth with constant, delicate movement between<br />
the inertia <strong>of</strong> daily life and the intensity <strong>of</strong> the aesthetic domain. This is the new Chinese<br />
art, a form <strong>of</strong> art in joyful movement. —Achille Bonito Oliva<br />
nash.umn.edu<br />
Jon Anderson, Construction (No. 5)<br />
Curse or Calling?<br />
September 15 – December 18, <strong>2011</strong><br />
Olson Gallery<br />
Artists: Jon Anderson, Doris Hutton Auxier, Joan<br />
Bohlig, Sandra Bowden, Michael Buesking, Guy<br />
Chase, Shin-Hee Chin, Richard Cummings, Gary<br />
Denmon, Martha Failinger, Bruce Herman, Kathy<br />
Hettinga, Ryan Jackson, Edward Knippers, Lisa Line,<br />
Erica Mapp, Ronnie McClure, David McCoy, Sheryl McRoberts, Karyn R. Millet, Deborah<br />
Risa Mrantz, Shannon Newby, Dennis Santella, Kenneth Steinbach, Amanda Thompson,<br />
Ryan Thompson, Lauren Tilden, Alan Vales, Mark Phillip Venema, and GF Sam Wagner<br />
Curse or Calling?, an exhibition sponsored by Christians in the Visual Arts (CIVA), brings<br />
together the work <strong>of</strong> 31 artists and 37 artworks from 13 states across North America. This<br />
exhibition explores a delightful range <strong>of</strong> responses to the initial “call for work” and <strong>of</strong>fers<br />
the viewer meaningful encounters with a truly germane topic: the meaning and purpose <strong>of</strong><br />
work. Juried by Joel Zwart, Gallery Director and Curator at Calvin College.<br />
a CIVA traveling exhibition<br />
Caroyn Swiszcz, Plaza #1 - Bakery Thriftshop<br />
Artist Talk with Karen Brummund:<br />
Thursday, October 13, 5 p.m., Johnson Gallery, 2nd floor, CC Building<br />
Opening reception in the Johnson Gallery following the talk<br />
BE THEL UNIVERSIT Y<br />
Karen Brummund<br />
& Carolyn Swiszcz<br />
September 29 – December 18, <strong>2011</strong><br />
Artist Talk with Carolyn Swiszcz:<br />
Tuesday, November 8, at 5 p.m. in the Johnson Gallery, 2nd floor, CC Building<br />
This exhibition includes the work <strong>of</strong> two artists exploring architecture and its direct and<br />
indirect influence on culture and community. Karen Brummund’s large scale projects<br />
transform the surfaces <strong>of</strong> the environment. Her works include drawings and video works<br />
that have documented the large scale time-based drawing installations she has created in<br />
numerous cities around the world. Carolyn Swiszcz’s colorful series <strong>of</strong> works on paper from<br />
2005 and 2006 were made with the loose idea <strong>of</strong> an unending panorama. Each work was<br />
inspired by a real-life sign or commercial enterprise whose actual site may not have been<br />
that compelling.<br />
www.bethel.edu/galleries
COLLEGE OF VISUAL ARTS ST. CATHERINE UNIVERSIT Y<br />
Deceptive Distance<br />
September 15 – October 16, <strong>2011</strong><br />
CVA Gallery<br />
This group show brings together six Twin Cities based artists whose work engages with<br />
the consequences <strong>of</strong> September 11, 2001. This now distant day continues to shape the<br />
everyday reality <strong>of</strong> people living and fighting in the far-away theaters <strong>of</strong> war, Iraq and<br />
Afghanistan. In addition to the deceptive distance <strong>of</strong> time and geography, an emotional<br />
distance remains intact despite our most well-intentioned efforts to empathize, to imagine<br />
what “it” must be like for “them”—those less fortunate ones who fight or bear the impact<br />
<strong>of</strong> armed antagonism.<br />
In Regarding the Pain <strong>of</strong> Others, Susan Sontag writes, “‘we’—this ‘we’ is everyone who<br />
has never experienced anything like what they went through—don’t understand. We<br />
don’t get it. We truly can’t imagine what it was like. We can’t imagine how dreadful, how<br />
terrifying war is; and how normal it becomes. Can’t understand, can’t imagine” (125f.).<br />
The horror <strong>of</strong> war, in Sontag’s words, outpaces imagination and empathy. Nonetheless, the<br />
six artists in this show engage with both personal and cultural realities irrevocably altered<br />
in the aftermath <strong>of</strong> September 11. Their work commemorates, imagines, reaches out, and<br />
reflects on the deceptive distance <strong>of</strong> war, bringing it closer and making it more intimate in<br />
the process.<br />
Featured Artists:<br />
Harriet Bart, Laura Crosby, Vesna Kittelson, Ana Lois-Borzi, Megan Rye, Megan Vossler<br />
www.cva.edu/gallery/gallery<br />
Harriet Bart, Eulogy, 2010-<strong>2011</strong>, acrylic and thread<br />
on canvas, army litter, army canvas bag, books<br />
Iron Maidens<br />
September 12 – October 30, <strong>2011</strong><br />
St. Kate’s is the first U.S. venue to host this traveling exhibition outside <strong>of</strong> Great Britain.<br />
The exhibit features American, Welsh and English women artists who work with iron<br />
as their primary medium. Iron casting has a very old history as a process for creating<br />
functional products, however its use by fine artists is very recent, dating back to the 1960’s<br />
and the development <strong>of</strong> a studio sized iron furnace.<br />
Tamsie Ringler, Mare Fecunditatis<br />
cast iron, bronze, gold leaf, 2006<br />
Dilys Jackson gassing a mould, 2006<br />
Panel Discussion: Iron Maidens: Live!<br />
Thursday, September 15, 7 p.m.<br />
Visual Arts Building Lecture Hall<br />
Moderator: Tamsie Ringler<br />
Panelists: Dilys Jackson, Coral Lambert,<br />
Justine Johnson, and Deborah LaGrasse<br />
Women’s Studies & Critical Studies <strong>of</strong><br />
Race and Ethnicity Bag Lunch Discussion<br />
Series: How I Became an Iron Maiden<br />
Presented by Tamsie Ringler, Assistant Pr<strong>of</strong>essor<br />
<strong>of</strong> Art/Art History<br />
Friday, September 16, 12-1:30 p.m.<br />
Abigail Quigley McCarthy Center for Women,<br />
Coeur de Catherine 230, St. Paul campus<br />
Lecture and Gallery <strong>Tour</strong> with Dilys<br />
Jackson:<br />
Tuesday, September 20, 7 p.m.<br />
Visual Art Building Lecture Hall & Catherine<br />
G. Murphy Gallery<br />
Cost: $15 (Free with a student ID)<br />
Lecture: Women Artists <strong>of</strong> Europe 900 to 1900 or<br />
Men Don’t Wear Skirts<br />
How women artists’ works and stories<br />
became lost in the sands <strong>of</strong> history till the<br />
New World and the New Art Histories found<br />
them again.<br />
Gallery <strong>Tour</strong>: A Walk Through The Iron Hearts <strong>of</strong> a<br />
Group <strong>of</strong> US and UK Women Sculptors<br />
Iron Maidens is sponsored in part by Brecon<br />
Arts Trust, The Contemporary Arts Society<br />
for Wales, The Gibbs Trust, and Wales Art<br />
International<br />
www.stkate.edu/gallery
Jonathan Gillette, Family Portrait NORTHWESTERN COLLEGE<br />
Jonathan Gillette:<br />
They Don’t Believe Like We Do<br />
October 3 – 28, <strong>2011</strong><br />
Denler Gallery<br />
Reception: Monday, October 3, <strong>2011</strong><br />
Jonathan Paul Gillette is a Nashville-based artist and designer interested in things that<br />
occupy a space between art and psychology. This solo exhibition includes works in a<br />
variety <strong>of</strong> media, including photography and sculpture, which the artist hopes will provoke<br />
opportunities for others to look inward instead <strong>of</strong> asking them to look at art.<br />
Jonathan is committed to running from his problems, believing that running towards them<br />
would create more.<br />
He currently partners the design collective Enchanted Unicorn, is full time Pr<strong>of</strong>essor <strong>of</strong><br />
Art Theory and Graphics Design at Lipscomb <strong>University</strong>, and is presiding as Director <strong>of</strong> the<br />
BFA program. He holds a MFA in Painting & Drawing and a MS in Psychology.<br />
art.nwc.edu/denler<br />
Let’s not leave it to chance<br />
Rachel Breen<br />
October 8 – November 4, <strong>2011</strong><br />
Concordia Gallery<br />
Opening Reception: Saturday, October 8, 1-5 p.m.<br />
Closing Reception and Artist Talk: Thursday, October 27, 5:30-7:30 p.m.<br />
Faculty Exhibition<br />
October 3 – 12, <strong>2011</strong><br />
H. Williams Teaching Gallery<br />
Reception: Saturday, October 8, 1-5 p.m.<br />
New work by Concordia Faculty and residents artists.<br />
CONCORDIA UNIVERSIT Y<br />
Seeds, something so small and innocuous on the surface, contain thousands <strong>of</strong> years <strong>of</strong><br />
evolutionary history and are essential to human survival. The practice <strong>of</strong> saving seeds<br />
speaks to the importance <strong>of</strong> individual action in sustaining life. Let’s not leave it to<br />
chance asks us to consider what we have inherited and what we hope to pass on to future<br />
generations. At the heart <strong>of</strong> this work is imagery inspired by the practice <strong>of</strong> cultivating<br />
and saving heirloom seeds.<br />
Rachel Breen is an artist and a pr<strong>of</strong>essor <strong>of</strong> art at Anoka Ramsey Community College.<br />
Her work incorporates themes from folk art, contemporary social concerns and<br />
experimentation with materials and process. Rachel’s main drawing tool is her sewing<br />
machine, which, more <strong>of</strong>ten than not, she uses without thread.<br />
www.csp.edu/art
HAMLINE UNIVERSIT Y M ACALESTER COLLEGE<br />
Permanent Collection and Faculty Exhibition<br />
October 8 – December 20, <strong>2011</strong><br />
Soeffker Gallery, Drew Fine Arts Center<br />
Opening Reception: Saturday, October 8, 1-5 p.m.<br />
This exhibition features selected works from Hamline’s permanent collection and current<br />
works by Hamline studio arts faculty. Hamline’s permanent collection is wide-ranging.<br />
In addition to Francisco Goya’s Los Desastres de la Guerra and Los Caprichos, a John<br />
Chamberlain metal assemblage, and an African Zombo mask, selections from Hamline’s<br />
permanent collection include Jain miniature paintings, a Mauricio Lasansky print from the<br />
Kaddish series, and individual works by Fairfield Porter, Edvard Munch, and Emil Nolde.<br />
Juxtaposed are faculty works including selected paintings by Andrew Wykes, prints by<br />
John-Mark Schlink, and a drawing by Leonardo Lasansky.<br />
www.hamline.edu<br />
A Crow’s Nest:<br />
New and Recent Work by Richard Barlow<br />
October 8 – November 6, <strong>2011</strong><br />
Opening Reception: Friday, October 7, 7-9 p.m.<br />
For “A Crow’s Nest” Richard Barlow will be showing two recent series: “Covers,” a series<br />
<strong>of</strong> silver leaf drawings based on landscape imagery from LP covers; and “Daily Bromides,”<br />
an ongoing series <strong>of</strong> watercolor postcards all based on a single 19th Century photograph<br />
by Fox Talbot. In addition, he will be showing several new series: “Welcome to the Open,”<br />
landscape images taken from SUV advertisements (presented in both chalk wall drawings<br />
and small iron oxide drawings); “Recognition Study Cards,” a series <strong>of</strong> prints <strong>of</strong> US Navy<br />
ships named after US Presidents; and “M3 Monoprints,” a series <strong>of</strong> landscape images<br />
made from mono-prints <strong>of</strong> worn wooden floorboards.<br />
Richard Barlow is a visual artist and musician living in Minneapolis. He has an MFA from<br />
the <strong>University</strong> <strong>of</strong> <strong>Minnesota</strong> and a BFA from the Rhode Island School <strong>of</strong> Design. His work<br />
has been shown both locally and nationally, most recently at the Phipps Center for the Arts<br />
in Hudson, Wisconsin. This spring he received a Clean City Minneapolis Graffiti Abatement<br />
grant towards a mural project in Powderhorn Park. Mr. Barlow performs in the band Take<br />
Acre and is co-curator <strong>of</strong> the annual Heliotrope music festival.<br />
www.macalester.edu/gallery